1961 Performance at the Top Ten Club, 136 Reeperbahn, Hamburg, Germany. 1962 While shopping in Penny Lane, Cynthia begins feeling labour pains. 1965 UK EP release: `Beatles for Sale’. 1966 `Rubber Soul’, 18th week in the Top 10 (UK New Musical Express chart). 1966 Studio 3. 8.00pm-1.15am. Recording: `Mark I’ (working title of `Tomorrow Never Knows’) (takes 1-3). Producer: George Martin; Engineer: Geoff Emerick; 2nd Engineer: Phil McDonald. 1st session for `Revolver’. 1st session of Geoff Emerick as balance engineer. 1st non-conventional use of Leslie speakers and 1st use of ADT. 1967 Evening: Paul watches Jane perform in a play of `Romeo and Juliet’. 1967 Studio 2 (control room only). 7.00pm-1.00am. Mono mixing: Crossfades for LP; `Good Morning Good Morning’ (remixes 1, 2, from take 11). Stereo mixing: `Good Morning Good Morning’ (remixes 1-5, from take 11). Producer: George Martin; Engineer: Geoff Emerick; 2nd Engineer: Richard Lush. 1969 Disc-jockeys John Peel and Alan Freeman broadcast copies of `Get Back’, announcing its release as single on 11 April. They convince Paul that the song needs a final mix. You can also check out http://www.trulocalmedia.com
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