Desgin Portfolio by turan oztopal

DESIGN

PORTFOLIO by TuranOztopal

‘’ Take what comes your way. Do the best with it. Be responsible as you can and something good will happen. ‘’ -Frank Gehry



EFTJHO MJGF

Turan Oztopal



ARCHITECT & LIGHTING DESIGNER

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

 

                                    















 









 





 

   

  



 

 



       











      









 



  





















 















 

 



































ABOUT O ME

Hi, Iâ&#x20AC;&#x2122;m Turan. Iwas born in 12 August 1992 in BalÄąkesir, Turkey. I have lived in Izmir for 7 years. I was graduated at department of architecture in 2016. My design curiosity comes from to explore different places, different object. Design is an important part of our life and it is everywhere in our life. The design is not only to design a space/place. We design a life for people. I like to look and explore different, creative design staff. Therefore I want to produce design stuff so I have worked freelance job for 2 years. Also I worked at So architects company after the these freelance jobs. And nowadays I am studying about Master program of Lighting design and Led technology at Politecnico di Milano and doing my internship at one design studio which is Migliore+Servetto Architects. Among the programs I know are Autocad, Archicad, Lumion, 3D Studio Max, SketchUp, Photoshop, Dialux, Rhino, Cinema 4D. I am successful in 3D and 2D visualization,lighting design, interior design, facade design also architectural rendering/drawing.

CONTENTS Architectural Design 01 02 03 04 05 06

Sport Academy Urban Design Cafe Design Store Design Residential Exhibition Design

Lighting Design 01 02 03 04

P a g e s

P a g e s P a g e s

Exterior Lighting Innovation Center Cultural Heritage Campus Lighting

Graphic Design 01 Kent Hali Logo Competition

P a g e s

33 63

P a g e s

68 74

Product Design 01 Smart Luggage 02 Lighting Box

Photography 01 Museum 02 Exhibition 03 Light

Architectural Design

Sport Academy For Graduation Project Year : 2016

Sport Academy

LIFE SPORT ACADEMY AT GURSEL AKSEL STADUIM / IZMIR

Sport is very essential in terms of physical and mental development for childreen. It is not just an activity it is also a kind of culture lifestyle. But it has not developed in our country to much. Sport activity starts with family. Playing in the streets with friends is not enough to get this culture. The aim in this project is to teach this activity to children in the open space they do sport with their family. Therefore children start to enjoy sport. To do this activity design open green active and secure places. I also revise the green area in front of Migros and add my project area. I design a green axis between this area and the last of my area. In this axis there are a lot of activity for children. Sometimes this area becomes open play area sometimes walking ways and resting places. Also I design multipurpose places in -4 level plan. Here not just for children also for families there are activities. Also there are unfunction green area around the site. This project bring solution to this passive areas. Everyone can benefit from the project. Because it has a strong relation with outside. By this way I bring solution the sport problems in the area and country.

02-03

Architectural Design

Sport Academy

+4,00 Floor Plan

Ground Floor Plan

+8,00 Floor Plan

-4,00 Floor Plan

Sport Academy

04-05

Architectural Design

Urban Design For University Project Year : 2016

Urban Design BELONGING & NEIGHBOURHOOD IN DEGIRMENDAGI / IZMIR

Degirmendagi is one of the most important residential district in the city in terms of its strategic location.. The aim of the project is urban design to Degirmedagi destrict where has not adequate importance and also design a city campus in this area. Belonging problem is the main issue for our design. People live here but they do not feel to belongtheirselves to Konak/Izmir. Their daily routin is to go work and come back to home. They donâ&#x20AC;&#x2122;t want to spend their time in Degirmendagi. By taking an advantages of their daily and week habits we designed stop points. These different points are production, sharing, entertainment, social points on main and optional routes. Main routes shaped on daily routine. Optinonal routes are community centers.

06-07

Architectural Design

Urban Design

08-09

Architectural Design

Urban Design

Architectural Design

Cafe Design For So Architects Cafe Alsancak Unlu Mamuller / Bornova Year : 2016 10-11

Architectural Design

Cafe Design Alsancak Unlu Mamuller Bornova/Izmir

Alsancak Unlu Mamuller is one cafe which has Franchising in Turkey. They want to open more branch. So this is the one design of them in Bornova/Izmir. Exterior Render

Cafe Design

Interior Render

12-13

Architectural Design

Cafe Design Alsancak Unlu Mamuller Dikili/Izmir

Architectural Design

Store Design

For Oztopal Store Year : 2017

14-15

Architectural Design

Store Design Oztopal Gida Store Balikesir

Oztopal Gida is one of the pulse store in Balikesir

Store Design

16-17

Architectural Design

Residential Design For Macit Architects Macit Residence / Aydin Year : 2017

Residential Design

Macit Residence has 6 home which is in Aydin / Tukey. And this project is visualization project for Macit Architect. 18-19

Architectural Design

Residential Design

20-21

Architectural Design

Residential Design

Kitchen Render

Residential Design

Bathroom Render

22-23

Architectural Design

Residential Design

Study Room Render

Residential Design

Living Room Render

Bedroom Render

24-25

Architectural Design

Exhibition Design At Migliore + Servetto Year : 2018

Exhibition Design

DreamSpace Render (which is before to enter experience rooms)

26-27

Architectural Design

Exhibition Design General Idea of Experience Rooms

Each experience room has 3 zone. These are installation, materials and practice zone. When young people come to here first they will see one installation. So they can try to experience and take inspiration. Then they will learn that what kind of materials are used in that installation. at final part, it is more for activity. so they can plan and enjoy with some interactive games.

Exhibition Design Equilibrium-Balance Experience Room

There is one projection and it shows a lots of grid. This grids move as a perspective. sometimes it is going down as a virtual effect and you feel that you are at top of the place. and there is one podium you can walk and the effect that you feel to walk top of the hill.

28-29

Architectural Design

emptiness / fullness

Emptiness-Fullness Experience

it is kinetic lighting and it moves down

it is going up

feeling of cave so it is so full space

feeling of relax and that space is empty

There is circular luminaire which has sensor for the movement. So when you enter the room some of them are goin to down and cover you. So you feel that effect of cave and you will feel that also pressure because of fullness. The second story when you touch them, you make them to move up. So all off them will go up and you will say it is so empty space..

Real-Fake Experience There is grid on the floor and wall. And that grid is kind of art illusion. So because of illussion, it seems there is hole. But some of them is not hole some of them not. So it is real or fake? You have to experience by your walking. Then you can guess which part is real and fake. So before the door there is big hole and you have to decide you will jump or not to reach another room?

Exhibition Design Emptiness-Fullness + Real-Fake Experience Room

Exhibition Design When color changes, music mood will be changed. So depends on your mood, you have to choose color. When you select blue light, music will be happy mood. And when range of blue is dark sound is so much. But when it is getting white there is no sound.

Noice-Silence + Solo-Group Experience Room

There is spotlight inside of the room. But normall the room is totally dark. These luminaire has sensor which one calculate fullness rate. So the exit door is also not visible and if you want to see it and exit to space, you have to join another people as interactive place... 30-31

Architectural Design

Exhibition Design

Entrance of the Exhibition Building Render

Lighting Design

Exterior Lighting For Politecnico Di Milano Year : 2017

32-33

Lighting Design

Exterior Lighting Basilica of Sant'Eustorgio + Street Re-lighting

Exterior Lighting

Luminaire

Artemide

Iguzzini

Disano

Iguzzini Zumtobel

Iguzzini

34-35

Lighting Design

Innovation Center 3M Center in Sweden

We designed one Innovation Centerâ&#x20AC;&#x2122;s Lighting part.And we got inspired by Carlos Bernardini who used fiber optic to give a feeling of illusion and connections to let the visitors start their experience suddenly in a way to keep them curious about whatâ&#x20AC;&#x2122;s ahead.

Innovation Center Virtual Presentation Area Virtual presentation area where people discover the new technologies in the transparent screen.

36-37

Lighting Design

Innovation Center Main Display Area We started to implement linear strips of LED that emphasize the direction of circulation inside the room leading to brainstorming area, allowing a sneak peak to the most important room.

Linear LED strip colors go from cold to warm which gives a feeling of motion in the area.

Luminaire XAL

Iguzzini

XAL

Innovation Center Brainstorming Area + Lounge Area MICROS

Berlino

MICROS Q80 6/2,3W LED830 700MA SP AL

Cup

Design Piano Design

Design Roberto Pamio

iGuzzini

september 2017

iGuzzini

LED ceiling-recessed luminaire (beam angle); lamp(s): 6/2,3 W LED830, colour temperature: w luminous flux: 708 lm, Luminaire efficacy: 51 lm/W; colour rendering index: RA80; 50,000h ser recessedseptember luminaire designed as replacement for 50W low-voltage halogen lamp; die-cast alum 2017 surround in brushed finish; includes 0.62m power lead (halogen-free) with power socket for m tool-free installation in ceilings of thickness 1-25 mm; ceiling cut-out: 80x80 mm, recessed de Please note: please order control gear (700mA) separately as accessory; please also order on control gear unit; luminaire can also be operated using 350mA or 500mA control gear, which r and higher luminaire efficiency.

Berlino

Cup

code 4327

code MQ96

Luminaire

LED ceiling-recessed luminaire

Technical description Technical description Pendant luminaire for diffused lighting with mains voltage LED lamp. Thicklighting pressedfixture glass diffuser. Ceiling technic Internal/external designed forrose useand with 1x2 elements made of aluminium and steel. Diffuser click-on coupling has covering a safety system to prevent accidental release of the up of box and flange, complete with cooling fins Steel suspension cable with millimetric adjustment system.

Aluminium element supporting the lampholder fixed to the adjustment of the light source by means of 3 nickel-plated with hexagonal screws on silicone sea located near the suspension element to guarantee IP65 p

Installation fixed to the flange Ceiling rose element to be fixed to ceiling with screws and screw anchors.

Iguzzini

Size (mm) ÂĄ [

Iguzzini

Zumtobel

ZS_MIC_F_Q80_LED_700mA_ALM_SP.jpg

Installation

Light Distribution Fixed to the ceiling by means of a base with fischer screw

installation is supplied as anď ¨ď&#x20AC;şaccessory together with the 100% â&#x20AC;˘ Light Source: LE straight cable180Â° code 4447). â&#x20AC;˘ Luminaire lumin 150Â° 150Â°

Colour White (01) | Grey (15) Weight (kg) 1.99

Size (mm) ÂĄ [

120Â°

Mounting ceiling pendant

90Â°

120Â°

â&#x20AC;˘ Luminaire effica â&#x20AC;˘ Correlated colou â&#x20AC;˘ Rated median u 50000h L70 at 2 â&#x20AC;˘ Luminaire input â&#x20AC;˘ Maintenance ca

90Â°

Colour Grey/aluminium (78)

Wiring info 60Â° Three-pin terminal board on ceiling rose: quick-coupling connections

60Â°

Mounting ceiling 30Â° pendant

30Â°

Complies with EN60598-1 and pertinent C180 | C0 C270 | C90

0Â° kcd/klm

ST6854.ldt Wiring info Wiring for 250W HIE/T metal halide lamp inside the box f

Notes Complete with glass protection screen. The following acc

Product configuration: MQ96

All values marked with an * are rated values. Luminous flux and connected electrical load are subject to an initial toleranc 150 K. Unless stated otherwise, the values apply to an ambient temperature of 25Â°C.

Product characteristics Total lighting output [Lm]: 663 Total power [W]: 9.7 Luminous efficacy (lm/W, real value): 68.4 /LIH 7LPH K / 7D Â&#x192;&

Optical assembly Characteristics 1 Light Output Ratio (L.O.R.) [%]: 78 Lamp code: LED ZVEI Code: LED Nominal power [W]: 9.7 Nominal luminous [Lm]: 850 Lamp maximum intensity [cd]: / %HDP DQJOH >Â&#x192;@

7RWDO OXPLQRXV IOX[ DW RU DERYH DQ DQJOH RI Â&#x192; >/P@ We reserve the right to make technical changes without prior notice. 16.12.2017 ÂŠ Zumtobel - 5-year guarantee in comp com/guarantee Emergency luminous flux [Lm]: / Voltage [V]: 230 Number of optical assemblies: 1

Number of lamps for optical assembly: 1 Socket: / Ballast losses [W]: 0

Colour temperature [K]: 2700 Product configuration: 4327+1746 80 lamp HQI-E 250W/D E40 5200 K coat 1746: MetalCRI: halide Wavelength [nm]: / MacAdam Step: /

Product characteristics Total lighting output [Lm]: 16150 Total power [W]: 275 Luminous efficacy (lm/W, real value): 58.7 Number of optical assemblies: 1

Polar

Optical assembly Characteristics 1 Light Output Ratio (L.O.R.) [%]: 85 Lamp code: 1746 ZVEI Code: HIE Nominal power [W]: 250 Nominal luminous [Lm]: 19000 Lamp maximum intensity [cd]: / %HDP DQJOH >Â&#x192;@ Â&#x192; Polar

Utilisation factors

38-39 Design

Lighting Utilisation factors

MQ9

Innovation Center Shop Store+Corridor

60813922

Times New Roman K); Luminaire uminous flux; LED luminium ceiling ixing clips provided for ght: 0.29 kg; ad (60700226) per uminaire luminous flux

metal halide lamp. Control gear box in die-cast aluminium made with no. 2 steel suspension cables for easy maintenance. means of no. 3 M4 screws. Focusing device for precise ews with steel spring. 99.85% superpure aluminium reflector spension element. PG11 nickel-plated brass cable-clamp

Luminaire

C_M_Q80_LED_upgrade.wmf

STD - standard el suspension cable with fast-coupling system. The kit for ceiling ns of power supply cable in colour 04 (spiral code 4449 or

Zumtobel

3000 Kelvin

sed IP2X

lded and drilled aluminium bracket and fastened to the flange.

ce of color temperature:safety +/e available: grill comprising concentric rings (code 4445).

f guarantee at www.zumtobel.

Complies with EN60598-1 and pertinent regulations

RWDO OXPLQRXV IOX[ DW RU DERYH DQ DQJOH RI Â&#x192; >/P@ mergency luminous flux [Lm]: / oltage [V]: 230

umber of lamps for optical assembly: 1 ocket: E40 allast losses [W]: 25 olour temperature [K]: 5200 RI: 90 avelength [nm]: / acAdam Step: /

4327_EN 1 / 3

Zumtobel

Cultural Heritage FAI Albergo Diurno Venezia

40-41

Lighting Design

Cultural Heritage

42-43

Lighting Design

Cultural Heritage

Zumtobel

Voltlighting Desisgn Heure

Luminaire Iguzzini

O/M

Bega

Osram

Artemide

Cultural Heritage

Luminaire Artemide(W)

Artemide(RGB)

Video Projector

44-45

Lighting Design

Cultural Heritage Sec�ons

Voltligh�ng SpotLight

Zumtobel spot(costumize)

Iguzzini LED Strip

Artemide LED Strip RGB

Design Heure Wall Lamp

Osram Pendant luminaire

Cultural Heritage Entrance

BEGA

46-47

Lighting Design

Cultural Heritage Permanent exhibiďż˝on Scene 1

Zumtobel

Iguzzini

Cultural Heritage Temporary exhibiďż˝on Scene 2

48-49

Lighting Design

Cultural Heritage Permanent exhibiďż˝on Scene1

BEGA

Cultural Heritage Temporary exhibi�on Scene2

Video Projector + So�ware Playlist Mode

Live Mode

50-51

Lighting Design

Cultural Heritage Permanent & Temporary exhibiďż˝on

52-53

Lighting Design

Cultural Heritage Temporary exhibiďż˝on

54-55

Lighting Design

After analysing the mass plan of the campus, we realized that the block and spaces ‘’garden, meeting area, pedestrian...’’ are not connected. Sowe started by thinking how to connect this space, make interaction and give students a very innovative and different university experience by using LIGHT. To implement this concept, we got inspired from Italian designs ‘’Smeg, Vespa, Fiat, Ferrari...’’ They prefer using round edge instead of sharpe egde. So our lighting conncection is based on rounds and organic shapes that are connecting all the campus. In the morning, wetook advantage from the sunlight which show shadows that are making usable objects for students.

Campus Lighting

Campus Lighting Site Analysis

56-57

Lighting Design

Campus Lighting

58-59

Lighting Design

Campus Lighting

60-61

Lighting Design

Campus Lighting

Graphic Design

Logo Competition For City Planner Chamber in Ankara Year : 2018

62-63

Graphic Design

Logo Design

Logo Design Color Codes

64-65

Graphic Design

Logo Design Application+Website

Logo Design

66-67

Graphic Design

Product Design

Smart Luggage For Targa Bonetto 2018 Competition Year : 2018

Smart Luggage

68-69

Product Design

Smart Luggage

70-71

Product Design

Lighting Box For Freelance Year : 2018

Lighting Box

72-73

Product Design

Photography

01 Museum

Year : 2018

Museum

Vitra Design Museum Weil am Rhein/Germany

Vitra Design Museum Building Architect > Frank Gehry 74-75

Photography

Museum

The Vitra Fire Station Architect > Zaha Hadid

Museum

Jewish Museum Berlin/Germany Architect > Daniel Libeskind

Reichtag Berlin/Germany Architect > Foster + Partners 76-77

Product Design

Photography

02 Exhibition

Year : 2018

Exhibition

Fondazione Prada Milan/Italy Architect > O.M.A

78-79

Photography

03 Lighting

Year : 2018

Lighting

80-81

Product Design

Lighting

Chiesa Rossa Church > Dan Flavin Milano/Italy 82-83

Photography

THANK YOU