VOLUME 32 NO 04(N)
kitchen bathroom home VOLUME 34 NO 2(U)
KITCHEN BATHROOM HOME Placing the kitchen at the heart of a home is not just about creating a convenient zone for easy food preparation and eating meals. Just as important is the way it's seen as an attractive place where family can spend time together, or visitors or guests can gather. So what are the important aspects of the design that turn it into a social hub? One of the best ways to start creating the kitchen – or bathroom, or home – you've always wanted is to look through recently completed projects by top designers and architects. To help, we’ve collected some of the latest design and product ideas in this issue of Trends. And when you've looked through these, you'll find even more at the Trendsideas.com website, where we continually update and add to our 161,000 images, nearly 21,000 articles and 1050 videos. Plus we can put you in touch instantly with professionals and companies who can help to make all your final decisions easier. Join us today on Trendsideas.com where you'll discover a wealth of ideas, information and inspiration!
HIGHLIGHTS Editorial Director Paul Taylor – paul.taylor@trendsideas.com Sales Judy Johnson – judy.johnson@trendsideas.com Costas Dedes – costas.dedes@trendsideas.com Enquiries info@trendsideas.com Contact 844 550 2654 USA 844 873 9278 Canada
Your kitchen needs to have a well thought out lighting scheme that balances specific task lighting for work zones with more generic ambient lighting. See more kitchen lighting at Trendsideas.com
This master ensuite, by wholehouse architect Mark Frazerhurst, opens to a private garden via a triple-panel sliding door. Need more ensuite ideas? Head to Trendsideas.com
A wide stairway connects all levels of this home by Sanctum Design and acts as a light well, drawing natural light into the heart of the building. There are more stairway ideas at Trendsideas.com
More ideas, information and inspiration, plus the full multimedia experience at Trendsideas.com
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CONTENTS Highlights from this issue of
TRENDS INTERNATIONAL DESIGN AWARDS RECOGNISING EXCELLENCE IN DESIGN The Trends International Design Awards – TIDAs – start within a country, with awards programmes for kitchens, bathrooms and homes, organised by Trends or by professional organisations. Winners of all these country categories then progress to the TIDA INTERNATIONAL KITCHEN OF THE YEAR
International Awards programme.
URBANE PROJECTS, PERTH
We’re pleased to announce here our 2017 international winners:
INTERNATIONAL BATHROOM OF THE YEAR
2017 TIDA International Kitchen of the Year
SAOTA, CAPE TOWN
Urbane Projects Judges’ comment: This well-executed design takes full
INTERNATIONAL HOME OF THE YEAR
advantage of the home’s views and outdoor space. The sculptural
VAUGHN MCQUARRIE ARCHITECT, AUCKLAND
island provides a great focal point for entertaining, while the materials are elegant, yet durable for everyday use. 2017 TIDA International Bathroom of the Year SAOTA Judges’ comment: Smart design has reconfigured three smaller rooms into one open plan, and opened the space to views on both sides. A very sophisticated and beautiful mix of materials. 2017 TIDA international Home of the Year Vaughn McQuarrie Architect Judges’ comment: Very well considered and careful detailing of materials to the main form and structure offer simplicity, restraint and a very controlled and balanced material palette. Thanks to our international judging panel: Craig Steere, Craig Steere Architects, Perth Mick De Giulio, de Giulio kitchen design, Chicago Maddalena Vienna, Vienna Design, Sydney David Johnson, Chairman, Trends Media Group Paul Taylor, Editorial Director, Trends Media Group
INTERNATIONAL KITCHEN OF THE YEAR
URBANE PROJECTS, PERTH NEW ZEALAND KITCHEN OF THE YEAR SHANE GEORGE, KITCHENS BY DESIGN, AUCKLAND INTERNATIONAL KITCHEN OF THE YEAR FINALISTS BRISTOL DESIGN AND CONSTRUCTION, BELIZE (RUNNER-UP)
SCHWARTZ AND ARCHITECTURE, SAN FRANCISCO
BIJL ARCHITECTURE, SYDNEY
STUDIO2 ARCHITECTS, AUCKLAND
CPLUSC ARCHITECTURAL WORKSHOP, SYDNEY
SUBLIME ARCHITECTURAL INTERIORS, BRISBANE
ENIGMA INTERIORS, BRISBANE GERMAN KITCHENS, WELLINGTON
INTERNATIONAL BATHROOM OF THE YEAR
SAOTA, CAPE TOWN NEW ZEALAND BATHROOM OF THE YEAR I
AUSTRALIAN BATHROOM OF THE YEAR I
LEUSCHKE KAHN ARCHITECTS & VILLAVILLA, AUCKLAND
MINOSA, SYDNEY
INTERNATIONAL BATHROOM OF THE YEAR FINALISTSI ARMSTRONG INTERIORS, CHRISTCHURCH MARK FRAZERHURST ARCHITECTS, AUCKLAND BESPOKE KITCHENS ON KHYBER, SUBLIME ARCHITECTURAL INTERIORS, AUCKLAND BRISBANE BIJL ARCHITECTURE, SYDNEY LSA ARCHITECTS, MELBOURNE CARO DESIGN, MOUNT MAUNGANUI YOUNIQUE DESIGN, SAN ANTONIA COLLINS W COLLINS, PORT MACQUARIE CROESE BUILDING, TARRO, NSW
INTERNATIONAL HOME OF THE YEAR
VAUGHN MCQUARRIE ARCHITECT, AUCKLAND AUSTRALIAN HOME OF THE YEAR I DALECKI DESIGN, PERTH INTERNATIONAL HOME OF THE YEAR FINALISTSI CY CHAN ARCHITECT, PUCHONG, MALAYSIA (RUNNER-UP)
SANCTUM DESIGN, SYDNEY
FER STUDIO, LOS ANGELES
TAWERA GROUP & PAUL BROWN ARCHITECTS, AUCKLAND
GILES TRIBE, SYDNEY
TYRELLS ARCHITECTS, SYDNEY
LEUSCHKE KAHN & VILLAVILLA, AUCKLAND O’NEIL ARCHITECTURE, CHRISTCHURCH
Strong yet understated Impressing with its clean lines, interesting materials and restrained detailing, this kitchen can meld into the architecture or steal the limelight as a social hub
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A kitchen design often references elements beyond its own footprint, complementing or enhancing the wider interior design or even the home’s architecture or its views. This project, by designer Kirsty Davis, is a pared-back example. “The kitchen forms part of a concrete, tilt-slab modern home with soaring 3m-high ceilings, an open layout, lots of windows and polished concrete floors. “In keeping with this look, the kitchen itself is sleek and contemporary – while at the same time creating its own statement,” says Davis. “The kitchen is the hub of the home both
in terms of entertaining and family life. So, the owners wanted a generous island with space for casual seating. In response, we designed the large, 6m-long central island with a mitred waterfall benchtop at one end and a gravity-defying 1.2m-long cantilever at the other – making it a feature and a secondary, informal dining space.” In reality, the long, floating bench is underpinned by a steel supporting structure. “The owners also wanted to take in the home’s rural and tree views while they prep or clean, so the hob and sink are set on the island.” Another feature of the home is a rich Rimu
Above left and following pages: This modern kitchen by Hagley Kitchens includes a 1.2m-long cantilevered island benchtop supported by a hidden steel support structure. The island holds drawer storage, while the rear wall, finished in a white glossy vinyl, has pull-out pantries. Above: The large walk-in pantry has black-painted glass splashbacks to echo the wall-mounted row of appliances in the kitchen proper. All toekicks are brushed stainless steel.
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Designer: Kirsty Davis, Hagley Kitchens Builder: Freeman Ball Developments Cabinetry: Dezignatek vinyl wrap in Gloss White Cabinet hardware: Blum Servo-Drive, Servo-Drive Flex, Legrabox in Terra Black Benchtops: Caesarstone Raven engineered stone by Shane Boyd Granite Benchtops; Spring Snow Quartz by Marbello. Flooring: Polished concrete Lighting: Stefano Orlati strip lighting Splashback: Black back-painted toughened glass Kitchen sink: Ikon Fluorine and Ikon Lithium stainless steel bowls Taps: Rere tap in kitchen from Heritage Hardware; Methven tap in pantry Ovens, cooktop, warming drawer, convection microwave, refrigerator, coffee machine, dishwasher: Fisher and Paykel Ventilation: Schweigen ceiling cassette Wine fridge: Liebherr Dishwasher: Electrolux Waste disposal: Parex Awards: Trends International Design Awards (TIDA) Kitchens – Winner Story by Charles Moxham Photography by Anthony Turnham
see online: search 50216 at Trendsideas.com search: tida kitchens at Trendsideas.com
Previous pages: Look up – a feature of the living room is a Rimu batten ceiling with black negative detailing. Designer Kirsty Davis created a matching drop-down bulkhead which houses the rangehood, ducted ventilation and lighting. The ceilingmounted rangehood was custompainted black. Above: Seen from across the pool, the kitchen’s strong, simple lines and forms achieve a sculptural presence.
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batten ceiling with black negative detailing. Working with this, Davis designed a matching drop-down bulkhead to seamlessly house the cassette rangehood and ducted ventilation system. Offering a modern, minimalist backdrop, the rear of the kitchen is a wall of white vinyl, punctuated by a line of reflective ovens. Storage and smaller appliances are fully integrated here. The large fridge-freezer, wine fridge and the dishwasher are all located in the open, walk-in pantry, accessed from the side of the kitchen. Black painted glass splashbacks in the pantry were set at the same height as the wall-mounted
appliances in the kitchen. And the pantry is also in the same colours and materials as the kitchen, making it appear as a continuation of the more social space. “The owners really wanted a handleless, minimalist kitchen and to achieve this we used the Blum Servo-Drive drawer hardware and push-to-open doors as well as the advanced Servo-Drive Flex push-to-open hardware for appliances,” says Davis. “With the use of the latest materials such as the vinyl wall covering, and high spec hardware, the kitchen is at once highly contemporary, yet understated.”
WINNER: DESIGNER KITCHEN Kirsty Davis, Hagley Kitchens, Christchurch
Strong yet understated Impressing with its clean lines, interesting materials and restrained detailing, this kitchen can meld into the architecture or steal the limelight as a social hub
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A kitchen design often references elements beyond its own footprint, complementing or enhancing the wider interior design or even the home’s architecture or its views. This project, by designer Kirsty Davis, is a pared-back example. “The kitchen forms part of a concrete, tilt-slab modern home with soaring 3m-high ceilings, an open layout, lots of windows and polished concrete floors. “In keeping with this look, the kitchen itself is sleek and contemporary – while at the same time creating its own statement,” says Davis. “The kitchen is the hub of the home both
in terms of entertaining and family life. So, the owners wanted a generous island with space for casual seating. In response, we designed the large, 6m-long central island with a mitred waterfall benchtop at one end and a gravity-defying 1.2m-long cantilever at the other – making it a feature and a secondary, informal dining space.” In reality, the long, floating bench is underpinned by a steel supporting structure. “The owners also wanted to take in the home’s rural and tree views while they prep or clean, so the hob and sink are set on the island.” Another feature of the home is a rich Rimu
Previous pages and above left: This modern kitchen by Hagley Kitchens includes a 1.2m-long cantilevered island benchtop supported by a hidden steel support structure. The island holds drawer storage, while the rear wall, finished in a white glossy vinyl, has pull-out pantries. Above: The large walk-in pantry has black-painted glass splashbacks to echo the wall-mounted row of appliances in the kitchen proper. All toekicks are brushed stainless steel.
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Designer: Kirsty Davis, Hagley Kitchens Builder: Freeman Ball Developments Cabinetry: Dezignatek vinyl wrap in Gloss White Cabinet hardware: Blum Servo-Drive, Servo-Drive Flex, Legrabox in Terra Black Benchtops: Caesarstone Raven engineered stone by Shane Boyd Granite Benchtops; Spring Snow Quartz by Marbello. Flooring: Polished concrete Lighting: Stefano Orlati strip lighting Splashback: Black back-painted toughened glass Kitchen sink: Ikon Fluorine and Ikon Lithium stainless steel bowls Taps: Rere tap in kitchen from Heritage Hardware; Methven tap in pantry Ovens, cooktop, warming drawer, convection microwave, refrigerator, coffee machine, dishwasher: Fisher and Paykel Ventilation: Schweigen ceiling cassette Wine fridge: Liebherr Dishwasher: Electrolux Waste disposal: Parex Awards: Trends International Design Awards (TIDA) Kitchens – Winner Story by Charles Moxham Photography by Anthony Turnham
see online: search 50216 at Trendsideas.com search: tida kitchens at Trendsideas.com
Previous pages: Look up – a feature of the living room is a Rimu batten ceiling with black negative detailing. Designer Kirsty Davis created a matching drop-down bulkhead which houses the rangehood, ducted ventilation and lighting. The ceilingmounted rangehood was custompainted black. Above: Seen from across the pool, the kitchen’s strong, simple lines and forms achieve a sculptural presence.
search | save | share at
batten ceiling with black negative detailing. Working with this, Davis designed a matching drop-down bulkhead to seamlessly house the cassette rangehood and ducted ventilation system. Offering a modern, minimalist backdrop, the rear of the kitchen is a wall of white vinyl, punctuated by a line of reflective ovens. Storage and smaller appliances are fully integrated here. The large fridge-freezer, wine fridge and the dishwasher are all located in the open, walk-in pantry, accessed from the side of the kitchen. Black painted glass splashbacks in the pantry were set at the same height as the wall-mounted
appliances in the kitchen. And the pantry is also in the same colours and materials as the kitchen, making it appear as a continuation of the more social space. “The owners really wanted a handleless, minimalist kitchen and to achieve this we used the Blum Servo-Drive drawer hardware and push-to-open doors as well as the advanced Servo-Drive Flex push-to-open hardware for appliances,” says Davis. “With the use of the latest materials such as the vinyl wall covering, and high spec hardware, the kitchen is at once highly contemporary, yet understated.”
TRENDS COMPLETES THE PICTURE Whether you’re planning a brand new build or a reno, a visit to the Trends website and our dedicated kitchen hub is your best starting point
The kitchen is often referred to as the heart of the home – and we tend to agree. After all, it’s where we come together as families and where we entertain guests. It’s also the most used space in the house. Given how important this room is, where do you actually start when building a new kitchen or carrying out a renovation? At Trends, we think every successful project begins with great planning, and there’s no better place to start than our Trends Kitchen Design hub. Once there, start by browsing through our inspiring
kitchens, viewing the glossy image galleries and reading the informed articles, reflecting the smart ideas of hundreds of kitchen and interior designers. Next, check out some of Trends’ unique videos that showcase the very latest and best in home innovations and building materials. Then, when you’re ready to get really serious, check out our comprehensive Above: Visit the easy-to-navigate Trends Kitchen Design Hub to find out how we can complete the picture on your all-important kitchen project.
kitchen guides, designed to lead you through some of the most important and often tricky design decisions – for example, how to choose exactly the right appliances for your kitchen and, say, the benefits of different benchtop materials. After browsing the hub, it’s time to dig into the nitty gritty on our kitchen category pages – with helpful topics like Appliances, Cabinetry and Benchtops – for the products to make your project shine. When it comes time for a new kitchen or kitchen renovation, Trends completes the picture. Visit trendsideas.com today.
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Art meets life This kitchen downplays its functionality, letting sculptural forms and materials draw the eye
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This clean-lined kitchen, designed by architect Matthew Murfett of Mitsuori Architects forms part of a larger modern renovation to a heritage home. “The owners wanted a comfortable and functional family kitchen to reflect the wider contemporary, minimalist aesthetic and also their preference for black joinery,” says Murfett. Two key zones comprise the new kitchen – the main, open-plan workspace and, alongside, a utility-pantry-laundry room. The latter doubles as a mudroom and informal entry to the home. “The main kitchen area creates a backdrop
Architect: Mitsuori Architects; design team: Matthew Murfett, Melissa Lim and Rhodri Thomas Cabinetry: 2-pac paint with matt finish and American Oak veneer Cabinet hardware: Hafele Table and benchtops: 8mm Dekton ultra compact surface; Carrara marble natural stone; American Oak veneer; and Caesarstone in the utility room Splashback: Dekton Kitchen sink: Franke Taps: Meir Oven, cooktop: Miele Ventilation: Qasair Refrigeration: Fisher & Paykel Dishwasher: Asko Wine fridge: Vintec Flooring: Polished concrete Awards: Trends International Design Awards (TIDA) Kitchens – Winner Story by Charles Moxham Photography by Michael Kai
see more: search 50214 at Trendsideas.com or search: carrara marble at Trendsideas.com
to the family living space while the pantry and utility area is concealed behind a timber wall and remains largely out of sight,” Murfett says. “The refrigerator and freezer are both contained within the side wall that divides the rooms.” Integrating the appliances behind the wood wall allowed for an uninterrupted six-metre long kitchen perimeter bench at the back of the kitchen proper – another requirement of the brief. The rear benchtop, splashback, cabinetry and wall ovens are all completely black – providing a recessive end wall to the open-plan space. “The benchtop and splashback are in Dekton,
used to create the matt black finish and also tie in with the fireplace hearth and an external seating element in the same material,” says Murfett. Standing out in contrast to the matt black wall is the white Carrara marble island – the centrepiece of the kitchen. From the living area this appears as a monolithic sculptural element. The substantial marble benchtop operates as a worksurface, while the lower, cantilevered wooden bench serves as a breakfast counter. The kitchen’s hidden pantry, fully integrated refrigeration and matt black rear wall together downplay the kitchen’s functionality visually.
Above left: Sculptural and solid in marble and wood, the island stands out in contrast to the matt black wall. The polished concrete floor ideally complements both the natural wood and the veined Carrara marble. Following pages: The use of quality materials in a minimalist style gives this contemporary kitchen by architect Matthew Murfett a quiet yet sculptural presence. The tabletop, perimeter countertop and splashback are in matt black Dekton.
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Fresh angle This sculptural kitchen is at the heart of the home, both functionally and in terms of design
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Some kitchens stand out as hard-working functional workspaces, while others quietly meld into the background. Then there’s another breed again, a more abstract design that invites attention while still playing down its function. This kitchen – firmly in the last category – is on the mid-level of a contemporary, three-level home designed by Strachan Group Architects, with Roy Tebbutt as project architect. The home is on prime coastal land and has a strong, strategic architectural presence, optimising key views while also screening out the neighbours. “The home’s black horizontal cladding is
a design reference to the surrounding striated sandstone cliffs while vertical timber elements add warmth and contrast,” says Tebbutt. ”And this dramatic two-tone exterior is echoed in the kitchen’s strong, simple material palette.” The kitchen has a pared-back look in term of form as well as finish. The minimalist, recessed handle joinery repeats the design of other joinery elements through the home. Keeping it neat, most appliances and ample storage is integrated into the hoop pine plywood cabinetry wall that provides a warm backdrop to the kitchen. A large walk-in scullery, accessed through a
hidden doorway in the cabinetry, matches the kitchen and also helps keep it clutter free. “The island is a strong, sculptural element in its own right,” says Tebbutt. “It has a folded matt black steel surround, topped with a beadblasted stainless steel bench. Geometric folds in the metal provide leg room for the bar stools.” Despite offering plenty of functionality, the island retains its clean look with an integrated sink, flush hob and pop-up extractor. Central to proceedings, the workspace is close to the dining and living areas and also next to the home’s north-facing patio.
Facing page and following pages: Simple shapes and a two-tone material palette give this kitchen by Strachan Group Architects a sculptural feel. The home’s openplan living spaces are at mid-level, bisected by a full-height, glass-roof atrium. The kitchen is set in this central area and is very much on show to family and guests. Above: Slender benchtops, minimalist joinery and folded metal planes on the island are features of the design.
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Architects: Strachan Group Architects – Dave Strachan, Roy Tebbutt and Joanna Jack (graduate) Cabinetry: Hoop pine plywood, custom steelwork on island bench surround Cabinetry hardware: Blum Legrabox Terra Benchtops: Shotblasted stainless steel Kitchen sink: Subline 400-U undermount by Blanco Taps: KWC Oven, cooktop: Gaggenau Ventilation: Parmco flush-mounted downdraft Refrigeration: Miele Wine fridge: Transtherm Studio Dishwasher: Fisher & Paykel Water dispenser: Zenith Hydrotap Plywood: Plytech International Sliding doors: Yellow Cedar Timber Sliding Doors by McNaughton Windows and Doors Fireplace: Real Fires Lighting: Spot lights, LEDs from Lightplan Awards: Trends International Design Awards (TIDA) Kitchens – Winner Story by Charles Moxham Photography by Simon Devitt
see more online: search 50215 at Trendsideas.com see more: search plywood at Trendsideas.com
Right: With living spaces in front and stairs behind, the modern kitchen had to look good from all directions. The semi-industrial palette of black metal and blonde wood works well with the wider interior design, including the rich timber ceilings and rugged concrete floor.
Fusion cooking “I wanted an organic design with a handmade feel rather than something that looked as if it was made by a robot” – designer Leon House When designer Leon House describes the kitchen he designed for his own home, functionality is obviously a key element. But there’s another factor that was just as important to him – unpredictability. “I wanted an organic design with a handmade feel rather than something that looked as if it was made by a robot,” he says. And the layout, size and scale, selection of materials and references to the past all contribute to an end result that’s far from predictable. The kitchen is large, set against a wall
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running for 12m along the central line of the home. Much of the service side of the design – ovens, fridge, storage – is in the pantry off one end of the kitchen. This is only partially screened from the living areas, so House has added a nod to the past as a feature – a plate rack for 160 plates. This example of building the kitchen from individual pieces rather than having one highly regimented look continues in the open part of the kitchen. “I didn’t want everything to be too built-in, so it’s more of an unfitted look,
like the freestanding furniture pieces in kitchens by English designer Johnny Grey,” says House The central island is a case in point. At 5m long it could have over-dominated the space. But by varying heights and materials along its length and adding furniture-style feet, it has a more balanced scale and proportion. “It’s using unfitted design without drawing attention to it, so when you look at each piece, it’s got its own character.” The same approach was taken for the
kitchen components on the wall behind the island, where there are more references to the past. Custom made from dolomite stone, the huge kitchen sink is 1500mm long, 600mm wide and 450mm deep in the middle. “It’s like an old concrete laundry basin. It’s deep enough so water doesn’t splash out, plus you can easily stash dirty dishes in there out of sight before clean-up.” Above this back benchtop is a practical arrangement of cupboards and drawers, but again with a point of difference.
“Instead of glass in the cabinet doors, I’ve used brass – something I remember seeing in my grandmother’s kitchen.” In between the sink bench and overhead cabinets is another unusual touch. The splashback is pre-finished timber floorboards installed in a Chevron pattern. House says the boards are ideal here, being both waterproof and hardwearing. Meanwhile, set at right angles in front of the island is an oversized table that also functions as a bar and gathering place when guests first enter this social kitchen.
Facing page: The kitchen sits at the main entry point of the home, with an oversized bar table being the first element encountered. This provides a gathering point for guests to either sit or stand, as well as a casual dining or work space for family. Above: In the unfitted design, each element in the kitchen is a character piece – such as the oversized, custom made stone sink. Following pages: For the kitchen in his own home, designer Leon House has drawn on an eclectic mix of influences and materials to create an organic design with a handmade feel.
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Previous pages: The kitchen runs along the central axis of the home and includes a semi-concealed pantry containing the oven, fridge and storage, as well as a plate rack holding 160 plates. Designer Leon House used brass instead of glass in the overcounter cabinets in the main kitchen – a feature he recalls seeing in his grandmother’s kitchen. Above: A variety of heights and the mix of materials add to the unfitted look in the kitchen. Glass storage is in a shop-like nook with open shelving and white tiles, chosen for their handmade look. The rangehood is also tiled, providing a practical, easy to clean surface.
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Kitchen designer: Leon House Cabinetry: Victorian Ash painted black and quartz stone, by Antry Cabinets Cabinetry hardware: Blum Benchtops: Alba Dolomite by Aurora Stone Splashback: Victorian Ash from Copenhagen Timber Tiles: Manual Ocean, Masia Blanco and Masia Negro from Myaree Ceramics Sink: Alba Dolomite, custom made by Aurora Stone Taps: Armando Vicario Tink mixer from Sea of White Water dispenser: Zip Hydrotap Oven and cooktop: Wolf Ventilation: Bosch Dishwasher: Miele
Refrigeration and wine fridge: Sub-Zero Lighting: Dimension 8 Flooring: Polished concrete Pendant lights: Sourced at French vintage market Awards: Trends International Design Awards (TIDA) Kitchens – Winner Story by Paul Taylor Photography by Peter Ellery
see more images online: search 50217 at Trendsideas.com
IT’S KIND OF FUN TO DO THE IMPOSSIBLE. Walt Disney — Entrepreneur
Impossible — no such thing when you have us. Visit Trendsideas.com And start planning the possible.
bathrooms nonsequatut
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Walnut and lace Modern elements combine with an old world-look wall finish to tie to both original and new parts in a renovated and expanded home
Previous pages and above: With a subtle pattern reminiscent of lace, large-format porcelain wall tiles provide the backdrop to this bathroom renovation in a traditional home that has been expanded with a modern addition. The tile pattern, ceiling detailing, picture rail and tub are classic touches that bring balance to the otherwise clean-lined space. Both the minimalist vanity and vanity mirror are backlit.
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Balance is an important consideration in any renovation – and not only in terms of colour and form. For this bathroom makeover, the owners wanted the design to tie to a contemporary extension at the rear of an historic home as well as linking to the original 1900s aesthetic. They also wanted a romantic feel for the room. The only constraints were an existing fireplace, door and window – and a soaring 3.4m high ceiling. In response to this brief, designer Darren Genner of Minosa Design fully rearranged the space, creating a light-filled design that played on the connection between old and new.
“In terms of the room’s spatial redesign, we placed the toilet behind the door for privacy. This encourages the owners to leave the door open so, as you pass by in the corridor, you are drawn into this alluring space by the artwork and bathing area.” Genner introduced a blade wall to conceal the large walk-in shower, allowing more than one family member to use the room at once, and to create a backdrop for the freestanding tub. “While this space is a great size, it only had one window, so its natural light was limited. To address this, we added a large skylight over the
shower and this floods the room with light.” “The wall opposite the door was chosen as the place for the vanity and, always being on show, this had to be beautiful. We designed the bespoke unit with a solid, round-edged walnut countertop and two large servo-drive drawers.” The vanity also features a handmade ceramic countertop bowl, furthering the rounded look. “We positioned the large, fixed vanity mirror and two elongated display cabinets to balance the understated vanity,” says Genner. Acknowledging the lofty proportions of the space, the designer introduced a tall ladder, also
in walnut, as a towel rail in the shower area. “The large-format wall tiles provide a canvas for other feature elements to stand out against,” says Genner. “Along with the tub, the tiles’ subtle, lace pattern adds another traditional accent to the room’s otherwise clean-lined feel.” The size of the tiles also reduced the number of grout lines required, giving the wall surfaces the look of wallpaper. An ornate picture rail caps the tiles, adding another old world touch. “The minimalist pendant above the vanity creates an artistic focal point – a refined element within the vanity wall composition.”
Above: An almost room-height ladder in walnut – matching the use of the same wood on the adjacent vanity countertop – makes for a feature towel rack in the shower area and draws attention to the bathroom’s exceptionally high stud. Together with a new skylight, frosted glass shutters admit natural light into the shower area without compromising privacy.
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Designer: Darren Genner, Minosa Design Vanity cabinetry: White lacquered drawers with Blum Servo-drive fittings Vanity countertop: Walnut, rounded edges Basin: On Top Bowl from Minosa Faucet: Gessi Ovale Tub: Daphne from Minosa Floor-mounted tub filler: Gessi Ovale Shower fittings: Gessi Ovale, sliding rail with handshower Wall tile: Italian XXL Oversized porcelain tiles, 3m x 1.2m Ladder towel rack: Walnut Heating: Underfloor heating system from Warmtech Lighting: LED strip lights and Audrey downlights from Special Lights; Awards: HIA Australian Bathroom Design Story by Charles Moxham Photography by Nicole England
see more images: search 50136 at Trendsideas.com more by designer: search minosa at Trendsideas.com
Right: A disused fireplace alcove was retained in the comprehensive bathroom renovation. This was lined in the same lace-pattern, largeformat porcelain tiles as the walls, and repurposed as a storage niche for the adjacent freestanding tub. The ornate ceiling mouldings are another classic touch balancing the bathroom’s more modern accents.
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TRENDS COMPLETES THE PICTURE Whether you’re planning a brand new build or a reno, a visit to the Trends website and our dedicated bathroom hub is your best starting point. It’s often said that the bathroom is the new personal retreat in the home – and we tend to agree. Yes, it’s where we start and the end the day, but it’s also one of the few spaces where privacy still reigns supreme. Given just how important this room is, where exactly do you start when building a new bathroom or carrying out a renovation? At Trends, we think every successful project begins with great planning, and there’s no better place to start than our Bathroom Design hub. Once you’re there, start by browsing through our inspiring
bathrooms, viewing the glossy galleries and reading the informed articles, reflecting the expert ideas of hundreds of architects and designers. Next, check out some of the unique videos showcasing the newest fittings and latest bathroom innovations. Then, when you’re ready to get serious, check out our comprehensive bathroom guides, designed to lead you through Above: Visit the easy-to-navigate Trends Bathroom Design Hub to find out how we can complete the picture on your all-important bathroom project.
some of the most important and sometimes difficult design decisions such as how to choose a shower head appropriate to your space and the benefits of floating vanities. After browsing through the Trends Bathroom Design Hub, it’s time to dig into the nitty gritty on our bathroom category pages. Visit Basins & Taps, Tiles & Mosaics or Shower & Baths for the products to make your aspirational ideas a practical reality. When the time arrives for a brand new bathroom or a bathroom renovation, Trends completes the picture. Visit trendsideas.co.nz
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Secret garden A concealed door opens to the ensuite, where a raised blind reveals a private garden for the eyes of bathroom occupants only A modest footprint doesn’t mean a bathroom has to lack impact, as this project demonstrates. Architect Mark Frazerhurst designed the onebedroom home that includes this master suite for his parents. “The house is named ‘folding house’ due to its overall external and internal shaped forms – and for its underlying concept,” says Frazerhurst. “And I continued this theme into the master bathroom on the custom vanity, with its folded cabinetry.” The vanity has a laminate countertop and is underlit, highlighting its sculptural quality and
providing a night light for the master suite. Frazerhurst also designed and constructed other hand-crafted elements, for the suite. “The batten wall in the bedroom includes a concealed door in the same finish leading into the ensuite. From the front door, you can see into the bedroom but the batten wall conceals the ensuite,” he says. Other hand-worked elements include the angled, butt-jointed aluminium-framed bathroom mirror and the wall-hung bedside tables. “Continuing the glass shower stall right up to the ceiling, avoids a clutter of horizontal lines
Facing page: Room with a view – a private view that is. This master ensuite, by whole-house architect Mark Frazerhurst, opens to a private garden via a triple-panel sliding door. Above: Clean-lined and understated, the modest-sized bathroom features a hand-crafted vanity cabinet made up of faceted triangular shapes. This is underlit to highlight the form of the cabinetry and to provide a night light for the master suite.
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Architect: Mark Frazerhurst, Mark Frazerhurst Architects Vanity cabinetry: Custom in plywood Countertop: Plytech Futura Black Cabinetmaker: Sam James Designed Basin: Villeroy and Boch Loop vessel from Paterson Taps: Grohe Lineare from Paterson Bath: Ava by Plumbline Floor-mounted bath pourer: Grohe Essentials Shower stall: Custom, glazing by Euroglass Shower fittings: Grohe Euphoria Toilet: Villeroy and Boch Subway, wall hung, from Paterson Flooring: Ensuite – Mirage Quarziti porcelain tile from SCE Stone & Design; bedroom – Cavalier Bremworth carpet from Carpet Court Wallcoverings: Ensuite – wall tiles from Jacobsen; bedroom – Birch Ply from Plytech and GIB wallboard Lighting: Hafele Loox, Ablevel Silicon from Clever Design Store, Kilo downlight from Valente Ventilation: Manrose in-line extractor, with custom grill from Holyoake Hot water systems: Rinnai Infinity continuous gas Windows and doors: APL Metro Series triple-panel sliding door Blinds: Weathermaster roller blind from NZ Window Shades Awards: Trends International Design Awards Bathroom suite – Winner Story by Charles Moxham Photography by Mark Frazerhurst
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just above eye-level and brings a sense of space to the bathroom. This approach also contains condensation and steam within the shower.” While the shower takes up one outer corner of the ensuite, the freestanding tub takes pride of place at the other outer, fully glazed, corner. This arrangement, together with the concealed entry, is another surprise element in the bathroom. With the wall-height privacy blind raised, the bathtub’s occupant looks directly out to a private garden, only visible from the ensuite. A triple-panel sliding door also allows direct access to this tucked-away outdoor space.
The palette in the bathroom is predominantly monochromatic, with the grain in the various wood elements, the black vanity countertop, black wall niche in the shower area and the blind providing contrasting highlights. “I chose the visually recessive white subway tile as a quiet way to add texture, with the tiles and white grout almost indistinguishable.” The understated wall tiles are contrasted with large-format porcelain floor tiles that have the look of stone. These are laid in a third off-set pattern and match the use of the same tile elsewhere in the home.
Facing page: A freestanding tub and floor-to-ceiling glass shower stall both add to the sense of space in the bathroom. The full-height blind offers shade and privacy and rolls up to reveal the dedicated garden beyond. Above: So, where’s the bathroom? A birch-ply batten door in a birch-ply batten wall leads into the ensuite. The door is concealed so it won’t be obvious from the front door as you enter the one-bedroom home.
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Endless wave A renovated bathroom in a bach by the sea responds to its natural environment with wave-textured tiles and private bath-to-bush outlooks
Together with the architectural redesign of a space, the choice of feature surface can have a defining impact on a renovation. This serene bathroom is in a seaside home located just metres from the beach. The existing bathroom had a shower over a cast iron tub and needed renovation, says owner and architect Wayne Houston. “For the renovation, we wanted a bath positioned with a view to the bush and a nearby stream as well as a separate levelentry shower with a niche recess.” To achieve these goals, Houston pushed
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out the footprint of the existing room and introduced floor-to-ceiling louvres on one wall in the newly gained triangular space. These offer privacy or private views as required and capture the late afternoon sun. “When choosing tiles for the bathroom, we wanted something that linked to the beach house ambience and these wave tiles were the perfect fit,” says Houston. “The soft, sandy colours and wave texture evoke the beach and sea environment, as do the floor tiles in a similar tone.” As well as connecting with the setting,
the bathroom achieves a sculptural appeal, in part through the architect’s choice of freestanding tub and freestanding basin. “The stone bath and stand-alone basin are beautiful shapes in their own right and their flat finishes match the smooth stool.” The wall-hung vanity cabinet provides storage without taking up floor space. At the same time, the extension allowed room to accommodate the tub – making space for the walk-in showerstall behind. Recessed LED strip lights provide the general lighting for the transformed space.
Architect: Wayne Houston, Houston Architects Vanity cabinetry: Raymor wall-hung tall cabinet from Mico Bath: Jolanda freestanding natural stone bath from Stonebaths Basin: Jess freestanding natural stone basin from Stonebaths Taps: Dack Wall Basin/Bath mixer from Mico Shower stall: Drybase two-sided Shower Hob Shower fittings: Rain Duet Square Shower Column by Kohler from Mico Accessories: Bevelled mirror with suspended shelf and hidden fittings, Adesso Memphis Soap Dispenser, Adesso Memphis toothbrush holder, Tranquillity Solid Composite Stone stool from Mico
Flooring: Venis Ona tiles by Jacobsen Wallcoverings: Venis Madagascar Blanco tiles by Jacobsen Lighting: LED, recessed Awards: Trends International Design Awards (TIDA) Bathrooms – Highly Commended Story by Charles Moxham Photography by Ben Levy
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Previous and facing pages: Extending the length of the existing bathroom provided space for a sculptural tub and a level walk-in shower in this beach house bathroom renovation by ownerarchitect Wayne Houston. Distinctive 3D wavepattern tiles running behind the tub and shower connect with the beach and bush setting. LED strip lighting highlights the tilework from below. Above: The standing basin works well with the freestanding tub and takes up minimal floorspace, while the wall-hung vanity cabinet echoes the washbasin’s vertical, elongated form.
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Balancing act Part of a light-filled contemporary rear addition to an historic home, this master ensuite celebrates the new along with quiet nods to the past
Previous pages and above: Large porcelain panels create a wood-look feature surface behind the tub and on the vanity in this master suite – part of a modern extension by designer Jason Klumpp. The pivot door by the vanity leads to the walk-in robe. Facing page: Not tall cabinet handles but rather vertical heated towel rails – one of many modern touches in the third-floor master bathroom.
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This master ensuite forms part of a dynamic modern extension – by designer Jason Klumpp – to a narrow, traditional home. To bring natural light into the three-level rear addition, a glassroofed, double-height conservatory runs along the side of the new structure. And the ensuite, on the top floor of the addition, extends out over the upper reaches of this soaring volume. However, the architectural gymnastics of the master bathroom are only part of this design story. The ensuite is in tune with the modern design language of the new extension while also referencing the existing part of the classic home.
The two-tone bathroom includes a feature wall with the classical look of veined marble. This steps out at one end to define the separate zones for bathing and showering and also to conceal roof drainage for the building. And the vanity on the wall opposite is finished in the same material. While the dramatic, dark surface has a natural appeal, in fact it’s a contemporary, large-format yet slender porcelain sheet that effectively mimics the character of stone. The modern, mirrored wall cabinet above the vanity offers storage and a sense of spaciousness. Another contemporary aspect of the room is
Designer: Jason Klumpp,Tyrells Architects (now at Studio 23 Design) Builder: Felsch Developments Interior designer: Shellee Gordoun Interiors Vanity cabinetry: Aniseed by Eveneer and Nero polished tile – by Jim Jeffreys, Carve Interiors Vanity countertop: Porcelain Nero Supreme polished, by Arte Domus Bath: Teuco Academia Tub filler: Love Me Floor floor-mounted bathfiller by Paco Jaanson Toilet: Axa Uno with in-wall cistern, from Reece Walls: Aster Maximum Mercury porcelain tiles, Artedomus; Nero Supreme porcelain tiles; Stucco Floor: Mosaics Accessories: Mili Pure vertical heated towel rail from Reece Lighting: Base wall light by Tom Dixon; ceiling mini trim LEDs from Lightbrokers
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Above: The new master bathroom – in the new section of the extended home – gains extra space by spanning the top level of the tripleheight glass conservatory that runs alongside the new extension. Above right: Also two-tone and with the same finishes, the home’s main bathroom is in the original section of the now greatly expanded residence. Story by Charles Moxham Photography by Chris Pearce
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the laser-cut screen ceiling that floods sunlight from tinted glass down into the bathroom proper. Natural light also filters into the room via the shoji screen-like end wall panels in translucent glass. The outer panels on these end walls, however, are in an opaque, marble-like finish. “The freestanding bath and complementary organic shaped table-top vanity bowl both have a foot in the past and present – each reflect the soft curves of traditional bathroom whiteware, but with a more shaped, individualistic accent.” A more specific reference to the period of the original residence is seen in the choice of the
classic sconces directly above the tub. Completing the two-tone theme, the bathroom floor is finished in black and white mosaic tile custom made for the project. Chrome could be considered the third colour in the room, with the rainhead shower, freestanding tub pourer and heated towel rails all in this shiny finish. In fact, you’d be forgiven for missing the heated rails at a glance – these are the vertical ‘handles’ on the tall cabinet. “The family bathroom, in the original section of the home, has similar finishes and features,” says Klumpp.
PRACTICE SAFE DESIGN. USE A CONCEPT. Petrula Vrontikis — Designer
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Down a different path “We tried to break away from the usual concept of how people perceive a house” – architect Chan Chin Yeow
Your home is your castle – or at least that’s how many homes are designed, with four solid walls to protect inhabitants from the ‘hostile’ environment outside. But that’s not the approach taken by architect Chan Chin Yeow for this award-winning home. Instead, Chan refers to the house as a bird cage house design, a term first used to describe a Miami home designed by architect Igor B. Polevitzky back in 1951. “In a bird cage house, the envelope between the inside and outside is barely distinguishable,” says Chan.
Previous pages: The raw, fair-face concrete wall experienced on the approach to this home by architect Chan Chin Yeow belies the openness and transparency on the other side of the home. Left: The 8000m2 woodland site contained over 100 trees, but the design and positioning of the house meant that only two of them had to be removed during construction. Above: A concrete box-like structure and steps create an informal entrance into the home – though without a proper physical front door.
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Above: The home’s main circulation system runs through three storeys between the exterior concrete wall and an inner brick wall. Brick used throughout the interior has been left raw rather than plastered, making the surface low maintenance and long-lasting. Ground floor plan: 1 entrance, 2 passage, 3 bath, 4 bedroom, 5 library, 6 kitchen, 7 open lounge, 8 living platform, 9 fish pond.
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Above: The owner’s private quarters on the ground floor have views to the front and back of the property. Meanwhile, the first floor contains four guest rooms, each with its own private bathroom and balcony. First floor plan: 1 entrance roof, 2 passage, 3 guest bath, 4 guest room, 5 balcony, 6 gallery.
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Top: The design of the house contributes to passive thermal control of the interiors. The concrete wall absorbs, stores and later releases heat, while the trees around the house provide natural shading. Balconies off the guest rooms also reduce the amount of solar gain. Above: The kitchen and dining room are enclosed in a glass box, while outside this is a raised ‘living platform’, which can be used as a gathering space for guests or as a stage.
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So it’s an apt description for the house he designed for an 8000m2 virgin jungle site about 40km north of Kuala Lumpur. “There were over 100 trees on the site, which also had a 20m drop across it. But by using an existing natural flat platform, we were able to construct the house without destroying any terrain, and losing only two of the trees.” The open nature of the house stems from the way Chan developed its structure as a C-shaped box, which presents as a solid, raw concrete wall on the street side.
There is no front door as such on this facade, but a smaller concrete box, wide concrete steps and a void create an informal entrance into the home. Behind the concrete wall is a second wall – this one in brick – and the space between these two walls forms the main circulation corridors for the home’s ground and first floors, and the roof garden. “It’s a transition space,” says Chan. “You don’t feel as if you’re inside or out. You can’t clearly see the boundaries of the house.” On the other side of the brick wall are
the living spaces, with much more transparency and openness on the back facade. “This facade fits around existing trees and has a sophisticated palette of finishes – a mixture of concrete, glass, clay brick wall and bamboo railing.” The fair-face concrete was cast on site and used for the main building components such as the facade wall, roof, columns and beams, while clay bricks were used for internal dividing walls. “All these surfaces were left raw, rather than plastered, so they require less
maintenance and will have a longer life.” The owner occupies half of the ground floor, while the rest of the space is given over to four guest rooms on the first floor and shared facilities such as the ground floor kitchen enclosed in a glass box. Both floors include outdoor, multi-functional gathering spaces. “We tried to break away from the usual concept of how people perceive a house,” says Chan. “We wanted to reconfigure the internal spaces so there would be enough flexibility to blend with the exterior.”
Above: Fair-face concrete was cast on site to produce the main building components, including the front facade, concrete roof and the interior structural columns and beams. Clay bricks were used for interior dividing walls as well as for some exterior walls at the back of the house. Natural mountain water is channelled into the fish pond outside the kitchen.
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Architect: Chan Chin Yeow, CY Chan Architect Builder: Zhen Ye Projects Cladding: Fair faced concrete panels Roofing: Reinforced concrete roof, cast in-situ Interior walls: Fair faced concrete panels; bare clay brick Flooring: Cement render; laminated timber in bedroom Awards: Trends International Design Awards (TIDA) Homes – Runner-up, TIDA International Home Malaysian Institute of Architects PAM Award 2017 - Single Residential - Gold PAM Award 2017 - Building of the Year Story by Paul Taylor Photography by Lawrence Choo
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Above: A 20m-drop across the site could have presented a challenge to the design and construction of the house. However, an existing flat section provided a natural platform for the building, without having to undertake destructive earthworks. Right: A combination of fair-face concrete, glass, clay brick walls and bamboo railings help to connect the back of the house with the heavily wooded site. The two-storey house also includes a roof terrace.
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WINNER: ARCHITECT RENOVATION Leuschke Kahn Architects & VillaVilla, Auckland
Classic air, modern flow This renovation all but started again from scratch – the reinvented villa offers all the charm of yesteryear matched with the function and flow expected today
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Drive past this pristine villa and you’d be forgiven for thinking it was simply a large traditional residence – redolent with charm but perhaps a little dark and gloomy on the interior. However, with developer Andy Blyth’s driving passion for villas and architect Paul Leuschke’s design dexterity, the home offers far more than a classic air. Essentially, with this comprehensive renovation the developer set out to create a modern-functioning family home with all the character of a grand historic villa. “Very few new villas are being built,
while renovated versions usually have a contemporary extension added at the back,” says Blyth. “I prefer to build afresh or make any changes and additions to an original villa appear seamless, so the home achieves a continuous, flowing aesthetic.” In reality, the word renovation doesn’t do justice to this project. The word rebirth might be more appropriate. The original, dilapidated home was all but levelled – retaining only one wall, the front bay and part of the veranda – while ancillary buildings on the property were trucked away.
Previous pages: Brand new – or better than brand new? This villa renovation by developer Andy Blyth of VillaVilla and architect Paul Leuschke of Leuschke Kahn Architects involved pulling down over 75% of the original home and ancillary buildings before beginning again. These pages: The reworked villa has a wealth of classic detail – such as on the living room fireplace – combined with a modern, flowing layout and everything else you need for a relaxed, uncluttered family lifestyle. Sculptural modern lighting contrasts the traditional-look interiors.
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Previous pages: The central, open-plan kitchen opens to an outdoor entertaining area. The custom cabinetry features additional profiles appropriate to the villa style, and this is accessorised with modern perspex handles. Marble benchtops and splashbacks feature in both the kitchen and separate scullery. Miele appliances were specified throughout, in a white glass finish, and these include double ovens, a steamer, wine fridge and coffee maker. Ghost chairs and modern pendants complement the classic appeal.
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Paul Leuschke says it was important to keep aspects of the original villa, rather than start afresh, as council regulations would not have allowed for the existing height to boundary ratio on a new build. The large site had been under-utilised and Blyth saw the triangular section as an opportunity to create an impressive street facade. The outcome is a dramatic frontage with the existing bay restored and the new sections finished in exact period detail – right up to the finials, or spires, an historical architectural detail aimed at
keeping witches from landing on the roof. The only contemporary elements seen from the street are the translucent, glowing door panels on the double garage that’s tucked in under the reworked home. This replaces the existing single garage situated under the bay just to the right – and that is now home to a guest suite. Stepping into the hallway, a wealth of period interior detailing meets the eye – more, in fact, than you would be likely to find in an original, untouched villa. Everything from the plaster mouldings
to the crown ceiling roses is as it would have been a century plus ago. And the ornate plasterwork is matched with solid oak wood floors in all three of the home’s living spaces, including a herringbone parquet pattern featured in the hall. The house exudes an artisanal feel throughout. However, despite the classic finishes and detailing, the home’s physical layout reflects contemporary living at its best. Classic villas may have been beautiful but they were often dark and lacked flow – two failings banished from this design.
Facing page top and lower: The family room has a built-in window seat and storage, and built-in shelving with LED lighting. This room flows out to a level, grassed play area, which includes a mini bowling alley and a playhouse. This play area takes up the rear end of the triangular section. Above: Open sesame – a traditional villa at a glance, this home opens up almost like a child’s dollhouse at the side and at the back. Far left: The master ensuite features a freestanding tub and his-and-hers vanities, each with hand carved marble basins.
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Above: A traditional-style pergola frames the villa’s outdoor dining area and fireplace, positioned near the living areas and kitchen at the side of the home. This sheltered area overlooks the heated swimming pool, complete with swim jets and a waterfall feature. In addition, there’s an outside shower facility hidden behind the outdoor fireplace and decorative screen. The sloping nature of the triangular street-front property provides a degree of privacy from neighbours. Story by Charles Moxham Photography by Michael Ng
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“Passing under an archway just inside the front door, guests turn left from the hall into the flowing open-plan lounge, dining and kitchen space,” says Leuschke. “A double-sided fire with ornate marble surround offers a degree of separation between the dining zone and living area.” Not only is this run of spaces ideal for a modern family, the kitchen, with its large walk-in scullery, offers up-to-the-minute cooking convenience. This level of design efficiency, dovetailed with refined period charm, runs throughout the interior.
There are five bedrooms, including the master suite – which occupies the new top level – and the guest suite, set beside the garage and media room on the basement level. The master suite includes his-andhers wardrobes, together with custom shoe shelving with LED lights, and even a separate storage room for suitcases. Two other bedrooms also have ensuites and walk-in wardrobes, while all have custom cabinetry. There’s another character trait that sets this home apart from classic villas, too. Traditional, tall sash windows typically found
in these 100-plus-year-old homes bring in splashes of sunlight and these original-style windows were reinstated here, too. However, in addition, the side and rear of the home open up to the landscaped grounds via bifold doors – creating relaxed links to the outdoor dining area and the garden. As well as function and elegant looks, there’s family fun. The home includes a children’s bowling alley and playhouse in the rear yard and a new heated pool with water feature extends out one side of the villa, making the most of the triangular site.
Architect: Paul Leuschke, Leuschke Kahn Architects Interior designer and developer: Andy Blyth, VillaVilla Pool design: Leuschke Kahn Architects Cladding: Weatherboard Roof: Colorsteel Window/door joinery: Timber CT Joinery Main flooring: American Oak from Freedom Flooring Tiles: Calacatta-look porcelain tiles Kitchen cabinetry: KMD Kitchens Benchtops: Arabescato Carrara marble from Universal Granite Hardware: Hafele Sink: Blanco Subline by Hafele Taps: Kohler
Oven, hob, ventilation, dishwasher: Miele Heating: Gas central heating from Complete Heat Lighting design: VillaVilla Paint: Dulux Furniture: Simon Gill Interior Concepts Awards: Trends International Design Awards (TIDA) Homes – Winner
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nonsequatut
nonsequatut
WINNER: DESIGNER NEW HOME Sanctum Design, Sydney
Room at the top An exercise in going up rather than sprawling out, this contemporary, multi-level sandstone home makes the most of its spectacular views A steep, narrow site with poor access is not always the ideal starting point for a new build – however, out of adversity can come great things. This site is part of a battle axe allotment situated on Sydney’s Balmoral slopes, offering views over beaches and the harbour headlands, says designer James Cooper of Sanctum Design. “The design had to maximise the sweeping views and resolve the difficult access created by the battle axe-shaped site. At the same time, the home had to appeal to a family with teenagers, maximise the recreational potential of the land, and reflect a luxurious treatment throughout.”
The site’s steep nature imposed a limiting building footprint to achieve the required floor space of around 365m2 for the new home. “First, we resolved the tricky site entry and egress by a car turntable set within a large entry courtyard,” says Cooper. “This saves on turning space and allows visitors and occupants to always exit the property in a forward direction.” Also responding to the steep lie of the land, Sanctum opted for a stepped house form. “Essentially, we created the home as a series of horizontal layers to assist in reducing its bulk and to settle the design into the landscape.”
Previous and facing pages: A facade of sandstone and thermally modified timbers gives this sculptural, threelevel home by Sanctum Design a natural aesthetic. Set on a steep site the house is backed by a huge retaining wall. Above: Given the home’s restricted site and the need to take up the approach with a car turntable, designer James Cooper created a formal, dignified entryway with a coffered ceiling in the limited space.
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Above: A wide stairway connects all levels of the home and acts as a light well, drawing natural light into the heart of the building. The flat timber louvres screening the stair offer views from one angle and provide privacy from another. The wooden slats complement the refined Anatolia Beige marble that features on the floor and stairs throughout the high-end home.
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“The shape of the house has its architectural precedents, too, with its vertical form inspired by the work of mid-century Sydney modernists such as Bruce Rickard, Russell Jack and Peter Muller,” says the designer. “This home emulates their soaring cantilevered roof planes and solid anchoring plinths that, together, support a lightweight living pavilion – elements that provide balance and yet lightness upon the steep site.” To this end, the home presents as a floating wedge of sandstone, capped with a lightweight modernist pavilion, which belies its solid concrete superstructure anchored deep in the earth.
The home dovetails with its setting in terms of materiality as well. Its C-shaped facade is finished in fine-sawn Sydney sandstone, which pays homage to the grand sandstone mansions of yesteryear which grace the neighbourhood. “We complemented this golden-hued local stone with the rich tones of thermally modified timbers and Metropolis Bronze Pearl windows – creating a luxurious external palette.” On the interior, the home is organised with the public spaces – living, dining, kitchen and expansive terrace – on the top level to capture the views. The sprawling open-air terrace takes
up almost half of this uppermost floor. After all, confined by steep land and vegetation, the home has little other outdoor recreational space apart from modest lawns at the side of the residence. A swimming pool, firepit and outdoor cooking zone all occupy the top terrace. Reached by lift from the ground level, the top-floor pavilion naturally enjoys the best outlooks. Wraparound double-glazed doors and windows, together with the vaulted kitchen ceiling and generous clerestory glazing, help ensure that the pavilion enjoys natural light and passive ventilation all year round.
Connected to the upper floor by a generous stairway that also acts as a light well right down through the home, the first floor is comprised of the large master suite, three other bedrooms, central storage and a second lounge, or quiet space, also trained on the scenic outlooks. And below this, the ground floor contains a double garage, entry foyer, study and rumpus room Working well with the stone exterior, the interior palette has accents of warm chocolates, seen in the timber detailing. These brown tones complement the fine quality Anatolia Beige marble used on the floors and stairs throughout.
Above: Rising up three floors certainly has its rewards – the pavilion level of the Sydney home enjoys sweeping views over Balmoral Beach and the Sydney Harbour headlands. The generally neutral decor lets the outlooks take precedence, while the Metropolis Bronze Pearl window frames are matched by metal accents on furniture and the fireplace finished in porcelain panel with the look of patinaed corten steel.
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Over and above the home’s architecture and palette, little touches optimise the livability of the home and optimise its natural assets. “The substantial fireplace in the main living area anchors the seating area, while its dark patina also ensures the television recedes from sight,” Cooper says. “The surround is made of large porcelain panels which also complement the coppery tones in the window frames.” Another focus on this level is the white entertainer’s kitchen. Its vaulted ceiling and clerestory windows bring drama, while the island’s chocolate-toned veneers help it stand out.
Left: Tall order – the kitchen achieves drama through a vaulted ceiling with clerestory windows. Long pendants draw the eye up to appreciate the volume. Calacatta Oro marble on the splashback matches the marble waterfall countertop on the island. Top: The family room on the second level is a quiet space adjacent to the master suite and other bedrooms. Above: Wood and marble feature in this bathroom and walk-in wardrobe.
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House designer: James Cooper, Sanctum Design Interior designer, kitchen designer: Karen Wallace, KW Interiors Builder: Mudgecorp Kitchen manufacturer: Impala Kitchens Landscape design: Sanctum Design and Urban Escape Pool design: Sanctum Design Cladding: Natural sandstone and Burnt Ash timber cladding by Woodform Roof: Klip-Lok 500 Window joinery: AWS Main flooring: Anatolia Beige marble Cabinets: Natural white satin polyurethane; Navurban Toorak laminate Benchtops and splashback: Calacatta Oro from Carrara Marble & Granite Sink: Barazza Easy 100 by Abey Taps: Gessi Oxygene Gooseneck Mixer with pullout dual spray by Abey Oven, gas hob, microwave, and integrated dishwasher: Gaggenau Fridge: Fisher & Paykel Active Smart Waste unit: Hideaway Bins Bathroom vanity countertop: Magic Brown marble Paint: Dulux Wash and Wear acrylic Heating: Reverse Cycle AC and natural gas fireplace Awards: Trends International Design Awards Homes – Winner Story by Charles Moxham Photography by Simon Wood
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Left: With the look of an elegant Japanese teahouse perched on high, the top-floor living, dining and kitchen space is all glass and slender fenestrations on this, the scenic side of the home. A pool, sandstone-topped firepit and an outdoor cooking area all feature on the sprawling terrace which takes up almost half of this top level. There is also a sizeable lawn beyond the pool at the back of the residence.