About

A Terrible Monster — Inspired by the books of Mo Willems

CAST

Lily Emerson Narrator, Character Voices, Vocals

Lindsey Noel Whiting Leonardo, Voice and Puppeteer

Julia Miller Sam Puppeteer

Shay Turnage Kerry Puppeteer

Texas Performing Arts’ Smart Art for Kids is generously supported by the Carolyn Bartlett Charitable Foundation.

Commissioned by The Kennedy Center for Performing Arts with additional commissioning support from Utah Presents

Special Thanks to David Kilpatrick, Chicago Childrens Theater and Laura Colby

Media Sponsor: Do512 Family

Creative And Production Team

Sarah Fornace

Director

Manual Cinema Adaptation

Ben Kauffman and Kyle Vegter

Music, Lyrics & Sound Design

Drew Dir

2D Puppet Design

Lizi Breit

Hand & Rod Puppet Design

Mieka Van der Ploeg

Costume & Wig Design

Trey Brazeal with Nick Chamernik

Lighting Design

Megan Alrutz

Dramaturg

Maydi Díaz

Stage Manager

Video Mixing

Live Sound Effects

Synopsis

Leonardo is a terrible monster. He tries so hard to be scary, but he just... isn’t. Then Leonardo finds Sam, the most scaredy-cat kid in the world. Will Leonardo finally get to scare the tuna salad out of someone? Or will it be the start of an unlikely friendship? The plot thickens when this pair meets Kerry and Frankenthaler, an even scaredier-cat and her monster friend. Kerry and Sam need to make a big decision: will they just be scaredy cats or can they become friends?

About The Show

Leonardo! A Wonderful Show About a Terrible Monster is inspired by two books by author Mo Willems: Leonardo, the Terrible Monster and Sam, the Most Scaredy-Cat Kid in the Whole World. The production was created by Manual Cinema, a Chicago-based performance collective specializing in cinematic shadow puppetry and original music. Leonardo! was originally commissioned by the Kennedy Center for the Performing Arts through the Education Artist-inResidency of Mo Willems. Originally slated to open in early 2021, the world premiere production was canceled due to the pandemic; instead, Manual Cinema and the Kennedy Center pivoted to create Leo & Sam, an online paper-puppet movie inspired by Mo’s books, which was streamed on demand to families and schools through the Kennedy Center’s Digital Stage. Last year—thanks to the support of author Mo Willems and the original Kennedy Center team—the live production received its longawaited debut in Chicago at the Chicago Children’s Theatre before moving to the New Victory Theater for its New York premiere.

Leonardo! A Wonderful Show About a Terrible Monster uses hundreds of illustrated paper puppets, book pages, twodimensional props, furry monster puppets and songs to bring Mo’s books to life. Manual Cinema wanted to recreate the experience of holding one of Mo’s book pages, which are big, bold, colorful, and full of visual rhythm, with a playful use of scale. Like all Manual Cinema productions, you’re invited to watch the big screen like a traditional movie, or to watch the artists below as they create the story in real time. (There is no wrong way to watch the show!)

The Company

Manual Cinema is an Emmy Award winning performance collective, design studio, and film/video production company founded in 2010 by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller, and Kyle Vegter. Manual Cinema combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive stories for stage and screen.

Using vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and a live music ensemble, Manual Cinema transforms the experience of attending the cinema and imbues it with liveness, ingenuity, and theatricality. The company was awarded an Emmy in 2017 for The Forger, a video created for The New York Times and named Chicago Artists of the Year in 2018 by the Chicago Tribune. In 2020 they were included in 50 of Chicago theater Rising Stars and Storefront Stalwarts (Newcity). Their shadow puppet animations were featured in the 2021 film remake of Candyman, directed by Nia DaCosta and produced by Jordan Peele’s Monkeypaw Productions. In 2022 they premiered their newest live work, Leonardo! A Wonderful Show About A Terrible Monster, an adaptation of two books by celebrated children’s author Mo Willems. Leonardo is now touring the globe and had its Edinburgh Fringe Festival debut in August, 2022.

CAST & COMPANY BIOS

Maydi Díaz (Stage Manager, Video Mixing & Live Sound Effects) is a Chicago based stage manager. Since completing a BA in Arts Management from Columbia College Chicago and a MA in Theatre Production from the National University of Ireland Galway, Maydi has worked on multiple areas of technical theater. Her stage management credits include Caucasian Chalk Circle (Mick Lally Theatre), Back In The Day (UrbanTheater Company), The Delicate Tears of the Waning Moon and La Peor de Todas (Water People Theater), Kiev (Aguijón Theater Co), and various shows with PlayMaker’s

Laboratory. When she’s not at the theater, you can find Maydi folk dancing or doing calligraphy.

Lily Emerson (Narrator, Musician) is a multifaceted performer, producer, collaborator, and all-around creative weirdo. Lily is the co-creator of Adventure Sandwich, a Chicago-based group that produces family-friendly video, music, live performances and events. She served as the Artistic Director of Opera-Matic, an interdisciplinary arts organization that produces participatory art experiences in the parks, from 2018-2020. She is also the founder of Lucid Street Theatre, a performance collective that created original works from 2007-2011. Lily has performed throughout the US, Belarus, the Czech Republic, and France, and has been recognized with various awards and residencies, including the Lisa Dershin LinkUP Residency, the Peggy Notebaert Nature Museum’s Artist in Residence, and the Chicago Digital Media Production Fund. More information about Lily can be found at creative-weirdo.com.

Julia Miller (Co-Artistic Director, Sam) is a director, puppeteer, and puppet designer. With Manual Cinema she has directed Mementos Mori and The End of TV as well as created original roles in Frankenstein (The Creature/ Elizabeth), Ada/Ava (Ada), Lula del Ray (Lula’s Mother), The Magic City (Helen), and Hansel und Gretel (Hansel). In Chicago, she has worked as a performer and puppeteer with Redmoon Theatre and Blair Thomas and Co. She spent several years training in devised theatre, clown and mask with Double Edge Theatre, Carlos García Estevez and at the Accademia dell’Arte in Arezzo, Italy.

Sharina Latrice Turnage (Kerry) is from the sensational Southside of Chicago. Recent credits include: Mementos Mori, The End of TV, and No Blue Memories (Manual Cinema), The Silence in Harrow House (Rough House Theater) The American Revolution (Theater Unspeakable), and Los Milagros (Free Street Theater). Sharaina has researched and performed theater historical done by slaves called “Du” theater in Suriname, South America and was amongst one of the first actors to perform “Du” theater in the United States. Sharaina received her B.A. at Southern Illinois University Edwardsville where past credits include: Mayme (Intimate Apparel), LaWanda/Topsy Washington/ Normal Jean (The Colored Museum), and Bernice (Servy N Bernice 4ever). Sharaina thanks her family and close friends for the constant support. “The greatest pleasure in life is DOING what people say you CANNOT do.”

Lindsey Noel Whiting is a Chicagobased performer and teaching artist. Her theatrical credits include Lookingglass Alice, Mr. & Mrs. Pennyworth, and The Great Fire at Lookingglass Theatre, Christmas Carol and Dracula at Actors Theatre of Louisville, The Snow Queen at Victory Gardens, and The Year I Didn’t Go to School with Chicago

Children’s Theatre. She has also appeared in numerous shows with Redmoon Theatre, including the world premier of The Cabinet and Once Upon a Time. Additionally, Lindsey is an Associate Artist with The Actor’s Gymnasiums where she has performed in over ten original circus productions.

Mo Willems is an author, illustrator, animator, playwright, and the inaugural Kennedy Center Education Artist-in-Residence, where he collaborates in creating fun new stuff involving classical music, opera, comedy concerts, dance, painting, and digital works with the National Symphony Orchestra, Ben Folds, Yo-Yo Ma, and others.

Willems is best known for his #1 New York Times bestselling picture books, which have been awarded three Caldecott Honors (Don’t Let the Pigeon Drive the Bus!, Knuffle Bunny, Knuffle Bunny Too), two Theodor Geisel Medals, and five Geisel Honors (The Elephant & Piggie series).

Mo’s art has been exhibited around the world, including major solo retrospectives at the High Museum (Atlanta) and the New-York Historical Society (NYC). Over the last decade, Willems has become the most produced playwright of Theater for Young Audiences in America, having written or cowritten four musicals based on his books.

He began his career as a writer and animator on PBS’ Sesame Street, where he garnered six Emmy Awards (writing). Other television work includes two series on Cartoon Network: Sheep in the Big City (creator + head writer) and Codename: Kids Next Door (head writer). Mo is creating new TV projects for HBOMax, where his live action comedy special Don’t Let the Pigeon Do Storytime! currently streams.

His papers reside at Yale University’s Beinecke Library.