CEILING Mineral Wool Board It _generally refers to mineral wool decorativ哩 sound-absorbing panels. or Fire Prevention Plasterboard
Lithocarpus Glabra Rehd It is particularly sensitive to fire.Once the『e is a blaze nearby,the tree bud will immediately spray a liquid bubble to extinguish the flame,helping the dense forest turn the corner 、‘ 、、、 、、
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: WALLBOARD i Magnesium Oxychloride 〈飞’ Fire Prevention Board : It is a kind of a magnesium : oxychloride cement product
Schima Superba Gardn. et Champ.: The water content of the leaves is up to 45%. Thanks to its denser and large crown and no-weed unde『 the tree,the tree is not only able to block the spread of the uppe『 canopy fire,but also make it possibleto prevent the ground flame extension
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"LISTEN AND BE HEARD ” TREE HOLE DEVICE GAFA Course Tuto 「： Hawan Yea 「： 2011
P「oject:
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Type: Individual Wo 「k Mate「ials: Light steel keels and wood 9 「ain cement fiber firep 「oofing boards Size: R= 1040mm,Height= 2570mm Site: Guangzhou, China Duration: 6 weeks
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’ Aloe Vera The dead leaves of aloe contain some non-flammable substances.With the protection of the dead leaces,aloes can not reach the high temperature of death when they are withstanding the fire
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The purpose of this course is to excavate the artistic exp 「ess ion of materials and construction.The p『ophase of the course is to study the specified environmental a 「t mate 「ia l一－deco rative high-pressure laminate, to comprehend the definition and classification of this kind of material, to acquire an inspirational outcome after cognizing the configuration and different manufacturing procedures of the material一－including the t raditional methods and the ca『ved methods such as CNC(Computer Numerical Control) .With the extension of t he comprehensive thinki 呵， I was supposed to complete my own design regarding the laminate.
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WALL FILLING MATERIAL ',, Glass Wool Board It is a new k.ind of inorganic thermal insulation material or f\ ·~ Vermiculite Boa rd 、 It’s an ideal insulator P1nus k。 ra1ensis : and can reduce ’ sound transference It has a p州cul arly J b~tween-r~o~~ p~－rtitioned by strong heat dissipation: stud and plaster-board walls. ~apacity,coupled with '· its hard wood and ex－丁一－一一一一一一一一一一一一－ cellent heat-resistance, : often being made up : for wood pipe ~－＇－ J
l e OVERVIEW OF TH E FIREPROOF MATERIAL The fire protection material system includes the artificial fireproof material and the natural fireproof material.
I was enlightened by t he 『elationship between the natural tree holes and people. Tree holes a『e formations f『om mother 「iatt』re,whiζh are not O「iginally desig 「1ed fo 「 the 『1at『ual c「eatu 「es and human bei 「1gs,but the 飞JSe『5 a wide range of patte 「ns 「elated to the cavities.T「ee cavities are keeping people’ s sec 「ets in a special open way. The holes are g 「acefully embracing people’ s invisible feel i 『ig nowhere to place. Mywo 「｜〈” Listen and Be Heard" stresses the contact between people and the nature.The high-pressure laminate, which plays a well-meaning fabricated role in environmental art design,would be the component of the landscape intallation simulated the natural tree hole.With establishing the connection of different tree hol 凹， the intriging interconnection between persons and between pe「sons and the nature world will be the game for both the secret release『sand the receivers, which would be full of possibilities and unknown suprise.
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There is no strong connection between the gene「al appearance of high-p 「essure laminate and its innate character, the surface however have been inte「preti『1g boundless expression fo 「 itself.This reminds me of that numerous natural features that have often been endowed by use『s with some particula 「 features or qualities which have nothing to do with t hei 「 essence.
This g 日 phic shows the daily occurrence of fireproofing board and some kinds of natural fire plantation in the same scenario.
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In addition to natural chemical 旧w materials,Natural fire-resistant materials also includes some plants. Most of the fireproofing performance of plants depends on some of its innately specific substance.with capacities of fire-retardant and fire p陀venti on .
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Definition of Fireproof Boa 时 A synthetic material with a fire-resistant matrix is added. Synthetic fire-resistant materials are indispensable building materials.
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e COMPARISON OF DIFFERENT KINDS OF e ARTIFICIAL FIREPROOF BOARD
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INSPIRATION FROM ANALYSES OF THE FIREPROOFING BOARD COMBINATION WITH MOTHER NATURE AND CREATURES
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In o『de『 to bette『 the simulation the nature of the trun k, the upper part of the polygon in proport.ion to 『educe 2 times and horizontal displace of a distance.
A plurality of line segment cutting circles form the top and the bottom cross-sectional configuration of the ”t『ee hole”.
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, The diagonal square steel tube 『einforces the entire structure. To make the device more stable when placed on the ground, the fulcrums will touche the g『ound.
Square steel tubes connect the upper and the bottom transversal keel. ’ .. . . ” . . . .. ”
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According to the height of different users, a number of different slopes of the angle iron have been set up.
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Other plants, fungi, moss growth habitat, such as mushrooms, moss and so on.
电peaking-listening tubes" with specific slopes joint by two ends of the angle irons.
Refering to the external walls of cemented wood grain cement fibe『 board fixed way, the boards are fixed in the steel structure.
The top ends of the wood g『ai n cement fiber boards present a different height, so that the form of the device becomes mo『e natural.
Top perspective when it is in used
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It will produce interesting links when people encounter tree hol俗，
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Tree hole gradually become a kind of spiritual sustenance of the image.
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STRUCTURE AND DETAILS
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BOONA BAANA TANZANIA ORPHANAGE DESIGN GAFA Bachelor Graduation Project Tutor: Hongyan Chan, Min Yang Exhibited Year: 2013 Exhibited Place: Guangzhou Academy of Fine Arts, China Type: Individual Work Project Size: approximately 1125m' Project Site: Dar es Saalam,Tanzania Duration: 12 weeks
Key words: moderate control; family-style orphanage; natural factors; growth; safety The purpose of the project is to understand the role and significance of moderate control over shaping space, and to study Tanzanian family-style orphanage as a starting point, deliberating a comprehensive conception. There are a lot of unnecessary waste of resources and spaces caused by over-design, and moderate design is the opposite concept. Therefore, the space proper control will inevitably exert significant influence in resource preservation and ecological environment conservation. Tanzania is in eastern Af『ica, with low industrial production technology,and its daily necessities have to rely on imports or second-hand market, people’s lives are at large in poverty.Unfortuntely the local residents have not yet awared of the meaning of appropriate control, unconsciously damaging the original ec。logical environment. In the long running the destruction would lead to imbalance between the lo日I ecology and development. Top view section
handwo『k
model 51/25
mate『ial(clay,linen,cardboard)
After accumulating experience and research in Boona Baana orphanag,which is located in the former capital Da 「 es Salaam for two months, my aim of the project was to conceive and redesign the orphanage (the old plot),embeding the moderate concept of design into the specific space, emphasizing the integration of space and natural factors.growth traces of children and resource recycling, safety and children's physical and mental health.imperceptibly establishing the concept of ecological protection on the orphans, who would be growing in a healthy and joyful environment.Although the whole outcomes was simply not be realize, the new thoughts are still worth being deliberating. Thinking map: Firstly, through perceiving the concept and the meaning of moderate design, the relationship between moderate cont 「ol and family-style orphanage is elaborated, and the importance of controlling space to protect the ecological envi 「onment and family orphanage is discussed. Secondly, Based on the current situation of Dar es Salaam in Tanzania and in-depth research on orphanag白， with the help of the four factors of moderate analysis (space, resources, behavior and safety)of the orphanage, I summed up the four factors and their respective characteristics in the specific orphanage situation, and put forward the design strategy according to the pertinent characteristics Finally, the redesign of the Boona Baana would try to achieve the goal of reconstructing the connection between children and nature, optimizing the use of resources and space in the courtyard, creating a sense of home security, and conveying the original design concept－一－ ecological conservation and healthy life pa忧erns.
6
MODERATE
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! Moderate design is a concept relative to over-design . ! 1
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Appropriate cont『ol of space which is not only beneficial to 『esources conservation and significant to the ecological environment protection, but also conducive to people’ s awa『eness of moderate self- develoo『nent and reasonable self-discioline . r
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According to the idea and practice of implied moderate concept, the embodiment of control in space sh。uld be based on the relationship between human psychology and behavior, materials and resources, space and environment, so as to avoid waste of resources and to protect the environment and also reasonable to meet the needs of people.On top of that it wou ld gu ide people's notion of survival to the notion of healthy desire.
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I SUMMARIZED SOME PROMINENT DISCIPLINES OF FOUR BASIC ASPECTS REGARDING THE APPROPRIATE CONTROL IN THE FIELD OF ARCHITECTURAL DESIGN AND THE CORRESPONDING CASES.
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SECURITY:
MODERATE CONTROL BASED ON ARCHITECTURAL DESIGN combnation with the case,analysis the embodiment characteristics of moderate control in architectural design from three levels
·ζonto 「mity
SPACE: to safety specifications
-Established in the authentic need of people
-Moderate risks in safety conditions enrich the experience
-Site cha『acte『istics e仔ectively correspond the features of different activities -Harmonize su『rounding environment and the site
Sufficient consideration of people’ s life patterns and psychological pe『ception, pu『sui 『ig healthy aesthetic
Parading-style design techniques pile-up style of modeling
DISCIPLINES OF MODERATE CONTROL IN THE FIRLD OF ARCHITECTURAL DESIGN
Weaken the existence of ego, pursuing the integration of the space and the surroundi『igenvironment
Assuming an ai 「 of heroic posture, being a big frog in a small pond CONCEPT & BEHAVIOR :
RESOURζE:
-Reasonably left vacancy
-Apply to the materials that confo『m to the local conditions
-Great 「estraint space design leaves the user a great spiritual monologue
-Apply to
『eused mate『i a l s
-Guide users to healthy and cheerful lifestyles
Constantly optimize the st『ucture, on the one hand in O『der to save mate『ial, on the other hand to achieve the comprehensive pe『to『『nance
Inadequate consideration of masonry approach, ignoring the 『elationship between the structu 「e itself and efficiency. Through the 「esearch on the design and application of architectural disciplines, I have put forward the basic principles of proper control of architectural space through the analysis of the sign ificance and connotation of moderate space design. Based on the above analysis, I had made an intensive field investigation and analysis on the moderation of the space and behavior of a family-style orphanage in TanzaniaBoona Baana, emphasizing the charac· teristics of moderate control in space design: app『opriate scale and relation of space, mode『ation of 『esou rice, moderate perception and behavior, moderate security. In the end.I embed the four characteristics as the core in design strategy, deliberating a conception of Boona-Baana Center For Children’S Rights.
7
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ORIGIN: Du『i『ig July and August in 2012, I traveled to Dar Es Salaam, Tanzania, to participate in an international volunteer p『ogram called AFRIKIDS, voluntary services fo『 O『phanages. So I had the oppo『tunity to visit many different types of orphanages in Tanzania, one of which is BoonaBaana Cent町， which I had been exclusively e『igaged in. Th 『ough
two-month volunteer work and an in-depth understanding of the cu 『rent state of the orphanage, I wonder whether a reasonable design would give them more help. After returning home, thanks to the opportunity of the graduation design project, I’ ve got a chance to 『ethink and conceive some new thoughts about space shaping of Boona-Baana, puting forward new ideas and design strategies.
0
BO伽BAANA: SMALL FAMILY-STYLE ORPHA
HISTROY OF BOONA-BAANA:
Boona-Baana is Kiswahili for 飞II of our children ”, Brooke, one of the founde陀， had the privilege of working with this child 『en’S 『ights organization for a month and discove『ed how much g『eater of an impact a small family-style O『phanage can have for a child ’ s future. Boona Baana’s outstanding feature is that it is not the traditional mode of collective raising, but the family management-based model.After comparing the characteristics of the BoonaBaana Center with other orphanages running in a different mode, the graph below summarizes the differences between two diffe『ent models of orphanages
Marco and the childs with the banner
Brooke and the childs
It really all started in 1992 when Brook was studying Chinese in Tianjin China . While the『e she had the oppo付unity to do some volunteer wo『k at a local o『phanage and she fell in love with so many of the babies.Brooke and Marco ma 「ried in 1995 in Taiwan and in 2000 they adopted thei『 first child, a 4-year-old girl named Messay, who is from Ethiopia. A yea『 and a half later they brought home thei『 second daughter from South Af『ica.Baby Elba was 7 months old when she joined the family. By then they had seen first hand the tragedy of HIV/AIDS in Af『ica and its afte『－ math of beautiful but homeless orphaned children.By July 2002, they had packed up and left thei『 jobs in HongKong to move to Dar es Salaam Tanzania and began, with the suppo『t of Dr. Rwezaura, the Boona-Baana Center for Children ’s Rights.Their aim is to nurture orphans into mature and 『esponsi ble adults, giving them the tools necessary to live a normal, happy and productive life despite their backg 『ounds.
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Easy negligence of an individual TRADITIONAL COLLECTIVE RAISING PAπERN Chakuwama Orphanage in π
OF RELATIONSHIP BETWEEN THE CHILDREN
ζLOSENESS
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Small scale ( about 10 pe「sons)
Pay more attention to individual demand and adapt to personal cha 「acter
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Like general schoolmates
As intimate as siblings and relatives
Meet the demand of common life I I
RELATIONSHIP BETWEEN THE CHILDREN AND THE KEEPERS
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SMALL FAMILY-STYLE Boona-Baana Cente『 in TZ
Play a role as home of soul
Regarding to the comparison of two different /' management p甜ems, the family model can i pay more attention to the needs of each child, : making up for parental absences. :
、~＇
。 RELATIONSHIP BETW川ODERA盯ONTR川D FAMILY-STYLE ORPHANAGE SPACE
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Moderate dealing with the relationship between the artificial spaces and the natural environment can infiltrate the nature through the space，『econstructing the bridge connected the natu 『al-missing child and mother nature This moderation space also can be flexible and bette『 adapted to the needs of the different children in the orphanage.
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BEHAVIOR
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SECURITY
RESOURCES Appropriate use of resources, as well as the friendly envi「onment selection and secondary use, not only can save resources, but also play an active 「ole in ecological protection
-
Fulfilled needs of children of different ages and various behavioral characteristics with moderate control of space scale, decent integration of natural as well as the social environmental factors with ch ildren 飞 9『owth space, and the appropriate control of the safety of children's play, nu 同ure ch il d『en’s physical and mental prog『ess and the healthy pe『sonal ity development.
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Prope『 control of the security conditionof the orphanage, on the one hand orphans could be able to re-find the family owne『ship and rebuild the sense of security, on the other hand, their strength of wills could be cultivated with reasonable risks and chaHenges.
8
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SPACE FEATURES Boona-Baana is situated in the leased area, so the house itself is not designed specifically for the o『phanage. Through observation, records and researchs I summarizes the users behavio『 characteristics and needs related to spac~s .which wi ll be as a starting point to put forward new ideas. Boona-Baana is located along Mori Road in Dar es Salaam, Tanzania, which is a typical urban housing type with many houses built on the 『oadside .Orphanage gate towa『d the nort hwest, in the middle of the garage and a star hotel, Wanyama Hotel. The local climate is hot and humid with the annual average temperature of 25.8 ℃ . April to September is the r11iny season, the annual October to next March is the dry season.
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OUTDOORS FACILITIES & ACTIVITIES DISTRIBUTION: Most play facilities are damaged and used for other purposes.
THE SPREAD OF THE DRYLAND AND THE LAWN: Dryland is the area with the highest 行equency of human activities
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THE OVERALL SPATIAL CHARACTERISTICS: The total area of the orphanage is about 1125 m2, with approximately 136 m2 of the construction area, and the yard area accounts for about 80% of the total a「ea of the orphanage.
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A.cc。r~ing t。 the wind directi。n to control unit windows' dorection and size. Because of the summer heat a~d no ai( conditi.oning, the maximum υse of natural wind cooling has important influence 。n the child's life.
To set up the sun's fabric cloth shed based on the fulcrum of the big tree, playing the role of shelter, forming a large area of gray space, in order to accommodate the scattered indoor unctions, in order to fully combine some indoor function with nature.
Natural g『ey space formed by the sfiade of the tree
Trees and the house unit bodv formed a multi-layer enclosed relationship. Shade of the trees natura lly to 「med gray space provides more active space for children in the orphanage.
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& CONCEPT
PLAY BEHAVIOR
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NUMBER OF PARTICIPANTS INDIVIDUAL GAMES DISTRIBUTION
BEHAVIOR TRIGGER CAUSE
..
INDOOR GAMES DISTRIBUTION
GROUP GAMES DISTRIBUTION
•
OUTDOOR GAMES DISTRIBUTION
ABRUPT MODE FIXED MODE 川 回 L_ J 」
Orphanage staff mainly composea of children, playing is the nature of chifdren, so playing is the most prominent actions of the daily behavioral
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Types: Group > Individual Preference: Group > Individual
LIVING BEHAVIOR
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G『oup
Types: Outdoo「＞ Indoor Preference: Outdoor > Indoor
games:hide and seek.ball games. role playing,scence simulation ... Individual games:playing toys,reading picture books ...
DISTRIBυTION
CHARACTERISTIS
HOURS OF ACTION
MODE OF ACTION
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Indoor games:board game,cooking studio Af『ican drum performance, fi lm seeing ... Outdoor games:dimbing,ball games,secene simulation,playing with sand ... MODE OF THE CONDUCTING DURATION
DEGREE OF PREFERENCE
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Samwel
The form of space and users’ behavior are closely related to behavior dominated by the concept. Concept and behavior demonstrated by the children of the orphange, affecting the shape of their living space.
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Compared with the chi ldren who have been living in the big city that I have contacted with before, the children living in this state demonstrate a more primitive conditions with spending most of the time in outdoor activities, fearless attitude to dirty and hurt, fu lly embraci~g the nature. However, with the advancement of modern technology, external factors give chi ldren access to electronic products, chi ldren have begun to show obsessed with the tencfency of electronic entertainment products.When they watch TV or video games are often c~mpl etel y fo『go忧en any surrounding environment.gradually leading to neglection of outdoor act1vit1es and nature 仨on tact.
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Children in the orphanage are not well-balanced between books and play. Amina is often drawn to other elements in l earnin~ periodic table of elements.and Eliza is often absent from the study, wh ile Issac will suddenly be in a slu gish state when commun icating w ith others. The house has a bookshelf, but the books have been dusty, we can see children ’ s attitudes in the orphanage toward the book and the pursuit of knowledge is not as enthusiastic as to play.
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f.ixed mode:pl ~y with the preset recreationa l facilities like seesaw,swing Abrupt mode:the p·lay behaviour inspi 『ed by the natural and _operable mate『ial like gravel.de oliation,the preset facilities to complete the non-default activities .. .
CONCEPT
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LEARNING
Types: Abrupt 2: Fixed Preference: Ab 「upt 注 Fixed
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SUPPERIMPOSING The high-frequency activity ranges of each child are superimposed to obtain 5 high-frequency behavior of the aggregation area. Tliese areas wi ll serve as rendezvous in the following design.
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1. Nearby the gate: neighborhood relationsh ip 2. Dry land: gross motor play area 3. Under the t ree in the ll)iddle of the yard: the highest-frequency action ag9regat1on area of the orphanage 4. The relatively stimulating playing area 5. Living room: the most polymerization area witnin the house
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DRYING AREA & GAME SPACE: As the 。rphanage needs to wash a lot of clothes <Nery day，如此闹剧。 bi g enough place for the laundry.The drying area is al臼 d回ig ned as a play space.Wh剧由e cl。thes and bed sh回b are hang· ing rn this area.the site for chasing is f，。rmed.being able for the children to play hide and 回ekand 巾， chasing gam毡
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Cll~BING EA9LITY .~THE TREE Combine the climbing facilities with a la’” Lr战 allowing the childr1>n 10 ex肘，i制臼 m。，e while climbing and 10 be safer
P~NE TH~T
MAKES SOUND: the African drums and the table the childr凹 can play drums 副 any time. E。mbine
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A view to the surrounding ’ busy town' context that could be observed tnro ugh the enclosing wall
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BEHAVIOUR CHARAσERISTICS : & SPACE EXPERIENCE DESIGN :
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The context surrounding the orphanage are all able to be observed bv the children if the child could observe the outside world at any time, they would be e~cour~ges to produce more emotional resonance and tney would satisfy their curiosity.
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NEIGHBORHOOD RELATIONS:
........
6
WALL.PLANT AND THE CHILDREN WHO IS INSPIRED BY THE CONTE×T OUTSIDE Different height openings interrupt the inclosed wall surface, so that children have the opportunities to observe the outside world at any time. Enrich the variety of plants in the yard to enhance the child ’s natural experience while providing more operable materials.
14
@ RESOUCES FEATURES
c。。I
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small and few
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and υn.stable, some has been deformed proper
decent thew h。le ind。。r flooring
sealed up the expo四d roof structure
m。ldy
rn some places
thewh。le
indo。v ceiling
Masai Village in The Serengeti
galvanized tube
galvanized tube
galvanized tube and bicycle tyre
one see臼W with a c。mm。n size
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PLANTATION
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” lvanized tube
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simple set up stove.lit with charcoal
typical ！。le of used 田 climbing a frame, used as
cat.chicken. birds.insects ...
twigs, fa Hen leaves
fo r d 「ying cloth凹，bed
plastic, fabric
sh回『，mattress
Herbaceous plant 日rpetgrass
Shrub
Polyalthra I。ngifolia Mango
Sansevieria trilascrata Prain Roysto~ea regi与
IENζLOSING WALL:
a framework, and rammed 时h
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Wft..LL O F THE SECUR附 A line of glass fragments is embedded on top of the wall to ach i ev哩 anti -theft e仔ect . Choose the p lant wi仙 natu ral thorns 肌l imb and cover the top of tt川all can a pp「。ch the same effect and can b e mo 「e e legant and natu ra
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REUSED Recycled wood and twigs and discarded tires 11 valuable resources
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STAGE 3 Plaster with rammed earth mixed w ith shell lime and straw.
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BU ILD ING WALL: rammed earth wall, joined with the straw and shell lime, which is of low cost and effective cont『ol of ai r humi d ity
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sunlight ~nd natural ~ind tap-water and mu~icipal electric lrght and electnc fan water tank electricity supply storage
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PROCESS Refer to the construction process of Maasai house, improvem制ts of the o呐a叫e design a 川ased on t he local conditions.
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MATERIA LS ACCORDING TO LOCAL COND ITIONS
Elect「ic
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MODELING O F WALL FO RMING PROCESS
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STAGE 3: Constructing roof structure bv criss crossi~g and fastening m e m bers
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ENERGY SOURCES
m。ving ab。υt scattered on the be abandoned tiled 。n the lawn, soft and green planted in the evenly distributed maily based 。n maily based 。n water supply unstable p。wer rn the h。use and groυnd,can be and occupation natural drying provides an flowerpot al。ng in the yard,with natural sunlight, natural wind, shortage.often sυpply,olter、 swing facility 刷、d climbing facility temp。rary,als。 the yard withoυt picked up at of the lands and under the sun. 。pen srte f。『 the edge of the various height and it is drm and the ind。。r without water. encounter sudden provide a hrgher a flxed site random, cause 臼nrtat，。n also provide a gross movment h。use.can and size of the during the day ventilati。n is relying on the power failure. laund『y hanging place for the c。ntribute to problem site for the childs change 。ver er。wn.providing ind。。r w四k water lank stick child's t。 play on time as children s嗣sonal products childs to obs凹v>e imagination grow and strong bars the 。utside for climbers produces smoke occupaied of different kinds can be found dirty and broken easily get dirt fl。urish fades plenty of su n light. 。utdoor is co。I, not clean flourish 阳st and the 『ubber 。f unstable rust and rust in the course of some playing of living beings any time again 。uld 。。r.but but weak ven- enoulh,s臼rce unstable the bicycle tyre unstable using the furnace spaces b l ock时 ind。。r tilation ind。。r 阳nning water 盯acks 。n e cl1mb1ng one climbing tw。 tw。 a cat.s。m e plenty outd。。r plenty outd 。。r sea『Ce sea 『Ce 。ne . one pi le 。f a dozens of _ a few 2.Sm' 2m' 0.5m 2.5m'2m*O.Sm 3m* 1.Sm叫 m 3m'1.Sh叮 m O . Sm 袋O .Sm 会a .am chickens.birds a large number a large number a large number a half of the different kinds W回kind。。r weak ind。。r crave ar回 yard (small size) (small s12e) small si.ze small size various insects tr四S 1.Smetres high
acrobatics space for some childs climbing space f。r childs except the orrgrnal use 。f seesaw
rust and unstable
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DYNAMIC RESOUCE AND ELE M ENTS
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AKE TH E DISCARDED TIRES AS AN EXAMPLE
~ The garage next door wi ll produce many d iscarded tires and so m e meta l struct
e : from the broken car, that can be used in combination to make a variety of th ings.
piled up
，。， growing
vegetables
ilThe bin 四n be rotated when one chamber is full
. LIFEαCLE SYSTEM
Cutaway V1ow 。f The Carousel S t'内 Comp。sting Toliet COMPOSTING TOI LET
VEGETAB LE GROWING AREA LAU NDRY AREA COOKING RANGE
COO KING RANGE & PLACE TO TAKE SHOWER Eco-stove: En cl osed chambers retain heat .Chimney channels smoke out o f h ome
POULTRY BREEDING AREA
15
SECURITY FEATURES PSYCHOLOGICAL SENSE OF SECURITY
-RESIDENTIAL SPACE EMBODIESζARE: The existing indoor space layout is in a o『dinary family sty怡， in which the connection amon~ every space are weak as they are strung by a linear corridor. The handli ng of space is a unified and there is no resident characteristics.
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take into account the characteristics of its corresponding users.
The cu『rent indoor layout is a linear c。nnection of all points, but the connection between the points are indirect.
.
Enhances sense of belonging.
-GROWING TOGETHER A name list 。n the kitchen d。口r says”Help mama dish wash ing,' requesting capable children t。 pa同icipate in the task of washing dishes in turns . As part of the fami忡， 。ne is resp。nsible for its construction and protection, and such a management model enhances children's sense of belong ing.
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Uninterrupted growth
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-SOCIAL RESPONSIBILITY In addition to taking care of children in the orphanage, it also takes the initiative to look after ch ildren who get lost in the surrounding E。mmunity or wh。 need assistance.There have had several cases 。f child『en being l。st and spending nights at police stations or even in the streets, which is very common there. Therefore Boona-Baana has Once the iron gate is closed, there is no way of assistance for the ch ildren in need t。 get in c。ntacted the local p。lice stati。n so they can bring lost children t。 touch with the people w ithin the c。u同yard the Center until their families are found. and get hel p in a t imely manner.
Let th~ childr~n i~ need
：：；：~.：：：
Children's behavior is unpredictable, they like thrilling explorati。n,so a safe environment f。r ch ildren's growth is essential. -PLAY AREAAND THE LIMITED AREA
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........ Set UP non-pla圳吁。ccupied a陪as
The play are喝 is mixed with some infrastructure, such as water tanks and water tank supports. M。st of the faci lities have been rusted, thus security risks 四sist
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TAKE THE NEED FOR ASSISTANCE IN STREET CHILDREN INTO ACCOUNT WHEN DESIGNING THE ENCLOSING WALL
outside
inside
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π3。vements
！
A special salvage station is next to the gate of the orphanage. Especially in the evening, when homeless chi ldren wa lks through, he/she can open a small window of the aid station, wh ich has some emergency things, such as water, quilts, food and so on.
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THE ENCLOSED LAYOUT The enclosed layout of the houses help to increase the psychological sense of security.
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•················”......…• CEr
.
ωw
． 叫 圄 ω
。。 n。t play 。n any facilities within the area
FURNITURES AND DETAIL HANDLING Furniture is fixed on the wa ll The edaes of the furniture are chamfered and soften
SOFT FLOOR COVERING Chi ldren’ s playgrounds are often made of soft ground materials, such as grassy land and soft sand.
：口3
. “ . .................................…·
SAFETY SPECIFICATION
_____j ~
··+
∞002仙’
-FAM ILY MODEL: The orphanage model is designed as a family model, so children can feel like being home. In this mode, child ’ s pers。nality will be more i ntense, and they can better play their 。wn strengths and develop.
-
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--
spi . · · “··“… · “··
--.
In the premi se 。f the security, appropriate to give child『en m。re 。ppo同unities t。。bserve
the outside world
.
~ ......…·······•
The assistance window is located in the wa ll next to the gate, can be opened inside and outside, with a small storage inside. The w in ow opening is at the height of 500 mm from the ground.considering the height of the little chi lds.
Enclosing walls and with the outside world
comrr、unication
16
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A vigorous moss growsfrom
thedeposited industrial
mate『ial
in one of the obsolete plants in Zinitang
CULTIVATION IN THE FACTORY ZINI SUGAR FACTORY TRANSFORMATION AND RENOVATION (ZINITANG PROJECT) Year: 2013 till now First Phase Duration:2013-2016 Project Site: Zinitang, Panyu District, Guangzhou, China Type: Group Work Size: approximately 250000m' Projects I Have Engaged: The lanscape and land planning of 1st phase of Zinitang Project; Waldorf Kindergarten; 1 ZHAO Hotel and 1 ZHAO Restaurant; Wing Tsun Square; Cunpu Lotus Pond; Identification and signage system Undeniably, in the future for a period of time, the industrialized operation will cultural have a composite and overlapping effects on the cu ltural and artistic self-operation . Although we can not predict the pros and cons in such a complex rep 「esentation , we sti ll need to concerned about and judge. We have been contemplating with the following questions:How to embed the traditional aesthetic philosophy into the contemporary cu ltural reality? How to excavate the cultural heritage of our ancestors, the Chinese people's creativity, taste and way of life? How to create an ideal space for the oriental? Zinatang Cultural and Creative Park is just an occurred of the gathe「i『1g of o『ganic ene『gy. The project has been launched to reach the beginning of the era of multi-level elements - local cu l tu 陀， business transformation, conventional wisdom, business management, p 「oduction and develop『nent, policy interpretation, ideas diffusion, craftsmanship heritage, ecological cultivation, network resources, community culture, economic benefits.After experiencing severa l times of ” the blood transfusion project”, Zinitang lucky escape from the estate developers ’ excavators. It is fortunate to become the e「a of the buffer zone in the accelerated development.It all comes from the mo l di 「1g of a piece of clay, which is the mate 「ia l of the old craftsmen, the organic material cultivated by the local villagers, and the inspiration in the eyes of the a「tist and the designer. Based on the combination of traditional artisan aesthetics and the creation of modern space, the concept of daily life aesthetics of Pearl Rive「 Del ta and the contempora 「Y cu lture communication, the c「aftsmen who know this piece of clay and the people who sha 「e the same property gathe「ed in this industrial site to cultivate the spirit of artisans. We have been tracing the source of every cultu 「al forms, retaining the "original presence” of beauty. We have been stitching and reo 「ganizing different kinds of formats, always adhering t。”ecol ogical aesthetics” perspective. This is not the collapse of the O「igina l factory, but the 「e-formation of the audience’s aesthetic perception . 2013, with beginning of the Zini Sugar Factory transformation (Zinita 『1g project}, we have begun a series of design and renovation construction work, including mapping drawing, road maintenance and pipeline dredge, demolition and reinfo 「cement, refu 「bishment, pools digging and hills heaping , trees planting and landscaping, mud pinching, blacksmithing and carpentering and so on. We have been expecting that these labor and dedication can rejuvenate the old factory and make it to grow again . Referring to these kind of labour, we call it ”the cu ltivation in the
facto『y”
叫 NSIDE
OUT ”
1 ZHAO HOTEL DESIGN
（ζULTIVATION
IN THE FACTORY)
Design and Construction Duration: 2013-2015 Project Site: Zinitang, Panyu District, Guangzhou, China Areaζovered: Approximately 620m2 ζon st 「uction A「ea: Approximately 2700m2 (5 floors in total) Type: Group Work Parts of My Contribution: Building facade design, hotel public space desil (lobby, logistics spaces, corridors, elevato 「 hal l ，「ooftop 「estaurant desig1 conceptual design and deepening of the room renovation plan, furn itl』n and a 同 supporting design,follow-up and supervision of whole proj配t construction as a project designer. The original Zini Sugar Factory has been being transfor1 which integrates a set of industrial development demon: creative cu l tu 『e industry, health and leisure tourism. wj will be able to nurture c「eative d 「earns and promote ti taste of life and cultu re. 1 Zhao Hotel (the original 1•1 guesthouse) is lo臼t创 Sugar Facto 『y),Zini Village, Panyu Dist『ict, Guangzhl the quiet Shawan Waterway. It is an im阴阳nt part o: transformation of the hotel is one of thtlltst YIO比 － The Facto旷． The 1 Zhao Hotel transfo『『nation 「enovated as a casual boutiq so that they will be 祖国画 fufl
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OF "ZINI" Zant 帆Hage started from the 阳n Dy喇叭AC.25·220) ! "name Zmi" repres凹ts 阳，pie soil.It is said the 。ri’”。I the : was bee“四阳re had b棚 lou叫 a farge tracts ' 。I porple 四ti Weal回 haw found a lot of purple d呵 ’” this 。Id plant and this iconic material will t脏。me 。ur impo由nl material for the Zinitang Project… J Most walls of 山e pla 咄 in Ztnita~g are 归llow, ,· so lhe ren。va lion proioct 刮目 maintains and ;
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~n
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Shawan Waterway
口 Undeveloped 口 Develo附 Boutique Catenng Drinks Tea/Coffee EDU/Studio
WHAT IS INSIDE?
Hotel Old Chimney Iconic Landscape/area
1 ·zhao ffotel before transformation
HOW TO LET THE INSIDE OUT?
THREE MAIN POINTS HAD BEEN RE FINED TO ACHIEVETHE GOAL ” INSIDE OUT”
⑩ 如3：哺：~~巳，~NT ＠ ：陆~ci~R~S~：~lORICAl
THREE MAIN IMPLEMENT
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The main facade of the original build ir可 was c。vered with dosed 由此 brown gla.ss windows, the accessibihtv between the indoor and outdoor wa.s
,:
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@
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if
main facade 叫川he sense of spa咽。cclusion.
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The newly added porch • the sir•僻t scr回n is a combination
＠ 。f discarded cast sleel.P.ipe. 川州时 pipe is the
Add the entrance oorch. S。 t here will be a gray.P.lace in fro们f the lobby. where provid回 a shelter before 目ep into the I。bby.
。”9i叫 water pipes within the water supply corridor in Zim Sugar Fact。ry and they has b旺。me a waste after the mill out of business. We cleaned up the scrap pipes, painted epoxy varnish, and erected them 。n the porch
The fl。。陌labs on the south and north side of Jl9t\ public resting 阴阳阳回ch lloo『 would be 也~ removed. τhe n阳 hole on the north side 明11 Z 坦附川巾ring spa四川t is. the line of S 均ht can reach 酬的 flo叫。m 伽e front desk on the first floor to the floo阻油田．
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υests bett·凹
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阳th t用n晴pare川 glas臼s. s。 that space l。oks mo『e rel剧时 and transparent.
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i The public resting spaces ~司到l'I i oneaGhfloorw刷刷i呻圄. . .’“··矗J ; independ叫 the connect1on .，.......哇 ”F : • between each floors was THE NORTH PUBLIC LOUNGE ··· 『咽，：： ： very weak. plus the 句 生 i ; surr。unding dark gla阳 THE SOUTH PUBLIC LOUNGE ”……：…”．．．”…·”…….......”…”…”…………·· …蝴u.e<ng 制刷刷 ·｜ 、．．．．”··穹 ·！”…？” · wind。ws and the row ~ ~ ceilir _made a ser depres<i。r、 a sightseeing el e恬at。r, in 。rder t。 service the ' •• •• •• ••
，~！lJI问l~~
、
The ba.m of the n脚 fire ladder 臼n not be set uo in the n。“， can only be hung on the w_all. In the design of the steel ladder. the structural enginee臼 cleverly 目t uptvv。到制 tru目。n J?oth sid筒。f the front and r回r of the steel ladder. which help to hang the whole ladder 。n b。th sides of the old gables.
The 。n inal building's top floor TOP FLOOR TERRACE ”….... .. .……·γ二………·…哇！川仁到川＇！.~附．立！！1. ！！！~1｝~.＇：！！...... THE ORIGINAL TERRACE ON ... .. To build a light steel structυ吨。f the THE TOP FLOOR 咽E，日feteria，。n the 。『iginal flat 『。。I, which . i…。ii size with 忡忡叩 composed d 。pen air garden Thereto盹 it will be able to make the building app a…。叫 the sυp p。rtir、g facilities 1。 activate the vertical space.M回nwhi l e it al，。 provides a broader public viewing platform 。f the old fact。ry and the river.
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Inclined columns inserted in the base st叩阳 support the widen balconi盹
The bathtub 剧目 and outdoor leisure lerrace of 四ch ro。m will be placed by the river
HOW TO LET THE INSIDE OUT?
＠ …川STRAINT
m 川口 THE HISTO叫 E …E TO
OUT OF THE INTERI OR
、，” CHARACTERI STICS
…
、':!!'.I ACTUAL NEEDS
0
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ADD叫
ROOMS INTEGRATION AND TRANSFORMATION The renovation design to maximize the retention o f the original st「uctu『e and external form . Pa 『ts of the indoor wa lls were remov创， it can expand room space to meet the requi「ements of modern guests. At the same time, various types of suites space have been designed. The five-storey riverview 陀staurant w ill cate「 to the neecfs of modern 「esidents.
”
。 In order to 响 the
。 阳band叫 ement 叫nd。wgrill回
top H。。『 r田tau『ant
。 Retain 川叩t回I beam
。n th ~ roof, c刀mbinedwi~h
@ had been collected and have been reused in the
＠ 拍d the out仰
better blend, we 四t ＠ 叫“s shelter as an indo。r d1mng
c。n目ruction 。f the
＠ 由e 。r
brick t凸 form a Ii『1e 。t 回＠t
bar
刷刷， while
reta1nina m。st al the ou t品。。r dining ar曲， in erea四 the fie司bility 。f dining. SF RIVERVIEW RESTAURANT 饨的PECOVE
刚刚 M恼’
i 川 MM咄制制 刷。础 刷州时
o ln 仙. fu眈U。nal lay。ut
。f the sl』ite, i!'.add1ti。n
4f ORIGINAL P队N
Bale。n
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ta the usual living r。om,
＠ 胁。。nl' ~·阳m,
四ch 如ite is con句ured
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STEEL BEAMS ON THE. RSJOF In 1984, when the bu1ldinq W缸 rebuilt, the four-story conference room was changed into a large space, and two central pillars we『e 陀moved from the two h。riz。ntal ax白， and three large steel beams we『e built 。n the roof.
with a very spaci。因 restaurant. The restaurant has a washstand, dining table and diningεhair. Gu自ts can feel free to dino there and play a c。mputer as th 町 were at home.
Living
2000· 2000
Room
阳山le 曲蜡
Wash Stand Cant回n
Wardrobe
Comfortable
4F ORIGINAL CONFERENαROOM
目·vervi栩如ite
3 『2
COMFORTABLE RIVERVIEW sum:
4FADJU到fOPLAN
3 呻2
。 Everv room has a relaxing
.r -=
Bale川ony
Bathtub
terrace and a 切thtυb area bv the river 四 au自ts 臼n
＠ ω川
3F ORIGINAL PLAN
El四ant R叫 时制
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Stondard
Room
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THE ORIGINAL ROOM The original room layout is simple. with poor ventilation and lighting.
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ELEGANT RIVERVIEW sum:
Balcony
3• 2 I -
number al rooms .mill The on 1” H。or has been
~ <f
！ 丰 巾naed from8 I。 6， ~
i 『Z’
I ......-!
二i
of w~ich 4 for the area of 89.31m' with twin b时s o『 doub le beds and ori ale
~arden, iai回 o~ 36ι6m'
with larae
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Modified Partition
川
‘’· · 3900mm
u 盯d 川恪附旧h叽
E
§
MM创 阴 阳协沪
刊＠＠
THE ORIGINAL IF E N CLOSI 例G FENCE R。oms 。n the first flo。r is close t。 the str回t, so there was a c。urtyard near the cublic ，。ad as a 川剧 Isolation spa囚， ut the yard w剖 not 四叩 effiently u目。f space and bee。mevl!叩 d。sed and dark
Riverview 句，to
Private Garden
耐verview
Stondard Room
21
The scrao steel in the old factory
Handmade furniture
。盯AILS IN ROOMS REFLECT THE HISTORICAL TRACES AND ORIENTAL ART AESTHETI臼
DIFFERENT KINDS OF TYPE OF ROOM TO SATISFY DIFFERENT KIND OF GUEST Type: Comfo阳1_ble Area: 170.95m' Number: 4 Location: 4F
Rivervi制 Suite
Doorplate which is combination of the animal pattern and the room number
Type: River Vi制 Standard Room 36.86 m1 Number: 6 Location: 1F-3F
.T川自阳l川 NATU阳L川
A『·ea:
We hope the guests' experience in the hotel will fullv embrace the natural
Hand-painted ceramic wash basin with natural pa忧ern
Type: Elegant Rive『 View Suite Area: 55.28 m' Number: 12 Location: 1F-3F
Type: Garden River View Suite A『ea: 89.31 m’ Number 4 Location: 1F
A line of old water pipes are erecting at the porch as st『eet SC『een . Hand-cut glass crash－『esistant birds pattern stickers
:’
Reflection of the hotel in the Cunpu pond
Balcony .with river view
Old water pipes
Abandoned hexagonal cement block.sand purple stones to『med the P『ivate garden ground. The rooms we『e designed to reveal the candy symbol of the old sugar factory. We have done a series of material tests…water mill ground.with colored glass ball made.
22
THE REASONS FOR THE DEMOLITION OF THE BUILDINGS IN THIS AREA: 1. The newly planned fire lanes must pass through this a『ea . 2. The construction of this area was the paper mill, afte『 many repeated additions, the buildings in this range does not meet the s_afety standa 「ds and could cause security risks after many comprehensive testing and objective and professional evaluation. 3. This area is located at the center of the 1•1 phase of the Zinitang Project. We hope to have an active gathering point. We consider this area is positive to set up a public place for the community.
由. Tea party
Teahou四
Chinese New Year flower market held by Lhe Zini Waldorf
DISPOSE THE REMANENCE OF THE DEMOLISHMENT
worksh。p
held by Craftsmen Library
气 COMMUNITY 、
EVENTS
Markel dav in Zini Village
Practice Wing Chun
.1' EXIHIBITION WORKSHOP
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ter「ain.
Chinese medicine charitv clinics ror the community
Ceramic art
陷nd erg arten
In the 『emoval p『ocess, pa 巾。f the original infrastructure (the original paper mills pool st『ucture, etc.) have been retained as the foundation of the later site te「rain. All the waste dumped after the demolishment had been piled up according to the design in situ to form the new undulating
Opera performance Can ton臼e
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/’ Wl,NG CHUN MAR刊AL AR:fS ', , Yim.Wing Chun st、• had a胁。rbed a numb曲。floc.;l'stia。!In 、 ,' Chuwse boxing s阳胁， oombin创 with the charade守旧ics o'f~ght 、 ，’ betw四n the snake and the crane, finallyt'<Mled tl)I' Wing ~un '. 1 ,martial ans.Yim Wino Chun later marn~ t剧nQ Boic,.(h剧， a臼II 飞 I merchant, who named !ho art 'Wi呵 Chun kuon＇阳ing Chun Fi到） afler 飞 I her. Leung 8。k·Ch~u was h<!r 佣ly sludenl Ioung B<>‘Chau was ve旷 1 I pbse臼ed with theatrical art.-S4nce 四ing tho Rod Boat Opora Tr四肝、 ： t Qnton回e 。pe币 perf。rmil(• (I'M Red 郎ar OfH't• Troupe was' a grQIJp of ; I O.ine坦旧时，咱 OJJ<'fd srng<>r5 who toured China in tlmlate 1,800. ancl ; I H咿 1900s th叮附＂＇ instrum酬。／ In form呻 ancl ／，嗣酬，a 阳＇pular ; upnsing against tho Qi”’即阳S轨 using & dortvati帽 style of Kung Fu ; I f, g hting 归 de阳f !JO阳nment r1oops.}, he d回idod to travel with the ; I Red 如at lrom Nar飞i阳>g例。”h QJ Guangdong} to Guangzhou白削阶。I ; Gua ngdon份 to settle 。wn LeUng Bok:a刷10 later haa imparted the j 飞 Wing Chun fat to tho Rod 如a!,.g刷p Thqt、th~W1吨 Chun ku•n had i
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TRADITIONAL TILE RIDGE DOLL AND CANTONESE OPERA ARTS During the middle and late Qing Dynasty to the Republic of China, ceramic roofs were the popular decoration of large publJC buildings (school. temple. hall. anc田t『d hall. etζ） in Ungnan ar回 The traditional 四日m1troof reflects the folkco阳。tation of local peop怡’“ocial Irle. A common theme of the tile ridge doll (porcelain f1gur自 built on the tile 『idge}is ab。ut th• stones of the 。pera characters. including Canton回e Opera themes and h1stor1cal st。”田 bywh1d、 the longing or local p四川。 for longevity and peace, wrt and braveness. honosly and krndnoss <an be e晤，自S刊.The tradition will be mrxed into the d时1gn or the 吨uar也 hoping that these tile ridge dolls could bee。me the patron 目的1 。f the old facto叩 Whars mo吨， people 臼n get aυp-close l o。k at the traditional folk art sensati。n and impo刊~nee
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1 Allocate di 1 to the road network and the entrances. :
In the elevation design of the square, we interpret the tecnnique of the snake and crane image as the relationship of obstruction and wide vision.
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WIDE VISION
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Obstructive scenery is an expression of Chinese classical garden art. By applying hierarchical layout, structures such as wood and stone to block or divide the secenry, one can not take in all the scenery in a glance. Scene「y differs with steps. VIEW BORROWING The method of view bo『rowi ng means brin ing t he view which is outside the garden into the scope of garden so that one ca n see t he outside view as well.
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floor (2 2.8m)
’f「 h 1 Apply the hard s~ene in ~~e centre uplifting area
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OBSTRUCTIVE SCENERY
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Uplifted area
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1 structures as the basis for the lifting of the 1 1 terrain, the crushed material as fillinQ material, : : upl阳he centre spa时0「 main activities. 1
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TECHNIQUE Regarding the Wing Chun, The snake has the ability to twist.Its spiral curve movement constantly changes points, so that the opponent is di icult to figure out routine, taking ve『ygood control; The c「ane has tlie power of flapping wing, gently flapping wings to produce a huge lift, which is of nigh strength.
: tour route becomes more
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The view wall blocks the rear structure and is at a high level, so the visitor does not immediately see the back view as he walks uphill.
1 main active : the ha『d and 州 ccmtrast ma~e the s削ook 。 like a red b口创刊。甜吨 in the 「阳·
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Uplift创 area
Uplifted area (2m) (2 Sm) SloP.e lead to u Waterscape
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The small woods blocked the back wall
F「om the other direction into the square the screen wall first block part of the scenery.
The square is surrounded by the old factory buildings, naturally forming a la 『ge backg 『ou nd. From the four directions of the square to have a fa 「－sig hted which are served by the industrial landscape as a backing.
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INNER PHILOSOPHY In Wing Chun martial arts, Snake image is mainly perceptual response. Crane image is mainly speed energy. Its essence is 'hitting its head with the response of tail, hiting the tail with the response of head, hitting the abdomen with the response of both head and tail' We apply this reciprocal relationship into the sequence of the entire space.
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OPPOSITE SCENERY In the garden, one can get on kiosks, floor, pavilion to aprreciate scenery such as bridge ,mountain and trees. One can also app 「eciate scenery of kiosks, floor, pavilion from the site of bridge, mountain and tress.
言骂主要安：：：：：
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合，， refers the fou『 steps of Chinese regulated classic w『iting; the introductio' the elucidation (of the theme), the changing to anothe『 viewpoint and the summing up. Chinese classical garden technique also pay attention to this 『elationship of the sequence and transformation. The main landmarks, walls, sculptures and walking routes, terrain combined to form a 『elationship of mutual response.
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The tile ridge dolls with plain and elegant colo「．
The large cement frag『nent plays the role as display platform with an old machine on it 吐丛
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Tile ridge dolls based on the opera characters. •
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Cement blocks scattered the transition place of the ha『d ground (water brush stone g『ound) and so伐 ground (lawn) .
Application of the ball-milled bricks The 『ed color also 『esponse the the red boat image.
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Cement blocks scattered on the grnund with the 11111 Callisia repens,which is collected within the factory :
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The ridge doll is mounted on top of the remaining pillar •
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View borrowina The old factory represents an industrial landscape backing.
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The tile 「idge dolls when they had not been fired in the kiln
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