Trailside Galleries Summer Online Catalog 2020

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2020 ONLINE CATALOG TH

E


2020 ONLINE CATALOG TH

E

Featuring Works by All Gallery Artists

July 20 – August 8, 2020 130 E. Broadway Jackson, WY Trailsidegalleries.com


Trailside Galleries is pleased to present The 2020 Online Catalog, a special show of new works featured entirely as a virtual event from July 20 through August 8. All of the gallery artists are participating in this show bringing a vast and diverse collection of new works to collectors. While many art patrons have long used online platforms and resources to purchase art, these challenging times have necessitated a more innovative way for the gallery to fully continue to service its clients and artists. We look to art as a source of beauty and inspiration, now and always. It is our pleasure to bring you this special online event so that you can view and purchase artwork from the safety and comfort of your home! Maryvonne Leshe Managing Partner


WILLIAM ACHEFF

The Spencer carbine is immediately recognized as having been Apache owned by the brass tacks and the rawhide support around the cracked gunstock. Remington’s painting shows an Apache holding a Spencer carbine which was why I picked it for this painting. I modified this painting four times in the course of three years. I was never really convinced that I was finished with it. I changed the wall three times, changed one of the arrows to an Apache type arrow with the two piece shaft, aged the red blanket and modified the print. I always like to combine contemporary thinking to the past as I feel nothing really changes. Peace usually follows war.

Peace Came Eventually, oil on canvas, 36 x 24 inches, $36,000


Generations, oil on canvas, 10 x 20 inches, $14,500 Mother’s Home, oil on canvas, 8 x 6 inches, $5,000


CYRUS AFSARY

The cabin is hidden away from the hustle and noise of life on the freeways and in the cities. Enjoyment is the sounds of nature, that surround the cabin within the abundance of trees. The horses and the rippling stream cascading over the rocks is an added delight to the serenity

Nestled in the Woods, oil on canvas, 14 x 11 inches, $7,500


Toy Maker, oil on canvas 16 x 20 inches, $12,000

Jacqueline, oil on canvas, 14 x 11 inches, $7,500

October Snow, oil on canvas, 11 x 14 inches, $7,000


STEVE ATKINSON

Land of the Free, oil on linen, 34 x 48 inches, $19,500

When I first conceived of the “Land of the Free”, I envisioned it with a cowboy sitting on his horse looking out over Monument Valley, but it seemed like it lacked something and didn’t tell a story. So, I thought of adding a herd of horses running toward the mounted cowboy, but that wasn’t the message I wanted to convey either. I wanted a hopeful image, something you’d want to look at every day and never get tired of. That’s when I came up with having the leader up on a hill looking out at his wild herd running toward him. They have all the room in the world, all the freedom to roam and no one telling them what to do or when to do it. I think of this painting as the ultimate freedom scene and a very uplifting one that makes me smile. I hope it does the same for you.


Summer Stock, oil on stretched linen, 24 x 34 inches, $7,200

Blowing Off Steam, oil on panel, 12 x 9 inches, $1,600

Before the Battle, oil on linen, 18 x 30 inches, $6,400


THOMAS BLACKSHEAR

Upcoming Exhibition THOMAS BLACKSHEAR NOUVEAU TRAIL September 7 – 19, 2020 Jackson, Wyoming

Hunter’s Watch oil on canvas mounted on panel with gold leaf 38 x 30 inches Thomas Blackshear is the 2020 Fall Arts Festival Featured Artist. This original painting will be sold by auction in downtown Jackson, Wyoming on Saturday, September 19.


Taking Flight oil on canvas 63 x 29 inches $40,000


JEREMY BROWNE

Looking Back, acrylic on watercolor paper panel, 36 x 48 inches, $11,000

My goal is to create scenes that represent the feeling of isolation, from a simpler time.


Along Country Roads, acrylic on watercolor paper panel, 15 x 30 inches, $4,000

Lake Effect Flurries, acrylic on canvas, 12 x 24 inches, $2,400

Study for Huron County Flurries, acrylic on watercolor paper panel, 12 x 20 inches, $2,400


ROSS BUCKLAND

Below Mt. Ishbel, a little west of Banff, a bull elk (or wapiti) emerges from the trees to announce his presence. The sound of his bugling will echo for miles along the Bow Valley.

Bow Valley Monarch oil on canvas 24 x 18 inches $4,800


The Contender, oil on board, 18 x 36 inches, $9,000

Into Jasper, oil on board, 18 x 24 inches, $4,800

Midnight Run, oil on board, 9 x 12 inches, $1,200


SHAWN CAMERON

When the Chamisa’s In Bloom, oil on linen, 16 x 20 inches, $3,900

The Chamisa blooms profusely on the high desert at the end of a good summer. Their brilliant color appears after rains have come supplying water and forage for all the animals, including cattle, on the ranges. It is the grand finale to a wonderful season’s performance leaving us anxious to see what is yet to come.


June Filly oil on canvas 10 x 8 inches $1,600

Welcoming Rays, oil on canvas board, 18 x 24 inches, $4,300

Horseback Legend oil on linen canvas 16 x 12 inches $2,950


KEN CARLSON

Moose Country-Autumn, oil on canvas, 20 x 30 inches, $31,000

Autumn frost in the northern wilderness brings rich reds and yellows to the vegetation and signals the beginning of rutting season for moose. During the rut, these gentle giants become less shy, battle for dominance and focus their energy on mating. Catching sight of a magnificent bull moose, as in Moose Country Autumn, with its impressive antlers never fails to inspire awe.


On The Run, oil on canvas, 7 x 9 inches, $4,500

The Yellow Eyes, oil on canvas, 20 x 30 inches, $31,000

Resting In The Reeds, oil on canvas, 15 x 30 inches, $23,000


BRUCE CHEEVER

Soft Light on a Promised Day, oil on board, 21 x 31 inches, $10,000

A change of season often times seems to trigger some primeval awareness that when nature gives off her subtle clues, there is no turning back. We may not want to let go of the present, or perhaps we look forward to the unknown of the future, but the one constant is, that change is always inevitable. In my painting, “Soft Light on a Promised Day,” I wanted to exude the feeling of nature’s subtle shift from a tranquil day of summer, to the first touches of autumn. Nature sends her soft warnings at first that winter lies just around the corner. Diffused light intensifies the remaining greens of the dog days of summer in the west, while at the same time autumn begins to paint its glorious cloak of color on the landscape.


River of Gold, oil on board, 17 x 21 inches, $6,000

Last LIght at Deer Camp, oil on board, 24 x 30 inches, $10,500

Cloak of Autumn, oil on board, 17 x 24 inches, $6,900


NICHOLAS COLEMAN

Visitors In Camp, oil on canvas, 30 x 40 inches, $14,000

Artwork really can and does bring us closer together. I absolutely love what I do each day. I feel extremely lucky to paint what I do. Finding like minded people to share my love of the outdoors, makes me quite happy! I strive to make each painting, large or small, the best it can be. There is a quote by John Muir that can sum up my feelings. “Keep close to Nature’s heart... and break clear away, once in awhile, and climb a mountain or spend a week in the woods. Wash your spirit clean."


Camp at Long Lake oil on linen 16 x 12 inches $4,500

Brother of the Deer, oil on linen, 30 x 40 inches, $14,000

Old Town Camp oil on linen 12 x 9 inches $3,000


JENNESS CORTEZ

War Horse #2 Pinto, acrylic on mahogany board, 30 x 40 inches, $40,000

The horse has always had spiritual significance for human beings, all the way back to thirty thousand-year-old cave paintings. Because of its natural beauty, power and courageous spirit, the image of the horse has always found a welcoming home in our hearts and minds. I see the American Indian horse, prepared for battle, as an enduring symbol of our unwavering human drive for freedom.


War Horse # 1, acrylic on mahogany board, 30 x 40 inches, $40,000

Spirit of Tatanka, acrylic on mahogany panel, 36 x 30 inches, $88,000

War Horse #3, acrylic on mahogany board, 30 x 40 inches, $40,000


BRENT COTTON

A Quiet Seclusion, oil on linen, 20 x 26 inches, $6,500

This piece was inspired by a magical day of fly fishing for wild cutthroats on Lost Horse Creek in western Montana. I visit this stream often near my home and it always provides rejuvena-tion for my soul and ideas for future paintings.


Burning the Lower Field oil on linen 14 x 18 inches $3,500

In the Still of the Night, oil on board, 12 x 20 inches, $3,400


STAN DAVIS

The definition of the Latin word “Vestigia” in Soma’s Dictionary, is “footprints; traces; marks; remains.” There is a narrative here. However, for the painting to be fully completed, viewers must create their own commentary.

Destvestigia mixed media collage 20 x 20 inches $5,200


The Spirit Makes Noble, mixed media, 14 x 11 inches, $3,200

Wild Nature’s Gentle Zephyr, pastel and watercolor on paper, 40 x 30 inches, $14,000

Je Suis Je Reste, pastel and watercolor on paper, 40 x 30 inches, $14,000


JOHN DEMOTT

I have always enjoyed photographing the American bison. There is something about their size and quickness that makes them dangerous. The thrill of getting somewhat close to these magnificent animals is a rush to say the least. They are very unpredictable! Some years ago I was able to visit a bison ranch in South Dakota with several artists for a photo shoot. This is where Kevin Costner filmed the bison for his movie Dances With Wolves. The ranch has 2000 or more bison in the herd. I was able to get into one of the pens where they would run the bison down the alleyways and into the holding pens. I got some of the best running bison shots that I could ever hope for. Truly an experience I will never forget!

Frontiersman oil on linen 34 x 34 inches $21,000


Anticipation, oil on linen, 24 x 36 inches, $19,500


MICK DOELLINGER

The American Bison was designated as the National Mammal of the United States in 2016, and embodies the resilience and strength associated with this country. These iconic bovines are the largest land animal in North America, and with their large mass, gravity and gnarly looks make great sculptural subjects.

American Icon, bronze ed. of 12, 50 x 29 x 23 inches, $35,000


Out of Nowhere, bronze ed. of 25 19 ½ x 28 x 9 inches, $5,300

Gaining Ground, bronze ed. of 28, 11 x 28 x 5 ½ inches, $5,200

Distant Bugle, bronze ed. of 22, 28 x 22 x 13 inches, $5,700


ROBERT DUNCAN

Dusk, oil on linen, 36 x 48 inches, $30,000

With my painting “Dusk� I was just trying to capture a moment in the life of the people who summered in the valley below the Tetons, in relative abundance and peace but also with cautious vigilance to the presence of the big carnivores that shared the valley and occasionally other tribes passing by. A hard earned beautiful life!


Dreamweaver, oil on linen, 22 x 26 inches, $7,800

New Years Day, oil on linen, 24 x 30 inches, $9,500

The Herdsman, oil on canvas, 22 x 28 inches, $8,200


KATHLEEN DUNPHY

Water in all its forms fascinates me. I’ve set up my easel on countless riverbanks, beaches, and bluffs, observing the play of light on water and the illusion of transparency beneath its surface. As snow falls and the rivers slow with the freezing temperatures, water becomes like blood in our veins that still flows beneath the placid skin of ice.

Open Water, oil on linen, 40 x 30 inches, $13,000


Mountain Haven, oil on linen, 9 x 12 inches, $2,200

Casting Flies, oil on linen, 24 x 30 inches, $7,500

Winter Sun, oil on linen, 12 x 16 inches, $2,700


J.C. DYE

Yellowstone Icon, oil on canvas, 24 x 36 inches, $7,000

A few years back I was out riding my horse in the lower meadows. In a small draw I could see a group of mares and young colts. As I drew closer, the mares noticed me and in an instant the colts jumped to their feet and exploded out of the tall grass. As they went by, I observed the reaction between one momma as she slightly turned her head toward her colt, keeping a close eye on him.


Above The Aspens, bronze ed. of 24, 19 x 21 x 14 inches, $6,500

Above the Timber Line, bronze ed. of 38, 22 inches high, $4,500

The Raising of a Champion bronze ed. of 18 17 x 17 x 10 ½ inches $4,500 (work in progress-shown in clay)


DEBORAH C. FELLOWS

All work and no play only goes so far. The excitement of getting pretty shoes in the mail order package is just the beginning of good times ahead.

All Work And No Play bronze ed. of 35 23 ž x 13 ½ x 8 inches $6,500


She’s A Little Wet Behind The Ears, bronze ed. of 50, 22 x 20 x 10 inches, $8,100

Where The Sun Goes, bronze ed. of 30, 26 x 18 ½ x 11 inches, $9,500 Spun From The Fibers Of The Earth, bronze ed. of 35, 18 x 22 x 9 inches, $6,500


LORI FOREST

King’s Crossing, oil on linen canvas, 24 x 36 inches, $7,500

It was late summer, and we were heading into the mountains for an early start on a hike. We encountered a band of eight large bull elk in velvet at the edge of the water. The morning sun had just risen over the high ridges and was backlighting all the bulls’ antlers. It was a once in a lifetime sighting. The bulls were posturing to one another, actually sizing up their antlers. But there was one bull, by far the largest, that no other bull challenged. I painted “King’s Crossing” from that experience. The inspiration behind the composition is the inherent nobility of the animals. The light illuminating the bulls’ antlers in velvet, created the illusion of the animals being crowned in light.


Elk Shallows, oil on linen board, 8 x 10 inches, $1,500

Just A Moment’s Peace, oil on stretched linen, 16 x 20 inches, $3,200

Moose Shallows, oil on linen board, 8 x 10 inches, $1,500


MICHAEL GODFREY

The Trail to the Lake, oil on canvas, 18 x 24 inches, $11,500

I enjoy hiking in the wilderness as it is an opportunity to observe nature close up, and attempt to unlock her secrets. She does not give them up easily but with diligence some can be under-stood and distilled.


Valley of the Sun, oil on board, 18 x 24 inches, $11,500

Spring in Switzerland, oil on board, 8 x 8 inches, $2,500

Warm Winter Evening, oil on canvas, 18 x 24 inches, $11,500


VERYL GOODNIGHT

The Sage, bronze ed. of 35, 12 x 14 x 4 inches, $4,200


Two Points of View, oil on linen, 21 x 27 inches, $6,500

Ancient Contract, oil on linen, 20 x 32 inches, $9,500

Always Calm, oil on linen, 12 x 12 inches, $1,800

Mushers on the trail – past and present – stop to cook for their dogs. Since the first bone was tossed to a wolf by a cave dweller, the contract was sealed. The wolf evolved into a partner – pulling, hunting, guarding – in exchange for food. Three of my Huskies – Hardy, Sasha and Rosemary, join professional mushing neighbor, Rick St. Onge in “Ancient Contract.” I built the lean to beside our river as a prop for this painting.


SHAWN GOULD

Catch Me If You Can, acrylic on board, 16 x 20 inches, $2,500

The whir of wings and a flash of color catch the attention of this bobcat as a broad-tailed hummingbird zips past. A tempting distraction maybe, but unlikely to amount to anything more than a passing fancy.


Spring Colors, acrylic on board, 8 x 6 inches, $600

Open Country, acrylic on board, 24 x 30 inches, $5,400

Meadow Bull, acrylic on board, 24 x 30 inches, $5,400

Whistling Hare, acrylic on board, 10 x 8 inches, $900


LANNY GRANT

Upcoming Exhibition LANNY GRANT BACK TO THE WINDS July 27 – August 8, 2020 Jackson, Wyoming

Clark Lake-Wind River Range, oil on panel, 40 x 48 inches, $26,500

This view of Clark Lake in the Wind River Range of Wyoming was an artist’s reward from a long horseback ride during a painting trip in August of 2019. Crossing a pass near timberline, this vantage point offers a panoramic view of the heart of the Wind River Mountains, including Gannett Peak, the highest peak in Wyoming at 13,804’. Each summer since 2012, I have ventured into the Winds to sketch and paint in the vast Bridger Wilderness of northwest Wyoming, always eager to return.


Lupine Study, oil on board, 12 x 16 inches, $2,600

Shirley Lake, oil on canvas, 24 x 30 inches, $9,800

Lost Eagle Peak, oil on panel, 30 x 40 inches, $17,500


BRUCE GREENE

A Cowpuncher’s Paradise, oil on canvas, 34 x 52 inches, $44,000

This is the way we travel in the cow country and nothing suits a cowpuncher better than to hit a long trot across big pastures at daybreak. You can watch the world come awake and after a few miles your horse will smooth out and maybe settle in for the day’s work. There is not a house or a high line in sight. It’s pretty much paradise.


Cowboy Accommodations, oil on canvas, 22 x 28 inches, $15,000

Too Far North From the Guadalupe, oil on canvas, 22 x 36 inches, $19,500


BRAD GREENWOOD

Bison Desk, hand crafted furniture, 42 x 54 x 25 inches, $26,000

My newest design brings forth a distinctive desk comprised of a striking array of California hardwoods, accomplished woodworking skills, metal working expertise, ingenious mechanisms, beautiful lighting elements, meticulous carvings and more. A secret compartment constructed with a hidden mechanism is built into the desk. In maintaining the overall theme, the center drawer is lined with an archival print of bison.


Bison Desk Chair with Arms hand crafted furniture 35 x 16 x 18 inches $3,500

Cocktail Table ancient bastogne walnut 48 x 57 x 18 inches $9,500


RON KINGSWOOD

Most of my work comes from wandering the locality where I grew up in Southern Ontario. It is imperative for me to know and attempt to understand the subject intimately. Without having this knowledge, one cannot pierce beneath the veneer to the abstract essence.

Swans Descending, oil on canvas, 60 x 60 inches, $38,000


Banks of the Canal, oil on canvas, 32 x 32 inches, $12,000

Above the Glacier-Gyrfalcon, oil on canvas, 38 x 40 inches, $19,500

The Passage, oil on canvas, 36 x 40 inches, $16,500


BRUCE LAWES

Lazin’ Around, oil on linen, 16 x 24 inches, $7,400

Through my art I try to evoke your emotion for wildlife and our natural world creating opportunities for conservation and awareness with your help. I seek out worthy programs to use my abilities to raise awareness and much needed funds. I use my story telling to attract people to the love of our natural world, where they too may protect it, and keep it safe, for the generations that follow. As my friend Dr. Jane Goodall said to me, “…Only if we care, will we help.”


Searching the Shadows oil on linen 24 x 36 inches $12,950

The Cub Scouts oil on linen 8 x 16 inches $3,500


Z.S. LIANG

Upcoming Exhibition Z.S. LIANG EAGLE SPIRITS September 7 – 19, 2020 Jackson, Wyoming

The Hopi people believe the eagle has the theoretical ability to move between heaven and earth. And with his supernatural powers, the eagle can control rain, thunder and the Hopi’s healing rituals.

Flying High oil on canvas 52 x 32 inches $38,000


On the Backbone of the World, oil on canvas, 36 x 22 inches, $23,000


MICHAEL MALM

Together oil on board 30 x 30 inches $8,100

Blessed are those that walk this mortal journey with friends at their side.


Tuesday Morning, oil on board, 8 x 12 inches, $2,500

My Little One, oil on board, 20 x 14 inches, $3,800

Parked, oil on board, 11 x 14 inches, $2,900


BONNIE MARRIS

Respite for Red, oil on canvas, 24 x 48 inches, $19,000

I know he's watching me looking for him. He's laying low where I can’t see him and he's watching me stumble, trying to be quiet and looking in all the wrong places. He is laughing at me now. Silly human.


Wolf Children, oil on canvas, 18 x 24 inches, $8,000

Morning Reflection, oil on canvas, 48 x 24 inches, $19,000

A Feast for the Eye, oil on canvas, 24 x 48 inches, $19,000


DAN MCCAW

Creativity flourishes in change, it expands when its limits are limitless. The artist must remain open to its possibilities and eliminate the dispassionate. The dignity of art is not in its constraints but in the liberation of its possibilities.

Solitude, oil on canvas, 50 x 40 inches, $25,000


First Born, oil on board, 24 x 18 inches, $8,500

Textures, oil on board, 12 x 9 inches, $2,900

Unadorned, oil on board, 24 x 18 inches, $8,500


DANNY MCCAW

First Snow, oil on canvas, 40 x 50 inches, $14,000

My work comes from my imagination, an ebb and flow between abstraction and reality, memory and history. Bridging the gap between contemporary art and traditional art, they help to invoke feelings of ambiguity and mystery.


Eclipse oil on board 12 x 9 inches $1,800

Interwoven oil on board 12 x 9 inches $1,800

Life Jacket, oil on canvas, 60 x 45 inches, $15,500


DAN MIEDUCH

Only Apache Can Catch an Apache, oil on canvas, 24 x 36 inches, $16,000

Of the indigenous peoples native to the Southwest deserts, the Chiricahua Apache stand as the last great nomadic culture to resist abandoning their marauding way of life for reservation farming. The last and most elusive of their leaders was a mystic called by the Spanish name Geronimo. From his strongholds in the Sierra Madre and Dragoon Mountains, Geronimo’s band raided and plundered ranches on both sides of the Mexican border with impunity. Army General George Crook hired 193 Indian scouts from the San Carlos and White Mountain agencies to help track down the renegade Chiricahua on the theory that it took an Apache to catch on Apache.


Tactical Advice oil on board 27 x 40 inches $18,500

Medicine Hat, oil on canvas, 9 x 12 inches, $3,900

Curious Treasures, oil on board, 30 x 40 inches, $24,000


ROBERT MOORE

How Lovely on the Mountains, oil on canvas, 60 x 72 inches, $29,500

With my paintings, I endeavor to focus on the silhouettes of the masses, the color harmonies and subtle value progressions which are seemingly unlimited. The challenge is then to edit and simplify those relationships, the color stepping, the dynamic shapes and show an honest impression of the scene.


Mountain ‘s Majesty, oil on canvas, 15 x 30 inches, $3,300

Forest Friends, oil on canvas, 24 x 48 inches, $7,800

Forest’s Edge, oil on canvas, 36 x 36 inches, $9,500

Mountain Grandeur, oil on canvas, 15 x 30 inches, $3,300


JAMES G. MOORE

In the 25 plus years I have been a sculptor I have looked for ways to combine classical and modern methods and materials to make beautiful things. My bells often tell a story of a scene I have witnessed in nature and are designed to invite people to not only see the art but to participate in its functionality.

Wisdom Knocks, Great Horned Owl, bronze ed. of 20, steel and white oak, 60 x 20 x 24 inches, $13,750


Brookie Vessel, bronze ed. of 20, 3 x 3 x 4 inches, $400

Abundance, bronze ed. of 20, 51 x 20 x 20 inches, $9,900

Kingfisher Song, bronze ed. of 30, 12 x 12 x 4 inches, $2,200


JAMES MORGAN

Reflecting on a Small Pond, oil on linen, 20 x 30 inches, $14,500

In the low dappled light of Autumn, an elegant pair of trumpeter swans drift across a quiet beaver pond somewhere in Teton National Park, their abstract reflections distorted by the mirror like water and a slight breeze.


Day Bed, oil on linen, 12 x 16 inches, $4,000


BRENDA MURPHY In 1876, Texas rancher Charles Goodnight and his wife Mary Ann, (Molly), embarked upon a mission to save a dwindling herd of bison. In nearby Palo Duro Canyon, buffalo hunters shot, killed, and skinned hundreds of the adult animals every day. The small calves were left behind to fend for themselves. Molly would lay awake at night, anguishing as the orphans piteously cried out for their mothers. Convinced the species would be wiped off the earth, she urged Charles to help her save a few calves. Charles went out and returned with two orphans which Molly lovingly cared for. In the weeks that followed, they added other calves and with careful breeding established a herd of over 200 Southern Plains Bison. Over a century later the legacy of Molly’s vision has come to fruition. Recent DNA testing on descendants of the original animals reveal a genetic lineage unique to any other bison in the United States. In a fitting tribute to the Goodnights, this bull is but one of the hundreds which now thrive, and roam freely at beautiful Caprock Canyons State Park.

Molly’s Legacy, graphite pencil, 14 x 14 inches, $3,700


The Race, graphite pencil on paper, 13 x 28 inches, $6,900

Solitude, graphite pencil on paper, 12 x 18 inches, $4,500

Comanche Paint, oil on linen, 12 x 16 inches, $3,800


BILL NEBEKER

Nothing represents an image of the West like a cowboy on a bucking horse. Throughout history there have been many poems and songs written about famous bucking horses. Several hard to ride horses have been referred to as sun-fishers. The term refers to a horse whose front is going one direction, his hind quarters the opposite direction and his belly up towards the sun. Hence comes the famous title, “Sunfishin’ Son of a Gun”.

Sun-Fishin’ Son of A Gun, bronze ed. of 30, 16 x 13 x 7 inches, $3,900


Home is the Hunter... Home From the Hill, bronze, ed. of 30, 19 x 22 x 8 inches, $7,500

Ever Vigilant, bronze, ed. of 30, 25 x 18 x 9 inches, $6,800

Icon of the North, bronze ed. of 20, 17 x 20 x 10 inches, $5,200


RALPH OBERG

Out Into the Open, oil on canvas, 34 x 48 inches, $25,000

Out Into the Open depicts a fine bull elk and his girls stopping at the edge of a meadow to be sure it’s safe to come out of the forest shadows. I enjoy putting my animal subjects in an accurate setting that is part of the whole design.


Coming Through the Willows, oil on linen, mounted on board, 24 x 30 inches, $11,500

Morning Light, oil on linen mounted on board, 40 x 48 inches, $22,000

Colorado Mountain Morning, oil on linen, mounted on board, 32 x 32 inches, $11,500


GREG OVERTON

The legendary Shoshone warrior chief. One cannot overstate the greatness of the warrior called Washakie, in a time when such iconic figures such as Crazy Horse, Sitting Bull and Red Cloud were in their prime. Washakie stood above the rest. Even his enemies, the Lakota of that time, would acknowledge this. This painting includes Washakie’s actual buffalo robe which depicts him hunting buffalo.

Washakie, oil on canvas, 58 x 52 inches, $35,000


Night Crow, oil on canvas, 54 x 54 inches, $29,000

Stone Hand, oil on canvas, 62 x 52 inches, $38,500

Medicine Crow oil on canvas 12 x 9 inches $2,800


DUSTIN PAYNE

The Range Colt bronze ed. of 12 11 ½ x 10 x 5 inches $2,200

Born into a harsh and hostile environment, this orphaned foal has found safety with this big country cowhand. The warmth of the homestead will be welcomed as they push through a spring storm on the Northern Range.


The Vantage Point, bronze ed. of 20 9 ½ x 5 ½ x 3 inches, $1,250

Song of September, bronze ed. of 12, 16 x 15 x 10 inches, $2,450

The Midnight Storm, bronze ed. of 17, 15 x 47 x 11 inches, $12,900


JOANN PERALTA

Chiriachua Apache Deer Hunter, oil on canvas, 18 x 24 inches, $8,000

Native Voices conte chalk on stained archival paper 36 x 12 inches $3,500


I was inspired to compose this painting while I was in Colorado and storm clouds caught the sun in a “heavenly� way. I saw the face in the clouds and immediately thought, Great Spirit in the Sky. I imagined these Lakota warriors being a part of the landscape, immersed in the presence of the Great Spirit and as the storm has passed, the sun begins to shine and bathes them in its warmth.

The Great Spirit in the Sky oil on linen 50 x 36 inches $34,000


JHENNA QUINN LEWIS

The main focus may appear to be the delightful birds, but much more is stated within these pieces beyond the ornithological creatures’ contemplative forms. It is the space around them that is key. It is our environment that supports us, gives us room to breathe, or locks us in. The use of space is integral in my work. The shadowy backgrounds center and calm the viewer, removing distractions. The negative space allows your gaze to relax and find its way through the piece, much like a goldfinch looking for seeds among tall grasses. It is the flow around the subject that draws you in, that allows you to sense what’s important.

A to Z oil on linen mounted 16 x 12 inches $4,800


Cardinal Portrait, oil on board, 5 x 5 inches, $650

You Haul, oil on linen mounted, 12 x 6 inches, $2,600 The Warbler, oil on board, 6 x 8 inches, $2,200


IAN RAMSAY

Street of Stone, Cotswolds England, watercolor, 17 x 23 inches, $2,500

While visiting the Cotswolds in the Autumn of 2019 my architectural mind was stimulated by the forms and structures made out of Cotswold stone in Gloucestershire and Oxfordshire. It would have been impossible for me not to have painted such scenes many times over by now. This painting was meant to capture the composition of a nineteenth century street along with the strong light and color of an English Autumn morning.


Newport Harbor-Oregon, watercolor, 16 x 20 inches, $2,000

Upper Slaughter, Gloucestershire England, watercolor, 12 x 16 inches, $1,500

Mountain Farm-Western Wyoming, watercolor, 17 x 23 inches, $2,500


JENNY REEVES JOHNSON

Early Verde, stoneware vessel, 8 x 15 inches, $3,200

Wyoming, No Glass Slippers, vessel, 18 x 18 inches, $5,000

I use traditional hand building techniques in developing my large stoneware vessels. The stories carved and sculpted on the vessels belong to intimate experiences and my own photographs and then enhanced in accuracy through research. I have managed ranches and maintained studios throughout the west. I now live and work full time out of my Sweetwater Studio in Lander, Wyoming.


Sandhills and Sandhills, vessel, 15 x 14 ¾ x 7 inches, $3,200

Timeless Steps, vessel, 10 ½ x 13 ¾ inches, $4,000


ALFREDO RODRIGUEZ

The day has been coming for a long time. On one end of the street waited the law, on the other end of the street seven outlaws paced back and forth. I stood between the two loading my greener deciding which way to turn when I walked through the batwing doors. The day of reckoning has arrived.

Gettin’ Ready, oil on linen-wood panel, 16 x 12 inches, $6,500


Coffee Break’s Over? oil on linen-wood panel 12 x 16 inches $6,500

To The Rendezvous oil on linen 24 x 36 inches $18,500


SUEELLEN ROSS

One Step At A Time, mixed media, with india ink, watercolor, and colored pencil, 15 x 10 ⅞ x 15 inches, $2,800

Every spring and summer, the little Flower Carpet roses crowd around the deck and front steps of our house. But this pup is just in his first season. Everything is new - the lawn, the flowers, the tall steps. Somehow, he manages to scramble up the first one. But there’s another, then another... It’s such a familiar feeling for all of us. Isn’t it?


In the Moment mixed media 14 1/4 x 9 1/4 inches $2,450

My Blue Heaven, mixed media, 21 ½ x 16 ⅜ inches, $5,200

A Brighter Morn, mixed media 18 ½ x 23 ½ inches, $5,200


STEFAN SAVIDES

“Pins and Curls”, a waterfowler’s delight, gets its name from the feathers on the tails of the Mallard and Pintail depicted here. I have spent my life, focused on birds, waterfowl especially, and have found over the years that they hold a soft spot in more people’s hearts than one might realize. This piece, with its flowing reeds and its bursting flight, is a favorite amongst duck lovers and “bird folks” alike.

Pins and Curls, bronze ed. of 16, 33 x 33 x 25 ½ inches, $12,000


Wren’s Day, bronze ed. of 35, 11 x 7 ½ x 5 inches, $1,800

Summer Breeze, bronze ed. of 35, 26 x 7 x 9 inches, $2,900

Tres Pescadores, bronze ed. of 35, 6 x 23 x 8 inches, $3,100


BRADLEY SCHMEHL

Boom Town, oil on canvas, 24 x 48 inches, $19,000

Boom Town is a generic history painting - much more about flavor than factuality. The general period is the mid to late 1890s. The gaudily ornamented locomotive featured in “Boom Town� is very closely based on the Baldwin class 8/18 C 4-4-0 of the Eureka and Palisades Railroad - the only thing changed in my painting was the engine number (she is actually number 4) and the antlers added on top of the lantern. She is a grand Victorian lady of the West, and as she travelled her route in her heyday she beheld everything the West had to offer. She is listed on the National Register of Historic Places and continues to delight excursion train passengers.


Change of Fortune, oil on canvas, 24 x 36 inches, $5,000

Prairie Preachin’, oil on canvas, 16 x 20 inches, $3,000


LINDSAY SCOTT

Art is passion, and what is life without passion. In each piece I create I hope to express some of the passion I feel for the beauty and wonder of nature. My natural ability is to draw and paint realistically, so this is the way I choose to do that. I also hope that so doing my work may touch someone and give them pause to think about nature, how we are part of it and need to cherish and protect it.

Scent on the Wind, colored pencil, 13 x 12 inches, $4,100


Cool Red, colored pencil, 11 1/2 x 25 inches, $7,500

Resting Mountain Lion, colored pencil, 7 1/2 x 17 inches, $3,500

On the Rock, oil on canvas, 23 1/2 x 14 inches, $9,000 Aerobatics, Carmine Bee-eaters, oil on canvas, 7 1/2 x 15 inches $2,500


SUZIE SEEREY-LESTER

While visiting a friend’s ranch, I discovered this tack room. The smell of the leather, hay and sweat of the horses played around the room. The light could only come in so far and illuminate all the wonderful saddles and tack. I added a curious fox, possibly looking at the hole in the floor. What did he see run in and hide? This tack room could be anywhere near you. In this, and in all of my paintings I have hidden my husband’s and my initials, (J+S) somewhere in the piece. See if you can find them.

Young Inquisitor, acrylic on panel, 20 x 16 inches, $6,000


Leaving for the Day, acrylic on panel, 9 x 12 inches, $2,500


KYLE SIMS

Upcoming Exhibition KYLE SIMS JOURNEY TO THE WILD September 7 – 19, 2020 Jackson, Wyoming

Yellowstone Celebrity, oil on canvas, 33 x 40 inches, $17,000

These new works, including my larger showing in September, are the culmination of new ideas and thoughts I’ve had in regards to my approach to painting over the last couple of years, combined with my greater past. I’ve been trying new approaches with the beginning of a painting and experimenting to see how that can affect the end result. My hope is that this may create a more visually interesting painting that the collector can enjoy years down the road. I also find myself looking for the abstracts one can come across in nature and improving upon them when needed. Per my own tastes, I think the highest form of visual art is when you can create a pleasing abstract within the grasps of reality.


Verdant Valley, oil on canvas, 28 x 42 inches, $15,500

September Respite, oil on canvas, 38 x 32 inches, $15,000

Tuned In oil on canvas 18 x 16 inches $5,000


MIAN SITU

In Tradition, oil on canvas, 20 x 26 inches, $16,000

The lady depicted in this narrative painting is a demure young Chinese woman wearing a traditional blue silk costume with embroidered gold flowers. A woman’s role in Chinese tradition is as a housewife. The early Chinese ladies in America kept the same dressing style as those from their home country.


Ready For A New Day, oil on canvas, 20 x 28 inches, $16,000

A Watchful Eye, oil on canvas, 30 x 24 inches, $22,000

Eager for the Hunt, oil on canvas, 28 x 36 inches, $30,000


MATT SMITH

South Mineral Creek, oil on linen mounted on board, 12 x 16 inches, $3,400

Given the long hot summers we experience here in the Sonoran Desert, a painting trip to the cool north country is always a welcome adventure. Particularly enjoyable are the trips where the autumn color is in full display. The small on-the-spot paintings completed while on these excursions are invaluable back in the studio where they aide in fueling additional ideas like “South Mineral Creek�.


Autumn on the Mesa, oil on linen, 10 x 14 inches, $3,100

The Point, oil on linen mounted on board, 14 x 10 inches, $3,100


ADAM SMITH

Cool Crossing, acrylic on board, 17 x 32 inches, $7,600

Upcoming Exhibition

I am always looking forward to painting the subjects of my pieces but with this particular piece, I was equally excited to paint the water. I was so drawn to the pattern, colors and movement that it just had to be painted.

ADAM SMITH WILD ENCOUNTERS September 7 – 19, 2020 Jackson, Wyoming


Warm Reflections, acrylic on board, 10 x 9 inches, $1,600

Incoming, acrylic on board, 27 x 19 inches, $6,800


MARGERY TORREY

Making art in Nature, I am able to convey its complexity, beauty and energy in timeless bronze castings.

On a West Wind, bronze ed. of 15, 74 Âź x 30 x 20 inches, $36,000


Harriet Wallbanger bronze, open ed. 5 x 16 x 9 inches $1,800 Harvey Wallbanger bronze, open ed. 5 x 16 x 9 inches $1,800

Face to Face bronze ed. of 35 13 x 14 x 8 inches $3,200 Hark, bronze ed. of 35, 20 ½ x 29 x 10 inches, $8,500


EZRA TUCKER

Into the High Country, acrylic on board, 20 x 30 inches, $18,000

The nurturing care that a mother Grizzly provides to her cubs is tenacious. As annual seasonal changes occur, she will strategically move her young for favorable habitat and feeding. This biological impulse to survive can also be on spectacular display in swarming integrated flocks of Barn Swallows as they purse and catch small flying insects to feed their young.


Magpie Melody, acrylic on board, 15 x 40 inches, $18,000

Wild Blackberries, acrylic on canvas, 30 x 24 inches, $16,000 Peeping Tom, acrylic on board, 15 x 40 inches, $18,000


KENT ULLBERG

Ravens have had a mystical role in many cultures, from Native Americans to the Nordic Vikings, where our main god Odin had two ravens – HUGIN and MUNIN = MIND and PASSION, as his spies and messengers. As a young man in Sweden I raised an orphan raven that kept me company for several years. Coming to this country I was fascinated to find that many Native American tribes also had a close relationship with ravens. To this day I am still enamored by the raven’s intelligence and cunning personality.

Mind and Passion, bronze ed. of 12, 21 x 16 ½ x 7 ½ inches, $7,000


Bluebird Sings, bronze ed. of 12, 15 x 11 x 4 inches, $2,500

Unity, bronze ed. of 12, 21 x 13 ½ x 7 inches, $7,000 Over The Edge, bronze ed. of 20, 17 ½ x 14 x 5 inches, $2,900


DUSTIN VAN WECHEL

Upcoming Exhibition DUSTIN VAN WECHEL VISIONS OF THE GREAT NORTH August 10 – 22, 2020 Jackson, Wyoming

The Great North, oil on linen, 32 x 32 inches, $10,500

Alaskan moose are the largest animal I’ve ever had the pleasure of observing in the wild. And yet, they are dwarfed by the sheer scale of the Alaskan wilderness. I’d hoped with “The Great North” to communicate that sense of immensity one feels when immersed in the grandeur of the Alaskan wilds.


A Warm Winter Coat, oil on linen, 12 x 16 inches, $2,800

Denali Dallings, oil on linen, 30 x 24 inches, $7,500


MORGAN WEISTLING

Upcoming Exhibition MORGAN WEISTLING THE ILLUMINATED WEST September 7 – 19, 2020 Jackson, Wyoming

Mayor of Tombstone oil on canvas 24 x 18 inches $18,000

This painting is featured in Morgan Weistling's one man show, The Illuminated West and will be sold by draw on Saturday, September 19.

A range wanderer from the past rests by the peaceful banks of Coyote Creek while the keen ears of his faithful companions alert him to a possible intrusion. Set at dusk, I wanted to capture the cool of the air broken only by the warmth of lantern as it illuminates this moment from the past.


Silence Broken at Coyote Creek, 1879, oil on canvas, 34 x 40 inches, $42,000

To Be Sold By Draw on August 8


JEREMY WINBORG

Evening light washes across the canvas as this Native American maiden draws her weapon. She’s a sharpshooter and never misses. What is she shooting at? That is up to you as the viewer.

Sharp Shooter oil on canvas 30 x 24 inches $11,500


Among the Saguaros oil on panel 40 x 30 inches $16,000


KATHY WIPFLER

Spirit of the West, oil on canvas, 40 x 50 inches, $15,000

A view of Volcano Peak on the Nevada/Utah border. I featured the wild horses we sometimes see in the Great Basin region symbolizing the open and free nature of the area. I have long been a student of the work of Maynard Dixon, and this piece is inspired by his ability to bring the western desert to life in his work.


Shadows on the Monuments, oil on linen, 30 x 40 inches, $8,500 Green River, Wyoming, oil on canvas, 11 x 14 inches, $2,300

Pacific Headlands Study, oil on canvas, 9 x 12 inches, $1,700 Colorado Gold-Dallas Divide, oil on linen, 30 x 40 inches, $8,500


SARAH WOODS

The Pursuit as well as the other pieces I prepared for the online show were impacted by our ever changing COVID world. Like everyone, my first reactions as we came to grips with the seriousness of this pandemic included feelings of fear and loss. I then decided, instead of succumbing to that reality, I would look at this as an opportunity. I had long envisioned creating wildlife art with a slightly more contemporary feel using simple but strong compositions that were enhanced by a medium I first used 45 years ago—gold leaf. What I love about gold leaf is the way it can be almost silent but then a change of light or angle and it begins to sing. In this painting the gold leaf acts as symbol of what the swallows speed and agility is focused upon—what is, after all “The Pursuit”.

The Pursuit oil and gold leaf 24 x 12 inches $2,200


Aspen Gold, oil and gold leaf, 9 x 10 inches, $1,100

Shadow Play, oil on board, 9 x 9 inches, $1,000

Gilded Grasses, oil with gold leaf, 20 x 10 inches, $2,000


JIE WEI ZHOU

I will never forget the first time that I encountered an elk on the open plains. The majestic creature had raised its head towards the sunrise and let out a loud call that echoed through the crisp morning air. Since then, every time I paint elk, I am transported back to that moment and yearn to be in nature again.

A New Day, oil on canvas, 24 x 20 inches, $7,800


Gaze, oil on canvas, 12 x 9 inches, $2,900

Catching The Last Light of Day, oil on canvas, 20 x 16 inches, $5,800


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