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KITCHEN BATHROOM HOME In this issue of myTrends Home our focus is on the hub of the home – the kitchen. We’ve taken an in-depth look at four very different designs, so you’ll be sure to find what you’re looking for.
So how do you choose a style of kitchen, bathroom or interior that best suits your home? You go to myTrends! On myTrends you can search for design ideas and solutions in our online showcase of hundreds of completed homes and connect with our community of architects and designers. And when you’re ready to start choosing, myTrends can suggest products, services and expertise to help make your final selections easier. In this issue of myTrends Home we’ve collected some of the latest ideas to impress us. You’ll find these projects and many, many more on myTrends – where everyone who loves design can find each other, share ideas and collaborate on projects. Join us today and discover a whole new world of design inspiration!
HIGHLIGHTS Editor John Williams – john.williams@trendsideas.com Sales Judy Johnson – judy.johnson@trendsideas.com Costas Dedes – costas.dedes@trendsideas.com Enquiries info@trendsideas.com production@trendsideas.com
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LA-based kitchen and bathroom designer Elina Katsioula-Beall is famous for her unique and colorful creations. See more of her work on myTrends.
Look carefully at this month’s cover and you will notice a beautiful glass-sided pool in the background. Find more ideas for fabulous pools on myTrends.
This contemporary home commands an enviable position, right on the boardwalk on Venice Beach. Find more coastal Californian homes at myTrends.
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Happy place A bright painting inspired the cheerful mix of colors in this family kitchen
Above: The calm neutral tones of rift-cut white oak cabinets help to offset the pops of color. Tempered glass covers the painting above the range, which inspired the design. Right: An angled breakfast table maximizes space in the family area. Following pages: All the colors of the rainbow – this vibrant interior remodeled by Elina Katsioula-Beall challenges tradition to create a lively, fun, family living space.
Design inspiration can come from plenty of different places. But for the owners of this kitchen, Wendy Schultz and Pete Langbord, it was their favorite painting that set the scene for a bold, colorful space. Designer Elina Katsioula-Beall says the painting inspired not only the color selections but also the design of the kitchen. “The owners’ daughter Estee adores the painting as it reminds her of the movie Toy Story, so we decided to make this the focal point from which everything else would radiate.” The designer says in the original kitchen the refrigerator was near the cooktop, which reduced counter space for food preparation. The circulation was also restricted by an L-shaped counter, and a suspended overhead cabinet blocked the view to the breakfast area. “We moved the refrigerator into the former oven alcove, and created a new cooking zone that is large enough to accommodate a range with two ovens. The painting sits above this, within a niche covered with tempered glass. Colors in the artwork are repeated in the orange range, the bright green spice pullouts and the blue and pink cabinet doors. Rift-cut white oak cabinets help to offset the bright pops of color.” The curving shapes in the painting are also referenced, in the curve of the hood and a purple vaulted ceiling element. To disguise functionality, the refrigerator and freezer columns mimic sleek armoires, and are separated by a landing counter with a coffee center above. “The sink countertop that wraps around the bay window was extended to form an angled breakfast table with bar stools on both sides,” says Katsioula-Beall. “There are unobstructed views between the kitchen and family area.” Two doggie gates are concealed within the cabinets at the entry to the kitchen, and cabinets are laminated to resist marking by pets.
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kitchen design
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Right: A bright orange Bertazzoni Professional range with two ovens enhances the sense of drama. The range is flanked by bright green spice cabinets. Facing page: Twin columns accommodating the refrigerator and freezer are designed to resemble contemporary armoires. A coffee center is positioned between these. Story by Colleen Hawkes Photography by Suki Medencevic
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Change of season This new kitchen flows seamlessly to family living and dining areas, and has a strong link to ancillary rooms in one direction and the great outdoors in the other The modern household is a highly social space – a place where everyone likes to feel connected and part of the family unit. So it’s not surprising that kitchens cut off from the rest of a family living area are literally on the way out. That was the scenario that set the scene for this expansive remodeling project, which was designed by architect Jim
Rill of Rill Architects. Rill says the existing kitchen had no connection to the family area or to the back yard. “No communication was possible between someone working in the kitchen and a person in the family room,” he says. “And there was no indoor-outdoor flow. The solution required a large addition to provide space for a bigger kitchen and breakfast room.”
Facing page: A new addition to this traditional 1980s house has created space for a much larger kitchen and a breakfast room that opens to a sunny rear yard. A new raked ceiling element helps to define the main circulation path through the family living area. Above and left: While the perimeter cabinetry in off-white lacquer has a built-in look, the dark mahogany island stands alone as a solid piece of furniture.
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Preceding pages and above: The kitchen offers a wealth of storage, with cabinets incorporating the latest hardware technology. Facing page, clockwise from left: Other features of the family living area include a dark mahogany butler’s pantry with wine refrigerator; a mud room with a sliding barn door; and a large pantry. Story by Colleen Hawkes Photography by Jamie Cobel
In designing the addition, Rill created a bank of windows that sit flush with the kitchen cabinets. The connection with the rear yard is further reinforced by tall windows and glass doors in the adjoining breakfast room. The doors lead out to a garden and attractive alfresco porch. “Built in the 1980s, this is quite a traditional brick house, and the new kitchen needed to
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work with the architecture,” says Rill. “The owners wanted a refined look, but they didn’t want the design to be overstated. It needed to be elegant, yet casual, so it would be well suited to formal and informal entertaining.” With this in mind, the design team created off-white cabinetry with recessed panel doors and mouldings that echo the millwork elsewhere.
“The color and the trim tie in with the existing crown mouldings, columns, balustrades and railings, so no one element seems more important than the other,” says Rill. “The island, on the other hand, acts as a stand-alone object in darkstained mahogany. We played up the corners a little with grander detailing so it has a stronger presence, much like a large piece of furniture.”
Rill also introduced glass display cabinets, with small panes that replicate the exterior windows. Interior lights help to enliven the look. The sense of connection between the kitchen and breakfast room and rest of the house is enhanced by a long, raked wood ceiling with off-white beams and trusses. This makes a bold statement in the center of the family area.
“We like to differentiate the spaces within a large, open-plan area by the ceiling treatment,” says Rill. “It’s also a way to introduce a little playfulness, rhythm and drama to the interior.” Other key features of the remodel include a large pantry that occupies the original kitchen space. This is used for storing items used less often. “This room has glass doors,
so that the light coming in the windows pours through to a new butler’s pantry in the passage beyond,” says the architect. “Natural light always pulls you into a space, so we have deliberately ensured these areas are light and airy.” The butler’s pantry has similar cabinetry, but in dark mahogany. The remodel also includes a mud room with a sliding barn door.
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Touching impression This elongated kitchen brings a tactile, artistic element to the adjacent living spaces – at the same time, a muted palette lets it hide in plain sight Above: Multi-hued marble tiles on the front of the island in this kitchen by Natalie Du Bois connect with a textural pattern on the rear wall. Facing page: A rectangular privacy element on the island hides kitchen clutter from the living spaces. The backpainted tan glass surface is repeated on the backsplash of the cooking niche. The white kitchen merges with its surroundings but stands out against the hardwood Vitex floor.
Material connections in a kitchen can speak softly or state their presence boldly – and when it comes to tactile surfaces, a simple change in viewing angle can affect the conversation. This kitchen, by designer Natalie Du Bois, responds to the owners’ brief for a white work space with a taupe countertop. These elements set the scene for an understated color palette that doesn’t overwhelm the home’s generally subtle decor, says Du Bois. “There are plenty of tonal connections here. The granite frame on the privacy panel links with the dark-stained Vitex wood flooring and
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the tan backpainted glass is repeated on the backsplash. The multi-hued marble front on the island was chosen to pick up on these colors, too, and the taupe work surface on the island provides a mid-tone between the other surfaces. Nevertheless, the predominating color is white and this merges with the adjacent white walls. “One of the strongest linking elements is texture, not color. The marble island front is in a raised, variegated tile that looks different from different angles and is pleasing to the eye. And this surface finds an echo in the textural, grooved cabinet wall to the rear.”
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Preceding pages: Natalie Du Bois designed the sunburst pattern on the cabinetry based on an image the owners had seen in a magazine. Above: The handleless push-to-open latches on the rear wall make the wealth of cabinetry doors almost invisible. The 16ft-long island is home to two 36in-wide dishwashers.
The owners had seen a sunburst pattern in a story in an Australian edition of Kitchen Trends and asked Du Bois to re-create it for them here. Other wow factors in the design include a tall bookcase with a ladder and a glass panel in the floor that offers a glimpse of the wine cellar on the level below. A high-tech feature of the design goes undetected – that is, until someone opens the cabinetry. While the 16ft-long island contains two extra-wide dishwashers, most of the kitchen’s functionality is tucked behind electronically operated cabinet doors.
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A light touch of a button opens a pantry with pull-out storage to the left of the refrigerator. Using a similar smooth-gliding operation, the horizontal bands above the cooking niche concertina up to reveal spacious cabinet interiors. With another touch, they close back down the same way. This kitchen extends beyond the footprint of the original. The patterned rear wall and bookcase both lead the eye upwards, drawing attention to the 12ft-high ceiling. At the same time, the long, narrow design doesn’t impinge on the adjacent living spaces.
resources & more images 46964 at trendsideas.com another modern kitchen 42343 at trendsideas.com more by this designer dubois at trendsideas.com
Left: A glass floorplate lets guests admire the well-stocked wine cellar on the floor below. The three long panels above the cooktop fold upwards at the touch of a button, and close back down with the same operation – the mechanism makes it easier to access these high storage spaces. Story by Charles Moxham Photography by Jamie Cobel
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Looking sharp Lines were straightened, corners squared off and structural columns concealed in this extensive contemporary remodel
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Linking two spaces to create one is a great way to expand the family living area, and that was precisely what was required in this remodeling project. Architect Christy Schlesinger of Schlesinger Associate Architects and kitchen designer Julia Walter of Boffi Georgetown teamed up to design a new, elongated kitchen with an integral breakfast area. Schlesinger says an extension had been added earlier, which created two centralized spaces that separated the eating and food preparation areas.
“The owners wanted to link these in one comprehensive composition,” the architect says. “However, the flow was hampered by structural columns through the middle of the kitchen. We also had to take into account an inverted oculus directly under the clerestory that delineated the breakfast room.” To unify the space, curves and angled corners in the original two spaces were removed. Schlesinger also introduced glass fins to the lantern light clerestory. These reinforce the linear look of a recessed
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ceiling element that echoes the shape of the new island below. The two central columns were absorbed into the island and wrapped in frosted glass panels, with LED lighting enhancing the sculptural effect. Boffi Italian cabinetry provides the sleek, modern aesthetic requested by the owners. It also creates an architectural feature along the perimeter of the kitchen. “Originally, all the windows on this side featured the same dark wood trim as the French doors at the end,” says Walter. “But they were not evenly sized.”
The architect disguised these windows with sheets of frosted glass that butt up against the white Corian backsplash. Backlit by natural light, the glass has an ethereal look, which is reinforced by floating overhead cabinets. “This entire wall, and the bank of tall cabinets at the end of the kitchen feature high-gloss polyester lacquer in white,” says Walter. “This is a very durable and exceptionally reflective surface – it is almost like a mirror.” In contrast the dark backpainted glass
Preceding pages and above left: A major remodel has transformed this kitchen, unifying the main work space with a breakfast area. To disguise two structural columns in the center of the room, the architect concealed these within a large island and wrapped them in frosted glass panels. Above: White gloss Boffi cabinets appear to float in front of new frosted glass windows that butt up against the Corian backsplash. Left: Glass-fronted doors and drawers on the island feature recessed handles, which reinforce the streamlined look of the cabinetry.
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island has a surface closer to a matt finish. This cabinetry is teamed with an Absolute Black granite countertop that cantilevers out to create a table for casual dining. “The island anchors the space and ties together the entire kitchen,” says Walter. The main food preparation area is concentrated at the business end of the kitchen, where the architect added a custom tiled hood above the island. This is recessed within the ceiling to create a reveal illuminated with LED lighting. “The owners love to entertain, and
right from the start they said they didn’t want a kitchen just to look at,” says Walter. “They required a highly functional workplace with durable surfaces and everything stored right where they need it.” However, the aesthetics have not been overlooked. An aluminum and Melamine Boffi display unit ensures favorite china, glassware and books remain on show. resources & more images 45204 at trendsideas.com
Facing page: An existing lantern light above the island was retained, but redesigned with glass fins that reinforce the contemporary nature of the kitchen remodel. New white oak floorboards are laid on the diagonal, which provides a break from the strict geometry of the cabinetry and makes the space seem wider. Above: Most of the serious work in the kitchen takes place at the far end beside the cooktop. The rear wall features floor-to-ceiling cabinets, including an integrated refrigerator and freezer.
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Best in class For high-end cooking appliances synonymous with professional functionality and style, take a look at the latest offerings from Ilve and Verona
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For many people, cooking is a passion, and preparing the family meal is an art form. Luckily there are a few name brands that through quality, function and sheer good looks, are a match for this level of gastronomic dedication. EuroChef USA is the exclusive United States importer of Ilve速 and Verona速 quality cooking appliances. These Italian brands offer ranges, ovens, cooktops and ventilation systems that are synonymous with fine quality and advanced function, says EuroChef director Melissa Haber.
“Consumers, designers and architects alike can look to EuroChef’s brands to complement a kitchen of any style with a variety of sizes, colors and fuel options.” Ilve ranges and cooktops are offered in four design-friendly collections – Majestic, Nostalgie, Professional and Techno. And the Verona appliances displayed by EuroChef also reflect Italy’s international reputation for cooking excellence. Ranges include dual-fuel, gas and electric models, with sealed gas burners and flame-failure safety devices as standard.
Cooktops, built-in ovens and range hoods are of the same high caliber. “The EuroChef USA mission is to offer an extensive array of professional-level European appliances with distinctive design, luxurious materials and superior performance at their heart,” Haber says. For further details on the EuroChef brands visit www.eurochefusa.com save & share 46951 at trendsideas.com
Facing page: Italian-made Verona gas ranges offer the look, feel and performance you expect in a professional range. High-efficiency sealed gas burners deliver pin-point accuracy and flame control for quick and even cooking. Above left: The Ilve 60in Majestic range is available with up to eight semi-sealed burners and two convection ovens. A rotisserie and full-width warming drawer are standard features. Above: Small but powerful, the Ilve 30in Techno range is available in dual fuel or all gas, and has five semi-sealed burners.
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bars & games rooms
Anyone for cocktails? It’s not just fancy drinks that can be whipped up in this entertainment area – as well as a bar, there’s a test kitchen where the owner can indulge his love of molecular gastronomy Entertaining takes center stage in this home – the remodeled basement now boasts a bar, wine cellar, home theater, fitness center and a test kitchen. Architect Douglas Dick says one of the owners is attracted to vibrant colors and loves red for its sports car look, so this features as an accent throughout. The bar top is cast glass with a smooth surface above a rough, textural base pigmented with glass resin. The top is mounted on stainless steel pedestal legs. Glass also features on the side of the bar,
in mosaic tiles in varying tones of red and iridescent charcoal. These sleek, man-made materials are contrasted by warm bamboo wood paneling and a Pennsylvania stone wall. “There is another contrast between the crisp nature of the cabinets in the adjoining kitchen and the curved, organic form of the bar,” says the architect. This has a more sensuous look, which is in keeping These pages: An elliptical raised ceiling lined with glass mosaics enlivens this entertainment zone.
with the sensual nature of the red.” Another key feature of the bar is the climate-controlled wine cellar – the glass wall of the cellar appears to slice right through the bar, so one part is completely contained within the cellar. The owner, who has a background in biomedical research, enjoys experimenting with molecular gastronomy. Consequently, the kitchen resembles a laboratory, complete with gas jets, bunsen burner, a compressed air valve, and liquid nitrogen for the instant freezing of food.
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Left: The glass wall of the climate-controlled wine cellar appears to slice through the freestanding bar. The bar equipment includes an integral sink and beer on tap. The front of the bar is clad in glass mosaic tiles in red and iridescent charcoal. A metallic-look porcelain tile was specified for the floor throughout the entertaining area. Story by Colleen Hawkes Photography by Greg Premru Photography
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Drinks are served Now you see it, now you don’t. High-gloss Mondrian-style sliding doors screen the rear of this bar, which was part of a major kitchen remodel Large, open-plan living areas are ideal for entertaining, but the owners of this remodeled house took the idea one step further – they created a separate bar at the side, with easy access to the pool terrace. Designed by Angelica Henry and Alan Rosenthal of Linear Fine Woodworking, the bar continues the monochromatic black, gray and white color palette of the adjoining kitchen, but adds a little glitz. “Here, we teamed a high-gloss black laminate with a Chrysalis Me Squared prismatic acrylic surface, which provides
myriad sparkling reflections that pick up colors and shapes that change as you move through the room,” says Henry. The U-shaped bar forms a square, with a raised bar top and bar stools around three sides. The bar top features a quartz surface imbedded with mirror accents, which reinforce the sparkle. “There is also a lower counter for the host or bar tender to prepare drinks,” says Henry. “We added a small refrigerator and plenty of storage as well.” As with the kitchen cabinets, the bar
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is supported by stainless steel feet that help to lighten the perceived mass of the cabinetry. The stools also have metal legs. However, much of the visual drama comes from the rear wall. The barn doors glide open to reveal a mirrored wall featuring glass shelving suspended by cables. This showcases decorative bottles and glassware. “We also added a small sink area with a modern faucet,” says Henry. “A wine cabinet sits beneath the counter.” The designer says the owners keep this
area closed off unless they are entertaining, which enhances the sense of it being a “special occasion� feature. Close to the pool terrace, the bar is well positioned to service both indoor and outdoor entertaining areas. resource list 43405 at trendsideas.com kitchen story 42878 at trendsideas.com
Facing page and above: Sliding doors conceal part of this glittering bar in a house remodeled by designer Angelica Henry ASID and Linear Fine Woodworking. The doors and the front of the island feature contemporary Mondrian-style panels in high-gloss black laminate and prismatic acrylic. Left: The adjoining kitchen cabinetry features a dark Raven laminate and white quartz countertops. The lighting in the ceiling is set within cubic aluminum boxes of different lengths. Story by Colleen Hawkes Photography by Dino Tonn Photography
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Champagne on deck This themed bar and games room offers guests an ocean-going experience from another time A games room is likely to be set apart from the formal rooms in a home, and have a much more relaxed atmosphere. All the better, then, when the main decor translates readily into a playful theme. This basement games room forms part of a house by architect Richard Landry, with interiors by designer Joan Behnke. While the owners loved the flair of the Art Deco style, local guidelines required an Italianate exterior. In response, Landry created a home with Italian facades and a decor that evokes the Roaring Twenties.
The homeowners frequently entertain on a grand scale and this basement space includes an air hockey table as well as a pool table and bar, says Landry. “There’s also a pool and spa next door and a theater room. We decided to continue the look from upstairs in all these spaces, but in a more light-hearted way.” In the 1920s and ‘30s, ocean cruises were a popular pastime, and liners were often finished in the Art Deco style. A feature of these ships was the large metal rafters intrinsic to their structure.
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“To set the scene in the main room, I introduced steel girders across the wood supports on the ceiling,” says Landry. “The beams extend down the walls to the floor, segmenting the views – murals, in this case – just as they would be from the windows of an ocean-going liner.” The life-size mosaic mural running along one wall depicts the waves as seen from a passenger deck and there’s a similar graphic in the spa and pool area. These were designed by Joan Behnke and artist Paulin Paris.
The bar, set at one end of the room, features the Art Deco-era emphasis on curves, lines and stepped edges. The front of the bar also carries the name of the imaginary liner – TT Annalee. “To extend the theme, Joan introduced wrought iron doors leading to a wine room behind the bar. The chandelier and sconces also have a shipboard air.” The furniture in the bar and games room is both colorful and luxurious. Most pieces were custom made or reupholstered to achieve the chic, lively look required.
resource list 44835 at trendsideas.com see the spa & pool area 44836 at trendsideas.com see the house 43378 at trendsideas.com more by this architect landry at trendsideas.com
Facing page: Fancy a Seabreeze or a Sundowner? This basement entertainment and bar space follows the theme of an ocean-going liner from the 1920s or ‘30s. Above: The main room features substantial metal wall and ceiling beams, evoking the exposed structure of a large ship. The mosaic wall murals are another nod to the Roaring Twenties. Story by Charles Moxham Photography by Erhard Pfeiffer
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bathrooms
Glow in the dark From the translucent sandblasted glass wall to the shimmering onyx tiles, this bathroom is transformed by light
Preceding pages: This new bathroom in a classic contemporary house has a wall of glass separating the room from the hallway. A large semicircle of the glass is mirrored, while the rest is sandblasted for privacy. Above: Architect Linda Brettler teamed flush walnut cabinetry with decorative onyx tiles on the walls. These have a soft translucency that helps to bounce light around the room. The tiles are bordered by a pencil line trim, also in onyx.
Simplicity is the order of the day for this bathroom, but the choice of materials makes it anything but ordinary. The bathroom, designed by architect Linda Brettler, is transformed by light from two unusual sources. The first, a sandblasted glass wall, was designed to allow additional light to enter the room from the hallway behind, which features a large window.
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“The glass wall also forms the vanity mirror,” says the architect. “We had part of the glass mirrored in a large semicircle, so the entire glass panel is seamless. The circular motif echoes the shape of the family crest that appears elsewhere in the house.” Translucence is also created by the onyx tiles that wrap around the lower part of the room and line the shower.
“This is a particularly beautiful tile that glows,” says Brettler. “It is a pale green tone that is not too dark or too yellow. In keeping with the simple styling, we trimmed the edge with a fine pencil trim in onyx. Because this tile has so much visual impact, we kept everything else very simple.” The cabinetry is grained walnut, with flush drawers that allow the wood to shine.
The vanity top, tub deck and bench in the shower all feature a cream-toned quartz, chosen to offset the onyx. Matching walnut cabinetry in the adjoining toilet room provides display shelving as well as concealed storage. For the flooring, Brettler specified large limestone tiles. “I like to alter the scale of the different tiles in a bathroom,” she says. “It creates
a more interesting look. The larger format of the floor tiles and the way these are laid can also makes a small room seem bigger.” The architect says the room is also eye-catching by night, when it is backlit by the light coming through the glass wall. resource list
Above: The shower is lined with onyx tiles. To provide a quiet visual contrast, the tub deck features a cream-colored quartz, similar to the vanity tops. Left: Additional storage is provided by walnut cabinetry in the toilet room. Story by Colleen Hawkes Photography by Tim Maloney
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It’s a wrap AAcurved curvedfreestanding freestandingwall wallininthis thisbathroom bathroom hugs hugs the thebathtub, bathtub,and andconceals concealsservice service areas areas
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Many homes have bathrooms that are semi-ensuites, which means they can be entered from the main part of the house or from the master bedroom. This ensuite bathroom was once such a space, which designer Owen Barnes of Bubbles Bathrooms describes as “neither one thing nor another”. Barnes says to create a private ensuite and a separate powder room for guests, the original semi-ensuite and a toilet room were rearranged. “We were able to move walls here and
there, with a little give and take, to create two completely separate rooms, and to give the owners their own private space.” The designer says the couple wanted the bathroom to have the wow factor. With this in mind, he created a freestanding wall that curves to hug a sculptural bathtub in the center of the room. “The wall incorporates a niche that provides a landing space for bath items – or a glass of champagne. And because it adjoins the tub right around the curve, there are no difficult places to clean.”
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The wall has another function – it conceals the toilet on the left, and the shower on the right. While the front of the wall features light charcoal-colored tiles, including narrow vertical tiles on the curves, the rear wall has large-format tiles with minimal grouting for easy cleaning. “We also created space within the wall to store toilet items,” says Barnes. His-and-hers vanities sit either side of the entry, at 90°. With black Caesarstone tops, these units continue the bold, monochromatic look of the bathroom.
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Preceding pages, above left and left: A curved freestanding tiled wall that wraps around a sculptural bathtub forms the centerpiece of this remodeled bathroom. Originally a semi-ensuite, the room is now a fully private ensuite to the master bedroom. Top and above: Every square inch of space has been utilized. The wet area shower is positioned behind the curved wall on one side. The toilet is around the opposite side of the wall. Story by Colleen Hawkes Photography by Paul West
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Light fantastic These bathrooms in a contemporary family home combine a love of texture with a soft, soothing color palette Above and facing page: This combined master ensuite bathroom and dressing room is by architect Craig Rossetti, who also designed the house. Reflected in the bathroom mirror, floor-to-ceiling slot windows contribute to the sense of lightness. Right: Seen in reflection, the dressing area is in wood cabinetry, which connects back to other areas of the home. The mirror and floating vanity add to the feeling of space.
Designing the master bathroom to be a spa-like retreat relies on more than the selection of high-end fixtures and materials. The most important design elements are intangibles that subtly invoke a feeling of wellbeing. Here, an ensuite bathroom and a children’s bathing space form part of a home by architect Craig Rossetti with interior design by Doherty Lynch. For the combined master ensuite bathroom and walk-in wardrobe, the owners wanted a refined, spa-like air, says Rossetti. “Several approaches were taken to achieve this. We chose a sculptural tub and set that at
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Above: Small hexagonal tilework used on all wall surfaces in the children’s bathroom helps to unify the space visually, while also making it seem larger and more inviting. Mirrors of differing heights and frames add a random, playful accent to the room and accommodate the different heights of the children. Recessed handles were chosen for the vanities in both rooms for a clean aesthetic.
one end of the space, with a textured tile wall behind. A shower is set discreetly on the other side of the wall, with a small window in this area looking out to the front veranda. “The wall disappears into a ceiling niche,” says Rossetti. “This conceals lighting that washes the tilework, accentuating its texture. “Addressing perhaps the most important creature comforts, I wanted to make the ensuite bathroom as spacious and light-filled as possible. To achieve the former, a large mirror doubles the size of the bathroom visually and the floating vanity adds to the sense of space. For the
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latter, a skylight floods the room with natural light, supplementing several floor-to-ceiling narrow windows that deliver strips of sunshine, views and privacy. The understated color scheme adds to the calm, natural ambience.” Tall wood wardrobes extend the natural feel and tie in with formwork elsewhere in the home. Their warm tones complement the walls and present an understated appearance when viewed from the master bedroom. “We chose a similar light, welcoming color scheme for the other bathroom,” the architect says. “The design request for this space was
simply for a roomy, fun space for the owners’ two children. To achieve this, playful round mirrors were introduced that correspond to the different heights of the children. They continue a circle motif seen elsewhere in the home. “A honeycomb tile features on most of the wall surfaces in this room. The uniform look makes the space appear simple, friendly and bigger than it actually is.” A bathtub takes center stage here, too, with frosted windows bringing privacy. The wood vanity with recessed handles connects with a similar piece in the other bathroom.
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Above: A curvaceous bathtub takes pride of place in the children’s bathroom. Frosted windows admit natural light and maintain privacy. Large format floor tiles make the hexagonal wall tile surfaces seem even smaller and more delicate. The wall-mounted tapware doesn’t obstruct the tub, and adds to the spacious feel. Story by Charles Moxham Photography by Andrew Ashton
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new homes
Free expression Expansive glazing, reflective surfaces, light wells and open floorplates ensure these houses have light-filled, flowing interiors
Preceding pages: Cantilevered terraces and a matching roof reinforce the sculptural quality of this contemporary house on Venice Beach, designed by Dan Brunn Architecture. The gray plastered vertical element defines the core containing the elevator and other services. Above: The white forms wrap the upper level to provide additional privacy for the master suite.
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Follow the sun Pivoting walls change the way the light falls inside this highly contemporary beachfront house A virgin beachfront site in a sought-after location calls for something special, and the architect of this new house didn’t disappoint. Dan Brunn of Dan Brunn Architecture was commissioned to design a contemporary home that would maximize the spectacular ocean views with wrap-around terraces. The house also needed to have an elevator, and incorporate a light-controlled space to display the owners’ collection of photography artworks. Brunn says that unlike many other properties along the Venice Beach foreshore, the threestory house could not have split-level floors to make the best use of the site – the owners required level floorplates. There were also challenging height restrictions. “All these factors meant the first floor needed to be partially below ground level, so there was a potential problem with light. To address this, we created reflection pools around the house, with a bridge across to the entry. “The water reflects light into the house, enlivening the interior and casting rippling patterns on the ceiling. The pools also help to cool the air coming into the house. And they add a garden feel to the immediate landscape, which balances the rather urban feel of a suburb where the houses are very close together.” White plaster cantilevered terraces and a matching roof give the house a strong horizontality that is offset by a vertical element – the core of the building, containing the elevator and other services. This features a gray plaster finish, inside and out, to differentiate its role. Pivoting walls, which animate the top floor, are another key feature of the exterior. “This is the signature gesture of the design,” says Brunn. “The walls can be rotated to adjust the amount of sunlight coming into the house, and to display or conceal artwork. The architecture plays with a sense of duality on multiple design levels, hence the name Flip Flop House.”
Left: Reflection pools beside the house reflect rippling patterns inside, helping to lighten the family room on the first floor. The entry is reached via a bridge. Above: With the middle and lower floors wrapped in glass, the floorplates appear to float. Pivoting walls on the top floor control sunlight and help to animate the exterior of the house.
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3rd floor
2nd floor
1st floor
Legend: 1 entry, 2 family room, 3 elevator, 4 living area, 5 kitchen, 6 bedrooms, 7 master suite, 8 master bathroom, 9 study, 10 closet. Top right, right and facing page: The first floor houses a glass-walled family room that is cooled by breezes off the reflection pools. A floating staircase beneath a large skylight is an invitation to explore the house. Following pages: The light-filled living room is on the second floor.
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The architect says although the house has a very minimalist design, it is animated by a play of contrasts – hard and soft, matte and reflective, shadow and light. These contrasting elements permeate every space, as does the changing pattern of light throughout the day. To maximize light in the center of the house, the stairwell takes the form of an atrium. Light spills down from a large skylight, through the glass balustrading, to illuminate every floor. “The floating staircase is a vital part of the design,” says Brunn. “The architecture is all about choreography and the way a person walks through the space. There is the walk across the bridge to the entry, a 180° turn to walk up the stairs, and another turn to walk into the main living area, and another turn to head up to the master suite on the top floor. Each turn exposes a different slice of the view, which encourages you to explore the space.” Backpainted glass cabinets line one entire wall of the living area, bouncing light back into the room. The cabinets also act as mirrors, so the view can be enjoyed from different angles. Stainless steel, another reflective material, wraps a key structural column that pierces all three levels. This has been seamlessly welded so it appears the entire column is made from stainless steel. The wrapping effect echoes the form of the exterior, and is repeated in the stairs, which are wrapped in terrazzo. In keeping with the free-flowing design, the master bathroom opens to an open-air grassed courtyard beside the pivoting walls. There is also a window in the shower that looks across the central atrium and through the bedroom to frame another slice of the ocean view. “We have provided good cross ventilation on every level,” says Brunn. “There are also operable skylights that are automatically activated by thermostats. These help to siphon out hot air, so air conditioning is not required.”
Left and above: Backpainted glass cabinets reflect light and the view in the galley-style kitchen. Wherever possible appliances are integrated so they don’t detract from the quiet formality of the living space. Neither of the two lower floors are air conditioned – hot air is removed by vents in the central skylight that are automatically activated by thermostats. Top: Large overhangs provide welcome shade on the terraces.
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These pages: The master suite on the top level incorporates a grassed outdoor courtyard, and pivot walls. Story by Colleen Hawkes Photography by Jamie Cobel resources & more images 46133 at trendsideas.com
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Gimme shelter On a perfect coastal site, architect Gary Banham has crafted a home that makes the most of indoor-outdoor flow in all seasons
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While oceanside building sites have the obvious attractions of great views and access to the beach, they can also present specific design challenges. Architect Gary Banham says that’s particularly so along the Western Australia coastline. “There are blustery winds in the winter and afternoon sea breezes in the summer,” he says. “Plus you have to have shelter from the sun and allow for the sunsets over the Indian Ocean.” So when he came across a site south of Perth several years ago, he realised he’d
stumbled across one of the best beachfront locations in the region. It sat on a promontory immediately in front of the sand dunes, with 270° ocean views. But its unusual north-facing aspect meant the house could be designed to make the most of those views without being fully exposed to prevailing winds. “There were also advantages with the orientation for the sun,” says Banham. “Our winters can be quite cool, but the lower winter sun can penetrate into a house if it faces north.”
However, for much of the year the interiors and outdoor living areas had to be shaded from the sun. “We needed extensive overhangs, so we used the roof and balconies to give protection,” says Banham. “We’ve tapered the steel beams to cantilever the overhangs and clad them with Scyon.” These roof planes became the driving force behind the design, penetrating the interiors to form bulkheads. They also tie the house to the view, with the prominent line of the horizon in the distance.
Facing page, top: Architect Gary Banham has spent a lifetime designing houses. He realised the potential of this site when it first came on the market and perfected the plans for his own home over several years before building began. Facing page, lower: The house makes the most of the north-facing aspect with 270° views to the Indian Ocean. Above: While the oceanside site provides a great outlook, it also presented two issues that the design of the house needed to address – blustery winter winds and intense summer afternoon sun.
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Previous pages: As you enter the house, it opens up to a light-filled living space containing living, dining and kitchen areas. These all maximize the ocean views and seamlessly flow into outdoor living areas. Top: The all-white kitchen has been kept deliberately simple. It is fully integrated, with flush doors and cabinets and a linear finger groove that runs through all drawer fronts.
The strong horizontal planes in white contrast with the vertical support elements clad in dark basalt stone. These form a central spine through the house, starting at the front exterior, penetrating into the entrance way, through the living spaces and out to a west-facing outdoor entertaining and cooking area. In the living area, this vertical element houses a central fireplace and divides the seating and dining areas. As seen elsewhere in the house, associated cabinetry is designed to give the sense of floating.
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“I tried not to have cabinetwork touch the floor,” says Banham. “I wanted to have it cantilever as much as I could, like the balconies and roof line.” The west outdoor area is covered by a 20ft cantilevered roof, including operable louvers. However, this alone doesn’t provide enough protection from the prevailing winds. For that, the architect created an even more sheltered area on the north face of the building. Referred to as the atrium, this inset terrace is glazed on three sides.
Bifolding doors can be opened up all round to give a completely protected indoor-outdoor space, Banham says. “It’s possible to sit there with candles lit on the table even when there’s quite a wind blowing from the west.” This seamless flow from indoors to outdoors is enhanced by using frameless glass doors to open to the entertaining areas and the limestone tiles used on the interior floors and on the terraces. The upper level of the two-story home contains a well-equipped home studio, a
retreat area, guest bed and bath and the main bed and bath. For Gary Banham, this house by the ocean is the culmination of a lifetime designing homes. For this one, he also had the luxury of time to perfect the design. “I worked on the ideas with my son Steeg for several years – making models, discussing and making changes,” he says. “That’s meant we’ve made the right decisions architecturally and aesthetically. I couldn’t say there’s anything I would consider as being a mistake.”
Above and facing page, lower: The shape of the site allowed most interiors to face north and so be protected from prevailing winds. This includes a space that architect Gary Banham refers to as the atrium – an outdoor space that can be opened to the indoors on three sides. Even in blustery conditions, this provides a calm and sheltered outdoor entertaining area.
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Previous pages: The upper story contains a home studio as well as the master suite and retreat. Throughout the interior, cabinetry has been designed to have the appearance of floating rather than touching the floor. These pages: The main living area flows into this west-facing terrace. The outdoor kitchen is also an extension of the living room cabinetry. A cantilevered roof with mechanical louvres provides shade for the terrace. Story by Paul Taylor Photography by Jamie Cobel
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Top of the world Innovative design is transforming modern apartment buildings as architects and designers explore new ways to revitalize our cities – and our lifestyles
apartments
Space age Futuristic digital technology created the fluid, rippling form of this new apartment building in the heart of the Sydney CBD Technology is not only changing the way we live, it’s also changing the way our homes are designed. The Eliza Apartments building in downtown Sydney is one of the first of a new breed – a high-rise built to a parametric design model that enables every floor to have different dimensions. Designed by architect Tony Owen and developed by Ceerose, the 17-story building in Elizabeth Street was created from hundreds of tessellated, individually shaped sandstone and metal panels.
The result is a fluid, sculptural form that pays homage to the surrounding heritage architecture while still providing a highly contemporary design expression. “It is a bold, curvaceous contrast to the egg-crate box style of architecture that has typified Sydney’s apartment buildings in recent years,” Owen says. “Yet it respects the historic buildings by borrowing their materials and some of their form – the balconies are a nod to the traditional bay windows common to heritage buildings in Elizabeth and Macquarie Streets.”
Preceding pages and facing page: Eliza Apartments in the Sydney CBD was designed by Tony Owen Partners Architects using parametric modeling to create a fluid, undulating facade where every floor is different. While the lower levels of the building have two two-bedroom units per floor, the upper levels have single four-bedroom units. Apartments on the upper levels look across Hyde Park to the historic Gothic Revival architecture of St Andrews Cathedral. Above: The tessellated motif on the facade can be seen in the sandstone walls of the lobby.
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The geometry of the curving bays of the front facade gradually changes as the building rises, with the three-level penthouse stepped back to maximize the sun and views. “We took the geometry right down to the ground, with a protruding metal canopy over the entry,” says the architect. “The neighboring buildings tend to have a decorative solid sandstone podium, so we created a similarly detailed podium.” The tessellated motif continues in the lobby, which features a long, sculpted
sandstone wall that curves to form the ceiling. The same motif appears in mirrored wood screens in the elevator lobbies, and at the rear of the building, in a 10-story green wall. “This glazed living wall, on the north side of the building, creates a pleasant green outlook for bedrooms at the rear,” says Owen. “It also lets in plenty of natural light and sun.” The building has two two-bedroom apartments on the lower levels and single four-bedroom apartments on the upper
Facing page: Every apartment in the Eliza building opens out to a large balcony, where views are framed by the curve of the balustrading. Each of the tessellated metal and sandstone panels is individually shaped. Above: :The ripple of the balustrades brings a fluid look to the exterior as seen in this rendering. The penthouse occupies the top three floors, which are stepped back to maximize the sun and views.
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levels. The penthouse comes with its own swimming pool and roof terrace. Open-plan living areas and master bedrooms are positioned to maximize the views of Hyde Park opposite or the harbor beyond. The views are framed by the curved metal balustrades on the balconies, which are designed as wintergardens that extend the living space. The apartment interiors have high-end fixtures and fittings, in keeping with the prestigious location. Each unit has limestone floors throughout the living spaces,
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dark wood cabinets and wall paneling, and C-Bus lighting, with fixtures fully recessed in troughs. Each apartment also has a contemporary gas fireplace set within a bronze mirrored wall. Designed for easy entertaining, the kitchens have islands with marble counter tops. Some kitchens also have a butler’s pantry and a separate preparation area for catering purposes. Bathrooms are lined with stone, with marble slabs on tub surrounds and vanities chosen for their distinctive veining.
Above left: Each apartment features dark wood paneling and cabinetry, and a bronze mirrored wall with a gas fireplace and television. Facing page lower: Limestone floors in all the main circulation areas enhance the light, airy look. Above: A 10-story living wall at the rear of the building incorporates the same tessellated motif as the facade and lobby. The glazing brings natural light into bedrooms and bathrooms. Left: Mirrored walls in the lift lobbies have decorative timber screens with a similar patterning.
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Above: Marble lines the walls and forms the vanity and tub surround in this master bathroom. Right and far right: Other apartments also feature marble, in the kitchen and bathrooms. Story by Colleen Hawkes Photography by John Gollings
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Artistic lines Light and linear – this interior is a sculpture for living in
Right and following pages: Sculptural agenda – a monoform interior design device by designer Pan Yi Cheng of Produce creates a strong presence in this Singapore condominium. The black steel rods divide the space and take on various roles, such as shelving and clothes closets. At the same time, they ensure light flows freely right through the two-level apartment, and views to the city are not compromised.
An effective interior design responds to the needs and tastes of the homeowner. However, a visionary designer and trusting client can take this further, creating an environment that is an embodiment of the occupant’s philosophies. The owner of this two-level condominium, Woon Tai Ho, is an author, art collector, media director and critic. Having trialed two other designers, he eventually asked Pan Yi Cheng, of Produce, to reinvent the interior. The designer says Woon wanted an aesthetic that would be an expression of his character and sense of life. Before the refit, the 10-year-old apartment was compartmentalized by internal walls that downplayed its two best features – a spectacular view to the Singapore CBD and the doubleheight void over the living spaces. Pan says the new interior needed to reflect the owner’s love of art, in particular the work of Han Sai Por, a noted local artist who creates strong, simple images through layering of detail. This, combined with the desire for a pared-back look that would show off the artistic process, led the designer to a stroke of inspiration and a design concept that his client embraced. First, all the internal walls were removed, paring back the cluttered spaces. This optimized the connection to the central void and gave access to city views from all areas of the interior, says the designer. “The two bedroom apartment became one large single living space. As the owner lives there alone, privacy between areas wasn’t an issue. “Then I created a piece of ‘furniture’ – a monoform that frames and connects all aspects of life in the 968sq ft apartment.” Built from steel rods, this connecting element serves as bookshelves in one area, as support for the dining table in another, and as a suspended wine rack above that. The metal rods also rise to form shelving on the upper level, accentuating the height of the void.
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Right: Using the rods to suspend as well as support elements helps give a feeling of lightness, the designer says. The long dining table has been torched to create a black finish that complements the black steelwork, the backpainted glass backsplash and the dark kitchen cabinetry. All the concrete floors have a handtroweled finish, adding to the slightly distressed, semi-industrial ambiance.
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“Anchored in the concrete walls, the rods look like reinforcing for future formwork – a visual expression of the unfinished nature of the creative process,” Pan says. “Creating the entire piece with rectilinear forms would have been overbearing. Instead, I came up with an algorithm that set occasional rods on a slight diagonal, giving the lattice a more organic, random look.” To fit with the owner’s desire to live simply, the kitchen is pared back. As Woon never cooks at home, there is just a single cooktop. The black cabinets and backpainted glass backsplash tone with the painted metal rods. More black is seen on the 16ft-long dining table, which does double duty as a convenient work bench, says Pan. “The wooden tabletop was torched to a deep black color – we left the edges natural so the firing process is evident. This treatment brings out the strong grain in the wood, as well.” Similarly, the owner asked for the concrete floors to be hand-troweled to enhance the look of a hand-made environment. “We also created a simple, open bathroom area, but with individual spaces for the toilet and shower. These are enclosed by frosted glass panels, as is one of the two wardrobes on this upper level. A downstairs toilet is also screened by glass.” The square cantilevered concrete vanity basin fits with the linear interior, and appears to be suspended from the steelwork, giving it a feeling of lightness. Steel, glass and raw finishes do evoke a light industrial feel. However, the designer’s intent was to create an interior that would have a sum greater than its parts – a sculpture for living in. While the vistas created by the slender rods are ideal for showcasing art, the owner liked the final result so much that he added just three favorite works to the mix.
Above: Stripping out the ceilings led to the discovery of a void created by the underside of the stairway. It was decided to leave the expressed concrete on show, and this hollow is now a lighting alcove. The painting is by Han Sai Por, one of the owner’s favorite artists. Her work layers detail to create a uniform whole – much like the steel rods in the unit.
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Facing page and top left: Due to the transparency of the interior, the outside world has a big impact on the apartment’s aesthetics. The unit is transformed at night, with views to the twinkling lights of the Singapore CBD. Middle and lower left: Frosted glass privacy dividers screen the master wardrobe, a toilet and shower. Story by Charles Moxham Photography by Edward Hendricks
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index Absolute Stone
64-73
Dan Brunn Architecture
52-63
Kaiser Tile
Advanced Precast (Aust)
74-82
Dick, Douglas AIA
32-35
Katsioula-Beall, Elina
Aero Shade
52-63
Doherty Lynch Design Studio 48-51
Kessebรถhmer
Agape
52-63
Dornbracht
Kohler
Alexander Sinclair
36-37
6-11, 52-63
RealFlame
64-73
Refin Ceramiche
36-37
18-23
Resene
18-23
18-23
Rill Architects
12-17 12-17
36-37 6-11
Du Bois, Natalie
18-23
KWC
24-29
Rill, Jim AIA
Dulux
64-73
Landry Design Group
38-39
RJC Builders
52-63
Alison Berger Glassworks 38-39
Dunn-Edwards
52-63
Landry, Richard AIA
38-39
Robert Abbey Lighting
32-35
Aluminium Facade Solutions 74-82
DuPont
40-43
LBL Pendant Lights
32-35
Rosenthal, Alan
36-37
Andave Cabinets
48-51
Duravit
40-43, 52-63
LDa Architecture & Interiors 32-35
Rossetti, Craig
48-51
Angelica Henry Design
36-37
Edward Linacre
Lighting Expo
40-43
Schlesinger Associate Architects
Ann Sacks
40-43
Elco Lighting
Linda Brettler Architect
40-43
24-29
Any Tile
44-47
Elkay
Alfi
6-11
48-51 6-11 12-17
Linear Fine Woodworking 36-37
Schlesinger, Christy
24-29
Schweigen
48-51 64-73
Artedomus
48-51
Emmemobili
52-63
Lyman Construction
Attica
64-73
EuroChef USA
30-31
Lynch, Doherty
48-51
Scyon
B&B Italia
52-63
Fennell, Steve
48-51
M+G Consulting
74-82
Serrao Cabinets
Banham Architects
64-73
Finton Construction
38-39
Marblo
44-47
Silestone
Banham, Gary
64-73
Flexform
52-63
Martin, Patrick & Evan
38-39
Site Landscape
74-82
Barnes, Owen
44-47
Formwest
64-73
Max Klause Designer/Builder 64-73
Stoneplus NSW
74-82
Michael Berman
38-39
Stylus
48-51
74-82
Sun Valley Skylights
52-63
Sussex Taps
44-47
Bertazzoni
6-11
Best
24-29
Best
6-11
Franceschi Engineering Franke
52-63
6-11, 64-73
Micos Glass
6-11
Gandia Blasco
52-63
Miele 6-11, 24-29, 52-63, 64-73
6-11 6-11, 36-37
Blanco
36-37, 52-63
Gessi
44-47
Mizu
44-47
Teck Lee General Contractors
Blum
18-23, 24-29
Glass Point Construction
84-91
Mockett
36-37
84-91
Boffi
24-29
Gretchen Bellinger
38-39
Murray, James
12-17
Teragren
Bose
64-73
Grohe
12-17
MVK Architectural Millwork 32-35
Brettler, Linda AIA
40-43
Hafary Holdings
84-91
myTrends
IFC-1, 5, 83, 93
Thermador Tong, Wendy
32-35 6-11, 12-17 74-82
Brunn, Dan AIA
52-63
Halo Lighting
64-73
Nault, David
32-35
Tony Owen Partners Architects
Bubbles Bathrooms
44-47
Harrex Glass
64-73
Nevamar
36-37
74-82
Caesarstone 18-23, 44-47,64-73
Harvey Norman
64-73
Ng, Benny
74-82
UltraGlas
Cardno ITC
74-82
Henry, Angelica ASID
36-37
Ng, Raymond
74-82
Upgrade Commercial Interiors
Ceerose
74-82
Heritage Tiles
18-23
Nikles
44-47
48-51
Charles Gemeiner Cabinets 38-39
Herman Construction
40-43
OBC
Pedini
Valcucine
52-63
Christian Astuguevieille
Hermosa Terrazzo
52-63
Oceanside Glasstile
32-35
Ventair
44-47
74-82
Vitrocsa
52-63 52-63
Cifial
38-39 40-43
Holly Hunt
38-39
Oiz, Gerardo
6-11, 32-25
Circa Lighting
38-39
Hunter Douglas
40-43
Owen, Tony
74-82
Walter Knoll
Civovic, Michael
74-82
Hydro Systems
40-43
Pan Yi Cheng
84-91
Walter, Julia
24-29
Classic Tile & Mosaic
40-43
Hydrotherm
44-47
Paulin Paris
38-39
Weena & Spook
32-35
Clearwater Baths
44-47
Imperial Cal Products
Perini
48-51
West Coast Hi Fi
64-73
Columbia Cabinets
6-11
ConTech
52-63
3
InSinkErator
18-23
Porly, Claudio
74-82
White, Paul
32-35
Janper
44-47
Print on Demand
94-95
Wilson, Royston
18-23
84-91
Wilsonart
36-37
Contempo
64-73
Jeld-Wen
12-17
Produce Workshop
Corian
24-29
Jerry Pair Leather
38-39
ProSource
6-11
Wiser
64-73
Craig Rossetti Architects
48-51
Joan Behnke & Associates 38-39
Quintero Saul, Diana
74-82
Wolf
24-29
Kah Huat Textile
Rahmani, Esan
74-82
Woon Tai Ho
84-91
Crate & Barrel
6-11
84-91
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