ART EXHIBITIONS

exhibitions

Stephen Somerstein, “Vote” written in sunscreen on the forehead of marcher Bobby Simmons, inkjet exhibition print, framed: 24x18. Collection of the artist. © Stephen Somerstein

Votes for Women: A Visual History Brandywine River Museum of Art 1 Hoffman’s Mill Rd. Chadds Ford, PA 610-388-2700 Brandywine.org February 1–June 7

This exhibit commemorates the 100th anniversary of the 19th Amendment to the U.S. Constitution granting women the right to vote. Focusing on the last decade leading up to ratification in 1920, we examine the compelling imagery of the suffrage movement and how the suffragists spread their message—in the absence of televised and digital media—through magazines, political cartoons, posters, plays, parades and fashion. Presenting an inclusive historical narrative, the exhibition recognizes the significant contributions of women of color, which have been historically overlooked. And while the 19th Amendment granted women the right to vote, ongoing voting struggles persisted for marginalized communities following its ratification. An accompanying photography exhibition, Witness to History: The Selma Photography of Stephen Somerstein, continues the story about the ongoing struggle for voting rights with 55 photographs taken during the historic 1965 civil rights march from Selma to Montgomery, Alabama—a turning point that led to the passage of the Voting Rights Act.

Untitled, from Lady Alethea Ogilvie, Exentrique Extraordinaire, 1968. Oil on canvas, 13 × 13 in. Collection of Shelly Levin. © Julio daCunha

Julio daCunha: Modernizing Myths Delaware Art Museum 2301 Kentmere Parkway, Wilmington, DE 302-571-9590 delart.org February 29–May 10

Julio daCunha was born in 1929 in Bogota, Colombia. After completing his master of fine arts degree at Cranbrook Academy of Art, he arrived in Delaware in 1956 to teach at the University of Delaware. He places himself within the Spanish tradition of Arshile Gorky, Paul Klee, Pablo Picasso, and Francisco de Goya. At the University, daCunha served as department chair from 1966–1969 and taught until 1994, influencing generations of students. This Distinguished Artist Series exhibition will be assembled from the collections of the Delaware Art Museum, public institutions, and private collections showcasing the impact daCunha had on the community in which he lived.

Margaret Mattheson, “Big Blue,” oil.

The Phoenix Show: Inner Visions A juried fundraising art exhibition Phoenix Art Supplies, The Conservatory 4059 Skyron Drive, Doylestown March 7–21 Opening Reception March 7, 6–9 p.m. Phoenix-show.com

This exhibit reached out to a broad artist community in Bucks and adjoining counties for original voices coming from unusual places. We looked for artists’ visions expressed in new and unique ways. The submissions range from detailed representations of the artist’s physical world, to vibrant, disturbing abstractions, to traditional infused with imagined realities.

All profits from the exhibit go to “Hand-inHand” a program of the CFEVA in Philadelphia, bringing professional artists to over 750 children in crisis each year. With local homeless shelters, transitional housing facilities, and social service agencies, CFEVA provides a flexible arts curriculum that empowers youth to express themselves through art. In this way we help empower kids today and nurture the artists of tomorrow.

opinion

WHAT DOES IT TAKE TO REMOVE A PRESIDENT? BY JUDGE ANDREW P. NAPOLITANO January 23, 2020

I DON’T BLAME PRESIDENT Donald Trump for his angst and bitterness over his impeachment by the House of Representatives. In his mind, he has done “nothing wrong” and not acted outside the constitutional powers vested in him, and so his impeachment should not have come to pass. He believes that the president can legally extract personal concessions from the recipients of foreign aid, and he also believes that he can legally order his subordinates to ignore congressional subpoenas.

Hence, his public denunciations of his Senate trial as a charade, a joke and a hoax. His trial is not a charade or a joke or a hoax. It is deadly serious business based on well-established constitutional norms.

The House of Representatives—in proceedings in which the president chose not to participate—impeached Trump for abuse of power and contempt of Congress. The abuse consists of his efforts to extract a personal political “favor” from the president of Ukraine as a precondition to the delivery of $391 million in military aid. The favor he wanted was an announcement of a Ukrainian investigation of former Vice President Joseph R. Biden and his son Hunter.

The Government Accountability Office—a nonpartisan entity in the federal government that monitors how the feds spend tax revenue—has concluded that Trump’s request for a favor was a violation of law because only Congress can impose conditions on government expenditures. So, when the president did that, he usurped Congress’ role and acted unlawfully.

But, did he act criminally; and is it constitutionally necessary for the House to have pointed to a specific federal crime committed by the president in order to impeach him and trigger a Senate trial?

The Constitution prescribes the bases for impeachment as treason, bribery or other high crimes and misdemeanors. However, this use of the word “crimes” does not refer to violations of federal criminal statutes. It refers to behavior that is so destructive of the constitutional order that it is the moral equivalent of statutory crimes.

For example, as others have suggested, if the president moved to Russia and ran the executive branch from there, or if he announced that Roman Catholics were unfit for office, he would not have committed any crimes. Yet, surely, these acts would be impeachable because, when done by the president, they are the moral equivalent of crimes and are so far removed from constitutional norms as to be impeachable.

In Trump’s case, though the House chose delicately not to accuse the president of specific crimes, there is enough evidence here to do so. Federal election laws proscribe as criminal the mere solicitation of help for a political campaign from a foreign national or government. There is no dispute that Trump did this. In fact, the case for this is stronger now than it was when the House impeached him last year. Since then, more evidence, which Trump tried to suppress, has come to light.

That evidence consists of administration officials’ emails that were obtained by the media pursuant to the Freedom of Information Act. Those emails demonstrate conclusively that Trump ordered a halt on the release of the $391 million within minutes of his favor request, and the aid sat undistributed until congressional pressure became too much for Trump to bear.

This implicates two other crimes. One is bribery—the refusal to perform a government obligation until a thing of value is delivered, whether the thing of value—here, the announcement of a Ukrainian investigation of the Bidens—arrives or not. The other is contempt of Congress.

If the request for the announcement of an investigation of the Bidens manifested “nothing wrong” as Trump has claimed, why did he whisper it in secret, rather than order it of the Department of Justice?

When the House Select Committee on Intelligence sought the emails unearthed by the press and then sought testimony from their authors, Trump thumbed his nose at the House. Instead of complying with House subpoenas or challenging them in court, Trump’s folks threw them in a drawer. Earlier this week, his lawyers argued that those actions were lawful and that they imposed a burden on the House to seek the aid of the courts in enforcing House subpoenas.

Such an argument puts the cart before the horse. Under the Constitution, the House has “the sole power of impeachment.” The House does not need the approval of the judiciary to obtain evidence of impeachable offenses from executive branch officials.

We know that obstruction of Congress is a crime. Just ask former New York Yankees pitching great Roger Clemens, who was tried for it and acquitted. We also know that obstruction of Congress—by ordering subordinates not to comply with House impeachment subpoenas—is an impeachable offense. We know that because the House Judiciary Committee voted to charge President Richard Nixon with obstruction of Congress when he refused to comply with subpoenas. And the full House voted for an article of impeachment against President Bill Clinton when he refused to surrender subpoenaed evidence.

Where does all this leave us at the outset of Trump’s Senate trial? It leaves us with valid, lawful, constitutional arguments for Trump’s impeachment that he ought to take seriously. That is, unless he knows he will be acquitted because Republican senators have told him so. Whoever may have whispered that into his ear is unworthy of sitting as a juror and has violated the oath of “impartial justice” and fidelity to the Constitution and the law.

What is required for removal of the president? A demonstration of presidential commission of high crimes and misdemeanors, of which in Trump’s case the evidence is ample and uncontradicted. n Andrew P. Napolitano, a former judge of the Superior Court of New Jersey, is the senior judicial analyst at Fox News Channel. FROM ALEXANDER HAMILTON TO GEORGE WASHINGTON, 1792 When a man unprincipled in private life desperate in his fortune, bold in his temper, possessed of considerable talents, having the advantage of military habits—despotic in his ordinary demeanour—known to have scoffed in private at the principles of liberty—when such a man is seen to mount the hobby horse of popularity—to join in the cry of danger to liberty—to take every opportunity of embarrassing the General Government & bringing it under suspicion—to flatter and fall in with all the non sense of the zealots of the day—It may justly be suspected that his object is to throw things into confusion that he may ‘ride the storm and direct the whirlwind.’

That was House Intelligence Chairman Adam Schiff's opening argument at President Donald Trump’s Senate impeachment trial: Those words were written by Alexander Hamilton in a letter to President George Washington, at the height of the Panic of 1792, a financial credit crisis that shook our young nation. Hamilton was responding to sentiments relayed to Washington as he traveled the country, that America, in the face of that crisis, might descend from “a republican form of Government,” plunging instead into “that of a monarchy.”