2024 Architecture Portfolio - Ty Skeiky

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Architecture Portfolio

Selected Works 2017 - 2024

Ty Skeiky
Table of Contents Death of the HOA | Self-directed Archaeological Mapping | Academic 5 Gables Residence | Professional 03 02 01

Location: Lancaster, Pennsylvania

Typology: Residential

Completion: Summer 2023

Architect: Ziger|Snead Architects - website

■ Douglas Bothner, Partner

■ Michael Westrate, Senior Associate

■ Ty Skeiky, Designer

Structural Engineer: 1200 Architectural Engineers

Civil Engineer: Harbor Engineering, Inc.

General Contractor: Benchmark Construction

Photography: Tom Holdsworth - website

Situated along Lancaster’s Conestoga River, the 5 Gables Residence is a contemporary take on traditional masonry farmhomes found throughout rural Pennsylvania. Just as the project title suggests, the residence comprises five gables—all of which are stitched together with an arterial flat roof. This allows for each gable to be sized independently to suit its programmatic requirements without sacrificing connection with adjacent gables. In terms of massing, the residence presents itself as a village of gables, similar to those of the late Hugh Newell Jacobsen, as opposed to a singular mass.

Landscape terraces serve as an extension of the floor plan’s staggering composition while gradually lowering in elevation to comfortably nest the house within its site.

My role as with a number Once satisfied thoroughly worked and materials. details and various fabricators,

5 Gables Residence 01

as a Designer on this project began during the summer of 2020 number of conceptual iterations accompanied by massing studies. satisfied with the general project direction, the design team and I worked through each space to hone in on details, program, materials. During the residence’s construction, I coordinated building resolved on-site discrepancies in close collaboration with fabricators, tradespeople, and engineers.

14 5 15 14 13 12 7 8 10 6 9 5 4 2 1 3 11 B 4 4 16 16 16 16 C A B First Floor Plan Second Floor Plan C A 0’ 0 m 1 m 5 m 10’ 20’ Imperial Metric
B B View at foyer upon entry 0 m 1 m 5 m 10 m 10 m 40’ N Foyer Den Office Stair Hall Powder Room Coffee Bar Kitchen Dining/Living Bar Covered Patio Primary Suite Pantry Laundry Garage Patio Dining Bedroom Wine Room Common Room Mechanical 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Plan & Section Legend
Section A 8 1 14 16 16 13 18 17 Section
Foyer Den Office Stair Hall Powder Room Coffee Bar Kitchen Dining/Living Bar Covered Patio Primary Suite Pantry Laundry Garage Patio Dining Bedroom Wine Room Common Room Mechanical 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Plan & Section Legend
View from section A
12 8 10 18 19
C Section B 7 2 16 19 19 15
7 6 0’ 0 m 1 m 5 m 10 m 10’ 20’ Imperial Metric 40’
Section
View from section C - captured behind cut line

Key Details

Among all construction detailing that this project had to offer, windows took priority on my end. I worked closely with the vendor, Sage Custom, to ensure each window honored the design intent from an aesthetic and performance standpoint. Additionally, coordination efforts associated with the components built around each window were of equal importance (e.g., sizing headers with structural engineers and unfolding copper flashing details with tradespeople). As of the moment captured above, the final layers of the exterior wall have yet to be assembled; white brick now stacks and frames itself tightly against each window opening.

*Photo displayed on this

Thermal veneer anchoring system

Termination bar with sealant

EPDM lapped over steel angle

Galvanized steel angle bolted to header

Notched header soldier course

Painted 5/4x solid wood casing

Hemmed copper jamb flashing

Arcadia T225 fixed aluminum window

Copper sill flashing with back & end dams, set atop rowlock sill

Typical exterior wall assembly:

■ Masonry veneer

■ 1” air space

■ 1” rigid insulation

■ 1/2” plywood sheathing + fluid applied WRB

■ 2x6 wood stud framing + batt insulation

■ 1/2” gypsum wall board

Typical fixed alum window details at masonry opening this page holds no relevance to Tom Holdsworth

Archaeological Mapping

Course + Date: Internship, Summer 2017

Location: Canyons of the Ancients, Colorado

Typology: Landscape + ancient settlement analysis

Southwest Colorado houses a wealth of Ancestral Puebloan settlements, many of which were built into striking geological formations featuring extreme shifts in topography. How topography may have influenced settlement locations became the subject of study as faculty member Katie O’Meara, illustrator Zi Xu, and I—all representing the Maryland Institute College of Art— ventured out west to analyze landscape/settlement relationships.

Our workflow sought to grasp the complexity of scale while offering pictoral representations by toggling between GIS-intensive mapping and sketching. GIS mapping enabled us to contextualize settlements of interest within the landscape while sketching provided an opportunity to accentuate notable landscape features visible from each settlement.

02

Graveyard Canyon

Located west of Cortez, Graveyard Canyon is one of many geological formations found at the northern footsteps of Ute Mountain. The Canyon houses two Ancestral Puebloan settlements—Kiva in the Sky and New Tower—which were points of interest as part of our team’s analysis. Kiva in the Sky lies within a sheltered cove, opening itself with dramatic views towards Ute Mountain, whereas New Tower sits atop a highly exposed rock looking back towards Kiva in the Sky. The two settlements have a clear visual connection to each other as a result of elevation difference. This observation prompted our team to study the relationship between both sites by sketching the visual communication that one would perceive when standing at each settlement.

View from New Tower looking towards Kiva in the Sky

AKiva in the Sky

■ 5,908 feet above sea level

■ Viewshed captured between 106°–198°

■ Focal point: New Tower (165°)

■ Distinctive features: Ute Mountain (182°), Mesa Verde ridgeline (106°)

B New Tower

■ 5,603 feet above sea level

■ Viewshed captured between 322°–0°

■ Focal point: Kiva in the Sky (346°)

■ Distinctive features: Goodman Point (323°)

Graveyard Canyon topographical section cut | Distance between sites = ± 2,960’
B
View from Kiva in the Sky looking towards New Tower

Lowry Pueblo

Dating back approximately 1,000 years, Lowry Pueblo stands as one of the most significant Ancestral Puebloan settlements in the Four Corners region. Its initial occupancy began small, gradually evolved in construction (as shown up top), and amounted to 40 rooms and 8 kivas. As it stands today, Lowry Pueblo has as portion of its intact rooms preserved under a canopy (illustrated above ), and allows for its visitors to experience both sheltered and exposed spaces.

Lowry Pueblo Ink on paper, 5.5” x 8.5” August 2017

Death of the HOA

Course: Self-directed project

Medium: Ink + graphite on vellum, 24” x 36”

Since engaging myself with visionary architecture, I’ve been captivated by the works of Lebbeus Woods and Bryan Cantley. Both figures exhibit familiar scenery encroached by mechanical objects performing impossible acts. I found the idea of intervening with the familiar as an idea worth exploring, and I did so with the place of greatest familiarity: my house.

The objective was to challenge my lifelong relationship with my house by attempting to reconstruct it in such a way that yields transformative results. This was (and still is) done by surrounding the house with various model-making devices that seek to perform constructive actions (e.g., cut, adhere, and install). Just as the house is an object of familiarity, each device holds a personal connection.

As each device imposes an action onto the house, the house must provide the infrastructure required to facilitate each device’s function—even if it comes at the expense of the house’s architectural integrity.

+

2023 Winning professional hand entry Ken Roberts Memorial Delineation Competition

03

Documentation

Upon beginning this drawing, I contacted my HOA in hopes of acquiring a construction drawing set to help expedite drafting existing conditions. The set was unfortunately nowhere to be found by the association, and I was left frustrated by the fact that I could not begin drawing without thoroughly documenting my house. As each construction detail was translated onto notepad, I increasingly gained an appreciation for the process which has led me to revisit the most familiar place in my a different purpose in mind. Documentation became just as important as the actual drawing.

drafting fact onto my life with

tyskeiky@mit.edu

Master of Architecture Candidate

MIT Department of Architecture

Ty Skeiky
Terra Textile | Dip pen & ink on illustration board | 14” x 14” | April 2022 ▶

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