P
RTF
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ENVIORNMENT AND SPACE DESIGN TWISHA KOTAK
“SIMPLICITY AND REPOSE ARE THE QUALITIES THAT MEASURES THE TRUE VALUE OF ANY WORK OF ART”
-Frank Lloyd Wright
Twisha Kotak Interior and Space Design Student Education
C
urriculum Vitae Personal Information
Age : 20 Date of birth : 12 January ,2001 Hometown : Ahmedabad
Contact Details
Address: A/403 Shyam Tirth , Opposite Hind Super Market, Jodhpur Gaam Mobile number :- +91-9601416086 Email id :- tkotak1230@gmail.com
SSC : The H.B. Kapadia New High School, Ahmedabad (2015 -16) HSC : A- One School ,Satellite (2017-18) Bachelors in Interior and space design: GLS Institute of Design, Ahmedabad (2018-2022)
Languages English Hindi Gujarati
Digital Skills
Autocad Sketch Up Adobe Photoshop Adobe InDesign Microsoft Office V-ray for Sketch up
Other Skills
Sketching Model Making Form generation Photography
Interests
Exploring New Places Reading Paper Crafts Painting
Personal Abilities Communication Teamwork Time Management Quick learner
Workshops Wood Metal Glass Thermocol Terracotta Canvas
Participation
Ahmedabad Design Fest
1. RESIDENTIAL DESIGN
C
ontent
2. RESTAURANT DESIGN 3. YANTRA 4. GEOMETRICAL SHELVES 5. MATERIAL AND PROCESS 6. ELEMENTS OF FORM 7. INSTALLATION 8. PHOTOGRAPHY 9. ASSORTED
USER ANALYSIS
BRIEF
There are total six members in the family. The who got the transfer in this city area from gandhinagar district. As gandhinagar is very peaceful city, therefore user can easily get comfort in Kanbha. With the police inspector there are other 5 members - wife , their 1 child , his parents and one dog.The villa is having a large space therefore the members of the family can easily adjust there and even the facilities required by the family are also fulfilled here. RELIGION :- HINDU , RAJPUT
In this studio the vast understanding about Space Allocation in Residential Studio is a key study. As the site is located approximately 19 km from the city Ahmedabad in the village Kanbha , the main aim here was the user that who would like to settle down far away from City.
R
esidential Studio
FLOOR PLANS
NOT TO SCALE
GROUNDFLOOR
FIRST FLOOR
SECOND FLOOR POWDER ROOM
POWDER ROOM
HOME THEATRE / GUEST ROOM WALK IN CLOSET
KITCHEN STORE ROOM
Location : Sikhsha Patri Villa , Kanbha City Name : Daskroi District : Ahmedabad State: Gujarat Language : Gujarati , Hindi, English Climate : Hot And Dry
Shikshapatri Villa , Near Shikshapatri Bungalows behind kanbha bus stop, Kanbha - kujad road, kanbha, gam, Ahmedabad, Gujarat 382430
GRANDPARENTS BEDROOM POOJA ROOM
MASTER BEDROOM
BED ROOM
DINING ROOM
WASHING AREA
1 2 3 4 5 6 7 8 9 10
PASSAGE
LOUNGE
1 2 3 4 5 6 7 8 9
18 17 16 15 14 13 12
18 17 16 15 14 13 12 1110
STAIR CABIN
18 17 16 15 14 13 12 11 10
POWDER ROOM LIVING ROOM
It is designed for the one who are looking for pure enviroment with peaceful atmosphere with large space room with there livings.
DAUGHTER'S BEDROOM
POWDER ROOM
OPEN TERRACE
VERANDAH
BALCONY
1
MOODBOARDS
MASTER BEDROOM
2
ELEVATION
+10300 PARAPET TOP LVL
+10300 PARAPET TOP LVL
+9150 TERRACE TOP LVL
+9150 TERRACE TOP LVL
+8550 B.B LVL
+8550 B.B LVL
+6100 2 FLOOR LVL
+6100 2 FLOOR LVL
+5500 B.B LVL
+5500 B.B LVL
STRUCTURE COLUMN FINISHED WITH SELECTED M.S MATERIAL
GRILL
CORNICE CONCRETE CLAY TILES
WALL SECTION PP
WALL SECTION PP
+3050 1 FLOOR LVL
+3050 1 FLOOR LVL
+2450 B.B LVL
+ 450 LVL PLINTH LVL
+ 450 LVL PLINTH LVL
± 00 LVL
± 00 LVL
FRONT ELEVATION
FRONT ELEVATION
+2450 B.B LVL
SIDE ELEVATION
SIDE ELEVATION
NOT TO SCALE
3
HOME THEATRE / GUEST ROOM
A
SECTIONAL VIEWS
B
C HOME THEATRE / GUEST ROOM
NOT TO SCALE
HOME THEATRE / GUEST ROOM
BED ROOM
STAIR CABIN
18 17 16 15 14 13 12 11 10
BED ROOM
BED ROOM STAIR CABIN STAIR CABIN
D
18 17 16 15 14 13 12 11 10
D’
18 17 16 15 14 13 12 11 10
OPEN TERRACE
OPEN TERRACE OPEN TERRACE
C’
B’
A’
POWDER ROOM
B
A
WALK IN CLOSET
C POWDER ROOM
POWDER ROOM
MASTER BEDROOM
LIBRARY / ART AREA
WALK IN CLOSET WALK IN CLOSET PASSAGE
LOUNGE
1 2 3 4 5 6 7 8 9
MASTER BEDROOM
SECTION CC’
DAUGHTER'S BEDROOM LOUNGE
POWDER PASSAGE ROOM
1 2 3 4 5 6 7 8 9
D
LIBRARY / ART AREA
SECTION AA’
LIBRARY / ART AREA
MASTER BEDROOM18 17 16 15 14 13 12 1110 PASSAGE
LOUNGE
1 2 3 4 5 6 7 8 9
D’
18 17 16 15 14 13 12 1110
18 17 16 15 14 13 12 1110 DAUGHTER'S BEDROOM DAUGHTER'S BEDROOM
POWDER ROOM
POWDER ROOM
BALCONY
BALCONY BALCONY
A
B
C
A’ B’ C’
POWDER ROOM
KITCHEN STORE ROOM
POWDER ROOM GRANDPARENTS POWDER BEDROOMROOM POOJA ROOM KITCHEN
D
GRANDPARENTS BEDROOM
1 2 3 4 5 6 7 8 9 10 DINING ROOM
WASHING AREA
LIVING ROOM
D’
POOJA ROOM
1 2 3 4 5 6 7 8 9 10 DINING ROOM
18 17 16 15 14 13 12 POWDER ROOM
18 17 16 15 14 13 12 POWDER ROOM
GRANDPARENTS BEDROOM
WASHING AREA
18 17 16 15 14 13 12 POOJA ROOM POWDER ROOM
STORE ROOM
STORE ROOM
1 2 3 4 5 6 7 8 9 10 DINING ROOM
WASHING AREA
KITCHEN
LIVING ROOM
LIVING ROOM VERANDAH
SECTION BB’
SECTION DD’
A’
VERANDAH
B’
C’
VERANDAH
4
RENDERED VIEWS
LIVING ROOM LIVING ROOM
POOJA ROOM GRANDPARENT’S ROOM
5
RENDERED VIEWS
DINING AREA KITCHEN
CHILDREN’S ROOM CHILDREN’S ROOM
6
RENDERED VIEWS
MASTER BEDROOM
HOME THEATRE MASTER BEDROOM
7
RENDERED VIEWS
MORNING VIEW GARDEN TERRACE
EVENING VIEW BALCONY
8
SITE ANALYSIS
Address: Sumel Complex, 103, Sarkhej - Gandhinagar Hwy, Ahmedabad, Gujarat 380054
BRIEF
Firstly understanding Fine Dine Restaurants and then to design a fine dine restaurant, an international brands are been proposed in this project , analyzing the brand, case study and then creating a conceptual restaurant on the basis of brand.
ARE: 2200sqft.
R
estaurant Studio
COMMERICIAL HUB
RESTAURANT
CAR PARKING
BRAND ANALYSIS
TRESIND - Home to modern Indian cuisine Très : (french) VERY ind : INDIAN Trèsind : VERY INDIAN RESTAURANT
Trèsind, Mumbai |THE LIGHTING
• Long handmade customised lighting fixture on top,mimicking ripples in the water • The De-Constructed Ring Chandelier exploring composition of semi-circular rings in Rose Gold finish
Trèsind, Mumbai |THE INSPIRATION| THE INTERIORS| SEATING ARRANGEMENT The highlight of the restaurant is a 35-foot wavy serpentine seatingarrangement in the centre, with an equally long handmade customized lighting fixture on top,mimicking ripples in the water.
9
SPACE ALLOCATION SWAD SADAN ( SPACE ALLOCATION ) FIRE SPRINKLERS IN SWAD SADAN
BUBBLE DIAGRAM FOR TRESIND
NOT TO SCALE
10
CONCEPTUAL UNDERSTANDING
MAIN CONCEPT
• Fluidity , water , waves , ripples By using this 4 elements Fine Dine restaurant is designed. • The sense of relatability was explored\ using sea as a reference point, and referencing water throughout the space, giving it fluidity,”
Space is been designed by using the symbols of waves , water , ripples as this restautant connects to the sea therefore hues of blue , gold and silver is been used in the restaurant
TROLLEY
“The restaurant uses the concept of guéridon/trolleyservice for which there had to be enough gangway allocated for the movement of trollies.” Since the barof the restaurant had to emulate the mixological experience, the brand wanted to ensure that it did not look like a dispense bar.
COLOUR SCHEME
11
SECTION VIEWS AND FRONT ELEVATION NOT TO SCALE
SECTION AA’
SECTION BB’ B
B'
A
A'
630
FRONT ELEVATION
12
WORKING DRAWING FURNITURE LAYOUT
FURNITURE SCHEDULE FURNITURE SCHEDULE QUANTITY LENGTH FULLFORM WIDTH DIAMETER TYPE HEIGHT RADIUS MATERIAL QUANTITY LENGTH FULLFORM WIDTH DIAMETER TYPE HEIGHT RADIUS MATERIAL
NOT TO SCALE
D4
RD1
240 640
240
240 SO1
640 R620 R620 420 380 CH4 420 600 CH4 600 500 500
SO1
SO1
T1
1315 1315380
D4
1765 1765
1800 1800 3715 3715
570
3205 3205 770
570 450
950
170
R1960 R1960
450
240
SO1
1715 1715 630
SO1
630
SO1
SO1 T1
T1
240 SO1
R1380 R1380
SO1
T1
730
170 170 170
730
600
T1
630
SO1
SO1
700
T1
2200 2200 170 170170 170
600
R1410 R1410
1305 1305 240 630 R295 350 630 R295 350 R340 R340
240
500
500 880
700
700
D1
880
700
D1
340 340 80 80
1400 1400 R1410 1140 R1410 1100 1140 1100 R1380 170 170 550 R1380 170 170 550 700 700 R150 R150 650 650 850 850 850 850
R1910 R1910
770
630
SO1
240
1400 1400
950
700 D1
890
700
1610 1610 R1960 1620 R1910 R1960 1620 R1910 750 845 845 CH2 450 500 500 CH2 CH2 450 CH2
870 9096 9096 880
W1
870 550
T4
880
880 CH2
W1
T4
880
990
CH2
402
SO2
SO2
990
TR1
2950 2950
500 970 970
CH2
CH3
CH3
T4
4865 4865
Ø450 Ø450
660 660 Ø1050 Ø1050
T3
4835 4835
CH1
CH2
680
R1320 R1320
R1220 R1220
CH5
CH5
CH5
CH5
CH5
CH5
3530 3530
T2
CH1
T2
CH5
CH5
CH5
CH5
CH5
CH2
CH2
CH2
225
640 225
640
620
630
575
CH2 T5
CH2
575
630 620 620 230 230
575
T5
575
CH1
590 590 R250 CH1 R230R250 R230
CH1
T2
CH1
500
CH1
T2
840
840 575
620
1730 1730
2040 2040
1610 1610
505 800
1005 1005 675
R720 R720
D1
R700 R700
675 350
700
350
800
SI1 465
330
R50
SI1
4641 4641 900 900 810 810
75
TR1
800
TR1
R50
TR1
R225 R225 880
D3
D3 750
370
750
TR1
900 900 750 810 370 810
810
S1
TR1
750
7280 7280 TR1
400 1254 1254
500
810
1160 1160
700
S1
400 700
S1
400
3 3
1140 1140 650650 800800
T2 T2 TABLE-2 TABLE-2
2 2
800800
600600
T3 T3 TABLE-3 TABLE-3
3 3
800800
1050 1050
T4 T4 TABLE-4 TABLE-4
2 2
1620 1620 870870 800800
T5 T5 TABLE-5 TABLE-5
1 1
1910 1910 840840 800800
WOOD ANDAND WOOD METAL METAL
T6 T6 TABLE-6 TABLE-6
1 1
4835 1100 4835 500500 1100
WOOD ANDAND WOOD METAL METAL
435 370 370
CHAIR -1 -1 CH1 CHAIR CH1
4 4
D2
D2
220 220 265 265
CH2 -2 -2 CH2 CHAIR CHAIR
10 10
550550 500500 800800
-3 -3 CH3 CHAIR CH3 CHAIR
6 6
800800
800800
WOOD ANDAND WOOD METAL METAL
1067 1067
SI1
WOOD ANDAND WOOD METAL METAL WOOD ANDAND WOOD METAL METAL
450450 WOOD ANDAND WOOD VELVET VELVET
600600
WOOD ANDAND WOOD VELVET VELVET WOOD ANDAND WOOD VELVET VELVET
1 1
600600 500500 800800
CH5 CH5 CHAIR -5 -5 CHAIR
6 6
900900
TR1TR1TROLLEY-1 TROLLEY-1 4 4
900900 400400 800800
METAL METAL
S01S01 SOFA-1 SOFA-1
6 6
1400 1400 850850 800800
WOOD ANDAND WOOD VELVET VELVET
SO2 SOFA-2 SO2 SOFA-2
3 3
800800
SO3 SO3 SOFA-3 SOFA-3
1 1
2475 2475 620620 800800
WOOD ANDAND WOOD VELVET VELVET
SORTING SORTING ST1ST1 TABLE-1 TABLE-1 2 2
1700 1700 800800 900900
STAINLESS STAINLESS STEEL STEEL
S1 S1 STOVE-1 STOVE-1
4 4
900900 490490
STAINLESS STAINLESS STEEL STEEL
SI1SI1 SINK-1 SINK-1
2 2
800800 465465
STAINLESS STAINLESS STEEL STEEL
DE1 DE1 DESK-1 DESK-1
2 2
800800 500500 900900
WOOD WOOD
1043 1043 2047 2047
WOOD ANDAND WOOD METAL METAL
CH4 -4-4 CH4 CHAIR CHAIR
3550 3550
D1
3555 3555 SI1
800
750
1000 1000
750
400
450450
METAL ANDAND METAL VELVET VELVET
WOOD ANDAND WOOD
VELVET 1320 1320 VELVET
S1
402
URNITURE FURNITURELAYOUT LAYOUT CALE SCALE1:75 1:75
500 880
D1
1700 1700
540
200
1820 1820
650
3720 3720
330
1333 1333 D1700
S1
465
540
200
345
650
865
Ø450 CH1 Ø450
500 75
1575 1575 575
490
800
575
R180 575 R180 575 575 2475 2475
S1
800
1505 1505
505
S1
490
680
2620 2620
1300 1300
1910 1910
300 300 500 500
345
740 1570 1570
SO2
CH3
Ø450 Ø450
740
435
150 150 500 500
150
810
940
Ø600 Ø450 Ø600 Ø450
R1420 R1420
3185 3185
T1 T1 TABLE-1 TABLE-1
WOOD ANDAND WOOD CONCRETE CONCRETE
TR1
940
Ø600 Ø600
CH3
R1470 R1470
1010 1010 290 75 290 75
T3
2635 2635
W1 CH2
SO2
T3
985
CH5
880
T3
SO2
2110 2110
Ø600 CH3 Ø600
CH3
500
W1
CH2
CH3
CH3
CH3
985
W1
CH2
2635 2635
CH2
R150 R150
880
2540 2540
T3
400
650 150
2090 2090
S1
CH2
CH2
1941 1941 W1
870
T3
1721 1721
810
WALL - B WALL - B
WALL - D WALL - D
W1
870
2140 1990 2140 1990 4070 4070
W1 CH2
880
T4
CH3
CH3
400
865
1000 1000
980
SO2
1620 550 1620
880
CH3
980
890
650 810
D1
810 1060 1060
750
1765 1765 770770 900900
DESK
WALL - C- C WALL 26242 26242 RD1
RECEPTION RECEPTION 1 1 RD1 RD1DESK
22523 22523
WALL - A- A WALL
CIVIL SCHEDULE CIVIL SCHEDULE DOOR TYPE DOOR TYPEFULLFORM FULLFORM DOOR 1 1 D1 D1 DOOR
SIZE SIZE 700700
D2 D2
DOOR 2 2 DOOR
650650
D3 D3
DOOR 3 3 DOOR
1500 1500
D4 D4
DOOR 4 4 DOOR
1800 1800
D5 D5
DOOR 5 5 DOOR
1000 1000
CIVIL SCHEDULE CIVIL SCHEDULE WINDOW TYPE WINDOW TYPE FULLFORM FULLFORM W1W1 WINDOW 1 1 WINDOW
OUTLET OUTLETOF OFTRESIND TRESINDRESTURANT RESTURANT
SIZE SIZE 880880
NAME : TWISHA KOTAK NAME : TWISHA KOTAK SUBJECT : DESIGN PROJECT 2(FINE DINE) SUBJECT : DESIGN PROJECT 2(FINE DINE) UNIVERSITY : GLS INSTITUTE OF OF DESIGN UNIVERSITY : GLS INSTITUTE DESIGN SHEET NO. : 1 SHEET NO. : 1 SITE : SWAAD SADAN SITE : SWAAD SADAN SHEET NAME : CIVIL LAYOUT SHEET NAME : CIVIL LAYOUT NOTE : THIS DRAWING IS FOR NOTE : THIS DRAWING IS FOR EDUCATION PURPOSE ONLY EDUCATION PURPOSE ONLY
13
WORKING DRAWINGS CEILING AND LIGHTING LAYOUT NOT TO SCALE
NOME
KIT NOMENCLATURE KITCHEN 2800
1400
1400
1400
1400
2800
2800
2800
WASH AREA WASH AREA
3830
1400
BASIN AREA
WOMEN'S WASHROOM
T
1400
1400
1400
1400
2800
2800
2800
BASIN AREA
43.86 SQFT
23.01 SQFT 2800
59.48 SQFT
MEN'S WASHROOM WOMEN'S WASHROOM
2800
RECEPTION AREA
94.7 SQFT
DINING AREA
s
3830
WASH AREA
s
1283.32 SQFT
1400
2800
2800
1400
DINING AREA
s
43.86 SQFT
2800
1400
2800
1400
1400
s
2885 1400
1400
2800
1400
MOCKTAIL STATION
BAS
M WAS WO WAS
DININ
MO ST
REC A
P.O.P CEILING
RECEPTION P.O.P CEILING AREA
12301400 s
2885
MOCKTAIL STATION
s
s 2885 2800
1400
2800
1400
1400
1400
1400
1400
GYPSUM CEILING GYPSUM CEILING GYPSUM CEILING GYPSUM CEILING GYPSUM CEILING
DINING AREA P.O.P CEILING
s
1283.32 SQFT 2885
1400
1400
1400 2800
59.48 SQFT
BASIN AREA
WOMEN'S WASHROOM
23.01 SQFT
WAS
NOME SYMBOL
2800
1400
113.78 SQFT
s
s 1400
1400
1400
MOCKTAIL STATION
1400
2800
s
1400
2800
1400
113.78 SQFT
1400
1400 1400
1400 1400
s
WALK IN REFRIGERATOR
35.8 SQFT
1400
1400
WALK IN REFRIGERATOR
s
Ø900
35.8 SQFT
s
s
NOMENCLATURE SYMBOL LIGHT FIXTURE
1400
12301400
2805
KITCHEN
CHANDELIER
STORAGE
51.36 SQFT
327.72 SQFT
s
Ø900
2805
KITCHEN
FAN STORAGE
51.36 SQFT
327.72 SQFT
1400
WIFI ROUTER
MS
CCTV RECESSED CEILING LIGHT PROFILE LIGHT PENDENT LIGHTS WIFI ROUTER SPEAKER SPOTLIGHT MUSIC SYSTEM TELEPHONE POINT
WIFI ROUTER
MS
s
TRACK LIGHT s
5
OUTLET OF TRESIND RESTAURANT O : 1:75 NG LAYOUT OUTLET OF TRESIND RESTAURANT
SMOKE DETECTORS
NOTE · THIS DRAWING IS F PURPOSE ONLY · ALL THE DIMENSIO NOTE · THIS DRAWING IS FOR NAME EDUCATION : TWISHA KOTAK PURPOSE ONLY SUBJECT : DESIGN PROJECT · ALL THE DIMENSIONS ARE IN MM.
UNIVERSITY : GLS INSTITUTE OF D NAME : TWISHA KOTAK SITE : SWAAD SADAN SUBJECT : DESIGN PROJECT 2 SHEET NAME : FURNITURE LAYO UNIVERSITY : GLS INSTITUTE OF DESIGN N SITE : SWAAD SADAN
14
3D VIEWS
SEATING AREA RECEPTION AREA
MOCKTAIL STATION VIEW FROM THE PREPARATION AREA
15
3D VIEWS
KITCHEN SEATING AREA
PREPARATION AREA SEATING AREA
16
BRIEF
A journey for hands on skills using the play of shadows, colors and the transparency of glass while creating an experience with the utility product with the support of other materials. And composing itin different spaces along with understanding composition and utilisation.
Y
antra (Table) TASK 1
Taking 8”*8” float glass of 5mm thickness and staining it to create a play of color and shadows with the help of light. And creating a utility product out of it
• Perception of space and object: Utility product in living room • Space: Living room • Inspiration: Mandala • Type: Side Tables • Feature: Geomtry and color • Material: Glass and Metal • Dimensions: 1. Table 1( 4 glasses of 8”*8”)44*44*600 mm 2. Table 2 ( 3 glasses of 8”*8”)64*24*400 mm 3. Table 3 ( 3 glasses of 8”*8”)64*24*200 mm • Finishes: Matte gold
17
RENDERED VIEWS TASK 2
Making a light device with the help of glass and other materials for the structure and defining an appropriate aesthetic for the same.
G
eometrical Shelves ( Lamp)
• Space: Living room, waiting area or bed room • Inspiration: Moroccan style • Type: Floor lamp with shelf • Main feature: Shelfs • Material: Metal and Wood • Dimensions: H-1500mm W-300mm
18
BRIEF
Creating a wall or facade or a Partition wall with conceptual Design and placing it in an appropi Cate space in regards to the pattern of the wall. Material to be used : terracotta
M
aterial and Process PATTERN INFORMATION By repeating pattern and arranging it in such a way that it creates a great inpact on the wall of the yoga studio. The ajna chakra which is been created by using basic shapes now will look in a different manner by repeating the form and the tree pose is positioned in the kiddle of the pattern of ajna chakra. This look is not very distractive therefore one cannot get distracted by looking at it. But though it looks attractive to place it on the wall and by looking at it one get the glimpse of calm and peace as the green color is indicating it. And terracotta is such amaterial that if it is used naturally it gives cooler temperature.
SPECIFICATION
SPACE YOGA STUDIO :
The more tech-savvy and busy we get, the more we feel a need to get away from it all and spend some time in peace and tranquility. Much more than a fad and a growing trend globally, spending at least a few minutes each day meditating can improve your concentration,posture and mood, along with delivering a slew of other health benefits. But like everything else, a perfect meditative session needs an ideal meditation / yoga room or space therefore i decide to take yoga studio as a space.
• Matte Finish - Long-Lasting • Its comfortable, ultra-fine texture blends beautifully with the skin to build the result up to the desired intensity. • Enriched with Kaolin, a white clay known for its mattifying properties,Terracotta Matte powder sculpts.Replicate glaze on terracotta or fire skin on brick. Apply over • Terra-Color to match surrounding undamaged terracotta.
19
RENDERED VIEWS OF YOGA STUDIO
TERRACOTTA CLAY FORMS
20
BRIEF To experiment with different materials and find out its potential to develop a space or surface.To document the process of material understanding.Deriving multiple possibilities of using the form.Finding the actual construction material for the form.Defining Application and uses of the form.Presenting the benefits of its utility for the defined use.
Exploration
Cycle spokes Height: 30 cm Grid : 40cm *60cm Inner box : 10cm * 10cm Pleats size : 2cm Canvas cloth piece size : 30 cm * 140 cm
E
lements of Forms • Here a model is proposed which allows describing and creating a pleated architectural structural form. The data model should be useful to develop this form, both from a twisting and a structural point of view. There is a link between the choice of the pleated architectural form and a satisfactory structural performance. Folded structures’parametric design occurs in two stages: the first one deals with formal qualities and the second one, works with t he structural aspects.
Exploration
Cycle spokes Height: 30 cm Grid : 40cm *60cm Inner box : 10cm * 10cm Pleats size : 2cm Canvas cloth piece size : 30 cm * 140 cm
21
ELEMENTS OF FORM FINAL FORM ( MODULE) In these form finding process here it is been tried to show contradiction (difference that makes one statement false) through 2 material whichsomewhat have same properties which is sturdy and stiffness and the materials are collar canvas (which is made up by mixing cotton and polyester material and which is very hard ,inflexible and inelastic) and cycle spoke which are of stainless steel and are used to make support of the structure and canvas which is used to show the stiffness of the fabric material. As fabric is a material which have properties like durability , drape and softness yet being fabric material the canvas fabric is stiff therefore we choose to show stiffness in fabric materialwhich is opposite to the properties of all the other fabrics.
Structure : living room ( center table) Height; 600mm Material for the center table : wooden .
Structure : Roof for the garden Height : 4000 mm Material for the roof : metal sheet or concrete
22
VISTA INSTALLATION
AHMEDABAD DESIGN FEST
ADF is a grand convergence showcasing different Design avatars in the form of talks by well known speakers, panel discussions, startup sessions, installations, exhibition stalls, Design workshops, and various cultural performances. Organised by GLS Institute of Design
• Vista is an interactive installation which focuses on the art of perspective. • How same thing appears different based on the perspective. • It connects the art of material to its root and makes one realise how perspective plays amajor role in anything and everything.
I
nstallations (ADF) • Worked as an Installation Team Worker • Learning : Making marvelous Installations out of waste Material and Products.
MEDIA COVERAGE
BOMBORA- WAVE INSTALLATION Inspired By Waves
• Bombora is a large wave made up of around 7000 plastic bottles.Plastic bottles being the largest pollutant in the ocean pollution.Bombora depicts an irony of how an ocean wave should be made up of water and not plastic bottles.
23
MATERIAL GRID INSTALLATION
Every material is a medium. Material generates ethos. This installation appeals the audience to focus on the material and makes them realise the correct attributes every material carries.
DANDIYA INSTALLATION
Dandiya :- Installation made for Promotion of Ahmedabad Design Festival in nearby places during Navratri to get the glimpse about the event .Installation is been put up in 3 places
ABSTRACT FORMS INSTALLATION
This Installation is made out of the waste metal from the cover cases of tubelights. By abstractly twisting and turning it the walkway was generated.
Installation made for promotion of Ahmedabad Design Fest and also it was Collaboration with Hungrito for their event
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“There is one thing the photograph must contain, the humanity of the moment.” — Robert Frank
P
hotography
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IVORY WORKSHOP ( SHOWPEICE ) MATERIAL USED : • IVORY • BLACK MOUNTBOARD • COPPER SPRAY PAINT
THERMOCOL WORKSHOP ( SHOWPEICE ) MATERIAL USED : • THERMOCOL • BLACK MOUNTBOARD • ACRYLIC COLOURS
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ssorted
LETTER TO OBJECT TRANSFORMATION
RENDERING TECHNIQUES PATTACHITRA
INK RENDERING
COFFEERENDERING
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thank you
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