LaSalle 'Cultural' Corridor Investigation

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M I L NE I NS P I R AT I O N C E N T E R T H E PA I N I A FA M I LY RE S TAURANT OP P ORT U N I T I E S C E N T E R BOUT I QU E H OT E L G RO U P KUT S UNL I M I TE D B A R B E R SH O P YOUNG AS P I RAT I ONS YOUN G A RT I ST S ( YAYA )

CULTURAL CORRIDOR ON L ASALLE S TR E E T

Central City, New Orleans

FOUNDAT I ON FO R LO U I SI A N A M ARDI G RAS I N D I A N CO U N C I L OF F I C E OF CO U N C I LWO M A N L ATOYA C A N T R E L L H ARM ONY NE I G H BORH OO D D E V E LO P M E N T F EL I C I T Y RE DE V E LO P M E N T , I N C . T UL ANE REG I ONAL URBAN D E SI G N C E N T E R T UL A N E C I T Y C E N T E R

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CULTURAL CORRIDOR ON L ASALLE S TR E E T

Central City, New Orleans

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TABLE OF CONTENTS 6-7 INTRODUCTION Brief & Goals 8-21 SITE ANALYSIS Historic Central City Current Character Property Types Neighborhood Anaylsis Street Presence 22-33 PROJECTS & PARTNERS Dew Drop Inn Mardi Gras Indian Campus SCLC Interpretive Center Market on LaSalle Ya-Ya Arts Center 34-35 ACKNOWLEDGMENTS


SITE ANALYSIS O N L ASALLE S TR E E T

Central City, New Orleans

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FEATURED INFORMATION Historic Central City Current Character Property Types Neighborhood Analysis Street Presence

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BRINGING BACK LASALLE STREET Redevelopment of this corridor is an on-going process combining grassroots and top-down efforts to revitalize a unique street that features historic, cultural, and economic sites intermixed with residential lots. At its high point in the 1940s and ‘50s LaSalle street was a locus for AfricanAmerican entrepreneurs, musicians, and political and social activists. We envision a renaissance on LaSalle, a revitalized corridor in a vibrant neighborhood, driven by arts and culture and rooted in equity and deep community engagement.

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F REN C H Q UARTER

C E N T RA L C I T Y

LA

SA

E LL

ST

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L ASALLE STREET NOW AND THEN: CIVIL RIGHTS AND CULTURAL PRESERVATION

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HISTORIC CENTRAL CITY

Dryades St. commercial corridor Frank Painia opens St. established by immigrant & the Dew Drop Inn on Charles minority entrepreneurs LaSalle St. Avenue streetcar est. Central City, "back Flint Goodridge Hospital of town,� drained & constructed on LaSalle African-Americans move Street to serve Black into the area community

1830s

1911

Magnolia Projects managed by (and later renamed for) Cleveland J. Peete

Construction of Magnolia Projects begins

1939

1941

Infamous race Southern Christian raid on the Dew Leadership Drop Inn Conference established at New Zion Baptist Church Dryades St. is a major commercial corridor with Ray Charles over 200 businesses, mostly resides at Foster Black and Jewish-owned Hotel on LaSalle

1952-78

1950’s

1952

PHOTOG RA PH BY WA L K E R E VAN S

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U N I T E D S TAT E S FA RM S E C U RI T Y A D M I N I S T RATION N E W ORL E A N S , 1 935

1953

1957


Dryades St renamed $20 million in HOPE VI C.J. Peete projects Civil rights protests, sitFuneral procession for Revitalization rebuilt as Harmony ins, and demonstrations for Oretha Castle Haley, Ray Charles makes its Grants Awarded to Oaks, a mixed occur across Central City co-founder Congress of way along LaSalle Street. Racial Equality, New Orleans income community N.O. chapter Dew Drop Inn CommunityCentral City becomes Demolition begins Hurricane designated as based at C.J. Peete Katrina hits National Register City Historic projects drive Historic District New Orleans Landmark revitalization efforts

1972

1982

1989

1998

2004 1998

2005

2007

2010

2011

2015

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HISTORIC CENTRAL CITY The Lasalle Corridor is richly layered with historic places and events, from the Antebellum to the Civil Rights Era, it has reflected and helped to define the African American experience in New Orleans. The narratives of LaSalle are those of reconstruction and Jim Crow, the challenges of the civil rights movement in the Deep South, the promise and the limitations of public housing and the Great Society.

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Central City, through which LaSalle winds, was settled in the 1830’s, back of town from the Garden District, bounded by the St. Charles street car line and undrained swamp. In the last decades of the 19th and first decades of the 20th centuries, Central City became home to New Orleans first Black hospital, first Black library and in Shakspeare Park, the first Black public park. These landmarks served to stretch the horizons of segregation, while simultaneously demarcating its boundaries. In a location and for a people that could have been defined by those limitations, there was instead a flowering of entrepreneurial activity, community activism, and culture.

FLINT-GOODRIDGE HOSPITAL

MUSIC IN A.L. DAVIS PARK

MAGNOLIA HOUSING


A thriving Jewish and Black business district on Dryades Street offered small shops and large department stores. Home for a decade to Zulu’s parade, Shakspeare park provided a rallying point for Mardi Gras Indians and the staging ground for the 1963 civil rights march to City Hall. The Dew Drop Inn, opening on LaSalle in 1945 as a music venue and later grew to be considered the “symbol of New Orleans Jazz, with some of the greatest Blues, Jazz and R&B artists in the country gracing its stage. Despite social norms and citywide segregation ordinances, The Dew Drop Inn welcomed integrated audiences and became an institution for both Black and Gay social rights movements.

1963 CIVIL RIGHTS MARCH

Central City would emerge as a center of activism throughout the 1950s and '60s, with protests on Dryades Street (later renamed Oretha Castle Haley in honor of the CORE cofounder), and the founding of the Southern Christian Leadership Conference by Dr. Martin Luther King, Jr. at the New Zion Baptist Church (LaSalle and Third Streets).

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HISTORIC CENTRAL CITY Comparing the building footprints within the LaSalle Cultural Corridor in 1933 with those in 1960 and 2014 allows us to determine the historical intactness of blocks and streets. Beginning in 1941 and expanded in 1955, the Magnolia Public Housing projects replaced dense blocks of older residences and reshaped much of the LaSalle Corridor and surrounding neighborhood. Policy and economic shifts, along with White flight and the development of Black suburbs led to decline and disinvestment in the 1980s and 1990s. After Hurricane Katrina the Magnolia Projects, officially renamed the C.J. Peete for their long-time manager, were demolished. Harmony Oaks, a mixed-income redevelopment of that site is the physical core of Harmony Neighborhood Development, a nonprofit community development agency focused on the revitalization of Central City.

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K PAR S I AV .L. D

A

AL

LAS

EET

TR LE S


Pre Housing Development

Magnolia/CJ Peete

Harmony Oaks

1933

1960

2014

Park

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CURRENT CHARACTER Today the historic LaSalle Street Corridor is on the verge of a renaissance. This once vital hub of commercial and cultural activity has suffered from decades of population loss and disinvestment. Recently, public, private, and philanthropic investments have poured into the area, and the population is growing.

street performance

neutral ground

Local food 14


LASALLE STREET

THIRD STREET

FOURTH STREET


NORTH

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First House of Prayer Baptist Church

Dew Drop Inn

Available Commercial Property

Exodus House

Fast Income Tax

Business Incubator Harmony Neighborhood Development

Market on LaSalle

YAYA Arts Center

Designz 59 Open Hands Sandwich Woods Barber

Brown Sugar Records Greater Bright Morning Star Church

Decommissioned Firehouse

sixth st.

seventh st.

harmony st.

o st.

toledan

Louisian a avenue

thomy lafon burial grounds

freret st.

Historic Flintgoodridge hospital (now senior housing)

Harmony oaks housing development, South blocks

LaSalle street


SCLC Interpretive Site second st.

third st.

fourth st.

Washington ave.

NORDC

AL Davis Park

New Zion Baptist Church

MGI Cultural Campus

Friendly Supermarket

Soul’s Seafood Market

MGI Walk of Fame

LASALLE STREET PROPERTY TYPE LOUISIANA AVE TO SECOND ST

COMMERCIAL RESIDENTIAL PARK / PUBLIC PARKING LOT COMMUNITY ANCHOR


LASALLE STREET CULTURAL ARTS DISTRICT The LaSalle corridor has influence beyond its immediate location, and exists as part of a proposed Cultural Arts District. The map (far right) depicts the district boundary and core as defined by important entry points, intersections and cultural landmarks. Included in the work of creating a successful cultural corridor and arts district are considerations of adjacent cultural amenities and enhancing the pedestrian experience through streetscape and wayfinding interventions. The map proposes a cultural landmark walking circuit that would help visitors to understand the area’s history and cultural significance.

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MAP REFLECTS DATA FROM TCC, CENTRAL CIT Y STUDY CONDUCTED SUMMER 2014. 19


LASALLE CORRIDOR STREET PRESENCE Improving the pedestrian experience is often the first step in corridor revitalization. As larger projects begin to come to fruition along LaSalle, smaller landscaping and art initiatives can provide a positive experience for residents, draw visitors, and prioritize walking over fast vehicle traffic. The examples shown here include landscaping and sidewalk planters in front of a traditional corner commercial location, and an art installation in front of a vacant lot indicating a larger renovation effort to come.

P RECEDENT : DES IGNED OUT DOOR S PACE S HOW S ACT IVIT Y TO S T REET ’S P EDES T RIA N A ND VEHICUL A R T RA FFIC 6 T H/ L ASAL L E : PARKIN G LOT

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PAG ODA CAF E , N E W ORL E A NS


PR ECEDENT : REVITA LIZED SH OTGUNS E D UCAT E & CREAT E A CO MMUNIT Y PR ES ENCE

3RD/ L A SA LLE: VAC A NT LOT W /SHOTG U N D O U BL E AT L E F T

PROJE CT ROW HOUSE , HOUSTON

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COMMUNITY PARTNERS O N L ASALLE S TR E E T

Central City, New Orleans

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FEATURED PROJECTS Dew Drop Inn Mardi Gras Indian Campus SCLC (Southern Christian Leadership Conference) Interpretive Center Market on LaSalle Ya-Ya Arts Center

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DEW DROP INN RENOVATION

New programming for the Milne Inspiration Center will include classrooms, recording and mixing studios, a small auditorium, and flexible open space, as The MIC continues its successful youth programming and thrives in a venue all its own.

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For more information: Le'Kedra Robertson 985.215.2333 e: lekedra@themicamped.org w: dewdropnola.squarespace.com

Existing Facade along LaSalle Street Proposed Facade Renovation

7’-6”

10’-3”

1953 Photograph by Ralston Crawford (Hogan Jazz Archives)

HOTEL

HiSTORY 29barber

9’-5 1/2”

10’-0”

the mic 8’- 3 1/2”

9’-8”

The p r o p o s e d r e n o v a t i o n , investigated by the Painia family and Milne Inspiration Center in partnership with the Tulane City Center & Harmony Neighborhood Development will return the historic hotel, barbershop, and supper club to their original locations, serving once more as a premier music venue in New Orleans.

supperclub

S2 1/8”=1’-0”

D E W D ROP I N N : H I S TORI C FAC A D E , RE N OVAT I ON PL A N S , & T E MPORARY FAC A D E I N S TA L L AT I ON D E PI C T I N G HI S TORI C P ERFORM ERS


DEW DROP INN: HISTORIC MUSIC VENUE & HOTEL

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MARDI GRAS INDIAN CULTURAL CAMPUS In collaboration with the Foundation for Louisiana, Louisiana State University’s Robert Reich School of Landscape Architecture, and the Tulane City Center, The Mardi Gras Indian Council envisions a permanent location along the LaSalle Corridor, amplifying their customary presence on the streets during Mardi Gras, Super Sunday, and St. Joseph’s Night. A future “campus” including renovated structures and landscape interventions will help the Mardi Gras Indians preserve their culture, increase awareness of their traditions, host classes and events, produce funding, and plan for future projects.

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For more information: Matt Williams 917.664.0890 e: matthewilliams@gmail.com w: themardigrasindiancouncil.com

L ASALLE S TREET

CLASSROOM EVENT ROOM CLASS ROOM

OFFICE

CLASS ROOM

OFFICE CLASSROOM EVENT ROOM

KITCHEN

M G I C U LT U RA L C A M PU S : M U S E U M S HOP, C L A S S ROOM S , & I N D O OR/ OU T D OOR PE RFORM A N C E S PAC E


MGI CULTURAL CAMPUS: EDUCATION & CULTURAL PRESERVATION

B I G C HI E F H OWA RD M I L L E R T E AC HI N G FA M I LY HERITAGE & TRADITION S PHOTO BY E L SA H A H NE, OF F BEAT M AGAZ IN E

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SOUTHERN CHRISTIAN LEADERSHIP CONFERENCE INTERPRETIVE SITE On February 14, 1957, Dr. Martin Luther King, Jr., A.L. Davis, and other civil rights leaders met at the New Zion Baptist Church (3rd/LaSalle) to form the Southern Christian Leadership Conference (SCLC), an organization that would coordinate nonviolent direct action campaigns, taking on issues of segregation nationwide. An interpretive site along the LaSalle corridor will tell the story of this pivotal event, alongside those of other local civil rights leaders and actions. Felicity Redevelopment, Inc. is working with the Tulane Regional Urban Design Center and local churches to envison and execute this important project.

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For more information: Elizabeth Burger 504.581.3701 e: felicitystreet@gmail.com


SCLC INTERPRETIVE SITE: SHARING CENTRAL CIT Y’S RICH CIVIL RIGHTS HISTORY

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MARKET AT LASALLE BUSINESS INCUBATION The Market at LaSalle is the product of a partnership between Harmony Neighborhood Development and Tulane University School of Architecture URBANbuild program. Each Saturday, local live music, multiple food and produce vendors and an eclectic mix of others enliven the market, vending balloon and flower arrangements, handmade jewelry, t-shirts, photographs, and more. The Market creates an effective on-ramp to the formal economy for the Market’s micro-businesses by making available low-cost, innovative, high-traffic retail space and providing technical assistance through partner organizations. For more information: ??? 504.123.4567 e: ???@gmail.com 30

M A R K E T ON L A SA L L E : D RAW I N G V E N D ORS A N D C U S TOM E RS FRO M C E N T RA L C I T Y & B E YON D


MARKET ON L ASALLE: THRIVING SMALL BUSINESSES

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O S T E AG

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YAYA ARTS CENTER NEW CONSTRUCTION YAYA’s mission is to empower creative young people to become successful adults. We provide educational experiences in arts and entrepreneurship to New Orleans-area children and youth, fostering and supporting their individual ambitions. Founded in 1988 by Jana Napoli, YAYA Inc. has been educating, nurturing, and empowering creative young New Orleanians for a quarter century. Our signature program of youth development through entrepreneurship is now replicated around the U.S. For more information: Baty Landis 504.208.8376 e: baty@yayainc.com w: yayainc.com

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YAYA A RT S C E N T E R: S T U D E N T S E N G AG E I N T HE C RE AT I V E A RT S , D EV ELOPIN G SKILLS & E N G AG I N G W I T H PROFE S S I ON A L S


YAYA ARTS CENTER: NEW LOCATION ON L ASALLE, OPENING FALL 2015

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PARTNERS: M ILNE INSPIRATION CENT E R THE PAINIA FAM I LY R ES TAUR ANT OPPORTUNITIES CE NT E R BOUTIQUE H OTEL G ROUP KUTS UNLIM ITED BARBERS H OP YOU NG A SPIR ATIONS YOUNG ARTISTS ( YAYA) FOUNDATION FOR LOUI S I ANA M ARD I GRAS IND IAN CO UNC I L OFFICE OF COUNCILWOM AN L ATOYA CANT RE L L FELICIT Y RED EV ELOPM ENT, I NC . T U L A NE R EGIONAL URBAN D ESIGN CE NT ER

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