REVIVED BY A GROUP OF TEENS after the tradition began to slip following the passing of elders, the Saliqmiut Drummers and Dancers are now some of the most passionate and energetic culture carriers of the Western Arctic.
Group leader Joe Nasogaluak would always play drum dance music in his home while his children grew up. He remembers his three boys – Larsen, Henson and Joe III – listening to it and gathering together with other Tuktoyaktuk peers in their house to practise.
“One day we were sitting down and we could hear them pretty clear and they sounded real good, so I went to see them,” said Joe.
“They were a little off-beat but they sounded good. From there, it caught my attention again, so I coached them. They did whatever they could to find and learn the songs, and to this day I’m still just coaching them.”
When watching the Saliqmiut group perform, one notices the professionalism. The members strive to faithfully and powerfully carry on their tradition, with none being shy to lend their whole voice or body to the song.
Crisp white is the signature style of most of their clothing, along with a range of colourful amautis or covers. The coastal people take their tradition seriously.
Still, they aren’t afraid to build upon their history. Members outspokenly plan to create new songs and put their own signature on tradition.
As Joe explains, respecting the culture doesn’t mean doing the same thing every time.
Brayden Teddy
Clorese Nogasak
Chantal Gruben
Diane Nasogaluak
Henson Nasogaluak
Joe Nasogaluak III
Joe Nasogaluak
It instilled on me when my father used to sing in his room. He was always singing when he wakes up, before he sleeps or any time of the day. He was a teacher of drum dance songs and a drummer, my mother too. All our life we grew up with drum dance. That’s why today I’m still involved in it.
When you’re drum dancing, it all comes down to respect. You grab a drum, you put on your atikluq, it’s like a hockey jersey. Our clothing is white, because my father always used white for hunting. My father said you have to create your own identity, and I didn’t know what it meant at the time. But in this area, we’re the Saliqmiut, we’re the coastal people, and that’s what he meant.
Drum dance is like our language. You hear people saying the same word with different meanings in different places. I don’t want it to be like that. I want it tone-for-tone in the same way it was brought up for all of us.
Looking at these young people, you get a warm feeling when they’re dancing and singing. It’s a wonderful feeling, knowing at least for now it’s not finishing.
What we need to do now is have our own songs and carry it on. In all things, you need to move on. Add to what’s there, but at the same time keep the culture and don’t change it.
When we were growing up, women couldn’t grab a drum, but in this day and age we have to move on. We’re all equal. In our group, I have the young girls grab a drum because we’re all equal. We need to move on while keeping the traditions. We need to create our own songs from this area. We can’t always move forward with the same, same, same. It will get stale. We need to add to this. I’m not sure what it is, but we need to add to this.