Two Hands NewsPaperie: Spring 2015 by Two Hands NewsPaperie

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TWO HANDS

NEWSPAPERIE

SPRING 2015

&creative musings CLASSES EVENTS

803 PEARL STREET

boulder, colorado 303.444.0124

Paper Cutting & Scissor Collecting

CONTENTS

Decorative Wrap Sheet Mia's Scissor Collection (actual size)

Once I started finding them I felt like I was on a scavenger hunt. “Here’s another pair!” I would call out when the discovery was made. “Here are three more!” I would yell out in triumph. My family members oddly enough did not share the same enthusiasm, and lucky for me no one wanted to split up the collection either. So after a few days of cleaning, over fifty pairs of scissors (yes, that’s five zero!) all became mine. There were all shapes, sizes, and styles of scissors- scissors for cutting hair, cutting paper, trimming flower stems, trimming embroidery thread, cutting fabric, cutting sheet metal, and trimming fingernails.

Introduction & Call for Submissions

3-7

Spring Classes Schedule & Information

I imagined showing the collection to my grandparents and what their reaction might have been. My grandfather would have chuckled to himself since he was an avid tool collector and garage saler (there’s not enough space here for me to tell you about his hammer collection!). My grandmother would have been in sheer disbelief and would have denied that the collection came from her home. Doing the math- they lived in the house for over half a century- that’s about one pair that came through the door per year. When was the last time you purchased a pair of scissors?

7-8

Spotlight Friday & Community Events

A La Silhouette: A History

The truth is, my fascination with scissors began at an early age, and then “suddenly” vanished when I became old enough to use them. Like most kids, I remember taking the blunt nosed scissors made specifically for small children and secretly giving myself a haircut. Ahh, the power to transform materials rested in the palm of my hand! But honestly, I didn’t think about scissors too much until my inheritance was discovered. My collection has now grown to over 85 pairs. Unlike my grandparents' “collection”, mine is on full display on my studio wall. I’m not sure what the feng shui implications are, but I’m not overly concerned. I love my collection, so when I find a really unique pair it brings me back to that bittersweet weekend of cleaning out the family home and I get to remember my family for all their quirks and idiosyncrasies…but who am I to talk.

9 - 10

The Book Arts League: A Treasure in Our Own Backyard

11 - 12

Lynda Leimkuhler Labor of Love: Intricate Paper Cuts

In the 5th edition of the Newspaperie the focus is on the transformation of paper through cutting. We hope it will inspire you to take a class, learn a new technique, and be inspired by the local people in our community. Be sure to use the “scissor wrap sheet,” a small sample from my scissor collection, to transform a gift into something fun and special.

Anne Whetherly Paper Cutting With A Purpose

Happy Cutting!

Pajaki

Paper Chandeliers Tips and Inspiration

SUB

Art Call for Submissions APR

IL 1 -

ne of my prized possessions is a scissor “collection” I inherited from my grandparents. After my grandparents passed away, my family came together to clean out their home. During the few days I was there my scissor collection materialized. Mind you, this was not a formal collection that was boxed up and hidden away. Nor was it on display in their home. The scissors were found throughout the house here and there, next to the wall mounted rotary telephone in the kitchen, in the desk caddy, in all three bathrooms and bedrooms, all through the garage, and placed completely at random. And of course there were multiples of many styles.

1 & 14

spring 2015

R AP

Papercutting facts throughout these pages are referenced from: Hogarth, Emily. Cut UP This Book. Running Press, 2012. Print.

PAPER CUTTING FACT #1 The ancient Egyptians are credited with the invention of scissors around 1500 BC. Pivoted scissors, LL the style of scissors that are most commonly used today, were invented by the Romans around 100AD.

Mia & the Two Hands Paperie Gang

Mia Semingson

Publisher, editor, writer, designer, scissor collector

Casey Berry

Writer, social media director

Rachael Kelley Graphic designer

Altered Book:

Book. For most of our readers, just the word conjures up emotions and memories, specific titles, illustrations and, of course, even favorite smells. It’s a revered and treasured object. But we’d like you to change it. This season’s Art Call for Submissions is requesting an Altered Book. Yes, that means taking any book and cutting it up, ripping it out, gluing and painting in, carving it, or whatever alterations your heart desires. The world of altered books is truly indescribable and inspiring, and we’re asking you to try your hand at it. The parameters are, as always, simple. Start with a book, and change it. The finished piece must sit on a shelf, hang on a wall or from the ceiling!

store hours

Gerald Trainor Entries will be accepted April 1- April 10 and on display in the shop through May 5th. On Tuesday, May 5th, winners will be announced on Facebook and Instagram. Pick-up your piece (and possible prize) by Sunday, May 10th. Altered Book Studio Night: If you're looking for inspiration, check out the Art Call - Altered Book on our Pinterest page, or join us for an Altered Book Studio Night. Call the store to RSVP for this FREE event on Wednesday, April 8th from 6:00-9:00PM for ideas and plenty of time to work on your own piece.

Editor

Shari Burnham Talent scout and class ringleader

Contributors: The Book Arts League Lynda Leimkuhler papercut artwork created by “LL” pages 2, 3, 5, 6, 7, 11

Anne Weatherly

papercut artwork created by“AW” pages 2, 6, 7, 12

Monday- Saturday 10-6pm, sunday 11-5pm

SpRING CLASSES IMPORTANT INFORMATION TOOLS & MATERIALS

Two Hands Paperie makes available the following tools for students to use during class: bone folders, selfhealing cutting mats, awls, bookbinding needles, PVA glue, glue brushes, scissors, 12" rulers, right triangles, small palettes, embossing tools, graphite pencils, linoleum cutting tools, and watercolors. However, feel free to bring your own if you have favorites you like to use. Most materials are provided as part of the class cost, but there may be some items you need to bring. Check the materials list online for the specific class you’re interested in. Be sure to purchase your materials before coming to class.

ENCAUSTIC

All encaustic classes are held at the instructor’s studio in North Boulder: 4593 North Broadway Suite C-105, Boulder, CO 80304. There is a short lunch break. Details will be emailed closer to class.

INTRODUCTION TO ENCAUSTIC

There’s nothing quite like working with encaustic, a medium made by mixing melted beeswax, resins, and coloring agents. The fragrance of the beeswax makes for an amazing sensory experience, and the medium is very malleable and forgiving. Also called hot wax painting, encaustic was used in ancient Egypt for portraits. It was rediscovered in the mid-twentieth century and has become a popular medium because of its unique properties and look. Join artist Alix Christian in her studio for this introductory, one day class to learn the basics. While working on wood panels, you’ll experiment with a variety of tools and techniques to create texture, modulate color, build up layers to create visual depth, carve lines and patterns, and add text and images. Give yourself permission to play while “painting” with wax and fire! Choose a date: January 24, Saturday, 9-3pm or February 13, Friday, 9-3pm or March 20, Friday, 9-3pm or April 11, Saturday, 9-3pm or May 15, Friday, 9-3pm LL Instructor: Alix Christian. Limit: 6 students. Website: alixchristian.com Cost: $155; includes all materials, but bring favorite collage items if you’d like.

COLLAGE AND ENCAUSTIC

Encaustic – there are so many techniques! This class focuses specifically on layering paper with hot wax. It’s collage with a twist! The design principles are the same, but the melted wax medium transforms paper and ephemera in unexpected and surprising ways. Papers become translucent. Colors change. Images are softened. Because of the almost imperceptible thickness of the medium, successive layers create a subtle but rich visual depth. Join Alix in her studio for this one day class to see how introducing a new medium into your kit of techniques can change your collage work. No previous encaustic experience is required. May 8, Friday, 9-3pm. Limit: 6 students. Instructor: Alix Christian. Website: alixchristian.com | Cost: $155; includes materials, but bring favorite collage materials and a magazine or two if you’d like.

CANCELLATIONS & REFUNDS

Cancellations made up to 14 days prior to the first class meeting will be refunded or, at the participant’s option, used to pay for another class. Two Hands Paperie will retain a $10 processing fee for EACH class cancelled by a participant. After 14 days, there is no refund or credit. In addition, the fee for a class cancelled within this 14-day timeframe by a participant cannot be transferred to pay for another class. These policies are to ensure that teachers are compensated for their investment in materials and in time spent preparing for the class. We reserve the right to cancel a class if fewer than 3 students enroll 48 hours prior to the scheduled class time. If for any reason Two Hands Paperie cancels a class, students will be called at the phone number on file and refunded the FULL class fee.

LOCATION

Unless otherwise noted, all classes are held at the store at 803 Pearl Street, Boulder.

REGISTRATION

Register online at www.twohandspaperie.com. No prior experience is required for classes except in a few cases. Classes are limited in size and fill quickly, so register early. Standard classes are designed for teens through adults, with Art Technique classes suitable for children 10 and above as well. So that the instructor can help all students equally, we ask that an adult accompany younger children and take the class alongside them. If you have any questions about whether a class is age appropriate, please contact the store.

ENCAUSTIC – A BOOK!

Encaustic typically requires a hard surface to support the layers of melted beeswax, but in this class you’ll study how it affects and changes the properties of paper. Some papers become translucent and almost disappear, leaving a wonderful “ghost” of texture. The color in other papers intensifies, becomes more vibrant, and glows with a faint luminescence. Alix will demonstrate encaustic techniques with paper, including drawing, scratching, collaging, perforating, layering, sanding, and stenciling. You’ll end the class by binding your pages into a simple and very unusual book. No previous encaustic experience is required. This class is a really fun way to start working with encaustic. March 6, Friday, 9-3pm. Limit: 6 students. Instructor: Alix Christian. Website: alixchristian.co Cost: $155; includes all materials, but bring favorite collage items if you’d like.

BOOK ARTS

BASIC BOOKBINDING new!

This introductory class focuses on classic bookbinding techniques. You’ll learn by doing. That is, you’ll make a book from start to finish. As an added bonus, instructor Mia Semingson will provide information on resizing this basic structure so you can later make more to your exact specifications. Mia, co-owner of Two Hands Paperie, is an experienced bookbinder and loves sharing her knowledge. She’ll start you out by showing you how to tear down large sheets of paper to create the pages, how to group and sew the resulting pages into signatures, and how to bind the signatures into a text block. The next step is to add decorative headbands and tip on endpapers. To finish up, you’ll create covers by surfacing book board with book cloth and decorative paper and gluing all the parts together. You’ve just made a basic codex! There are no guarantees in life, but we’re pretty sure you’ll be proud of your finished book. Two consecutive Mondays: March 9 and March 16, from 6-9:30pm. Limit: 6 students. Instructor: Mia Semingson. Website: twohandspaperie.com Cost: $145; includes most materials, but see the materials list online.

Make things with your own

BOUND BOOKS WITH SLIP CASE new!

Perhaps what makes these small books so charming is their friendly size and the precision with which they’re made. Mary Jo’s class is a great introduction to bookbinding for new students. For those who’ve already done some bookbinding, it’s a wonderful study in the little details that transform a book from lovely to something of professional grade. During this class, you’ll create two hard-backed pamphlets, one covered in book cloth and the other in decorative paper. You’ll also make a companion slip case from a single sheet of specialty paper. Mary Jo will cover all the basics: bookbinding tools, the importance of grain, standard techniques, and which materials are the best to use. She’ll show you how to measure and cut accurately and how to work with the appropriate adhesive. You’ll love her detailed handouts! They’ll enable you to make more small books and a companion slip case at home. March 7, Saturday, 10:30-4:30pm. Limit: 6 students. Instructor: Mary Jo Hamilton. Cost: $110; includes all materials.

PAPER CUTTING FACT #2 The invention of papercutting closely follows the invention of paper. Both are attributed to the Chinese around the 1st century AD and slowly spread west reaching Europe by the 16th century.

two hands!

SpRING CLASSES Book Arts continued...

EMBROIDERED JOURNAL new!

Take a Moleskine journal, a needle, some colorful thread, and Voila! You’ve created a unique personalized notebook that represents you. These embroidered journals are also wonderful little gifts because they’re easy to make, they don’t take much time, and you can choose colors and themes to fit the recipient. Learn how to make one from local artist Emily Clark, who has some tricks and tips to share and will provide a selection of cardboard patterns to get you started. Enjoy a few relaxing hours while you make yourself, or someone special, a fun little gift! January 18, Sunday, 2-4:30pm. Limit: 6 students. Instructor: Emily Clark. Website: teawithlola.com Cost: $60; includes most materials, but see the materials list online.

MEDIEVAL LEATHER JOURNAL

The leather cover of this journal is inviting. Its texture and rough, irregular front edge recall a time when books were sturdy and meant for heavy use. You’ll love the feel of it in your hands as you unwrap the thin linen tie to reveal the pages inside. This journal is bound with the German long stitch, which is a non-adhesive, historical binding that lies flat and travels well. Many of the most popular journals sold at Two Hands Paperie use this binding. Book artist Jeff Becker will show you how to tear down paper from large sheets, how to assemble signatures, and how to sew the signatures into the leather cover. For extra touches that add to the book’s character, you’ll also add endpapers and an attached book mark. Once your new journal is bound, enjoy embellishing the closure with buttons and large beads to personalize it. April 12, Sunday, 12:30-4:30pm. Limit: 6 students. Instructor: Jeff Becker. Website: fatcactusstudios.com Cost: $95; includes most materials, but see the materials list online.

STAR STITCH BINDING

It’s hard to believe that such a beautiful and modernlooking stitch for bookbinding was never meant to be seen. As books became larger and heavier around the eighth century, the bindings needed to provide stronger structural support. The strongest bindings were done by sewing on strips of linen, so this technique is a great one to add to your repertoire. Modernized variations in traditional stitches add interest and beauty when a book’s spine is left exposed. This class features the star stitch, which is prettier and offers more decorative possibilities than the better known Coptic binding. Though a book bound either way will lie flat when open (perfect for journaling and drawing), the star stitch is less likely to fray with heavy use. It’s a straightforward pattern to learn from the pre-printed template that book artist Kristen Law Lewis supplies. After a bit of practice sewing, you’ll apply your new skill to creating an exposed spine book from start to finish. February 8, Sunday, 11-5pm. Limit: 6 students. Instructor: Kristen Law Lewis. Website: papercutspress.com Cost: $115; includes most materials, but see the materials list online.

PAPER CUTTING FACT # 3 Some of Hans Christian Anderson’s early fairy tales were illustrated using papercuts.

DRAWING & PRINTING

INTRODUCTION TO LETTERPRESS

QUICK AND CRAZY JOURNAL new!

This small journal is another creative marvel from journaling artist Fran Meneley. It’s quick because it takes almost no time to put together, and it’s crazy because you won’t believe what she uses as the base for the cover. (Trust us. You have plenty of material readily accessible at home, even if you don’t save and stash away all things paper.) Fran’s new journal is so satisfying and so easy to make that you can always have one at the ready. Instant gratification! Part of the fun is playing with postcards for the collage on the cover. Choose a theme or be wildly abstract. Cover the “seams” of the postcards with colorful washi tape, stich some folded pages inside, and you’re done. February 14, Saturday, 3-5pm. Limit: 6 students. Instructor: Fran Meneley. Website: franmeneley.com Cost: $65; includes most materials, but see the materials list online.

We love, love, love letterpress! This style of printing creates a crisp, textural impression in the paper, which has a unique look and feel that appeals to the senses in a way other printing methods don’t. What better way to learn this nostalgic method of printing than on a 2500 pound, hundred-year-old press? Think of the stories it could tell! Carolyn Sweeney, owner of Black Dog Press, delights in using her vintage press to teach others the art of letterpress. She’ll show you how to set type by hand, using old-fashioned metal type, in order to create your own layout with words and vintage printers’ ornaments, She’ll also teach you how to “makeready” the press for a clear impression. You’ll leave class with a basic understanding of letterpress printing, and with personalized note cards that you’ve designed and printed yourself ! The class is held at the instructor’s studio in North Boulder. The address will be emailed to you upon registration. There is a short lunch break. Please bring a sack lunch. March 14, Saturday, 10:30-3:30pm. Limit: 4 students. Instructor: Carolyn Sweeney. Website: blackdogpressonline.com Cost: $125; includes most materials, but see the materials list online.

LETTERPRESS 102 new!

Letterpress 102 starts where Introduction to Letterpress Printing leaves off. In this class, you’ll learn how to use polymer plates in creating the image for your stationery and cards. Using the plates introduces a new element into the design process and opens up more possibilities. You’ll also learn how to adjust the different parts of the 100-year-old press to solve printing challenges –a necessary skill in order to consistently produce professional quality impressions. Finally, you’ll spend a significant part of the class behind the press feeding paper onto the platen in order to develop hands-on production skills. The pre-requisite for this class is Introduction to Letterpress Printing, or else previous experience using a platen press. You need to have a basic understanding of how type is set and loaded into the chase before it is inserted in the press bed. The class is held at the instructor’s studio in North Boulder. The address will be emailed to you upon registration. There is a short lunch break. Please bring a sack lunch. April 25, Saturday, 10-3:30pm. Limit: 4 students. Instructor: Carolyn Sweeney. Website: blackdogpressonline.com Cost: $125; includes most materials, but see the materials list online.

SPRING BOTANGLE new!

Celebrate the arrival of spring! Create a colorful Botangle© (a Zentangle® in flower form) using special paper, ink pens, and watercolors. Certified Zentangle® instructor Annie Reiser, who teaches art at the Denver Botanic Gardens, will provide a contour drawing of a flower for you to trace and fill in with tangle patterns to create an intricate design. Annie will quickly demonstrate some specific patterns that can work well and will also show you how to use watercolors to the best effect to finish your Botangle®. This class is for those who are familiar with the Zentangle® method of drawing and have already learned a few patterns from an instructor or on their own. Annie is part of our Visiting Artist program. Come meet her and learn more about her work at a free event on April 10, Friday, from 2-5pm. April 19, Sunday, 1-4pm. Limit: 6 students. Instructor: Annie Reiser. Website: botangle.net Cost: $65; includes all materials.

TRACE MONOTYPE new!

A monotype is a single print pulled from a hard plate to which ink has been applied. The process results in a nuanced, one-of-a-kind image with serendipitous effects. A trace monotype is one of the most simple and direct of the monotype print processes. Also called transfer drawing, it’s a hybrid drawing/printmaking technique that involves tracing on paper over the inked plate. It yields amazing results within minutes, yet is so versatile that artists as diverse as Paul Klee and Van Gogh used it. In this class, you’ll draw over a picture of yourself (or someone else if you prefer) to create a portrait. You’ll first practice with newsprint, playing with the amount of ink and with different techniques such as cross hatching and stippling to create value in your drawing. You’ll then make several prints, each unique, that you can trade with other participants to create an exchange portfolio. It’s important that you bring copies and not originals of your photos since you’ll be drawing directly on them. Jennifer is part of our Visiting Artist program. Come join her for a free community art program on March 3, Tuesday, from 6-8pm to learn a new papercraft and create pieces for the store’s window display. Please call the store to RSVP. March 15, Sunday, 12-4pm. Limit: 6 students. Instructor: Jennifer Ghormley. Website: jenniferghormley.com Cost: $75; includes most materials, but see the materials list online.

for class registration please visit twohandspaperie.com

SpRING CLASSES DRAWING & P R I N T I N G TRANSFERENCE / continued

Have you ever had a photo or collage that you wanted to turn into a painting? Join journaling artist Fran Meneley to learn some simple transfer and watercolor techniques that will add another layer of imagery to your journal. These techniques are an easy and fun way of reproducing a piece of art that you love, subtly transforming it while staying true to the original. The techniques are also a way to take a stock image and make it truly your own. Have even more fun by combining images. Fran will provide watercolors for painting the transfer as well as plenty of pictures to play with, or use your own images (no larger than 8-1/2 x 11 inches). If you want to work with personal images, bring copies of the originals since you’ll be marking on them. January 25, Sunday, 1-4pm. Limit: 6 students. Instructor: Fran Meneley. Website: franmeneley.com Cost: $70; includes most materials, but see the materials list online.

WATERCOLOR EXPLORATIONS new!

Watercolors are fun! Even better, they’re a wonderfully portable and easy-to-use medium. Enjoy exploring their unique properties in this introductory class with Caron Dunn, California-based illustrator and watercolor artist. She’s drawn a charming scene for you to paint and has transferred it onto sheets of Arches watercolor paper. Caron will demonstrate some essential tricks and techniques – such as masking, color bleeds, lifting, layering, and the use of additives – that provide texture and create visual depth. The simple shapes in the illustration make it easy for you to experiment with different approaches while working with artist grade paints. Funny how flour and salt could be used to such great effect in painting! You’ll leave class with a basic knowledge of watercolor, a brush, a small palette of paint, and a piece of art that can be matted to fit a standard frame. March 14, Saturday, 10:30-4:30pm. Limit: 6 students. Instructor: Caron Dunn. Website: carondunn.blogspot.com Cost: $110; includes all materials.

WOODBLOCK ART new!

Carving wood and inking it in order to create an image is one of the oldest known printing methods. Artist Theresa MacFarland has come up with whimsical illustrations and a different approach to teaching the craft that give it a new twist. Her simple line drawings are just plain fun, and they make it easy to learn how to use the different tools and how to vary cuts. For the first block you’ll work with her illustration, which is a sampler specifically designed so that you can practice a variety of techniques. After carving the illustration, you’ll print it on paper to get a feel for the process. For the second block, you’ll design your own image. Theresa will discuss the importance of negative space and help you translate your line drawing into a carving on your woodblock that matches the picture in your mind. It’s a meditative process that invites you to slow down and explore a new way of looking and thinking. The end product is a print of your own carved image framed and ready to hang on the wall. February 28, Saturday, 10:30-4:30pm. Limit: 6 students. Instructor: Theresa MacFarland. Web: wonderboundpress.com Cost: $125; includes most materials, but see the materials list online.

ZENTANGLING© ON BLACK new! COLLAPSIBLE, INFLATABLE PAPER new!

There’s something dramatic about using only black and white in a design, especially when it’s white worked on a black background. In this class, certified Zentangle® instructor Annie Reiser will show you how to use white ink, white charcoal, and soapstone shading on black Zendala® tiles to create complex patterns. No previous drawing experience is required. If you can draw a straight line and a curved line, you have all the skills required! The design principles and structured patterns are easy to learn “one stroke at a time” and can be applied to drawing on almost anything. This class is perfect for beginners but also suitable for those already familiar with the Zentangle® method of drawing. Annie is part of our Visiting Artist program. Come meet her and learn more about her work at a free event on April 10, Friday, from 2-5pm. March 1, Sunday, 1-4pm. Limit: 6 students. Instructor: Annie Reiser. Website: botangle.net Cost: $65; includes all materials.

PAPER ARTS BEESWAX COLLAGE new!

This class is the perfect way to try out working with hot wax as a medium. Though related to encaustic, beeswax collage is something else again. Mia Semingson, co-owner of Two Hands Paperie, will explain the differences at the beginning of class as she describes the tools and materials you’ll work with. In beeswax collage, the wax is used basically as an adhesive. Because of its unique nature, it transforms papers and images in serendipitous ways. There are sure to be some interesting results as you create your collage on a small piece of board. To give you additional options to add to your bag of tricks, Mia will demonstrate a simple image transfer technique and how to use metallic foil for accents – big or little! To finish your piece, you’ll apply a lightly colored oil wash on top. The wash fills the nooks and crannies on the surface of the collage, and highlights brush strokes in the wax to create a lovely patina. A side benefit of working with beeswax – the fragrance subtly scents the air with an early hint of spring! February 14, Saturday, 10:30-1:30. Limit: 6 students. Instructor: Mia Semingson. Website: twohandspaperie.com Cost: $65; includes all materials.

COLLAGE PLAY

Whether you’ve been doing collage forever or you’re just getting started, you’ll leave this class looking at it in a whole new way. Fran Meneley, who has years of experience combining images in brilliant ways, has an approach to the art of collage that’s both intuitive and well-grounded in specific techniques. She’ll start the class with a few warm up exercises that provide an eye-opening example of how varied results can be, even when everyone is using the same materials. Just seeing each person’s natural approach is instructive and inspiring. Additional exercises are fast-paced and will keep you working from the right side of your brain. There’s no time for anything else! Strangely enough, working this way leads to more meaningful pieces. This is the perfect class to learn how to sort through your stash of papers – the cards, illustrations, other images, handwritten notes, theatre playbills, tickets to special events, even postcards – that you love but don’t know what to do with. Fran will help you see how to create something totally new and uniquely yours from these seemingly unrelated items. (This class is based on Fran’s Pieces of Our Lives.) April 26, Sunday, 11:30-4:30pm. Limit: 6 students. Instructor: Fran Meneley. Website: franmeneley.com Cost: $90; includes most materials, but see the materials list online.

private classes available

Paper is an incredibly versatile material. When repeatedly crushed and unfolded, for example, it becomes soft and almost like leather. Helen Hiebert, internationally known paper artist, has been stretching the bounds of what can be done with it since she was in fifth grade. Explore some of the wonderfully diverse uses for paper as you spend the day working on two projects: an inflatable ball to play with or to use as a small sculpture, and a collapsible party light inspired by traditional lanterns hung outside small shops in Japan. For the ball, you’ll use a translucent paper that can be decorated with drawings, markers, or rubber stamps. You’ll learn how to cut out and glue together the pieces to make it inflatable. For the party light, you’ll learn how to make the internal support structure and how to shape the paper over it. You’ll finish by adding a hanger. Helen is part of our Visiting Artist program. Come meet her and learn more about her work at a free event on May 1, Friday, from 2-5pm. May 3, Sunday, 11:30-4:30pm. Limit: 6 students. Instructor: Helen Hiebert. Website: helenhiebert.com Cost: $95; includes most materials, but see the materials list online.

FOLDED HEARTS & NOTE new!

We’re in love with these folded hearts and the note card made by paper artist Melinda Canino! Depending on the paper used, the hearts take on different looks. Translucent paper in particular creates an unusual and lovely effect. The larger hearts have a small pocket that’s perfect for a hidden note. Folding the hearts goes quickly, which leaves time for a clever note card made from a single sheet of paper. The interlocking fold transforms the sheet into its own envelope. Somehow it just begs for a special message to be hidden within it! February 1, Sunday, 11:30-1pm. Limit: 6 students. Instructor: Melinda Canino. Website: melindacanino.com Cost: $45; includes all materials.

KIRIGAMI – WOVEN HEARTS

Kirigami, which was invented in the sixth century, is the traditional Japanese art of paper cutting. It’s been beautifully translated into woven hearts by master paper cutter Anne Weatherley. She’s developed her own methods over the years, including a “flow” pattern that results in an unusual curved design. In addition, she studied with a traditional weaver in order to create a unique technique for weaving her paper hearts together. The resulting “lace” of hearts seems almost too delicate to handle, but she’s found a special glue that works for mounting it on paper. Under Anne's guidance, and with a pair of scissors and the right paper, it takes only a few hours to create amazingly intricate designs! February 1, Sunday, 2-4:30pm Instructor: Anne Weatherley. Limit: 7 students. Cost: $55; includes all materials.

contact the store for more info

SpRING CLASSES LIGHT IT UP! – PAPER FIREFLIES new!

Evoke magic with this nostalgic project that combines tiny, twinkling LED lights with papercraft! Local artist Kristen Law Lewis has constructed a whimsical firefly environment that can serve as a lantern or fun nightlight. Or it can just be enjoyed for the delightful piece that it is. Kristen has been experimenting lately with paper and the sewable elements manufactured by Boulder-based SparkFun Electronics. Their twinkle light kit, which is straightforward to work with, readily translates into flickering fireflies. Kristen will step you through sewing together the small components with conductive thread to create your own twinkling fireflies. Their mesmerizing lights will enchant you! March 8, Sunday, 12:30-4:30pm. Limit: 6 students. Instructor: Kristen Law Lewis. Website: papercutspress.com Cost: $80; includes most materials, but see the materials list online.

WAX DIPPED BOUQUET new!

This new class is almost like two classes in one – you’ll learn how to make paper flowers plus how to transform them into something else again with melted wax. Some papers become translucent and look almost like fine porcelain, while the color in other papers intensifies and glows with a faint luminescence. It’s modern day alchemy! The magic all starts with paper flowers that you make yourself. Mia Semingson, co-owner of Two Hands Paperie, will teach you how to construct a range of flowers from different papers. She’ll also demonstrate a few techniques, such as hand painting and bleaching, to modify the paper before you construct and dip each blossom in the melted wax. You’ll leave class with a bouquet of fanciful flowers in a small vase you’ve decorated with washi tape. April 11, Saturday, 10:30-4:30pm. Limit: 6 students. Instructor: Mia Semingson. Website: twohandspaperie.com Cost: $125; includes most materials, but see the materials list online.

PAPER CUTTING FACT #4 Papel Picado, (meaning "perforated paper") the Mexican form of papercutting, doesn’t use scissors to cut the intricate patterns. Layers of tissue paper (often up to 40 banners at one time) are cut using a chisel.

PLAYING WITH PAPER new!

Light shining through paper – it’s beautiful, and a key theme in the work of Helen Hiebert, an internationally known paper artist. Both of her projects for this class are designed with light in mind. The first project is a mini folding screen made of panels fastened together with an adapted piano hinge. The hinges flex in both directions, so the screen can be displayed as a wall hanging or used as a box-shaped lantern. You’ll learn how to cut a silhouette through each panel, slip decorative papers inside, assemble the panels, and then enjoy the play of light through the silhouettes. The second project is a woven wall hanging made from Japanese momigami, which is a decorative paper that’s been scrunched until it feels like soft chamois. The paper crumpling, the wavy lines of the warp and weft, and the tiny cutout windows add a wonderful texture to the hanging. Here’s to light dancing through paper! May 2, Saturday, 10:30-4:30pm. Limit: 6 students. Instructor: Helen Hiebert. Website: www.helenhiebert.com Cost: $110; includes most materials, but see the materials list online.

SCALABLE CONTAINERS new!

Searching for a unique way to present a special gift? Want a fun and inexpensive way to corral all those odd-shaped items just sitting around? Searching for some unusual party favors? These scalable containers folded from paper are the answer! Almost any kind of paper that holds a crease can be used, so there are many ways to play with colors, patterns, and even to “upcycle” some of those great magazine images or old calendars you have stashed away. You’ll go beyond the basic mountain and valley folds by learning how to work with pleats, reverse folds, squash folds, and sinks. Barbara Gardner, head of Boulder Folders and a long-time member of Origami USA, will show you how to create three different containers: a goody or gift bag with handles, a multipocketed accordion caddy (our favorite), and a traditional box made from magazines or calendars. More importantly, she’ll provide information on how to scale the containers so you can create the size you need. February 7, Saturday, 2:30-5:00pm. Limit: 6 students. Instructor: Barbara Gardner. Cost: $50; includes all materials.

VISUAL JOURNALING

GRAPHIC INSIGHT JOURNALING

Graphic Insight Journaling is a contemplative, visual practice that’s a powerful tool for self-expression and emotional exploration. No artistic skills are required. You need only to be curious about exploring your inner experience and interested in working with a new way of expressing yourself. This innovative approach to journaling can help you work through emotions and find increased clarity in your life. It’s radically different, so forget what you already know. Instead, enter a space where desires, inspirations, and emotions are revealed through the balanced interp ay of words and simple images. In this hands-on workshop, Raine Lourie will explain the philosophy behind Graphic Insight Journaling and guide you as you begin practicing the techniques behind it. February 15, Sunday, 1-4pm. Limit: 6 students. Instructor: Raine Lourie. Website: graphicinsightjournaling.com Cost: $60; includes most materials, but see the materials list online.

LOVE OF LETTERING new!

Words contain magic and meaning while adding a powerful visual element to journal pages, but people often struggle with their own handwriting. This class explores different forms of lettering and mark making to create layouts that consist primarily of words. Journaling artist Jessica Herman Goodman believes that, by embracing the character of our own hand and taking the time to really look at it letter by letter, we can each create visual poetry on a page. You’ll spend the day playing with words and phrases that move you, all the while developing a sampler of letterforms in your journal. This class provides a safe space to work with layering paint and experimenting with script, block letters, rubber stamp letters, and more. Come and have fun working with the written word to create textured and artful pages! February 21, Saturday, 10:30-4:30pm. Limit: 6 students. Instructor: Jessica Herman Goodman. Website: jessicastarling.blogspot.com Cost: $110; includes most materials, but see the materials list online.

MODERN CALLIGRAPHY new!

Get a little funky in the world of pen and ink! Local artist Alix Christian will take you on a journey beyond traditional calligraphy to something more modern. The newer version is about experimenting. Alix has done a lot of it and is delighted to guide you on your own journey. It’s necessary to have a base from which to begin, though, so she’ll first step you through some basics: pen nibs and holders, ink and paper qualities, line variations, horizontal and vertical spacing, basic letter shapes, and the like. Then the fun begins as you play with letter variations, mixing it all up. You’ll get a chance to experiment with different nibs, inks, and even watercolor. It’s time to get creative in with writing! Just think what it can add to your journaling. April 18, Saturday, Noon to 4pm. Limit: 6 students. Instructor: Alix Christian. Website: alixchristian.com Cost: $85; includes materials, but see the materials list online.

SILHOUETTE STORIES new!

Silhouettes remind us of simpler times when images were crafted by hand. They evoke memories of family and history. Luckily, they also represent one of the simplest ways to introduce a figure into journal pages when you don’t know quite where to begin. The fun of this class is in tweaking the form in playful ways. Besides the traditional silhouette of a person, your image can be of nature, animals, or personal icons. Part of the class will be spent building up layers of paint and markings to develop visual depth and to imprint your own style on the page – whether realistic, more abstract, or whimsical. This class is all about taking the silhouette, something that’s rooted in history and tradition, and making it new again. January 31, Saturday, 10:30-4:30pm. Limit: 6 students. Instructor: Jessica Herman Goodman. Website: jessicastarling.blogspot.com Cost: $110; includes most materials, but see the materials list online.

TELLING STORIES – WORD PICTURES

Playing with the alphabet is a fun way to create word “pictures” that tell a story and, at the same time, add visual interest and meaning to your work. These word pictures are simple – they start with the basic alphabet – and can be used in journals, collages, and cards. Get creative with something you already know by joining book and lettering artist Melinda Canino for a few hours. She’ll show you a variety of ways to manipulate letters and navigate the page while creating notes on your life. This class is perfect for those who delight in the visual beauty of words. As a bonus, you’ll construct a small folio to contain your work, and will leave class with it and new ideas for telling stories in your art. January 18, Sunday, 11:30-1:30pm. Limit: 6 students. Instructor: Melinda Canino. Website: melindacanino.com Cost: $65; includes most materials, but see the materials list online.

PAPER CUTTING FACT #5 Scherenschnitte (pronounced sharonsh-net, meaning “scissor cuts”) is the name for papercutting in Germany and Switzerland. This paper cutting technique uses a design that has been created by folding a piece of paper in half and cut into it using a very small pair of scissors.

info@Twohandspaperie.com | 303.444.0124

SpRING CLASSES MIXED MEDIA

HOME RELIQUARY new!

What does home mean to you? The familiar “Home is where the heart is”? Or “My home is my nest”? January, the start of a new year, is a great time to reflect on how a home helps us grow and bloom. What do you think is the sacred essence of home? Choose a small “relic” (a family photo, a feather, or a jewel, for example) as a symbol and, in this class, build a small container to honor and display it. Deedee has created a container, also known as a reliquary, in the shape of a house to which soaring wings are attached. Add even more meaning to your home reliquary by including a personal blessing and a clay “offering” disc marked with your fingerprint. Deedee will teach you how to emboss and paint the metal that covers the house-shaped base and how to create and attach the metal wings. She’ll also demonstrate options for embellishing your piece. All you need bring are your thoughts and a relic no larger than 2x2 inches. The finished reliquary is 4x7 inches and can hang on the wall or sit on a flat surface. If you prefer, you can add your relic later. Deedee will also have some small, home-related objects for purchase that might be just the thing. January 24, Saturday, 10:30-4:30pm. Limit: 6 students. Instructor: Deedee Hampton. Website: deedeehampton.com Cost: $115; includes most materials, but see the materials list online.

free!

LEATHER BRACELET new!

We’re a great admirer of these hand sewn leather bracelets from local artist Emily Clark. Learn how to make your own using a blank strip of soft leather that comes from a local company. Emily has sourced special materials for the bracelets – sturdy glass beads, metal beads that won’t tarnish, silk thread, and a watch-style clasp. She’ll show you options for creating your own pattern on the leather, and teach you the techniques for putting everything together as a quite fashionable accessory! February 22, Sunday, 1-4pm. Limit: 6 students. Instructor: Emily Clark. Website: teawithlola.com Cost: $75; includes most materials, but see the list online.

PAJAKI – PAPER CHANDELIER

Everyone is immediately attracted to the Pajakis hanging everywhere in the store. Symbolizing a wish for health and happiness, these decorative paper chandeliers originated in an area of Poland famous for its riotously colorful paper crafts. Contemporary versions of this charming folk art are simple and fun to make. Mia Semingson, co-owner of Two Hands Paperie and a great lover of Pajakis, will show you how to build the airy, web-like frame from wooden hoops, cotton twine, small colorful balls, and specialty paper straws. But the really fun part, and the majority of the class, will be spent decorating the frame with flowers, pompoms, decorative shapes, and just about anything you can imagine. As part of the class, you’ll learn how simple it is to make crepe paper tassels and beautiful flowers from scraps of paper. Anything goes! April 25, Saturday, 10:30-4:30pm. Limit: 4 students. Instructor: Mia Semingson. Website: twohandspaperie.com Cost: $125; includes most materials, but see the materials list online.

S IE R E S T IS T R A G IN vISIT

At Two Hands Paperie we invite you to join us for talks and demonstrations by guest artists. These events are informal, free affairs that provide an opportunity for some casual conversation with a working artist. We find it fascinating to learn about what inspires them, what goes on behind the scenes, and what they’ve found along the way on their journey. Stop in for a few minutes or stay for the entirety!

REIMAGINING PAPER ART with Helen Hiebert

Many of you are familiar with Annie Reiser from the Zentangle® classes she’s taught at Two Hands Paperie. What you may not know is that she graduated from the School of Botanical Art and Illustration at the Denver Botanic Gardens and has been teaching there for years. One of the classes she’s taught is Undulating, Folding, and Sparkling – Understanding Plant Forms with Zentangle® Tangles. The class emphasizes keen observation and contour drawing techniques in order to translate plant forms and textures into patterns. Annie’s botanic drawings, or Botangles©, are breath-taking. Annie is an active member of the Rocky Mountain Society of Botanical Artists and the Guild of Natural Science Illustrators. She’d love to share her art with you and tell stories about a creative life devoted to illustrating nature. b o t a n g l e.n e t

Helen Hiebert, an internationally known paper artist, has been stretching the bounds of what can be done with paper since she was in fifth grade. She creates sculptures, designs and builds installations, and makes artist books, lanterns, wall hangings, and just about anything out of paper. Helen has authored five books on paper arts. She’s a regular contributor to the quarterly Hand Papermaking Newsletter and is the vice president of the International Association of Hand Papermakers and Paper Artists. Somehow she manages to find time to give workshops on innovative ideas for working with paper to people of all ages and experience. We feel extremely fortunate that Helen is taking time from her studio in Vail, Colorado, to visit Two Hands Paperie. h e l en hi e b er t stu dio.c om

spotlight Friday

7 7

MAY 1, FRIDAY, 2-5PM free!

Take a Paper Arts class with Helen Hiebert! Playing with Paper, May 2, Saturday, 10:30-4:30pm (pg. 6) Collapsible, Inflatable Paper, May 3, Sunday, 11:30-4:30pm (pg. 5)

Take an Illustration class with Annie Reiser! Zentangling© on Black – March 1, Sunday, 1-4pm (pg. 5) Spring Botangle©, April 19, Sunday, 1-4pm (pg, 4)

TINY TINS

Make a statement with style and humor! This tiny tin box is your canvas. It only takes paint, a few found objects, and bits of ephemera to create a little treasure or special memento. The decorated tins can even be mailed! As mail art, they make truly unique greeting “cards” for special occasions. Carolyn Sweeney, a Two Hands Paperie veteran, will get you started with a prepared and primed tin so that you can concentrate on the fun of painting and layering objects in this introduction to assemblage art. Carolyn will provide a brief history of assemblage and explain how it’s different from collage. She’ll also give you instructions on priming the tins so that you can prepare more on your own at home. Start building your own stockpile of tiny tins and repurpose them in a fun way! February 7, Saturday, 10:30-1:30pm. Limit: 6 students. Instructor: Carolyn Sweeney. Website: blackdogpressonline.com Cost: $65; includes most materials, but see the list online

ART TECHNIQUE CLA

BOTANIC ART with Annie Reiser

APRIL 10, FRIDAY, 2-5PM free!

SIMPLE STITCHING

This is not your grandma’s embroidery! Join journaling artist Fran Meneley- she loves the texture and interest that simple stitching can add to a journal page. It seems, it’s easier to learn how to stitch on fabric than it is to jump right into working on paper. To get you started, Fran will teach you five basic stitches that you’ll practice on a small fabric sampler specially designed by her. She’ll also go over which threads to choose, how to organize the thread and supplies, and a simple way to transfer images so that you can later design your own patterns. Once you’re comfortable working with the basic stitches, you’ll enjoy the fun of playing with which colors and which stitch patterns to use as you begin work on a larger sampler. There’s a choice of designs inspired by Mexican American folk art. All you need to bring is a small pair of sharp, pointy scissors that will cut fabric and thread. Beat winter blues with a cozy and colorful stitching project . . . it's hip to stitch! January 17, Saturday, 1-5pm. Limit: 6 students. Instructor: Fran Meneley. Website: franmeneley.com Cost: $95; includes most materials, but see the list online.

Our Art Technique classes are mini classes designed to showcase these classes are a wonderful opportunity for you to have a little “g children 10 and above as well as for teens through adul we ask that an adult accompany younger ch

SILHOUETTE COLLAGE

Sometimes simple is the best. In this class, we’ll cut out a solid shap e, paste down pieces of decorative paper willy-nilly (no thinking, just doing!), put the silhouette and the collage together, and frame our mini piece of art. Historically, silhouettes were profiles of people cut from dark paper and mounted on a plain light background. We think it’s time to turn the traditional design topsyturvy. Try creating a silhouette from light paper with a dark background. Or cut the silhouette from your collaged sheet and mount it on plain paper. Combine a couple of silhouettes. Try a reverse silhouette. And hey, who says the shape has to be of a person? January 23, Friday, 2-4pm; Limit 7 students. Cost: $25; Instructor: THP Staff. Includes all materials, but bring some simple shapes for the silhouette if you have favorite ones.

LEATHER MINI JOURNAL

Get a quick introduction to stamping on leather in this class as you create a small journal. The leather forms the cover of the journal, which is cleverly constructed so that it’s refillable with a single signature. The journal is similar to some of the Japanese journals sold in the store, complete with a band that keeps it closed when it’s not being used. Just think of the lovely patina the leather will develop as you use it over and over again. Choose a time: February 27, Friday, 2-3:30 OR 4-5:30pm. Limit 7 students. Cost: $25; Instructor: THP Staff. Includes all materials.

e t t e u o Silh À LA

err y By Casey B

SINCE ANTIQUITY, A SHADOW WAS CONSIDERED THE ESSENCE OF ONE’S SOUL...

We simply cannot talk about paper cutting in this issue of the Newspaperie without a small tribute to one of the most well-known and well-loved art forms, the silhouette. Silhouettes have peppered art’s history for thousands of years, first imaged as painted black profiles of figures in ancient Greek pottery. Pliny the Elder’s Natural History states the beginning of silhouettes involved a love story… of course. In ancient Corinth, Dibutade was grieved to be parted with her lover and drew his shadow on her wall to help bear his absence. Since antiquity, a shadow was considered the essences of one’s soul and captured the core of one’s person. Our modern day term silhouette refers to the shadow of the subject and was commonly referred to as “shadows” or “shadow paintings.” It wasn’t until 1699 that the popular paper cutting art form called decoupage and silhouette painting merged with the famed, (though lost) silhouettes of King William and Queen Mary. Yet, the term ‘silhouette’ wasn’t born until years later with France’s Minister of Finance, Etienne de Silhouette. His namesake’s association with the art has several possible origins. His short time in office was widely known and despised for heavily taxing France’s wealthy citizens. “ A la silhouette” became French slang for ‘on the cheap,’ insinuating Silhouette’s time in office had forced many elite citizen to downgrade from expensive, painted portraits to the cheaper silhouette portrait. Other historians suggest the silhouette’s quick production by artists mock Silhouette’s equally short stint in office. Whatever the origin, the term silhouette has endured. Silhouettes’ popularity spread throughout Europe and North America as a quick, inexpensive way to capture the likeness of someone, and both artists and portraits became common due to their fast and inexpensive nature. However, photography soon emerged in the mid 1800s to change, once again, the forever desired portrait.

MAKE YOUR OWN SILHOUETTE ARTWORK

While rural areas maintained their paper cutting traditions for years after the new technology was available, photography eventually replaced silhouettes for good. Today’s portrait methods still prefer photography, though the silhouette is d making a comeback. Both vintage lan ey and modern silhouettes can be n is found adorning walls or used as 0 D READY FOR SOME 8 decorative 1 9 SILHOUETTE ART IN YOUR LIFE? tte elements in stationery, take a silhouette inspired class: ue o lh fabric, and pattern i SILHOUETTE COLLAGE tS design. cu

Tape a large sheet of paper on the wall. (I recommend a solid color sheet that isn’t too thick. An 11x17 or 20X30 inch sheet would be a good size.)

learn how,

Place a flashlight or candle to a fixture so the light is directed toward the wall and casts a shadow. Stand between the light source and the wall. Have someone trace your profile on the sheet of paper. Simply cut out the outline and voila! Frame your silhouette for instant artwork.

ASSES

a new technique or medium. Limited in scope to quick projects, get-a-way” fun with others. Art Technique classes are suitable for lts. So that the instructor can help all students equally, hildren and take the class alongside them.

HIMMELI

Himmeli is derived from the Scandinavian word for sky or heaven – an apt name for these hanging decorations made of straws and string. Some remind us of miniature, undecorated pajakis, a paper and straw folk art from Poland. The technique for making Himmeli is easy to learn, and the small ones are quick to make. There seems almost no limit to the variety of shapes that can be made, or their uses. We’ve seen earrings, plant holders, wreaths, abstract mobiles, and “shades” surrounding lights. Once you learn the basic technique, you can make just about anything you can imagine. March 13, Friday, 2-4pm. Limit 7 students. Cost: $25; Instructor: THP Staff. Includes all materials.

CHERRY BLOSSOMS

Celebrate spring! We had so much fun making cherry blossoms last year that we couldn’t wait to do more. Join us for a quick lesson in how to fold your own delicate beauties. We have a secret for making them – a special paper that’s particularly suited to tinting the blossoms with watercolor. You can either dip your completed flowers or paint them with a brush. Staff will provide tips on how to wire the blossoms to a branch. Richly symbolic because of their transient beauty, cherry blossoms are known for bursting into bloom in mass. Let’s create clouds of them all over Boulder! Choose a time: April 17, Friday, 2-3:30 OR 4-5:30pm. Limit 7 students. Cost: $25; Instructor: THP Staff. Includes all materials.

n da

Ha n,

January 23, Friday, 2:00-4:00pm

page 7

SILHOUETTE STORIES January 31, Saturday, 10:30-4:30pm

page 6

COMMUNITY EVENTS

We love creating things with our own two hands! The only thing we just might love better is seeing others join together to make things with their own two hands. We’re delighted to host community events in the store that offer a chance for people to make merry while learning something new.

HEARTS, HEARTS, HEARTS! Origami with the Boulder Folders

PAPER, COLOR & LIGHT with Jennifer Ghormley

There are so many ways to fold hearts out of paper! We’ve marveled at the unusual ones created by Boulder Folders, a local group of dedicated origami artists. The hearts can be “chained” together, turned into a necklace or pin, or even used as a dish. Learn some new heart designs yourself at the Boulder Folders “make and take” table at Two Hands Paperie, where you’ll also be able to buy kits so that you can make lots and lots more. We think you’ll want to!

Come learn a new papercraft while lending a hand in creating Transitions, a window installation designed for Two Hands Paperie by Denver artist Jennifer Ghormley. In addition to her books and prints, Jennifer creates large paper installations that play with color and shape. The repetition of delicate forms in space evoke ideas of nature, rhythm, and movement, while gentle air currents and light create shadows that offer a sensory experience for the viewer. Is the display an undulating river, clouds floating across the sky, or birds in flight? Jennifer leaves the question unanswered as a way of fostering a connection between viewers and her art piece. Check out pictures of Jennifer’s installation pieces at jenniferghormley.com. Join us for an evening of creative fun as we learn how to make colorful paper forms for Transitions, her window piece for the store.

FEBRUARY 6, FRIDAY, 2-5PM free!

Take a class with Barbara Gardner! Head of Boulder Folders Scalable Containers, February 7, Saturday, 2:30-5pm (pg. 6)

Make things with your own

MARCH 3, TUESDAY, 6-8PM free! RSVP

Take a class with Jennifer Ghormley! Trace Monotype, March 15, Sunday, 12-4pm (pg. 4)

two hands!

WE HAVE A TREASURE IN OUR OWN BACKYARD. A Great Supporter of Book and Paper Arts

Introducing the

Book Arts League By Casey Berry

The Book Arts League is a nonprofit, community arts organization working to preserve the historic tools and crafts of the book and paper arts. This includes letterpress printing, typography, bookbinding, and papermaking- crafts from which spring the literacy and communications technology on which modern society is built. Simply put, the Book Arts League is an organization marked by their love of books. In 1990, Julia Seko and Brian Allen led a local resurgence of interest in the book arts. This led to the formation of the Book Arts League (BAL). The BAL is open to all persons interested in keeping the

book arts alive and promoting a love of books and literacy. The organization offers lectures, demonstrations, an annual ephemera exchange, studio time with letterpress machines, and classes. Workshops range from papermaking to letterpress printing, to calligraphy. Their schedule continually changes and offers new opportunities to learn about these topics and more. In addition to being an incredible resource itself, the BAL’s location is steeped in history. In 2007 the Lafayette City Council adopted a lease agreement between the City and the BAL for the use of the historic Ewing Farm located at

learn to letterpress

SEE page 4 FOR CLASSES

bookartsleague.org

95th and Arapahoe streets in Lafayette as the League’s long-term headquarters and studio. The Ewing Farm buildings are all that remains of an historic Boulder County homestead settled over 125 years ago at what was then called “Eight-Mile Corner.” Open houses to tour the Ewing Farm are available throughout the year and can be found on the BAL’s website. This partnership with the City allows the Book Arts League to continue its mission as a community resource for the traditional and contemporary arts and crafts of the book while helping preserve an historic Boulder County homestead.

PAPER CUTTING FACT # 6 Initailly paper was a rare and costly material available only to the wealthy and elite. But as the material became more common, the art of papercutting became associated with “folk” crafts and not with “higher” forms of art.

BECOME A BAL MEMBER

“

Individual memberships are $31 for the year and members receive discounts on League-sponsored events and workshops, not to mention 10% off any in-store purchase at Two Hands Paperie!

...THE BAL’S LOCATION IS STEEPED IN HISTORY. Want to know more? Visit their website for more information about the history and future of the Books Arts League, as well as an updated calendar of events. bookartsleague.org

photos provided by the Book Arts League

Make things with your own

two hands!

Featured Cards above and cutouts throughout the page taken from Lynda’s work.

Labor of Love: Intricate Papercuts By Artist

LYNDA LEIMKUHLER Interview by Casey Berry You could guess that ideas, artists, projects, and dreams walk across the threshold of Two Hands Paperie on a daily basis. When a customer reveals their plans for the paper they’re admiring, I always love to hear the details. The artist endeavors are endless, and it’s such a pleasure to hear how the paper in our shop is going to a happy home. One artist arrives at our door every Saturday to stroll through the shop and carefully curate more ribbon and paper. Lynda Leimkuhler is a superb paper cut artist, and I was fortunate enough to see what she creates and hear more about her artwork. What kind of artwork do you do and how did you arrive there? My main focus is greeting cards. I love working with paper and fabrics. It’s really my passion, and I can get lost in it. I’m completely self-taught, but you learn tricks as you move along. I’ve been focusing on my art in the last 5-7 years. I had some major life changes

PAPER CUTTING FACT # 7 Wycinanki (pronounced vee-chee-nonkee, meaning “cut out”) is the name for the traditional Polish “peasant” craft of papercutting. One style of this traditional craft utilizes colorful papers that are cut and layered, often depicting animals and rural scenes, used to decorate the home for festive occasions. (See also pg. 13 for info about the Pajaki, another traditional Polish craft utilizing paper.)

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that happened to me and I had to pick another path. It’s something that really helped me to find balance and to find pleasure. It gave me my life back in some ways and it gave me back my confidence. It’s helped me to learn a lot about myself. After these big life changes, I realized how little control I have over things. I read once that we don’t have a lot of control over what happens to us, but we do have control over how we respond. Art was how I decided to respond to my own life. What kind of process do you go through to create a brand new card design? I get inspiration from nature a lot or I will sketch out shapes. But I also get a lot of inspiration from paper. There’s a story in my head when I see a piece of paper. It takes me on a journey and eventually, as I play with ribbons and colors, it starts to flow and come together. Sometimes I know exactly where I want a piece of paper to go, and sometimes I don’t. I just know that I really want to use this beautiful piece of paper!

What tools do you use? I have a straight X-acto blade and another X-acto blade that swivels that makes it easier around corners and curves. Do you think anyone can be creative? I firmly believe that everyone accesses and expresses creativity differently. And I think everything in life involves creativity. Creativity, to me, is making your own choices of how you respond to the world. I believe that everyone has creativity, it’s just that people stop and say, “Well, I can’t do that in that way.” But they don’t often stop and say, “Well, this is what I like and this is how I do it. So what could I do with this?” We each have that creativity, whether we find a way to access it or not. Next time you are in Two Hands Paperie request to see some of Lynda’s work in person. If we are lucky enough to have some on hand (her cards sell out quickly), you will be truly amazed at what she is capable of doing with an X-acto knife.

WE DON’T HAVE A LOT OF CONTROL OVER WHAT HAPPENS TO US, BUT WE DO HAVE CONTROL OVER HOW WE RESPOND. ART WAS HOW I DECIDED TO RESPOND TO MY OWN LIFE.

803 pearl street, boulder, colorado 80302

When someone unblinkingly describes herself as a Master Snowflake Cutter, I assume there is a story behind such an introduction. However, I couldn’t have guessed the tender, loving tale behind the title. Twenty years ago, Anne Weatherley was walking across busy Market Street in San Francisco. A flash of white on the black pavement caught her eye, and she bent down to examine the object further. What once was a regular, lined piece of notebook paper had been transformed into a delicately cut snowflake. More intricate than your average snowflake, Anne was inspired to create her own. She immediately began experimenting with more refined cuts, learning and developing her own techniques as she went. Years into cutting snowflakes, Anne had the opportunity to live and study in Europe. As an art lover, maker, and historian, she couldn’t pass up the chance to spend two and a half years

in Florence, Paris, and Amsterdam. These cities were dripping in inspiration, and they influenced her continued snowflake cutting both in cut shapes as well as in archival materials. When Anne returned from her European adventure and bought a house in Colorado she knew the time had come for a big change. Adopting a child had been on her mind for 18 years, and she was finally in a settled home and life where she could adopt. Anne applied to China for a daughter, but two and a half years of waiting passed before China closed the doors to single adoption and Anne was forced to look in a different direction. She immediately applied for adoption in Ethiopia and began the waiting game all over again. During this time, Anne decided the best way to honor her future child was to cut out a snowflake everyday in anticipation

A LOVINGLY CUT SNOWFLAKE WOULD CAPTURE A MOMENT OF HER DAUGHTER COMING INTO THE WORLD.

of the child’s birth. In the adoption process you sometimes don’t know, and may never know, when a child is born. But Anne decided whether or not she’d ever know the date, a lovingly cut snowflake would capture a moment of her daughter coming into the world. So cut, she did. Anne waited nearly three years before her daughter, Lulite, came home. “On the day Lulite was born, February 17th in Boulder and the 18th in Ethopia, I had a party with some friends. We were cutting out snowflakes and I made two for her that day. Of course I didn’t know she had been born that night, but when I got her five and a half months later, I found the snowflakes.” More than 800 snowflakes later, Anne Weatherley proudly, and most deservedly so, describes herself as a Master Snowflake Cutter. She has invented multiple techniques and practices in the art of paper cutting that have pushed open the box of possibility.

Introducing

ANNE WEATHERLEY by Casey Berry

weatherley finearts.com

learn how; in a session with Anne herself. Take a KIRIGAMI- WOVEN HEARTS class on Saturday, February 1st. For info, see

page 5.

Make things with your own

two hands!

Featured snowflake cutouts throughout the page taken from Anne’s work.

Papercutting With A Purpose

i k a j Pa

ingson by Mia Sem

or “spiders of straw” are a traditional Polish folk craft originating from the 1800’s. These intricate handmade paper chandeliers or mobiles are traditionally crafted during the cold months in preparation for Christmas and Easter to bring good luck and good health into the home.

Pajakis make a wonderful celebratory piece that can be used for many types of occasions- wedding or party decorations, a mobile for a baby’s room, or fun home decor. Keep them simple or transform them into a riot of color and pattern.

MATERIALS & TOOLS

Pajaki materials traditionally include straw, paper scraps, and yarn, but in our modern interpretation of this traditional craft anything goes...

WARNING: MAKING PAJAKIS CAN BECOME HIGHLY ADDICTIVE!

STRAWS: paper drinking straws or natural Swedish straws HOOP: wooden embroidery hoop, fiberglass kite rod or flat reed made into a hoop THREAD: waxed linen thread or strong twine EMBELLISHMENTS: decorative paper, crepe paper, craft paint, felt pom-poms, ribbon, Dresden paper trim, glitter, etc. TOOLS: Hot glue gun, ruler, pencil, awl, doll needle, ribbon needle, glue stick, scissors, stapler, decorative paper punches

INSPIRATION

MY FAVORITE SOURCES to reference:

Rosette Art ...by Cathe Holden Book Art ...by Clare Young Paper to Petal ...by Rebecca Thuss and Patrick Farrell The Exquisite Book of Paper Flowers ...by Livia Cetti Pom-Poms! ...by Sarah Goldschadt & Lexi Walters Wright

Once you have the basic pajaki skeleton created the fun (and labor) really begins as you set out on your journey to embellish your straw form. Paper flowers, Polish stars, tassels, and rosettes will all add a particular flair to your hanging paper creation. I’m always on the lookout for pajaki inspiration.

a ssembly

Attach linen thread to a ring (I use a metal key ring) and hang from the ceiling to begin assembling the pajaki frame using the straws. Start from the top and work your way down.

Make sure that your top string lengths wind up being all the same length when adding straws, pompoms, and punched paper, otherwise your ring will be tilted when the strings are attached.

Where two straws connect put something decorative in between them such as punched paper shapes, felt pom poms, ribbon, etc.

Usually pajakis are viewed from below looking up, so place your decorative embellishments facing down for the best view.

learn how: Need a little help making a pajaki? Take a PAJAKI- PAPER CHANDELIER class on Saturday, April 25th. For info, see

page 7.

Please visit the two hands Paperie pinterest page for

more Pajaki inspiration.

T W O H A N D S PA P E R I E . C OM

SpRING CLASSES DATE/TIME

At A Glance

EVENT ARTIST/INSTRUCTOR

Jan 17, Saturday, 1-5pm Simple Stitching Fran Meneley Jan 18, Sunday, 11:30-1:30pm Telling Stories – Word Pictures Melinda Canino Jan 18, Sunday, 2-4:30pm Embroidered Journal new! Emily Clark Jan 23, Friday, 2-4pm Art Technique – Silhouette Collage THP Staff Jan 24, Saturday, 9-3pm Introduction to Encaustic Alix Christian Jan 24, Saturday, 10:30-4:30pm Home Reliquary new! Deedee Hampton Jan 25, Sunday, 1-4pm Transference Fran Meneley Jan 31, Saturday, 10:30-4:30pm Silhouette Stories new! Jessica Herman Goodman Feb 1, Sunday, 11:30-1pm Feb 1, Sunday, 2-4:30pm Feb 6, Friday, 2-5pm Feb 7, Saturday, 10:30-1:30pm Feb 7, Saturday, 2:30-5:00pm Feb 8, Sunday, 11-5pm Feb 13, Friday, 9-3pm Feb 14, Saturday, 10:30-1:30pm Feb 14, Saturday, 3-5pm Feb 15, Sunday, 1-4pm Feb 20, Friday, 2-5pm Feb 21, Saturday, 10:30-4:30pm Feb 22, Sunday, 1-4pm Feb 27, Friday, 2-3:30pm Feb 27, Friday, 4-5:30pm Feb 28, Saturday, 10:30-4:30pm

Folded Hearts and Note new! Kirigami – Woven Hearts Hearts, Hearts, Hearts! free! Tiny Tins Scalable Containers new! Star Stitch Binding Introduction to Encaustic Beeswax Collage new! Quick and Crazy Journal new! Graphic Insight Journaling Playful Illustrations-- Visiting Artist free! Love of Lettering new! Leather Bracelet new! Art Technique – Leather Mini Journal Art Technique – Leather Mini Journal Woodblock Art new!

Mar 1, Sunday, 1-4pm Mar 3, Tuesday, 6-8pm Mar 6, Friday, 9-3pm Mar 7, Saturday, 10:30-4:30pm Mar 8, Sunday, 12:30-4:30pm Mar 9, Monday, 6:00-9:30pm Mar 13, Friday, 2-4pm Mar 14, Saturday, 10-3:30pm Mar 14, Saturday, 10:30-4:30pm Mar 15, Sunday, 12-4pm Mar 16, Monday, 6:00-9:30pm Mar 20, Friday, 9-3pm

Zentangling© on Black new! Annie Reiser Community Art – Paper, Color, & Light free! RVSP Jennifer Ghormley/Staff Encaustic – A Book! Alix Christian Bound Books with Slip Case new! Mary Jo Hamilton Light It Up! – Paper Fireflies new! Kristen Law Lewis Basic Bookbinding (Series, 1 of 2) new! Mia Semingson Art Technique – Himmeli THP Staff Beginning Letterpress Carolyn Sweeney Watercolor Explorations new! Caron Dunn Trace Monotype new! Jennifer Ghormley Basic Bookbinding (Series, 2 of 2) new! Mia Semingson Introduction to Encaustic Alix Christian

Apr 1-10 Apr 8, Wednesday, 6-9pm Apr 10 - May 5 Apr 10, Friday, 2-5pm Apr 11, Saturday, 9-3pm Apr 11, Saturday, 10:30-4:30pm Apr 12, Sunday, 12:30-4:30pm April 17, Friday, 2-3:30pm April 17, Friday, 4-5:30pm Apr 18, Saturday, Noon-4pm Apr 19, Sunday, 1-4pm Apr 25, Saturday, 10-3:30pm Apr 25, Saturday, 10:30-4:30pm Apr 26, Sunday, 11:30-4:30pm

Art Call for Submissions free! Altered Book Altered Book Studio Night free! RVSP THP Staff Altered Book Show Two Hands Paperie Botanic Art – Visiting Artist free! Annie Reiser Introduction to Encaustic Alix Christian Wax Dipped Bouquet new! Mia Semingson Medieval Leather Journal Jeff Becker Art Technique – Cherry Blossoms THP Staff Art Technique – Cherry Blossoms THP Staff Modern Calligraphy new! Alix Christian Spring Botangle© new! Annie Reiser Beginning Letterpress – 102 new! Carolyn Sweeney Pajaki – Paper Chandelier Mia Semingson Collage Play Fran Meneley

May 1, Friday, 2-5pm May 2, Saturday, 10:30-4:30pm May 3, Sunday, 11:30-4:30pm May 5, Tuesday, 12pm May 8, Friday, 9-3pm May 15, Friday, 9-3pm

Reimagining Paper Art – Visiting Artist free! Playing with Paper new! Collapsible, Inflatable Paper new! Altered Book Winners Announced Collage and Encaustic Introduction to Encaustic

classes held offsite

Melinda Canino Anne Weatherley Origami – Boulder Folders Carolyn Sweeney Barbara Gardner Kristen Law Lewis Alix Christian Mia Semingson Fran Meneley Raine Lourie Theresa MacFarland Jessica Herman Goodman Emily Clark THP Staff THP Staff Theresa MacFarland

Helen Hiebert Helen Hiebert Helen Hiebert Alix Christian Alix Christian

803 PEARL STREET

boulder, colorado 303.444.0124