Directed by Hank Stratton
Gootter & Associates Gootter & Production Sponsor Associates
l Marroney FEB.September 8 - MAR. 1, 2015 Theatre 11 - October 2, 2011 l Marroney Theatre
4/4/15 tHROUGH
4/26/15
BY WILLIAM
SHAKESPEARE DIRECTED BY KIRSTEN BRANDT
“BOLD, AMBITIOUS, AND STIRRING... BRANDT HAS BECOME A DISCIPLINED AND INVENTIVE THEATRICAL STORYTELLER.” – SAN DIEGO UNION-TRIBUNE
FEBRUARY 28 – MARCH 21, 2015
ARIZONA PREMIERE
HERBERT SIGUENZA BY
BASED ON THE WRITINGS OF
PABLO PICASSO DIRECTED BY
TODD SALOVEY
ARIZONATHEATRE.ORG
|
520-622-2823
The University of Arizona • College of Fine Arts School of Theatre, Film & Television proudly presents an Arizona Repertory Theatre production
by Melissa James Gibson Director *§ Hank Stratton Scenic Designer Costume Designer † Ivy Zipporah Wahome Alyssa M. LeBlanc
Lighting Designer Ryan Moore
Sound Designer f Matt Marcus
Technical Director Jack Meng
Stage Manager Jon Thompson
Voice & Dialect Coach f* Kevin Black
Musical Direction Mike R. Padilla
Assistant Director/ Dramaturg Kalan Benbow
*Member of Actors' Equity Association
** Member of United Scenic Artists, Local 829
§Member of Screen Actors Guild-American Federation of Television and Radio Artists þSociety of American Fight Directors
±Member of American Guild of Musical Artists
©Member of The Stage Directors and Choreographers Society Unless otherwise noted, all designers, performers and technicians are School of Theatre, Film & Television students. f School of Theatre, Film & Television Faculty Member
†BFA Senior Capstone Project See Production Staff page for details. THIS is presented by special arrangement with Dramatists Play Service, Inc., New York Original music by Peter Eldridge
THIS was commissioned by Playwrights Horizons with funds provided by The Leading National Theatres Program, a joint initiative of the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation. Playwrights Horizons, Inc., New York City, produced the World premiere of THIS Off-Broadway in 2009. Arizona Repertory Theatre is the professional theatre training company of the UA School of Theatre, Film & Television.
THE CAST Jane..................................................................................Heather Marie Cox
‡
Marrell.....................................................................................Rhetta Kampel Tom......................................................................................... Zackry Colston Alan........................................................................................... Micah Bond
‡
Jean Pierre........................................................................... Aaron Arseneault * Member of Actors' Equity Association Actors’ Equity Membership Candidate
‡
UNDERSTUDIES: Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance. Taylor Pearlstein for Jane - Amanda Rahaman for Marrell - Brett Dixon for Tom - Josh Dunn for Alan - Nick Freitas for Jean Pierre.
Special Acknowledgements Thanks to BFA junior Grace Kirkpatrick for her voice over performance and good will. Special thanks to Melissa James Gibson for her insight and assistance in mounting this production.
Congratulations to the cast & crew of
by Melissa James Gibson Gootter & Associates This production sponsor
SCENE BREAKDOWN
This takes place over the course of several weeks, in and around the Park Slope neighborhood of Brooklyn in New York City. The time is the present.
*
This is performed in one act, without an intermission.
*
Gootter & Associates (520) 603-5471 5151 E. Broadway, Ste. 1200 JGGootter@gmail.com Joseph G. Gootter, ChFC, CLU Financial Professional AXA Advisors, LLC (NY, NY 212-314-4600)/AXA Network, LLC and its subsidiaries Gootter & Assoc. is not owned or operated by AXA Advisors or AXA Network. PPG 43327 (2/08).
Your Feet Will Be Amazed Baden
A Proud supporter of A.R.T.
PRODUCTION STAFF Direction, Dramaturgy and Management Assistant Director & Dramaturg Production Manager Deck Manager Assistant Stage Manager
Kalan Benbow Jenny Langf* Rachel Victoria Miller Brandon Rosenfeld
Scenery & Props Assistant Technical Director Master Carpenter Carpenters Charge Artist Scenic Artist Props Master Assistant Props Master Props Artisans Deck Crew
Ruth Richardson Inga Kalvaitis Joshua K. Barnhill, Steven Davis, Hanna Lockhart, Angela McMahon, Stefan NikolichZugich, TAR 111 Students Jessica Ploog Alison Conover, Andrea Pratt Cortni Elkins Tommy Chek Yejia Cao, Amy Sue Hazel, Dorann Matson, Mara Tunnicliff, Samantha Visbal Victoria Celano, Robert Dema, Alex Gossard, Shevonda Joyner, Hannah Launius, Devon Prokopek, Nikki Ruffalo, Justen Zhang
Lighting Assistant Lighting Designer Master Electrician Asst. Master Electricians Light Board Operator Lead Programmer Programmers Electricians
Kristian Rarig Carlos Sanchez Brie Gonzales, Hanna Lockhart Reinold Kellici Carlos Sanchez Brie Gonzales, Hanna Lockhart Fatimah Amill, Eve Bandi , Brie Gonzales, Gabriel Gutierrez, Joshua Hemmo, Gregory James Houston, Catherine S. Kaminsky, Reinold Kellici, Hanna Lockhart, Domino Mannheim, Patrick Charles W. McClanahan, Mercer Pinkston, Sam Schwartz, Mitch Van Dyke, Shannon Wallace, Candice “CJ” Washburn
Costumes Costume Director Assistant Costume Designer Drapers Wardrobe Crew Heads Wardrobe Crew
Maryann Trombinof Emma Smith-Siegert Joy Halliday, Julio C. Hernandez Abigail Hackney, Emma Smith-Siegert Charlie Hall, Marissa Munter, Matt Osvog, Kailyn Toussaint
Sound Musical Direction & Piano Assistant Sound Designer Sound Board Operator Audio Crew
Mike R. Padilla Garrett Seaton Dorann Matson Daniel Colecchia, Kiara Johnson, John Millerd, Marcus Myler, Amber Rudick, Garrett Seaton
† Ivy Zipporah Wahome
- BFA Senior Capstone Project in Costume Design, Patrick Holt, Faculty Supervisor
820
E. University Blvd.
520.882.8013 Pasco Kitchen & Lounge is proud to support
UA Arizona Repertory Theatre
Happy Hour from 3pm-6pm Daily www.pascokitchen.com
DRAMATURG’S NOTES This is a title that some will scoff at and maybe they're right to, but when tasked with describing something as nebulous as the human condition, This becomes oddly precise, especially when one has the ability to see the vulnerabilities of each character. Melissa James Gibson originally set out to write a play about adultery but—as she quickly discovered—adultery isn't all that interesting on its own. However, when you add a dead husband, a couple on the precipice of disaster, a man whose only calling is to remember things and a hot borderless doctor, things become infinitely more charged. When someone close to you dies, it often triggers an intense recognition of your own mortality; a recognition that can be utterly paralyzing. On the other hand, if you're approaching middle age, if your friends are having children, if the spark leaves your marriage, if you meet someone who is really hot and creating an actual impact on the world, or if you sleep with your best friend's husband, your newfound motion might be a tailspin. Melissa James Gibson has provided us with a cross-section of grief and the many ways we choose to deal with it. This's "this" is different for every character, but all of their "this's" are centered around a fundamental inability to see outside of themselves. This tribe is relentlessly self-involved to the point where conversations become overlapping monologues and the introduction of a cultured French doctor threatens to tear their worlds to pieces. "This" is their very small lives; lives that have probably always been small, but we're frozen in that state with a loved one's death. "This" is their insistence on pity, their never-ending game of "whose life is worse,” their constant need for validation from each other, and their inability to see their immense privilege. You might be wondering what the upside to all of this is, but those of us who have been involved in a slo-mo tailspin know that once you hit bottom, you can only go up. When the ashes settle, and all is said and done, we're left with raw material and an opportunity to reinvent ourselves; become someone else. This is an invitation to hit bottom and bounce back, to find purpose in your life, and rejoice in the small victories.
- Kalan Benbow, Assistant Director & Dramaturg
Learn more through exciting discussions! Pre-Show Discussion: Sunday, Feb. 8th at 12:45 pm Engage in an intellectually - stimulating conversation with Dramaturgy BFA student Kalan Benbow, who has been serving as Assistant Director & Show Dramaturg for This over a 6-week rehearsal process. Post-Show Discussion: Sunday, Feb. 15th, immediately after the performance in the Marroney Theatre. Meet the actors and production team during a Q&A segment. All discussions are free and open to the public.
Retina Specialists of Southern Arizona Are Proud to Support Arizona Repertory Theatre
Matthew Welch, M.D.
Leonard Joffe, M.D., F.C.S. (SA), F.R.C.S. Edin.
Reid F. Schindler, M.D., F.R.C.S. (C), F.A.C.S.
Drs. Leonard Joffe and Reid Schindler have been evaluating and treating retinal conditions for more than 35 years. They and Dr. Matthew Welch specialize in treatment of diseases of the retina and vitreous, such as Macular Degeneration, Diabetic Retinopathy, OcularTumors, Retinal Tear/Detachment, Vein Occlusions and other rare conditions. Dr. Joffe, who trained in South Africa; Edinburgh, Scotland; and Wills Eye Hospital in Philadelphia, has practiced in Tucson for 34 years. He particularly enjoys diagnostic challenges and has been listed in Best Doctors in America since 1994. He is a member of the Macula Society, the Retina Society and the American Society of Retina Specialists. Dr. Joffe was chosen as Jewish Community Man of the Year in 1992. He enjoys the theatre, symphony, golf and UA Basketball. Dr. Schindler trained at the University of Alberta, University of Western Ontario and Wills Eye Hospital in Philadelphia, and has been listed in Best Doctors in America since 2001. He has practiced in Tucson for 27 years and chose medicine for the diagnostic and treatment challenges. He is a member of the American Society of Retinal Specialists and considers being a physician a tremendous privilege. Dr. Schindler served as Chief of Staff at Carondelet St. Joseph’s Hospital from 2008-2010 and enjoys working with the hospital community. Dr. Welch received his medical degree and ophthalmology training at Loyola University, Chicago, and Stritch School of Medicine. The son of an ICU nurse, his favorite aspect of his practice is the ability to offer care in their office for a variety of conditions.
CONTACT INFORMATION: 4753 E. Camp Lowell Dr., Tucson, AZ 85712
(520) 881-1400 | www.retinaspecialistsaz.com
let your soul
soar. Alvin Ailey Dance Theater @ UA’s Centennial Hall, April 12
For tickets & show information, visit uapresents.org or contact the Centennial Hall Box Office at 621-3341. | uapresents.org
Murray Perahia @ UA’s Centennial Hall, March 10
Anat Cohen @ Tucson JCC Sculpture Garden, March 22
PROFILES Hank Stratton (Director) – received critical acclaim this summer for the role of Henry Higgins in My Fair Lady for Moonlight Stage Productions. He starred in the Broadway revival and television film adaptation of The Man Who Came to Dinner, opposite Nathan Lane. For three seasons, he appeared in the CBS drama, The Unit, in addition to recurring roles on Heroes and American Dreams. His television work includes films for NBC, CBS, Hallmark and HBO, along with numerous guest appearances, including The Closer, Desperate Housewives, Hawaii Five-O, ER and Frasier. He had the privilege of playing Berowne in Love’s Labour’s Lost for the Royal Shakespeare Company’s Complete Works Festival. Additionally, he starred in the national tour of the Tony Award-winning production of Michael Frayn’s Copenhagen, the Sam Mendes/Rob Marshall collaboration of Cabaret, and the off-Broadway hit, Jeffrey. He returns to Arizona Repertory Theatre having worked on this season’s The Full Monty and The Man Who Came To Dinner in 2013. He directed The Laramie Project for the University of Michigan, and produced a concert benefiting the Matthew Shepard “Erase Hate” Foundation. He has served as a guest artist for educational institutions around the country, including master classes at UCLA, AMDA, The Academy for Classical Acting and the Professional School of the Arts. Hank is a co-founding instructor of Six Days of Broadway, a musical theatre performing arts camp at the prestigious Segerstrom Center in Southern California. He is a graduate of the London Academy of Music and Dramatic Art. Ivy Zipporah Wahome (Costume Designer) – originally from Kenya, is a senior in the BFA Design/Tech program with an emphasis in Costume Design. This is her first assignment as Costume Designer at Arizona Repertory Theatre. She was an Assistant Costume Designer for Arizona Repertory Theatre’s The Glass Menagerie and Lend Me A Tenor. Her other credits with the company include Draper and First Hand Stitcher. A graduate from Pima Community College's Liberal Arts program with an emphasis in Fashion Design, she also interned as a Costume Designer for the Horizons for Refugees Families in Tucson. Currently, Ivy works as a First Hand at the Stevie Eller Dance Theatre Costume Shop. Following graduation, Ivy intends to pursue her work as a Designer. She would like to thank all her professors and family for all the support.
A Note from a Theatre Program Advisory Board Member
As an alumnus of the UA, I am excited to see how great the Arizona Repertory Theatre is! I support the program because I want to see it maintain its high level of professionalism. If you like wonderful live theatre, I urge you to offer your financial support, also.
- Tom Pothoff
Alyssa M. LeBlanc (Scenic Designer) – is a second-year MFA Scenic Design student, all the way from the snowy regions of New Hampshire. This is her first design with the UA, working on all previous shows as a Scenic Artist. Alyssa also served as the Paint Charge Artist on The Man Who Came to Dinner, Lend Me a Tenor and The Full Monty. Ryan Moore (Lighting Designer) – is a junior in the BFA/Design Tech program. His work at Arizona Repertory Theatre include Assistant Lighting Designer for The Glass Menagerie and this season's Frankenstein, as well as Lighting Designer for the UA Studio Series show, Mr. Marmalade. This is Ryan's first main stage design for Arizona Repertory Theatre. He would like to thank his family and very close friends for their inspiration to follow his passion in light. Matt Marcus (Sound Designer) – is the Faculty Sound Designer for the UA School of Theatre, Film & Television and is delighted to be working with a terrific cast, crew, and creative team on this production of This. Recent Arizona Repertory Theatre credits include sound designs for Avenue Q, Love Song, Nine, The Fantasticks, Oklahoma!, Lend Me a Tenor and The Full Monty. Other productions include the debut of Love, Sweet Love, a musical featuring the songs of Burt Bacharach and Hal David,
2 0 1 4- 2 0 1 5 S E A S O N Lend Me A Tenor
Frankenstein
Sep/Oct 2014
book by Victor Gialanella based on the novel by Mary Shelley
Victoria Terzano +
Oct/Nov 2014
Co-Sponsors
Sponsor
by Ken Ludwig
This
Othello
by Melissa James Gibson
by William Shakespeare
Feb/Mar 2015 Gooter & Associates
Sponsor
Mar/Apr 2015 Pat Engels & Richard Medland Sponsors
The Full Monty
music & lyrics by David Yazbek, book by Terrence McNally
Nov/Dec 2014 Jane Kivel + Campbell, Yost, Clare & Norell, P.C. Co-Sponsors
A Little Night Music
music & lyrics by Stephen Sondheim, book by Hugh Wheeler
Apr/May 2015
The Jacqueline Anne Morris Memorial Foundation Sponsor
Fine ArtsBox BoxOffice Office ||(520) UAUA Fine Arts (520) 621-1162 621-1162| |theatre.arizona.edu theatre.arizona.edu
2015-16 scheduleFOR coming COVETED SEASON TICKETSSeason STILL AVAILABLE SUPERsoon! AFFORDABLE RATES!
PROFILES along with national tours of Aida and Smokey Joe’s Cafe for Theater League; The King and I; Camelot; Bubblin’ Brown Sugar; and Dreamgirls for Theater of the Stars; and a national tour of Will Rogers' Follies for Dallas Summer Musicals. In addition to his work in the theatre, Matt has run live sound for hundreds of national and international recording artists. He worked with the Pittsburgh Ballet Theater and the Pittsburgh Civic Light Opera, and he currently designs and engineers sound for the Tucson Symphony Orchestra. On hiatus from his audio career in the late 20th century, Matt was Property Master for the PBS children’s television program, Mr. Rogers’ Neighborhood. He is a member of the International Alliance of Theatrical and Stage Employees, and is the Vice President of Local 415. Jack Meng (Technical Director) – is a first year MFA student in Technical Direction. He has worked on past shows such as Lend Me A Tenor, Frankenstein and The Full Monty. Prior to coming to the UA, Jack worked for two years at the Broadway Rose Theatre Company in Tigard, Oregon, as well as with many other theatres around the Portland Metro Area. Jack is very thankful to have the opportunity to be a T.D. during his first year. Jon Thompson (Stage Manager) – is a junior in the BFA Design/Tech program with an emphasis in Stage Management. His Arizona Repertory Theatre credits include: Frankenstein, Oklahoma!, The Man Who Came to Dinner, Boeing Boeing, Love Song and Avenue Q. Other credits include: Beauty & the Beast: A Fairy- Tale Thriller, Elephants Graveyard, and Murder for Two with the Arizona Theatre Company. He wants to thank the friends, family and faculty that have given him so much support and made this possible.
Kevin Black (Voice & Dialect Coach) – is an Associate Professor of Practice in the School of Theatre, Film & Television, teaching Acting and Voice and Movement. He has coached dialects for Arizona Repertory Theatre’s Oklahoma!, Boeing Boeing, How I Learned to Drive, Hay Fever, Violet, and Bus Stop, and he was the Dialect Coach for ATC’s productions of Around the World in 80 days & The Importance of Being Earnest. He regularly appears in Arizona Repertory Theatre productions, including Cymbeline, As You Like It, Dracula, The Diary of Anne Frank, Leading Ladies, Titus Andronicus, and Henry IV, Parts I & II. A long-time member of Actors’ Equity Association, Kevin has acted at such venues as The New York Shakespeare Festival, The Shakespeare Theater at the Folger, Primary Stages (NYC), The Pearl Theater Co. (NYC), The Alliance Theater (GA), Indiana Rep, Delaware Theater Co., GeVa Theater (NY), Laguna Playhouse (CA), and Pacific Repertory Theater (CA). He played Paul in Invisible Theatre’s US premiere of Mesa; at ATC, he played George Wilson in The Great Gatsby; and appeared in The Last Red Book, The Narrows, and The Tortilla Curtain for ATC’s Cafe Bohemia. This spring, he will be playing the role of Capulet in ATC's production of Romeo and Juliet. Mike R. Padilla (Musical Direction) – For over 30 years, Mike has worked as a Music Director and as an actor for many theatre companies including Foothills Music Theatre, Ray of Light, Playhouse West, Hillbarn, SALOC, Invisible Theatre, Plaza Dinner Theatre, The Gaslight Theatre, Old Tucson and Arizona Repertory Theatre. Recently, Mike was the Music Director/Pianist for the Great American Playhouse. Mike spent 17 years in San Francisco working as a cabaret pianist/singer in clubs such as the Top of the Mark and Mason’s at the Fairmont Hotel, as well as coaching piano and voice students. He also performed in Japan. He studied acting and voice with Studio ACT and the San Francisco Academy of Performing Arts where he was a staff member. Mike’s teachers/mentors include Richard Nickol, Monte Ralstin, Peter Mintun, Edna Fisher and David Kelsey. When not working with students here at the UA, Mike coaches voice and piano students. Kalan Benbow (Assistant Director & Dramaturg) – is a senior in the BFA Theatre History/Dramaturgy program. She has had the privilege to work on The Fantasticks, The Glass Menagerie and Frankenstein with Arizona
PROFILES Repertory Theatre, as well as with The Rogue Theatre on Jerusalem and on their upcoming production of The Merchant of Venice. She believes that courageous and candid theatre can change the world, and thanks her parents, Kimbra and Keith Benbow, for their boundless love and support. She could not do this without them.
~ ACTOR PROFILES ~ Heather Marie Cox (Jane) – is a senior and in her final year in the BFA Acting program. This is her sixth Arizona Repertory Theatre production and she could not be more grateful for this opportunity. The last four years at the UA have fostered incredible growth and allowed her to feel confident that she has the skill set she needs in order to be successful after graduation. The family and friends that she has made here will never be forgotten. Working on This has been the perfect experience to end her college career. Past credits include Cecily in Arizona Theatre Company's The Importance of Being Earnest, and a multitude of Arizona Repertory Theatre credits including Hermia in A Midsummer Night's Dream, Frankie in The Voice of the Prairie, and various roles in Frankenstein, Julius Caesar and As You Like It. She would like to thank her family, friends and would like to extend a special thanks to Dianne Winslow, Brent Gibbs, and Stephen Wrentmore. She could not have asked for better mentors. Their support and encouragement continually keeps her striving to improve her craft. Rhetta Kampel (Marrell) – is a junior BFA Musical Theatre major and is thoroughly honored and excited to be part of such a wonderful show with This phenomenal cast and crew. Past Arizona Repertory Theatre credits include Joanie in The Full Monty and the Attendant/Egeus u/s in A Midsummer Nights Dream. Thank you to Hank and the rest of the production team. For Momma and Damon. “Follow your bliss.” Zackry Colston (Tom) – is a Sabino High School alum. You may have seen him in past shows, local films or comedy clubs. Shouts out to Brando, PSH, and Hoffman for footsteps to follow. Thanks to Hank for the unflinching faith. Hope you dig the show.
Micah Bond (Alan) – is overjoyed to return to the stage in Arizona Repertory Theatre’s production of This. This is Micah’s penultimate show as a Musical Theatre major at the UA. He appeared most recently as The Creature in Arizona Repertory Theatre’s Frankenstein. You may also have seen him on the Arizona Repertory Theatre stage as Jud Fry in Oklahoma!, Beverly Carlton in The Man Who Came to Dinner, or as Trekkie Monster in Avenue Q. Micah would like to give special thanks to Hank Stratton, the cast and crew and to his endlessly supportive family. www.MicahBond.com Aaron Arseneault (Jean Pierre) – is currently a sophomore Musical Theatre major with the UA. He is very excited to mark his second performance at Arizona Repertory Theatre with the production of This. Past credits elsewhere include Willard (Footloose), Gaston (Beauty and the Beast), The Pirate King (Pirates of Penzance), Finch (H2$), and Marius (Les Miserables). He thanks his parents for all of their unconditional love and support they give him day in and day out. He also thanks the cast and crew for all of their dedication to this production.
SUMMER COURSES COMING SOON!
Registration Opens March 16, 2015 INFO: hsp.arizona.edu
BEHIND the scenes TOURS
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M ister
Bing’s
PERFORMING ARTS LOUNGE
Proud to Support
Arizona Repertory
Theatre
Mister Bing’s Performing Arts Lounge revives the ambience of the 1930’s & 1940’s supper club, showcasing the most talented artists in the city, on select nights at 7pm. Check website for performance schedules, artists & venues. A portion of what you contribute to see a Mister Bing’s production, called a Bing F.A.R.E. (Funding Artists Revolutionizing Entertainment), goes directly to the artists who perform & to our friends...like the UA Arizona Repertory Theatre & other local performing arts organizations.
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SPECIAL THANKS TO OUR SUPPORTERS
Victoria terzano Production Co-Sponsors Lend Me A Tenor
Jane Kivel -and-
Campbell, Yost, Clare & Norell, P.C. Production Sponsor Frankenstein
Gootter & Associates Gootter & Production Sponsor Associates
This
Production Co-Sponsors The Full Monty
Pat Engels & Richard Medland
The Jacqueline Anne Morris Memorial Foundation
Production Sponsors Othello
Production Sponsors A Little Night Music
arirrcolen
ey
M
MARRONEY CIRCLE OF FRIENDS
The Marroney Circle of Friends, formed in C of 2002, is a special group of donors who have shown a significant financial commitment to the Theatre program of the School of Theatre, Film & Television. In return, the School offers the "Marroneys" opportunities to share in the process of its academic and creative work. For more information or to become a Marroney Circle of Friends supporter, please contact (520) 626-2686 or marketing@cfa.arizona.edu.
s
F
rie d n
Special thanks to this important group of donors:
Anonymous • Norma Arnow • Patricia S. Ballard • Ann Blackmarr • Arch & Laura Brown • Doris & Len Coris • Genie & Paul Gengler • Jo & Jules Harris • Marcia & Jay Iole • Jane Kivel • Gloria Knopf • Greg Knopf • Coty Meloy • Frances Moore • Dr. William T. Neumann • Sylvia & Andrew Norell • Mary Parnell • Judy Ranzer • Myrna Silver • Rica & Harvey Spivack • Petricia & Edward Steinhoff • Lorraine & Adolf Stern • Shirley & Ted Taubeneck • Victoria Terzano
THANK YOU TO OUR DONORS Over the years, the Theatre Program has enjoyed a rich tradition of philanthropy. Donations help attract talented students and faculty and support our mission to provide professional training and education to students through an outstanding production program.
Transformational Gifts to the Theatre Program
With deep gratitude we acknowledge those whose significant and ongoing gifts have transformed the lives of students and faculty.
Patricia S. Ballard • Tami & Thomas Barrow • Linda D. & Elias Barzilai • Joanne & Bill Bennett • Ann & Neal* Blackmarr • Laura & Arch Brown • Richard & Elizabeth Murphy Burns • Donna & Dr. James M. Byers III • Campbell, Yost, Clare & Norell, P.C. • Esther N. Capin* • Chapman Automotive • David D. Cone Foundation • Doris & Len Coris • Carol Cowan • Sally & Ralph Duchin • Pat Engels & Richard Medland • Paulette & Joe Gootter • Peggy Haines* • Susan Jackson* • Linda & Joseph Jenckes • Jim Click Automotive Team • Jane & Lee* Kivel • Susan W. & Bernard R.* Kornhaber • Patricia Kraisman • Mrs. Peter Marroney* • Barbara Molotsky • Drs. James & Shirley O’Brien • Susan & Charles Ott • Mary & David Parnell • damon Patton* • Cindy Ashton Rounds & G. Starr Rounds • SaddleBrooke Performing Arts Group • Patricia Carr Morgan & Peter Salomon • Rica & Harvey Spivack • Petricia & Edward Steinhoff • Candace & Lester* Stephens • Shirley & Ted Taubeneck • Lyn Tornabene • Sharon & Albert Tucci • JoAnn & John Vosskuhler • Harvey M. Young* We are pleased to acknowledge the following donors who made contributions between January 1, 2014, and December 31, 2014. $10,000+ Laura & Arch Brown • Richard & Elizabeth Murphy Burns • Jim Click Automotive Team • Wanda R. Roy • Lyn Tornabene • Patricia H. Williamson $5,000-$9,999 Paulette & Joe Gootter • Gootter & Associates • Sally & Ralph Duchin • The Jacqueline Anne Morris Memorial Foundation $1,000-$4,999 Anonymous • Cindy Ashton & G. Starr Rounds • Patricia S. Ballard • Joanne & Bill Bennett • Donna & James Byers • Meg & Paul Cajero • Campbell, Yost, Clare & Norell, P.C. • Arlene & Edward Cohen • Doris & Len Coris • Shawn Edgar • Stephanie & Tom Eiff • Beatrice & Samuel Ellis • Susan & Thomas Fluehr • Josefina & Raul Gonzalez • Josephine & Jules Harris • Margaret & William Horst • Jane Kivel • Susan W. Kornhaber • Gloria Linden • William T. Neumann • Caren & Thomas Newman • Sylvia & Andrew Norell • Vivi & Adib Sabbagh • Ann Peterson & Kirk Saunders • Petricia & Edward Steinhoff • Shirley & Ted Taubeneck • Victoria Terzano • Bobbie & Don VandeGriff $500-$999 Anonymous • Jeannette & Robert Barnes • Barbara & William Bickel • Ann Blackmarr • Genie & Paul Gengler • Wesley Green • Elaine & Martin Heilbraun • Sandy & Elliott Heiman • Terry Hersh • William Horne • Joan & Jim Horwitz • Marcia & Jay Iole • Marcelle & Leonard Joffe • Maria & George Knecht • Greg Knopf • Linda & Steven Laden • Coty Meloy • Frances Moore • Janet Moore • Mary & David Parnell • Denise & Thomas Pothoff • Judy Ranzer • Myrna B. Silver • Alice & William Singer • Rica & Harvey Spivack • Monique Steinberg • Lorraine & Adolph Stern • Sharon & Albert Tucci • Jen Willis & Kathryn K. Rowen • Jo Ann Zirkle
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Liguori •Jo Ann Little • Gail Martin • Nancy Matthei • Joni & Pete Mayer • Philip McArthur • Robert McConeghy • Lora & James McCray • Gail McDonald • Brigitte & Ulrich Michael • Edith Michelson • Kerstin & Thomas Miller • Susan & Gary Miller •Leone Mohney • Shirley & Dorwin Newman • Terry & David Olson • Patricia & Brooks O'Neil • Pilar Oppenheimer • Ellyn Ostrow • Nanette & Lester Packer • Norma & Dave Palmer • Martha & Terry Perl • Herbert Ploch • Kenneth Prchal • Janis Pridans • Louise Greenfield & Simon Rosenblatt • Carol & John Ross • Madelon C. Muller-Rubens & Alan B. Rubens • Marleen & Howard Rubin • Ruth & Steve Russell • Calista & Raymond Schafer • Jim Schnitzer • Eve Schocket •Eileen Sherlock • V. & Keith Siebers • Emery Silvester • Irene Sivek • Linda & Glenn Smith • Aimee & Casey Smythe • Cynthia & David Soffrin • Caryl & Aaron Starobin • Roz Stein • James Stewart • Sharon Thomas • Nancy Tomlinson • Tucson Pizza Studio, LLC• Judith M. Treistman • Linda & Gerald Tumarkin • Kathryn & David Unger • Joyce Unger • Linda Van Pelt • Berchman Vaz • Robert F. Walter • Molly & Doug Webster • Rebecca & Russ Werner • James I. Wheeler • Barbara Witkiewicz • Richard Wolff • Margaret & Irving Young These gifts reflect our records from January 1, 2014 to December 31, 2014. Contributions received after this time period will be included in the fall 2015 performance programs. Please notify us of any changes or corrections. We greatly appreciate the support of all of our donors. To make a tax-deductible contribution to the Theatre Program of the School of Theatre, Film & Television, please contact the Marketing & Development Office at (520) 626-2686 or marketing@cfa.arizona.edu, or mail your donation to University of Arizona, P. O. Box 210003, Tucson, AZ 85721.
THEATRE POLICIES House Policies: Please turn off watch alarms, mobile phones, pagers, and all other electronic devices. Food, beverages and smoking are not permitted inside the theatre. The use of cameras or recording devices of any kind is strictly prohibited. Children five and under and strollers are not permitted inside the theatre. Seating Policy: Productions begin on time. Generally, each theatre will open for seating 30 minutes before curtain. There is no late seating. Refunds: Tickets are non-refundable. All ticket sales are final. Emergency Messages: Physicians and other patrons expecting emergency calls during a performance are asked to leave their paging devices with the House Manager. Lost and Found: Lost and found items will be reported to the Fine Arts Box Office at (520) 621-1162. **Video and/or audio recording of this performance by any means whatsoever are strictly prohibited**
THE
STUDIO SERIES
blu presents
directed by Mark Pinate
Written by Virginia Grise
Meet Playwright Virginia Grise on opening night!
Q&A with cast members immediately following each performance! $7 All Seats | tickets.arizona.edu | 520.621.1162 8pm February 26-28, 2015 | 2pm March 1, 2015 Harold Dixon Directing Studio | UA Drama Building, Room #116
Deemed the darkest tale of the human heart ever written, Othello is a timeless, tragic tale of love, deceit, jealousy & murder. MAR. 8 - APR. 5, 2015 UA's Tornabene Theatre Pat Engels & Richard Medland Production Sponsors
Fine Arts Box Office • 520.621.1162 • theatre.arizona.edu
THEATRE PROGRAM FACULTY & STAFF ADMINISTRATION
FACULTY Mr. Bruce Brockman, Director of School Mr. Peter Beudert, Univ. Distinguished Professor Mr. Kevin Black, Assoc. Professor of Practice Mr. Matt Bowdren, Post Graduate Fellow Dr. Kevin J. Byrne, Assistant Professor Ms. Miranda Crispin, Assistant Professor Dr. Harold Dixon, Professor Emeritus Ms. Deanna Fitzgerald, Associate Professor Mr. Brent Gibbs, Associate Professor Mr. Danny Gurwin, Assistant Professor Mr. Richard T. Hanson, Assoc. Professor Emeritus Mr. Patrick Holt, Associate Professor Mr. Ted Kraus, Assistant Professor Dr. Frank LaBan, Professor Emeritus Ms. Jenny Lang, Instructor Dr. Jessica Maerz, Assistant Professor Mr. Matthew Marcus, Instructor Dr. Laura McCammon, Professor Emerita Dr. Bobbi McKean, Associate Professor Mr. David Morden, Assistant Professor Mr. Monte Ralstin, Professor of Practice Ms. Elaine Romero, Assistant Professor Ms. Clare P. Rowe, Associate Professor Dr. Melissa C. Thompson, Assistant Professor Mr. Albert Tucci, Director & Professor Emeritus Mr. Richard Tuckett, Associate Professor Dr. Patricia VanMetre, Associate Professor Emerita Mr. Jeffrey L. Warburton, Associate Professor Mr. David Weynand, Post Graduate Fellow Ms. Dianne J. Winslow, Professor Mr. David Yarnelle, Adjunct Instructor
THEATRE PROGRAM ADVISORY BOARD Bill Neumann (President), Jo Ann Zirkle (Vice President), Taffie Eiff (Secretary), Cindy Ashton, Julie Cohn, Carol Elliott, Tracy Gee, Joan Horwitz, Leonard Joffe, Jane Kivel, Jerry Lacker, Linda Laden, Gloria Linden, Caren Newman, Tom Pothoff, Myrna Silver, Monique Steinberg, Ed Steinhoff, Tony Terry, Victoria Terzano
Life Members Pat Ballard, Walter Kutscher, Mary Parnell, George Rosenberg, Lillian Rosenzweig
Associate Members Bill Bennett, David Cone, Doris Coris, Joe Gootter (Past President), Ken Greenfield, Jo Harris, Schuyler Lininger, Lois McKelvey, Sharmin Pool, Judy Ranzer, Vivi Sabbagh, Ted Taubeneck, Tony Torrance, Don VandeGriff
School Director & Producer Associate Director Artistic Director Associate Artistic Director Advising Services Asst. to the Director for Admin. Business Manager Administrative Coordinator
Bruce Brockman Jeffrey L. Warburton Brent Gibbs Dianne J. Winslow Christina Swanson, Jeffrey L. Warburton Justine Collins Stacy Babler Allie Nielson
GRADUATE STUDENTS Eve Bandi, M. Erdman, Amy Sue Hazel, Julio C. Hernandez, Alyssa M. LeBlanc, Angela McMahon, Leah Mednick, Jack Meng, Elly Mikula, Mercer Pinkston, Andrea Pratt, Ruth Richardson
PRODUCTION Production Manager Technical Director Assistant Technical Director Lighting Supervisor Costume Director Costume Shop Manager Costume Design Advisor Paint & Properties Supervisor Sound Supervisor Dramaturgy Supervisor Assistant Musical Director
Jenny Lang Ted Kraus Tony Cordaro Deanna Fitzgerald Richard Tuckett Maryann Trombino Patrick Holt Clare P. Rowe Matt Marcus Elaine Romero Mike R. Padilla
MARKETING & AUDIENCE SERVICES Marketing & Development Dir. Lisa Pierce Marketing Specialist, Assistant Kristina D. Gonzales Outreach Coordinator Bobbi McKean Fine Arts Box Office Manager Charles Cannon Assistant Box Office Manager Megan Gerrish Box Office Staff Thomas Alcaraz, Ben Atwell, Sequoia Fischer, Miles Fujimoto, Tim Giblin, Maryam Gilpatrick, Isaac Gotlieb, Julia Kaser, Naveed Khosraviani, Amanda Koenig, Josh Miller, Kaitlyn O'Kane, Maya Patterson Brianna Ragels, Courtney Stevens, Matt Soden House Managers Thomas Alcaraz, Ben Atwell, Miles Fujimoto, Maryam Gilpatrick, Julia Kaser, Amanda Koenig, Josh Miller Season Graphic Designers Whitespace Design & Ed Flores Photography
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