5 minute read
Ulukhaktok Western Drummers and Dancers
—MARY K. OKHEENA
Anyone who has travelled the Inuvialuit Settlement Region will speak highly of Ulukhaktok. Its people and culture come with a reputation for friendliness and strength. But that kind of internal spirit, in a remote community of 400 people, takes effort to develop and maintain.
The Ulukhaktok Western Drummers and Dancers exemplify the history and culture of the people, and they carry on a tradition that stretches back in time across the Western Arctic and into Alaska. But keeping the culture of drum dancing alive was thanks to a small group of Inuvialuit in the late 20th century who couldn’t resist the beat.
Sisters Helen Kitekudlak and Mary K. Okheena recounted their families’ experience rejuvenating the Inuvialuit style of drum dancing in Ulukhaktok.
To pass time together in the early 1980s, Agnes Nanogak Goose and Jimmy Memogana, Helen’s father, began trying to remember the old Inuvialuit drum dance songs and would sing together. Jimmy made a makeshift drum, and the two got more into it when they could hear the beat.
From there, they wanted to reconnect with other people in the Delta, as the culture of drum dance had become weak and rarely seen.
A group of Delta drummers and dancers visited Ulukhaktok in the ‘80s and spread some of the historical songs of hunting and happiness. That spurred more people in the remote Arctic community to become interested, and the group started to form.
“Our families used to visit each other a lot,” said Helen. “I remember them always having tea before bedtime. My parents’ house happened to be a popular place to gather before bed.”
One night, they started to sing, and before long, everyone joined in. It suddenly became the way to spend quiet nights in Ulukhaktok, and so the Ulukhaktok Western Drummers and Dancers came to be.
Most of the group’s songs are ancient, with their exact origins difficult to trace. The Inuvialuit style of drum dance dictates that the women don’t move their feet while doing their graceful arm movements, and the men drum from behind.
Hunting inspired many songs, as people would celebrate their catches through music and dance. All of the Ulukhaktok songs are meant to uplift and be cheerful. Some tell stories of hunting, but all are positive. Some have no words – just “ayayas” – while others have words corresponding to movements.
Mary had learned the central style before the western Inuvialuit style of drum dance. They differ in the beats, length of songs, subject matter and how they are performed.
“My mom loved the beat,” recalls Mary, whose mother was primarily a central-style dancer. “After we did some (western-style) songs with my dad, my mom would join in and she would start singing and I’d start drumming following her, and then she’d start laughing and say, ‘Not like that. You have to go sexy.’ Then she’d grab the drum from me and show me how it’s done with the movements and little jumps, which I’d copy.”
In the early 2000s, the group faced internal struggle, with some members wanting to change dances or songs. This can be considered disrespectful, as the songs are meant to be performed in honour of the originators, and in the same style as the people who created them.
A new generation began to grow into the Ulukhaktok Western Drummers and Dancers, and among them was Karen Kitekudlak, daughter of Helen. She took the reins of the group and united the members going forward. Justin Memogana now leads the group and Bree Memogana is the lead female singer and dancer.
Today, the Inuvialuit style of drum dance is alive and well in Ulukhaktok, connecting current and future generations to those who are long lost, but never forgotten.
Susie Memogana
Lucas Kitekudlak
Troy Kataoyak
Mistina Ekpakohak
David Ekpakohak
Bree Memogana
Karen Kitekudlak
Billy Goose
Spirit of the Song
On the way to our drum dancing excursion on the land with the Ulukhaktok Western Drummers and Dancers, Dorian Kuneluk’s skidoo caught fire and couldn’t be put out.
It burned to the ground, but that didn’t seem to dampen his mood.
“It was really sad, but I just kept smiling,” said Dorian. “It’s replaceable. It isn’t hard to buy a new one. It was scary at first but when I got off the skidoo, I just kept smiling and laughed, made jokes about it. It’s all good.”
After making sure the fire was out and everyone was okay, he hopped on a different sled and we rode out to Martha’s Lake to fish, hunt and dance.
Drum dancing always lifts his spirit.
“It makes me happy every time I’m down. Every time I’m mad, I always go drum dance. It makes my heart feel better, takes all the pain away.”
Always Ready for an Impromptu Goose Hunt
Hunters by nature, the Ulukhaktok Western Drummers and Dancers came prepared on their drum dance outing.
Dorian Kuneluk first spotted a small flock of geese on the ride out. When the group reached Martha’s Lake, David Ekpakohak started calling them, and the flock circled overhead.
The hunters grabbed their guns, while the rest of the group crouched, watched and smiled.
Though no geese were hit, the event was a sign of the real start of spring, and was one of the first geese visits to Ulukhaktok of the season.
In the Arctic, there’s never a wrong time to hunt geese.