OR0005-01 Rigby, T. - Autumn Awakens PREVIEW

Page 1

TRAVIS RI GBY

AUTUMN AWAKENS FOR ORCHESTRA I NST RUMENT AT IO N: 1

Piccolo

1

1

Fl ut e 1

Glockenspi el

1

Fl ut e 2

Xylophone

1

Oboe 1

Medi um Suspended

1

Oboe 2

Cymbal

1

Engli sh Horn

1

Clar inet i n Bb 1

1

Clar inet i n Bb 2

Chi mes

1

Bass Clarinet

Bass Dr um

1

Bass oon 1

Tambouri ne

1

Bass oon 2

1

1

Percussi on 1:

Percussi on 2 :

Percussi on 3:

1

Horn in F 1

Tam-Tam

1

Horn in F 2

Large Suspended

1

Horn in F 3

Cymbal

1

Horn in F 4

Crash Cymbal s

1

Trumpet in C 1

Tri angle

1

Trumpet in C 2

1

Trumpet in C 3

8

Vi oli n I

1

Trombone 1

8

Vi oli n I I

1

Trombone 2

5

Vi ola

1

Bass Trombone

5

Cel lo

1

Tuba

5

Cont rabass

1

Timpani


se

qu ire s pu ch

P e Y as

C r O

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S re A

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le ga

PE


A BOUT : Wi t h Aut umn Awakens, Rigby acknowl edges and embraces t he change of s eas ons i n t hi s beauti f ull y wri tt en work f or l arge orches tra. I t act s as bot h a f eat ure f or numerous s oloi st s and a showcase in ens embl e i ndependence wi th it s hi ghly cont rapuntal and moti vi c wri ti ng. FROM THE COMPOSER: There i s a cert ai n darkness ass oci at ed wi t h t he s eas on of aut umn. Colder weat her s tarts t o rear i ts head, which causes t rees t o l ose their fol iage and ani mals to begin their prepar at ions for the bi tt er col d of

P e Y

wint er that wi ll soon be upon t hem. For peopl e i t is t he end of s ummer and any posi t ive acti vi ti es they woul d have ass oci at ed wi th that. And s o aut umn get s labeled as a s eason of ends rat her t han of

begi nni ngs – wi t h spri ng being t he season of awakeni ng. But des pit e thi s, autumn i s f ull of i ts own

beaut y. The gorgeous col ors of leaves changi ng on trees and preparing t o f al l draws people to nat ure. The colder weat her i s always a rel ief for many, as t hey gi ddil y pul l out clot hes they had s aved f or

sweat er season. And t hough summer has come to a cl ose, schools begin a new year. I n the US, f oot bal l

C r O

s eas on begins wi t h bas ketball and hockey not too far behind i t . People f lock t o t he outdoors t o

experi ence t he wonders t hey would mis s any ot her t ime of year. And we culmi nat e the season by

gat heri ng wi th fami ly and f riends t o give t hanks for our blessi ngs . Though aut umn is indeed a season of

as

endi ngs i n many ways , wi t h t hos e endings come new begi nnings. Autumn Awakens acknowl edges t he

darkness of some aspect s of fall . But i t al so capt ures t he beaut y of t hes e f al l begi nnings and t reat s the

Scan t o l et t he compos er

know t hat you are pl aying

t his composer!

lu

Firs t print ing, February 2020

Scan t o l earn more about

se

RU

thei r pi ece!

qu ire s

S re A

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DURATI ON: 6' 43"

Addi ti onal par ts are avai l able f or

le ga

PE

purchase f rom t he publi sher onli ne.

© Copyri ght

pu

ch

s eas on as one of awakeni ng.

2 019 "TUX Peopl e' s Mus ic" All Ri ght s Reserved


se

qu ire s pu ch

P e Y as

C r O

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S re A

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PE


Autumn Awakens

Transposed Score

Flute 1/2

Oboe 1/2

Idyllic  = 68               

English Horn

 

Clarinet in B  1/2

 

Bass Clarinet

 

      

 

      

2.

+1

        

 

      

  

     

Horn in F 3/4

 

Trumpet in C 1/2

 

Trumpet in C 3

 

  

Percussion 1

    

 

  

 

(Tam-Tam Lg. Suspended Cym. Crash Cym. Triangle)

Percussion 3

(Chimes Bass Drum Tambourine)

Violin I

Contrabass

 

   

    

     



 



 

 

 

    



     

1

2

3

4

 



L.V.

to Large Suspended Cymbal

Idyllic  = 68 con sordino      

Chimes



   

   

 

       con sordino          

 

con sordino

Cello

 

Tam-Tam

     

con sordino

Viola

 



 Violin II





le ga

Percussion 2



qu ire s

S re A

with mute

PE

(Glockenspiel Xylophone Med. Suspended Cym.)

 

se

Timpani

 

     

lu

Tuba



RU

Bass Trombone

         

  

as

1.

ch

 

    

C r O

 

pu

L

 

Horn in F 1/2

Trombones 1/2

 

 

Bassoon 1/2

P e Y

Piccolo

Travis Rigby 2018

for Full Orchestra

 

    

 

  

 

   

 

   

       

    

 

5 

 

 

    

 

        

    

   

© Copyright 2019 "TUX People's Music" All Rights Reserved Tuxpeoplesmusic.com OR0005-2018-01

6

   

 



 

 

 

 

 



 


Autumn Awakens

2

10

B  Cl. 1/2

B. Cl.

Bsn. 1/2

 

         

    



1.

  



    

   

    

       

          

 espressivo

             

   

 

Hn. 1/2

Hn. 3/4

C Tpt. 1/2

C Tpt. 3

Timp.

 

    

Chimes

Vln. II

Vla.

Vc.

Cb.

  

OR0005-2018-01

10

11

12

13

    

    

  

L    

   

9 



         

  

8

    

 

7 Vln. I

 

le ga

Sus. Cym.

PE

Glock.

RU

Tuba

         

qu ire s

 

S re A

  

 

   

se

B. Tbn.



lu

Tbn. 1/2

  

 

P e Y

E. Hn.

       

as

Ob. 1/2

ch

Fl. 1/2

pu

Picc.

C r O

7

 

 

 

 



 

 

 

   

    





   



   

 

 

 


Autumn Awakens

3

18

14

Picc.

1.

Fl. 1/2

Ob. 1/2

    

 

 

     



  

espressivo

    





    

 

B  Cl. 1/2

B. Cl.

Bsn. 1/2

P e Y

E. Hn.

2.

   

Hn. 3/4

C Tpt. 1/2

C Tpt. 3

Timp.

Chimes

Vln. I

 



Vln. II

 



Vla.

 



qu ire s

15

16

17

18

19

14

le ga

Sus. Cym.

S re A

PE

Glock.

se

Tuba

lu

B. Tbn.

RU

Tbn. 1/2

as

ch

C r O

pu

L

Hn. 1/2

  

    



    

 



  



 

     

   

  



  

 

  



  

  



 

 Vc.

Cb.

 

OR0005-2018-01

   

  

   

 



 

     

   

 


Autumn Awakens

4       

20

Picc.

 Fl. 1/2

 

    

     

6



        

    

  

7

      

  



        



6

E. Hn.

B  Cl. 1/2

B. Cl.

  

Hn. 3/4

C Tpt. 1/2

C Tpt. 3

Timp.

Chimes

21

22

23

20 Vln. I

 

  

    

Vln. II

 

  

  

Vla.

 

  

Vc.

Cb.

qu ire s

S re A 

le ga

Sus. Cym.

OR0005-2018-01

 

  

  



  



  



  

 



  

 

  

PE

Glock.

se

Tuba

lu

B. Tbn.

RU

Tbn. 1/2

L

Hn. 1/2

    

 

as

ch

  

a2

C r O

pu

Bsn. 1/2

P e Y

Ob. 1/2

  

 

 

 

 

 

24

 



  



  

  

 

  

     


Autumn Awakens

                  

    

B  Cl. 1/2

B. Cl.

    

Bsn. 1/2

  

      



        



 

     

      

 





 

     

    

 



    

   



         



 

 

     

 

 



Hn. 3/4

 

 



C Tpt. 1/2

C Tpt. 3

 

        

        















Sus. Cym.

Chimes

 

Vla.

Vc.

Cb.

  

solo

 div.           

    

 senza sord.       gli altri   unis.  senza sord.        solo  senza sord.       gli altri   

senza sord.

 

28

29

30

31

           







 

     

         

 dolce pizz.

 OR0005-2018-01

          

 

     

26 dolce ed espressivo 27

Vln. II

   dolce

25 Vln. I

le ga

PE

lu

Glockenspiel medium plastic mallets

Glock.



        

qu ire s

se

S re A 

RU

L

 

Timp.

         

Tuba



B. Tbn.

         

         

          

Hn. 1/2

Tbn. 1/2



  

P e Y

E. Hn.

 2.

Ob. 1/2

        

as

(+2)

ch

Fl. 1/2

27

C r O

Picc.



pu

25

5



 

 

                    

 







 

              



 





                 





  

      

    

 

 

  

  

 

        















 

  

   

  

 

     

     


Autumn Awakens

6 32

Picc.

Fl. 1/2

     

       



  35                     

7

     



  

 o       7 1. 5           +1                    o 

     

    

     

    

   

 

E. Hn.

 

   

 



   



 B  Cl. 1/2

B. Cl.

Bsn. 1/2

          



    

              



  

Hn. 3/4

  

 

 

o

C Tpt. 3

 

 

 

 

 

     

Sus. Cym.

Chimes

le ga

PE

Glock.

Vln. I

Vln. II

Vla.

Vc.

 

     

    

     

  

 

 

    

33

         

  

     

  

 



 

 



 

   

 

    

  



  

 

 

  



 

 

     

  

 

            

         

to xylophone

L.V.

Large Suspended Cymbal

32    

se

Timp.

lu

Tuba

RU

B. Tbn.



   3        

qu ire s

 

S re A

Tbn. 1/2

          

pu

 

L

C Tpt. 1/2

ch

 

C r O

Hn. 1/2



o

   

P e Y

 

as

Ob. 1/2

 

34 

 

  

       tutti

 

5

div.



      5

 

  

36

     

    

        

     

 div.

 

35  5 tutti      

 

 

 

 

  

     

       

 Cb.

OR0005-2018-01



arco

 

     

    


Autumn Awakens

7

41 Più Mosso

poco accel.

37

Picc.

Fl. 1/2

   

Ob. 1/2

non dim.

  



  

non dim.

E. Hn.

B  Cl. 1/2

  



   

 

   

C Tpt. 3

Tbn. 1/2

B. Tbn.

Tuba

Timp.

 



Chimes

 

 

   

          



 

  

          

   



  

  

  

 

 

   

L.V.

to crash cymbals

to Bass Drum

poco accel.



 



  

    



        

               

  

 

  

 

Vla.

Vc.

 

  









  

 

 

  

 



  

 

(muted)

3

   

    3  dim.  Crash Cymbals



41

Più Mosso                 

       

3

3

unis.             

  

3



 

      

 

 

      

3

3

Cb.

OR0005-2018-01

    

 

    

 

3

  

  3

40

  

 

3

39

 

 

 

         

 

as

 

     

P e Y

 

38   



Vln. II

 

 

37 Vln. I



le ga

Sus. Cym.

 

 

  

  

 

  

PE

Xylo.

 

 

 

RU

C Tpt. 1/2

 

 

ch

 

         

C r O

 

         

pu

Hn. 3/4

 

L

 

qu ire s

Hn. 1/2

 

 

 

         

S re A

se

Bsn. 1/2

lu

B. Cl.

3

    


Autumn Awakens

E. Hn.

B  Cl. 1/2

B. Cl.

Bsn. 1/2

  

Hn. 1/2

Hn. 3/4

  

 

 

 

  

 

 



 



C Tpt. 3

Tbn. 1/2

B. Tbn.

  

 

 

 

 

F-G B -D A-A  D-F 

 

Bass Drum

B. Dr.

 

  

le ga

Cr. Cym.

42  Vln. I

Vln. II

 

 

 

       3

Vla.

Vc.

Cb.

  

3

   



  

 

3            6

 



   



 

     

3

          

                3

3  leggiero

3

  

insert straight mute

3

3

  



 

3

  

 

 

 

 

 

 insert straight mute   

   

 



  

 

 

 

43

44

45

        

 

       



3

5

 

  



 unis.

6

   

OR0005-2018-01

 

3

    

 

se

PE

Xylo.

  

lu

Timp.



insert straight mute

RU

Tuba



      insert straight mute         

 



 



S re A

C Tpt. 1/2

 

as

Ob. 1/2

        

ch

7

 

          

C r O

Fl. 1/2

  

pu

    

             

L

Picc.

           3  3 6 7   3                                        3 3 3 3                     3                      3    3    a2 6                         

qu ire s

42

P e Y

8

     

 

       

3  leggiero

 

   

 



 

div. 

 

             

 

 

5

3 3

 

6

3

3

 




Hn. 3/4

 II insert mute          insert mute         

Tbn. 1/2

  

B. Tbn.

  

                 

Vln. II

  

div.

46

47

48











  

Vla.

  

Vc.

      

              

Cb.

     

OR0005-2018-01

  











 

   

  

  

  











div.

       unis.

se



le ga

Vln. I

=     





PE   

 



B. Dr.

     

  

RU

      

a2 st. mute 5

  

Cr. Cym.

   



C Tpt. 3

  

     2.                   





Xylo.

 

                 

   

  

C Tpt. 1/2

Timp.





  

Tuba



P e Y

Hn. 1/2



as

Bsn. 1/2

                            5                                   5

ch

B. Cl.

C r O

B  Cl. 1/2

                 



pu

E. Hn.

         



L

Ob. 1/2

      

S re A

Fl. 1/2

  

             3  1.   2.             3                        3    1.               3 

lu

Picc.

9

qu ire s

46 = 

Autumn Awakens

unis.





     

div.

    


Autumn Awakens

10

                                                                               

B. Cl.

 

Bsn. 1/2

  

Hn. 1/2

Hn. 3/4

C Tpt. 1/2

                                                   

                                                                       

5

  a2





 





 

      

Timp.



 



Cr. Cym.

B. Dr.

st. mute

       

        

49 

Vln. I

Vln. II

  

Vla.

 

 



    

  









     st. mute      

 





   

      

   





  

                   5



 



50

  

  





                    5                     5  

 

Xylophone medium plastic mallets

  

        with mute

L 

le ga

PE

Xylo.

 

 

S re A

Tuba

  

se

B. Tbn.

lu

Tbn. 1/2

st. mute

RU

C Tpt. 3



2. with mute

 

  

                          

  

P e Y

B  Cl. 1/2

as

E. Hn.

ch

Ob. 1/2



C r O

Fl. 1/2

 

               

pu

Picc.

                         

qu ire s

49

    

  

51         

 

        

 

 

 Vc.

Cb.

   

OR0005-2018-01

  

 

  

 

 

     5


Autumn Awakens

54

C Tpt. 1/2

C Tpt. 3

Tbn. 1/2

B. Tbn.

Tuba





 

B. Dr.

   

    

 

      



 

 

  

        

   

      

  

   

   

        2 remove mute  remove mute       I remove mute

    





    

  

 

  

     

 

to Glockenspiel





 to Tambourine    



53

54



  

  

Vln. II

 

 



 

  

         

 

  

  

          

        

 

  

            

  

  

OR0005-2018-01

 to Large Suspended Cymbal    

 

 



 



 

               





remove mute

  

Cb.





Vln. I

Vc.

     



52

Vla.

to cup mute  II switch                  

 

le ga

Cr. Cym.

solo, without mute     

                

PE

Xylo.

  

  Timp.



P e Y

Hn. 3/4

                         

          



  



as

Hn. 1/2

     

C r O

Bsn. 1/2

                      

   

L

B. Cl.

                                                   

qu ire s

B  Cl. 1/2

S re A

E. Hn.



                      

se

Ob. 1/2

 

                   

lu

Fl. 1/2

RU

Picc.

ch

52

pu

              

11


Autumn Awakens

12 55

E. Hn.

B  Cl. 1/2

B. Cl.

Bsn. 1/2



 

      





 

         





 









      





   



 

 

 



 

Hn. 3/4

       



       

       

 

 

 

C Tpt. 3

Timp.

 

Tamb.

 



 

 

 



 



    

 

 

56

57

Vln. I

  

 



Vln. II

   

 



Vla.

  

 

 

Vc.

  

 

 

Cb.

  

 

 

OR0005-2018-01

55



le ga

Sus. Cym.

     

 

 

qu ire s

S re A

  

PE

Glock.

  



se

Tuba



lu

B. Tbn.

RU

Tbn. 1/2

  

ch

pu

                 

L

  



2. cup mute

C Tpt. 1/2

 

   



 

 





Hn. 1/2

    

P e Y

Ob. 1/2

as

Fl. 1/2

C r O

Picc.

Large Suspended Cymbal

58

59

   



   

  



   

   



    

    

 

    

    

 

   





 


Autumn Awakens

61

60

Picc.

Fl. 1/2

  



E. Hn.

 







 

1.

        

 Ob. 1/2

13

1.

            solo 

          

                        

    

 

 



B. Cl.

Tuba

Timp.

  



 

Tamb.

Vln. I

Vln. II

Vla.

Vc.

Cb.

    



  

Glockenspiel 



 to Triangle

L.V.



 



60

61

62



non div. pizz.

  

 

 

 

 

non div. pizz.

    





    





 

          









  pizz.

OR0005-2018-01

       switch to cup mute     

    

 

  

le ga

Sus. Cym.

  

as

 

ch

  

PE

Glock.

  

S re A

B. Tbn.



se

Tbn. 1/2

 

lu

C Tpt. 3

 

RU

C Tpt. 1/2



C r O

pu

Hn. 3/4

   

L

  

qu ire s

Hn. 1/2

P e Y

B  Cl. 1/2

Bsn. 1/2

    

  





 





 

pizz.



 

pizz.



 





  



 







       



  

 






Autumn Awakens

14

63

Picc.

        simile

Fl. 1/2

   

        

                                   

   

  

       

                                     

    

  

B  Cl. 1/2

B. Cl.

Hn. 1/2

Hn. 3/4

C Tpt. 1/2

C Tpt. 3

Tuba

Timp.



Tamb.

le ga

Tngl.

63 (pizz.)

Vln. I

 



 





 

  

(pizz.)

Vln. II

 



div.

(pizz.)

Vla.

    

Vc.

 

Cb.

(pizz.)     

(pizz.)

OR0005-2018-01





     

   



unis.

  

  

       

P e Y

C r O

as

ch

 

pu

L







Triangle

 







64

65

66



 

 

 





  

 





  





 

 



   

   

   



     



     

  



PE

Glock.



qu ire s

B. Tbn.

         

S re A

Tbn. 1/2



se

Bsn. 1/2

  

lu

E. Hn.

RU

Ob. 1/2



     





  

  



  

    



  




Autumn Awakens

E. Hn.

B  Cl. 1/2

B. Cl.

Bsn. 1/2

 

         1.      



1.





   



  

Hn. 3/4

C Tpt. 1/2

C Tpt. 3





Tamb.

  

le ga

Tngl.



 



    

   

Vc.

 

OR0005-2018-01





  

 









  

       

 

  

 

 

  



 

         

        leggiero



 

   

Tambourine

Vla.

  







Cb.

      

 

 

   

        

  

    





  



  

         





  



qu ire s

 



  

69

Vln. II

    

68

 

 

 

67 Vln. I

  

      

PE

Glock.

                

 

se

Timp.

lu

Tuba

    

                                   

RU

B. Tbn.

             

C r O

        

L

   

S re A

Hn. 1/2

Tbn. 1/2

              

P e Y





 

   



                        

as

Ob. 1/2

ch

Fl. 1/2

pu

Picc.

69



                       

67

15

  

  



 

       

70 1 0

     

   

   



 

 4

0 0



  

  

  

4   

   

        

  

  




Autumn Awakens

16 71

              



   





 

 



                                      



      





Hn. 3/4

C Tpt. 1/2

C Tpt. 3

  

 

Tamb.

le ga

Tngl.

 

 

     

Vln. I





        

(pizz.)



 





 







 

 



(pizz.)

Vla.

 

Vc.

 

div.

  

(pizz.)

Cb.

(pizz.)  

OR0005-2018-01

   

       





unis.

  

 



  

          





 

  

   

  



   

   



  

 

       

 

 

       

72

73



  

 



 

 



   



   

 









  

   





    





     

     

(pizz.)

Vln. II

                      

 

 

 



   

       

 

 

71

 

 

PE

Glock.

se

Timp.

             

               

 

lu

Tuba



    

RU

B. Tbn.

    

S re A

Hn. 1/2

Tbn. 1/2

 

P e Y

Bsn. 1/2

   

  

5

                        

as

B. Cl.

            



              

          

ch

B  Cl. 1/2

 

       

C r O

E. Hn.

 

 

                        

      

     

pu

Ob. 1/2

                         

L

Fl. 1/2

qu ire s

Picc.

     



74





 







   

     

  

  




Autumn Awakens

77

75

Ob. 1/2

E. Hn.

B  Cl. 1/2

B. Cl.

                         

                              

 







  

 



 

           

 

 

  

 

                         

  Bsn. 1/2

 

       

    

     

  

(+2)

C Tpt. 3

Timp.

     

Tamb.

 

            

Vln. I





Vln. II

 



Vla.

 

  

Vc.

 

Cb.

 

OR0005-2018-01

 

      



qu ire s

      

 

      



       

dead stroke

 





to Bass Drum



77 

       

to Large Suspended Cymbal

L.V.



    

78     

     



arco

    

     





 



3.

 

  

     

 





76

   

 

75

      

 



L

le ga

Tngl.

 

     

S re A

PE

Glock.

se

Tuba

lu

B. Tbn.

     

RU

Tbn. 1/2

pu

C Tpt. 1/2

ch

Hn. 3/4

     

C r O

Hn. 1/2

           

                                  

P e Y

Fl. 1/2

as

Picc.

17

 

 

   

   







  



      



 





 

   



 

       








Autumn Awakens

18

82 = 

79

Picc.



Fl. 1/2



Ob. 1/2



E. Hn.

 

B  Cl. 1/2





B. Cl.

    

  

Hn. 1/2

Hn. 3/4

C Tpt. 1/2

C Tpt. 3

Timp.

 

 

B. Dr.

le ga

Sus. Cym.

C r O

79







Vln. I

    

Vln. II

 

OR0005-2018-01

 

 

             

 

 



 

80

81

82

83

    

 

 

   









Cb.

        

 









(pizz.)     

 

Vc.

 



 

    



  

(pizz.)







arco

Vla.

  



(pizz.)

  

as

pu

ch

L

qu ire s





P e Y

     

PE

Glock.



 

   

 

S re A

Tuba

  



se

B. Tbn.

    

lu

Tbn. 1/2

RU

Bsn. 1/2

1.

 

 

 

  

=     

arco



  

  

arco



 

   


Autumn Awakens

19     

84

Picc.

Ob. 1/2

E. Hn.

Hn. 1/2

Hn. 3/4

1. open solo

Timp.

 

B. Dr.

Vla.

          

le ga

Vln. II

      

5

 

 

  

L.V.

take soft felt

     

84

85

86

87

88

 ord.

Vc.

     

Cb.

     

OR0005-2018-01

 

pu

  

Sus. Cym.

Vln. I

L

 mute   remove     mute   remove      

  

                

      

PE

Glock.

qu ire s

Tuba

S re A

B. Tbn.

 

se

Tbn. 1/2

lu

C Tpt. 3

 

a piacere

RU

C Tpt. 1/2

C r O

Bsn. 1/2

as

B. Cl.

         

ch

B  Cl. 1/2

P e Y

Fl. 1/2

 

   

  


Autumn Awakens

20 



 

 Fl. 1/2

E. Hn.









   



    

 

Hn. 1/2

Hn. 3/4

 cup mute 

 

S re A

   

 

B. Dr.

le ga

Sus. Cym.

   

to Medium Suspended Cymbal

PE

Glock.

 

 2 remove mute      mute  remove    

se

Timp.

lu

Tuba



pu



RU

B. Tbn.



L

2. cup mute

    

 Tbn. 1/2

qu ire s

C r O

C Tpt. 3



C Tpt. 1/2

Bsn. 1/2

B. Cl.





(+2)

 



a2

B  Cl. 1/2



 1. non vibrato

Ob. 1/2

1.

P e Y

as

Picc.

ch

89

Large Suspended Cymbal

 

89

90

91

92

93

arco

Vln. I

Vln. II



 

    

 div.

Vla.

  

 

  

pont.

Vc.

Cb.

ord.

 

OR0005-2018-01

 

  

    

  

 

  

  

     


Autumn Awakens

  

 

B. Cl.

Bsn. 1/2

         

  

        



  

  

     

 

 





    

    

     

 



  

     

  

  





   

 

  

C Tpt. 1/2

B. Dr.

Vln. II

 

Vla.

Vc.

 

 

 

open

 open

 

94

95

96

lu



 

 

97

 

    

     

 





 

    

     

 





   

  

 

  



 

 

se

 

  

     



 

  

    

   

      

 

    



div. a3



to crash cymbals

Vln. I

RU L.V.

  

  



le ga

Sus. Cym.

    

 

  

take medium felt

 

L

  

S re A

PE

Sus. Cym.

C r O





 

Hn. 3/4



    

    

 

Timp.

 

 

 

Tuba

 



B. Tbn.

   

  



Hn. 1/2

Tbn. 1/2

   



C Tpt. 3

           

P e Y

B  Cl. 1/2

   

as

E. Hn.

   

ord.

Ob. 1/2

 

      

ch

Fl. 1/2

pu

Picc.

qu ire s

94

21

     

    

        

       





 Cb.

 

OR0005-2018-01



  

  

 


Autumn Awakens

22

102 Maestoso =68

rit.

      

    

  

         

98

Picc.

Fl. 1/2

         

 

         

 

      

 

  

6

 Ob. 1/2

E. Hn.

B  Cl. 1/2

   

        

  

  

   

     



    

  

  

 

  

     

 

  

     

     

  

     

  

                              

Bsn. 1/2

 

  

   

  



 



  

  

  

 

        

 



    

 

  





        

open

Tbn. 1/2

B. Tbn.

  

    

    

    

 

lu

B. Dr.

le ga

Cr. Cym.

   

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

 

      



         

    

    

  



rit.

             

3

 

  



 

   



   



           

  





 

 

101



102

Maestoso =68      

unis.





 

    

 

    

 



  

 

 OR0005-2018-01

  

div. a2

 

      

  

  

          

 



 



  





 

  

   

    

       



    

  

  

 

 

   

100

    

    

a2

  

 

  

  

    

  

 

3

  

  

Crash Cymbals

99

    

 

 

98

   

3

      

se

PE

Sus. Cym.

RU

Timp.

3

  

     

Tuba

 

  

 

 a2open     

as

         

  

         

ch

 

 

C r O

   

         

 

pu

C Tpt. 3

L

C Tpt. 1/2

qu ire s

Hn. 3/4

S re A

Hn. 1/2

 

                

P e Y

B. Cl.


Autumn Awakens





 

 



 



 

     

   

 

 

   

 

 

    

         

   

  

   

    

 

       

    



 





           

 

      

 

  





   

       

 

E. Hn.

B  Cl. 1/2

B. Cl.

Bsn. 1/2





  

 

    

 

  

     

 

     

 

     

 

         

 

   

 

 

Hn. 3/4

 



    



 





      

   

      

    

   

   

      

  

    

  

Tbn. 1/2

   

  

 

   

B. Tbn.

  

  



Timp.

A -A 

 

  

B. Dr.

 

 

       

 

   

     

       



   

 

 

 

       

  

  

   

      

 

 

     

  

 

 

       



   

   

    

     

  

  

 

    

     



    





  

 

   

  

    





  

 

   

  

103

104

  

  



  

 

  

L.V.

To Chimes

 

    

 



 



  

 





 

 



 





106 



   







 



   

Vln. I

Vln. II

Vla.

Vc.

  

  

  





  

 

  

 



Cb.

  

  

  





  

 

  

 



 

OR0005-2018-01



 

 

to Glockenspiel

L.V.

105

 





 

pu

L



le ga

  

 

Cr. Cym.

 

   

                

qu ire s



           

S re A

PE

Sus. Cym.

     

se

Tuba

 

lu

C Tpt. 3

RU

C Tpt. 1/2

  



C r O

Hn. 1/2

  

P e Y

Ob. 1/2

as

Fl. 1/2



ch

103

Picc.

23

 


24

108

rall.

107

Picc.

Fl. 1/2



    

 

         

 

Autumn Awakens

Meno Mosso rit. poco a poco   



 

 



 

  



 

  

    



    

       

 

 

 

    

       

        

  

      

Timp.

 



 

Chimes

107

    



 

 

L.V.

Vla.

Cb.

  



     

 



3

 

 

  

    

3

3

3

3



109

110

3

3

               

3

               



3

3

3

3



 



   

 



OR0005-2018-01

               

3

   

3



3

               

  

3



               

3





3

      

rit. poco a poco 

 

    

3

Vc.



 Meno Mosso     

3



  

 

to Triangle

3

Vln. II



108

rall.



 

le ga

Cr. Cym.

Vln. I

 

  

   D-C 

    

PE

Glock.

  

       

    

a2

 

RU

Tuba

     

 

C r O

Hn. 3/4

B. Tbn.



 

P e Y

 

Hn. 1/2

Tbn. 1/2

  

  

         

C Tpt. 3

  

C Tpt. 1/2



as

 

  



 



ch

              

 

pu

 

L

Bsn. 1/2



 

qu ire s

B. Cl.

 

S re A

B  Cl. 1/2

             

se

E. Hn.

    

lu

Ob. 1/2

3

3

3



3

3

3

3

    

3

    

3

3

3


Autumn Awakens

       

25 

111

E. Hn.

 

B  Cl. 1/2

B. Cl.

Bsn. 1/2

     

        

     



   

  

  

 

 

Hn. 1/2

  

   



Hn. 3/4

   

   



C Tpt. 1/2

  

a2





  

 

Tngl.

Chimes

le ga

PE

Glock.



   non dim. 

    

   

    

Glockenspiel hard rubber mallets





  

 

L.V.

L.V.

Triangle

113

Chimes

 

   

114

 

115

  

  

     

 

 

116 

3

o

   

  

  

     

OR0005-2018-01

112

  

Cb.

111

Vln. II

  

Vln. I

Vc.

3

3

                

Vla.

 non dim.

tasto

 

     

 

3

L.V.

se

Timp.

 

lu

Tuba

RU

B. Tbn.

 

L

  

 

qu ire s

Tbn. 1/2

    

S re A

 

 

           

 C Tpt. 3

    

P e Y

as

  

ch

Ob. 1/2

C r O

Fl. 1/2

pu

Picc.

 

 

     



 

   tasto        

  

   non dim.

   

 

    

pizz.



  


40 USD

MEDIUM

OR0005-01

se

qu ire s pu ch

P e Y as

C r O

L

S re A

RU

lu

le ga

PE


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