G E N E R AT I O N
TRIMIRA GARACH | PORTFOLIO 2012
TABLE OF CONTENTS GENERATION
03
APPLICATION
05
SIMPLIFICATION
11
ORGANISATION
15
ITERATION
19
EXPERIMENTATION
25
Introduction and Resume
Homes at Work
Sustainable Design
Public Spaces and Private Archives
Stereotomic and Tectonic Structures
Technique and Media
TRIMIRA GARACH Waterloo School of Architecture | Class of 2015 | ID# 20379218
OBJECTIVE To obtain a position of active contribution and support within an architectural practise. SKILLS Digital
> AutoCAD > Adobe Creative Suite 5 (Photoshop, Illustrator, and InDesign) > Rhinocerous 4.0 (NURBS Modeling Software) > VRay for Rhinocerous > Revit Architecture 2012 (Basic Training) > Microsoft Office > Experience using CNC machines in conjunction with AutoCAD and CorelDRAW
Analog
> Proficient in hand-drafting > Proficient in the production of architectural models using various materials including basswood, museum board, millboard, cardboard, and plaster.
Personal
> Good communication skills, Example - Was co-president of the Multcultural Awareness Committee of my high school. > Strong critical thinking, Example - Strong performance in both high school Law and university Iconography where arguments of sound analysis are required. > Good time management, Example - Completed a variety of tasks for multiple ongoing projects within a busy architectural practise.
WORK EXPERIENCE February 2012 - April 2012
Junior Architectural Assistant - Elemental Architects (Etobicoke, ON) > Assisted in preparation of both site plan and building permit drawings for custom residential projects. > Produced both standard construction details (e.g. foundation underpinning) and atypical details (e.g. custom staircase). > Actively participated in the design development of two large residences. Feedback from clients was received, carefully considered, and consequently acted upon.
EDUCATION 2010 - Present
Bachelor of Architectural Studies Honours, Co-op program at the University of Waterloo. > Academic Distinction(s): 2011 Winter Term - Dean’s Honour List 2010 - Herb Tait Award for excellence in English (OSSD) 2010 - Ken Manuel Award for excellence in Law (OSSD) 2010 - Visual Arts Honour Award (OSSD)
VOLUNTEER EXPERIENCE August 2011
Fulfi lled basic clerical duties at the offi ce of Dr. Anjana A. Naik in Sarnia, Ontario. >Tasks included: Sorting and fi ling patient information, answering phone calls, restocking standard medical equipment, and directing patients to examination rooms.
2007 - 2010
Member of the Teen Advisory Group of the Sarnia Public Library. > Responsibilities: Organising events to bring teens into the library, setting up displays throughout the library, and discussing the purchase of new material for the library.
INTERESTS > The pursuit of architecture as a medium through which one may improve the average individual’s quality of life and work. > The implementation of lighting systems as a method of alleviating the effects of ailments such as Seasonal Affective Disorder. CONTACT E > tagarach@uwaterloo.ca
T > 226 929 8192
GENERATION
“... and the fantasy came alive as I stared at the stone.”
This recollection from my childhood is an example of the kind and quality of memory that I wish to create with my work in the future. As a student of architecture, I have come to understand that it is the generation of the idea behind the work that is often responsible for the project’s ability to evoke significant thoughts and emotions. Each individual designs differently and generates ideas through a combination of methods. In an attempt to discover a process of design that is unique to myself and will allow me to realise my aspirations, I have tried to approach projects in different ways and to measure the success of each method. The following collection of work is representative of this endeavour and the progress I have made thus far.
03
APPLICATION
TERM_2A Co-op > PROJECT_Foster’s Residence > FIRM_Elemental Architects > DESIGNED AND RENDERED BY_ Huy Truong > LOCATION_Mississauga, ON > GFA_380.89 SQM > EDITED_ February - April 2012
APPLICATION_Summary > Skills and knowledge gained during academic terms was utilized in the design of custom homes. > Project was picked up in design development and site plan stages, and continuously updated in order to ensure that the associated set of drawings were always correct. > As design problems arose, a variety of methods were used to successfully resolve conflicts. PROJECT_Foster’s Residence (Cape Cod Style Residence) > Major contributions include: > The resolution of conflicting bathroom and laundry spaces on the second floor. > The alignment of the interior spaces with the exterior roof pitches and windows. > Reviewing and making amendments to comply with City of Mississauga residential zoning by-laws. > Issuing and sending drawings out for client review, recieving comments, and making appropriate changes with the guidance of the principal architect.
WASHROOM
BEDROOM 1
LAUNDRY ROOM
BEDROOM 2
DN
BALCONY
POWDER ROOM
GROUND FLOOR AREA 198.31 SQM SECOND FLOOR AREA 182.58 SQM GROSS FLOOR AREA 380.89 SQM
FOYER
DEN
GARAGE
GUEST BEDROOM
DN
UP
ENSUITE WASHROOM
WALK-IN CLOSET
MUD ROOM
OPEN TO BELOW
MASTER BEDROOM
LIVING ROOM
KITCHEN
DINING ROOM
1
PROPOSED GROUND FLOOR PLAN
1
1:100
Foster's Residence
PROPOSED LAYOUT
HT
Mar 2012
HT
As Shown
HT
11-0020
PROPOSED SECOND FLOOR PLAN 1:100
Foster's Residence
PROPOSED LAYOUT
HT
Mar 2012
HT
As Shown
HT
11-0020
1309 Ambleside Dr., Mississauga
1309 Ambleside Dr., Mississauga
A 1.0
05
A 1.1
APPLICATION
TERM_2A Co-op > PROJECT_Kapoor Residence (Design Development) > FIRM_Elemental Architects > DESIGNED AND RENDERED BY_ Huy Truong > LOCATION_Toronto, ON > GFA_548.12 SQM > EDITED_ March - April 2012
DESIGN DEVELOPMENT
The solution shown is a response to the following comments: > Reduce G.F.A. (general) > Each room min. 12’ x 14’ > Reduce asian kitchen > Reduce size of suite on ground floor > 1 closet min. 13’ x 15’ (w/ island) > Incorporate a basement walkout
01 > Ground Floor Plan 1:200 02 > Second Floor Plan 1:200
> Exercise: Review client comments and make ammendments to existing plan without taking away from the conceptual premise of a grand, multigenerational family home.
01
02
BASEMENT WALKOUT
G.F.A. - 6086.04 SQ FT
07
APPLICATION PROJECT_4145 North Service Road
01 02
01 > Small project to increase number of accessible parking spaces. > Drawing, zoning chart, and layout were all personally completed. > Drawing was then directly sent for client review.
03
PROJECT_Poce Residence (Stair) > Stair was designed, detailed, and sent to client within 12 working hours. 02 > Design includes the 48” x 12” x 4” pinewood treads purchased by client. > Detail of stair includes correctly dimensioned treads, handrail, stringer, and C.R. Laurence hardware. > Stair is compliant with the Ontario Building Code. 03 > Sketch renders were produced in order to allow the client to have a better spatial understanding of the stair.
1
PROPOSED STAIR 1:16
Poce Residence
PROPOSED STAIR
HT
April 2012
HT
As Shown
HT
11-0030
318 Stills Lane, Oakville
VIEW FROM GROUND FLOOR
1
N.T.S.
2
N.T.S.
VIEW FROM SECOND FLOOR
Poce Residence
PROPOSED STAIR
HT
April 2012
HT
As Shown
HT
11-0030
318 Stills Lane, Oakville
A 1.0
09
A 1.0
01
02
03 05
Rendered interior lighting studies were conducted in order to determine the most beneficial programme with regard to passive heating/cooling and thermal comfort. Samples of the study appear as follows:
04 06
01 > Ground Floor Plan 1:25 02 > Second Floor Plan 1:25 03 > Exterior Perspective 04 > Site Plan 1:500
07
05 > Summer Solstice 12 PM 06 > Equinox 12 PM 07 > Winter Solstice 12 PM
^
MAIN ST.
^
AINSLIE ST. S.
^
N
89 WARNOCK ST. CAMBRIDGE, ON
SIMPLIFICATION TERM_2A > COURSE_Environmental Building Design > MEDIA_Rhinocerous 4.0, VRay, Photoshop, Illustrator > COLLABORATION WITH_Mona Dai > COMPLETED_December 2012
SIMPLIFICATION_Summary > A common vernacular home was abstracted and divided into two masses. > The necessities of a home were listed and evaluated. > Unnecessary spaces were reduced or eliminated in order to create more efficient and multi-functional spaces. > Passive heating and cooling strategies were considered in order to reduce the environmental impact of the home. South Elevation
F
A
D C B E
D
1 - Screened Gutter 2 - Initial Filtration System 3 - Long Collection Tank 4 - Additional Filtration System 5 - Dual Flush Toilets
E
E E
C
PROJECT_ACSA Sustainable Home Competition > The requirements of the competition stipulate that house must be under 90 SQM, feature three bedrooms, be wheelchair accessible, etc. > A vernacular home was chosen as the premise due to its small footprint and economic planning. > The vernacular mass was altered in order to better accommodate sustainable design features such as the installation of BIPV. Bioswale 6 - Pebbles 7 - Eco Retention Soil Mix 8 - Granular Layer 9 - Perforated Pipe
D
1
E
5
2 3
Sectional Perspective E
4
6 7 8 9
Water Diagram
11
Detail Vegetation 150 mm Top Soil Drainage Board Waterproofing Membrane (Wrapped 150 mm over edge into Gutter) 12.5 mm OSB Exterior Sheathing 38 mm x 235 mm Rafter
Burlap filter cloth Gravel Perforated Drain Pipe Pre-fabricated Fascia Board 1 200 mm Weather Proofing (from edge) 38 mm x 235 mm End Joist 38 mm x 235 mm Ceiling Joist Baffle 285 mm UltraTouch Denium Insulation Gutter Perforated Soffit
SIMPLIFICATION MODULARITY_The Kit of Parts > The house is an assembly of prefabricated, standardised panels. > The panels are to be manufactured nearby and transported to the site when needed. > On-site waste and construction times are dramatically reduced. > Simple and efficient construction is facilitated.
Start with vernacular mass.
Detail: South Facade Window Section Aluminum Flashing Hoover Window Head Drip Cut (6% Slope) Hoover Window Louvers (Oriented at 19.6 Degrees) Hoover Window Sill
Casement Window Head Double-glazed, Low-e, Argon-filled Casement Window Casement Window Sill
Drip
End with modular panels based on stud spacing.
Cut
Awning Window Head Awning Window Awning Window Sill (extends 25 mm past cladding)
*Detail Reference:
Marvin Windows and Doors
01 > Most Frequently Used Elements > Standard sizes of fibre cement cladding were used to establish a panel width of 450 mm. Rim joists of individual panels are connected via removeable steel connectors.
01 02
03
02 > The Southern Facade > This facade features awning, casement, and hoover windows that act together to alleviate the thermal discomfort associated with the stack effect. 03 > Exterior Elements > Exterior elements include units of green roof, building integrated photovoltaic panels, and garden bed modules. 13
ORGANISATION
TERM_1B > COURSE_Design Studio > MEDIA_Graphite on Velum, Basswood, Plexiglass > COMPLETED_April 2011
APPLICATION_Summary > The collection of artifacts were assessed in order to determine general lighting and storage requirements. > An investigation of the site was completed and site parameters were determined. > Concepts of the investigation were applied through a ‘funneling’ of the public and official personnel throughout the building. > Programmatic elements were resolved through five iterations. > The key element, a method of storage, was established and used to unite the public and private spaces.
PROJECT CCA Archive > Designed as a Toronto outpost for the Montreal-based CCA. > The archive features a central light well that cuts through all three storeys of the building. > This corridor, used by the occupants exclusively as a stairwell, also serves to strictly divide the private and public spaces of the building. > Public spaces are enclosed by glazing, whereas privates spaces are enclosed by opaque walls. > The severity of this division is lessened by the ribbon of storage that wraps around both public and private spaces.
15
08
02
10
07
01
03
09
02
05
11
04
12
06
ORGANISATION
PUBLIC SPACES
PRIVATE SPACES
01 Exhibition Spaces
07 Archivist Offices
02 Washrooms
08 Receiving/Sorting
03 Front Desk
09 Cafe (Kitchen)
04 Cafe (Dining)
10 Rare Artifact Storage
05 Study Area
11 Board Meeting Room
06 Gardens
12 Research Space
STORAGE Where there is apparent circulation space adjacent to or around the various programmatic elements, storage panels have been installed along the exterior walls of the archive. This allows the public, the archivists, and the researchers a circulation space in which they may come in contact with each other as they peruse the material.
17
ORGANISATION
19
ITERATION TERM 1B >COURSE Design Studio >MEDIA Plaster >COMPLETED January 2011
ITERATION Summary > This project was an involved process of making and making again. > Each iteration became a source of minor changes. > These minor changes were recorded and constantly visually communicated. > Prevalent ideas became apparent. > These ideas were then carefully altered and reconciled. > Variables were then isolated and manipulated in order to gauge their effect on the whole. > The ultimate form was a product of careful consideration and construction.
PROJECT Stereotomic and Tectonic Structures > How does one transform a stereotomic structure to a tectonic structure? > Stereotomic forms were arbitrarily generated. > The most successful form was thoroughly documented. > The documentation was treated as a source of raw information. > This information was then refined through iteration. > The final, tectonic form was produced as a culmination of the process.
02 01
The first stage of the project was to arbitrarily generate a stereotomic form using balloons and plaster. Three iterations were completed, of which the second was selected for further development.
03
01 > Detail - Iteration #3 02 > Top Elevation - Iteration #1 03 > Detail - Iteration #1 04 > Front Elevation - Iteration #2 05 > Perspective - Iteration #1 06 > Side Elevation - Iteration #2
05
04
06
Iteration #2 was selected for further development due to the success of the secondary voids within the form and the fine quality and smooth finish of the plaster cast. 21
ITERATION
MEDIA Graphite on Velum
01
02
03
01 > Initial documentation of the cast. > Total: 4 elevations and 3 sections > Axonometric drawing constructed in order to document the stereotomic voids and their distribution.
02 > Two of the initial sections were selected and then transformed using a series of linear and radial operations > Parts of drawing copied and reintegrated using rays and rotation > Rays of light became a uniting theme as a laser was used to document the cast initially
03 > Three drawings were taken from the second composition and were presented as an intersection of three planes. > Information was interpolated in order to conceptualise a three dimensional form. > Rays used once again to visualise the form before it was simplified and broken down into four individual template pieces (top). 23
ITERATION MEDIA_Cardstock, Wire, Basswood 01 > > > > >
Model Iteration #1 Template pieces were cut and lightly scored so that they would be able to curve into the drawn forms. Pieces were connected using paper staples instead of glue. Intended to lock together and become one unit. Form was ultimately deemed too flimsy and not true to the intention of the form as a single, fluid entity.
02 > > > > > >
Model Iteration #2 A tesselation was chosen as the new ‘fabric’ of the model. Small, repeating units allowed for a uniformly divided model. Natural curvature of tesselation resulted in evenly rounded surfaces. Completed model flexible due to plasticised bond holding each of the individual tesselated units together. Constructed of 47 individual basswood units.
03 > > > >
Model Iteration #2 (Preliminary Model) Curvature of tesselation tested using lightweight paper. Wire used to create frame to hold paper tesselation. Model used throughout construction of the final basswood as a map of how many units were necessary to complete the form. > Stand edited out of final model.
01
02
03
25
TERM 1B >COURSE Sustainable Design >MEDIA Rhinocerous, VRay, Photoshop >COMPLETED April 2011
01 > This desert oasis is located in the Acacus mountains of the Sahara desert in Libya. A weary traveler may rest in the oasis for a night or two as they find refuge from the gusts of sand and scorching desert temperatures. 02 > The walls of the oasis are made of mud and lime brick that has been reinforced with palm tree wood that is native to the area. Rock formations serve as thermal mass towers, and a small well provides a source of water for the traveler. 03 > A thin tensile canopy draws air into the oasis and allows it to cool and stratify before it warms once more, rises, and is drawn out of the oasis. 03
02
01
TERM 1B >COURSE Sustainable Design >MEDIA Foamcore, Basswood >COMPLETED March 2011 >PHOTOGRAPHS Terri Meyer Boake
01
02
03
EXPERIMENTATION
01 > Solar noon, winter solstice. Uninhibited by the exterior shading devices, the sunlight streams in through the windows and naturally heats the thermal mass of the floor. 02 > Exterior of model. Features of the solar study include an overhang, movable shading louvres, and glass balcony doors with ceramic frit. Solar noon, summer solstice. Very little direct sunlight comes into 03 > the room due to exterior shading devices. Balcony doors may be opened to allow for natural ventilation.
27
EXPERIMENTATION
01 02 03
01 > Kawasaki Ninja 250R Acrylic on Canvas 02 > Masquerade Print (Ink on Paper) 03 > A Glimmer of Green Acrylic on Cardstock 29
01
02
01 > August 22, 2011 Sarnia, Ontario CA 02 > July 16, 2011 Sarnia, Ontario CA 03 > August 19, 2011 Palma, Majorca SP
03
04
04 > July 31, 2011 Sarnia, Ontario CA
TERM Grade 11 (OSS) > COURSE Technological Design > MEDIA Plywood (CNC Machine) > COMPLETED June 2009 > COMPLETED WITH Sarah Robertson
EXPERIMENTATION
> This dinosaur puzzle was recreated from an original children’s toy. > The pieces of the toy were traced, numbered, imported into AutoCAD, and then traced. > The scale of the puzzle was doubled (to a final length of 70 cm). > All AutoCAD files were saved in CorelDRAW. > A CNC machine was personally used to cut all pieces. > Each piece was individually sanded to fit. > Model was then assembled.
31
THANK YOU.
I appreciate your time and look forward to hearing from you soon.
TRIMIRA GARACH