2014 Season Brochure

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Federation Concert Hall 1 Davey Street, Hobart Tasmania 7000 Australia GPO Box 1450 Hobart Tas 7001 Australia Box Office Bookings online: tso.com.au Freecall: 1800 001 190 Telephone: 03 6232 4450 Facsimile: 03 6232 4455 Email: boxoffice@tso.com.au Administration Telephone: 03 6232 4444 Int. Telephone: +61 3 6232 4444 Facsimile: 03 6232 4455 Int. Facsimile: +61 3 6232 4455 Email: tso@tso.com.au

M A R K O L E T O N J A’ S S E A S O N 2 014

Š 2014 Tasmanian Symphony Orchestra Pty Ltd ABN 81 088 230 184

The Tasmanian Symphony Orchestra is proud to be a member of

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2014 Calendar of eventS DATE

day

TIME

CONCERT

VENUE

15 February

Saturday

7pm

RACT Symphony under the Stars

Tolosa Park, Glenorchy

24

22 February

Saturday

7pm

RACT Symphony under the Stars

City Park, Launceston

24

7 March

Friday

7.30pm

Gavrylyuk plays Rachmaninov

Federation Concert Hall

5

8 March

Saturday

7.30pm

Gavrylyuk plays Rachmaninov

Albert Hall

5

15 March

Saturday

2.30pm

Choral Fantasy

Federation Concert Hall

5

21 March

Friday

7.30pm

Summer Nights

Federation Concert Hall

8

10 April

Thursday

7.30pm

Beethoven’s Fifth

Princess Theatre

8

12 April

Saturday

2.30pm

Beethoven’s Fifth

Federation Concert Hall

8

10 May

Saturday

3pm

Sing Along Messiah

Federation Concert Hall

25

23 May

Friday

7.30pm

Wolfgang & Ralph

Federation Concert Hall

9

24 May

Saturday

7.30pm

Wolfgang & Ralph

Princess Theatre

9

6 June

Friday

6pm

The Peasant Prince

Federation Concert Hall

9

13 June

Friday

7.30pm

Revolution & Reformation

Federation Concert Hall

9

27 June

Friday

7.30pm

Wallfisch & Wallfisch

Federation Concert Hall

12

28 June

Saturday

7.30pm

Wallfisch & Wallfisch

Albert Hall

12

9 July

Wednesday

7.30pm

Two Choirs as One

Federation Concert Hall

12

8 August

Friday

7.30pm

Dvorˇák’s Cello Concerto

Federation Concert Hall

12

22 August

Friday

6pm

Pictures at an Exhibition

Federation Concert Hall

13

29 August

Friday

7.30pm

Mahler’s Vienna

Federation Concert Hall

13

19 September

Friday

2.30pm

Mozart’s Vienna

Federation Concert Hall

13

26 September

Friday

7.30pm

Beethoven’s Vienna

Federation Concert Hall

16

27 September

Saturday

7.30pm

Beethoven’s Vienna

Albert Hall

16

4 October

Saturday

7.30pm

ANAM Concerto Competition

Federation Concert Hall

16

10 October

Friday

7.30pm

At the Ballet

Federation Concert Hall

16

16 October

Thursday

6pm

Little Red Riding Hood

Federation Concert Hall

17

1 November

Saturday

7.30pm

Haydn’s Vienna

Federation Concert Hall

17

6 November

Thursday

7.30pm

The TSO on Tour

Burnie Town Hall

20

7 November

Friday

7.30pm

The TSO on Tour

Gaiety Theatre, Zeehan

20

14 November

Friday

2.30pm

Mozart & More

Federation Concert Hall

20

22 November

Saturday

7.30pm

Sibelius’ Violin Concerto

Federation Concert Hall

20

EMOTION OF A SYMPHONY ORCHESTRA IN FULL FLIGHT.

28 November

Friday

7.30pm

A Night in Vienna

Federation Concert Hall

21

LET US TAKE YOU TO VIENNA AND TO THE

29 November

Saturday

7.30pm

A Night in Vienna

Albert Hall

21

RICH WORLD OF YOUR IMAGINATION.’

6 December

Saturday

7.30pm

Symphonie Fantastique

Federation Concert Hall

21

‘EXPERIENCE THE POWER, BEAUTY AND HEARTFELT

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Richard Wagner once wrote ‘I believe in God, Mozart and Beethoven’. I can’t promise you God in the Tasmanian Symphony Orchestra’s 2014 season – although the experience of live music often puts people in touch with the divine – but I can promise you a season of unforgettable concerts. Mozart and Beethoven will be among our featured composers as we focus on the rich musical heritage of Vienna, a city where I was fortunate enough to study during my formative years and where I have returned time and again as conductor. Vienna was not just the adopted home of Mozart and Beethoven, but the epicentre of the musical universe for nearly two centuries, with composers such as Haydn, Schubert, Brahms, Mahler, Schoenberg and Berg drawing from the city’s vibrant culture and taking music into ever new and invigorating directions. Our Vienna Alive concerts – a series of five concerts between August and November – will offer particularly intense Viennese experiences, but there will be Vienna touchpoints across the entire year, as you will see from the concert details in this brochure. Join me and the Tasmanian Symphony Orchestra and experience the power, beauty and heartfelt emotion of a symphony orchestra in full flight. Let us take you to Vienna and to the rich world of your imagination.


Alice Bowman-Shaw, Sandy Bay, attends the TSO for the emotions.

BERLIOZ, ‘Le spectre de la rose’, from Les nuits d’été.


Natascha Petrinsky

‘Natascha Petrinsky will bring a tear to your eye as soloist in Berlioz’s achingly beautiful song cycle Les nuits d’été. It is my great privilege to introduce her to Tasmanian audiences.’

Summer Nights Federation Concert Hall, Hobart Friday 21 March


SUBSCRIBE TO THE TASMANIAN SYMPHONY ORCHESTRA AND ENJOY GREAT MUSIC AT A GREAT PRICE.

FOR LESS Save on concert tickets and be rewarded at the same time when you become a TSO subscriber. Jump to the head of the queue and get access to the best seats before tickets go on sale to the general public. As a subscriber you will receive: • Subscription tickets at the discount subscriber rate • Discount rates on further TSO ticket purchases • Priority seating • Priority bookings • Guaranteed fixed pricing for the entire 2014 season • Complimentary concert programs • Discount of 10% on all TSO merchandise (excluding TSO Wine Club) • Special subscriber newsletter

To become a subscriber purchase a Fixed Package, Compose Your Own suite of concerts or purchase a Subscription Voucher. See Concert Series at a Glance on pages 26-27 and What Type of Subscription is Best for Me? on page 28 for further details. Should you wish to Compose Your Own subscription, you need to purchase a minimum of four concerts to qualify as a TSO subscriber. The more concerts you choose the greater your discount! You can also become a subscriber by purchasing a Subscription Voucher for $200 or more. That way you have the flexibility to choose your concerts at short notice, bring a friend with you or as many people as you like depending upon your credit limit. #Free ticket exchange only available to subscribers who purchase 10 concerts or more.

• Launceston Series subscribers receive a free ticket to a Hobart Master Series concert

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• Free ticket exchanges#

Subscribe to all Hobart Master and Matinee Series concerts and save 20% on the Master Series and 10% on the Matinee†.

• Discount rates on single tickets to: – Sydney Symphony Orchestra – Melbourne Symphony Orchestra – Queensland Symphony Orchestra – Adelaide Symphony Orchestra – West Australian Symphony Orchestra

Subscribe to the Launceston Series and save 10%‡. Launceston Series subscribers also receive a free ticket to a Hobart Master Series concert. †Pay $1076 for Gold Reserve instead of the full rate of $1308. ‡Pay $408 for A Reserve instead of the full rate of $456.

– Australian Chamber Orchestra

IT’S EASY TO BOOK

– The Australian Ballet – Opera Australia – Virtuosi Tasmania – Musica Viva Tasmania – Auckland Philharmonia Orchestra – Musica Viva’s 2014 International Concert Season

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Online

In person

Phone

MAIL

tso.com.au

Federation Concert Hall 1 Davey Street Hobart

1800 001 190

GPO Box 1450 Hobart Tas 7001

TASMANIAN SYMPHONY ORCHESTRA


GAVRYLYUK PLAYS RACHMANINOV

07 MARCH 08 MARCH FRIDAY 7 March 7.30pm Federation Concert Hall, Hobart

LAUNCESTON

SATURDAY 8 March 7.30pm LAUNCESTON Albert Hall, Launceston

Marko Letonja conductor Alexander Gavrylyuk piano RACHMANINOV Piano Concerto No 3 BRAHMS Symphony No 1 Ukrainian-born Australian pianist Alexander Gavrylyuk brought the house down when he last appeared with the Tasmanian Symphony Orchestra. In this seasonopener concert he tackles the formidable ‘Rach Three’, Rachmaninov’s Third Piano Concerto. If anyone’s up to the challenge, Alexander Gavrylyuk is! In his Symphony No 1, Johannes Brahms pays homage to Beethoven while also announcing his own arrival as a force to be reckoned with. It’s a first among firsts. Marko Letonja launches the TSO’s ‘Vienna Year’ with this magnificent and impressive work by one of the greatest of all Viennese composers. Complimentary sparkling wine will be served at interval – cheers!

TASMANIAN SYMPHONY ORCHESTRA

CHORAL FANTASY

15 MARCH SATURDAY 15 March 2.30pm Federation Concert Hall, Hobart Marko Letonja conductor Jennifer Marten-Smith piano TSO Chorus MOZART Symphony No 1, K16 BRAHMS Serenade No 2 BEETHOVEN Choral Fantasy J STRAUSS II Seid umschlungen Millionen Is it a piano concerto? Is it a concerto for orchestra? Is it a choral work? Beethoven’s Choral Fantasy is a one-of-akind hybrid for piano, orchestra and voices that culminates in a chorus every bit as tuneful as the famous ‘Ode to Joy’ from the Ninth Symphony. It’s a perfect fit with Johann Strauss’s waltz Seid umschlungen Millionen (Be embraced, you millions!), which takes its title from Schiller’s ‘Ode to Joy’ but was actually dedicated to Strauss’s contemporary, Johannes Brahms. Brahms’s Serenade No 2 is a warm and sunny work from the composer’s early career, while Mozart’s Symphony No 1 is the inspired creation of a gifted 10 year old on the threshold of a brilliant career.

VIENNA TOUCHPOINTS

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James Gath, Lenah Valley, TSO enthusiast since childhood.

MENDELSSOHN, Reformation Symphony, 4th movement.


Giordano Bellincampi

‘Maestro Giordano Bellincampi is in demand throughout Europe, so I am especially pleased to welcome him to our shores where he will conduct some tremendous music, including Mendelssohn’s

Reformation Symphony.’

Revolution & Reformation Federation Concert Hall, Hobart Friday 13 June


BEETHOVEN’S FIFTH

SUMMER NIGHTS

10 APRIL 12 APRIL

21 MARCH FRIDAY 21 March 7.30pm Federation Concert Hall, Hobart

LAUNCESTON

Marko Letonja conductor Natascha Petrinsky mezzo-soprano MILLS Impromptu, after Schubert* BERLIOZ Les nuits d’été SCHUBERT Symphony No 9, Great *World première Summer Nights – or, to give it its French title, Les nuits d’été – is among the most ravishing of all works for voice and orchestra. The six songs offer reflections on love, and the music overflows with gorgeous melodies, exquisite harmonies and luscious orchestral colours. Vienna-born Natascha Petrinsky, making her TSO debut, brings this masterpiece of French music to life. Schubert’s last symphony, the appropriately named Great, introduces a touch of Vienna. Schubert may have been in awe of Beethoven, his esteemed Viennese contemporary, but with the Ninth Symphony he proved that he too had a claim to greatness.

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LAUNCESTON

THURSDAY 10 April 7.30pm Princess Theatre, Launceston

SATURDAY 12 April 2.30pm Federation Concert Hall, Hobart

Benjamin Northey conductor Katie Noonan voice J STRAUSS II Die Fledermaus – Overture KATS-CHERNIN Wild Swans – Suite BERG arr YU Piano Sonata* BEETHOVEN Symphony No 5 *World première Beethoven’s Fifth hardly needs an introduction. Its opening four notes – da-da-da-dum – are probably the most recognisable in all orchestral music, so deeply are they ingrained in our collective memory. Hear the work that spawned the ringtone and enjoy the live, extended play version of one of the greatest of all symphonies. Katie Noonan sings the hypnotic vocal part in Elena KatsChernin’s entrancing Wild Swans, and Alban Berg’s Piano Sonata is given a fresh and invigorating makeover in Julian Yu’s new orchestration. As with Beethoven’s Fifth, the overture to Die Fledermaus contains music that will be instantly familiar. One great tune follows another in Johann Strauss’s most effervescent overture.

TASMANIAN SYMPHONY ORCHESTRA


REVOLUTION & REFORMATION

WOLFGANG & RALPH 23 MAY 24 MAY FRIDAY 23 May 7.30pm Federation Concert Hall, Hobart

LAUNCESTON

SATURDAY 24 May 7.30pm LAUNCESTON Princess Theatre, Launceston

Howard Shelley conductor & piano Jane Edwards soprano VAUGHAN WILLIAMS Fantasia on a Theme by Thomas Tallis MOZART Piano Concerto No 14 in E-flat, K449 MOZART Ch’io mi scordi di te VAUGHAN WILLIAMS A Pastoral Symphony (Symphony No 3) What do you do with an English Mozartian like Howard Shelley? You have him play to both of his strengths: Wolfgang Amadeus Mozart and Ralph Vaughan Williams. Mozart arrived in Vienna in his mid-20s and set about making a name for himself by composing a steady stream of remarkable concertos, among them the Piano Concerto No 14. Some years later he wrote the concert aria Ch’io mi scordi di te, which includes an elaborate piano part that he himself played. Vaughan Williams’ Tallis Fantasia and Pastoral Symphony are among the most beautiful works by the most English of English composers. They conjure up a serene world of rolling hills, gentle meadows and sunlight dappled glades.

THE PEASANT PRINCE 06 JUNE FRIDAY 6 June 6pm Federation Concert Hall, Hobart Benjamin Northey conductor Christopher Lawrence compere Story by Li Cunxin Music by Katy Abbott Illustrations by Anne Spudvilas

$37

One adult plus two children

13 JUNE FRIDAY 13 June 7.30pm Federation Concert Hall, Hobart

LAUNCESTON

Giordano Bellincampi conductor Piers Lane piano CHERUBINI Les deux journées – Overture BEETHOVEN Piano Concerto No 3 J S BACH arr WEBERN Ricercare from A Musical Offering MENDELSSOHN Symphony No 5, Reformation Beethoven’s only piano concerto in a minor key, the Concerto No 3 is a work of revolutionary energy that places huge demands upon the soloist. Sparks will fly and notes will sparkle as pianist Piers Lane tames this colossal beast. Beethoven had tremendous regard for his Italian-French contemporary Luigi Cherubini, whose hugely successful opera Les deux journées was a powerful influence upon Beethoven’s own opera, Fidelio. Felix Mendelssohn was one of classical music’s most precocious talents and in the Reformation Symphony he develops well-known sacred LAUNCESTON melodies, including the chorale tune ‘Ein feste Burg’ (A Mighty Fortress), which itself was given masterly treatment by J S Bach, whose Ricercare from A Musical Offering is heard in Webern’s multi-coloured orchestration.

Best-selling children’s book The Peasant Prince comes to life with music, storytelling and big-screen projections. Li Cunxin’s inspirational tale – based upon his autobiography, Mao’s Last Dancer – traces the journey of a young boy from rural China who, against all odds, becomes one of the most famous dancers in the world. Be moved by this heartwarming story and be carried away by the beautiful music and stunning images. TASMANIAN SYMPHONY ORCHESTRA

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Louise Foley, Launceston, member of TSO Friends and long-time supporter of the orchestra.

C P E BACH, Cello Concerto in A minor, 1st movement.


Elizabeth Wallfisch and Raphael Wallfisch

‘What a rare pleasure to have Elizabeth and Raphael Wallfisch perform with the TSO. Prepare to be dazzled by this incomparable husband and wife team.’

Wallfisch & Wallfisch Federation Concert Hall, Hobart Friday 27 June Albert Hall, Launceston Saturday 28 June


TWO CHOIRS AS ONE

WALLFISCH & WALLFISCH

09 JULY

WEDNESDAY 9 July 7.30pm Federation Concert Hall, Hobart June Tyzack chorusmaster TSO Brass & Percussion TSO Chorus

27 JUNE 28 JUNE FRIDAY 27 June 7.30pm Federation Concert Hall, Hobart

LAUNCESTON

SATURDAY 28 June 7.30pm LAUNCESTON Albert Hall, Launceston

Elizabeth Wallfisch director & violin Raphael Wallfisch cello J C BACH Grand Overture in D major, Op 18 No 6 HAYDN Violin Concerto in C major C P E BACH Cello Concerto in A minor HAYDN Symphony No 93 Two concertos, a symphony and more! In this feast of 18th-century music, Elizabeth Wallfisch directs the TSO and appears as soloist in Haydn’s C-major Violin Concerto, a work of transparent beauty and invigorating freshness. Her husband, Raphael Wallfisch, appears as soloist in C P E Bach’s astoundingly virtuosic A-minor Cello Concerto. Further music by Haydn – the first in his great series of London symphonies – and an overture by J C Bach, another of the sons of J S Bach, cap off a concert of masterworks performed by master musicians.

Two Choirs As One will showcase the TSO Chorus along with TSO Brass & Percussion, performing either as separate ensembles or in concert. Hear the modern a cappella classic O Magnum Mysterium by Morten Lauridsen – which has been performed to great acclaim by many of the world’s finest choral groups, including King’s College Choir, Cambridge – along with John Rutter’s Gloria, Vaughan Williams’ O Clap Your Hands and works by Henry Purcell.

ˇ DVORÁK’S CELLO CONCERTO 08 AUGUST FRIDAY 8 August 7.30pm Federation Concert Hall, Hobart

LAUNCESTON

Marko Letonja conductor Alban Gerhardt cello PROKOFIEV Symphony No 1, Classical SCHOENBERG Chamber Symphony No 2 ˇ Cello Concerto DVORÁK Few pieces of music are as moving as Dvorˇák’s Cello Concerto. Composed for the great Czech cellist Hanuš Wihan in the mid-1890s, it combines technical virtuosity with heartfelt emotion. In the course of writing the work, Dvorˇák received word of the death of a much loved friend, and the concerto takes on a beautifully serene tone as it makes its way towards its elegiac conclusion. Schoenberg’s Chamber Symphony No 2 is a landmark work of musical modernism while Prokofiev’s Classical Symphony brims with vitality and good humour.

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TASMANIAN SYMPHONY ORCHESTRA


PICTURES AT AN EXHIBITION

MOZART’S VIENNA 19 SEPTEMBER FRIDAY 19 September 2.30pm Federation Concert Hall, Hobart

22 AUGUST FRIDAY 22 August 6pm Federation Concert Hall, Hobart Marko Letonja conductor Christopher Lawrence compere

$37

One adult plus two children

See the pictures that inspired the music! Modest Mussorgsky’s Pictures at an Exhibition has long been a concert favourite, whether in the famous orchestration by Maurice Ravel or one of the many other orchestral arrangements. In this concert you hear Mussorgsky’s wonderful music and see projected onto a screen above the orchestra the paintings that motivated the composer in the first place. A feast for the eyes and ears, Pictures at an Exhibition is a concert that all the family will enjoy.

When Mozart’s father, Leopold, met Joseph Haydn in Vienna in 1785, Haydn remarked, ‘Before God and as an honest man, your son is the greatest composer I know, either personally or by name.’ Haydn was no slouch himself and in this concert the two great Viennese contemporaries stand shoulder to shoulder. Mozart’s Concerto for Flute and Harp is one of the most sparkling works that ever flowed from his hand, and Haydn’s Miracle Symphony is, well, miraculous. Music by Suppé and Johann Strauss II open a window onto a different Vienna altogether. The overture to Poet and Peasant is a rollicking operetta curtain-raiser and the Kaiser Waltz – or, in English, Emperor Waltz – is among the finest of the many hundreds of waltzes by Vienna’s undisputed ‘Waltz King’. FRIDAY 29 August 7.30pm Federation Concert Hall, Hobart

MAHLER’S VIENNA

Marko Letonja conductor Cheryl Barker soprano Members of the Australian Youth Orchestra R STRAUSS Der Rosenkavalier – First Waltz Sequence R STRAUSS Moonlight Music and Closing Scene from Capriccio MAHLER Symphony No 5 We inaugurate our Vienna Alive series in grand style with the dazzling First Waltz Sequence from Richard Strauss’s ever popular opera Der Rosenkavalier. Strauss was a contemporary of Gustav Mahler, a remarkable composer who enlarged the symphony in every respect, from the size of the orchestra to the emotional intensity of the music. The TSO will be augmented by the finest players from the Australian Youth Orchestra so that the full power of Mahler’s Fifth can be realised. Australian soprano Cheryl Barker, who is without peer as an interpreter of Strauss, captures the beauty and radiance of Countess Madeleine, the heroine of Strauss’s enchanting final opera, Capriccio. Strauss was renowned for his magnificent vocal writing and in Capriccio his melodic lines surge, soar and touch the heart.

29 AUGUST TASMANIAN SYMPHONY ORCHESTRA

Richard Gill conductor Douglas Mackie flute Alice Giles harp SUPPÉ Poet and Peasant – Overture MOZART Concerto for Flute and Harp HAYDN Symphony No 96, The Miracle J STRAUSS II LAUNCESTON Kaiser Waltz

LAUNCESTON

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Kevin Potter, Lindisfarne, TSO subscriber since 1996.

BEETHOVEN, Symphony No 3, Eroica, 2nd movement, Marcia funebre.


Nicholas McGegan

‘Long famous for his critically acclaimed recordings of Baroque music, Nicholas McGegan will make his TSO debut conducting one of the mightiest of all orchestral works, Beethoven’s shattering Eroica Symphony.’

Beethoven’s Vienna Federation Concert Hall, Hobart Friday 26 September Albert Hall, Launceston Saturday 27 September


BEETHOVEN’S VIENNA

ANAM CONCERTO COMPETITION 04 OCTOBER SATURDAY 4 October 7.30pm Federation Concert Hall, Hobart Marc Taddei conductor

26 SEPTEMBER 27 SEPTEMBER FRIDAY 26 September 7.30pm Federation Concert Hall, Hobart

LAUNCESTON

LAUNCESTON SATURDAY 27 September 7.30pm Albert Hall, Launceston

Nicholas McGegan conductor Michael Collins clarinet BEETHOVEN Coriolan Overture WEBER Clarinet Concerto No 2 BEETHOVEN Symphony No 3, Eroica Few composers are as closely associated with Vienna as Ludwig van Beethoven. Although a native of Germany’s Rhineland, Beethoven moved to Vienna at the age of 21 and remained there for the rest of his life. Beethoven’s capacity to shock and awe his Viennese audiences reached new heights with the Eroica Symphony. To this day it remains tremendously dynamic and forceful. Heinrich von Collin’s play Coriolan was a popular hit in Vienna, such that Beethoven subsequently wrote a thrilling overture for it. At precisely the same time that Beethoven was making his mark in Vienna, Carl Maria von Weber was advancing his career in various German cities. His Clarinet Concerto No 2 shows off all of the tone colours of the most versatile of woodwind instruments. In the hands of master clarinettist Michael Collins, it will shine as never before.

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The Australian National Academy of Music (ANAM) is dedicated to the artistic and professional development of the nation’s finest young musicians. In this concert you get to hear students from ANAM perform back-toback concertos. Enjoy exceptional music-making at the exceptional price of only $20 ($15 concession/student).

AT THE BALLET

10 OCTOBER FRIDAY 10 October 7.30pm Federation Concert Hall, Hobart

LAUNCESTON

Andrew Grams conductor Torleif Thedéen cello ˇ Carnival DVORÁK BARBER Cello Concerto TCHAIKOVSKY Swan Lake and The Sleeping Beauty (excerpts) Some of the most tuneful music ever written belongs to Tchaikovsky’s ballets. Swan Lake and The Sleeping Beauty are among the favourite works by this all-time favourite composer. A different kind of tunefulness pervades Samuel Barber’s Cello Concerto, a work that was once likened by American commentator Virgil Thomson to a concerto by Brahms. Acclaimed Swedish cellist Torleif Thedéen makes his TSO debut performing this compelling work. The concert gets off to a lively start with a riotous orchestral showpiece, Dvorˇák’s Carnival overture. TASMANIAN SYMPHONY ORCHESTRA


LITTLE RED RIDING HOOD

HAYDN’S VIENNA 01 NOVEMBER SATURDAY 1 November 7.30pm Federation Concert Hall, Hobart

16 OCTOBER THURSDAY 16 October 6pm Federation Concert Hall, Hobart Marc Taddei conductor Christopher Lawrence compere

$37

One adult plus two children

Music by Paul Patterson Story adapted by Donald Sturrock from Roald Dahl’s Revolting Rhymes A girl in a red cape. An old lady in bed. A cunning wolf. Roald Dahl takes the familiar ingredients of Little Red Riding Hood and gives them a fresh makeover in his quirky retelling of the classic fairy tale. As you would expect, his adaptation is filled with idiosyncratic delights. Maybe grandma isn’t quite so helpless. Maybe the wolf isn’t quite so clever. Maybe Red Riding Hood isn’t quite so gullible. Dahl’s whimsical adaptation is paired with an equally good-humoured score by composer Paul Patterson. The Brothers Grimm were never quite as much fun as this!

TASMANIAN SYMPHONY ORCHESTRA

LAUNCESTON

Johannes Fritzsch conductor Siobhan Stagg soprano Sally-Anne Russell mezzo-soprano Henry Choo tenor Andrew Collis bass TSO Chorus MOZART Symphony No 36, Linz SCHNITTKE Moz-Art à la Haydn HAYDN Harmoniemesse LAUNCESTON

Joseph Haydn crowned his career as a composer of masses with the Harmoniemesse, one of the most beautiful masses ever written. ‘Harmonie’ refers to Haydn’s lavish scoring for woodwind instruments, but in addition to winds, the mass includes full orchestra, vocal soloists and large chorus. Mozart was en route from Salzburg to Vienna when he wrote the Linz Symphony, a remarkable creation that was dashed off in a matter of days. Looking for proof of Mozart’s genius? Look no further! Alfred Schnittke’s Moz-Art à la Haydn is a mash-up of Mozart and modernism with a touch of Haydn thrown in for good measure. Schnittke mixes the familiar and the not-so-familiar in ways that are surprising and beguiling.

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Louise Bloomfield, South Hobart, goes where the TSO takes her.

BARBER, Cello Concerto, 2nd movement.


Torleif Thedéen

‘Swedish cellist Torleif Thedéen is a performer of great sensitivity and insight. I can think of no better artist to introduce you to Samuel Barber’s marvellous Cello Concerto.’

At the Ballet Federation Concert Hall, Hobart Friday 10 October


THE TSO ON TOUR 06 NOVEMBER 07 NOVEMBER THURSDAY 6 November 7.30pm Burnie Town Hall

SIBELIUS’ VIOLIN CONCERTO

LAUNCESTON

FRIDAY 7 November 7.30pm Gaiety Theatre, Zeehan

Marko Letonja conductor Sue-Ellen Paulsen cello Program to include MOZART Symphony No 1 TCHAIKOVSKY Variations on a Rococo Theme Music by Mozart and music inspired by Mozart form the basis of this concert. Sue-Ellen Paulsen, TSO Principal Cello, performs the solo part in Tchaikovsky’s Variations on a Rococo Theme, a tender and heartfelt tribute to music of the 18th century and to Mozart in particular. But it’s not all mellow cello – the Tchaikovsky Variations call for dazzling pyrotechnics too! Marko Letonja, TSO Chief Conductor, conducts this enthralling concert.

MOZART & MORE 14 NOVEMBER FRIDAY 14 November 2.30pm Federation Concert Hall, Hobart Andrew Mogrelia conductor Caroline Almonte piano ROSSINI The Thieving Magpie – Overture MOZART Piano Concerto No 20, K466 WEILL Symphony No 2 J STRAUSS II Artists’ Life When Mozart turns to the key of D minor – as he does in the Piano Concerto No 20 – you know that you’re in for a dramatic and tempestuous ride. Come on this exhilarating journey with pianist Caroline Almonte. Kurt Weill, famous for The Threepenny Opera, summons Mozartian textures in his Symphony No 2, a work that was composed in the tumultuous 1930s, a time when the composer was in exile from Hitler’s Germany. Johann Strauss’s Artists’ Life (Künstler-Leben) was written in the wake of the phenomenally successful The Blue Danube and is every bit as enthralling, and Rossini offers one of the most entertaining of all overtures in the curtain-raiser to the opera The Thieving Magpie.

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22 NOVEMBER SATURDAY 22 November 7.30pm Federation Concert Hall, Hobart

LAUNCESTON

Marko Letonja conductor Alina Ibragimova violin MOZART Symphony No 35, Haffner BARTÓK Music for Strings, Percussion and Celesta SIBELIUS Violin Concerto LAUNCESTON ‘Soulful’ is probably the word that best sums up the Violin Concerto by Jean Sibelius. A deeply emotional work, it touches the listener in profound and poignant ways. It is without question one of classical music’s great experiences. Mozart’s Haffner Symphony offers an altogether different experience. One of the composer’s sunniest works, it is irresistibly good-natured. The percussion section comes to the fore in Bartók’s Music for Strings, Percussion and Celesta; a 20th-century classic that is unsettling, powerful and wonderful. Not to be missed!

TASMANIAN SYMPHONY ORCHESTRA


A NIGHT IN VIENNA

28 NOVEMBER 29 NOVEMBER

SYMPHONIE FANTASTIQUE

LAUNCESTON

06 DECEMBER

FRIDAY 28 November 7.30pm Federation Concert Hall, Hobart

SATURDAY 6 December 7.30pm Federation Concert Hall, Hobart

SATURDAY 29 November 7.30pm Albert Hall, Launceston

Marko Letonja conductor Teddy Tahu Rhodes bass-baritone SCHUBERT Symphony No 3 BRAHMS arr GLANERT Four Preludes and Serious Songs BERLIOZ Symphonie fantastique

Marko Letonja conductor Lorina Gore soprano Program includes J STRAUSS II The Blue Danube J STRAUSS II ‘Laughing Song’ from Die Fledermaus J STRAUSS II The Gypsy Baron – Overture J STRAUSS II Csárdás from Ritter Pásmán LEHÁR ‘Vilja Song’ from The Merry Widow LEHÁR ‘Meine Lippen, sie küssen so heiss’ from Giuditta Vienna is a great party town. Famous for its balls, lively operetta and world-renowned New Year’s Day Concert, Vienna is a city that has music in its blood. Kick up your heels at A Night in Vienna, the climax of our Vienna Alive series. Enjoy music by Johann Strauss, Franz von Suppé, Franz Lehár and others including The Blue Danube, the overture to The Gypsy Baron, and operetta classics such as the ‘Laughing Song’ from Die Fledermaus and the ‘Vilja Song’ from The Merry Widow. Conducted by Marko Letonja and featuring special guest artist soprano Lorina Gore, A Night in Vienna celebrates olde worlde Vienna at its glittering, exuberant best.

TASMANIAN SYMPHONY ORCHESTRA

LAUNCESTON

Fantastic in every sense, Berlioz’s Symphonie fantastique presents the most extravagant of Romantic fantasies – a ‘narrative’ of unrequited love, opium dreams, murder, execution and a witches’ sabbath. To say that this monumental work is over the top is to state the obvious. Brahms’s haunting Four Serious Songs are respectfully and imaginatively orchestrated and enlarged by Detlev Glanert in his Four Preludes and Serious Songs. Teddy Tahu Rhodes has made this work his own, having performed and recorded it with the TSO to great acclaim. See Teddy in action, bask in his aura and be moved by his voice.

21


Alina Ibragimova

‘Alina Ibragimova is a stunning violinist. She brings tremendous passion and intelligence to her playing so I am thrilled to be conducting her performance of the magnificent Sibelius Violin Concerto.’

Sibelius’ Violin Concerto Federation Concert Hall, Hobart Saturday 22 November

Lucas Hlis, Tea Tree, budding violinist and TSO newcomer.

SIBELIUS, Violin Concerto, 3rd movement.



An evening sky. A live orchestra.

Summer on the island doesn’t get any better than RACT Symphony under the Stars. Kick back with family and friends at these free outdoor concerts. Guy Noble conductor Ryk Goddard compere Featuring special guest soloist Tasmanian-born violinist and rising star Katerina Nazarova. SATURDAY 7.00pm 15 February Tolosa Park, Glenorchy

SATURDAY 7.00pm 22 February City Park, Launceston


Helen Goninon, Hobart, UTAS student and TSO concert-goer.

MAHLER, Symphony No 5, 4th movement, Adagietto. tso.com.au


Helen Goninon, Hobart, UTAS student and TSO concert-goer.

MAHLER, Symphony No 5, 4th movement, Adagietto. tso.com.au


Helen Goninon, Hobart, UTAS student and TSO concert-goer.

MAHLER, Symphony No 5, 4th movement, Adagietto. tso.com.au


29 August | HOBART Vienna played a crucially important role in the development of orchestral music. What we know of as the ‘Classical Style’ is fundamentally the ‘Viennese Style’, with Vienna-based composers such as Haydn, Mozart and Beethoven laying the groundwork for techniques and traditions that remain the lifeblood of orchestras to this day. In Vienna Alive we celebrate Viennese music in all its guises, from the music of the pioneers listed above to Gustav Mahler and the lighter music of Johann Strauss, Franz von Suppé and Franz Lehár. Come with us to classical music’s heartland. Come with us to Vienna.

26 September | HOBART 27 SEPTEMBER | LAUNCESTON

FRIDAY 29 August 7.30PM Federation Concert Hall, Hobart

FRIDAY 26 September 7.30PM Federation Concert Hall, Hobart

Marko Letonja conductor Cheryl Barker soprano Members of the Australian Youth Orchestra R STRAUSS Der Rosenkavalier – First Waltz Sequence R STRAUSS Moonlight Music and Closing Scene from Capriccio MAHLER Symphony No 5

SATURDAY 27 September 7.30PM Albert Hall, Launceston CHERYL BARKER

Mahler’s Vienna was the city of Gustav Klimt, Sigmund Freud and Otto Wagner. The Vienna Secession was shaking up the world of art, Freud was delving into the deepest recesses of the mind, and the city’s famous cafes were buzzing with ideas (and groaning under displays of delectable cakes). Mahler was appointed Director of the Vienna Opera in 1897 and played his part in making Vienna a cultural powerhouse. Of Mahler’s nine numbered symphonies, the Fifth is among the best loved and is especially famous for its sublime fourth movement, the Adagietto. Richard Strauss was an exact contemporary of Mahler’s and, while Bavarian, wrote the most famous of all operas set in Vienna, Der Rosenkavalier. Strauss’s final opera, Capriccio, is a gorgeous summing up of a lifetime’s achievements. If you love Strauss’s Four Last Songs, you’ll love the Closing Scene from Capriccio, especially as sung by Cheryl Barker.

Nicholas McGegan conductor Michael Collins clarinet BEETHOVEN Coriolan Overture WEBER Clarinet Concerto No 2 BEETHOVEN Symphony No 3, Eroica

NICHOLAS MCGEGAN

MICHAEL COLLINS

The ‘hero’ of Beethoven’s Third Symphony, Eroica, was intended to be Napoleon Bonaparte. But Beethoven was so appalled by Napoleon declaring himself emperor he tore up the dedication page and inscribed the symphony ‘to the memory of a great man’. Ironically, within a few months of the Eroica’s première in Vienna in 1805, Napoleon and his troops were occupying the city. Heroic in every respect – including a sombre funeral march fit for the mightiest of fallen heroes – the Eroica is among the most forceful and compelling of all of Beethoven’s works. The Coriolan Overture is likewise full of drama and intensity. Although Beethoven was not Viennese by birth – his hometown was Bonn – he spent most of his life in the Austrian capital and a group of Viennese aristocrats guaranteed Beethoven a stipend for life on the condition that he remain in Vienna and compose music. His glory was their glory.

FRIDAY 19 September 2.30PM Federation Concert Hall, Hobart

OF THE FIVE VIENNA ALIVE PROGRAMMES, THREE ARE DRAWN FROM THE MASTER SERIES AND ONE IS FROM THE MATINEE SERIES. A NIGHT IN VIENNA IS A SPECIAL STAND-ALONE EVENT.

SATURDAY 29 November 7.30PM Albert Hall, Launceston

Program includes J STRAUSS II The Blue Danube J STRAUSS II ‘Laughing Song’ from Die Fledermaus J STRAUSS II The Gypsy Baron – Overture J STRAUSS II Csárdás from Ritter Pásmán LEHÁR ‘Vilja Song’ from The Merry Widow LEHÁR ‘Meine Lippen, sie küssen so heiss’ from Giuditta

01 November | HOBART SATURDAY 1 November 7.30PM Federation Concert Hall, Hobart

ALICE GILES

FRIDAY 28 November 7.30PM Federation Concert Hall, Hobart

Marko Letonja conductor Lorina Gore soprano

19 September | HOBART

Richard Gill conductor Douglas Mackie flute Alice Giles harp SUPPÉ Poet and Peasant – Overture MOZART Concerto for Flute and Harp HAYDN Symphony No 96, The Miracle J STRAUSS II Kaiser Waltz

28 NOVEmber | HOBART 29 NOVEmber | LAUNCESTON

DOUGLAS MACKIE

At the age of six Wolfgang Amadeus Mozart jumped onto the lap of Maria Theresa, Archduchess of Austria and Queen of Bohemia, and kissed her profusely. Mozart was on his first trip to Vienna and he was excited. At the age of 25 he decided to quit his hometown of Salzburg and settle in Vienna, and so he lived out his last decade as a freelance musician in the Austrian capital. Mozart and Haydn sometimes played string quartets together – Mozart took the viola part – and this concert features music by both of these Vienna-based composers: a Mozart concerto and a Haydn symphony. It also includes Viennese music of a later era, a period when operetta ruled the stage and the whole city swayed to the beat of ‘Waltz King’ Johann Strauss II.

Johannes Fritzsch conductor Siobhan Stagg soprano Sally-Anne Russell mezzo-soprano Henry Choo tenor Andrew Collis bass TSO Chorus

MOZART Symphony No 36, Linz SCHNITTKE Moz-Art à la Haydn HAYDN Harmoniemesse

JOHANNES FRITZSCH

When Haydn escaped to the ‘big smoke’, he escaped to Vienna. For much of the year he lived and worked on the rural estates of the Esterházy family where his role was to compose music for daily life. The isolation turned out to be a plus as it forced Haydn to be inventive. And the demanding nature of the job meant that he had to be productive, so he ended up composing a huge quantity of music. The Esterházy’s star composer became the toast of Vienna and commissions flowed in from Paris and London. At the time that he wrote the Harmoniemesse, in 1802, Haydn was the most famous composer in Europe. Haydn knew Mozart personally so it is fitting that Haydn’s Vienna includes Mozart’s Linz Symphony as well as Alfred Schnittke’s Moz-Art à la Haydn, an ingenious homage to both composers that was written in the 1970s.

MARKO LETONJA

LORINA GORE

You’ve made it through hard-core Vienna – the music of Mahler, Mozart, Beethoven and Haydn – now reward yourself with A Night in Vienna and experience the Austrian capital’s lighter side. It seems only right that the city of Freud should have a split personality! Enjoy marches, waltzes and operetta excerpts with Marko Letonja, TSO Chief Conductor and Artistic Director, and acclaimed soprano Lorina Gore. Let Vienna’s ‘light music’ masters – Johann Strauss, Franz von Suppé and Franz Lehár – take you to a world of opulent balls, glittering parties and shadowy gypsy taverns. A Night in Vienna is night you won’t want to miss!

All five Hobart Vienna Alive concerts can be purchased as a subscription package. See booking form on page 33.


29 August | HOBART Vienna played a crucially important role in the development of orchestral music. What we know of as the ‘Classical Style’ is fundamentally the ‘Viennese Style’, with Vienna-based composers such as Haydn, Mozart and Beethoven laying the groundwork for techniques and traditions that remain the lifeblood of orchestras to this day. In Vienna Alive we celebrate Viennese music in all its guises, from the music of the pioneers listed above to Gustav Mahler and the lighter music of Johann Strauss, Franz von Suppé and Franz Lehár. Come with us to classical music’s heartland. Come with us to Vienna.

26 September | HOBART 27 SEPTEMBER | LAUNCESTON

FRIDAY 29 August 7.30PM Federation Concert Hall, Hobart

FRIDAY 26 September 7.30PM Federation Concert Hall, Hobart

Marko Letonja conductor Cheryl Barker soprano Members of the Australian Youth Orchestra R STRAUSS Der Rosenkavalier – First Waltz Sequence R STRAUSS Moonlight Music and Closing Scene from Capriccio MAHLER Symphony No 5

SATURDAY 27 September 7.30PM Albert Hall, Launceston CHERYL BARKER

Mahler’s Vienna was the city of Gustav Klimt, Sigmund Freud and Otto Wagner. The Vienna Secession was shaking up the world of art, Freud was delving into the deepest recesses of the mind, and the city’s famous cafes were buzzing with ideas (and groaning under displays of delectable cakes). Mahler was appointed Director of the Vienna Opera in 1897 and played his part in making Vienna a cultural powerhouse. Of Mahler’s nine numbered symphonies, the Fifth is among the best loved and is especially famous for its sublime fourth movement, the Adagietto. Richard Strauss was an exact contemporary of Mahler’s and, while Bavarian, wrote the most famous of all operas set in Vienna, Der Rosenkavalier. Strauss’s final opera, Capriccio, is a gorgeous summing up of a lifetime’s achievements. If you love Strauss’s Four Last Songs, you’ll love the Closing Scene from Capriccio, especially as sung by Cheryl Barker.

Nicholas McGegan conductor Michael Collins clarinet BEETHOVEN Coriolan Overture WEBER Clarinet Concerto No 2 BEETHOVEN Symphony No 3, Eroica

NICHOLAS MCGEGAN

MICHAEL COLLINS

The ‘hero’ of Beethoven’s Third Symphony, Eroica, was intended to be Napoleon Bonaparte. But Beethoven was so appalled by Napoleon declaring himself emperor he tore up the dedication page and inscribed the symphony ‘to the memory of a great man’. Ironically, within a few months of the Eroica’s première in Vienna in 1805, Napoleon and his troops were occupying the city. Heroic in every respect – including a sombre funeral march fit for the mightiest of fallen heroes – the Eroica is among the most forceful and compelling of all of Beethoven’s works. The Coriolan Overture is likewise full of drama and intensity. Although Beethoven was not Viennese by birth – his hometown was Bonn – he spent most of his life in the Austrian capital and a group of Viennese aristocrats guaranteed Beethoven a stipend for life on the condition that he remain in Vienna and compose music. His glory was their glory.

FRIDAY 19 September 2.30PM Federation Concert Hall, Hobart

OF THE FIVE VIENNA ALIVE PROGRAMMES, THREE ARE DRAWN FROM THE MASTER SERIES AND ONE IS FROM THE MATINEE SERIES. A NIGHT IN VIENNA IS A SPECIAL STAND-ALONE EVENT.

SATURDAY 29 November 7.30PM Albert Hall, Launceston

Program includes J STRAUSS II The Blue Danube J STRAUSS II ‘Laughing Song’ from Die Fledermaus J STRAUSS II The Gypsy Baron – Overture J STRAUSS II Csárdás from Ritter Pásmán LEHÁR ‘Vilja Song’ from The Merry Widow LEHÁR ‘Meine Lippen, sie küssen so heiss’ from Giuditta

01 November | HOBART SATURDAY 1 November 7.30PM Federation Concert Hall, Hobart

ALICE GILES

FRIDAY 28 November 7.30PM Federation Concert Hall, Hobart

Marko Letonja conductor Lorina Gore soprano

19 September | HOBART

Richard Gill conductor Douglas Mackie flute Alice Giles harp SUPPÉ Poet and Peasant – Overture MOZART Concerto for Flute and Harp HAYDN Symphony No 96, The Miracle J STRAUSS II Kaiser Waltz

28 NOVEmber | HOBART 29 NOVEmber | LAUNCESTON

DOUGLAS MACKIE

At the age of six Wolfgang Amadeus Mozart jumped onto the lap of Maria Theresa, Archduchess of Austria and Queen of Bohemia, and kissed her profusely. Mozart was on his first trip to Vienna and he was excited. At the age of 25 he decided to quit his hometown of Salzburg and settle in Vienna, and so he lived out his last decade as a freelance musician in the Austrian capital. Mozart and Haydn sometimes played string quartets together – Mozart took the viola part – and this concert features music by both of these Vienna-based composers: a Mozart concerto and a Haydn symphony. It also includes Viennese music of a later era, a period when operetta ruled the stage and the whole city swayed to the beat of ‘Waltz King’ Johann Strauss II.

Johannes Fritzsch conductor Siobhan Stagg soprano Sally-Anne Russell mezzo-soprano Henry Choo tenor Andrew Collis bass TSO Chorus

MOZART Symphony No 36, Linz SCHNITTKE Moz-Art à la Haydn HAYDN Harmoniemesse

JOHANNES FRITZSCH

When Haydn escaped to the ‘big smoke’, he escaped to Vienna. For much of the year he lived and worked on the rural estates of the Esterházy family where his role was to compose music for daily life. The isolation turned out to be a plus as it forced Haydn to be inventive. And the demanding nature of the job meant that he had to be productive, so he ended up composing a huge quantity of music. The Esterházy’s star composer became the toast of Vienna and commissions flowed in from Paris and London. At the time that he wrote the Harmoniemesse, in 1802, Haydn was the most famous composer in Europe. Haydn knew Mozart personally so it is fitting that Haydn’s Vienna includes Mozart’s Linz Symphony as well as Alfred Schnittke’s Moz-Art à la Haydn, an ingenious homage to both composers that was written in the 1970s.

MARKO LETONJA

LORINA GORE

You’ve made it through hard-core Vienna – the music of Mahler, Mozart, Beethoven and Haydn – now reward yourself with A Night in Vienna and experience the Austrian capital’s lighter side. It seems only right that the city of Freud should have a split personality! Enjoy marches, waltzes and operetta excerpts with Marko Letonja, TSO Chief Conductor and Artistic Director, and acclaimed soprano Lorina Gore. Let Vienna’s ‘light music’ masters – Johann Strauss, Franz von Suppé and Franz Lehár – take you to a world of opulent balls, glittering parties and shadowy gypsy taverns. A Night in Vienna is night you won’t want to miss!

All five Hobart Vienna Alive concerts can be purchased as a subscription package. See booking form on page 33.


29 August | HOBART Vienna played a crucially important role in the development of orchestral music. What we know of as the ‘Classical Style’ is fundamentally the ‘Viennese Style’, with Vienna-based composers such as Haydn, Mozart and Beethoven laying the groundwork for techniques and traditions that remain the lifeblood of orchestras to this day. In Vienna Alive we celebrate Viennese music in all its guises, from the music of the pioneers listed above to Gustav Mahler and the lighter music of Johann Strauss, Franz von Suppé and Franz Lehár. Come with us to classical music’s heartland. Come with us to Vienna.

26 September | HOBART 27 SEPTEMBER | LAUNCESTON

FRIDAY 29 August 7.30PM Federation Concert Hall, Hobart

FRIDAY 26 September 7.30PM Federation Concert Hall, Hobart

Marko Letonja conductor Cheryl Barker soprano Members of the Australian Youth Orchestra R STRAUSS Der Rosenkavalier – First Waltz Sequence R STRAUSS Moonlight Music and Closing Scene from Capriccio MAHLER Symphony No 5

SATURDAY 27 September 7.30PM Albert Hall, Launceston CHERYL BARKER

Mahler’s Vienna was the city of Gustav Klimt, Sigmund Freud and Otto Wagner. The Vienna Secession was shaking up the world of art, Freud was delving into the deepest recesses of the mind, and the city’s famous cafes were buzzing with ideas (and groaning under displays of delectable cakes). Mahler was appointed Director of the Vienna Opera in 1897 and played his part in making Vienna a cultural powerhouse. Of Mahler’s nine numbered symphonies, the Fifth is among the best loved and is especially famous for its sublime fourth movement, the Adagietto. Richard Strauss was an exact contemporary of Mahler’s and, while Bavarian, wrote the most famous of all operas set in Vienna, Der Rosenkavalier. Strauss’s final opera, Capriccio, is a gorgeous summing up of a lifetime’s achievements. If you love Strauss’s Four Last Songs, you’ll love the Closing Scene from Capriccio, especially as sung by Cheryl Barker.

Nicholas McGegan conductor Michael Collins clarinet BEETHOVEN Coriolan Overture WEBER Clarinet Concerto No 2 BEETHOVEN Symphony No 3, Eroica

NICHOLAS MCGEGAN

MICHAEL COLLINS

The ‘hero’ of Beethoven’s Third Symphony, Eroica, was intended to be Napoleon Bonaparte. But Beethoven was so appalled by Napoleon declaring himself emperor he tore up the dedication page and inscribed the symphony ‘to the memory of a great man’. Ironically, within a few months of the Eroica’s première in Vienna in 1805, Napoleon and his troops were occupying the city. Heroic in every respect – including a sombre funeral march fit for the mightiest of fallen heroes – the Eroica is among the most forceful and compelling of all of Beethoven’s works. The Coriolan Overture is likewise full of drama and intensity. Although Beethoven was not Viennese by birth – his hometown was Bonn – he spent most of his life in the Austrian capital and a group of Viennese aristocrats guaranteed Beethoven a stipend for life on the condition that he remain in Vienna and compose music. His glory was their glory.

FRIDAY 19 September 2.30PM Federation Concert Hall, Hobart

OF THE FIVE VIENNA ALIVE PROGRAMMES, THREE ARE DRAWN FROM THE MASTER SERIES AND ONE IS FROM THE MATINEE SERIES. A NIGHT IN VIENNA IS A SPECIAL STAND-ALONE EVENT.

SATURDAY 29 November 7.30PM Albert Hall, Launceston

Program includes J STRAUSS II The Blue Danube J STRAUSS II ‘Laughing Song’ from Die Fledermaus J STRAUSS II The Gypsy Baron – Overture J STRAUSS II Csárdás from Ritter Pásmán LEHÁR ‘Vilja Song’ from The Merry Widow LEHÁR ‘Meine Lippen, sie küssen so heiss’ from Giuditta

01 November | HOBART SATURDAY 1 November 7.30PM Federation Concert Hall, Hobart

ALICE GILES

FRIDAY 28 November 7.30PM Federation Concert Hall, Hobart

Marko Letonja conductor Lorina Gore soprano

19 September | HOBART

Richard Gill conductor Douglas Mackie flute Alice Giles harp SUPPÉ Poet and Peasant – Overture MOZART Concerto for Flute and Harp HAYDN Symphony No 96, The Miracle J STRAUSS II Kaiser Waltz

28 NOVEmber | HOBART 29 NOVEmber | LAUNCESTON

DOUGLAS MACKIE

At the age of six Wolfgang Amadeus Mozart jumped onto the lap of Maria Theresa, Archduchess of Austria and Queen of Bohemia, and kissed her profusely. Mozart was on his first trip to Vienna and he was excited. At the age of 25 he decided to quit his hometown of Salzburg and settle in Vienna, and so he lived out his last decade as a freelance musician in the Austrian capital. Mozart and Haydn sometimes played string quartets together – Mozart took the viola part – and this concert features music by both of these Vienna-based composers: a Mozart concerto and a Haydn symphony. It also includes Viennese music of a later era, a period when operetta ruled the stage and the whole city swayed to the beat of ‘Waltz King’ Johann Strauss II.

Johannes Fritzsch conductor Siobhan Stagg soprano Sally-Anne Russell mezzo-soprano Henry Choo tenor Andrew Collis bass TSO Chorus

MOZART Symphony No 36, Linz SCHNITTKE Moz-Art à la Haydn HAYDN Harmoniemesse

JOHANNES FRITZSCH

When Haydn escaped to the ‘big smoke’, he escaped to Vienna. For much of the year he lived and worked on the rural estates of the Esterházy family where his role was to compose music for daily life. The isolation turned out to be a plus as it forced Haydn to be inventive. And the demanding nature of the job meant that he had to be productive, so he ended up composing a huge quantity of music. The Esterházy’s star composer became the toast of Vienna and commissions flowed in from Paris and London. At the time that he wrote the Harmoniemesse, in 1802, Haydn was the most famous composer in Europe. Haydn knew Mozart personally so it is fitting that Haydn’s Vienna includes Mozart’s Linz Symphony as well as Alfred Schnittke’s Moz-Art à la Haydn, an ingenious homage to both composers that was written in the 1970s.

MARKO LETONJA

LORINA GORE

You’ve made it through hard-core Vienna – the music of Mahler, Mozart, Beethoven and Haydn – now reward yourself with A Night in Vienna and experience the Austrian capital’s lighter side. It seems only right that the city of Freud should have a split personality! Enjoy marches, waltzes and operetta excerpts with Marko Letonja, TSO Chief Conductor and Artistic Director, and acclaimed soprano Lorina Gore. Let Vienna’s ‘light music’ masters – Johann Strauss, Franz von Suppé and Franz Lehár – take you to a world of opulent balls, glittering parties and shadowy gypsy taverns. A Night in Vienna is night you won’t want to miss!

All five Hobart Vienna Alive concerts can be purchased as a subscription package. See booking form on page 33.


29 August | HOBART Vienna played a crucially important role in the development of orchestral music. What we know of as the ‘Classical Style’ is fundamentally the ‘Viennese Style’, with Vienna-based composers such as Haydn, Mozart and Beethoven laying the groundwork for techniques and traditions that remain the lifeblood of orchestras to this day. In Vienna Alive we celebrate Viennese music in all its guises, from the music of the pioneers listed above to Gustav Mahler and the lighter music of Johann Strauss, Franz von Suppé and Franz Lehár. Come with us to classical music’s heartland. Come with us to Vienna.

26 September | HOBART 27 SEPTEMBER | LAUNCESTON

FRIDAY 29 August 7.30PM Federation Concert Hall, Hobart

FRIDAY 26 September 7.30PM Federation Concert Hall, Hobart

Marko Letonja conductor Cheryl Barker soprano Members of the Australian Youth Orchestra R STRAUSS Der Rosenkavalier – First Waltz Sequence R STRAUSS Moonlight Music and Closing Scene from Capriccio MAHLER Symphony No 5

SATURDAY 27 September 7.30PM Albert Hall, Launceston CHERYL BARKER

Mahler’s Vienna was the city of Gustav Klimt, Sigmund Freud and Otto Wagner. The Vienna Secession was shaking up the world of art, Freud was delving into the deepest recesses of the mind, and the city’s famous cafes were buzzing with ideas (and groaning under displays of delectable cakes). Mahler was appointed Director of the Vienna Opera in 1897 and played his part in making Vienna a cultural powerhouse. Of Mahler’s nine numbered symphonies, the Fifth is among the best loved and is especially famous for its sublime fourth movement, the Adagietto. Richard Strauss was an exact contemporary of Mahler’s and, while Bavarian, wrote the most famous of all operas set in Vienna, Der Rosenkavalier. Strauss’s final opera, Capriccio, is a gorgeous summing up of a lifetime’s achievements. If you love Strauss’s Four Last Songs, you’ll love the Closing Scene from Capriccio, especially as sung by Cheryl Barker.

Nicholas McGegan conductor Michael Collins clarinet BEETHOVEN Coriolan Overture WEBER Clarinet Concerto No 2 BEETHOVEN Symphony No 3, Eroica

NICHOLAS MCGEGAN

MICHAEL COLLINS

The ‘hero’ of Beethoven’s Third Symphony, Eroica, was intended to be Napoleon Bonaparte. But Beethoven was so appalled by Napoleon declaring himself emperor he tore up the dedication page and inscribed the symphony ‘to the memory of a great man’. Ironically, within a few months of the Eroica’s première in Vienna in 1805, Napoleon and his troops were occupying the city. Heroic in every respect – including a sombre funeral march fit for the mightiest of fallen heroes – the Eroica is among the most forceful and compelling of all of Beethoven’s works. The Coriolan Overture is likewise full of drama and intensity. Although Beethoven was not Viennese by birth – his hometown was Bonn – he spent most of his life in the Austrian capital and a group of Viennese aristocrats guaranteed Beethoven a stipend for life on the condition that he remain in Vienna and compose music. His glory was their glory.

FRIDAY 19 September 2.30PM Federation Concert Hall, Hobart

OF THE FIVE VIENNA ALIVE PROGRAMMES, THREE ARE DRAWN FROM THE MASTER SERIES AND ONE IS FROM THE MATINEE SERIES. A NIGHT IN VIENNA IS A SPECIAL STAND-ALONE EVENT.

SATURDAY 29 November 7.30PM Albert Hall, Launceston

Program includes J STRAUSS II The Blue Danube J STRAUSS II ‘Laughing Song’ from Die Fledermaus J STRAUSS II The Gypsy Baron – Overture J STRAUSS II Csárdás from Ritter Pásmán LEHÁR ‘Vilja Song’ from The Merry Widow LEHÁR ‘Meine Lippen, sie küssen so heiss’ from Giuditta

01 November | HOBART SATURDAY 1 November 7.30PM Federation Concert Hall, Hobart

ALICE GILES

FRIDAY 28 November 7.30PM Federation Concert Hall, Hobart

Marko Letonja conductor Lorina Gore soprano

19 September | HOBART

Richard Gill conductor Douglas Mackie flute Alice Giles harp SUPPÉ Poet and Peasant – Overture MOZART Concerto for Flute and Harp HAYDN Symphony No 96, The Miracle J STRAUSS II Kaiser Waltz

28 NOVEmber | HOBART 29 NOVEmber | LAUNCESTON

DOUGLAS MACKIE

At the age of six Wolfgang Amadeus Mozart jumped onto the lap of Maria Theresa, Archduchess of Austria and Queen of Bohemia, and kissed her profusely. Mozart was on his first trip to Vienna and he was excited. At the age of 25 he decided to quit his hometown of Salzburg and settle in Vienna, and so he lived out his last decade as a freelance musician in the Austrian capital. Mozart and Haydn sometimes played string quartets together – Mozart took the viola part – and this concert features music by both of these Vienna-based composers: a Mozart concerto and a Haydn symphony. It also includes Viennese music of a later era, a period when operetta ruled the stage and the whole city swayed to the beat of ‘Waltz King’ Johann Strauss II.

Johannes Fritzsch conductor Siobhan Stagg soprano Sally-Anne Russell mezzo-soprano Henry Choo tenor Andrew Collis bass TSO Chorus

MOZART Symphony No 36, Linz SCHNITTKE Moz-Art à la Haydn HAYDN Harmoniemesse

JOHANNES FRITZSCH

When Haydn escaped to the ‘big smoke’, he escaped to Vienna. For much of the year he lived and worked on the rural estates of the Esterházy family where his role was to compose music for daily life. The isolation turned out to be a plus as it forced Haydn to be inventive. And the demanding nature of the job meant that he had to be productive, so he ended up composing a huge quantity of music. The Esterházy’s star composer became the toast of Vienna and commissions flowed in from Paris and London. At the time that he wrote the Harmoniemesse, in 1802, Haydn was the most famous composer in Europe. Haydn knew Mozart personally so it is fitting that Haydn’s Vienna includes Mozart’s Linz Symphony as well as Alfred Schnittke’s Moz-Art à la Haydn, an ingenious homage to both composers that was written in the 1970s.

MARKO LETONJA

LORINA GORE

You’ve made it through hard-core Vienna – the music of Mahler, Mozart, Beethoven and Haydn – now reward yourself with A Night in Vienna and experience the Austrian capital’s lighter side. It seems only right that the city of Freud should have a split personality! Enjoy marches, waltzes and operetta excerpts with Marko Letonja, TSO Chief Conductor and Artistic Director, and acclaimed soprano Lorina Gore. Let Vienna’s ‘light music’ masters – Johann Strauss, Franz von Suppé and Franz Lehár – take you to a world of opulent balls, glittering parties and shadowy gypsy taverns. A Night in Vienna is night you won’t want to miss!

All five Hobart Vienna Alive concerts can be purchased as a subscription package. See booking form on page 33.


Helen Goninon, Hobart, UTAS student and TSO concert-goer.

MAHLER, Symphony No 5, 4th movement, Adagietto. tso.com.au


TSO CHORUS The TSO Chorus is an auditioned group of approximately 80 voices. Founded in 1992, it has performed oratorios, masses, requiems, choral symphonies and opera choruses. Highlights include performances of Beethoven’s Symphony No 9 and Christus am Ölberge, Mendelssohn’s Lobgesang and Peter Sculthorpe’s Requiem. In addition to performing with the TSO and touring regional Tasmania, the TSO Chorus is frequently invited to augment symphonic choirs interstate. June Tyzack has been Chorusmaster since 2001. The TSO Chorus welcomes new members. Interested choristers should contact the Artistic & Chorus Coordinator on 03 6232 4421 or email chorusadmin@tso.com.au. Concerts in 2014 featuring the TSO Chorus will be:

CHORAL FANTASY

TWO CHOIRS AS ONE

HAYDN’S VIENNA

Saturday 15 March 2.30pm Federation Concert Hall, Hobart

Wednesday 9 July 7.30pm Federation Concert Hall, Hobart

Saturday 1 November 7.30pm Federation Concert Hall, Hobart

SING ALONG

MESSIAH WITH RICHARD GILL AND THE TSO

Handel’s Messiah is chock-a-block with great choruses. Not just the famous ‘Hallelujah’ chorus, but also ‘And the Glory of the Lord’, ‘For Unto Us a Child is Born’ and plenty more. Here’s your chance to join a massed choir and to work with renowned choral director, conductor and music educator Richard Gill. Be inspired by Richard’s brilliance, sing your heart out with other like-minded choristers and work with the best backing band in town, the TSO. You don’t need to have a terrific voice to take part in Sing Along Messiah. What you do need to have is plenty of enthusiasm and the ability to come to TASMANIAN SYMPHONY ORCHESTRA

all of the rehearsals and, of course, the performance itself. The performance will consist of choice excerpts from Messiah, including choruses and solos. All this can be yours for only $79. Audience tickets to the performance are a mere $25. To reserve your place in Sing Along Messiah, complete the booking form on page 33. Federation Concert Hall, Hobart Rehearsals Friday 9 May, 7-10pm; Saturday 10 May, 9.30am-12.30pm and 1.30-2.30pm Performance Saturday 10 May, 3pm

25


CONCERT SERIES AT A GLANCE Concerts are grouped into series depending upon the style and nature of the event, and the type of music being performed. Whether you’re looking for an evening concert, music to while away the afternoon or a concert for all the family, you’ll find plenty of reasons to become a TSO subscriber.

MASTER Orchestral music on a grand scale with symphonies, concertos and other large-scale works performed by distinguished conductors and renowned soloists. DATE

day

TIME

CONCERT

VENUE

PAGE

7 March

Friday

7.30pm

Gavrylyuk plays Rachmaninov

Federation Concert Hall

5

21 March

Friday

7.30pm

Summer Nights

Federation Concert Hall

8

23 May

Friday

7.30pm

Wolfgang & Ralph

Federation Concert Hall

9

13 June

Friday

7.30pm

Revolution & Reformation

Federation Concert Hall

9

27 June

Friday

7.30pm

Wallfisch & Wallfisch

Federation Concert Hall

12

8 August

Friday

7.30pm

Dvorˇák’s Cello Concerto

Federation Concert Hall

12

29 August

Friday

7.30pm

Mahler’s Vienna

Federation Concert Hall

13

26 September

Friday

7.30pm

Beethoven’s Vienna

Federation Concert Hall

16

10 October

Friday

7.30pm

At the Ballet

Federation Concert Hall

16

1 November

Saturday

7.30pm

Haydn’s Vienna

Federation Concert Hall

17

22 November

Saturday

7.30pm

Sibelius’ Violin Concerto

Federation Concert Hall

20

6 December

Saturday

7.30pm

Symphonie Fantastique

Federation Concert Hall

21

LAUNCESTON Large-scale works including symphonies and concertos performed by distinguished conductors and renowned soloists, and a special one-off concert, A Night in Vienna. The Launceston Series is proudly supported by the TSO’s Media Partner, Southern Cross Austereo.

26

DATE

day

TIME

CONCERT

VENUE

PAGE

8 March

Saturday

7.30pm

Gavrylyuk plays Rachmaninov

Albert Hall

5

10 April

Thursday

7.30pm

Beethoven’s Fifth

Princess Theatre

8

24 May

Saturday

7.30pm

Wolfgang & Ralph

Princess Theatre

9

28 June

Saturday

7.30pm

Wallfisch & Wallfisch

Albert Hall

12

27 September

Saturday

7.30pm

Beethoven’s Vienna

Albert Hall

16

29 November

Saturday

7.30pm

A Night in Vienna

Albert Hall

21

TASMANIAN SYMPHONY ORCHESTRA


VIENNA ALIVE Come to know the rich musical tradition of Vienna at these five contrasting concerts: three of them are drawn from the Master Series, one is from the Matinee Series and there is a special one-off concert, A Night in Vienna. DATE

day

TIME

CONCERT

VENUE

PAGE

29 August

Friday

7.30pm

Mahler’s Vienna

Federation Concert Hall

13

19 September

Friday

2.30pm

Mozart’s Vienna

Federation Concert Hall

13

26 September

Friday

7.30pm

Beethoven’s Vienna

Federation Concert Hall

16

1 November

Saturday

7.30pm

Haydn’s Vienna

Federation Concert Hall

17

28 November

Friday

7.30pm

A Night in Vienna

Federation Concert Hall

21

MATINEE Enjoy symphonies, concertos and more on a Friday or Saturday afternoon. DATE

day

TIME

CONCERT

VENUE

PAGE

15 March

Saturday

2.30pm

Choral Fantasy

Federation Concert Hall

5

12 April

Saturday

2.30pm

Beethoven’s Fifth

Federation Concert Hall

8

19 September

Friday

2.30pm

Mozart’s Vienna

Federation Concert Hall

13

14 November

Friday

2.30pm

Mozart & More

Federation Concert Hall

20

BETTA MILK FAMILY CLASSICS Music, pictures and storytelling that will keep you and your children enthralled. DATE

day

TIME

CONCERT

VENUE

6 June

Friday

22 August 16 October

PAGE

6pm

The Peasant Prince

Federation Concert Hall

9

Friday

6pm

Pictures at an Exhibition

Federation Concert Hall

13

Thursday

6pm

Little Red Riding Hood

Federation Concert Hall

17

REGIONAL The TSO goes on the road bringing orchestral music to Burnie and Zeehan. DATE

day

TIME

CONCERT

VENUE

6 November

Thursday

7.30pm

The TSO on Tour

Burnie Town Hall

20

7 November

Friday

7.30pm

The TSO on Tour

Gaiety Theatre, Zeehan

20

TASMANIAN SYMPHONY ORCHESTRA

PAGE

27


SUBSCRIBE AND SAVE

Save on concert tickets and reap the benefits that come from being a TSO SUBSCRIBER.

WHAT TYPE OF SUBSCRIPTION IS BEST FOR ME?

Jump to the head of the queue and get access to the best seats before tickets go on sale to the general public.

There are three types of TSO subscriptions:

To become a TSO subscriber, purchase a Fixed Package of concerts or Compose Your Own suite of concerts (you need to choose a minimum of four concerts) or buy a Subscription Voucher. As a subscriber you will enjoy: • Subscription tickets at the discount subscriber rate • Discount rates on further TSO ticket purchases • Priority seating • Priority bookings • Guaranteed fixed pricing for the entire 2014 season • Complimentary concert programs • Discount of 10% on all TSO merchandise (excluding TSO Wine Club)

2. Compose Your Own 3. Subscription Vouchers

Fixed Packages There are seven Fixed Package options to choose from. You may choose more than one package if you wish. Hobart Master Series + Matinee Series (16 concerts) Master Series (12 concerts) Vienna Alive (5 concerts) Matinee Series (4 concerts) Betta Milk Family Classics Series (3 concerts) Launceston

• Special subscriber newsletter

Launceston Fixed 6 Series (all 6 Launceston concerts)

• Launceston Series package subscribers receive a free ticket to a Hobart Master Series concert

Launceston Fixed 5 Series (5 concerts, excludes A Night in Vienna)

• Free ticket exchanges# • Discount rates on single tickets to concerts by other organisations including the Sydney, Melbourne, Queensland, Adelaide and West Australian symphony orchestras, The Australian Ballet, Opera Australia, Virtuosi Tasmania, Musica Viva Tasmania and many more #Free ticket exchange only available to subscribers who purchase 10 concerts or more.

28

1. Fixed Packages

Fixed Packages offer real savings. Subscribe to all Hobart Master and Matinee Series concerts and save 20% on the Master Series and 10% on the Matinee. Subscribe to the Launceston Series and save 10%. All Launceston Series subscribers receive a free ticket to a Hobart Master Series concert at the equivalent price reserve. As a subscriber, you can supplement your fixed package with tickets to other TSO concerts at special discount rates.

TASMANIAN SYMPHONY ORCHESTRA


Compose Your Own A Compose Your Own subscription is ideal for those whose tastes in music range across the TSO’s different concert series. You might wish to attend a few Master Series concerts, a Matinee or two and some Betta Milk Family Classics concerts. The Compose Your Own option gives you the flexibility to attend what you like when you like. You must choose a minimum of four concerts. Compose Your Own subscriptions attract discounts of 10%.

Subscription Voucher For those who live on a tight schedule and can’t commit too far in advance, a Subscription Voucher is just the answer. Subscription Vouchers can be redeemed for concert tickets at approximately 10% discount. What’s more, you get all the additional benefits of being a TSO subscriber! Subscription Vouchers start at $200.

BY PHONE Telephone the TSO Box Office on 1800 001 190 during business hours (9am-5pm, Monday-Friday) and have one of our friendly Box Office staff take care of your booking.

IN PERSON Pop in to the TSO Box Office at Federation Concert Hall, 1 Davey Street Hobart, and make your booking over the counter. You can pay by cash, cheque (made payable to the TSO), money order or credit card.

FLEXIBLE PAYMENT OPTION (not available online) You can pay for your subscription tickets by credit card in five equal instalments. These deductions take place on the 15th day of every month commencing in January 2014 and concluding in May 2014. Please indicate on the booking form if you wish to take advantage of this option.

HOW TO SUBSCRIBE

CONCESSIONS

ONLINE

Full-time students, Australian Social Security Card holders, Companion Card holders and Veterans’ Affairs pensioners are eligible for concession prices. Seniors Card holders are not eligible for concession prices except in the Matinee and Family Classics series. To claim a concession, please enclose photocopied proof with your booking form. If you are booking online and claiming a concession, tickets will be held at the TSO Box Office until proof of concession is received. Please email a scanned copy of proof of concession to boxoffice@tso.com.au or fax it to 03 6232 4455 or post it to TSO Box Office, GPO Box 1450, Hobart TAS 7001.

(1) If you are already a TSO subscriber, you can renew your subscription online by logging in to your account using your personal login and password and following a few quick and easy prompts. You can renew your subscription online from Wednesday 16 October 2013. (2) If you are subscribing to the TSO for the first time, you can subscribe online from Wednesday 16 October 2013. Set up your login and password at tso.com.au, select your package and select your concerts. Please note that instalment payments are not available online.

BY MAIL If you are a renewing subscriber, simply fill in the personalised renewal form enclosed with this brochure. If you have not received your personalised renewal form, please call the TSO Box Office on 1800 001 190.

SEAT CHANGES If you are already a TSO subscriber and wish to change your seat/s, please indicate in the ‘special requirements’ section of your subscription renewal form. Changes, where possible, will be allocated based on the number of years of being a TSO subscriber and the date order of receipt.

If you are a new subscriber, simply fill in the booking form in this brochure. Cheque (made payable to the Tasmanian Symphony Orchestra), money order or credit card details must accompany your booking.

IT’S EASY TO BOOK

If you are claiming a concession, please enclose photocopied proof with your booking form. Post to: Reply Paid 1450 (no stamp required) Tasmanian Symphony Orchestra GPO Box 1450 Hobart TAS 7001 TASMANIAN SYMPHONY ORCHESTRA

Online

In person

Phone

MAIL

tso.com.au

Federation Concert Hall 1 Davey Street Hobart

1800 001 190

GPO Box 1450 Hobart Tas 7001

29


VENUE SEATING PLANS Federation ConcertHall hall Federation Concert (FCH) Hobart

Wrest Point (WP) Hobart

Balcony HOT SEATS BRONZE SILVER SILVER B RESERVE

GOLD

BRONZE SILVER

SILVER TASMAN ROOM

BRONZE SILVER

BRONZE

PRINCESS THEATRE, LAUNCESTON

A RESERVE

GOLD

DISABILITY

GOLD

GOLD

SILVER

SILVER

SILVER

DISABILITY

BRONZE HOT SEATS STAGE STAGE

STAGE

Hot Seats $29. Not available on subscription. STAGE STAGE

Albert Hall (AH) Launceston

Princess Theatre (PT) Launceston

Balcony

Stalls

Balcony

PRINCESS THEATRE, STAGELAUNCESTON

Stalls

STAGE

STAGE A RESERVE

Albert Hall Upper level

B RESERVE C RESERVE

30

STAGE

TASMANIAN SYMPHONY ORCHESTRA


TSO PARTNERS GOVERNMENT support

The Tasmanian Symphony Orchestra is assisted by the Australian Government through the Australia Council, its arts funding and advisory body, and through Arts Tasmania by the Minister for the Arts, and the Tasmanian Icon Program.

PrINCIPAL partner

Premier partners

Major partners

Hobart Autohaus Launceston BMW Leadership partners

Partners

Wine partners

Media supporters

We also wish to thank

Foot & Playsted For information on TSO Partner opportunities, please contact Gabrielle Lis on 03 6232 4430 or email lisg@tso.com.au TASMANIAN SYMPHONY ORCHESTRA

31


PRICING TABLES 28 1 FIXED PACKAGE PRICES: SEE PAGE FULL

CONCESSION

no. of CONCERTS

GOLD

SILVER

BRONZE

GOLD

SILVER

BRONZE

STUDENT (bronze)

Master + Matinee Master

16 12

$1,076 $876

$876 $744

$728 $648

$984 $816

$764 $648

$564 $492

$316 $240

Matinee

4

$248

$180

$128

$216

$164

$108

$88

HOBART

FULL Family Classics unreserved seating

3

CONCESSION

Adult

Child*

Adult

Student

$72

$15

$60

$48

FULL

CONCESSION

No. of concerts

A Reserve

Launceston Fixed 6

6

$408

$342

$252

$354

Launceston Fixed 5

5

$340

$285

$210

$295

Launceston

B A B C Reserve Reserve Reserve Reserve

C Reserve

Student B RESERVE

Student C RESERVE

$258

$192

$132

$96

$215

$160

$110

$80

*Child price refers to ages 2-16, there are no further discounts. Children under 5 not recommended for concerts other than those indicated Hot seats are not available as part of a subscription

YOUR OWN PACKAGE & EXTRA TICKETS 2 COMPOSE FOR FIXED PACKAGE SUBSCRIBERS (I.E. 10% OFF) FULL Hobart Reserved Seating Master Matinee Vienna Gala

CONCESSION

Gold

Silver

Bronze

Gold

Silver

Bronze

$77 $62 $77

$66 $45 $66

$57 $32 $57

$72 $54 $72

$57 $41 $57

$43 $27 $43

FULL Launceston Reserved Seating Launceston

A Reserve $68

Burnie Reserved Seating Burnie

B Reserve $57

Student (Bronze) $22 $22 $22

CONCESSION C Reserve $42

A Reserve $59

FULL $50

B Reserve $43

C Reserve $32

Student Student (B Reserve) (C Reserve) $22 $16

concession $38

STUDENT $16

CHILD $5

UNReserved Seating Family Classics/Regional Recital

FULL $24 $24

concession $20 $20

STUDENT $16 $16

CHILD $5 $5

ANAM Concerto Competition

$20

$15

$15

$15

Subscription Voucher

minimum purchase of $200

*Child price refers to ages 2-16, there are no further discounts. Children under 5 not recommended for concerts other than those indicated. Hot seats are not available as part of a subscription.

3

SINGLE TICKETS FOR NON-SUBSCRIBERS Student prices start at $30 p/a for Live it up Live card holders: see page 35 Single concert tickets $5- $101 Hobart Reserved Seating Master Matinee Vienna Gala reserved Seating Launceston

from $24 $24 $24 from $18

to $101 $84 $101 to $91

Burnie Reserved Seating Burnie

FULL $55

CONCESSION $42

STUDENT $18

CHILD $5

UNReserved Seating Family Classics/Regional Hobart Recital concerts ANAM Concerto Competition

FULL $27 $27 $20

CONCESSION $22 $22 $15

STUDENT $18 $18 $15

CHILD $5 $5 $15

*Child price refers to ages 2-16, there are no further discounts. Children under 5 not recommended for concerts other than those indicated. Ticket prices may vary between performances and are subject to change without notice.

32

TASMANIAN SYMPHONY ORCHESTRA


Booking Form Personal details Name Address Postcode Phone (BH)

(AH)

Email

Compose Your Own and Extra Tickets

Select a minimum of four concerts excluding those markedˆ. See p32 for prices. DATE CONCERT MAR 7 Gavrylyuk plays Rachmaninov 8 Gavrylyuk plays Rachmaninov

LOCATION

QTY

TOTAL

Hobart Master Launceston (AH)

15 Choral Fantasy

Hobart Matinee

21 Summer Nights

Hobart Master

Apr 10 Beethoven's Fifth

Launceston (PT)

12 Beethoven's Fifth

Hobart Matinee

may 9 Sing Along Messiah Rehearsalˆ

Hobart

10 Sing Along Messiah Rehearsalˆ

Hobart

Fixed Packages

Fill in the boxes below with the number of packages you wish to purchase in each category. Master + Matinee (16)

Vienna Alive (5)

Master (12)

Matinee (4)

Launceston (6)

Family Classics (3)

Launceston (5)

Subscription Voucher Commencing from $200. See page 32.

$

Ticket Total

$

10 Sing Along Messiah Performanceˆ Hobart

Status

23 Wolfgang & Ralph

Hobart Master

Please attach proof if claiming concession.

24 Wolfgang & Ralph

Launceston (PT)

JUN 6 The Peasant Prince 13 Revolution & Reformation

Hobart Master

27 Wallfisch & Wallfisch

Hobart Master

28 Wallfisch & Wallfisch

Launceston (AH)

Jul 9 Two Choirs as One

Adult

Family Classics

Concession

Student

Child (16 and under)

Seating Preference Applies to reserved seating concerts only. See page 30 for seating maps. HOBART Federation Concert Hall (FCH)

Hobart Hobart Master

Gold

Silver

Bronze

22 Pictures at an Exhibition

Family Classics

Stalls

Central Balcony

Side Balcony

29 Mahler's Vienna

Hobart Master

Aug 8 Dvorˇák's Cello Concerto

sep 19 Mozart's Vienna

Hobart Matinee

26 Beethoven's Vienna

Hobart Master

27 Beethoven's Vienna

Launceston (AH)

OCT 4 ANAM Concerto Competitionˆ

LAUNCESTON Princess Theatre (PT)

Hobart Master

16 Little Red Riding Hood

Family Classics

B

Stalls

Balcony

C

Albert Hall (AH)

Hobart

10 At the Ballet

A

A (Stalls only)

B

C

Stalls

Balcony

Side Balcony

Zeehan

Staple forms together if you wish to be seated with friends. Photocopies of documents must accompany this form if claiming concession/s. For assistance, call the TSO Box Office on 1800 001 190.

14 Mozart & More

Hobart Matinee

Special requirements?

22 Sibelius' Violin Concerto

Hobart Master

(Wheelchair seating, end of aisle or seating with friends)

28 A Night in Vienna

Hobart

29 A Night in Vienna

Launceston (AH)

NOV 1 Haydn's Vienna

Hobart Master

6 The TSO on Tour

Burnie

7 The TSO on Tour

DEC 6 Symphonie Fantastique

Hobart Master TOTAL

TASMANIAN SYMPHONY ORCHESTRA

$

33


Now and into the future For more than six decades the Tasmanian Symphony Orchestra has enriched the lives of countless Tasmanians. Your tax-deductible support is vital to helping the TSO pursue the full range of its activities now and into the future. See pages 38 and 39 for information on giving levels to the TSO Fund and TSO Foundation.

Support the TSO now – donate to the TSO Fund (any amount) $

Thank you

Support the TSO into the future – donate to the TSO Foundation ($1,000 or more) $

Thank you

Donation Total

$

For further information, please telephone Nicholas Heyward on 03 6232 4411.

TSO Friends

Annual Membership Single $35 ($22 concession) Couple $48 ($33 concession)

Life Membership Single $350 ($220 concession) Couple $480 ($330 concession)

If you have any queries contact the TSO Box Office on 1800 001 190.

Become a TSO Holdings 2014 member For 2014 concert subscribers the $20 annual membership fee is automatically included within your subscription. If you are not a subscriber and wish to join please contact the box office on 1800 001 190. TSOH information is available at tso.com.au Yes, I would like to become a TSOH 2014 member: Each member name and signature must be entered.

Ticket total

$

Name 1 Signature Name 2 Signature

Select your payment option (select one only)

Donation total $ TSO Friends

$

Grand total $

Cash or EFTPOS (Please do not post cash – payments accepted at TSO Box Office) heque or money order C (payable to Tasmanian Symphony Orchestra)

Credit card (complete all details below)

VISA

MASTERCARD

AMEX

Payment in full at time of booking or

Payment in 5 instalments (tickets only)

CARD NUMBER

EXPIRY

Cardholder name Cardholder signature

Date

/

/

Mail your form Mail with payments and necessary copies of documentation (if claiming concessions) to: Reply Paid 1450 (no stamp required) Tasmanian Symphony Orchestra, GPO Box 1450, Hobart TAS 7001 or in person at the TSO Box Office between 9am - 5pm Monday to Friday Federation Concert Hall 1 Davey Street, Hobart

34

OFFICE USE ONLY Received

SEATED

DONATION

FOTSO

PRINTED

TASMANIAN SYMPHONY ORCHESTRA


culture for the

cheap skate

l e itiv u p live 2 STUDENT

014

SEaS oN P aSS

the live it up live student season pass gives you entry to over 30 tso concerts for only $35*.

tso.com.au * Conditions Apply

TERMS AND CONDITIONS By forwarding a completed subscription application, it is understood that you have accepted the terms and conditions. If you acquire tickets on behalf of anyone else you will be deemed to have agreed to these terms on your behalf as well as agent for them. All transactions are final and refunds are not available. Subscribers who purchase 10 or more concerts in the 2014 season are able to exchange tickets to any equivalent value at any concert in the 2014 season subject to availability FREE OF CHARGE. For subscribers of nine or fewer concerts, each ticket exchanged will incur a service charge of $5.50. There will be no refunds or exchanges except as outlined in the full terms and conditions on the TSO website. Missing tickets: Please contact the TSO Box Office to arrange replacements. If you forget your tickets on the day of the performance please come to the Box Office at the venue one hour before the concert and you will be issued documentation to enable you to gain access to the concert. Children aged 2-16 are eligible for the $5 child price where it is offered. With the exception of these concerts, TSO concerts are not recommended for children under five.

You acknowledge you are responsible for your own safety and property, and the safety and property of any person accompanying you. Patrons arriving late will not be admitted into the venue’s auditorium until there is a suitable break in the performance. For a full listing of all conditions and terms relating to the purchase of tickets to TSO events, please visit tso.com.au. The Tasmanian Symphony Orchestra will collect confidential information from you from time to time. This information will be for ticketing and TSO use only. To obtain a copy of the TSO’s privacy policy, please visit tso.com.au or contact the TSO Box Office on 1800 001 190. Tasmanian Symphony Orchestra Pty Ltd ABN 81 088 230 184 This booklet uses paper which is made carbon neutral, produced from 30% post-consumer recycled waste and fibre sourced from responsibly managed forests. Printed with vegetable based inks and in accordance with ISO 14001

Advertised ticket prices are valid until 31 December 2014. The Tasmanian Symphony Orchestra reserves the right to vary, substitute or withdraw advertised programs, artists, venues and seating arrangements without notice as may become necessary. All details are correct at time of printing. The Tasmanian Symphony Orchestra is not liable to you for any claims, damages, compensation, losses or expenses as a result of a TSO performance being cancelled, postponed or changed. TASMANIAN SYMPHONY ORCHESTRA

Photographer credits Andreas Köhring Benjamin Ealovega Sim Canetty-Clarke/Hyperion Records Keith Saunders Maddie Webster

Ian Golding Greg Barrett Sussie Ahlburg Dan Cripps

35


Marko Letonja

Jun Yi Ma

Elinor Levy

Rohana Brown

Miranda Carson

Alison Lazaroff-Somssich

Susanna Low

Monica Naselow

William Newbery

Anna Roach

Sue-Ellen Paulsen

Ivan James

Stuart Thomson

Robin Brawley

Douglas Mackie

Chris Waller

TAHNEE VAN HERK

John Panckridge

Wendy Page

Mark Bain

Donald Bate

DAVID ROBINS

Matthew Goddard

Gary Wain

Christine Lawson

Rodney McDonald

Andrew Seymour

Yoram Levy

36

Lloyd Hudson

TASMANIAN SYMPHONY ORCHESTRA


TASMANIAN SYMPHONY ORCHESTRA

Lucy Carrig JONES

Yue-Hong Cha

EDWINA GEORGE

Michael Johnston

Christopher Nicholas

Janet Rutherford

Katie Betts

Martin Penicka

Brett Rutherford

David Nuttall

Dinah Woods

Heath Parkinson

Roger Jackson

Robert Clark

Timothy Jones

TASMANIAN SYMPHONY ORCHESTRA

Greg Stephens

Marko Letonja Chief Conductor and Artistic Director Jun Yi Ma Concertmaster Elinor Levy Associate Concertmaster Lucy Carrig Jones Principal Second Violin Rohana Brown Violin Miranda Carson Violin Yue-Hong Cha Violin Edwina George Violin Michael Johnston Violin Christine Lawson Violin Alison Lazaroff-Somssich Violin Susanna Low Violin Monica Naselow Violin Christopher Nicholas Violin Janet Rutherford Principal Viola Katie Betts Viola Rodney McDonald Viola William Newbery Viola Anna Roach Viola Sue-Ellen Paulsen Principal Cello Ivan James Cello Martin Penicka Cello Brett Rutherford Cello Stuart Thomson Principal Double Bass Robin Brawley Double Bass Douglas Mackie Principal Flute Lloyd Hudson Flute/Piccolo David Nuttall Principal Oboe Dinah Woods Oboe/Cor Anglais Andrew Seymour Principal Clarinet Chris Waller Clarinet/Bass Clarinet Tahnee van Herk Principal Bassoon John Panckridge Bassoon/Contrabassoon Wendy Page Principal First Horn Heath Parkinson Principal Third Horn Roger Jackson Horn Greg Stephens Horn Yoram Levy Principal Trumpet Mark Bain Trumpet Donald Bate Principal Trombone David Robins Trombone Robert Clark Principal Bass Trombone Timothy Jones Principal Tuba Matthew Goddard Principal Timpani Gary Wain Principal Percussion 37


NOW AND INTO THE FUTURE For more than six decades the Tasmanian Symphony Orchestra has enriched the lives of countless Tasmanians. With concerts in the state’s major population centres as well as smaller towns and villages, the TSO endeavours to make itself accessible to all. A high priority for the TSO is giving concerts to school children and young people and offering training programs for up-and-coming musicians. Your support is vital to helping the TSO pursue the full range of its activities now and into the future.

SUPPORT THE TSO NOW – THE TSO FUND Donations to the TSO Fund support the TSO in its day-to-day operations. These activities can range from supporting school outreach programs to touring regional centres to assisting with instrument repairs and upgrades. There is no shortage of operational costs! Gifts to the TSO Fund are tax deductible.

The TSO is grateful for the generous support of the following Patrons. TSO Impresario Patrons – gifts of $50,000 or more.

Principal First Violin Lisa Roberts

Clarinet/Bass Clarinet Tim and Louise Mooney

TSO Patrons – annual gifts of $1,000 or more.

John and Marilyn Canterford Mike and Carole Ralston

Tutti Violin Bruce Neill and Penny Clive

Principal Bassoon Julia Farrell

TSO Maestro Patrons – gifts of $20,000 or more.

Tutti Violin Warwick Rule

Bassoon/ Contrabassoon Alan and Hilary Wallace

There are currently 78 TSO Patrons and their generous support each year is acknowledged in all TSO concert programs.

Patricia Leary

Principal Viola John and Jo Strutt

Principal Horn Mr Kenneth von Bibra AM and Mrs Berta von Bibra OAM

Dr John Roberts and Mrs Barbara Roberts TSO Chair Patrons – annual gifts of $5,000 or more. Chief Conductor Anonymous Concertmaster Mike and Carole Ralston Associate Concertmaster R H O’Connor Principal Second Violin Dr Joanna de Burgh

Principal Cello Richard and Gill Ireland Principal Double Bass Patricia Leary Principal Flute Ian Hicks Principal Oboe Professor David Rich and Mrs Glenys Rich Oboe/Cor Anglais Julius and Gabriella Vertessy

Principal Trombone Andrew Tulloch Principal Timpani John and Marilyn Canterford Principal Harp Dr and Mrs Michael Treplin

TSO Supporters – gifts up to $1,000. In response to the TSO’s Annual Giving Program many people give generously and their donations will in future be acknowledged in the TSO’s annual report and on the TSO website.

Principal Percussion Helen Rule Chorusmaster Anonymous

Principal Clarinet Dr Peter Stanton

To discuss making a donation to the TSO Fund, please contact Nicholas Heyward, TSO Managing Director, on 03 6232 4411 or email heywardn@tso.com.au.

38

TASMANIAN SYMPHONY ORCHESTRA


SUPPORT THE TSO INTO THE FUTURE – THE TSO FOUNDATION Donations to the TSO Foundation support the TSO into the future. Launched in 2008, the TSO Foundation is an endowment fund intended to guarantee the long-term financial security of the TSO. The Foundation provides a significant capital base from which interest earned by the Fund each year is distributed to the TSO. An independent Board of Directors oversees the Foundation’s financial accountability. Gifts to the TSO Foundation are tax deductible.

The TSO is grateful for the generous support from the following Foundation donors and future donors. Foundation Life Benefactors – gifts of $100,000 or more. Mrs Honey Bacon John and Marilyn Canterford Dr Don Hempton and Mrs Jasmine Hempton Patricia Leary Linda and Martin Luther Mike and Carole Ralston Anonymous Foundation Benefactors – gifts of $60,000 or more. Dawn Albert AMEC Minproc Ltd Colin and Dianne Jackson Mike and Carole Ralston Dr Peter Stanton Susan Williams Geoff and Vicki Willis Anonymous

Foundation Fellows – gifts of $10,000 or more. Dennis and Ilona Bewsher Diane Matthews R H O’Connor Susanne Oldham Dr John Roberts and Mrs Barbara Roberts Joy Smith John Upcher Alan and Hilary Wallace Michelle Warren Foundation Supporters – gifts of $1,000 or more. Twenty-four Foundation Supporters have made gifts or have confirmed that they will make a bequest. Their generous support is acknowledged on the Honour Board in the Federation Concert Hall foyer.

The Conductor’s Circle All TSO Patrons and Foundation Benefactors and Fellows will have the opportunity to come together with other members of the TSO family to participate in a range of special events, behind-the-scenes experiences and social occasions especially reserved for our most valued supporters. In addition, Conductor’s Circle members will regularly receive special communications about the work of the TSO and how their gifts are making it all possible.

TSO HOLDINGS (TSOH) Strengthen your relationship with the TSO by becoming a 2014 season member of Tasmanian Symphony Orchestra Holdings Limited (TSOH). By doing so you will not only be standing up as an advocate for the orchestra, you will have the right to be involved in the election of the Board and will be entitled to stand for the Board. For subscribers there is no more to pay as your $20 annual membership fee is automatically included within your subscription. All others can become a TSOH member by completing the TSOH membership form and paying a $20 annual fee. Further information on TSOH is available at tso.com.au or by calling 1800 001 190.

TSO FRIENDS Share your love of orchestral music and join a community of like-minded friends as a member of TSO Friends. Enjoy access to TSO rehearsals and members-only functions including concerts, recitals, lecture-demonstrations and social events. Annual membership Single $35 ($22 concession) Couple $48 ($33 concession) Life membership Single $350 ($220 concession) Couple $480 ($330 concession It’s easy to become a member of TSO Friends. Simply fill in your details on the booking form in this brochure. Alternatively, call the TSO Box Office on 1800 001 190 or email boxoffice@tso.com.au.

To discuss making a donation or leaving a bequest to the TSO Foundation, please contact Nicholas Heyward, TSO Managing Director, on 03 6232 4411 or email heywardn@tso.com.au. TASMANIAN SYMPHONY ORCHESTRA

39



2014 Calendar of eventS DATE

day

TIME

CONCERT

VENUE

15 February

Saturday

7pm

RACT Symphony under the Stars

Tolosa Park, Glenorchy

24

22 February

Saturday

7pm

RACT Symphony under the Stars

City Park, Launceston

24

7 March

Friday

7.30pm

Gavrylyuk plays Rachmaninov

Federation Concert Hall

5

8 March

Saturday

7.30pm

Gavrylyuk plays Rachmaninov

Albert Hall

5

15 March

Saturday

2.30pm

Choral Fantasy

Federation Concert Hall

5

21 March

Friday

7.30pm

Summer Nights

Federation Concert Hall

8

10 April

Thursday

7.30pm

Beethoven’s Fifth

Princess Theatre

8

12 April

Saturday

2.30pm

Beethoven’s Fifth

Federation Concert Hall

8

10 May

Saturday

3pm

Sing Along Messiah

Federation Concert Hall

25

23 May

Friday

7.30pm

Wolfgang & Ralph

Federation Concert Hall

9

24 May

Saturday

7.30pm

Wolfgang & Ralph

Princess Theatre

9

6 June

Friday

6pm

The Peasant Prince

Federation Concert Hall

9

13 June

Friday

7.30pm

Revolution & Reformation

Federation Concert Hall

9

27 June

Friday

7.30pm

Wallfisch & Wallfisch

Federation Concert Hall

12

28 June

Saturday

7.30pm

Wallfisch & Wallfisch

Albert Hall

12

9 July

Wednesday

7.30pm

Two Choirs as One

Federation Concert Hall

12

8 August

Friday

7.30pm

Dvorˇák’s Cello Concerto

Federation Concert Hall

12

22 August

Friday

6pm

Pictures at an Exhibition

Federation Concert Hall

13

29 August

Friday

7.30pm

Mahler’s Vienna

Federation Concert Hall

13

19 September

Friday

2.30pm

Mozart’s Vienna

Federation Concert Hall

13

26 September

Friday

7.30pm

Beethoven’s Vienna

Federation Concert Hall

16

27 September

Saturday

7.30pm

Beethoven’s Vienna

Albert Hall

16

4 October

Saturday

7.30pm

ANAM Concerto Competition

Federation Concert Hall

16

10 October

Friday

7.30pm

At the Ballet

Federation Concert Hall

16

16 October

Thursday

6pm

Little Red Riding Hood

Federation Concert Hall

17

1 November

Saturday

7.30pm

Haydn’s Vienna

Federation Concert Hall

17

6 November

Thursday

7.30pm

The TSO on Tour

Burnie Town Hall

20

7 November

Friday

7.30pm

The TSO on Tour

Gaiety Theatre, Zeehan

20

14 November

Friday

2.30pm

Mozart & More

Federation Concert Hall

20

22 November

Saturday

7.30pm

Sibelius’ Violin Concerto

Federation Concert Hall

20

EMOTION OF A SYMPHONY ORCHESTRA IN FULL FLIGHT.

28 November

Friday

7.30pm

A Night in Vienna

Federation Concert Hall

21

LET US TAKE YOU TO VIENNA AND TO THE

29 November

Saturday

7.30pm

A Night in Vienna

Albert Hall

21

RICH WORLD OF YOUR IMAGINATION.’

6 December

Saturday

7.30pm

Symphonie Fantastique

Federation Concert Hall

21

‘EXPERIENCE THE POWER, BEAUTY AND HEARTFELT

PAGE


Federation Concert Hall 1 Davey Street, Hobart Tasmania 7000 Australia GPO Box 1450 Hobart Tas 7001 Australia Box Office Bookings online: tso.com.au Freecall: 1800 001 190 Telephone: 03 6232 4450 Facsimile: 03 6232 4455 Email: boxoffice@tso.com.au Administration Telephone: 03 6232 4444 Int. Telephone: +61 3 6232 4444 Facsimile: 03 6232 4455 Int. Facsimile: +61 3 6232 4455 Email: tso@tso.com.au

M A R K O L E T O N J A’ S S E A S O N 2 014

Š 2014 Tasmanian Symphony Orchestra Pty Ltd ABN 81 088 230 184

The Tasmanian Symphony Orchestra is proud to be a member of

0541

tso.com.au


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