Tuana Vural Portfolio 2021 by tuanavural

PORTFOLIO TUANA VURAL

curriculum vitae

TUANA VURAL 26.02.1995 Antalya / Turkey (+39) 348 477 64 97 tuanavural@gmail.com

SKILLS Rhinoceros Grasshopper Revit Lumion Keyshot Autocad Adobe Photoshop Adobe Illustrator Adobe Indesign Physical Modelling Sketching LANGUAGE Turkish English Spanish Italian

native advanced intermediate intermediate

INTERESTS Architecture: urban planning, sustainable design, interior & product design, lighting design Other: dancing, pilates, yoga, travelling, photography, painting, playing piano REFERENCES Gökhan Aktan Altuğ Partner of TAGO Architects galtug@tagomimarlık.com Prof. Dr. Giorgio Gasco giorgio.gasco@bilkent.edu.tr Dr. Özge Selen Kansu Duran selen.duran@bilkent.edu.tr Dr. Segah Sak segah@bilkent.edu.tr

curriculum vitae

EDUCATION Politecnico di Milano Milan, Italy | M.Sc. in Architecture: Built Environment and Interiors - 28.28/30 (current GPA) 2019 - ongoing Bilkent University Ankara, Turkey | B.Arch - Honour Degree, CGPA: 3.16/4.00 2013 - 2018 WORK EXPERIENCE Simetri Construction Antalya, Turkey 2019 january - july Project Architecture Antalya, Turkey 2018 september - november ZOOM TPU Istanbul, Turkey | intern 2017 august TAGO Arcitecture Istanbul, Turkey | intern 2017 july Sinpaş Altınoran Construction Ankara, Turkey | intern 2016 june Voluntarily Working in Radio Bilkent | Bilkent Holding Ankara, Turkey | Human Resources Member 2016 - 2018 CERTIFICATIONS International Workshop about Dwelling Space | Politecnico di Bari and Bilkent University Bari, Italy 2016 june Chamber of Architects Ankara, Children and Architecture Workshop Ankara, Turkey 2017 spring semester EXTRA CURRICULAR ACTIVITIES Architect @ Work Istanbul, Turkey 2018 october Active Member & Tasarım Bilkent Coordinator of Design and Architecture Society (DAS) Ankara, Turkey | Bilkent University 2013 - 2017 & 2017 - 2018

contents

physical model / basic design | 2014-15 fall semester

contents

academic works

ADopt to adapt Educational Co-Living Prototype for Asylum Seekers Satellite City, Pioltello, Milan, Italy | Spring Semester 2019-20

reccu cin a n do Complex for Multificated Culinary Experience Recco, Liguria, Italy | Spring Semester 2019-20

A MAT T ER OF T HIN GS Assemblage Architecture for Conviviality Borgo Santo Pietro, Sicily, Italy | Fall Semester 2019-20

0 4

Mu seu m of Ven ice Adaptive Reuse Extension / The Bucentaur House Arsenale, Venice, Italy | Fall Semester 2019-20

L AY ERS OF T EST IM ONY Memorial Architecture Warsaw, Poland | Fall Semester 2020 - 2021

SUST AINAB IL IT Y EX POSITION CENTER Sustainable Campus Extension / bachelor graduation project Bilkent University, Ankara, Turkey | Spring Semester 2017-18

10 Y EAR S OF M IM ARLIK Analysis of Turkish Journal Mimarlık with Emphasis on Urbanism Spring Semester 2019-20

DWEL L ING SPACE Seaside Row Houses / Bilkent University - academic workshop project St. Vito Abbey in Polignano a Mare, Bari, Italy | Summer 2016

I n u j ima / ston e ar t island - in progress Exposing the Identities of Inujima / Politecnico di Milano - academic elective course Inujima Island, Okayama, Japan | Spring Semester 2020 - 2021

1 0

design an d architectur e socie ty Extra-Curricular Ankara, Turkey | 2013-18 academic years

voluntary works

architecture of interior design studio

ADO PT TO ADA P T

Type Location Date Instructor

Educational Co-Living Prototype for Asylum Seekers | collaboration with Didem Uyeturk Satellite City, Pioltello, Milan, Italy Architecture Of Interior Design Studio | Spring Semester 2019-20 Leveratto Jacopo, Leonforte Fabrizio

The studio is formulated with the ideology of “design by research”, a formula that inverts the traditional relation that links the two terms, turning design into the purpose and research into the method. Design objectives require a tactical form of investigation that can individuate the most relevant solutions by means of innovation. The purpose has been to imagine some mechanisms of scalability of these tools, to colonize the whole building and create a critical mass that could expand to the block and suburb. In this regard, as group of 2, we put emphasis on that today’s urban cities the number of asylum seekers is rising sharply, especially across Europe. As we all confront during our daily lives, there is an ignored issue of the homeless people and helpless refugees who look for shelter. So how can we help this issue of homelessness? We proposed the project Adopt to Adapt, that is a community habilitation center for homeless and refugees. The program assists homesee kers to grow individually and adapt to a new life. The target users are in 3 groups, the protagonists homeless, regulators and coordinators. The program operates within grades of intellectual and physical enhancement. These 3 levels are identified to answer the urgent needs for comfort. The interior spaces are formed with the emphasis on user’s selfdevelopment at ease. In our scenario, when a homeless person needs help they are welcomed to sign in our program. They are encouraged to follow the sequence of these steps with the support of psychologists, doctors, teachers and assistants. By the end of the cycle our objective is to provide their expectations, build their self respect and prepare them to a healthy comfortable life.

for more details: https://www.pinterest.it/DBRStudio_Polimi/1920-exhibition/adopt-to-adapt_d-uyeturk+t-vural/

adopt to adapt

architecture of interior design studio

Design Strategy | “the adaptation” furniture unit The compact furniture system is a multifaceted series of platforms that provides various activity spaces meanwhile works as a staircase. The concept behind this installation is to coordinate the adaptation progress in an easy pace for gradual self development of the users, which also carries them to the upper development stages by each step. It constructs their individual confidence and at the same time guides them towards the goal level. The unit is composed according to the 3 main functions: eating,learning and having leisure activities. The two ends; kitchen and classroom space serve especially for the most urgent needs of the first and second type user groups. MICRO members have the kitchen across their dorms and MACROs have their classroom near their rooms. In the middle section common activities can take place.

RODUCED BY AN AUTODESK STUDENT VERSION

design strategy // “the adaptation” furniture unit PRODUCED BY AN AUTODESK STUDENT VERSION

apa

rtme

nts 2

orm

ro d

mic

interpretative drawing 1/100 8

PRODUCED BY AN AUTODESK STUDENT VERSIO 5

om o ro

KITCHEN

adopt to adapt

design strategy // “the adaptation” furniture unit PRODUCED BY AN AUTODESK STUDENT VERSION

REGISTRATION FORM

apa

rtme

nts 2

orm

ro d

mic

TENANT member

Name Surname

HOMEOWN + WORK

a space is adopt- interpretative drawing 1/100

MACRO member

LEARN + TRAIN 9

PRODUCED BY AN AUTODESK STUDENT VERSION

or acr

who is involved?: street level enroll

MICRO member 5

EAT + SLEEP 6

regulators and administrators local interaction social recognition

part-time contributors psychologists health officers

workshops + training events

full-time staff employers

professional experience leisure activities

EATING KITCHEN

LEARNING CLASSROOM

equipment wall

preperation counter

chalkboard

LEISURE LIVING ROOM

student seats

parapet bookshelf

dining table

study desk

lounge bench

kids playroom

architecture of interior design studio

design strategy // “gradual* domestication” personal space units

MICRO ADOPTER

Design Strategy | “gradual domestication” personal space units

2 3

SLEEP

MACRO ADAPTER

6 7

EAT + SLEEP + LEARN 4

TENANT RESIDENT

3 7

EAT + SLEEP + LIVE 6

adopt to adapt

MICRO ADOPTER

design strategy // “gradual* domestication” personal space units

MICRO UNIT components (in mm): 1_ parquet base 2_ plywood cabinet boards (4 side panels + support beam) 3_ plywood bed base ( 3 vertical supports + top board + 2 drawers) 4_ foam mattress 5_opaque curtain 1

for 1 person 5

SLEEP

MACRO ADAPTER

MACRO UNIT components (in mm): 1_ kitchen cabinet unit 2_ compact bathroom unit 3_ plywood bed base (base board + 3 vertical supports + top board + 2 drawers + nightstand) 4_ foam mattress 5_ sliding partition and desk (vertical slats (x8) + attached plywood board) 6_ plywood shelving unit ( 3 vertical sides + shelves (x12)) 7_ plywood wardrobe (top and base boards + 2 vertical sides + metal clothing rack + shelf + door) 1

EAT + SLEEP + LEARN

for 1 person

TENANT RESIDENT

APARTMENT UNIT components (in mm): 1_ kitchen cabinet unit + refrigerator 2_ compact bathroom unit + washing machine 3_ plywood partition panels 4_ living platform base (vertical support + top board + vertical panel for appliance attachment) 5_ foam mattress + cushions (x6) *preferable amount 6_ plywood storage appliance cabinet (x2) + 2 wall lighting fixtures 7_ closet + bathroom shared plywood wardrobe (base board + 5 shelves + 2 cabinet doors) 8_ opaque curtain 1

EAT + SLEEP + LIVE

max. occupancy 3-4 people

architecture of interior design studio

PRODUCED BY AN AUTODESK STUDENT VERSION

3 4

PRODUCED BY AN AUTODESK STUDENT VERSION

+5.50

2 +5.85

+4.80

PRODUCED BY AN AUTODESK STUDENT VERSION

first floor plan

+7.95

PRODUCED BY AN AUTODESK STUDENT VERSION

1. common kitchen / 16.4m² 2. dining area / 9.6m² 3. shared lounge / 23.7m² 4. mutual platform / 13.5m² (total) 5. multifunctional training space / 20m² 6. laundry / 4.5m² 10 11 7. macro unit 12.6m² (each one) 8. common restroom & bathroom / 10m² 9. micro dorms / 37m²

PRODUCED BY

adopt to adapt 9

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION 3 4

PRODUCED BY AN STUDENT VERSION PRODUCED BY AUTODESK AN AUTODESK STUDENT VERSION

+5.50

2 +5.85

+7.95 +4.80

PRODUCED BY AN AUTODESK STUDENT VERSION

second floor plan PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION 12

PRODUCED BY AN AUTODESK STUDENT VERSION

10. psychological consultation & health clinic / 11.5m² 11. information & consulting area / 10.5m² 12. career - internship office & workspace / 20m² 13. tenant apartment / 19.7m² 14. tenant apartment / 27.3m² 15. tenant apartment / 25.5m²11 10

+7.95

architecture of interior design studio

Parapet furniture system Partition is used furniture system is used Parapet as safety barrier to divide spaces furniture system Partition is used furniture system is used as safety barrier to divide spaces

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

North Facade // U value = 0.112 internal Northplastering Facade (lightweight) Parapet perforated // U value = 0.112brick metal frame work with polyurethane foam internal plastering (lightweight) wood sticks Parapet gap perforatedairbrick can be used shelves metal frame workaswith ﬁber cement polyurethane foam with openable wood sticks decks air gap can be used as shelves ﬁber cement with openable decks

Floor Finishing Soft Furniture Mutual Platform resin concrete* cushion function can be changed according to different Floor Finishing Soft Furniture Mutual Platform usage moveable resin concrete* cushion function can with be changed partitions and furniture according to different usage with moveable partitions and furniture

expression. The color lilac means living in the moment, being sociable and open to different ways of thinking.

0.5m 0.5m

1m 1m

1.5m 1.5m

2m 2m

3m 3m

AN AUTODESK STUDENT VERSION AUTODESK STUDENT VERSION

*According to color psychology, the color lilac is frequently associated with qualities such as friendliness, open-minded, immaturity, andpsychology, extroversion.the Thecolor colorlilac is said to help reduce *According to color is frequently antisocial by encouraging emotional associated with behavior qualities and suchaggression as friendliness, open-minded, expression. The color lilac living moment, immaturity, and extroversion. Themeans color is saidintothe help reduce being sociable and open to differentbyways of thinking. antisocial behavior and aggression encouraging emotional

PRODUCED BY AN AUTODESK STUDENT VERSION

adopt to adapt

Counter Material marble

South Facade // U value = 0.137 internal plastering (lightweight) perforated brick Living Platform polyurethane foam // modular unit for apartments // air gap can be used as bed / couch and working place timber battens storage and wardrobe are integrated

PRODUCED BY AN AUTODESK STUDENT VERSION

NT VERSION Floor Finishing hardwood

Furniture plywood

Textile curtain

Floor Finishing ceramic

PRODUCED B 15

architecture of interior design studio

Scale Up

ROOFTOP TERRACE

TENANT APARTMENT

GRADUAL ADAPTING SPACE MACRO PRIVATE UNIT

REGISTRATION + CAFÉ

PUBLIC LIBRARY

Perspectical Site Seciton

adopt to adapt

rooftop botanic garden and cultivation planters

solar panels tilted 30 degrees

+33.55

air handling unit

+30.30

rooftop terrace is renovated to form an outdoor space for all types of users, in purpose of social gatherings and leisure time. the terrace is enriched by vegetation to boost the sense of a vibrant, liveful habitat. the planters are included for the opportunity of personal-gardening.

+27.15

+24.00

the second level of the prototype is refurbished to be occupied by the third stage of adapters and the facility organs. the “almost-adapted” TENANT members reside at their private apartments and get help from the consultancy ofﬁces. +20.85

+17.70

+14.55

sliding wooden louvre panels

timber battens

the ﬁrst level of the modular system is designed especially for early stages of adapters. the MICRO and MACRO members can perform their daily activities in this level.

planters +11.40

our proposal is based on a strategy of modular units. by duplicating and mirroring the designed prototype, this system can scale up and cover the whole building.

+8.25

the modular prototype covers 2 vertical storeys of the existing block. ultimately, the block has the potential of containing 8 units.

+5.10

the ground and basement levels are dedicated for social spaces in public use. registration ofﬁce café

+1.75

these input facilities will enhance the social interaction of the dull street, while gaining local recognition and awareness of these adapters. the entry and basement levels have facilities such as reception, library, gym and public café where adapters can train and work.

public library gym +0.00

South Elevation

architecture of interior design studio

micro member type dorm cabins

shared adaptation unit learning zone

adopt to adapt

tenant member type apartment unit / the platform becomes bed

tenant member type apartment unit / the platform becomes socializing space

design and construction studio

r ec c uc ina n d o

Type Location Date Instructor

Complex for Multificated Culinary Experience | collaboration with Beulah Dorethea Wong, Didem Uyeturk, Giovanna Bordin, Manali Hirani Recco, Liguria, Italy Design and Construction Studio / Spring Semester 2019-20 Marzia Morena, Francesco Mazzola

The objectives of this studio work is to propose a reuse project with emphasis on feasibility and profitability. The site is originally owned by BNP real-estate clients, the clients collaborated with this studio to examine various possibilities of imagining how this special site can be used. The complex hosts 3 buildings and they hold an heritage importance. It was a challenge for us to maintain its significance and not lose its identity. The main goal of this studio is to propose a design project that is unique, feasible and profitable while it respects the architectural heritage. In our proposal, we reuse the special site for an authenthic, local experience. We named our proposal Reccucinando as a combination of two words Recco and Cucinando, which means cooking in Italian. Our concept is a multifaceted culinary experience that integrates tourism, food and tradition. The design purpose is to promote culinary art, tourism and local business. In response to the culture and traditional values of the city through interaction and coworking environment. We have these 5 main aspects of the project. That are culinary learning, ingredient farming, fine dining, hospitality, events and weekly markets. The targets are 3 kinds of user groups which each have different approaches to visiting. Locals can visit for weekend activities, for the event space and job opportunities in the recreational platform. Tourists are welcomed for authentic food experience, accommodation, food and cultural exploration. And students are here for learning culinary, ingredient farming, gaining professional experience which will enhance their personal and professional growth. Reccucinando brings out new opportunities for experiencing local and italian culture and cuisine while promoting the local social economic development. Thus it’s a mutual benefit platform collecting a different range of industries.

reccucinando

PAT

PATHWAY PATH

WAY

PATHWAY

VIA

CRIST

OFO

RO C OLOM

design and construction studio

Culinary tourism is now mainstream 7.2 out of 10 travellers choose a destination by its food & drink

80%

WE EAT & DRINK

OF ALL TRAVELERS RESEARCH FOOD AND DRINK WHILE THEY ARE VISITING A DESTINATION

63%

WE SHARE

OF MILLENIALS SEEK RESTAURANTS THAT ARE SOCIALLY RESPONSIBLE

WE INSPIRE

53%

OF ALL TRAVELERS ARE CULINARY TRAVELERS

49%

POSITIVE FOOD AND DRINKS EXOERIENCE MAKE TRAVELERS MORE LIKELY TO RETURN TO A DESTINATION

OF ALL TRAVELERS ARE BEVERAGE TREVALERS

RECCUCINANDO

Reception

Ingredient Garden

Event Space

Boutique Hotel

Restaurant

JOB OPPORTUNITIES FOR LOCAL PEOPLE

STAFF DEMAND

TOURISTS & STUDENTS

Economic Development

Market Farm

PROMOTING LOCAL PRODUCTS

COL-DIRETTI OPPORTUNITY TO LEARN VARIOUS KITCHENS

PROGRAM short term long term

Hosting Worldwide Known Chefs

certification

JOB OPPORTUNITIES FOR THE ATTENDERS

reccucinando

PRODUCED BY AN AUTODESK STUDENT VERSION

60.0

56.0 54.0 52.0 50.0

51.3

47.0

culinary school

PRODUCED BY AN AUTODESK STUDENT VERSION

58.0

boutique hotel 42.0

40.0

46.0 34.0

33.0

reception 35.0

32.5 33.6

31.3

golf cars are used inside the site as an additional transportation facility

Scale 1:500 0

PRODUCED BY AN AUTODESK STUDENT VERSION CASTELLO // CULINARY SCHOOL EXISTING

PROPOSAL

ATTIC

MULTIMEDIA ROOM

BEDROOMS

FORESTERIA // RECEPTION

CA’ D’ORO // BOUTIQUE HOTEL EXISTING

PROPOSAL

BEDROOMS

COOKING CLASSROOMS

BEDROOMS

COOKING CLASSROOMS

BEDROOMS LOBBY

RESTAURANT LOBBY

BEDROOMS

GAME ROOM

COOKING STUDIOS

F-1

F3 F2 F1

EXISTING

PROPOSAL

STORAGE

ROOMS

OFFICE

WAREHOUSE

CAFE

design and construction studio

Rooftop | reburbishment

July 2020

Phas Busin EXISTING GREY ROOF TILES SHINGLES

1090 EXISTING PARAPET WALL

EXISTING ROOFING WITH SHINGLES FINISH

Pha

MORTAR INSULATION

475

WOODEN BOARD CEILING FINISH 100

150

400

450MM RAISED PLATFORM WITH TREATED TIMBER DECKING

ROOF DRAINAGE DETAIL (1:10 @

450

1475

1025

1950

TIMBER FRAMED GLASS WINDOW OF ATTIC FLOOR 100

625

1600

625MM HT. RAILING

400MM THICK CONCRETE SLAB STRUCTURE 550MM THICK LOAD BEARING MASONRY WALL

SECTION ROOF PLATFORM (1:20 @ A3)

FLOOR DECK DETAIL (1:10 @ A3)

reccucinando

Jan 2021

July 2021

Jan 2022

July 2022

Jan 2023

July 2023

Jan 2024

July 2024

Jan 2025

July 2025

se 1: Start ness Plan Proposal

Phase 3: Building - Renovation period

ase 2: Consultations - Land Purchase Planning stage (Consulatations, Architect, Tender)

Phase 4: Open business

Furnitures and fittings

Refurbishment Timeline The general timeline of the project from the inception to the opening of business world. The vernissage is scheduled for the 2nd half of the year 2025, 5 years time from now.

design and construction studio

classroom

restaurant & dining

reccucinando

rooftop

open air platform for events and local farmer market

architecture design studio

A M A TTER O F T HIN GS

Type Location Date Instructor

Assemblage Architecture for Conviviality | collaboration with Laura Prat Garcia, Li Jiang, Maha Sobby, Martina Laifer, Yuxi Liu Borgo Santo Pietro, Sicily, Italy Architecture Design Studio / Fall Semester 2019-20 Marco Navarra, Chiara Nifosi, Francesca Zanotto

The objective of this studio is to understand the logic of lo-fi architecture and apply this idea into the design. Translation (interpreting the written information to the graphics) is another important aspect of this studio in order to reflect the information and datas without verbal and written instructions. Also, working with the local and natural materials are other requests to assemblage a pavilion. The site, Borgo Santo Pietro is located in the heart of a great cork oak forest which constitutes a natural reserve and home to a detached section of the city hospital. The aim of our project is to give new life to an abandoned village in the heart of a natural reserve of cork oak. The principal problems we faced were related to the bad conditions of the buildings and the disconnection of elements in the lanscape, so the proposed design was focused on the creation of a system able to give a rebirth to the village through little design actions that have low impact on local nature and surroundings.

a matter of things

Arch i t e c t ural De si g n S t ud i o 1 A MA T T ER OF T H IN GS Asse mb l ag e Arch i t e c t ure f o r Co nvivi al i t y E xam 21-01-2020 | Gro up 7 -10 | Axo n o me t r y

architecture design studio

1. art center entrance

2. path and free spaces

3. meadows as playground

4. several interconnected systems

5. admire the landscape

6. community areas

7. living space aroung buildings

8. watch performance

a matter of things

architecture design studio

Ceramic Pavilion

18 5

The aim of this pavilion is creating a simple and transparent structure to give a view of the fascinating landscapes while cooking ceramics as a traditional way. It is located in front of the ceramic and blacksmith workshop building. The idea is creating additional space for the ceramic process. In this pavilion, because of being open, there is no exact entrance. It gives people to opportunity to reach each part of the pavilion.

18 5

55 5

There are different functions in the ceramic pavilion. The first one is cooking ceramic and painting them. The other one is creating a natural view of the forest with sitting places whereas providing a space for planting.

55 5

For the ceramic modules of the pavilion, a simple hole is dug in the soil and a firepit is turned on by means od wooden pieces. The ceramics are then placed all around the hole and get cooked in an indirect way thanks to the heat coming from the fire. To enhance the idea of being ceramic pavilion, the tiles that are produced into the ceramic building are used on the facade. 55 5

0 30

55 5

55 5 18

55 5

55 55 5

55 5

Because of being a temporary pavilion, the aim is still protecting the social function. Thus, in the case of demolishing the walls and the roof of the structure, the basement remains with the function of fire print, sitting and planting spaces.

55 5

PRODUCED BY AN AUTODESK STUDENT VERSION

55 5

The ceramic pavilion consists of natural and gentle materials in order to reflect the idea of simplicity and transparency. For the structure, 5x5cm wood elements are used. In order to provide shade space for the visitors, natural fabric is used on top of the roof.

PRODUCED BY AN AUTODESK STUDENT VERSION

55 5

18 5

55 5

a matter of things

bench system detail

top beam - column - bracing joint

PRODUCED BY AN AUTODESK STUDENT VERSION

top beam - column - bracing joint

bottom beam - column - bracing joint

architecture design studio

a matter of things

4.40

4.10

How was the result of your ceramic? It’s a bit burnt, I guess I left it too much near the fire!

0.15 0.00

architecture design studio

MUSIC HALL

FAB-LAB PAVILION

a matter of things

mock up image

architecture design studio

Translation | Sicily Map

a matter of things

architecture design studio

Interpretative Drawing | Use of Ceramics

a matter of things

architecture preservation studio

M U SEU M O F V ENICE

Type Location Date Instructor

Adaptive Reuse Extension / The Bucentaur House | collaboration with Didem Uyeturk, Karin Kay, Yuxi Liu Arsenale, Venice, Italy Architecture Preservation Studio / Fall Semester 2019-20 Francesco Augelli, Andrea Adami

The studio covers the teaching of macroscopic survey about materials and decay problems (causes and effects) as well as structural problems. Furthermore the main analysis and diagnostic for a scientific approach to preservation. Finally the course focuses on how to solve problems with a conservative, minimum and sustainable approach intervention also of reuse starting from a masterplan. The Bucentaur House (Casa dock that allowed to pull the di Venezia, historical complex florid of the Venice Republic

del Bucintoro) is an ancient and characteristic squero (covered galleys dry or for their construction/repairs) inside of the Arsenale of shipyards, workshops and deposits, tied to the more period and still today a symbol of its economic-military power.

We propose to conserve and develop a reuse scenario for the historic building to become a museum. A museum that will hold some arts of the old ship, exhibiting it together with construction techniques of the ship, tools and information about its history, allowing also families and different types of visitors to enjoy a workshop, building a small model of the historical ship. Learning from the history of the building, the building went through changes in its function, but it was always concerning the Bucentaur ship. In order to spotlight the glorious history of Bucentaur House, the original boat is regained to public eye. Due to the tremendous size of the ship, our proposal intends to offer creative spaces via the method of fragmentation. By cutting the ship into pieces while keeping their original orientations, visitors can experience how it would feel inside the beautiful gold Bucentaur. As a concept of direction free movement, different scenarios are proposed according to the entrances. Visitors and locals can move around the panels and ship fragments that are exhibited, without following a certain direction.

museum of venice

“Help the ci enoug

ria delle costruzioni 2019|2020

BUCENTAUR’S BOATHOUSE IN THE VENETIAN

Architectural Preservation Studio - Teachers: Francesco Augel

architecture preservation studio

B4 - Brick / type 4

S2 - Istria Stone *assumed to be this material,

B5 - Brick / type 5

C1 - Clay / Tile

S1 - Istria Stone

M1.1 - Cement Mortar

B1 - Brick / type 1

B4 - Brick / type 4

S2 - Istria Stone *assumed to be this material, should

B5 - Brick / type 5

C1 - Clay / Tile

S1 - Istria Stone

M1.1 - Cement Mortar

NORTH FACADE SOUTH FAÇADE

D1.1 - Moist Area D1.3 - Black Crust D1.4 - Staining

D1.1 - Moist area

-1.1 Monitor humidity condition. -2.1 Drainage of water. -3.3 Provide a sufﬁcient ventilation D3.1 and use breathable sealants.

D1.4 - Staining

-4.3 Laser cleaning (layer by layer. Can be used on the stone’s opening crust and on the trace of cement mortar.

- Erosion

D1.4 - Staining

-1.1 Monitor humidity condition. -4.3 Laser cleaning (layer by layer. Can D3.2 - Missing Part -2.1 Drainage of water. be used on the stone’s opening crust -3.3 Provide a sufﬁcient ventilation and on the trace of cement mortar. D3.1 - Erosion D1.3 - Black crust D3.1 - Erosion and use breathable sealants. -5.1 Use water with chemical -4.2 Clean with a soft brush. (solvent), remove the wrap and D3.3 check if the black crust is pasted to the wrap. -4.3-Laser cleaningPart (for small D3.2 Missing objects and sculptures).

D1.3 - Black crust

-5.1 Use water with chemical (solvent), remove the wrap and D3.3 check if the black crust is pasted to the wrap. -4.3 Laser cleaning (for small objects and sculptures).

-3.1 Apply resin (Silicon Acrylic) on the surface by spray. -6.1 For deeper damage, ﬁll discontinuity. -4.5 Clean with a sponge.

- Coving

D3.1 - Erosion - Coving

-4.2 Clean with a soft brush. -3.1 Apply resin (Silicon Acrylic) on the surface by spray. -6.1 For deeper damage, ﬁll discontinuity. -4.5 Clean with a sponge.

Politecnico di Milano - Scuola di Architettura Urbanistica Ingegneria delle costruzioni Master’s Degree in Architecture, Built Environment, Interiors - A.A. 2019|2020

D3.2 - Missing Part

-6.2 Replacing with appropriate materials. -6.3 Holes in the brick wall should not be D4.1 - Plant closed, but an inclined brick should be put. D3.2 - Missing Part Check tiles, replace and adjust -6.2-6.4 Replacing with appropriate accordingly (for protection of roof).

D4.2 materials. - Biological Colonization -6.3 Holes in the brick wall should not be

- Coving D4.1 D3.3 - Plant closed, but an inclined brick should be

-6.1 Fill discontinuity with mortar.

put. -3.1 Apply resin (Silicon Acrylic) on the D6 - Incongrous Material by tiles, spray (leave for half -6.4surface Check replace anda day). adjust -4.5 Clean with humid sponge. accordingly (fora protection of roof).

D4.2 - Biological Colonization

D3.3 - Coving

-6.1 Fill discontinuity with mortar.

-3.1 Apply resin (Silicon Acrylic) on the D6 - Incongrous Material surface by spray (leave for half a day). -4.5 Clean with a humid sponge.

TUDENT VERSION

D1.1 - Moist area

ODESK STUDENT VERSION

NORTH FACADE

BUCENTAUR’S BOATHOUSE IN THE VENETIAN ARSENAL - PRESERV

Architectural Preservation Studio - Teachers: Francesco Augelli, Andrea Adami - Tutor:

BUCENTAUR’S BOATHOUSE IN THE VENETIAN ARSENAL -

Architectural Preservation Studio - Teachers: Francesco Augelli, Andrea A

museum of venice

should be checked

M1.2 - Lime Mortar

M2.1 - Iron / Zinc Coated

M1.3 - Lime Plaster

M2.2 - Iron / Black Coated

M1.4 - Cement Plaster M1.2 - Lime Mortar

M2.1 - Iron / Zinc Coated

M1.3 - Lime Plaster

M2.2 - Iron / Black Coated

PRODUCED BY AN AUTODESK STUDENT VERSION

be checked

M1.4 - Cement Plaster

Scale 1:50

-7.1 Plants, roots and dried branches should be removed by hands. -4.2 Clean with a soft brush.

D7 - Non Functional Pipes

D4.1 - Plant

-7.1 Plants, roots and dried branches

should be removed D8.1 - Crackby hands. -4.2 Clean with a soft brush. D7 D4.2 - Biological colonization -3.2 Bioxide applications by spray (removal of moss- can be applied more than once). -4.2 Clean with a soft brush.

Non

Scale 1:50

D8.1 - Crack

D6 - Incongruous material

D4.1 - Plant

-1.3 Monitor and then: if there is no structural problem-4.1 Clean with a vaccum cleaner. -4.2 Clean with a soft brush. -4.3 Remove dust with a gun (from inside the crack). D8.1 - Crack material -6.5 Repointing with lime mortar (ﬁll the gaps). Monitor and then: -8.2 Removal of any trace of cement -6.6 For bricks, mortar + brick powder in order-1.3 to get if there is no structural problemplaster seen on the facade. red color). -4.1 Clean with a vaccum cleaner. -If there are structural problems-3.3 Possible appliance of D7 - Non functional Functional Pipes pipes -1.4 understand the reason. (In Venice gaps can be -4.2 Clean with a soft brush. -8.1 Fix the pipes in order to be ablemacro-poles mortar to provide the created from the foundations or movement on top of -4.3 Remove dust with a gun (from inside the crack). opportunity for a breathable facade. the trusses). to be used. -6.5 Repointing with lime mortar (ﬁll the gaps). -1.5 Monitor the crack after the repair. -8.2 Removal of any trace of cement plaster seen on the facade. -3.3 Possible appliance of macro-poles mortar to provide the opportunity for a breathable D6facade. - Incongruous

-6.6 For bricks, mortar + brick powder in order to get

red color). D8.1 - Crack -If nylons, there are structural problems*D9 General works: The whole facade is covered in dust that needs to be removed prior to the preservation project: Mechanical dry cleanings with D7 - Non functional brushes, branches, vacuum cleaner. In addition, for resolving the erosionpipes which affects the whole facade flood barriers should be provided. Craquele is-1.4 understand the reason. (In Venice gaps can be D4.2 - Biological colonization

PRODUCED BY AN AU

-3.2 Bioxide applications by spray (removal of moss- can be applied more than once). -4.2 Clean with a soft brush.

also present along the whole facade. The foundations be pipes diagnosed and protected. -8.1should Fix the in order to be able

created from the foundations or movement on top of

to be used.

**Other preservation works should be applied also in the interior parts of the building (which are not currently presented on the exterior elevations, butthe trusses). Monitor the crack can be seen in the re-use design). These works may include removal of biological colonization (can be detected on the internal part of the wall of-1.5 the south elevation) and general cleanings with a soft brush.

after the repair.

PRODUCED BY AN AUTODESK

*D9 General works: The whole facade is covered in dust that needs to be removed prior to the preservation project: Mechanical dry cleanings with nylons, brushes, branches, vacuum cleaner. In addition, for resolving the erosion which affects the whole facade flood barriers should be provided. Craquele is also present along the whole facade. The foundations should be diagnosed and protected. **Other preservation works should be applied also in the interior parts of the building (which are not currently presented on the exterior elevations, but can be seen in the re-use design). These works may include removal of biological colonization (can be detected on the internal part of the wall of the south elevation) and general cleanings with a soft brush.

ATION AND ADAPTIVE REUSE DESIGN

: Matteo Rigamonti

GROU P 10

- PRESERVATION AND ADAPTIVE REUSE DESIGN

Adami - Tutor: Matteo Rigamonti

- Students: Kay Karin, Liu Yuxi, Uyeturk Didem, Vural Tuana

GR OU P 10

DETERIORATION SURVEY & Preservation Design

- Students: Kay Karin, Liu Yuxi, Uyeturk Didem, Vural Tuana

3.2

DETERIORATION SURVEY & Preservation Design

3.2 45

unique experience, which can be emphasised by creating a museum card specific for the Arsenale zone. Another consideration was the water, which is very important in Venice in general, but also important to this building in particular. The water connections are emphasised in the new proposal through an exterior floating deck, which allows the visitors to enjoy and appreciate not only the interior of the building, but also its exterior and its surroundings. The main goal of this intervention is to emphasise the old spirit of architecture preservation studio the building, bringing it back to its glorious times and exhibiting to locals and visitors what it was in the past and what it could be in the future.

MUSEUM of venıce | th A JOURNEY TO THE OLD SPIRITS OF GLORIOUS TIMES URBAN URBANSCALE SCALECONNECTIONS CONNECTIONS

intervention. The building is considered as unique, but also as part of a long urban development. The reuse proposal is therefore FLOW new OLD SPIRIT FLOW OLD SPIRIT of a Bucentaur’s museum. A museum that will hold some parts of the old ship, exhibiting it together with construction techniques of the ship, tools and information about its history. Learning from the history of the building, the building went through changes in its INTINT-EXT-WATER - EXT - WATER EMPHASIZE function, but it was always concerning the BucentaurEMPHASISE ship (constructing it, repairing it, preserving it- and now, as our proposal, The reuse proposal is following the surveys done previously, trying to connect them, together with the historical information, to the

presenting it in a museum). The first consideration was of the connections of the building to its surroundings. The building is part of the Arsenale, therefore, the reuse proposal aims to enhance this fact and not hide it, the function of the building is supposed to become part of the existing complex, connecting it to the naval museum (which is currently outside of the limits of the Arsenale- and can be suggested to relocate in some of the naval buildings within the limits), and the naval pavilion. All should be connected to a unique experience, which can be emphasised by creating a museum card specific for the Arsenale zone. Another consideration was the water, which is very important in Venice in general, but also important to this building in particular. The water connections are emphasised in the new proposal through an exterior floating deck, which allows the visitors to enjoy and appreciate not only the interior of the building, but also its exterior and its surroundings. The main goal of this intervention is to emphasise the old spirit of the building, bringing it back to its glorious times and exhibiting to locals and visitors what it was in the past and what it could be in the future.

“Help Venice recover its former glory and its old spirit”...”invaded by so many million tourists, the city risks losing its identity, losing its cultural connection with its own history. It’s not enough to live in the future, the city needs to connect with and remember its glorious past .

MUSEUMS Colonel Giorgio Paterno (head o Fondazione3Bucintoro)

1 EXPERIENCE

MUSEO DI BUCINTOROURBAN SCALE CONNECTIONS A journey to the old spirit of glorious times

FLOW INT-EXT-WATER

4 MUSEUMS 1 EXPERIENCE

LOCALS

TOURISTS

THETIS GARDEN

MUSEO DI BUCINTORO 3 MUSEUMS A journey1 EXPERIENCE to the old spirit of glorious times

TOWER OF PORTA NUOVA

MUSEO DI BUCINTORO A journey to the old spirit of glorious times

GARDEN OF VERGINI

BRIDGE OF PENSIERI

600K~ (Venice)

LION’S GATE

600K~ (Venice)

SAN PIETRO DI CASTELLO

LOCALS locals

20M~ (Venice)

TOURISTS tourists

ARSENALE CARD

20M~ (Venice)

SPORTS FIELD

CELESTIA

OLD SPIRIT EMPHASISE

ENTRANCE CORDERIE

nearly 20M 20M~ (Venice) (Venice)

CELESTIA

LION’S GATE

CELESTIA

LION’S GATE

ENTRANCE CORDERIE

THETIS GARDEN

TOWER OF PORTA NUOVA

SPORTS FIELD

GARDEN OF VERGINI

BRIDGE OF PENSIERI

SAN PIETRO DI CASTELLO

THETIS GARDEN

3.PROTECTION In later times, the building was used to protect the precious boat, causing also a change to its north and west facades TOWER OF PORTA NUOVA

SPORTS FIELD

GARDEN OF VERGINI

2.MAINTENANCE The Bucentaur’s ships were maintained and repaired in this building BRIDGE OF PENSIERI

1.CONSTRUCTION The Bucentaur’s ships were built in this building

MU VE

nearly 600K 600K~ (Venice) (Venice)

SAN PIETRO DI CASTELLO

4. PRESENTATION Nowadays, the building can continue its cycle of connection to the boat and be used to exhibit and present the boat

ceRITS|OFthe bucentaur house

museum of venice

. Floating de access he idea of

master plan

MASTER PLAN - scale 1:500

E VENETIAN ARSENAL - PRESERVATION AND ADAPTIVE REUSE DESIGN

s: Francesco Augelli, Andrea Adami - Tutor: Matteo Rigamonti

GROUP 10

- Students: Kay Karin, Liu Yuxi, Uyeturk Didem, Vural Tuana

ADAPTIVE REUSE STRATEGIES

1.80m

way that

exterior sketch EXTERIOR SKETCHES

4.3

architecture preservation studio

nıce | the bucentaur house RITS OF

istorical information, to the e reuse proposal is therefore construction techniques of went through changes in its and now, as our proposal, ings. The building is part of he building is supposed to e limits of the Arsenale- and ll should be connected to a Another consideration was The water connections are nd appreciate not only the emphasise the old spirit of past and what it could be in

OLD SPIRIT EMPHASISE

“Help Venice recover its forme the city risks losing its ident

museum of venice

general overview of the museum

er glory and its old spirit”...”invaded by so many million tourists, tity, losing its cultural connection with its own history. It’s not 49

architecture preservation studio

Intervention Approach

existing repaired demolished added

Building Spaces

1.exhibition space 2.cafe - bar & souvenir shop 3.multimedia room 4.restroom 5.staff room 6.workshop area

museum of venice

mezzanine floor plan ground floor plan

architecture preservation studio

MUSEUM of venıce | the bucentaur house A JOURNEY TO THE OLD SPIRITS OF GLORIOUS TIMES

sectionA-A’ AA- scale 1:100 SECTION

VIEW ENTRANCEExhibition space viewFROM fromMAIN main entrance - workshop

area, exhibition

Politecnico di Milano - Scuola di Architettura Urbanistica Ingegneria delle costruzioni Master’s Degree in Architecture, Built Environment, Interiors - A.A. 2019|2020

BUCENTAUR’S BOATHOUSE IN THE VENETIAN ARSENAL

Architectural Preservation Studio - Teachers: Francesco Augelli, Andrea

museum of venice

section BB - scale 1:100 SECTION B-B’

VIEW FROM ENTRANCEarea, cafearea, and glassed view fromWEST west entranceWorkshop - workshop cafe flooring and glass flooring

- PRESERVATION AND ADAPTIVE REUSE DESIGN

a Adami - Tutor: Matteo Rigamonti

GROU P 10

- Students: Kay Karin, Liu Yuxi, Uyeturk Didem, Vural Tuana

ADAPTIVE REUSE design

4.6 53

architecture preservation studio

f venıce | The bucentaur house

OLD SPIRITS OF

ON PANEL WIRE CONNECTION

ion panels, two kinds of systems are used. These are hanging panels. The standing panel structure is he raised floor system profiles. Hanged panels are the timbers through the metal wire. The metal wires ot to be seen for the approach of floating elements.

wood section fabric metal ring electric box

metal plate

electric cable metal wire

te Laguna Prize - Art Exhibition, Venice / Italy

G SOURCES CONNECTION

a. Instead of pounding a nail to the existing wood trusses, a metal ring is used without damaging the structure. Also, the fabric is used between the metal ring and wood trusses to prevent the building’s roof structure from future damage impact. Black metal wire is welded to the metal plate to hang the exhibition panels and lighting sources.

Instead of pounding a nail to the existing wood trusses, a metal ring is used without damaging the structure. Also, the fabric is used between the metal ring and wood trusses to prevent the building's roof structure from future damage impact. Black metal wire is welded to the metal plate to hang the exhibition panels and lighting sources.

ources are hanged to illuminate the panels. Instead of wood trusses, they are hanged on the metal wire.

lighting sources

b. The same grid system is used for lighting sources to illuminate the exhibition panels and interior space. The electrical cable is rounded along the metal wire and goes through the electric box which is located adjacent to the wood trusses.

The same grid system is used for lighting sources to illuminate the exhibition panels and interior space. The electrical cable is rounded along the metal wire and goes through the electric box which is located adjacent to the wood trusses.

metal hook

screws T profile

OLES PLASTER

aluminium sheet

ng a historical building, one of the most important is doing minimum interventions to respect the ng and its cultural and aesthetical values. Thus, just for tions due to decays on the wall surfaces, macro poles d. The advantage of using plaster instead of the panel is absorbing the moisture.

adhesive honeycomb panel adhesive metal plate

E METALLIC SHEET

Honeycomb panels are used between the galvanized gold-coated aluminium sheets for the exhibition panels. The idea of using the honeycomb panels and aluminium sheets is providing lightweight structure and being cheap. Galvanization is preferred to prevent corosion of the aluminium sheets.

c. Honeycomb panels are used between the galvanized gold-coated aluminium sheets for the exhibition panels. The idea of using the honeycomb panels and aluminium sheets is providing lightweight structure and being cheap. Galvanization is preferred to prevent corosion of the aluminium sheets.

In order to provide same level floor for the interior, raised floor system is used. Fabric is used to prevent vibration. Not to give harm for the existing slab, metal grid system is designed between the raised floor system profiles. This grid system also is designed for the top of the profiles accordingly to place the 60x60cm floor tiles.

of the proposal reuse project is g the glorious times of the Bucentaur Boat. e ship fragments are exhibited in the he gold-coated metallic sheets are used to hip fragments and spotlighting the glorious he Bucentaur.

D GLASS PRISMS

osed panel is glass to create a transparent atmosphere ding. By this way, the ship fragments can be seen all erior space.

floor tiles

metal

raised floor system profile

metal

fabric

d. In order to provide same level floor for the interior, raised floor system is used. Fabric is used to prevent vibration. Not to give harm for the existing slab, metal grid system is designed between the raised floor system profiles. This grid system also is designed for the top of the profiles accordingly to place the 60x60cm floor

DETAIL SECTION - scale 1:10

The advantages of Nesite 4.0, the designer can choose the color, opacity and finishing of the tile. In our proposed reuse design, “grey whale” color is preferred to create harmonious space.

OR SYSTEM

tem is used to provide the same level in the interior. es of this system are, being abrasion and scratch able for cleaning and fire safety. Also, these tiles easily ase of a maintenance need.

The ambience of grey while tiles within the museum

the product - Nesite 4.0

oor Catalogue

a Urbanistica Ingegneria delle costruzioni nment, Interiors - A.A. 2019|2020

Case Study : Fondazione Museo MAXXI, Roma/Italy

technical characteristics

maintenance

BUCENTAUR’S BOATHOUSE IN THE VENETIAN ARSENAL - PRESERVATION AND ADAPTIVE REUSE DESIGN Architectural Preservation Studio - Teachers: Francesco Augelli, Andrea Adami - Tutor: Matteo Rigamonti

GROUP 10

- Students: Kay Karin, Li

museum of venice

sses, a metal the fabric is prevent the . Black metal bition panels

luminate the cal cable is e electric box

gold-coated of using the s providing n is preferred

, raised floor Not to give ned between o is designed 0x60cm floor

EXPLODED AXONOMETRIC VIEW - scale 1:100

ASSEMBLAGE OF STANDING PANELS

ADAPTIVE REUSE DESIGN

G R O UP 1 0

- Students: Kay Karin, Liu Yuxi, Uyeturk Didem, Vural Tuana

ADAPTIVE REUSE DETAILS 55

4.7

thematic studio

L a y er s of t e st i m o n y

Type Location Date Instructor

Memorial Architecture | collaboration with Karin Kay, Gabriela Orozco, Seray Tulay Warsaw, Poland Thematic Studio / Fall Semester 2020-21 Guido Morpurgo, Annalisa de Curtis

The studio aims to teach how to work with architectural ruins in a very delicate area. The project site is located in Warsaw where structural palimpsest of the 19th century is still visible due to the Second World War. With the new huge scale buildings, the city started to lose its identitiy. Thus, the memory and history of the project site is becoming erasing. This is a very fragile situtation because the site contains the buildings and structures that have survived during the attacks. The site itself reflects a huge archeological area with its 3 main buildings (Walicow 10, 12 and 14) and open spaces with ruins. It should be used to expose the delicate past without disturbing people and reflect new meanings and feelings to create opportunities for dialogue. We started our project by defining crucial existing elements in the site. Thus, the layers of the city of Warsaw were considered as fundamentals. The figure-ground of the city reveals buildings that are scattered around, with a lost connection. The Wall, The Street, and The Ruins, are three existing elements of the site that represent an important role in the pre-war city fabric. The Ghetto Wall, that was thought to be a divider between the Jewish people and the rest, can now serve as a fundamental element that will guide a design of remembrance and recognition, but also of creating new memories. The Street gets a new meaning and a different significance when put next to the Wall. The Ruins are considered as fragments that hold a certain truth in themselves. In order to connect the past, present and future, new art center which is connected with the existing buildings in the site is proposed. By this way, the art center is becoming a unifying element, part of a whole to provide contemporary view by including s theater and exhibition spaces.

layers of testimony

thematic studio

New Art Center

W. 14

ground floor plan

first floor plan

W. 12

W. 10

layers of testimony

southern elevation

eastern elevation

thematic studio

layers of testimony

thematic studio

20cm exterior reinforced concrete

10cm hard insulation 20cm interior reinforced concrete 40cm reinforced concrete slab 40cm concrete secondary beams

50x150cm internal concrete structure

10cm doubled glazed window

exterior ruins acting as a parapet

layers of testimony

the main entrance: observation of ruins & relation with the theatre The main entrance to the new arts centre is from an underground level. The visitor is guided to enter through a diagonal wall, aligning also with the ruins wall present in the Eastern public plaza, hinting to the presence of other ruins. The new building rose from the ruins. Their presence is seen in its basement, where one can observe both the ruins and their relation with the Theatre of the upper levels, floating above them.

the exhibition path: connection with walicow 10 & 12 The exhibition path in the New Art Center is meant not only to display artworks, but also to lead the visitor to discover the existing, while taking part in a cultural journey. It is connected with Walicow 10 and 12 through the exhibition path, on the second and third floors. There are some cuts on the path leading the visitors into the existing buildings while keeping a visual connection with the continuation of the path. Light enters to the path through diagonal openings on the roof.

thematic studio

the hall of reflections: where walicow 14 and the new arts centre meets Both the journey of the Memorial of Building 14 as well as the journey in the new art center end in the 4th floor of the new building. This point where two different journeys meet is a space of reflections and a moment of connection. This space is represented by a cone, reflecting light from above to the floor underneath. The seating spaces inside help creating a relaxing feeling and an opportunity for one to dive into thoughts.

layers of testimony

the northern ruins: plaza of remembrance The Northern ruins represent an important moment of connection with the city as well with the Ghetto wall and the Memorial. The ruins are filled with rubbles from different destroyed buildings around the city. The relations between the materials are meant to explain something to the visitors, to raise an awareness and to tell a story. It maybe even reminds of the city as it was after Warsaw uprising, a city with no history, just rock, sand and dust. In the centre of the space there are reflective walls, following alignments from the existing ruins. Names of Jews who perished in the Holocaust are engraved on the walls. One can sit on one of the benches and look at himself in the reflection, together with the ruins at his back and the names at his front.

bachelor / architecture design studio

SU STAINA B I L I T Y E XP O S I T ION CENT ER

Type Location Date Instructor

Sustainable Campus Extension | group (master plan phase) & individual work Bilkent University, Ankara, Turkey 4th year Design Studio / Spring Semester 2017-18 | bachelor graduation project Segah Sak

The center aims giving back what is taken from the nature through social and environmental sustainability. Thus, it serves for both the users and the environment. On the one hand, the building offers various spaces of education, research and social activities. On the other hand, it aims to create a consciousness of sustainability by enriching encounters between people, natural environment and recycling process and products. The building is composed of mainly two masses: One is a linear transparent mass where recycling process is realized and exposed, also serves human and product circulation. This is where the recycable materials coming from the campus are stored and put through simple recycling processes. The other mass, which is actually divided by the exposition mass, is rather solid. It accommodates the academic and social functions and is fed by the circulation within the exposition mass.

sustainability exposition center

bachelor / architecture design studio

master plan

The master plan proposes a unique solution to combine the history of Ankara’s universities to today’s cultural richness of Ankara in the Bilkent Lake, by proposing a self sufficient site that invites people of the city, primarily the profiles of Hacettepe Univeristy, Bilkent University and METU with various facilities that are enhanced by sustainable solutions in cultural, economic and environmental aspects. The aim is to highlight the natural and tranquil characteristic of the site while connecting three universities together. 1. Tram Station 2. Transportation Hub 3. Information Point 4. Life Long Educational Center 5. Experimental Research Center 6. Academical Research Center 7. Children Attraction Center 8. Staff Residence

9. Sustainability Application Center 10. Agriculture Field 11. Faculty Residence 12. Local Shops 13. Restaurant 14. Fishing Area 15. Green House 16. Advanced Tech. Development Center

sustainability exposition center

Environmental Strategies Green Areas Series of trees provide oxygen and reduce the noise of tram by adding its own boundary. Grass and riperian areas provide safe and clean environment. Electric Tram More efficient than cars and taxis. The electricity which works tram is provided from the solar panels and kinetic pavements considered in master plan. Electricity Production Solar panels and kinetic pavements generate electricty for the tram and buildings. Public Amenities Open spaces, green spaces and recreational activities provide amenities and, improve health and welness for the users of the site. Water Water flowing from the streams go through wetlands and, wetlands filter the water and increase the quality of the lake. Rain Rainwater capturing is considered by making the topography supportive to stream down rainwater and drainage to the lake. Agricultural Activities Provide earnings to the site while promoting local eating culture. Provide wetlands, promote fishing and aquaculture.

Tramway road with pedestrian path circulates in the site and allows accessibility

environmental economic

Shops The local shops and commercial sides support the local economy and provide employment.

The proposed master plan aims to be a self sufficient cycle via environmental and economic sustainability. Driven by sustainable energy strategies, this cycle provides opportunities for jobs, accommodation and education.

bachelor / architecture design studio

site plan The orientation of the building is determined according to environmental conditions and the lake. Offices and algae research labs that are composed private part of the solid mass, is located behind the recycle center whereas the public part which serves common functions such as workshop areas, cafe and library is located in front of the recycle center with the view of lake.

linear transparent mass, recycle center, designed as a main mass

other mass is located around the recycle center according to privacy

to create courtyards other mass is divided

to emphasize the circulation which bonds private and public space within the recycle center expanded and elevated

one part of the recycle center is elevated to create wind tower

circulation element is designed to collect more people and create different entrances

sustainability exposition center

-4 level floor plan

Building Program

0 level floor plan

1. cafe & restaurant 2. sunken plaza 3. entrance & lobby 4. shops 5. material storage 6. tipping floor 7. loading deck elevator 8. wind tower 9. recycle process 10. storage 11. locker room 12. algae res. labs 13. workshop area 14. connection bridge between public and private parts 15. lounge 16. library 17. collabrative work space & cafe 18. storage 19. offices

+4 level floor plan

+8 level floor plan

bachelor / architecture design studio

Environmental Strategies Stack Effect The connection part of the public - private mass which is the most solid part of the project is designed with the inclined roofs to get light from the upper part and create cross ventilation by stack effect. Rainwater Harvesting The rainwater is collected through the decreased levels of sunken plaza into the storage for the future use. Wind Tower Wind tower is designed to take out the air pollution that is coming from the recycle machines. Green Roof Green roof is located top of the public - private mass in order to improve stromwater management, water quailty, conserve energy and mitigate the urban heat island.

Algae research and recycle centers provide job opportunities. The elements coming from these centers go through the workshop areas and the production process begins in order to sell these products in the shops which provides also job opportunities. This cycle is in progress to create economical, social and environmental sustainability by being self sufficient.

sustainability exposition center

The campus wastes are collected into the glass storages in order to expose the recycling idea

recycle center

workshop area

In the recycle center, algae which is coming from the algae research labs, is used in the floor material in order to actualize the exposition

night view of the sustainable exposition center

bachelor / architecture design studio

sustainability exposition center

general overview of the sustainable exposition center

history and theory of contemporary architecture

1 0 YEAR S O F M I M AR L I K

Type Date Instructor

Analysis of a Turkish Journal Mimarlık with Emphasis on Urbanism | collaboration with Didem Uyeturk, Seray Tulay History and Theory of Contemporary Architecture | Spring Semester 2019-20 Gaia Caramellino

The course focuses on teaching and research on the history, theory and criticism of architecture and urbanism over the 20th century, assessing some of the seminal moments, discourses and concepts that marked the production of architectural and urban knowledge over the century. One of the main goals of the course is to understand the place occupied by these “printed objects” in the definition of the architectural thinking and of its narratives — looking at journals in their conceptual, theoretical, graphic and material dimensions. The aim is also to reflect on the culture of architectural periodicals in a geographically and chronologically extended context, crossing perspectives from different cultures and disciplinary traditions. On behalf of the aims, we examined the Turkish magazine Mimarlık, that is published since 1963 by the Chamber of Architects Turkey. It is the country’s longest-running architectural journal mainly featuring news on architecture, urbanism, design and competitions. The final booklet aims to make a detail analysis of the magazine, Mimarlık, which means “architecture” in Turkish, between 1963 and 1972 in order to understand its importance and history. The research starts with the synthetic introduction as general and historical overviews of the magazine by highlighting the main aspects, the contributed protagonists and the most relevant changes during its publication. The structure and content analyses with the graphic demonstrations are following. Finally, the thematic analysis of the magazine is conducted upon Urbanism; which is the most debated topic in the magazine during the focused decade. In order to investigate the special attention of the magazine upon this subject, the behavior and attitude of the magazine is reviewed through analyzing the projections of the problems and criticisms, and proposals in Mimarlık; meanwhile interpreting graphic representations of the magazine and the different media tools that the editors used for expression.

for more details: https://issuu.com/didemuyeturk/docs/mimarlik_magazine_1963-1972

10 years of mimarlık

history and theory of contemporary architecture

When the sequences of events that constitute the urbanization problem are considered, the overall situation can be illustrated with the domino effect metaphor. This metaphor can be explained with the affecting factors as industrialization, population growth, national urban strategies, unorganized administration, social housing and squatter houses.

10 years of mimarlık

unorganized administration

national urban strategies

population growth

industrialization

history and theory of contemporary architecture

squatters’ houses

social housing

10 years of mimarlık

academic workshop

D W E L L IN G S P ACE

Type Location Date Instructor

Seaside Row Houses / Bilkent University - Academic Workshop Project St. Vito Abbey in Polignano a Mare, Bari, Italy Summer 2016 Giorgio Gasco, Burcu Senyapili Ozcan

The project is a collaboration work of Politecnico di Bari and Bilkent University. It bases on two aims: from one hand to challenge a real context, identify a difficult place and consider all the contradictions and complexities within; from the other to deal with the specific features of an architectural workshop, namely to consider in the design process both the materials, techniques, and traditional languages of the place. The idea of the project was to turn the irregular mass of houses into a small urban system in order to confront a series of natural and architectural outstanding elements. Polignano a Mare is part of the landscape of Bari’s South East standing between Mola and Egnatia. This area anticipates the landscape of Itria Valley, even if less characterized by the widespread presence of rural building, and it shares with the Central Puglia the presence of olive trees even if with a less articulate agricultural mosaic. From the settlement point of view, Polignano, together with town of Monopoli, represents the terminal element of the historical system of coastal towns in Central Apulia, firmly connected with the inside by a radial road system, interpersed with large uninhabited and intensively cultivated areas.

for more details: https://issuu.com/yigitacar/docs/domestic-space-bilkent

dwelling space

academic workshop

site plan

The project definition of a public space is through the placement of two row houses. The first block continues the direction of the existing urban buildings and is parallel to the long compact block where there is the urban header building: this is the space between the square and the street. A brick structure on the facade emphasizes the big central atrium. The atrium is also vertical connection, providing access to the dwellings on three floors. However, the lateral houses have direct access from the square, through the own staircase, a triple height room that receives light from the “lantern”, the only one element of the third floor. The ground floor is very articulated on the both facades, the upper level features balconies to the street side and regular facade to the square side.

dwelling space

elevation

perspective section

street elevation

advanced architectural design studio

INUJIM A / S T ONE AR T I S L AND

Type Location Date Instructor

Exposing the Identities of Inujima / Politecnico di Milano - Academic Elective Course | collaboration with Ammaar Abu Aziz Chowdry, Jian Zhong Kee, Kshitij Baht Inujima Island, Okayama, Japan Advanced Architectural Design Studio / Spring Semester 2020-21 Kazuyo Sejima, Jonas Elding

Inujima is a small island in a quiet inland sea called Seto Naikai. You can walk around the entire island in about 1 to 2 hours. Once flourishing with industries as copper refining and stone quarrying, it is said that this small island had a population of 5000 people. However, along with the decline in the industries, the population on the island declined progressively, and now there are only about 50 islanders. The average age of the islanders is about 80 years old and the aging population and depopulation now remarkably limit the development of the settlement. Various sceneries appear as you take a walk around this island created by gentle hills. The island has a gently sloping landscape so that, as you walk, the sea is continually coming into view right next to you before disappearing again. Basins, which remain from the old quarries, appear in various points on the island as ponds. Though only one stone quarry remains active now, the ambiance of the time when quarries were thriving remains as these ponds create a landscape of its own. The old copper refinery is preserved as a heritage of industrial modernization and is now partially used as an art museum. Adjacent to the refinery, in the village, the “Inujima Art House Project” started in 2010 and empty homes and lots were transformed into exhibition spaces with careful attention to preserve the special characteristics of the place. In this way, the landscape started slowly changing. The island now attracts 30,000 visitors per year. Inujima was famous for its stones and now, it is famous for art. The proposal of the project is to expose the old identity -stone- of the island within its new identity. By this way, the islanders and visitors would recognize what the island was before and how it would combine with current identity.

inujima / stone art island

advanced architectural design studio

inujima / stone art island

advanced architectural design studio

Gyonyama before quarrying

Time Capsule

tenmangu tenmangu

Time Capsule The time capsule traces the changing identities of . by re-introducing verticality to the the. island

.. island, .. an element that vanished as the mountains •• -····•• -····were scooped for stone. As visitors enter the time --·•. --·•. capsule, they travel back in time in a narrow

Gyonyama before quarrying Gyonyama Gyonyama before before quarrying quarrying

watchtower with views framed towards specifıc parts of the island. On the fırst level, one is drawn towards the art island, the recent identity shift in the island but on the second level, the ribbon windows frame a view to the copper past of the island. Finally, one reaches the viewing deck at the top which allows one to view the quarry and remember the stone past. On each level, small exhibitions of archival images and documents adds Scar:Scar: the loss the of loss verticality ofto verticality the experience

scar: the loss of verticality

••

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I Inujima: I Inujima: Architecture Architecture becomes becomes environment environment nced Advanced Architecture Architecture DesignDesign StudioStudio

••

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STONE STONE COPPER COPPER

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Recalling Recalling the lost theverticality lost verticality

Inujima Inujima / Stone / Stone Art Art Island Island

Different Different time time periods: periods: different different viewsviews

GroupGroup 3 Ammaar 3 Ammaar Abu Aziz AbuChowdry Aziz Chowdry . Kshitij . Kshitij Baht . JBaht ian Zhong . Jian Zhong Kee . Tuana Kee . Tuana Vural .Vural .

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recalling the lost verticality

Advanced Architecture Design Studio I Inujima: Architecture becomes environment

meTime Capsule Capsule

••

Recalling the lost verticality

Inujima / Stone Art Island

•• --·•.

-····..

inujima / stone art island

Scar: the loss of verticality

■

STONE COPPER

� ART �

different time periods: different views

The time capsule traces the changing identities of the island by re-introducing verticality to the island, an element that vanished as the mountains were scooped for stone. As visitors enter the time capsule, they travel back in time in a narrow watchtower with views framed towards specifıc parts of the island. On the fırst level, one is drawn towards the art island, the recent identity shift in the island but on the second level, the ribbon windows frame a view to the copper past of the island. Finally, one reaches the viewing deck at the top which allows one to view the quarry and remember the stone past. On each level, small exhibitions of archival images and documents adds to the experience.

Different time periods: different views

Group 3 Ammaar Abu Aziz Chowdry . Kshitij Baht . Jian Zhong Kee . Tuana Vural .

advanced architectural design studio

Stone Workshop

inujima / stone art island

Rockwool lnsulation with Vapour Barrier 30x60mm Timber fram lnternal Panel Board H Column 190x200

50x50 L Frame anchor onto Timber framework

30x150 Sub Frame we onto the Main frame

External Brick Facade resting on the metal fra

exploded roof detail

lsometric W

bploded Roof Detail

waffle slab structure

intersecting joints

Waffle Slab Structure

Advanced Architecture Design Studio I Inujima: Architecture becomes environment 93

lntersectin

advanced architectural design studio

Artist’s Residence

inujima / stone art island

extra curricular

d es ig n a n d a r c h i t e c t u r e S OCIE T Y

Type Location Date

Extra-Curricular Ankara, Turkey 2013-18 academic years

Design and Architecture Society is one of the biggest architecture institutions among the universities in Turkey. It is a student based society which has over 200 members from architecture, interior architecture and graphic design students. DAS consists of different coordinatorships that are Design Bilkent (Tasarım Bilkent), 1 Architecture 1 Place, Travel and Pafta Magazine. I had been an active member of DAS since 2013-14 academic year. My contribution was managing events for a Tasarım Bilkent with a core team as a coordinator in 2017-18. Tasarım Bilkent is held every year at a selected date in the spring semester. It is one of the most comprehensive event organized by the undergraduate students. Design days of Bilkent consists of presentations, interviews, workshops and exhibitions of professionals in the fields of design, art and architecture. Our purpose is introducing successful designers to the target group while being a tool to share the experiences of these names.

DAS

2014, active member

2015, active member

2016, active member

2017, active member

2018, coordinator