CB0018-01 Willard, B. - Darkbeast PREVIEW

Page 1

BROCK WI LLARD

DARKBEAST FOR WIND ENSEMBLE I NST RUMENT AT IO N: 2

Piccolo

1

8

Fl ut e 1 /2

Bass Dr um

4

Oboe

Tri angle

4

Clar inet i n Bb 1

Crot al es

8

Clar inet i n Bb 2 /3

Xylophone

2

Bass Clarinet

4

Alt o Sax 1 /2

2

Tenor Sax

Suspended Cymbal

1

Bari tone Sax

Crash Cymbal s

2

Bass oon

Glockenspi el

1

Percussi on 1 :

Percussi on 2 :

Snare Drum 2

Horn in F 1 /2

Vi br aphone

2

Horn in F 3/4

3

Trumpet in Bb 1

6

Trumpet in Bb 2/3

Glockenspi el

2

Trombone 1

Snare Drum

4

Trombone 2 /3

Xylophone

1

Bass Trombone

Crash Cymbal s

4

Euphoni um

Mari mba

4

Tuba

1

1

Percussi on 3:

Percussi on 4: Xylophone Vi br aphone Glockenspi el Anvi l

1

Percussi on 5: Mari mba Snare Drum Anvi l Percussi onis ts may s hare al l inst ruments except Anvi l


se

qu ire s pu ch

P e Y as

C r O

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S re A

RU

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PE


A BOUT : Brock Wi ll ard’ s for ay i nto seri al is m i s dark and omi nous, wi th every sect i on bei ng chall enged by al tered t ime and harmony. This work is f or any advanced ensemble looki ng to explo re nonst andard t ime wit hout excessi ve di ff i cult y. FROM THE COMPOSER: Darkbeast st arted as an experiment, an assi gnment gi ven t o me by my t eacher; t o writ e a pi ece us ing s eriali sm. Bef ore the composi ti on of Darkbeast , my only percepti on of s erial is m was that it was random

P e Y

and chaot ic. The piece us es a very cl ear sequence of pit ches but how t hey are used is a clear deviati on

f rom the tradit i ons of Schoenberg and hi s fol lowers. Darkbeas t is pri mari ly i nspi red by t he experi ence of pl aying an ex tremel y dif fi cul t vi deo game f or the fi rst ti me. The hero walks i n t he moonl ight and goes t hrough bri ef epi sodes of horde af ter horde of horri fi c creat ures and angry att ackers. And t hen, he

encounters t he bos s: t he bi g bad of the l and. The pi ece f oll ows thi s clear arc over i ts t hree s ecti ons.

Scan t o l et t he compos er

know t hat you are pl aying

PE

Addi ti onal par ts are avai l able f or

le ga

purchase f rom t he publi sher onli ne.

© Copyri ght

pu

t his composer!

lu

Firs t print ing, December 201 9

Scan t o l earn more about

se

RU

thei r pi ece!

qu ire s

S re A

L

ch

as

C r O

DURATI ON: 5' 23"

2 019 "TUX Peopl e' s Mus ic" All Ri ght s Reserved


se

qu ire s pu ch

P e Y as

C r O

L

S re A

RU

lu

le ga

PE


Darkbeast

Transposed Score

Clarinet in B  2/3

 

 

 

    



Alto Sax. 1/2

 

Tenor Sax.

 

Baritone Sax.

 

Bassoon

 

Trumpet in B  1

 

Trumpet in B  2/3

 

      

Horn in F 3/4

  

             

 

 

PE

Bass Trombone

   st. mute          st. mute            

st. mute

       

Tuba

Percussion 1 (Bass Drum Triangle Crotales Xylophone)

Percussion 2 (Suspended Cymbal Crash Cymbal Glockenspiel Snare Drum Vibraphone)

Percussion 3 (Glockenspiel Snare Drum Xylophone Crash Cymbal Marimba)

Percussion 4 (Xylophone Vibraphone Anvil Glockenspiel)

 

   

 

             

 

se

              

   

 

   

            3

3

3

3

     

 

    

       3 3 3  3          

3

 

 

             



L

 

              

 

             

 

   

   

 









3

      

 



   

 



Bass Drum

soft beater    

 

Suspended Cymbal

 soft mallets    



 



Glockenspiel

 plastic mallets      

Xylophone

 

 

  

 

1

2

  

3

 

4

         

Marimba

  Percussion 5 (Marimba Snare Drum Anvil)

le ga

Euphonium

 

 

lu

Trombone 2/3

 

RU

Trombone 1

 

   

qu ire s

  

 

S re A

Horn in F 1/2

 



C r O



   

st. mute

   

 

3

3

 

Bass Clarinet in B 



    

st. mute





         

 

 

P e Y

Clarinet in B  1

  

as

Oboe

 = 85   

ch

Flute 1/2

for Wind Ensemble

pu

Piccolo

Brock Willard 2019

to Crash Cymbal

 

            3 3  

5

6

7

8

   

 

© Copyright 2019 "TUX People's Music" All Rights Reserved Tuxpeoplesmusic.com CB0018-2019-01


Darkbeast

2

B  Cl. 2/3

B. Cl.

A. Sx. 1/2

     

    

  

  

 

     

    

 

  

 

 

  



   

        

     

    



B. Sx.

 

open



 

Hn. 3/4

      

Tbn. 2/3

    

 



Tba.

 

    

 

 

    

   



   

         

          

    

 

  



  

  



  

  

  





   

solo   

   

 

 

    

  

      

  



    

 

            







     

  

  

     

   

     

 

 

(bass drum)

Perc. 1



le ga

Euph.

PE

B. Tbn.

RU

Tbn. 1

se

 

S re A

 Hn. 1/2

qu ire s

   



  

lu

 



L

open

B  Tpt. 2/3



   

 

 

 

  

  

B  Tpt. 1

T. Sx.

Bsn.

        

 

                    

P e Y

B  Cl. 1

ch

Ob.

C r O

Fl. 1/2



pu

Picc.

  



as

    

9

  

  

  

       

Crash Cymbal

Perc. 2

    

(glock.)

Perc. 3

 

   

 Snare Drum

to Snare Drum

(xylophone)

Perc. 4

  

   

 to Glockenspiel     

Vibraphone cord mallets

to Vibraphone

   









(marimba)

  

Perc. 5



9

10

11

12

CB0018-2019-01

  

 

13

 



 

14

15


Darkbeast

3

Fl. 1/2

 

       

B  Cl. 2/3

B. Cl.

 

 

         

solo



3

3

3

3

    

 espr.

3

         

 

          

3

3

B  Cl. 1

3

3

Ob.

a tempo

   

 

  

  

  

 

3

P e Y

Picc.

21

rit.



         

16

3

3

 

tutti        3 3  

       

3  

 



Hn. 3/4

 

 



 

Tba.

 

le ga

Euph.

PE

B. Tbn.

 

lu

Tbn. 2/3

RU

Tbn. 1



S re A

Hn. 1/2

3

 

         

   

  

se

B  Tpt. 2/3

3

L

3

 

3

      



 

 

   

3

3

3

3

          3 

          

3

3

3

3

 

  

qu ire s

 

3

st. mute

B  Tpt. 1

  

3

      3  3      

as

Bsn.

 

ch

B. Sx.

3



C r O

T. Sx.

 

pu

A. Sx. 1/2

     3 



 



 

 



Perc. 1

Perc. 2

Perc. 3

Perc. 4

         

17

18

19

20

21

22

Glockenspiel

3

 

3

        3

3

Perc. 5

16 CB0018-2019-01

to Xylophone

dead stroke

       3               3

 3

3


Darkbeast

4 23

Picc.

Fl. 1/2

   

  















 



 















sub. 



 



 

                                             sub.   

 

  

 





3

      3    



Hn. 1/2

Hn. 3/4

Tbn. 1

Tbn. 2/3

Tba.

3

 

3

  

  

    



  



 

 

L

                            



 

  

 

  

 

 

  

 

3

    

 

3

   sub.





 

   



3

   

Perc. 2

   

(xylophone)

Perc. 3

Perc. 4

Perc. 5

 

 

 



           



    

  

 

     

 

 

   

 

3

3

3

  

  

 



3

 



to Triangle

 

to Glockenspiel

  

         

3

3

3

 

3

      3 3

23 CB0018-2019-01

24

 

3



 

3



   

 



       

 

3 3

   

3

3 3

 

 3







      



sub.            

div.

 

           

     

 

 sub.

3

 

  

      

 33

(crash cym.)

        (vibraphone)          (marimba)        



(bass drum)

Perc. 1

              



 

le ga

Euph.

  

3

PE

B. Tbn.

qu ire s

B  Tpt. 2/3

  

  

S re A

B  Tpt. 1

 

3

se

Bsn.

  

lu

B. Sx.

   

3

  

RU

T. Sx.

P e Y

A. Sx. 1/2

 



as

B. Cl.





sub.                 sub.

   

B  Cl. 2/3



ch

 



C r O

B  Cl. 1

 

pu

Ob.

25

26

27

 


Darkbeast  

 

  

28

Picc.

 

5

      

      

      

      

 Fl. 1/2

 

         



    

 

     

 

     





 Ob.

 B  Cl. 1



 

 

 B  Cl. 2/3



             

 

A. Sx. 1/2

T. Sx.

B. Sx.

B  Tpt. 1

B  Tpt. 2/3

3

Tbn. 2/3

 

 

3

Tba.

3

    

 





 

 





as

ch

       

       

 

 





 



 

 



le ga

Euph.

 

PE

B. Tbn.

        3  3          

  

pu

       

S re A



            

 



se

Tbn. 1

  

RU

Hn. 3/4

Hn. 1/2

qu ire s

       

L

            

lu

Bsn.

P e Y

C r O

B. Cl.



Perc. 1

Perc. 2

Perc. 3

Perc. 4

3

   

    

 

  3

       

3

 

3

3

Perc. 5



 

  

CB0018-2019-01

3

   

    

3

3

  

3

 

 

 

3

3

  

 

 

 

3

   

3

 

to Snare Drum

3

  

       3

3

33

34

 

3

      3 3

31

 

    

3

 

3 3

30

3

3

     

3 3

    

3

3

      

3

29

    

3

3

      3

28

3

3

3 3

    

        

32

 


Darkbeast

6     3 

35

 



          3  

 

          3  

 

            



 

 



          3 3  

 

  

 

      3

3

3

3

T. Sx.

B. Sx.

Bsn.

 

  

 



 



          

 

 

 



           3 3                     



 

 

 



  3

3

            

3

Tbn. 1

Tbn. 2/3

 

 

Euph.

Tba.

 

 

 

 

 

 

le ga

PE

B. Tbn.

se

Hn. 3/4

RU

3 

lu

  

3 3       



 

+Crotales Triangle

Triangle

Perc. 1

  

  

Glockenspiel

Perc. 2

  

3



(xylophone)

  

Perc. 4

  

  

(vibraphone)

Snare Drum

          3

3

Perc. 5

 

35 CB0018-2019-01

  

 3    

 

 

3



 Perc. 3

 

L

3

3



S re A

3 

3

Hn. 1/2



open

   

 

open

B  Tpt. 2/3

div.

B  Tpt. 1

      

    

  

P e Y

A. Sx. 1/2

 

as

B. Cl.

3

ch

B  Cl. 2/3

 

C r O

  

3

B  Cl. 1

 



3

Ob.

        

 

pu

Fl. 1/2

36

qu ire s

Picc.

   

                                                                                                                                  to Marimba Marimba                        

36

37

38

39

40


Darkbeast    

41

Picc.

Fl. 1/2

   

 

7

 

   



      

 

Ob.

     

B  Cl. 1

        

B. Sx.

   

   

  



  

  

B  Tpt. 2/3

Hn. 1/2

Hn. 3/4

Tba.

3

Perc. 1

 



 

  

  

lu 3

3 3

  

se

 

le ga

Euph.

  

RU



PE

B. Tbn.



S re A

Tbn. 2/3



B  Tpt. 1

P e Y

C r O

 

ch

 

   

Tbn. 1

   

 

as

T. Sx.

Bsn.

pu

A. Sx. 1/2

L

B. Cl.

   

  

qu ire s

B  Cl. 2/3

 

3

 

 

3



3



  



3

 

 

3

Perc. 2

Perc. 3

 

        

        

        

        

 

      



      

      

          



          

          



41

42

43

44

45

 

 

Perc. 4

 



Perc. 5

CB0018-2019-01


Darkbeast

8

B  Cl. 2/3

 

     

  

 

    

A. Sx. 1/2

  

 

  

 

B. Cl.

 

   

Bsn.



 

 

3

3

 

S re A

 



 

 

 

 









 

 

  







  













3

3

 3

(xylophone)

 



       

 3

3

 3

            (vibraphone)

            

(marimba)

Perc. 5

46



3

 (glock.)

 



se

lu

(crotales)

RU le ga

PE 





CB0018-2019-01

 





Perc. 4

3

Perc. 3





Hn. 3/4

3

Perc. 2

  



Hn. 1/2

Perc. 1

Tba.

 



Euph.

3

   

B  Tpt. 2/3

B. Tbn.

 

 

Tbn. 2/3

 

B  Tpt. 1

Tbn. 1

L

B. Sx.



qu ire s



3

   

 

3



 T. Sx.

3

 

3

P e Y

B  Cl. 1



as

Ob.

    

  

ch

Fl. 1/2



C r O

Picc.

pu

    

46

3

                                            3                     3 3    

47

48



               

                                   sub.  



49

50


Darkbeast 51

Picc.

 

  



 



9

rit.

a tempo



 

Ob.

B  Cl. 1

B  Cl. 2/3

B. Cl.

A. Sx. 1/2

T. Sx.

B. Sx.

B  Tpt. 1

B  Tpt. 2/3

Hn. 1/2

Hn. 3/4

Tba.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

ch

as

C r O pu

L

qu ire s

S re A

le ga

Euph.

PE

B. Tbn.

se

Tbn. 2/3

lu

Tbn. 1

RU

Bsn.

P e Y

Fl. 1/2

  















                                                          

                

                                                               

51

52

53

54

Perc. 5

CB0018-2019-01


Darkbeast

10

Picc.

 

  3  3

Fl. 1/2

 

 3

Ob.

 





      

  

3  

3

  

3







3

   

 



    

3

3  3

    

              





3

  



 

          

    3







T. Sx.





B. Sx.





 

 

B  Tpt. 1

 

 

B  Tpt. 2/3

 

 

Hn. 1/2



Hn. 3/4



 

Perc. 1

C r O

ch

qu ire s

S re A

as





 









lu

se

RU (crotales)

le ga

PE 

P e Y



3

Tba.



A. Sx. 1/2

  



Euph.



 

 

3

B. Tbn.





 



3

Tbn. 2/3

Tbn. 1

3



 

3

B. Cl.

Bsn.

L

B  Cl. 2/3



 3

B  Cl. 1



pu

55

 

 

 

 







 (glock.)





Perc. 2

Perc. 3

                           

(xylophone)

3

to Crash Cymbal

  

3

(vibraphone)

Perc. 4

                            3  3 (marimba)

 



Perc. 5

55 CB0018-2019-01

56















                                                                       

57

58

59

60


Darkbeast 61

Picc.

 



 Fl. 1/2

 



 Ob.

 

 

 



11

rit.





 



 



   

B  Cl. 1

   

B  Cl. 2/3



 

A. Sx. 1/2

T. Sx.

B. Sx.

B  Tpt. 1

B  Tpt. 2/3

Hn. 1/2

Hn. 3/4

Tba.

Perc. 1

 

 Perc. 2

 



Perc. 4

 

qu ire s





 













 

 



  

 

 





 



as

 

ch

 Perc. 3

pu

L



le ga

Euph.

S re A

      



PE

B. Tbn.

se

Tbn. 2/3

lu

Tbn. 1

RU

Bsn.

P e Y

C r O

B. Cl.

 

 

                                                                             

Perc. 5

CB0018-2019-01

61

62

63

64

65

66


Darkbeast

12

B  Cl. 1

B  Cl. 2/3

B. Cl.

A. Sx. 1/2

Ob.

    3     3     3 

  

   

   

   

                                                                 

                                         

P e Y

Fl. 1/2

3

Bsn.

B  Tpt. 1



                  

 B  Tpt. 2/3

Hn. 1/2

  

open

Tbn. 2/3

      

    

  

Euph.

Tba.

    

  

          

             

               

  

 



 

 

 

  

 

  

 

 

 

  

  

    

 

 

 

   

 

 

                                                            





 

 

             sub. 

 

 

 

 

 

Bass Drum

  

 

 

 

Snare Drum

                 Crash Cymbal

(crash cym.)

Perc. 3

   

             

to Snare Drum

Perc. 2

              

 open       

to Bass Drum

Perc. 1



               

le ga

open



PE

B. Tbn.



    

RU

Tbn. 1



 Hn. 3/4

   

              

        

  

C r O

L

     

qu ire s

B. Sx.

                                           

S re A

se

lu

T. Sx.

as

  

ch

Picc.

    3      3 

pu

67  = 150

67

68

69

70

71

72

73

74

75

  

 

 

 

 

(vibraphone)

Perc. 4

 (marimba)

Perc. 5

CB0018-2019-01


Darkbeast

13

Ob.

B  Cl. 1

B. Sx.

             

Tba.

    

  

  

  

   

  

  

  

           

           

            

            

            

             

          

  

 

3

 



        

 

3

 

3

        



 

        

  

 

3

     

          

 



 

        

   

  

    

 

 

  

 

 

 

 

 

  

           

           

        

 

            

                              

  

               

               

               

             

            

             

            

            

            

             

Perc. 2

                  

Perc. 3

   

  

 

Perc. 1

  

  

       

              

   

 3

Perc. 4

                

 

            

le ga

Euph.

                      

            

PE

B. Tbn.

                          

  

se

Tbn. 2/3

                         

  

lu

Tbn. 1

  

S re A

Hn. 3/4

  

    

  

RU

           

   

  

   

 Hn. 1/2

  

3

          

  

  

3

  

 B  Tpt. 2/3

   

   

  

    

 B  Tpt. 1

  

             

  

  

T. Sx.

Bsn.

    

P e Y

             

as

A. Sx. 1/2

 

         

C r O

B. Cl.

               

L

B  Cl. 2/3

         

 

         

qu ire s

Fl. 1/2

  

         

ch

pu

Picc.

  

             

76

76

77

78

Perc. 5

CB0018-2019-01

           3              hard mallets 

79

 3

  

3

  

3

  

   

  

   

3

 3

  

  

  

  

  

  

3

  

              

  

              

80

81


Darkbeast

14            

82

Fl. 1/2

Ob.

B  Cl. 1

B  Cl. 2/3

                  

      

        

B. Cl.

A. Sx. 1/2

              

Tbn. 2/3

Euph.

Tba.

Perc. 1

            

    

       

    

       

              

      

          

       

    

       

            

      

             

    

     

           

     

    

     

           

     

    

         

pu

L

  

       

        

        

        

            

  

         

            

            

            

             

  

         

             

             

             

     

   

    

               

     

             

(bass drum)

        

              

qu ire s

PE

B. Tbn.

            

S re A

Tbn. 1

se

Hn. 3/4

        

lu

Hn. 1/2

            

RU

B  Tpt. 2/3

                      

le ga

B  Tpt. 1

               

as

B. Sx.

            

  

ch

     

C r O

T. Sx.

Bsn.

            

P e Y

Picc.

   

   

(snare drum)

   

Perc. 2

                                                                          

Perc. 3

(crash cym.)

 (vibraphone)

Perc. 4

              

83

84

85

86

87

to Xylophone

(marimba)

Perc. 5

                

82 CB0018-2019-01


Darkbeast

Picc.

Fl. 1/2

    

     

    

     

    

92

                 

   

     

               

        

      

   

        

          

B. Sx.

    

        

           

Bsn.

  

         

           

Hn. 1/2

Hn. 3/4

Tbn. 1

Tbn. 2/3

Tba.

Perc. 1

Perc. 2

    

                                                 

      

         

     

     

       

     

     

     

     

        

   

  

   

               

        

 

         

             

        

    

       

   

         

   

   

                               

 

       

        

 

          



     



 

 



                       

 

        

     

    

 

      

              

     

             

 

        

Perc. 4

88

89

90

91

Perc. 5

  

   

    



  

 

 

3

3

     

 

     

  

 

    

 





  



 

  

    

 

3

 



 

       

 



 

        

  

      

 

 

 

 

 

            sub. Xylophone                                                                            

92



3

                 

   

  

 



  

Perc. 3

CB0018-2019-01

 

               

            

 



       

      

        

  

        

         

           



 

           

  

         

         

      

               

            

       

  

  

      

            

le ga

Euph.

 

PE

B. Tbn.

      

L

B  Tpt. 2/3

      

qu ire s

B  Tpt. 1

    

      

S re A

T. Sx.

 

se

A. Sx. 1/2

      

                                   harsh                                   harsh                                                              harsh     

lu

B. Cl.

RU

B  Cl. 2/3

                     



harsh

P e Y

     



               

  

ch

B  Cl. 1

     

            

C r O

       

harsh

pu

Ob.

     

                                  

as

88

15

93

 

       


Darkbeast                                                                               

                                       3                                        3                                      3                                   3  3                                  3 

94

Ob.

 



                    

                                                                                  

B  Cl. 1

                

               

                                     

B  Cl. 2/3

                 

                 

                                          

Bsn.

B  Tpt. 1

   

   

B  Tpt. 2/3

Hn. 1/2

    



Hn. 3/4

    



Tbn. 1

   

Tbn. 2/3

  

Tba.



    

  (bass drum)

Perc. 1

  

Perc. 2

  

Perc. 3

  

  

                              

  

   

  





 

   



  

 



  

 



 

  

 



 



 

 



 

  

   

 

 

 

    

   

   

3

   

                                             

  

  



  

   

   

  

  

  

              

                                                                

                     

  

     3 3

3

  

 3     

          3

                                                                                                                                                  

                               

 

   3

    3 3

   3 3    3 3

 

  

  

  

  

  

 3      

  

  

  

  

  

 3      

 

 

 

 

 

  

  

  

  

  



3

 

     3      

3

 

 





 

                                   

(marimba)                                               

CB0018-2019-01



 

           (xylophone) to Anvil                                                   

94

                

           

 



 

(crash cym.)

Perc. 5



 

(snare drum)

Perc. 4

 

                    

                 

  

 





 

le ga

Euph.

 

   

PE

 

 

   

RU

            

  

 

    

 

  

 

   

 

 

  

 



 

  

B. Tbn.

 

    

 

C r O

B. Sx.

 

 

  

pu

  



 

L

T. Sx.

    

 

S re A

A. Sx. 1/2

  

 

                

qu ire s

 



se

 

lu

B. Cl.

P e Y

Fl. 1/2

                                               

ch

Picc.

as

16

95

96

 

 

 

 

 

   

 

 

 

 

    3

      3

  

 



Anvil

   

  

  

  

  

  

 

 

  

  

  

  

  

 

 

Anvil

to Anvil

97

   

98

99

100


Darkbeast          

101

Picc.

  

   

                

    

   

   

17                 



  

               

3

Fl. 1/2

                 

                

             

                



 

              

3

Ob.

                 

              

             

              

                    

3

B  Cl. 1

  

                           

                             

        

           

3

B. Sx.

Bsn.

      

B  Tpt. 1

  

B  Tpt. 2/3

  

Hn. 1/2

  

  

   

  

   

                       

        

  

 

        

  

 



 

  

 

  

  

     

      

           

           

         

3

 

PE Euph.

 

 

      

 

 

 

  

     

     

    

 

 

le ga

B. Tbn.

 

 

  

 

 

 

 

 

  

 

 

  

  

 

  

 

  

      

  

 

 

  

  

 

 

 

     

       3 3

3

       

3        

              

          

  

 

3

                                 

   3 3    3 3

        

   3

        

   3

         

  

    3                

  

 

 

3

3

 

   

  

3

3

  

 

 

3

   

 

  

  

    3                

 

 

            

 



 



 3                     3



  

   

            

3

3

                3

3

  



3

                           

3

3

Tba.

 

3

se

  

   

           

         

lu

          

 

3

Tbn. 2/3

 

   

         

                                                                    

RU

          

 

      

3

Tbn. 1

 

                                                                  

3

Hn. 3/4

 

P e Y

  

 

           

as

T. Sx.

 

 3          3

ch

A. Sx. 1/2

  

 

L

 

C r O

pu

 

qu ire s

B. Cl.

  

                             

S re A

B  Cl. 2/3

                           

   3

 

 

 

3

Perc. 1

  

Perc. 2

  

     

Perc. 3

  

Perc. 4

   

  

 

 

 

 

  

 

 

 

Perc. 5

   

  

 

 

 

 

  

 

 

 

 

  

     

     

 

 

  

      

3

101 CB0018-2019-01

102

103

              

 

 

  

  

   

  

 

  

   

  

 

104

    

105

106


Darkbeast

18 107

Picc.

Fl. 1/2

                                 

 

114

      



 

 

molto rit. 



 

          

 

Ob.

              

 

      

 





  

B  Cl. 2/3

B. Cl.

A. Sx. 1/2

 

 

  

   

                

 

  

solo

    sub.

     

     

B. Sx.

  

   

 

 

    

B  Tpt. 1

 

               

     

             

     

3



3

Hn. 3/4

   

              

   

   

  

   

     

     

RU            

se

     

           

 

           

 

  

3

Tbn. 2/3

   

   

3

Tbn. 1

  

             

 

3



 

qu ire s

     

S re A

Hn. 1/2

 

               



 

lu

B  Tpt. 2/3

          

 

   

 

L

 

   

ch

 

    

Bsn.

 

tutti

  

                                      

 

T. Sx.

 

P e Y

               

  

as

C r O

B  Cl. 1

     

pu

               

3

   

PE Euph.

Tba.

 

 

           

 

 

le ga

B. Tbn.

 

   

  

 

      3

    

(bass drum)

Perc. 1

 

 

(snare drum)

Perc. 2

 

Perc. 3

(crash cym.)

Perc. 4

 

 (anvil)

 

  

           

  

to Glockenspiel

 

 



Glockenspiel

 

 

109

110

111

 

 





 



(anvil)

Perc. 5

 

107 CB0018-2019-01

108

112 113

114

115

116

117


Darkbeast 



 Fl. 1/2

 



 Ob.

 



B  Tpt. 1

 



    



  

 



  

 



 



  

 

Hn. 1/2

Tbn. 1

Euph.

Tba.

    



    

 

     

   

  

   

  

  

                        

                           

   

 

 

 

 

3



 

 



  

 

             

   

 

   

      

    

 

3

 



  3







 



 

 

   

3

  



                

 





 

 

                          

                    

 

3

 



  

 3           3 

3    3

3       

3   

    

   

 3

3

   



Perc. 2

Perc. 4

Perc. 3

Perc. 5

  

 

 

  

   

  

  

 

 

 

 

 

 

                         

3

3

3       

 

3       3

   



   

3

     

3

    3  3

         



    3 3

   

3

3

3

3

                   

      

      

               

  

   

  

   

 

 

   

 

    3

   

 

   

  

  

 

 

 

 

 

 

 

 

 

 

           

 

 

 

 

 

 

 

 

   

3

3

                    

 

 

 

3

                   

 

   

3

3

3

3

   

 

 

 

3

   

   3

3

3

3

3                          

 

 

 

 

  

   

 

 

 

 

 

118

119

120

121

122

123

124

125

CB0018-2019-01

   

3

      

  3

3

Perc. 1



3

 

  3

  

  



3

                    











         

 



3

            

 



      

    

                           

                       

      

 



le ga

B. Tbn.

PE

Tbn. 2/3



   

                            

RU

Hn. 3/4

B  Tpt. 2/3



 

 

    



C r O

Bsn.

 

pu

B. Sx.

  

    

L

T. Sx.



     

qu ire s

A. Sx. 1/2

 

S re A

B. Cl.

  

se

B  Cl. 2/3

  

lu

B  Cl. 1



  

  

  

     

P e Y

a tempo

as

Picc.

 

ch

118

19

126


Darkbeast  = 85               3 3   sub.              

127

 Ob.

B  Cl. 1

B  Cl. 2/3

3

3

3

3

3

3

                      



3

3

3

3

3

            3

3

3

         

T. Sx.

  



B. Sx.

  



Bsn.

  

 

B  Tpt. 1

  

 

           

  

 

Hn. 1/2

  

 

Hn. 3/4

  

 

Tbn. 1

  

 

3

3

3

3

3

3

                 

Euph.

  



Tba.

  

 

  









 



 

 

    





 

 

   

  

  



  

 

 

  

 

 

 





 

Perc. 1



         3 3            3 3

  



 

         3 3               3 3 3  3 3 3                              3 3  3 

      

   

    

                 3 3  3 

                3 3  3 

 

        Vibraphone        

Xylophone

 



             

 

 

133

134

Perc. 3

  



Perc. 4

  

 

Perc. 5

   

 

128

129

130

131

132

CB0018-2019-01

   

    

 to Marimba

127

           3 3 

to Vibraphone

Perc. 2

 

to Xylophone

  

se

                      

ch

  

le ga

B. Tbn.

lu

 

PE

  

 

RU

  

3

3

S re A

B  Tpt. 2/3

L

         

qu ire s

3

Tbn. 2/3

C r O

A. Sx. 1/2

     

3

3

3

 sub.

3

        

 

                   sub.

  

                          3 3 3 3 3 3    sub.

B. Cl.

      

3

            

3

 sub.

3

 = 150  

P e Y

Fl. 1/2

3

molto rit.

pu

Picc.

           

as

20

Marimba

135


se

qu ire s pu ch

P e Y as

C r O

L

S re A

RU

lu

le ga

PE


25 USD

ADVANCED

CB0018-01

se

qu ire s pu ch

P e Y as

C r O

L

S re A

RU

lu

le ga

PE


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