Interior Design PORTFOLIO

Page 1

INTERIOR DESIGN

PORTFOLIO TULIKA KAUSHIK

DESIGN |ART |ARCHITECTURE


Personal Profile

Education

Name DOB Profession Nationality Languages

Bachelor of Design 2014 - 2018 School of Environmental Design and Architecture (SEDA) Navrachana University, Vadodara, Gujarat

Email Mob no. Address

Tulika Kaushik 13/03/1996 Interior Designer Indian English Hindi Gujarati tulika1330@yahoo.com 8758969311 F-106 hira baugh apartment, makarpura Vadodara, Gujarat

Interests Sketching, Painting, Reading, Reseach and Analysis, Content Writing , Dancing, Photography, Travelling B.A degree in classical dancing (dance form : Bharatnatyam)

Higher Secondary school Delhi Public School Vadodara (DPS) Science - Physics, chemistry, mathematics

Work Experience Studio Saransh (Ahmedabad) 2019-2020 Residential and commercial projects with an experience in working drawings, design process and 3D modelling

Internship Art and Architecture associates, Vadodara


Curriculum Vitae Academic Exposure

Publication

2014 -2015 Cube transformation, Space vocabulary, Planes and solids, architectonics, Drawing and Painting, Building construction and materials, Technical drawing and drafting, History of architecture

Analytical and research thesis(2018) in interior landscape design “The intersections in interior and landscape design�

2015-2016 Abstraction, Matrix, Residential Design, Environmental Studies, Furniture Design (Woodwork and Metallic Joineries), History (Study of Schroder house)

2014 - 2018 Linocut, Painting, Charcoal and dry pastel sketching, Script writing, Social innovation (khoj)

2016-2017 Retail store design (olympus cameras), corporate office design, working drawing (washrooms, kitchens) furniture design, professional practice 2017-2018 Theatre Design, Furniture Design, Thesis

Auxillary Experience

Related Study Program December 2014 Dadar and Nagar Haveli (Dudhani) Documentation of the houses of the people residing in Dudhani May 2015 Himachal Pradesh (Spiti Valley) Architectural documentation of the houses of the village of Kibber.

Software Skills Autocad Photoshop Indesign Sketchup Keyshot Microsoft Office Microsoft Word

Manual Skills Sketching Rendering Drafting Model Making

References Available on request


01. Theatre

03. Retail Store

Design

Design

A stage design created through the concept of Russian Constructivism

02.

A retail store designed for the camera brand, Olympus

Corporate Office Design A corporate office designed for the IT Company, Wipro

04. Residence Design

A penthouse design for a family of three


Contents 05. Working

07.

Drawing

Working drawings of the Residential and Commercial Washrooms and Kitchens

History

Modernism Schroder House by Gerrit Rietveld

06.

Office Work

Working drawings of electrical layouts, false ceiling, furniture layouts and details

08. Miscellaneous

RSP works of Himachal (Spiti Valley) and Gujarat (Dudhani), Abstraction and sketches


Aim

Theatre Design Semester 7 (2017)

The aim of this project was to create a set inspired from an art movement or based on a painter’s paintings from the Constructivism or the Suprematist movement. There was a warm up exercise introduced which revolved around understanding a suprematist painting and actually constructing it’s existence in the form of analysis and model making. This understanding had to be further used in creating an installation in from of the Kamatibaugh planetarium in Vadodara in the form of a stage for the performance of the artists.

T i d F T

Russian Constructivism This movement was chosen for the understanding of stage design as it revolved around technical analysis with the use of modern materials. The concepts should be carried out in buildings which used varying materials. The constructions conceptualised the buildings and not the other way round. The workings of artist’s paintings were analyzed in the form of real life size installations which could be used as a stage for the performers.

““The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything which is already finished, already made, already existing in the world - it is a symbol of a new world, which is being built upon and whichexists by way of people.”” - El Lissitzky


The Painting of the “Eight Red Rectangles�

(Preliminary Exercise)

The painting by Malevich include 8 rectangles in different sizes. The aim was to understand the painting and further analyze it. The rectangles were moved further away in space and it was concluded somewhere in infinity they would intersect at a distant point. Further, keeping the heavist mass static; all the other rectangles were placed at varying heights assuming they are in space. The smallest rectangle was placed at the bottom most quadrant.


Concept 1 The cube was dismantled by taking each face and removing each plane out of it. Each side out of the six faces was treated differently. One by one, each side was distorted in a different way.

The planes removed from the sides were scattered in a glass box. Thus the black cube is slowly shattering and slowly the red cube comes closer to it from infinity.

This process continues till a point where the black cube is no longer in it’s original form. It has completely been broken into fragments and scattered in the glass box.

Finally, the one thing remaining is the red cube which comes closer to the black cube and takes its place. This shows the empowerment of positive over negative.


The Story Of Two Squares

Concept 2 Scene 1

Scene 2

Scene 3

Scene 4

-El Lissitzky

Each face has red coloured on its front and black on its back Each facade can be accessed physically as well as visually.

Since there is an overpowerment of the red cube over the black one, the initial idea was to distort or explode the black cube and slowly converting it into a red cube. The cube could have been dismantled by removing its faces or by removing chunks of masses altogether.

People can view the change of colour from black to red in a dramatic way from the outside. Later, the installation can also be used to access the space from inside.


Corporate Office Semester 6 (2017)

Aim The aim is to design a corporate office for the IT department of the multi national company WIPRO in Vadodara. The site was a historic one called as the Shiv Mahal Palace located in Old Padra Road, Vadodara.

Design Concepts The IT department offers a Hierarchial order of the work status within the employees. Spaces need to flow into each other as well as be completely disconnected as well. The historic site offers rigidity which needs to be broken with limited number of planes.


The site of Shiv Mahal has structural importance and defined boundaries The concept is to break the boundaries without disturbing the structure. Thus, a curve was used as a visual and space dividing element

Solids, planes and transitional spaces are the ideal aspects of the design The inspiration of expression using minimalist design was taken from the study of Bauhaus.

The planes may procure through the curve, merging it with the design the planes and curves are not treated as two separate entities.


Curves within the space -

Sliding and folding -

A curve was used as a space dividing element and experimented with in different ways and forms to break the rigidity of the site.

The partitions facilitate sliding and folding doors which provide the necessary privacy at times and also provide enclosures used for private meetings.

The curve can be broken down into smaller fragments and can still be seen as one.

The spaces flow into each other and also can be completely restricted.

The vertical and horizontal planes penetrate the curve at different levels. The height of the curve is played with, it does not remain constant throughout. Instead it starts at the eye level and gradually decreases.


The Shiv Mahal Palace has an old structure and is culturally rich. This well defines the long standing company Wipro. However, for the younger generation that participates in the field, newer and trendy spaces are of importance. Therefore, a glass box was added for the newer and young employees. The pavement of the Shiv Mahal Palace leads upto this space. The TRANSPARENCY and the FLUID spaces allow recreational activities, dining and communication easier for the freshers.


washroom

workspace

workspace

connecting space

workspace connecting space

The departments are separated through different floors but yet the spaces flow into each other providing fluidity in the circulation of the space.

common area

workspace

common area

workspace

Division through planes and solids (furniture and partitions)

workspace

washroom

Circulation within the glass box

The IT department consists of freshers and young trainees. The glass box provides transparency and the spaces facilitate connection and communication amongst the employees. Free flowing spaces allow more user interaction and recreational activities.


Retail Store Design

Aim

Semester 5 (2016)

The aim is to design a retail store for the camera brand Olympus in Vadodara. The site was a store in one of the commercial complexes situated in one of the majorly popular areas of Vadodara.

Design Concepts Olympus has four divisions in the digital cameras with no more than 20 models. Hence, a more permanent setup for the cameras could be incorporated. The lightings in the store needed for focus on the individual products. Therefore, the black rods running in the ceiling are brought down to serve as individual lightings in the form of bulbs. Instead of using straight walls to act as display spaces, a certain taper has been introduced in order to facilitate visual connectivity. The amenities included in the store were display, circulation, lounge seating, photography studio, storage space, service space.

2 WD-01

MATERIAL PLAN SCALE 1:30


Compactness Loud, qualities that stand out Stable yet different Enclosed display spacings Interactive spaces Hence,a maze concept was used

More walk in customers Open plan followed Enclosures for the display Increased transparency Enclosed yet open Frontage has an important Role Areas inside designed Accordingly Buyer seller interactive Spaces Increased circulation Dynamic spacings Hence,maze is followed Maintained curiosity Dynamicity in activities Is followed


- ALL DIMENSIONS ARE IN MM - DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED - ALL VERTICAL DIMENSIONS ARE WITH REFERENCE TO FINISH FLOOR LEVEL LEGENDS & ABBREVIATIONS LAN POINT

FAN POINT

LIGHT POINT

AC STARTER SWITCH

TV POINT

LIGHT IN FURNITURE

GLASS PLUG POINT CEILING POINT EXHAUST FAN WALL POINT SWITCH BOARD IN PLAN SWITCH BOARD IN ELEVATION

3D-03

3

W

D-0

3

W

1 WD-03

DISPLAY WALL A-PLAN SCALE 1:20

2 WD-03

DISPLAY WALL A-ELEVATION SCALE 1:20

REMARKS

4 WD-03

QUADRO CHANNEL DETAIL SCALE 1:5

NAVARACHANA UNIVERSITY SCHOOL OF ENVIRONMENTAL DESIGN AND ARCHITECTURE

5 WD-03

RODS-WALL JOINERY DETAIL SCALE 1:2

NAME

- TULIKA KAUSHIK

BATCH - 2016-17

ID

- 14192020

DATE

B.DESIGN - III YEAR SEM.

3 WD-03

DISPLAY WALL A-SECTION SCALE 1:20

- 29.04.2017 N

SIGN

- VI

WORKING DRAWING SHEET NAME

ReTAIL StORE(design)

SHEET NO.


Residence Design

Concept

Semester 4 (2016)

Penthouse Design Occupants - A couple (age 65-70 yrs) with their grand daughter (18 yrs) Friendly, respectful and an intellectual relationship amongst the occupants

Grandparents

Grand daughter

Sleeping

Dining

Sleeping

Entertain guests

Reading

Work/ Studio

Watch TV

Playing games

Gardening


The occupants of the residence share a relationship of grandparents and grandchild. The space was an open plan where the communication was abundant between the two floors of the house. The open to sky space facilitates ventilation, easy access from the grandparents’s bedroom to the open space and also provides a direct pathway leading to the living room. The intersection of the dining,reading spaces is the open to sky space. The balcony of the granddaughter’s bedroom is placed right above the ots to facilitate ventilation, light, visual connect and communication. The granddaughter’s room has ample space to engage in her studio work.

Light

“COMMUNICATION” Ventilation

Physical connectivity Communication



Working Drawing Semester 5 & 6 (2016)

Topics - The workings of a residential bathroom. (Working drawings of a commercial washroom have also been done, a mall in the city of Vadodara was chosen for the same)

- The second set are the working drawings for a commercial kitchen of a restaraunt in Vadodara called Cibos. (Working drawings of a residential kitchen have also been done; a luxirious kitchen in the city of Vadodara was picked for the same)


WD4-02

- ALL DIMENSIONS ARE IN MM - DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED - ALL VERTICAL DIMENSIONS ARE WITH REFERENCE TO FINISH FLOOR LEVEL

2

100

600

1300

1

600

WD4-03

600

11080 600

600

360

600

1400

600 600

600 500

600

600

600

100 350

1100

240

600

600

1200

600

230

600

600

1200

600

870

700

ORDER OF KITCHEN FITTINGS

1100

800

100

125

300

PARTICULAR

NOS.

COMPANY

SERIES

MODEL NO.

CHIMNEY

01

PARTH

GL

6071TS

HOB

01

PARTH

STERLING

G600C

PARTH

GN

M702HPHM

SB

401BG

REFRIGERATOR

01

AQUAGAURD

01

WASH BASIN

AQUAGAURD

01

JAQUAR

SINK COCK

01

JAQUAR

FLORENTINE

FLR 5307N

ANGLE COCK

01

JAQUAR

ALI

85233K

630

495

ORDER OF KITCHEN FITTINGS

2

PARTICULAR

COMPANY AND MODEL NO.

SINK

JAQUAR MH 210

ELECTRIFICATION SCHEDULE S.B. NO. WALL POINT CEILING POINT 5/15 AMP

WD4-03

OTHERS

S.B. MODULE S.B. HEIGHT

2

650 150

PLUG POINT EXHAUST FAN A

1500

4465

B

D

650

WD4-03

C

1200

1500

1350

600

1200

S.B. 01

04

S.B. 02

02

FROM F.F. 04

900

01

06

900 900

S.B. 03

01

01

S.B. 04

02

900

S.B. 05

02 02

01

S.B. 06 S.B. 07

01 01

06 01

900 900 900

LEGENDS & ABBREVIATIONS

650

675

802

01

01

R

TILE START POINT

BASIN MIXER

NAHNI TRAP

HEALTH FAUCET

LIGHT POINT

SPOUT

DROP

DIVERTER

RESIDUE GLASS ANGLE COCK HOT WATER

SINK COCK

650

650

ANGLE COCK COLD WATER

1

PLUG POINT

WD4-02

1

CEILING POINT

WD4-02

290

WALL POINT

SWITCH BOARD IN ELEVATION

1 WD4-02

PLAN

2

1 WD4-01

SWITCH BOARD IN PLAN WD4-03

170 170

EXHAUST FAN

LEGENDS

SCALE 1:20

BRICK

10500 3800

SB-2

2640

SB-3

SB-4

1265

SB-5

1935

REFRIGERATOR

1100

OVEN

1165

STONE

CONCRETE

TILE,MOSAIC

MORTAR

STEEL,METAL

LIGHT WEIGHT FILL

PLYWOOD

WATER PROOFING

600

SB-1

1165

500

1600

100

730

150

500

MATERIAL PALATTE

TILE FINISH BLACK

1100

2130

600

1390

135

1770

TILE FINISH WHITE

700 600

GLASS

580

550

SB1-02 740

SB1-03

SB1-04 740

SB1-05 740

1190

840

600

600

740

1200

SB1-01 600

4500

600

SB-7

850

REMARKS

NAVARACHANA UNIVERSITY

600

560

300

560

580

SCHOOL OF ENVIRONMENTAL DESIGN AND ARCHITECTURE

1525

SB-6

NAME

- TULIKA, BHOOMI

BATCH - 2016-17

ID

- 14192020, 14192004

DATE

B.DESIGN - III YEAR SEM.

- 16.11.2016 N

SIGN

- V

WORKING DRAWING 2 WD4-01

CEILING PLAN SCALE 1:20

SHEET NAME

SHEET NO.

(design)

WD4-01

Commercial kitchen


- ALL DIMENSIONS ARE IN MM - DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED - ALL VERTICAL DIMENSIONS ARE WITH REFERENCE TO FINISH FLOOR LEVEL ORDER OF KITCHEN FITTINGS NOS.

COMPANY

SERIES

MODEL NO.

01

PARTH

GL

6071TS

HOB

01

PARTH

STERLING

G600C

PARTH

GN

M702HPHM

SB

401BG

REFRIGERATOR

01

AQUAGAURD

01

WASH BASIN

AQUAGAURD

01

JAQUAR

SINK COCK

01

JAQUAR

FLORENTINE

FLR 5307N

ANGLE COCK

01

JAQUAR

ALI

85233K

30

570

PARTICULAR CHIMNEY

ORDER OF KITCHEN FITTINGS PARTICULAR

COMPANY AND MODEL NO.

SINK

JAQUAR MH 210

550

3000

370

70

1300

350

1150

430

600

1100

200

1300

1000 300

350

450

1200

OTHERS

S.B. MODULE S.B. HEIGHT FROM F.F.

PLUG POINT EXHAUST FAN S.B. 01

04

S.B. 02

02

01

01

04

900

01

06

900 900

S.B. 03

01

01

S.B. 04

02

900

S.B. 05

02 02

01

S.B. 06 S.B. 07

01 01

06 01

900 900 900

LEGENDS & ABBREVIATIONS

550

850

850

1200

2100

2200

2400

300

550 450 600

ELECTRIFICATION SCHEDULE S.B. NO. WALL POINT CEILING POINT 5/15 AMP

400

500

1200

700

200

R

10500

TILE START POINT

BASIN MIXER

NAHNI TRAP

HEALTH FAUCET

LIGHT POINT

SPOUT

DROP

DIVERTER

RESIDUE GLASS ANGLE COCK HOT WATER ANGLE COCK COLD WATER SINK COCK PLUG POINT CEILING POINT EXHAUST FAN WALL POINT SWITCH BOARD IN PLAN SWITCH BOARD IN ELEVATION

LEGENDS

320

140

BRICK

STONE

CONCRETE

TILE,MOSAIC

MORTAR

STEEL,METAL

LIGHT WEIGHT FILL

PLYWOOD

215

WATER PROOFING

600

610

525

MATERIAL PALATTE

TILE FINISH WHITE

3000

20 280

TILE FINISH BLACK

200

1800

110

980

110

600

100

900

100

900

285

800

115

600

100

REMARKS

860

800

900

950

910

850

860

910

1500

GLASS

1300

1500

10500

NAVARACHANA UNIVERSITY SCHOOL OF ENVIRONMENTAL DESIGN AND ARCHITECTURE

1 WD4-04

FOLDED ELEVATION

NAME

- TULIKA, BHOOMI

BATCH - 2016-17

SCALE 1:20

ID

- 14192020, 14192004

DATE

B.DESIGN - III YEAR SEM.

- 16.11.2016 N

SIGN

- V

WORKING DRAWING SHEET NAME

SHEET NO.

(design)

WD4-04

Commercial kitchen


20 2000

2000

600

20

600

150

- ALL DIMENSIONS ARE IN MM - DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED - ALL VERTICAL DIMENSIONS ARE WITH REFERENCE TO FINISH FLOOR LEVEL

350

700

ORDER OF KITCHEN FITTINGS

20

145 A

70 1095

760

350 238

40

150

1100

6300

G600C

01

AQUAGAURD

01

AQUAGAURD

CENTRE HOLE BASIN MIXER

01

JAQUAR

WASH BASIN

01

20

150

FLORENTINE

FLR 5307N

ALI

85233K

PARTICULAR

COMPANY AND MODEL NO.

SINK

JAQUAR MH 210

900 900

S.B. 03

01

01

900

S.B. 04

02

900

S.B. 05

02 02

01

S.B. 06 S.B. 07

01 01

06 01

900 900 900

02

HEALTH FAUCET

LIGHT POINT

SPOUT

DROP

DIVERTER

RESIDUE GLASS ANGLE COCK HOT WATER ANGLE COCK COLD WATER

320

32 285 330

BASIN MIXER

NAHNI TRAP

SINK COCK PLUG POINT CEILING POINT

6

EXHAUST FAN WALL POINT

6

SWITCH BOARD IN PLAN

300

1480

SWITCH BOARD IN ELEVATION

BRICK

540

3000

6

LEGENDS

300

910

STONE

CONCRETE

TILE,MOSAIC

MORTAR

STEEL,METAL

LIGHT WEIGHT FILL

PLYWOOD

MATERIAL PALATTE

300

350

70

1701

TILE START POINT

1055

1180

920

01

LEGENDS & ABBREVIATIONS

300 155

FROM F.F. 06

S.B. 02

30 320

S.B. MODULE S.B. HEIGHT 04

04

480

300 1030 1050

OTHERS

01

S.B. 01

350

1100 1100 350

80

401BG

JAQUAR JAQUAR

WATER PROOFING

20 530

SB

01

350

580 20 580 285 20 20 700 470

M702HPHM FLR 5309N

01

R 600

GN FLORENTINE

ANGLE COCK

150

20

NOVA

MODEL NO.

SINK COCK

SCALE 1:20

600

LG

REFRIGERATOR

SECTION

20

SERIES

ELECTRIFICATION SCHEDULE

255

580 20 580 20

6071TS

STERLING

PLUG POINT EXHAUST FAN

680

580

GL

SIEMENS

S.B. NO. WALL POINT CEILING POINT 5/15 AMP

380

2 WD3-01

SIEMENS

01

ORDER OF KITCHEN FITTINGS

40

D C

1100

B

COMPANY

01

HOB

3000

580

905

600

1655

20

1100

70

585

650

550

710

325

PARTICULAR

700

NOS.

CHIMNEY

4580

CABINET FINISH BLACK

500

350 CABINET FINISH WHITE

1 WD3-01

UNDER COUNTER PLAN

3 WD3-01

SCALE 1:20

SECTION SCALE 1:20

GLASS

REMARKS

NAVARACHANA UNIVERSITY SCHOOL OF ENVIRONMENTAL DESIGN AND ARCHITECTURE

NAME

- TULIKA, BHOOMI

BATCH - 2016-17

ID

- 14192020, 14192004

DATE

B.DESIGN - III YEAR SEM. 4 WD3-01

DRAWER DETAIL SCALE 1:5

5 WD3-01

SHUTTER HINGE DETAIL SCALE 1:1

- 16.11.2016 N

SIGN

- V

WORKING DRAWING SHEET NAME

Residence kitchen (design)

SHEET NO.

WD3-01


- ALL DIMENSIONS ARE IN MM - DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED - ALL VERTICAL DIMENSIONS ARE WITH REFERENCE TO FINISH FLOOR LEVEL ORDER OF KITCHEN FITTINGS

150

835

250

250

325

350

430

1490

75 665

600

450

SB -1 SB-2

SB-3

300

1290

350

955

300

PARTICULAR

2185

6071TS

STERLING

SERIES

G600C

LG

REFRIGERATOR

01

AQUAGAURD

01

AQUAGAURD

CENTRE HOLE BASIN MIXER

01

JAQUAR

WASH BASIN

MODEL NO.

GN

M702HPHM

FLORENTINE

FLR 5309N 401BG

01

NOVA

SINK COCK

01

JAQUAR

FLORENTINE

FLR 5307N

ANGLE COCK

01

JAQUAR

ALI

85233K

SB

PARTICULAR

COMPANY AND MODEL NO.

SINK

JAQUAR MH 210

ELECTRIFICATION SCHEDULE

165 165 70

1045

435

875

2000

GL

SIEMENS

S.B. NO. WALL POINT CEILING POINT 5/15 AMP

700

SB2-03

SIEMENS

01

3000

500

690

685

SB-4

250

SB1-01

135

SB1-02

40

850

COMPANY

01

HOB

ORDER OF KITCHEN FITTINGS

600 2701

NOS.

CHIMNEY

OTHERS

S.B. MODULE S.B. HEIGHT

PLUG POINT EXHAUST FAN

FROM F.F. 04

900

01

06

900

S.B. 03

01

01

900

S.B. 04

02

900

S.B. 05

02 02

01

S.B. 06 S.B. 07

01 01

06 01

900 900 900

S.B. 01

04

S.B. 02

02

01

LEGENDS & ABBREVIATIONS 680 350

2 WD3-02

20

SECTION

R

SCALE 1:20

800

1424

SB1-04

SB1-03

6300

850

2705

700

TILE START POINT

BASIN MIXER

NAHNI TRAP

HEALTH FAUCET

LIGHT POINT

SPOUT

DROP

DIVERTER

RESIDUE GLASS ANGLE COCK HOT WATER ANGLE COCK COLD WATER SINK COCK PLUG POINT

1125

CEILING POINT EXHAUST FAN

1050

WALL POINT

725

30 1050

830

855

SB-5

SWITCH BOARD IN ELEVATION

LEGENDS

SB2-02

SB2-02

1125

3000

BRICK

60

120

230

1400

250

250

1930

LIGHT WEIGHT FILL

PLYWOOD

CABINET FINISH BLACK

150

4700

STEEL,METAL

WATER PROOFING

390

2160

TILE,MOSAIC

MORTAR

MATERIAL PALATTE

240

60

SB-6

STONE

CONCRETE

175

665

SWITCH BOARD IN PLAN

1760

30

250

SB-7

CABINET FINISH WHITE

550 685 GLASS 1 WD3-02

CEILING PLAN

3 WD3-02

SCALE 1:20

SECTION SCALE 1:20

REMARKS

NAVARACHANA UNIVERSITY SCHOOL OF ENVIRONMENTAL DESIGN AND ARCHITECTURE

NAME

- TULIKA, BHOOMI

BATCH - 2016-17

ID

- 14192020, 14192004

DATE

B.DESIGN - III YEAR 4 WD3-02

C SECTION JOINT

SEM.

SCALE 1:1

5 WD3-02

SINK DETAIL-SEAMLESS GLUE JOINT SCALE 1:1

6 WD3-02

GLASS FIXING DETAIL SCALE 1:1

- 16.11.2016 N

SIGN

- V

WORKING DRAWING SHEET NAME

Residence kitchen (design)

SHEET NO.

WD3-02


Office Work

Studio Saransh (Ahmedabad) 2019-2020

Topics - Electrical layouts - False Ceiling layouts - Toilet Layout - Furniture layouts and details The following residential sites were located in the city of Ahmedabad and Vapi (Copyrights of all the drawings are owned by Studio Saransh)


EQ

EQ

EQ

EQ

EQ

4'-7"

EQ EQ 2'-6"

EQ EQ 2'-3"

FAMILY ROOM 15'2"X14'10"

2'-2"

3'-3"

EQ EQ

2'-5"

EQ EQ

EQ

6'-1" EQ

7'-5"

1'

1'

SB 42"

1'

FL 20R x 171 19G x 275

2'-2"

1'-9"

3' 4'-2"

SB 42" 1'

BATH ROOM 8'3"X10'2"

4'-2" 8'-5"

4'-2"

4'-2"

SHOWER AREA 8'3"X4'

2'-1"

FL

6'-4"

2'-11"

1' SB 42"

SB 42"

3'-2"

2'

5'-10"

SHOWER AREA 8'6"X4'

3'-2"

PANTRY 4'6"X9'

LIFT 1710X1800

1'

SB 21"

2'-9"

2'-10" 2'

2'

EQ EQ

6"

2'-9"

6"

3'

5'-8"

3'-10"

3'-9"

EQ 4'-3"

FL

UP

2'-11"

EQ

SB 21"

-10 (WOOD) -12 FROM BEAM BOTTOM FL (POP) 1' SB 42"

1'

BATHROOM 9'5"X10'3"

FL

SB 42"

-6 FROM BEAM BOTTOM (POP)

5

2'-10"

SB 42"

4

2'-10"

DRESSING 10'10"X10'2"

7'-9"

3'-10"

3'-10"

6

2'-10"

5'-8"

3'

3'

GUEST BEDROOM 13'6"X17'11"

SB 42"

15'-6" 7'-9"

3'-10"

7

1'

5'-2"

2'-10"

2'-2"

SB 42"

2'-10" 5'-5"

2'-2"

3' 2'-10"

SB 21"

5'-6"

7'-9"

5'-5"

EQ 1'

1'

8'-6" EQ

EQ EQ 2'-3"

2'-1" SB 21" 1'

SB 42"

3

5'-6"

-4 FROM BEAM BOTTOM (WOOD)

SB 42" 2'-10"

PASSAGE 15'2"X6'2"

2

2'

-6 FROM BEAM BOTTOM (POP) EQ EQ

4'

1'

4'-3"

EQ

4'-3"

SB 42"

1

EQ EQ

3'

SB (A,B,C)

2'-10"

EQ EQ

3'-10"

3'

SB (A,B,C)

4'

FL

3'-10"

SB 21"

MASTER BEDROOM 18'10"X16'2"

SB 42"

EQ

EQ

EQ

SB 42"

-10 FROM BEAM BOTTOM (WOOD)

4'

13'-4"

EQ

3'

9'-6"

6'-1"

EQ 5'

4'-9"

4'-9"

-4 FROM BEAM BOTTOM (POP) 6'-8" 6'-8"

3'

24'-6"

EQ

SB 42" 1'-8" EQ EQ

3'

6'

SB (A,B,C)

SB 42" EQ EQ

EQ

EQ

EQ

EQ

2'-9"

3'-6"

6'-8"

5'-5"

BALCONY 17'2"X7'10"

6'-8"

10'-11"

4'-11"

40'-1"

THIRD FLOOR LAYOUT

HANGING LIGHT POINT

4'

FAN POINT

BRACKET POINT (HEIGHT - 7'-6")

SWITCH BOARD A - 13" B - 21" C - 42"

FL

FOOT LIGHT (HEIGHT - 3") PROFILE LIGHT CEILING LIGHT (PANEL POINT)

PROJECT

SOURCE

HERMITAGE BUNGALOW

1903/191205 electrical

AT AHMEDABAD

REVISIONS

CEILING POINT

millimeter feet & Inches

ALL DIMENSIONS ARE IN

THIS DRAWING IS THE PROPERTY OF SARANSH (AHMEDABAD) AND SHOULD NOT BE COPIED OR USED WITHOUT THEIR PERMISSION.

LEGEND :

TYPE

DRG NO.

Layout

A.4.1

TITLE REV. DATE :

ALT. NO. : 1

TF ELECTRICAL

DEALT : TULIKA CHK

: M.D.

SCALE : DATE : 191223

F-615, Shabri Apartments, Opp. Nirman School, Vastrapur, Ahmedabad - 380015. 079-26742374, +919227931416 design@saransharchitects.com


3" 6"

6"

9"

10'-2"

4'-4"

9" 1'-3"

4"

SECTION AA

9'

9"

9'-4"

2'

9"

6"

6"

6"

3"

SECTION BB

4"

2'-9"

4"

6"

6'

9"

9"

9"

9"

6"

1'-3" 9"

3'-3"

6'-6"

6"

SECTION DD

SECTION CC

9"

3'-4"

SECTION FF

6"

6"

3"

SECTION EE

1'

3'-7"

11'

2'-6"

2'-3"

3"

SECTION GG

3'-6"

9"

7'-3"

1'-6"

4'-5"

2'

9"

2'

9"

6" 3"

6"

6"

3"

3"

3"

6"

6"

6"

3"

SECTION HH

2'

9"

2'

9"

1'-7"

5'-10"

9'-6"

6"

6"

3"

SECTION II

2'-9"

SECTION JJ

PROJECT

Saransh

SOURCE

AVADH Heliconia

TYPE

Architects & Interior Designers

DRG NO.

DEALT : TULIKA CHK

REV. DATE : ALT. NO. : 1

TITLE Furniture Layout - F.F Option 2

: M.D.

SCALE : N.T.S DATE : 19-03-20

F-615, Shabri Apartments, Opp. Nirman School, Vastrapur, Ahmedabad - 380015. 079-26742374, +919227931416 saranshmmm@gmail.com



THIS DRAWING IS THE PROPERTY OF SARANSH (AHMEDABAD) AND SHOULD NOT BE COPIED OR USED WITHOUT THEIR PERMISSION.

6" 1" GROOVE

9"

3" 9" 9"

2'

HANGER

4'

2'

2' 8'

4'

EXTERNAL ELEVATION

2'

DRAWER

OPEN TRAY

OPEN TRAY

OPEN TRAY

OPEN TRAY

SHOE DRAWER

2'

DRAWER OPEN TRAY

4'

SHOE DRAWER

2'

INTERNAL ELEVATION

2' 8'

4'

8'

8' DRAWER OPEN TRAY

6" 10" 10" 10" 6" 3'-8"

6"

SHOE DRAWER

SHOE DRAWER

DRAWER

6" 10" 10" 10"

6"

7'-6"

3'-6"

3'-3" 3'-6"

HANGER

2'

feet & Inches

6"

ALL DIMENSIONS ARE IN

DETAIL B WARDROBE DETAILS

2'

REV. DATE : ALT. NO. : 1 PROJECT

SECTION DD'

DEEPAK MISTRY AT AVADH HELICONIA

TYPE

DRG NO.

WORKING TITLE

D'

WARDROBE DETAILS

4'

8'

4'

SOURCE

DEALT : TULIKA CHK

: M.D.

2'

SCALE : N.T.S DATE : 17-04-20

Saransh

D

PLAN

Architects & Interior Designers

F-615, Shabri Apartments, Opp. Nirman School, Vastrapur, Ahmedabad - 380015. 079-26742374, +919227931416 saranshmmm@gmail.com


Schroder House by Gerrit Rietveld continues to impress architects and interior designers with its innovative solutions to prominent design questions of its time. The flexibility of the interior spaces and the obviously planar quality of the house both give it an edge that makes it distinguishable and unique on every level. The Schroder House is the only building that was designed in complete accordance with the De Stijl style, which was marked by primary colors and pure ideas. The two-story house contains a transformable kitchen/dining/ living area, studio space and reading room on the bottom, and the second floor contained bedrooms and storage space, only separated by portable partitions.

“sought for the universal, as the individual was losing its significance... abstraction, precision, geometry, striving towards artistic purity and austerity.� - Piet Mondrian

History

Semester 4 (2016) The Schroder House


“ Structure creates spaces� - Open play, Non standard size of openings - Intersection of two windows Sense of floating space above the first floor - No strict walls - Elimination of corner Open corner - Interiors

Moving walls Fixed pieces of furniture

- Sliding and folding structures, interlocking planes allow spaces to open and close permutable combinations - Dutch brick and wood construction - Elevations Blur interior and exterior Color, placement and separation - X,Y,Z axis between all linear elements and planes - Components of facades

detachable and glide past one another


Topics RSP Semester 1 - Dadra & Nagar haveli (Gujarat) Semester 2 - SPITI valley (Himachal Pradesh) Travel Photography Sketches and paintings Furniture Design Semester 4 - Wood joineries Stool design Semester 5 - Chair design (Copenhague chair) Semester 6 - Material innovation Lamps made out of pvc

Miscellaneous works


RSP 1

Location - Umbermata village, Dudhani, Dadra and Nagar haveli The houses were self made using bamboo and mud. People engaged in cattle rearing and farming. The people earned their living in the form daily wages. Indoors included a common room, sleeping area, kitchen and storage, cattle shed, small attached garden, service area.

Elevation

Roof Plan

Floor Plan

Section

Section


RSP 2

Location - Spiti Valley, Kibber Village ; Himachal Pradesh Kibber village lies on the highest peak of the himalayas. People stay indoors for 6 months during the winters.

Monastry Section

People build their own houses using mud, wood and bamboo. Other places visited during the trip were Shimla, Chitkul, Kaza, Kalga and Nazo.

Monastry Floor Plan

Monastry Elevation

Kibber Street Elevation


Travel


Sketches and Paintings


Thankyou !

Tulika Kaushik Contact : 8758969311 Email : tulika1330@yahoo.com


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