Tenkara Angler - Winter 2015-16

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Tips For Better [Fish] Photographs Three Simple Tips To Capture Text & Photos By Jason Sparks

There has never been an easier time in history than now for learning to capture better images of the things in life you want to remember. The photographs almost take themselves these days with auto-focus, auto-shutter, auto-aperture and other “auto-fantastical” settings. So why is it that we still see people disappointed by their photographs? Here are a few pointers that should lead you in the right direction for better images of that fish you worked so hard to catch... then release. We don't deal with film, chemicals or processing times anymore. We no longer need camera bodies and multiple lens weighing in at eleven pounds and costing a few thousand dollars. We have instant capture, instant review and instant satisfaction capabilities at our finger tips these days. High definition digital cameras with highly capable lens can go from taking amazing macro shots to offering some serious telephoto zoom on distances. The modern digital cameras ranging from $100 up to $300 are more than capable for most peoples everyday photography and use on social media. Let's not forget about the digital devices welded to our palms either. These mini computers are much more than a replacement for old school telephones, they carry entire music collections, a lifelong Rolodex of contacts and our daily planners. These “phones” have also become the primary camera for many people. It has been several years since I carried my camera bag around with me when I head

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out to the Blue Ridge Parkway, a family vacation or even a birthday party. Since I am not making fine art prints for sale anymore, I use my hand-sized smart phone for 99% of my photography. The last two generations of phones on the market have seen significant technology increases in the lens they have installed. The 1.3 megapixel lens that we had for nearly a decade has been blown out of the water with amazing replacements like 12MP and 16MP lens of current models. The trick for me was to get good enough with my “phone” that I felt comfortable that I was not giving up quality versus the DSLR rig now sitting in a closet. Where did I start and what did I learn? I spent the last thirty years working on and developing the techniques that Mr. Baldwin preached in my Photo 101 class. I have tried and tested every technique that has ever interested me and have focused on the final few that have become “my style.” This is going to be an attempt to nutshell all of that into a few nuggets that you can digest. You need to be most aware of lighting, composition and focal point because the camera's “auto-fantastic” features will hold your hand though much of the rest of it. Truth be told, if you don't handle your three basic parts then you will find yourself in salvage mode trying to get something from nothing. No problem here, I'm sure that we can make a difference by concentrating of these areas.


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