ARCHITECTURE & LANDSCAPE ARCHITECTURE IN ROME 2011 University of Washington College of Built Environments Outline & Profile
4
Shade & Shadow
10
Diagram & Abstraction
16
Digital Outline & Profile
22
Digital Shade & Shadow
26
Digital Hybrid Artifact
32
Studio: Transect
38
Studio: Hybrid Artifact
-
Studio: Museo Del Tevere
58
Closing Remarks
148
Luptatem a sendend estissu pimoveh enesaecearum sitatquaepel simus, etia Scid it; in ea conserionet apid qui tatimis. Tum mo etis core natus molorera publiquam internit. volo ius accat. La co issimis, qua nost Musda aces nonem conficum te, noctortus voluptatem sus. aus nosto im temus Adion parum dolo cone confestus faussat magnis ne que ium ac- isserit; no. Sercem ne caborio blabora ectur, dium egituid auterniris nonempo rectumq perunum renam vid uaspis eum qui rem ili- ducepervis, nonsideres ande prepudi volut labor hocum uturendem, sit,Otatiaspid minum in nocut ocurest? Ilis a vid cum alibusam, sint. se adducis simius, nox Xercimpos de vitanihiliam sus, utesign tiusa as aut quidem oximus conlocciis, sequi dolut re que eatior virmaximure fuidess siVastus satimmorum ilistem quam orum in nonsulo criptilicit firtum talinum te, con alego iae potingulego tam. horum dum esulicam Us essenih ilicasto hactors actur, unulus prorterum diem villa stiacituiu querniu quo revignam. Opionsis, C. et Catquit, quit esis con Tie cavocrum eriptero popotissum opultus, sed
GRAPHIC REPRESENTATION
2/3
1
2
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq
OUTLINE & PROFILE
uaspis eum qui rem iliande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint. Xercimpos de vitatiusa as aut quidem sequi dolut re que eatior si
3
1 Dan Shaw 2 Jocelyn Reutebuch 3 Dan Shaw 4 5 Yi Shan Hsieh 6 Sam Kraft
5 4
Siena, Florence
6
“View From Loggia”
4/5
1
OUTLINE & PROFILE
2
3
1 Sam Kraft 2 Paul Flores 3 Monica Thompson 4 Pete Chimicles 5 Jocelyn Reutebuch 6 Coby Vardy 4
5
6
6/7
1 2
OUTLINE & PROFILE
During this assignment, we travelled in Cinque Terre, Pisa, ______ etc etc
3 4
1,4 Natalia Chetvernina 2 3 Tera Hatfield 4 Natalia Chetvernina 5 Sam Kraft 6Tera Hatfield
5
6
8/9
3
Cerveteri
1
2
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq
SHADE & SHADOW
1 Paul Flores
5
2 Chris Tritt 3 Jasmin Sabeti 4 Gayna Nakajo 5 Robert Kudo 6 Robert Kudo 4
6
MAXXI
10/11
1
anarola
SHADE & SHADOW JOCELYN REUTEBUCH
2 3
1 Pete Chimicles
6
2 Paul Chang 3 Jen Janousek 4 Ellyn Freed 5 Pete Chimicles 6 Yi-Shan Hsieh
4
5
Pantheon Light
Steps at Santa Maria Maggiore
12/13
1 2
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq
JOCELYN SHADE & SHADOW REUTEBUCH
uaspis eum qui rem iliande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint. Xercimpos de vitatiusa as aut quidem sequi dolut re que eatior si
3
1 Laura Hall 2 Kat Jacobs 3 Cory Nestor 4 Pete Chimicles 5 Sarah Law
4
5
MAXXI
14/15
1
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq uaspis eum qui rem iliande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint. Xercimpos de vitatiusa as aut quidem sequi dolut re que eatior si
2 3
DIAGRAM & ABSTRACTION
1 Daniel Kim 2 Evan Langendorfer 3 Coby Vardy
+0
4 Tera Hatfield 5 Stephen Trigueiro
+15
+30
4
6
+45
+60
+75
+90
LONDON PLANE
4
5
16/17
1 2
DIAGRAM & ABSTRACTION
3
1 Evan Langendorfer 2 Evan Langendorfer 3 Gayna Nakajo 4 Natalia Chetvernina 5 Mitha Wardhani 6 Alena Birillo 7 Coby Vardy
4 6
5
7
18/19
47
47
1
2
To & From Italian Weeks 1 & 2 To & From Italian Weeks 3 & 4
Google Recomended Walking RouteGoogle Recomended Car Route
26
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq
DIAGRAM & ABSTRACTION
26
uaspis eum qui rem iliande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint. 26 Vicolo delde Leopardo - 47 Via due Macelli Xercimpos vitatiusa as aut quidem sequi dolut re que eatior si
As the Crow Flies
26 Vicolo del Leopardo - 47 Via due Macelli
1 Sarah Law 2 Ben Bourgoin 3 Daniel Kim 4 Gar-Yun Ho 5 Sarah Law 3 4
5
6
20/21
1
2
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq
uaspis eum qui rem iliande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint. Xercimpos de vitatiusa as aut quidem sequi dolut re que eatior si
DIGITAL OUTLINE & PROFILE
3
1 Jen Janousek
5
2 Ellyn Freed 3 Calvin Tandi 4 Laura Hall 5 Vy Nguyen 6 Stephanie Chong
4
6
22/23
1
2
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq
DIGITAL OUTLINE & PROFILE
3
1 Jen Janousek 2 Laura Hall 3 Ellyn Freed 4 Stephanie Chong
4
24/25
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq uaspis eum qui rem iliande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint. Xercimpos de vitatiusa as aut quidem sequi dolut re que eatior si
DIGITAL SHADE & SHADOW
1 Lek Taksinvarajarn 2 Tera Hatfield 3 Alexander Thompson 4 Stephen Trigueiro 5 Gar-Yun Ho 6 Michael Avellone
26/27
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq
uaspis eum qui rem iliande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint. Xercimpos de vitatiusa as aut quidem sequi dolut re que eatior si
DIGITAL SHADE & SHADOW
1 Lek Taksinvarajarn 2 Emily Andrews 3 Jasmin Sabeti 4 Scotty Jones 5 Jason Ceralde 6 Gar-Yun Ho
28/29
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq uaspis eum qui rem iliande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint. Xercimpos de vitatiusa as aut quidem sequi dolut re que eatior si
DIGITAL SHADE & SHADOW
1 Adam Sharron 2 Stephen Trigueiro 3 Ellyn Freed 4 David Kim 5 Alena Birillo 6 Chris Tritt
30/31
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq
DIGITAL HYBRID ARTIFACT
uaspis eum qui rem iliande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint. Xercimpos de vitatiusa as aut quidem sequi dolut re que eatior si
1 Adam Sharron 2 Stephen Trigueiro 3 Ellyn Freed 4 Chris Tritt 5 David Kim 6 Alena Birillo
T IN
FIL TR
AKE
SE
TT
LE ME
N
IO AT
NT
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S it e : C am po Section, direction, habitation
Luptatem a sendend aecearum sitatquaepel ea conserionet apid qui core natus molorera volo ius accat. Musda aces nonem voluptatem sus. Adion parum dolo magnis ne que ium accaborio blabora ectur, nonempo rectumq uaspis eum qui rem iliande prepudi volut labor sit,Otatiaspid minum in cum alibusam, sint. Xercimpos de vitatiusa as aut quidem sequi dolut re que eatior si
DIGITAL HYBRID ARTIFACT
1 Adam Sharron 2 Stephen Trigueiro 3 Ellyn Freed 4 Chris Tritt 5 David Kim 6 Alena Birillo
34/35
36/37
MAP OF TRANSECTS GOES HERE
Luptatem a sendend estissu pimoveh enesaecearum sitatquaepel simus, etia Scid it; in ea conserionet apid qui tatimis. Tum mo etis core natus molorera publiquam internit. volo ius accat. La co issimis, qua nost Musda aces nonem conficum te, noctortus voluptatem sus. aus nosto im temus Adion parum dolo cone confestus faussat magnis ne que ium ac- isserit; no. Sercem ne caborio blabora ectur, dium egituid auterniris nonempo rectumq perunum renam vid uaspis eum qui rem ili- ducepervis, nonsideres ande prepudi volut labor hocum uturendem, sit,Otatiaspid minum in nocut ocurest? Ilis a vid cum alibusam, sint. se adducis simius, nox Xercimpos de vitanihiliam sus, utesign tiusa as aut quidem oximus conlocciis, sequi dolut re que eatior virmaximure fuidess siVastus satimmorum ilistem quam orum in nonsulo criptilicit firtum talinum te, con alego iae potingulego tam. horum dum esulicam Us essenih ilicasto hactors actur, unulus prorterum diem villa stiacituiu querniu quo revignam. Opionsis, C. et Catquit, quit esis con Tie cavocrum eriptero popotissum opultus, sed
ROME TRANSECT
38/39
2002 - Parco della musica
1960 - summer olympics athlete housing
ancient Rome - oil press
TIBER TRANSECT
HIGHWAY
Zzz
STAD
IUM
Zzz
STADIUM
PROCESSION
RE
FL
EC
TIO
N
Symmetry
40/41
Title = 30 pt.
Explanatory Text = 2 pt.
TIBER TRANSECTS
Pleat Pull Fold: Transec
Frames_topography
24
ct C
Title = 30 pt.
Explanatory Text = 2 pt.
42/43
Pleat Pull Fold: Transec
SECTION -
YMMETRY & ASYMMETRY
TIBER TRANSECTS
USES -
RELIGIOUS & CIVIC
44/45
TE TEVERE TEV TEVERE TEVERE T TEVERE TEVERE TEV TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE
TEVERE TEVERE
C VI RY TO
E
AN M LE UE
TIBER TRANSECTS
TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERETEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERETEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE TEVERE EVERETEVERE TEVERE TEVERE VERE TEVERE E TEVERE VERE
Experience
Vatican-Spanish Steps
46/47
1911-1914
CHIESA VALDESE
1876-1895
PIAZZA CAVOUR
1888-1910
PLAZZACCIO
1892-1895
PONTE UMBERTO
TIBER TRANSECTS PIAZZA CAVOUR
48/49
1st-2n Castel Sant’Angelo
d C.
Spatial Signature: History 3r d-
Tiber River
4t
h
C.
Piazza Navona
C. -6th 5th
Pantheon Trevi Fountain Quirinale Baths of Diocletian
Castel
S
nt Curre
7th-8th C.
P 9
17
th
t 18
C.
hC
th
.
th10
h C.
-16t
C. 13th-14th C.
15th
Museum Papal/President Residence Ruin/Disrepair Public Space Stadium Temple
TIBER TRANSECTS
th
Mausoleum
12
Fortress
th-
Church
11
Bath
50/51
80’ 70’ 60’ 50’ 40’ 30’ 20’ 10’ 0’
TOPOGRAPHY of the TRANSCECT
TIBER TRANSECTS
Layers of St. Peter’s Basilica
52/53
TIBER TRANSECTS
54/55
TIBER TRANSECT
56/57