by John Logan
A Compelling Portrait
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5 ............................................. Welcome 6 ........................................... Our Story 7 ........................................ Core Values 8 ................................. The Production 9 .................................... The Company 12 ................................ Program Notes 16 ................................ Director’s Note 22 ........................................... Sponsors 23 ................................ Special Thanks 24 ........... Annual Fund Contributors 33 ...... Think You Know Triad Stage? 35 ................................... Co-Founders 37 .............. Board of Trustees & Staff 39 ......................... Advertisers Listing
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UP NEXT AT THE HANESBRANDS OUR ROOTS ARE
DEEP
BROTHER
WOLF
by Preston Lane with original music by Laurelyn Dossett
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By attending this performance tonight, you are supporting the concept of “triad” in the arts community at large & are strengthening the entire theatre community in winston-salem.
TO HELP US TO CONTINUE TO BRING PROFESSIONAL THEATRE TO THIS STAGE, PLEASE KEEP THE ARTS COUNCIL’S ANNUAL CAMPAIGN AT THE TOP OF YOUR LIST OF ANNUAL GIFTS.
336.722.2585 4
LIVING UP TO OUR NAME
When Rich Whittington and I founded our theater company over 13 years ago, we named it Triad Stage with the idea that it would be the premier regional professional theater serving the Piedmont Triad. We strive to honor the Triad in our name and welcome this opportunity to deepen our commitment to the region by creating professional theater especially for Winston-Salem audiences in one of the region’s premier performance venues, Hanesbrands Theatre. For our first year in Winston-Salem, Triad Stage is presenting a diverse sampling of what we do best. We opened with a reimagined production of Triad Stage’s classic holiday ghost story, A Christmas Carol by Charles Dickens, bringing over 3,000 people to the Hanesbrands Theatre. Now, we present John Logan’s Red — a glimpse into the life of artist Mark Rothko set in his studio in the late 1950s. Finally, Brother Wolf will wrap up our inaugural season in Winston-Salem. This was the first collaboration between myself and Laurelyn Dossett, and we cannot wait to share this brand new take on a Triad Stage favorite with our new friends in the Twin City. We named our 13th season The Lucky Season. Little did we know how lucky we would become.
Preston Lane Artistic Director
THE LUCKY SEASON / 2013 – 2014
Triad Stage began as a dream... Co-founders Preston Lane and Richard Whittington forged their artistic partnership as graduate students at the Yale School of Drama. After managing a theater in Connecticut for two years, they undertook the three-year task of opening their own theater in the heart of historic Greensboro. In September 1999, Triad Stage purchased the former Montgomery Ward building, which had been built in 1936 and sat vacant for almost 40 years. Renovations transformed the five-story building into a world-class theater center now called the Pyrle Theater, complete with a 300-seat theater and thrust stage, rehearsal hall, offices, two spacious lobbies and other audience amenities. Photo courtesy of Greensboro Historical Museum
The Grand Opening took place in January 2002 with Tennessee Williams’ modern classic Suddenly Last Summer.
In 2008, Triad Stage finished a second round of renovations to the Pyrle. A scene shop annex was added in the basement. The top floor underwent major construction to create the 90-seat UpStage Cabaret performance space, the Sloan Rehearsal Hall, and the studio and office facilities of WUNC Public Radio’s new Greensboro Bureau. In 2011, Triad Stage purchased a 30,000 square foot building near the Greensboro Coliseum Complex to serve as the theater’s new production facility, relocating its scene, costume and properties shops as well as its warehouse. In 2013, with significant support from The Arts Council of Winston-Salem and Forsyth County, Triad Stage announced a major expansion of programming to be produced at the Hanesbrands Theatre in downtown Winston-Salem.
The Pyrle Theater, Greensboro
Hanesbrands Theatre, Winston-Salem
Now in its 13th season, Triad Stage has over 3,000 Season Passholders and more than 400 annual donors. The company has received accolades on national, state and local levels, including being named “One of the 10 Most Promising Emerging Theatre Companies” by the American Theatre Wing and “One of the Best Regional Theaters in America” by the Drama League of New York. Triad Stage has been voted the Triad’s “Best Live Theater” by the readers of the News & Record’s Go Triad ten years in a row and named “Professional Theatre of the Year” by the North Carolina Theatre Conference in 2003 and 2011. Its production of Tobacco Road was listed among the “Best of 2007” by The Wall Street Journal, its production of The Glass Menagerie was named “Best North Carolina Production of 2010” by Triangle Arts & Entertainment, and 2012’s production of Reynolds Price’s New Music trilogy was named among the “Best Productions” of the year in Triangle Theatre by Independent Weekly. 6
Core Values Triad Stage is guided by core values that inspire all aspects of our operations. These core values are a daily reminder to our entire company of why and how we produce theater for our community.
EXCELLENCE
INCLUSION
We strive for bold, daring excellence in all of our endeavors as we seek to create professional theater with regional and national impact.
Our community’s varied diversity must not only reflect itself in Triad Stage’s casting and staffing, but also in the selection of the stories we choose to tell.
COLLABORATION
ARTISTIC RISK
We celebrate and encourage an artistic process rooted in collaboration. We seek to mirror this process in all aspects of our operations and actively seek partnerships with other organizations to benefit the well-being of our communities.
Striving to constantly challenge ourselves, we reserve the right to take artistic risks and make mistakes.
IMAGINATION
REJUVENATION
Triad Stage delights in the imaginative process. We uphold freedom of expression as indispensable to the power of imagination.
We are committed to revitalizing our historic downtowns by greatly enhancing the cultural life of the Piedmont Triad through entertainment and by providing an economic impact benefiting other area businesses.
COMMUNITY
A SOUTHERN VOICE
As individuals are united in their shared experience of the theatrical event, strangers become friends, common ground is discovered, and dialogue begins. In imagining the lives of others, our capacity for empathy is strengthened.
By placing the best of Southern writing in juxtaposition with classic and contemporary world drama, we foster a unique Southern voice, allowing our audience the pride of saying, “This theater is ours.”
LEARNING
NORTH CAROLINA
Theater is a valuable part of a lifetime of learning. Our work and the dialogue it creates should spark curiosity and inspire creative ways of thinking for our artists, staff and audience.
We seek to play a leading role in the North Carolina arts community. We actively work to create an artistic home for artists with North Carolina connections and to provide a bridge to the profession for emerging artists. 7
Preston Lane Artistic Director
Richard Whittington Managing Director
presents
by John Logan Directed by Jeffery West Scenic & Costume Design by Junghyun Georgia Lee
Lighting Design by Xavier Pierce
Sound Design by William M. Rutherford
Casting by Cindi Rush Casting
Dramaturg Bryan Conger
Stage Manager Melissa A. Nathan
Presented with Support from Arbor Acres RED premiered at the Donmar Warehouse Theatre, London on December 3, 2009, Michael Grandage, Artistic Director. Original Broadway Production Produced by Arielle Tepper Madover, Stephanie P. McClelland, Matthew Byam Shaw, Neal Street Productions, Fox Theatricals, Ruth Hendel/Barbara Whitman, Philip Hagemann/Murray Rosenthal and The Donmar Warehouse. Likeness of the Rothko Seagram Mural Panels used with permission. ©1998 Kate Rothko Prizel and Christopher Rothko / Artists Rights Society (ARS), New York. RED is presented by special arrangement with Dramatists Play Service, Inc., New York. Triad Stage • 232 South Elm Street • Greensboro • North Carolina 27401 8
Cast Mark Rothko .................................................................................... Ned Van Zandt * Ken ................................................................................................ Craig De Lorenzo * Stage Manager ............................................................................ Melissa A. Nathan * Setting Rothko’s studio, 222 Bowery, New York City, 1958 –1959 The play is performed without an intermission. Ned Van Zandt * (Mark Rothko) Triad Stage debut. Broadway: Howard Davies’ production of The Iceman Cometh with Kevin Spacey. Off Broadway: Good Television at Atlantic Theater, Adrienne Kennedy’s The Alexander Plays at Signature Theatre Company. Other work at The Public, La Mama, Williamstown Theatre Festival, in Hawaii (Frost/ Nixon), and in London at The Royal Court, Kings Head and on the West End (Robert Patrick’s The Haunted Host). Television: Hawaii Five-0, Weeds, LOST, Off the Map, Lifetime’s Special Delivery with Lisa Edelstein, Law & Order. Film: Princess Kaiulani, Janeane From Des Moines, The Informant, Past Tense, Who Killed Nancy?, Hal Ashby’s Coming Home, and MacArthur with Gregory Peck. Other trivia/info: Originally from Texas (related to songwriter Townes Van Zandt); Ned trained at NYU (Olympia Dukakis was acting teacher); this is his first real visit to North Carolina. Craig De Lorenzo * (Ken) Triad Stage debut. Recent credits include: Visiting Mr. Green, My Name is Asher Lev (North Coast Rep), Amadeus (Elite Theatricals), Labor Days (Reading, Dir. Austin Pendleton), The House of Blue Leaves (CMU, Dir. Karen Carpenter), A Midsummer Night’s Dream(Williamstown, Dir. Nicholas Martin). He recently produced and acted in a reading of the new play Consider the Lilies by Stuart Fail, featuring Austin Pendleton and directed by Stephen Brackett. Craig is a graduate of the Carnegie Mellon School of Drama. He is thrilled and honored to be making his Triad Stage debut. 9
Jeffery West * ◊ (Director) (AEA, SAG/AFTRA) is delighted to direct his first production at Triad Stage, where he has appeared as an actor in The Woman in Black, New Music, Providence Gap, Ghosts, Bloody Blackbeard and On Golden Pond. He was Artistic Director of the Raleigh Ensemble Players from 1993 to 1997 where he directed Dark Rapture, Two Rooms, Escape from Happiness, Shadowlands and All in the Timing among others and produced the award-winning adaptation of Lee Smith’s The Devil’s Dream. He has also directed at Duke University and UNCG. As an actor he has appeared regionally in True West, Death of a Salesman, King Lear, The Miser (PlayMakers Repertory Company), The Night Before Christmas Carol (Temple Theatre and Raleigh Ensemble Players), Angels in America (AEA Guest Artist, Duke University), How I Learned to Drive (Manbites Dog Theater). Television credits include All My Children, The Guiding Light, Surface, Dawson’s Creek, One Tree Hill and Brookfield (pilot). He has taught at UNC-Chapel Hill, Duke University, UNCG, Elon University, Greensboro College and High Point University. Education: BA, College of William and Mary: MFA, University of Virginia. Junghyun Georgia Lee (Scenic and Costume Designer) Triad Stage: The Mountaintop. Junghyun Georgia Lee is a set and costume designer based in New York City. She has collaborated with many directors, playwrights and choreographers across the US, Europe and South Korea. She has designed for PlayMakers Repertory Company (costumes, All My Sons and set, Pride and Prejudice), Cedar Lake Contemporary Ballet, The Juilliard School, American Players Theatre, Milwaukee Repertory Theater, Syracuse Stage, TheaterworksUSA, The Play Company, Sungnam Art Center (Korea) and National Theater of Korea. She received her MFA from the Yale School of Drama and is a founding member of CHANCE MAGAZINE for theater design. Xavier Pierce (Lighting Designer) Triad Stage: The Mountaintop. Recent credits include Two Trains Running (Two River Theatre Company); DRUMLINE LIVE! (National and International Tours); Clybourne Park (associate lighting designer, Walter Kerr Theatre, Broadway). Regional credits include Westport Country Playhouse, Intiman Theatre, Crossroads Theatre Company, Peterborough Players, Performing Arts Center, South MiamiDade Performing Arts Center, Santa Fe Opera, Utah Shakespearean Festival and Arena Stage, where he was Allen Lee Hughes Lighting Design Fellow. Mr. Pierce lit the grand opening of the South Miami-Dade Cultural Arts Center with director Heidi Marshall. He is a graduate of New York University’s Tisch School of the Arts, MFA in Design for Stage and Film, and a Visiting Assistant Professor in Lighting Design at the University of Illinois. Upcoming: Fences (McCarter Theatre); The Piano Lesson (Olney Theatre Center); Hamlet and Pippin (Arkansas Shakespeare Festival). William M. Rutherford ◉ (Sound Designer) is from Lebanon, Virginia, and is currently a senior at UNC School of the Arts studying Theatrical Sound Design. William’s past works include A Perfect Likeness by Daniel Rover Singer and King Hedley II by August Willson. He is excited to be doing his first production with Triad Stage. 10
Cindi Rush, C.S.A. (Casting Director) New York: Silence! The Musical, My Mother’s Jewish Lesbian Wiccan Wedding (NYMF Winner 2010), Jay Alan Zimmerman’s Incredibly Deaf Musical, Bonnie and Clyde, Rooms, Jacques Brel, Six Dance Lessons, The Thing About Men, Urinetown, The Hurricane Katrina Comedy Festival. Regional: Penguin Rep, Triad Stage, Act II Playhouse, Arena Stage, Goodman, Humanafest. Film: Ghoul, The Woman (Top 9 Sundance 2011), In the Family, Offspring, Jack Ketchum’s The Girl Next Door, Headspace. Tours: “Barney”, “Curious George”, “Kidz Bop”. Consultant for National Alliance for Musical Theatre (2004–2008), Consultant for NYU Graduate Program for Musical Theatre Writing. Bryan Conger (Dramaturg) is the Artistic Associate at Triad Stage. Triad Stage directing credits include: A Christmas Carol (2011, 2012, 2013); My Fair Lady; tick, tick . . . BOOM!; The Mystery of Irma Vep; Billy Bishop Goes to War; Associate Director for New Music (2011); Assistant Director for A Christmas Carol (2010); Around the World in 80 Days and Ghosts. UNCG: Sister Mary Ignatius . . . (THTR 232); Oklahoma!; Balm in Gilead and Blind Date. Education: MFA, UNCG. Melissa A. Nathan * (Stage Manager) is very excited to be working with Triad Stage for the first time. Favorite credits include: Deathtrap (Centenary Stage), Our Town (Theater at Monmouth), Educating Rita (Florida Rep), August: Osage County (WPPAC), The Mound Builders (Kaliyuga Arts), Lost in Yonkers (Atlantic Stage), Victory (PTP/NYC), Bonnie & Clyde (Asolo Rep), China: The Whole Enchilada (FringeNYC), Twelfth Night and The Imaginary Invalid (Orlando Shakespeare Theatre). She is a proud member of AEA and co-secretary of the Stage Managers’ Association. * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States ◊ Student or Faculty Member with the University of North Carolina at Greensboro Theatre Department ◉ Student or Faculty Member with the School of Drama at the University of North Carolina School of the Arts
ACTORS’ EQUITY ASSOCIATION Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor union. Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.
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M A R K R OT H KO
B IOG RAPH Y
Born Marcus Rotkovitch in the town of Dvinsk, Latvia, then part of the Russian Empire, Mark Rothko immigrated to the United States with his family at the age of ten, settling in Portland, Oregon. A gifted student, Rothko attended Yale University on scholarship from 1921-23, but disillusioned by the social milieu and financial hardship, he dropped out and moved to New York to “bum around and starve a bit.” A chance invitation from a friend brought him to a drawing class at the Art Students League where he discovered his love of art. He took two classes there but was otherwise self-taught. Rothko painted in a figurative style for nearly twenty years, his portraits and depictions of urban life baring the soul of those living through The Great Depression in New York. The painter Milton Avery offered Rothko both artistic and nutritional nourishment during these lean years. In the 1930s, Rothko exhibited with The Ten, a close-knit group of nine American painters, which included fellow Avery acolyte, Adolph Gottlieb. Success was moderate at best but the group provided important incubation for the Abstract Expressionist school to come. The war years brought with it an influx of European surrealists, influencing most of the New York painters, among them Rothko, to take on a neo-surrealist style. Rothko experimented with mythic and symbolic painting for five years before moving to pure abstraction in the mid 1940s and ultimately to his signature style of two or three rectangles floating in fields of saturated color in 1949. Beginning in the early 1950s Rothko was heralded, along with Jackson Pollock, Willem de Kooning, Franz Kline and others, as the standard bearers of the New American Painting — a truly American art that was not simply a derivative of European styles. By the late 1950s, Rothko was a celebrated (if not wealthy) artist, winning him three mural commissions that would dominate the latter part of his career. Only in the last of these, The Rothko Chapel in Houston was he able to realize his dream of a truly contemplative environment in which to interact deeply with his artwork. RED presents a fictionalized account of Rothko’s frustrated first attempt to create such a space in New York’s Four Season’s restaurant. Rothko sought to create art that was timeless; paintings that expressed basic human concerns and emotions that remain constant not merely across decades but across generations and epochs. He looked to communicate with his viewer at the most elemental level and through his artwork, have a conversation that was intense, personal and, above all, honest. A viewer’s tears in front of one of his paintings told him he had succeeded. While creating a deeply expressive body of work and garnering critical acclaim, Rothko battled depression and his brilliant career ended in suicide in 1970.
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E NT R A NC E TO SU B WAY, 1938
SEAGRA M MURAL, 19 59
Š 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
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R OTH KO CH A P EL, 1 971
ABSTRACT EXPRESSIONISM
ART I STS OF ACTIO N
BY BRYAN CONGER
In the 1940s and 50s a group of American artists emerged with a new style of painting that would take the art world by storm. For the first time in history, America became the focus of the art world and New York City was its center. Throwing out traditional conventions of style and technique, these artists valued spontaneity and improvisation.
JACK SON P O L LOCK N UM B ER 8 1938
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They turned toward their inner selves to create large scale pieces that reflected their individual psyches and, in turn, reflected the universal struggles of a country that had been destroyed by a great depression and was reeling from the effects of a devastating world war. They explored the dark side of the human condition and were acutely aware of human irrationality and vulnerability.
A R S HI L E G O RKY O N E Y EA R THE M I L KW E E D
Jackson Pollock with his pouring and dripping technique, Willem de Kooning with his overlapping figures, and Mark Rothko with his massive color fields were all breaking boundaries and attempting to make art that meant something more. In a famous letter to the New York Times in 1943, Rothko, along with Adolph Gottlieb, wrote, “To us, art is an adventure into an unknown world of the imagination which is fancyfree and violently opposed to common sense. There is no such thing as a good painting about nothing.�
1 94 4
This was the uniting idea of artists who resisted being categorized and whose techniques were as varied as their personalities. Every stroke, drip and color choice had meaning. It was in their studios that these artists fought their own wars, and the result was something that influenced the world forever.
W I LLEM DE KO O NI NG WOM A N 1 1952
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F ROM THE D IRE CTO R “WE H AVE A R T S O T H AT WE M AY NOT PERISH BY THE TRUTH.” —FRIEDRICH NIETZSCHE
As I drove from my home in Raleigh to my office at Duke University one fine morning in the fall of 2001, my head was full of lists of things to cover in our 9AM production meeting for the play I was directing, Timberlake Wertenbaker’s Our Country’s Good. Since I was concentrating on the two tasks at hand, I did not, as was usual, turn on WUNC. When I arrived at the campus I found that everything had changed. I watched, helpless — as were we all — as the second plane hit the tower. We didn’t have the meeting that morning, nor did we have rehearsal that night, as we all struggled to try and understand this new truth and to learn of the fate of friends and family in New York or at the Pentagon. Our artistic endeavor seemed almost impossible at that point. In the next few days, as we reassembled and struggled to regain our composure, I realized that we were on the same path as the characters in our play; people whose lives are almost overwhelmed with sadness and horror turning to art for some measure of comfort and joy and affirmation. In Red, Mark Rothko is talking about the suicide of his friend Jackson Pollock when he uses this Nietzsche quote. He tells his young assistant that without art to protect him, Pollock could no longer bear to live. Rothko knew what he was talking about. For Rothko and his postwar colleagues, art was everything — it mattered. They lived for their work and making money was not a primary goal. Rothko wanted everyone to know how much he invested in his giant canvases — how they were, to him, like his children. Rothko refused several prizes and honors (including a Guggenheim in 1957 for $1000; a lot of money then and to him) and lived a very poor, rough life until the late 50s. In 2012, a Rothko brought over eighty million dollars at auction. It would make him furious that someone would pay so much for a painting that they’d never even seen in person. What you’ll see here tonight is John Logan’s vision of those days at 222 Bowery in 1958-59 through the prism of Triad Stage’s talented theater artists. Thank you for joining us for this story of art and truth. JEFFERY WEST 16
A N A P PA L A C H I A N A DV E N T U R E by Preston Lane with music by Laurelyn Dossett
May 6 - 18, 2014
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Sponsors STARS
The National Endowment for the Arts was established by Congress in 1965 as an independent agency of the federal government to support artistic excellence, creativity, and innovation for the benefit of individuals and communities.
Supported by the North Carolina Arts Council, an agency funded by the State of North Carolina and the National Endowment for the Arts, which believes that a great nation deserves great art.
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DIRECTOR
PARTNERS
Lorillard, Inc.
BB&T Clifford Division of Clifford Clendenin & O’Hale, LLP Genuity Concepts
BENEFACTORS Arbor Acres Bernard Robinson & Company, LLP Cone Health Dixon Hughes Goodman, LLP Mercedes Benz of the Triad O.Henry Hotel Piedmont Natural Gas Senn Dunn Insurance Volvo Financial Services Well•Spring Zuraw Financial Services
SUPPORTER Mark Wagoner Productions
MEDIA PARTNERS Graffiti Ads News & Record/Go Triad Our State
Triad Stage is proud to be a member of the following organizations.
SPECIAL THANKS Jim Sparrow, Richard Emmett, Catherine Heitz New, Liz May, Jerry Word and all the staff and volunteers of the Hanesbrands Theatre and The Arts Council of Winston-Salem and Forsyth County John Lomax – Lomax Construction VanderVeen Photographers Cover Artwork by Bluezoom
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Annual Campaign Contributors Triad Stage wishes to thank the following individuals, corporations and foundations who have contributed generously to our 2013-2014 Annual Campaign. Annual Campaign contributors as of January 14, 2014.
PRODUCERS CIRCLE ($10,000+) Clem & Hayes Clement Kathy Manning & Randall Kaplan Kyle Jackson, MD Linda & Tom Sloan Pam & David Sprinkle Susan & Eric Wiseman The Honorable Aldona Wos & Mr. Louis DeJoy CENTER STAGE ($5,000–$9,999) Anonymous Lindsey & Frank Auman Betty & Jim Becher Joseph M. Bryan, Jr. Pat & Pete Cross Rob DaVanzo The John G.B., Jr. and Jane R. Ellison Family Foundation Haynes & Ginger Griffin Maureen & Bob Ihrie
Tobee & Leonard Kaplan J.A. King & Company Kathryn & Bobby Long Marge Michel Mindy & Chad Oakley Sylvia & Norman Samet Bill Soles Robert Strickland Family Foundation Dr. & Mrs. W. Harrison Turner III
FRONT ROW ($2,500–$4,999) Steve & Jackie Bell Ms. Brandon Bensley Joanne Bluethenthal Jim & Louise Brady Dr. Helen Brooks Jeb Brooks Lisa & Willie Bullock Linda & Jim Carlisle Kristin & Craig Carlock Holly Chambers & Richard Steedle The Copeland Family Rick & Rebecca Craig Christine & Chris Hobson
Laura & Alan Irvin Ron Johnson & Bill Roane Barbara Kretzer Ernest & Shelby Lane Carol & Seymour Levin Bob & Donna Newton Richard A. Parker Debby L. Reynolds Dabney & Walker Sanders Kay Stern Ruthie & Alan Tutterow Jane & Jonathan Ward Courtney & Richard Whittington
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STAGE HAND ($1,000–$2,499) Anonymous Betty & Dennis Barry Marianne & Jim Bennett Carol & Jeff Burgess Joann & Bill Cassell Sally & Alan Cone Jean & Ralph Davison Carol & David DeVries Susie & Rasmus Fenger Dionis & Gordon Griffin Rusty & Van Gunter II Beth & Edward Harrington David Hemm T. Henry & Dell B. Wilson Family Fund Bill & Hoppy Hervey David & Emily Johnston Matt & Kathy Kottyan Michael Lewis Sue & Neil Lutins Christopher Mattern Misty McCall
Judy & Dan McGinn Kellie Melinda Julie Olin Cissy & Bill Parham The Poteat-Smiths Tim & Carolynn Rice John Riley Nancy & Frederick Sharpless Kim & Bassam Smir Pat & Gordon Soenksen Paula Stober & Bill Bucklen Willie Taylor Margaret M. Thompson May Toms The Thomas Ralph Wear III Family Katie & Randall White Len & Judy White Judy & Bob Wicker Woodruff Family Law Group Ann & Ben Zuraw
GALLERY ($500–$999) Kate R. Barrett Mary Katherine & Durant Bell Annette Benson Tony & Barbara Blake Bill & Gay Bowman Joe & Betty Brantley Dr. Steven Case Lori & Murray Clayton Sherry Dickstein & Kurt Lauenstein Mylene & Andy Duffy Bert & Debbie Fields Patti & Douglass Gilbert Bob Hansen Tony Hooimeijer & Cynthia Soemita Rep. Maggie Jeffus & Ted Thompson Olive B. & William W. Jordan Amy & John Kelly Ray & Doris Kiszely Harriette & Bob Knox Lex & Brent Kulman Greg & Barb Laskow Connie Mahan Judy & Dan McGinn Rob & Karen Melhem Jane & Dan Moore Peg & Skip Moore
Linda Mortenson Nancy Napier David & April Parker Tim & Denise Pastoor Lloyd & Jane Peterson Nancy & Ed Pleasants Donna & Don Pulitzer Todd & Kimberly Rangel Sheri & Ray Raymer David & Claudia Reich Carol & Russell Remy Dee & Jason Roghelia Kelly Sigle Jim & Linda Starmer Mr. & Mrs. Douglas Stone Charlotte A. Straney Tom & Maggie Styers Mark Tarnacki Ernestine & Stuart Taylor Mr. & Mrs. Christopher Tew Burke & Trinh Thompson Mary & Will Truslow Jeff & Shirley Vestal Jim & Michelle Walter Michael Wilson Lynn Wooten & Paul Russ
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PATRON ($250–$499) Richard Allen Gary & Linda Anderson Bud & Betsy Bain Dr. Phil Barrineau Dee & Wes Bartlett Angela Bensberg Mary & Frank Biggerstaff Janet Ward Black & Gerard Davidson Dora & Bruce Brodie Joe & Kate Brower Patrick & Elizabeth Burns Lynda Brown Clifford Sallie & Jim Clotfelter Harvey Colchamiro Benita & Ron Cole CompuSystems Doug & Jean Copeland Phyllis H. Dunning Mr. & Mrs. Barry Eisenberg Grace Ellis Pete & Sandra Ennever Richard & Nancy Evans Ellen & Gary Fischer Jim & Dana Fisher Suzanne Goddard Kay & Chip Hagan Melinda Hamrick Sherry & Bob Harris Cindi & Dave Hewitt Nancy Hoffmann Sam & Anne Hummel Susan Ireton & Valerie Leschber Tomasita & Sam Jacubowitz Carroll Johnson Kenneth & Christina Johnson Randall T. Johnson Ken & Ginger Karb Carole Keeler Robin & Tim Lane Louise & Bill Latture Marilyn & John Lauritzen Ronald & Kimberly Lawrence Ms. Cathy Levinson Victor Lindsley & Jim Battinelli
Denise Lute Nancy Y. Madden David & Kathy Mazzola Bonnie & Dan McAlister Amanda McGehee Jim & Fray Metcalfe Jane Tucker Mitchell Christine Morris & Jeffery West Julia M. Morton Eberhard Mueller-Heubach Al & Linda Munns Maureen & Doug Murray Jane & Ron Norwood Marion O’Brien William Osborne Meredith & Gary Piatt Dr. & Mrs. William R. Rogers The Rose Family Susan Samuelson Beatrice Schall Susan & Jerry Schwartz Donna & Mark Shapiro Phyllis Shavitz Misa & Alex Shuford Kathleen Smith Melanie R. Soles Amy Speas Michiko Stavert Christine Stinson Adeline & David Talbot Suzanne & Tom Tilley Bryan & Billie Toney Davis & Lisa Vu James & Barbara Walls B.J. Weatherby & Verne Nielsen Katherine & Mike Weaver David Westfall & Barbara Ann Peters Jeff White & Mary Dubuisson Jack & Karen Whiteside Jim Wilkie W. Fred Williams Carmen & Robert Wood Nancy Young Richard & Jeanne Young
FRIEND ($100–$249) Anonymous (3) Rose & Victor Ackermann Sophie & Eric Adamson Hattie & John Aderholdt
Janet Allard & Josh Foldy Leanne Angell Margaret & Howard Arbuckle III Mr. & Mrs. Carl C. Ashby
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FRIEND (continued) Led & Sally Austin Sherry Barr Bill & Laura Barrier Deb Bartz & James Peterson Laverne M. Bass Susan & Richard Beard Shari & Richard Beavers Sally & Fred Beck Elizabeth Bell Deb Bell & Keith Cushman Catherine & Peter Bergstrom Robert Beseda Kate Black William (Hugh) Black Jr. Louise & Jerry Boothby J. Roger & Jackie E. Brown Nancy & Jim Bryan Alex & Maureen Burns Nancy Cameron Julia Smith Capone John Carney IHO Holly Chambers & Rick Steedle Kathy & Bill Cissna Louann A. Clarke Pat Clark Elizabeth & Thomas Clary Faye & Michael Collins Diane Conrad Pat W. Copeland Ross & Debbie Cox Mr. & Mrs. David Craft William F. Cromartie Jennifer & John Cross Catherine Crowder Gail & Bruce Crozier Larry & JoAnn Currie Linda Cykert Larry Davis Gerald & Marge Doty Pam & Alan Duncan Debra Dykes Mona & Emanuel Edwards Nancy & Jim Edwards Jean & Robert Finley Gerald Freedman Dr. Deborah Friedman Robert W. Fuller Denise Gabriel Silvia & Thomas Gahm Felice Gavin Mary Ann & Allen Gerhard
Mr. & Mrs. Edward N. Gideon, Jr. Betty Godwin Terri & Robert Goldberg A Happy Birthday to Dr. Willie L Taylor Guilford College Art Appreciation Club Patricia Gutzwiller & Alan Spiewak Jay & Deb Gyure Libby Haile & Donald Martin Mark & Linda Hale Barbara Hall Marty & Porter Halyburton Janis Hammett Brenda C. Hampton Ron & Becky Hampton Anne & Bill Hardin Karyn Harrell & Cindy Kimbrell, DVMs Jerry & Melissa Harrelson Cyril & Judith Harvey Hon. & Mrs. A. Robinson Hassell Angela Hays Dr. & Mrs. Joseph R. Hedgpeth Pat Hester Wes & Rose Hood David & Rodna Hurewitz Sallie & Hoke Huss Judith Hyman Joia Johnson Marcia & Orton Jones Denny Kelly & Lou Bouvier Sue & Jim Kennedy Milton Kern Eleanor & John Ketcham Jennifer Killingsworth Robert Kilpatrick & Jackie Palmer Bonnie & John Knab Virginia & David Knox Bob & Levina Kollar Kelly Krantz Derek Krueger & Gene Rogers Donna & Tom Lambeth Hugh & Anita Lawson Eric Lee Carolyn C. Lester Michele & Pat Levy Grey W. Lineweaver Mandy Lotz in honor of Sherry Barr Jack & Judy MacDowall Mary & Gustav Magrinat Marcy Maury Bud & Reba Maxson Tom & Marilou May
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FRIEND (continued) Donald & Eleanor McCrickard Angus & Wynn McGregor Jim & Joyce McKenzie Carol H. Melvin Benedicte & Christian Mengel Cliff & Kathryn Miller Gary & Nancy Miller Robert & Bonnie Miller Hal & Amy Mohorn Diane P. Monnier Barbara & Bill Moran Donna Moran & Garnett Hughes Margie & Jay Motsinger Ninevah & Dan Murray The Nashes Judith ( J. T.) Nebenzahl Floyd & Joann Nesbitt Karol & John Neufeld Margaret & Vernon Newlin Gaynelle Bass Nichols John & Emily Odom David Olson Zack & Nancy Osborne Nancy Oschell Jill A. Painter Caroline Panzer Dorothy Peters Paula F. Pierce Roger & Nan Poplin William & Lee Presson Margaret Y. Price Jesse Pugh Jay Putnam Wendell & Phoenix Putney Kathy Ramsay Betsy & Bill Raulerson Kat Rice & Grumpy Allen Ridenour
George & Bobbie Roberts Carla & Stephen Robinson Ms. Cary Root Margaret Rowlett & David Gilbert Debbie & Eugene Russell Nancy & Jim Sands Robin & Connie Saul Matthew Sergio & Steve Stonecypher Bill & Barb Sharpe Lee & Mary Ellen Shiflett David & Diane Smith Beverly & Lawrence Snively Suci Sorensen Donna Speas Andy Stern & Judy Pellarin Glenn & Marylou Strohl Joan Sullivan in loving memory of John L. Sullivan Janice & John Sullivan Peggy R. Tager Frieda Taylor Julie & Tom Taylor Jean Loy Toms Barbara Van Cleve Bert & Rebecka VanderVeen Dave & Carol VanSchoick Dean & Kate Wahlberg Mr. Robert Walker Wes & Sarah Ward William E. Waters Linda Weiss Andrea West Brook & Paul Wingate Carol & Tom Wood Mary & Robert Woodrow Earle & Lynette Wrenn Kay & Charlie Zimmerman
MATCHING GIFT COMPANIES American Express Compass Financial IBM Matching Grants Program The Johnson & Johnson Family of Companies Kinder Morgan Foundation
Lincoln Financial Foundation Reynolds American Foundation Schneider Electric/Square D Foundation Weaver Foundation
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FOUNDATION SUPPORT
SUPPORT TRIAD STAGE
Cemala Foundation City of Greensboro Community Foundation of Greater Greensboro Hillsdale Fund Roberts Family Foundation The Shubert Arts Foundation Weaver Foundation
Triad Stage is a 501(c)(3) not-for-profit organization, with donations tax-deductible to the extent provided by law. TO LEARN MORE, PLEASE CONTACT: CEDRIC BLUE - DEVELOPMENT ASSISTANT cedric@triadstage.org 336.274.0067 ext. 214
LEGACY DONORS Anonymous Claire King Sylvia Samet Linda & Tom Sloan Martha & Harrison Turner Ruthie & Alan Tutterow
Legacy Donors have made bequests in support of Triad Stage.
American Moderns 1910–1960 FROM O’KEEFFE TO ROCKWELL February 7–May 4, 2014
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American Moderns, 1910-1960: From O'Keeffe to Rockwell has been organized by the Brooklyn Museum. Reynolda House is grateful for local support of America Moderns from major sponsors First Tennessee Bank and Wake Forest University.
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PR
Think you know all about Triad Stage? Learn more about who we are and what we do.
FABLE: My ticket price covers the cost of the production. FACT: Ticket sales and services account for only 60% of our total budget;
we depend on contributions for the remaining 40%. Your ticket price essentially covers just half of what you experience when you come to a Triad Stage production. If we had to survive on ticket sales alone, every seat to every performance would be at least $50 (our current average ticket price is $25).
FABLE: The productions at Triad Stage are touring shows created elsewhere. FACT: Each and every set, costume and prop is created at our home base in
Greensboro or right here in Winston-Salem. Triad Stage employs 16 full-time and 16 part-time professionals who see the show from inception to the stage. We also hire 247 actors, directors, designers and technicians during the season. These artists are both local talent and nationally recognized leaders in their field. Triad Stage owns and operates two buildings in Greensboro — the theater and administrative offices at 232 South Elm Street and the Scene Shop on Holbrook Street. Triad Stage will continue to build, create and perform in these spaces as well as our new space in Winston-Salem at the Hanesbrands Theatre.
Fabric room at the Scene Shop
Load in for Ain’t Misbehavin’
GIVE YOUR SUPPORT
Former Props Master Amy Peter
donate @ triadstage.org 33
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Triad Stage Co-Founders Richard Whittington (Managing Director/CoFounder) has served as Managing Director of Triad Stage since its inception. Rich earned an MFA in Theatre Management from the Yale School of Drama and has a BFA in Acting and Directing from Marymount Manhattan College.
Preston Lane (Artistic Director/Co-Founder) is in his 13th season at Triad Stage where he has directed over 35 productions. Preston is the recipient of the 2008 Betty Cone Medal of the Arts and is in his fourth year as the Artistic Partner for Theatre for An Appalachian Summer Festival. He was formerly Artistic Associate at the Dallas Theater Center, where his productions included the US premiere of Inexpressible Island (Dallas Observer Best of Dallas Awards: Best Director, Best Production) and The Night of the Iguana (Dallas Morning News: 2002 Top Ten Theatre List).
In 2007, Rich was appointed by the Governor to serve on the board of the NC Arts Council, where he is currently a member of the Executive Committee. He has previously served on the boards of ArtsNC and Downtown Greensboro, Inc. and has served on numerous grant panels throughout the state as well as for the Florida Division of Cultural Affairs and the National Endowment for the Arts.
As a playwright, Preston’s adaptations have been produced at Triad Stage, Dallas Theater Center and Sonoma Rep. His work with musician Laurelyn Dossett includes Brother Wolf (Triad Stage, An Appalachian Summer Festival, The Human Race Theatre Company and St. Olaf College), Beautiful Star (Triad Stage and WaterTower Theatre), Bloody Blackbeard and Providence Gap. Preston is a recipient of an NC Arts Council Playwright Fellowship.
Rich has taught Theatre Management at Greensboro College and NC A&T University and has guest lectured at UNC Chapel Hill, UNC School of the Arts, Wake Forest University and UNCG. A native of Dallas, Texas, Rich previously served as Artistic Administrator for the Dallas Theater Center and Associate Producer of Dallas’ The Big D Festival of the Unexpected. Experience also includes work at the Roundabout Theatre in New York and StageWest in Springfield, Massachusetts.
Preston has taught at UNCG, NC A&T, UNCSA, Greensboro College, SMU, and the Professional Actors Workshop at the Dallas Theater Center. He is an alumnus of the Drama League of New York’s Director’s Project. A native of Boone, NC, Preston received his BFA from UNCSA and his MFA from the Yale School of Drama.
In 2010, Preston and Rich were honored with Downtown Greensboro, Inc.’s J. Edward Kitchen Leadership Award. In 2013, they received the Adelaide F. Holderness/H. Michael Weaver Award from UNCG for distinguished public service.
Follow Preston on Twitter at @aprestonlane. 35
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Board of Trustees
Triad Stage Staff continued
Officers
Marketing & Communications
Kathy E. Manning, Chair Mindy Oakley, Vice Chair Susan Schwartz, Vice Chair Tom Styers, Treasurer Holly Chambers, Secretary Alan Tutterow, Immediate Past Chair Linda Sloan, Founding Chair Preston Lane, Artistic Director Richard Whittington, Managing Director
Megan Mabry, Marketing & Social Media Manager Kim Doty, Marketing Assistant Anna Lowe, Greensboro Marketing Intern Sydney Leto, Winston-Salem Marketing Intern Kevin Patterson, Publicity Intern
Audience Services Sherry Barr, Director of Audience Services Justin Nichols, Box Office Manager Amanda Waterhouse, Assistant Box Office Manager Teresa Clifton, House Manager Joseph Rollins, UpStage Cabaret House Manager Anna Lowe, Bonnie Pachasa, Ainsley Patterson, Joseph Rollins, Rachel Rutz, Box Office Associates Jenna McMillan, Carrie Miller, Bar Staff Janita Colbert, UpStage Cabaret Bartender
Members at Large Kate Barrett, Jeb Brooks, Linda Carlisle, Craig Carlock, D. Hayes Clement, Lynda Clifford, Jim Fisher, Chris Hobson, Tomasita Jacubowitz, Christina Johnson, John Kelly, Dan McAlister, Donna Newton, Julie Olin, Cissy Parham, Todd Rangel, Debby L. Reynolds, Paul Russ, Dabney Sanders, Tom Sloan, Kathleen Smith, Amy Speas, Ernestine Taylor, Margaret Thompson
Production
Triad Stage Staff
Tim Kottyan, Production Manager Nick Rutz, Technical Director Emily J. Mails, Resident Stage Manager Eric Hart, Properties Master Kathleen Ludwig, Costume Shop Manager Liz Stewart, Master Electrician Jonathan Fredette, Sound Supervisor Amanda Warriner, Lead Carpenter Andrew Landon Cutler, Wardrobe Supervisor Mary Beth Pazdernik, Stitcher / Rentals Coordinator Lisa Bledsoe, Props Assistants Matt Hirst, Sound Assistant
Artistic
For “Red�
Advisory Council Judy Wicker, Chair Ralph Davison, Danny Gatling, Sandra Hughes, Lesley Hunt, Ron Johnson, Tobee Kaplan, Ancella Livers, Dennis Quaintance, Sylvia Samet, Joy Shavitz, Ralph Shelton, Harrison Turner
Preston Lane, Artistic Director Bryan Conger, Artistic Associate William Gwyn, Artistic Intern Price Felker, Artistic Intern
Jennifer Ackland, Wardrobe Supervisor Christopher Anderson, Light Board Operator John Bumiller, James Hunter, Carpenters Martin Campbell, Master Electrician Alex Eberle, Assistant Stage Manager Jessica Holcombe, Scenic Artist Melissa A. Nathan, Stage Manager Christina Santarelli, Costume Coordinator Tina Stevenson, Props Master Thomas Williams, Technical Coordinator / Sound Engineer
Administrative Richard Whittington, Managing Director Jason Bogden, Business Manager Robin Campbell, Company Manager Melanie Soles, Fundraising Consultant Cedric Blue II, Development Assistant
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