TRITIPC.COM
c.tritip@gmail.com / tritipc.com / +31 61 941 0409 Stalpeart van der wieleweg 14, Delft, 2612SW, The Netherlands
+31 61 941 0409
2016
C.TRITIP@GMAIL.COM
Tritip (Pond) Chayasombat
Portfolio.
Tritip (Pond) Chayasombat Portfolio 2016
1 Architecture Redux. 2 I-Space Residence. 3 Project NL: Salvaging Desolation. 4 Project Oslo: The Great Expectations. 5 NVSC Office. 6 Prasart Private House. 7 WYNN Hotel. 8 OLV Production Studio.
Tritip (Pond) Chayasombat
WORKSHOP JUL 2015 The Summer School Thinking City: Beyond Resilience an initiative of Foundation Thinking City in collaboration with the University of Amsterdam and the Amsterdam Institute for Advanced Metropolitan Solutions (AMS)
From Bangkok, TH, Currently lives in Delft, NL c.tritip@gmail.com tritipc.com +31 61 941 0409 Stalpaert van der Wieleweg 14, Delft, The Netherlands
FEB 2015 12 Acts of Demolition
The Berlage Theory Masterclass 2015 led by AMO/OMA I.Pestellini Laparelli, J.Bystrykh, S. Petermann. www.12actsofdemolition.com
NOV 2014 Architecture without Architects, Architects without Architecture
EDUCATION 2014 - 2016
The Berlage Design Masterclass 2014 led by B. van Berkel, C. Veddeler (UN Studio) T.Avermaete, H. Teerds (TU Delft)
MSc in Architecture and Urban Design, TU Delft The Berlage Center for Advanced Studies in Architecture and Urban Design Delft, Netherlands
MAY 2011 Flood City
2007 – 2012
Studio session with Momoyo Kaijima from Atelier Bow-wow at the Berlage, TU Delft.
EXPERIENCE Working at Atelier of Architects.
JAN 2014 – AUG 2014 ( 9 months ) S:CSB Company Limited Project Architect
AUG 2012 – DEC 2013
Workshop session with Ben van Berkel and Nanne de Ru at UNStudio.
B.Arch Department of Architecture 2nd Class Honored Faculty of Architecture Chulalongkorn University Bangkok, Thailand
Chulalongkorn University’s urbanism international workshop École Nationale Supérieure d’Architecture de Versailles (ENSAV)
( 1 year 5 months ) Atelier of Architects Company Limited Project Architect
FEB 2011 – APR 2011 ( 3 months ) Architect 49 Limited Intern
2009 – PRESENT
Freelance / Web designer
AWARD 100 Designs to Save the world 2nd place, Furniture category Competition by Siam Discovery, Siam Center and SCB Bank
EXHIBITION JAN 2016 Scenes From the Good Life Model making.
Thesis project exhibition BK Expo, TU Delft
JAN 2015 Project NL
Exhibition on Noordoostpolder, Oldambt and Westland Post Office, Rotterdam
Workshop session with Ippolito Pestellini Laparelli and Janna Bystrykh at OMA.
SKILLS
VOLUNTEER
Model making Hand drafting DSLR Photography AutoCAD Sketch Up Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe Premiere Pro Adobe After Effects Adobe Dreamweaver Microsoft Office V-Ray Kerkythea Revit Rhino 3D Max
APRIL 2009 Pluak Pai Village’s Library
Chulalongkorn University, faculty of architecture annual volunteer camp to build facilities for rural-developments.
PUBLICATION At the volunteer camp.
FEB 2016 Common Ground
Article - Project publication on Oslo’s local newspaper (in process)
Architecture Redux: Standardization
Presentation - 20th-Century Architecture seminar class, New York institute of Technology
Book - Nine investigations into the forms, figures, tropes, and types of an architectural goodness
LANGUAGE Thai (Native) English Japanese
CV.
JAN 2016 Scenes From the Good Life
Tritip (Pond) Chayasombat
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Architecture Redux. Academic Project The Berlage, TU Delft
Thesis Advisor Atelier Bow-Wow Ido Avissar Salomon Frausto Thomas Weaver Mauricio Freyre
Date Feb 2015 - Feb 2016
In Thailand, the most common architectural project you will find is a high-rise living development. At the peak of a consumerist society, the collective aim of Thai people is to reach a better-than-good life fed by advertising. To answer this desire, these developments disregard the natural evolution of an architecture that is unique and suitable in a Thai context in favor of Westernized and luxurious style. In such a prescriptive and predetermined system, all real estate developers go for “maximumprofit” feasibility by using easy, fast and standardized construction methods. Consequently, inhabitants must adapt to ‘minimum-required’ artificial contexts.
started with a “municipality designed” and self-approved set of drawings that the client brought to us, asking for beautification, satisfying the taste of their target group. The building was finished in 2014, though it turned out very different to what we had in mind. Due to budget cuts and logistical difficulties along the way, all design elements were removed or replaced with basic methods and materials. Only a few wealthy clients can match our high ambition, since not everybody can afford an architect’s dream. Because of this experience, I find that the most interesting point of departure is to deal with architectural components. They contain so much potential to exert influence beyond just one building. Therefore, I focus on the always neglected and underestimated part of our work. In particular, on seven important components: floors, walls,
The proposal reflects on these high-rise developments and their architectural elements. It is based on a case study, the I-Space Residence that I designed with Atelier of Architects in 2012. Working as a project architect, I had an opportunity to witness the whole process of a developer-driven imagination. It all
ceilings, shadings, railings, doors, and windows.
For full documentary : https://vimeo.com/152306228 6
Architecture Redux.
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Tritip (Pond) Chayasombat
1 The Aesthetics
The Climatic Context
The selected components went through a series of experiments structured into categories which, throughout my working experience, had a significant influence on the design. These categories are: aesthetics, climatic context, standardization, relations, and economics. I then observed their performance and their repercussions for living conditions.
The Aesthetics is a study developed through a series of perspectives that vary from different points of view, which are the architect, the developer, the contractor and the inhabitant. Each party has their own interests, therefore their own particular way of rendering reality.
The Climatic Context is a study on the components’ performance affected by natural influences, which always play a huge role in developing Thailand’s built-environment.The parameters used are humidity, pressure, light and temperature.
The Standardization
The Relation
The Economics
The Standardization is an act of ‘standardizing’ the knowledge from intuition and years of experiences,However, to exclude all subjective opinions and predetermined results, I chose a set of existing design components from other regional concerned architectural firms to be the variables for the experiment.
With The Relation, I observed the performance of each component in relation to others. While 2D drawings serve for measurements, 3D drawings allowed me to test the desired interaction. The study helped determine the importance of each change and to see how much and in what way it really affects the quality of the space.
The Economics: Taking all the studied components into account, any final decision comes down to the numbers. The sheet focuses on the overall budget of the project, due to the undeniable fact that the big crunch number is what the clients are looking for. Then, zooming in to each component’s detail to see what type, material, scale and labor costs really affect the whole.
The Matrix.
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Tritip (Pond) Chayasombat
Exhibition by Tritip C. at the BK Expo, TU Delft
The Complete Matrix
From the experiment, I concluded that there is no one true answer to my initial hypothesis, but rather a chain of possible events. It also proves that the whole process is subverted by implementing small changes to a standardized component. Whether it is a window, a ceiling, or the position of a unit in the building, it guarantees a better performance of the same ordinary building.
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Architecture Redux.
Presenting the thesis project to guests in the Scenes From the Good Life exhibition, January 2016. Guests from left to right: Nader Vossoughian (NYIT), Christine Hawley (The Bartlett), Diederik de Koning (TU Graz) and Martino Tattara (Dogma)
Tritip (Pond) Chayasombat
1 By reinserting the trial components into an actual working process, I generated three possible scenarios from their different combinations. Each scenario responds to different situations and target groups: luxury, comfort,
and budget.
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Architecture Redux.
Scenario A: Luxury Drawing by Tritip C.
Tritip (Pond) Chayasombat
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1
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13
Architecture Redux.
Drawings by Tritip C.
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1
Modifying manufacturing catalogues.
Assemble the project pieces within the BIM system (Revit).
Exploring advertisements influence through common market strategies.
All show the extent to which the effects can spread, from one single unit, to the whole building, and perhaps, to a building designed by another architect, and maybe, in time, to another one after that, somewhere else. Even if each scenario has different focal points, they all share an improved living quality. At the same time, they respond to the client’s financial concerns and contractor’s limited skill sets, and most importantly safeguard an architect’s personal design agenda.
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Architecture Redux.
A documentary film by Tritip C.
Models by Tritip C. For full documentary : https://vimeo.com/152306228
Tritip (Pond) Chayasombat
2
* This project is the case study for Architecture Redux.
Site visit on November 26, 2014
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Tritip (Pond) Chayasombat
Professional Project Atelier of Architects
Location Bangsean, Thailand
Date Sept 2013 - Dec 2014 * Finished
Project Team Salyawate Prasertwitayakarn Narongdet Wongwanchai
Detail design on the building’s facade, made from aluminum frames and sheets. Made specially for hiding CDU units.
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I-Space Residence.
I-Space Residence.
Tritip (Pond) Chayasombat
Š Atelier of Architects Company Limited
2
Site visit on December 13th, 2013
Site visit on June 12th, 2014
Site visit on November 26, 2014
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Tritip (Pond) Chayasombat
Post-occupancy interview with a tenant: Mr.Kan Jiraphan, who bought the property for a speculative sub-rent.
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I-Space Residence.
Advertised on http://w w w.lnwmarket.com/
Site visit on November 26, 2014
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Section of a decayed Oldambster farm with steel-bracing cubes that can be inhabited. Drawing by Tritip C.
Project NL:
Academic Project The Berlage, TU Delft
Salvaging Desolation
Date Aug 2014 - Feb 2014 Location Oldambt, The Netherlands Project Advisor Sanne van den Breemer David van Severen Nelson Mota
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This is a minimum intervention to help maintain the gloriousness of the Oldambtster farms. Modular cubes that act as bracing structure helping these wooden frames stand tall amidst its decay. Preserving the most important qualities of the farm, its spatial interior space which is uniquely massive, and what it represents to the society. The modular system keeps it efficient to pre-fabricate and assemble, making it possible at minimum manufacturing and investment. It can be expanded and add over time depending on the
amount of user and space needed. The contrast of the old and new material help dignifies the original architecture. Creates multiple appropriate-able spaces for the community. The hierarchical layers that used to play an important role in the society to the point where it was projected on these buildings are all gone. It is time to redefining the relationship between landscape, architecture and people. The plug-in inhabitable units are penetrating inside the decomposed-
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barn in order to experience the space, reframing boundaries and unobjectifying architecture placed upon scenery. Turning from admiring each other from afar to truly appreciate its co-existence.
Project NL: Salvaging Desolation.
Tritip (Pond) Chayasombat
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Floor plan of a decayed Oldambster farm with steel-bracing cubes that can be inhabited. Drawing by Tritip C.
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Tritip (Pond) Chayasombat
Project NL: Salvaging Desolation.
The progression of the type. Drawing by Tritip C.
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Project Oslo:
The Great Expectations. Academic Project The Berlage, TU Delft Date Feb 2015 - May 2015
Norway, the wealthiest welfare state in the world, develops its capital, Oslo, mostly through market driven projects which form a “patchwork urbanism” with little regard to its context. “Densification through public transport” has been the most popular way of developing the city. By public transportation nodes, surrounding areas can be built denser and higher, creating islands of imported urbanity of a scale previously not familiar to Oslo. The most chaotic spot of this development situated in the far left of the selected site. Situated as a threshold from the outside world into Oslo, it is the first impression a visitor would receive comparing to there own imagination in mind: the most typical Norwegian scenery of highly civilized life living among forrest, hills and fjords, proves to exist not within the center of Oslo but rather elsewhere. Stepping into the reality, the gate to Oslo consist of various types of infrastructures are tighten up as a huge knot. With the aim to be the most effective transition space, the result from that process turn to be the completely opposite. Exiting the roll of public transportation user
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Location Oslo, Norway Project Advisor Marcus Kempers Jonas Norsted to a pedestrian point of view, it is extremely complicated for them to navigate between one point to another. Cars, buses, trams,
trains and metro station
exits are put together in multiple redundant ways and sometimes even contradicting each other. The ground floor occupied by cars and buses as the main priority, while the people who stepping out of them has to take multiple detours to get over all kinds of barrier. The distance can take up to three times it should be and the experience is not very pleasant. The proposal aim to cleaning out the infrastructure complications by introduces a plaza that acts as a common ground for diverse islands that are meeting within the area. It is an explicit node giving each type of transportation a clear path in both horizontal and vertical connections. It is situating itself in a straightforward manner enough for pedestrian to orient themselves and navigate through and around it. As a point of entering the city, it is not only a gate of physical transition but also a metaphorical one, leading a visitor from a concrete jungle to the real spirit of Oslo.
Project Oslo: The Great Expectations.
The new exit for Oslo’s central station. Drawing by Tritip C.
Tritip (Pond) Chayasombat
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Site visited in February, 2015. Photographed by Piergianna Mazzocca.
The Gate of Oslo
The Gate of Oslo
Site situation as of February 2015.
The first impression exiting from central station. ‘The Gate of Oslo’ Perspective View
Survey Portrait
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The Oasis
The Oasis
The Gate will lead pedestrians to ‘The Oasis’ or the new transportation hub surrounded by true nature spirit of Norway.
The Oasis consists of tram stations, ferry stops, metro stations and passageway to car parking underground. Perspective View
Overview
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Project Oslo: The Great Expectations.
Drawings by Tritip C.
Tritip (Pond) Chayasombat
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Tritip (Pond) Chayasombat
Professional Project Atelier of Architects Date October 2013 - Feb 2014 Location Bangkok, Thailand
NVSC Office
Owner Intachai Family
A renovation and extension project for the Intachai family. It includes an extension of a fitness room and an office space. “Never Say Cutz� was a street fashion brand that inspired us to design a unique space, setting it apart from the existing surroundings. The construction finished in the end of 2014.
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NVSC Office.
Project Team Salyawate Prasertwitayakarn Jarunee Tippunok
Tritip (Pond) Chayasombat
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Prasart Private House.
Floor plan designed by Nakorn S. and Tritip C. Drawing by Tritip C.
Professional Project 84/48 Studio
Project Team Nakorn Sattaworakul
Date May 2014 - Present
Interior Designer Sukanat Hirantiaranakul
Location Surin, Thailand
Engineer Theerapat Sukumolchan Thanakorn Eksongkiat Raviwan Thiwawong Suthida Sirimangkla
Owner Suthichai Wuttidamrongrak
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Collaborating as a freelance architect with Nakorn Sattaworakul under the name 84/48 Studio, we design a private house for the Wuttidamrongrak family. The house consists of 2 floors for 5 members. I took part in brainstorm-
ing design details, meeting with the clients, produce all working drawings and site visits. The house is now under con-
struction at 75% and expected to finish by the end of 2016.
Tritip (Pond) Chayasombat
3D model and rendering by Tritip C.
We hide the parking garage away from the entrance of the house and create a drop-off space with cantilevered canopy.
Prasart Private House.
With strong sun beams all year round, we created a semi-outdoor space for everyday recreation activities. The terrace’s roof reduces direct sunlight on the west side of the house.
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Tritip (Pond) Chayasombat
Site visited on October 14, 2015
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Site visited on October 14, 2015
Overview.
Living room area with outdoor terrace above a fish pond.
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Stairs design.
Prasart Private House.
Site visited on November 10, 2015
Site visited on November 10, 2015
Tritip (Pond) Chayasombat
Drop-off in the entrance area.
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Tritip (Pond) Chayasombat
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Sweet Museum. Professional Project Atelier of Architects
Owner Wankanai Co.,Ltd.
Date Nov 2013 - Present
Project Team Wuttinun Jinsiriwanich, Charinee Artachinda Atelier of Architects Co.,Ltd. all(zone) Limited L49 Co.,Ltd. miniBIG Limited
Location Suphanburi, Thailand
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The Sweet Museum is where “Wangkanai”, Thailand’s major sugar company, expands their business to education. This project is a collaboration among local people, various design teams and us as architects. As a project architect I participated in the whole process from
brainstorming between all designing teams, researching, analyzing, mass studying, detailing to create a full package of the drawings. The
project is currently at the creating the working drawings and expected to start bidding by 2017.
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Situates in front of Wankanai’s factory building. The entrance located inside sugar-cane fields which, by going through the exhibition route, the visitor will end with the factory’s overview. The museum represents a bridge that connects the outside world to the sugar-making industry.
Sweet Museum.
3D model by Tritip C. / Rendering by Jomphon Penvijit.
Tritip (Pond) Chayasombat
Second Floor : The Exhibition and terrace
First Floor : Landscape and Entrance.
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Second Floor : Roof and service area.
Tritip (Pond) Chayasombat
Side Elevation
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Model by Pennapa O., Lakpong S., Methas P., and Tritip C.
Tritip (Pond) Chayasombat
Sweet Museum model made from foam board, plastic sheets, printed acrylic as facades and toothpicks as sugar cane fields.
Sweet Museum.
Front Elevation
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ROOF LEVEL
Ex hi bi tio n ad Ro
En t Sh ran op ce
In tr o
3D model by Tritip C. Rendering by Jomphon Penvijit.
Tritip (Pond) Chayasombat
+15800
7300
+15800 ระดับหลังคา
SECOND FLOOR LEVEL
+8500
14800
ระดับพื้นชั้น 2
+8500
2650
+8500
ROOF LEVEL
ระดับหลังคา
WC FIRST FLOOR LEVEL
ระดับพื้นชั้นที่ 1
GROUND LEVEL
150
+1150 +1000
PUMP
EE
4700
+5850
+1000
+1000
SEMI-OUTDOOR
+1150
+1150
+1150
ระดับพื้นดิน
Drawing by Tritip C. and Pennapa O.
3D model by Tritip C. Rendering by Jomphon Penvijit.
Metal facade detail
The upper box is cladded by weather rusted steel sheet, with the box shaped punch out to resemble the sugar crystal.
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+1150
WC
JANITOR +1150
WC +1150
+1000 +1150
+1300
+1300
ax
Model by Atelier of Architects.
lim
ce
C
O ffi +15800
+15800
+10500
+8500
+8500
+6400
OFFICE
OFFICE
STORAGE
3000
STORAGE
+1300
+1300
+1300
+1300
รูปตัด 1
มาตราส่วน 1:250 ใน A1 มาตราส่วน 1:500 ใน A3
Steel 3D model by Tritip C. Rendering by Jomphon Penvijit.
Lighting Lighting tube
Wood
Concrete podium
Lighting fixture in sugar cane field detail.
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Sweet Museum.
+1300
Tritip (Pond) Chayasombat
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3D model by Tritip C. Rendering by Jomphon Penvijit.
WYNN Hotel. Professional Project Atelier of Architects Date Jun 2013 - Present
Drop Off
Drop-off to check-in area. Perspective
Location Kanchanaburi, Thailand Project Team Salyawate Prasertwitayakarn Jarunee Tippunok 40
Tritip (Pond) Chayasombat
Master plan.
114650 4500
10275
10275
8000
5100
5100
5100
5100
5100
5100
5100
5100
5100
5100
2250
2850
5100
5100
5100
5100
5100
Mountain View
5000
Garbage Area
8
Wire Mesh Fence 2.5 m High
ห้องจ่ายแก๊ส
6000
2400
2400
2400
2400
2400
2400
2400
2400
2400
2400
+75
ห้องไฟฟ้า +75
2400
ตำแหน่งที่จอด รถเก็บขยะ
ห้องครัว +75
2400
ห้องเก็บของ ห้องเจรจาธุรกิจ แม่บ้าน และห้องประชุมย่อย +75 +75
2400
2400
6000
5000
2400
2400
UP
ห้องเก็บของ +75
พื้นที่รับแขก +75
2400
2400
2400
2400
2400
2400
2400
2400
2400
2400
DN UP
อ่างน้ำเย็น อ่างน้ำร้อน
พื้นที่เตรียมอาหาร +75
สวน +00
พื้นที่ตอนรับ ก่อนเข้างาน +75
สระว่ายน้ำ -1125
สวน +75 ที่จอดรถรับ-ส่ง +00
พื้นที่ร้านค้า 2 +75
บ่อควบคุม คุณภาพน้ำ
พื้นที่ล้างตัว +75 ห้องน้ำหญิง
พื้นที่ร้านค้า 3 +75
ห้องน้ำชาย
2
2400
2400
5500
5500
00 55
00 55
00
00 55
6000
55
5000
8340
6000
6000
3
2400
00
2400
2400
24
00
2400
2
2400
2400
00
2400
3400
2400
00
12
จัดสวน
24
00
24
24
00
4
00
7
24
2400
24
2400
24
2400
00
2400
00
2400
24
2400
2400
2400
2400
2400
24
2400
2400
00
2400
2400
24
2400
2400
2400
00
2400
00
2400
2400
2400
2400
00
2400
ร.ป.ภ. ทางออก ทางเข ้า
Robinson Robinson
17
5000
2400
24
2400
2400
2400
24
2400
24
2400
3400
สวน +75
17
6050
Shrine
ห้องออกกำลังกาย +75
พื้นที่ร้านค้า 1 +75
ส่วนซ่อมบำรุ่ง +75 ห้องเก็บของ +75
6015
2400
โถงลิฟต์ +0.75
พยาบาล
5000
2400 2400
5000
5
ส่วนลงทะเบียน
ห้องเก็บของ +75
ห้องพยาบาล +75 ห้อง
ห้องอาหาร 104 ที่นั่ง +75
2400
3600
2400
สวน +00
ห้องเก็บอุปกรณ์ +75
6000
2400
3600
2400
2400
ห้องทำงาน +75
ห้องประชุม พนักงาน +75
ส่วนตอนรับ
UP
12
2400
ห้องจัดเลี้ยง 400 ที่นั่ง +75
ห้องเก็บของ +75
6000
ผู้จัดการ ห้องผู้จัดการ ห้องผู้บริหาร ฝ่ายบัญชี +75 +75 +75 สำนักงาน แม่บ้าน +75
ห้องปั๊มน้ำ สระว่ายน้ำ +75
2400
2400
2400
ห้องน้ำหญิง ห้องน้ำชาย +75 +75
สวน +00
2400
3600
2400
2400 2400
3600
2400
5000
8
2400
ห้องควบคุมไฟฟ้า +75
UP
เวที
สำนักงาน ส่วนซ่อมบำรุ่ง +75
5000
3600
2400
ห้องเซิร์ฟเวอร์ +75
+75
ห้องแต่งตัว +75
ห้องน้ำ ห้องน้ำ พนักงานหญิง พนักงานชาย +75 +75 ห้องอาหาร พนักงาน +75
ห้องซักผ้า +75 ห้องเบเกอรี่ +75
ห้องขยะ +75
2400
5000
ห้องน้ำหญิง +75
ห้องน้ำชาย +75
ห้องเครืองไฟฟ้า
2400
2400
35 พื้นที่เตรียมงาน
9
2400
2400
3600 3600 3600
45600
6045
ห้องปั๊มน้ำ +75
Transformer
2400
EXHAUST
2400
2400
4900 1700 1200 2400
3600
13
2400
5000
2400
2400
2400
3000
2400
2400
5000
2400
6000
2400
5000
TOT
WYNN hotel located in Kanchanaburi province with 102 rooms focused on business travelers. I participated from kick-off meeting with the clients, team discussion on EIA qualifications, designing the master plan and shaping the building form to maximum capabilities.
EXTENSION AREA 2,664 Sq.m.
ไร่ 1 งาน 68 ตารางวา
Master Plan 1: 750
DWG NO.
EIA
Diary Suite Hotel Kanchanaburi
Atelier of Architects Company Limited
Design Development 4 19 May 2014
24/3 Kasemsan 1 Rama 1 Bangkok 10330 Thailand T. 66.2.612.3835 F. 66.2.612.4691 Email aofainfo@gmail.com
01
CDU 2 Unit
Standard 317
Standard 315
Standard 316
Standard 314
Standard 312
Standard 310
Standard 308
Standard 306
Standard 304
Standard 302
Standard 311
Standard 309
Standard 307
Standard 305
Standard 303
Standard 301
1100 kg 2400x1900
MDB.
Standard 318
1100 kg 2400x1900
ห้องจ่ายแก๊ส
UP
800 kg 1800x1800
DN CDU
CDU
CDU
CDU
CDU
Janitor
FHC.
CDU
Service Station
ห้องครัว +75
CDU 9 Unit
CDU
FHC.
CDU 8 Unit
ห้องปั๊มน้ำ +75
Transformer
UP. DN.
ห้องเครืองไฟฟ้า
Standard 328 ห้องไฟฟ้า +75
CDU
+75
Typical floor plan.
พื้นที่เตรียมงาน ห้องน้ำหญิง +75
ห้องน้ำชาย +75CDU
CDU
ห้องแต่งตัว +75
DW
ห้องซักผ้า +75 ห้องเบเกอรี่ +75
+75
Standard 327
Standard 326
ห้องเก็บของ ห้องเจรจาธุรกิจ แม่บ้าน และห้องประชุมย่อย +75 +75
ห้องน้ำ ห้องน้ำ พนักงานหญิง พนักงานชาย +75 +75 ห้องอาหาร พนักงาน +75 ห้องเซิร์ฟเวอร์ +75
ห้องควบคุมไฟฟ้า +75
ผู้จัดการ ห้องผู้จัดการ ห้องผู้บริหาร ฝ่ายบัญชี +75 +75 +75 สำนักงาน แม่บ้าน +75
ห้องทำงาน +75
UP
ห้องน้ำหญิง ห้องน้ำชาย +75 +75
เวที
ส่วนตอนรับ ส่วนลงทะเบียน
ห้องประชุม พนักงาน +75
ห้องเก็บของ +75 โถงลิฟต์ +0.75
ห้องพยาบาล +75 ห้อง พยาบาล
UP
ห้องเก็บของ +75
DN UP
ห้องปั๊มน้ำ สระว่ายน้ำ+75
UP
ห้องขยะ +75 สวน +00
สำนักงาน ส่วนซ่อมบำรุ่ง +75
Standard 320
Standard 321
ห้องจัดเลี้ยง
ห้องเก็บของ
+75 Standard 322
400 ที่นั่ง +75 Standard 323
ห้องเก็บอุปกรณ์ +75
พื้นที่ตอนรับ ก่อนเข้างาน
Standard +75 324
Standard 325
สวน +00
พื้นที่รับแขก +75
สวน +00
อ่างน้ำเย็น อ่างน้ำร้อน
พื้นที่เตรียมอาหาร +75
สระว่ายน้ำ -1125
สวน +75
UP
ที่จอดรถรับ-ส่ง +00
ห้องอาหาร 104 ที่นั่ง +75
พื้นที่ร้านค้า 2 +75 พื้นที่ร้านค้า 1 +75
ส่วนซ่อมบำรุ่ง +75 ห้องเก็บของ +75
พื้นที่ร้านค้า 3 +75
พื้นที่ล้างตัว +75 ห้องน้ำหญิง ห้องออกกำลังกาย +75 ห้องน้ำชาย
สวน +75
7
จัดสวน
Room types.
3rd Floor Plan 1: 300
41
WYNN Hotel.
CDU 8 Unit
Standard 319
CDU
CDU
CDU CDU
CDU
Checked AA
Designed by Salyawate P, Jarunee T. and Tritip C. 3D Rendering by Jomphon Penvijit.
Designed by Salyawate P, Jarunee T. and Tritip C. 3D Rendering by Jomphon Penvijit.
Tritip (Pond) Chayasombat
8
Interior design: Looby area. Lobby Perspective
Interior design: Dining area.
42
Perspective
Suite Type
43
WYNN Hotel.
Designed by Salyawate P, Jarunee T. and Tritip C. 3D Rendering by Jomphon Penvijit.
Designed by Salyawate P, Jarunee T. and Tritip C. 3D Rendering by Jomphon Penvijit.
Tritip (Pond) Chayasombat
Interior design: Spa area.
Interior design: Hotel rooms.
Tritip (Pond) Chayasombat
9
OLV Production Studio.
44
Tritip (Pond) Chayasombat
Site visit in March 2015.
A small production studio in the center of Bangkok. It consists of 4 multi-purpose boxes attached with full equipped staff area. I participated in client meet-
ings, preliminary design phase and facade design details which made entirely
Professional Project Atelier of Architects
with local brick tiles, patterned in Thai numeric letters.
Date Feb 2013 - Mar 2015 Location Bangkok, Thailand
Project Team Salyawate Prasertwitayakarn Narongdet Wongwanchai
Interior of two studios space that can be connected as one.
45
OLV Production Studio.
Owner MYT Studio Co.,Ltd.
Tritip (Pond) Chayasombat All rights reserved 2016
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