CREATIVE TEAM

G. Clausen – he/him/his - (Sound Designer)

G Clausen is a Sound Designer and Composer based in Winston Salem, North Carolina. His theatrical credits include Triad Stage: Rebellious, The 39 Steps, Member of the Wedding, Dirty Blonde, Fences, Don Juan, The Mystery of Irma Vep, And Then There Were None, A Christmas Carol and Two Wolves and a Lamb. Playmakers Repertory: How I Learned What I Learned, Native Son, Skeleton Crew. Studio Theatre: PYG or The Misedumacation of Dorian Belle (World Premier). Victory Gardens Theater: Queen of the Night (World Premier). Children’s Theatre of Charlotte: My Wonderful Birthday Suit, The Snowy Day and Other Stories by Ezra Jack Keats. Cape Fear Regional Theatre: Baskerville: A Sherlock Holmes Mystery. Pyramid Theatre Company: The Last Supper, Too Heavy For Your Pocket, How I Learned What I Learned, Intimate Apparel, A Raisin in the Sun and Hooded, or Being Black for Dummies. Paper Lantern: Dembe, Born Bad, and Time Stands Still. Riverside Theatre: Sonnets for an Old Century, How I Learned What I Learned. Perceptions Theatre and Black Lives Black Words; Call For the Wailing Women. Rites and Reason Theatre: Tripping Over Roots.

He is also an Associate Sound Designer for Nevin Steinberg, working on Goddess (World Premier) at Berkeley Repertory Theatre and The Tattooed Lady (World Premier) at Philadelphia Theatre Company.

Maranda DeBusk – she/her/hers - (Lighting Design) Maranda DeBusk is an artist and educator specializing in lighting and media designs. She currently serves as an Assistant Professor of Lighting Design at the University of North Carolina Greensboro. Last seen at Triad Stage designing lights for The Passion of Teresa Rae King in 2018, Maranda is thrilled to be working with the wonderful folks at Triad Stage again. Select Design Credits: Lexington Children’s Theatre, Lexington, KY; Nashville Children’s Theatre, Nashville, TN; Virginia Stage Company, Norfolk, VA; and Warehouse Theatre, Greenville, SC. Select Associate Credits: Cincinnati Playhouse in the Park, Trinity Repertory Company, Providence, RI; and the Denver Center for the Performing Arts. Her work has been shared internationally as an Emerging Artist at the World Stage Design Expo in 2017 in Taipei, Taiwan; and as a Featured Emerging Artist at the Prague Quadrennial in 2019 in Prague, Czech Republic. At the core of all of her work is her belief in the power of the dramatic arts to create positive change in our communities. The greatest work is that which when let out into the world, improves it.

Natalie Taylor Hart – she/her/hers - (Scenic Design) Triad Stage: Having Our Say, Our Town (Scenic Consultant), Fences (Finalist, World Stage Design, Taipei 2017), White Lightning; Atlanta: The Bluest Eye (Synchronicity Theatre), Bootcandy (Actor’s Express) New York: Tech

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 professional Actors and Stage Managers. Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. #EquityWorks

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States