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Yiru Yun [ PORTFOLIO 2019
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Yiru Yun Chinese, Female, 04/04/1994. Phone: +86 178-8797-5791. E-mail: y.yun@ucl.ac.uk
Education Background
Honours & Awards
Working Experience
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Yiru Yun. UCL New Hall A5.09, 465 Caledonian Road, London. N7 9BA /Room 803 Huashang Mingdi, Jingan District, Shanghai. 200041 +86 17887975791 y.yun@ucl.ac.uk To whom it may concern, I am writing to express my interest for the position of Architectural Designer in your esteemed organization. From March of 2017 till now, I am working as Architectural Designer in Shanghai Jiao Tong University Design & Research Institute (SJTUDRI), No.1 Architecture Design & Research Institute. During this period, I experienced the whole project procedure and participated in several construction design projects. From August of 2016 till January of 2017, I have been working as Research Assistant in Archi-Union Architects (Digital Design Research Centre, Tongji University) and accumulated experience on project management and media publicity. In January of 2016, I have ďŹ nished my M.Arch in Architectural Design from The Bartlett School of Architecture, University College London (UCL). My project FaBRICK and thesis Supple Power && Super Power won the prestigious Sir Peter Cook Award (decided and presented by Sir Peter Cook) as well as the Silver Track Award in the year s batch, which has been published on 21 magazines/websites (including ArchDaily, Dezeen, Evolo, etc). During my studies, I participated in many architectural exhibitions and workshops in the U.S., the U.K., Europe, Hong Kong and China. I got National Scholarship (the highest national honour of universities student scholarship) twice, as the best student in the School of Civil Engineering and Architecture in my bachelor degree and graduated with the honour of the Excellent Graduate of Sichuan Province. Thank you very much for your time and consideration. For any further information please contact me by phone or email. Yours sincerely, Yiru Yun.
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Chi She Typical Instance of Nonlinear Parametric Design and Digital Fabrication. Archi-Union Architects. Location: Shanghai. // Role: Design Development & Media Communication. Time : 09/2016 - 11/2016.
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>[
Ground Floor Plane ]
>[
First Floor Plane ]
>[
Section & Elevation ]
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10
Tourist
Jiu Yi Shan Touri
Shanghai Jiao Tong University Location: Hunan Province. // Role: From Schematic Design To Construction Design.
Time : 05/201
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Center
ist Service Center.
y Design & Research Institute. // With a senior architect inspected & timber architectural design team cooperated.
17 - 09/2017.
12
6
北
2200 600
5
4
上海交通大学 设计有限
6
1/5
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2 2 0 0
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设计证书甲级编号：A131003693
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CO-OPERATE
1:12
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3
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上海交通大学规划建筑 设计有限公司 Planning & Architectural Design Institute of Shanghai Jiaotong University
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5 4 0 0
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6 0 0 0
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500 500 1050 400 900 200 900 200 1000 400 1050 30400
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图
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DRAWN BY
出图签章
RELEASE STAMP
执业签章
REGISTRATION STA
建设单位
CLIENT
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36.78m 2 600 600 1700
600 600
600
2100
1700 600
B 执业签章
REGISTRATION STAMP
A
A
下 2 1:12
6 0 0
5 3 0 0
6 0 0
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6 0 0
2 2 0 0 1800 2200
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3300
200
1800
3700
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1
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4
2200
3 7 0 0
5
2 2 0 0
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图纸名称
2
3
4
5
6
工程编号 JOB NO.
比
阶 段 专 业
SCALE
DISCIPLINE
日 期
图 号
DATE
DRAWING NO.
日
Ground Floor Plane ]
期
DATE
JD-JZ1-18-B31 1:100 2018.6
说明：1.本图须本单位出图签章， 2.本图未经当地施工图审查
说明：1.本图须本单位出图签章，否则一律无效。 2.本图未经当地施工图审查机构审查通过，不得用于施工。
^[
例
SCALE
STATUS
比 例
DRAWING TITLE
二层原始框 工程编号 JOB NO.
1
PROJECT NAME
宁远县景区提质改 设计、采购、施工 旅游接待
3 1 0 0 0
项目名称
600
A
宁远县九疑山旅游
CLIENT
步
B 2 1 0 0 3 0 0
142.5X300
-0.150 1:12
B
1 7 0 0 6 0 0
办公室
6 0 0
±0.000
7.6m 2
2
2 1 0 0 3 0 0
7.00m
设备间
1 7 0 0 6 0 0
A
男卫生间
女卫生间
6 0 0
B
RELEASE STAMP
2100
40.97m2
^[
Ground Floor Plane ]
13
PT 01
PT 01
乳胶漆
乳胶漆
MT 01
01
01
CT 01
MT 01
PT 01
不锈钢
不锈钢
乳胶漆
GL 02
GL 02
钢化玻璃
钢化玻璃
踢脚线
WD 01
磨砂
磨砂
PT 01
木饰面
MT 02
MT 02
瓷砖
350
330
1050
±0.000
±0.000
470
470
5
4 PT 01 乳胶漆
1290
80
2520 5700 6000
3450
ST 01 大理石
270
1910
3000
280
3270
2500 5900
4
5
ST 02
ST 02
大理石
大理石
6
GL 01 钢化夹胶玻璃
02
PT 01
MT 01
乳胶漆
深色氟碳漆
SCALE:1/50
大厅楼梯立面图
SCALE:1/50
大厅楼梯立面图 MT 01 不锈钢
PT 01
WD 01
PTPT0101
PT 01PT 01
乳胶漆 乳胶漆
乳胶漆 乳胶漆
MT 01 不锈钢
01
GL 02
乳胶漆
木饰面
钢化玻璃
PT 01
01
CT 01
CT 01
踢脚线
踢脚线
GL 02 钢化玻璃
磨砂
磨砂
乳胶漆
10
800 800
85
6000
6
1500
940
瓷砖
透空
250
暗装消火栓
90
800
150X10=1500
150X10=1500
CT 01
800 250
10 180
1050
180 10
925 25
乳胶漆
20
100
MT 01
PT 01
3.450 1220 250
深色氟碳漆
深色氟碳漆
150X10=1500
MT 01
踢脚线
2.400
70 675
2640
250
800 250
940
300
LED暗藏灯带
CT 01
1440
170
1290 5450
5900
乳胶漆
4500
150X10=1500 150X10=1500
90 5500
4380
乳胶漆
PT 02
消火栓
1030
250
800 800
310 800
4.500
PT 01
70
100
270
铝方管
大理石 4.500
4500
1050
10
700 130
1400
100
800
1050
100 90 350
10
180
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1050 900 800 250
20
180
乳胶漆
MT 03
ST 02
100
4.500
PT 01
1050
铝方管
2350
3785
2350
MT 03
1300
透空
1615
设计证书
原结构梁
原结构梁
1050
3450
Planning & Ar Shangh
铝扣板
CT 01
±0.000
上海交 设
乳胶漆
铝扣板
MT 02 铝扣板
原结构梁
70
2070
310
80
4380
1290
乳胶漆
MT 01
②-③ Section ]
责
330
审
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APPROVED BY
6
2520 5670 6000
PT 01
PT 01
乳胶漆
大厅楼梯立面图
^[
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1300
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REL
PT 01 乳胶漆
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REG
2.400
定制感应移门
MT 01 深色氟碳漆
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CLI
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项目名称
1290
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470
4
楼梯 工程编号
ST 02
JOB NO.
比
PT 01
例
SCALE
大理石
④-⑥ Section ]
核
消火栓
1030
800 2800
ST 5 02 大理石
大厅楼梯立面图
270 310
审
铝方管 专业负责人
150X10=1500
700 130 深色氟碳漆
4380
MT 03
4500
10
90 1290550080
310 800 1780
MT10 01
190
270
85
深色氟碳漆 钢化夹胶玻璃
日
SCALE:1/50
期
DATE
说明：1.本图须本单 2.本图未经当
乳胶漆
SCALE:1/50
WD 01 木饰面
PT 01 10
^[
650 1050
560 1400 1750
300
1050 100
800
940
消火栓
5900
SCALE:1/50
20
150X10=1500
1050 100 10
250 100
100 90 350
乳胶漆
大厅楼梯立面图
MT 01
深色氟碳漆
90
150
470
GL 01
S u p e r m a r k e t
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150X10=1500
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180
10
470
6000
PT 01
±0.000
MT 02
250
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250
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800
940
20 10
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超 市
20
1030
暗装消火栓
瓷砖
3785
1050 1050
2400 800
250
CT 01
CT 01
CT 01
150X10=1500
800 250
MT 01
深色氟碳漆
1220
2400
100
踢脚线
55
2400
10
CT 01
MT 01 深色氟碳漆
3450
1050
1400
R2
大理石
100
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ST 02
透空
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3450
钢化玻璃 90
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GL 02
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乳胶漆
990
100
250
20
300
钢化玻璃
PT 02 60
10
瓷砖
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900
250
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4.500
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铝扣板
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4.500
大理石
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4500
170
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GL 02
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4.500
3785
150X10=1500
乳胶漆
ST 02
800
25
PT 01
1050
透空
钢化玻璃
40
踢脚线
1050
2640
职
RESPONSIBILITY
项目负责人
150X10=1500
180
原结构梁
GL 02 2350
70
瓷砖
300
350
CT 01
1440
不锈钢
1300
635 70
CT 01
原结构梁
MT 02
1050 250
轻钢龙骨
乳胶漆
PT 01 乳胶漆
14
15
16
Plan A.
17
Plan B.
18
Plan C.
19
Plan D.
Plan A :
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Plan B :
SHEET NOTES : Landscape Nodes. Landscape Sight Axises. Car Circulation. Teaching Buildings. Office Buildings. Dormitory Buildings. Canteens. Sports Center. Plaza. Conference Hall. Corridors.
Green Area
山
山
水
Green Area Cultural Sight Axis
文化轴
Landscape Sight Axis
景观轴
林
Garden Area
Landscape Sight Axis
景观轴
Garden Area
园 Garden Area
文化轴
林
园
水
Green Area
礼仪轴 Campus Cultural Axis
DISCRIPTION :
Cultural Sight Axis
礼仪轴
Campus Cultural Axis
Plan C :
Plan D :
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Green Area
山 水Green Area
Landscape Sight Axis
景观轴
Garden Area
园 Garden Area
Cultural Sight Axis
文化轴
林
礼仪轴 Campus Cultural Axis
Landscape Sight Axis
Garden Area
Campus Cultural Axis
Cultural Sight Axis
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23
24
25
体块模型2
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Civic Center Site Area：46873.9㎡.（70 Mu） SJTUDRI. Location: Hunan Province. Role: From Schematic Design To Detailed Design. Time : 05/2017 - Now.
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Plan A. [
Construction Work In Process ]
[ Triffic Plan: ]
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NING YUAN CIVIC HALL PROJRCT SCHEMETIC DESIGN
[ Public Area: ]
NING YUAN CIVIC HALL PROJRCT SCHEMETIC DESIGN
[ Green System: ]
[ Pipeline Plan: ]
NING YUAN CIVIC HALL PROJRCT SCHEMETIC DESIGN
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5.2
^[
Women & Children‘s Center Ground Floor Plane ]
^[
Workers Activity Center Ground Floor Plane ]
^[
Workers Activity Center First Floor Plane ]
^[
Workers Activity Center Second Floor Plane ]
^[
Workers Activity Center Third Floor Plane ]
NING YUAN CIVIC HALL PROJRCT SCHEMETIC DESIGN
5.2
^[
Women & Children‘s Center First Floor Plane ]
NING YUAN CIVIC HALL PROJRCT SCHEMETIC DESIGN
5.2
^[
Women & Children‘s Center Second Floor Plane ]
NING YUAN CIVIC HALL PROJRCT SCHEMETIC DESIGN
^[
Women & Children‘s Center Third Floor Plane ]
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Plan B.
33
A.
B.
C.
D.
E.
[ Site Analysis: ]
SITE
34
35
Plan C. 36
37
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CITY ROAD
CITY ROAD
FIRE FIGHTING ACCESS FACADE SECONDARY ENTRANCE GREEN
CANTEEN/ACCOMMODATION
CITY ROAD
MAIN OFFICE BUILDING
ENTRANCE
ENTRANCE
FIRE FIGHTING ACCESS FACADE
THEATRE GREEN AREA
GARAGE ENTRANCE
PEDESTRAIN ENTRANCE
THEATRE ENTR
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MAIN CITY ROAD
Radio and Television Center The State Administration of Radio Film and
WATER
Television of Ningyuan SJTUDRI. Location: Hunan Province.
BOUNDARY LINE
Role: From Schematic Design To Detailed Design. Time : 05/2017 - Now.
SET BACK LINE GREEN SLOPES
CITIZEN PLAZA
STAIRS THEATRE
RANCE
GREEN SLOPES
PLANNING ROAD
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WATER FIRE FIGHTING ACCESS FACADE GARAGE ENTRANCE
BOUNDARY LINE
SECONDARY ENTRANCE GREEN CANTEEN/ACCOMMODATION MAIN OFFICE BUILDING ENTRANCE
SET BACK LINE ENTRANCE GREEN SLOPES
FIRE FIGHTING ACCESS FACADE CITIZEN PLAZA
THEATRE
STAIRS THEATRE THEATRE ENTRANCE
GREEN AREA
GREEN SLOPES GARAGE ENTRANCE
PEDESTRAIN ENTRANCE
^
[ SITE PLAN - SCHEMATIC DESIGN ]
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^
[ THEATRE GROUND FLOOR PLANE - SCHEMATIC DESIGN ]
^
[ THEATRE FIRST FLOOR PLANE - SCHEMATIC DESIGN ]
^
^
[ GROUND FLOOR PLANE - SCHEMATIC DESIGN ]
[ FIRST FLOOR PLANE - SCHEMATIC DESIGN ]
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Supple Power & Super Power Furniture Design & Chair Design ( Physical Part ) M.Arch Architecture Design Project _ The Bartlett School of Architecture. 2014.9 -2015.12 London, U.K. // Academic. // Group Work. Initial Idea Production ( Individual ), Coding Scripts/JAVA Processing & Eclipse( Individual ), Material Research (80%), Physical Fabrication (40%), Diagrams (70%), Digital Simulation / Maya 3D (20%), Project Portfolio ( Individual ), Project Video ( Individual ). Time : 1½ Year. Publications: Domus: The Fabric Project http://www.domusweb.it/it/notizie/2015/11/24/the_fabrick_project.html eVolo Magazine: Fabric Chair http://vmodern.com/2015/12/fabric-chair/ Dezeen: Bartlett Students Create Felt Material That Can Be Moulded Into Self-supporting Chairs http://www.dezeen.com/2015/11/16/fabrick-composite-felt-resin-material-design-moulded-self-supporting-chairs-bartlett-school-of-architecture/ Arch2O: Fabrick- Molded Self-Supporting Furniture | Bartlett School of Architecture http://www.arch2o.com/fabrick-molded-self-supporting-furniture-bartlett-school-architecture/ Curbed: Students Create Fabric That Can Be Transformed Into Creepy Chair of Evil http://m.curbed.com/archives/2015/11/16/fabrick-barlett-school-architecture.php Designboom: Bartlett School of Architecture Fabrick Research Project http://www.designboom.com/design/bartlett-school-of-architecture-fabrick-research-project-11-17-2015/ Super Architects: [Studio] // FaBrick http://super-architects.com/archives/7755 And more publications being communicated.
About This Project:
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Taught by Daneil Widrig ( Daniel Widrig Studio Ltd.), Soomeen Hahm ( Zaha Hadid Architects) and Stefan Bassing ( Zaha Hadid Architects). Winner of Peter Cook Prize 2015 (Professor Sir Peter Cook RA honours / Best Project in the Whole Batch of Architecture Design and Urban Design in the Bartlett School). Winner of Silver Prize in B-pro Show of the Bartlett School of Architecture. First Prize in 2015 VMODERN Furniture Design Competition (eVolo Magizine )
>
[ Felt Chair / Image in B-pro Show / Bartlett School of Architecture / London / U.K. ]
44
B
B'
Initial Idea Development ÂŚ Felt Loop
A'
^ Making cut patterns on the fabric
^ Stitch line 1
^ Stitch line 2
^ Stitching points A-A'
^ Stitch line 3
and B-B' to form tube
D'
'
^ Stitching one line from end to end Stitching the adjacent corners to form a tube 2 C
G
G F'
H
1
H E
FE
C'
1'
D
D' 2'
D
CC
'
^ Stitching points ^ Loop with stitched points ^ Section through 1-1' and 2C-C' and D-D' to form loop
C-C' and D-D'
2'
^ Stitching
^ Looping and stitching to create the form
^
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^
Seam pattern becoming the structural rib
^
Stitch pattern
^
Cutting holes where the tube language needs to be implimented
^
Side elevation
^
Front View
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[ Two dimentional to three dimentional. ]
The initial model of converting two dimentional fabric to three dimensional structure is shown in a few steps. Once stitched along the three stitching line, The fabric becomes strong as it forms legs and nodes. These allow the fabric to stand up against gravity. Once looped it gets the support from the other connecting legs and seems more balanced.
^ Areas not stitched. Transition between leg and folded cloth
The tube stucture of the fabric is then looped and intertwined as shown in the diagrams to create a complex structure. This was the first model where the fabric didn't act like a surface but could also act like a structural peice by self supporting itself.
After various tests of the previous mentioned fabric sewing and pattern techniques, it was noticed that one of the experiments had a good potential to be developed into an interesting proposal. Some basic steps of determining the cut pattern, cutting holes in the fabric, stitching the space between the holes as tubes, the fabric started behaving sturdier and seemed to have some rigidity. Once this still two dimensional sheet would be looped and inter twined and stitched, the fabric s behavior changed from a floppy two dimensional object to a three dimensional mesh which had a volume and was sturdy enough to stand on its own against gravity. Using simple steps of fabrication we could achieve a complex three-dimensional prototype from a two dimensional sheet of fabric. The other experiment s outcomes defined the investigation on how different two dimensional patterns of seams would lead to different bends in the surface of the fabric, eventually creating interesting volumetric prototypes.
^ Stitch at edges compulsory to make base
^ Two dimensional pattern
^ Stitch Pattern to form legs
^ Stitching the tubes
^ Stitching points after looping
^ Tubes to surface transformation
for form
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[ Using a processing script to replicate the tubular system of the octopus chair. ]
generation of the tubes can be seen in the sequence where the tubes are formed by the multiplication of the tubes along the curve. The repetition of one component along the crve created the fabric like behavior of the tubes which gives it the uid behavior. Once we get the basic form we can generate and aggregate to gave a more comple form as per the three dimensional object we require to obtain. The chair developed is by aggregating the basic component gathered from the generative tool.
Stage 1
Stage 2
Stage 3
Stage 4
Stage 5
Stage 6
Stage 7
Stage 8
Stage 9
Stage 10
[ Detail ]
[ Side view of chair ]
[ 3D view of chair. ]
[ Front view of chair. ]
[ Complexity heirarchy ]
The surface and tube prototype are made to transition in a gradual process. The complexity of the model is also gradual keeping the structural part more complex and the surface part fairly simple. The heirarchy is dientiated according to the structural importance. The uidity of the fabric is frezzed due to the stitching and then hardened.
^
complex to simple
^
Tubes to surface
^
Tubes to surface transition
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Physical Test ÂŚ Resin [ Material - Resin. Stool ]
After testing dierent materials for scaling up, a conclusion was made where the resin was a good material to harden the fabric. In this way the delicasy of the fabric could be kept intact along with hardening the fabric to become stone like hard. Many tests were done to also understand which type of resin makes the stool the hardest. The fabric with resin shows that the fabric can become stronger than ďŹ ber glass. Thus without having a mould for casting curve designs, we can harden the fabric and also give it strength.
[ Laser cutting felt ]
Sample A
Sample B
Sample C
Epoxy
Resin
Wood Hardner
Sample A
Sample B
Sample C
Epoxy
Resin
Wood Hardner
[ Machine stitches. ]
Exoxy strength
Resin strength
Wood hardener strength
Exoxy stability
Resin stability
Wood hardener stability
Exoxy compression
Resin compression
Wood hardener compression
Resin deformation
Wood hardener deformation
Exoxy deformation
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COMPONENT A
^
Pattern drawing
^
Seams pattern
^
Stitching seams for structural support
[ Seams deďŹ ning fabric bends and structure. ]
Second attemt at combining the tubular language and seams language with a larger scale. The seating area is defined by the seams as it needs to be soft and the tubes are surrounding it which becomes the structural legs. The topic of leaving the soft areas unhardened and only the structural parts of the model need to be hardened.
COMPONENT B
^
Physical Model
Digital Simulation ÂŚ Column [ Component aggregation. ]
After trying the mirror cut method of designing and experimenting with its logic we created different column design that looked like our fabric begavior. Creating components or parts and making one entity in the gradual method was acheived. Thus after many trials of column design it was decided to build this chosen digital column. Since one sheet of fabric cannot build the whole column byitself, the logic of making each part from 2D o 3D was mentained.
^
^
Object D
Object A
^
Object E
^
Object B
^
Object F
^
Object C
^
Object G
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SEAMS LANGUAGE
CONNECTION
TUBE LANGUAGE
STRUCTURAL TUBE MADE OUT OF SEAMS
BASE
OF COLUMN MADE WITH SEAMS
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Physical Model ¦ Chair
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Supple Power & Super Power Fashion Show Stage Design ( Basic Idea ) M.Arch Architecture Design Project _ The Bartlett School of Architecture. 2014.9 -2015.12 London, U.K. // Academic. // Group Work. Initial Idea Production ( Individual ), Coding Scripts/JAVA Processing & Eclipse( Individual ), Digital Simulation / Maya 3D (20%) Time : 1½ Year.
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[ Fabric Behavior. ]
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[ Generative fabric behaviour. ]
A.
B.
C.
This fashion show design was the first attemp to adapt the fabric idea into architecture. Since fabric in a signiďŹ cant element in fashion desgin, I started to think this can be an appropriate design proposal with the language we developed. Fabric has the ottential to become a surface element and also the structural tubular element in the designs. Thus exploring that potential, we looked into how we can dvelop the surface elements gradually transforming into the tubes. Investigation was made into generative fabric behavior and the uidity of the fabric was controlled in the digital models to create a design of an object with dierent heirarchy in complexity.. The digital design is created by composing different components and merging them with the seam lines or crease lines. The objects gave us the idea of trying the physical model complexity with stark contrast.
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Supple Power & Super Power Adaptive Reuse of Church ( Architectural Proposal ) M.Arch Architecture Design Project _ The Bartlett School of Architecture. 2014.9 -2015.12 London, U.K. // Academic. // Group Work. Initial Idea Production ( Individual ), Coding Scripts/JAVA Processing & Eclipse( Individual ), Material Research (80%), Physical Fabrication (40%), Diagrams (70%), Digital Simulation / Maya 3D (20%), Project Portfolio ( Individual ), Project Video ( Individual ). Time : 1½ Year. Publications: Domus: The Fabric Project http://www.domusweb.it/it/notizie/2015/11/24/the_fabrick_project.html eVolo Magazine: Fabric Chair http://vmodern.com/2015/12/fabric-chair/ Dezeen: Bartlett Students Create Felt Material That Can Be Moulded Into Self-supporting Chairs http://www.dezeen.com/2015/11/16/fabrick-composite-felt-resin-material-design-moulded-self-supporting-chairs-bartlett-school-of-architecture/ Arch2O: Fabrick- Molded Self-Supporting Furniture | Bartlett School of Architecture http://www.arch2o.com/fabrick-molded-self-supporting-furniture-bartlett-school-architecture/ Curbed: Students Create Fabric That Can Be Transformed Into Creepy Chair of Evil http://m.curbed.com/archives/2015/11/16/fabrick-barlett-school-architecture.php Designboom: Bartlett School of Architecture Fabrick Research Project http://www.designboom.com/design/bartlett-school-of-architecture-fabrick-research-project-11-17-2015/ Super Architects: [Studio] // FaBrick http://super-architects.com/archives/7755 And more publications being communicated.
About This Project:
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Taught by Daneil Widrig ( Daniel Widrig Studio Ltd.), Soomeen Hahm ( Zaha Hadid Architects) and Stefan Bassing ( Zaha Hadid Architects). Winner of Peter Cook Prize 2015 (Professor Sir Peter Cook RA honours / Best Project in the Whole Batch of Architecture Design and Urban Design in the Bartlett School). Winner of Silver Prize in B-pro Show of the Bartlett School of Architecture. First Prize in 2015 VMODERN Furniture Design Competition (eVolo Magizine )
>
[ Felt Wall / Physical Model / Image in B-pro Show / Bartlett School of Architecture / London / U.K. ]
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Digital Simulation ÂŚ Fabric [ Tubes to surface. ]
Using the generative tools of fabric generation, this model was created to hughlight the smooth transformation of the tubes to surface behaviour. The object resembles the uidity of the fabric and the cobmination of the languages has been acheived in this experiment of the object design. The creases on the surface show the seams language along with the tubular language.
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[ Deisgn Proposal. ]
Taking a ruined church as the site, and using the fabric design is the motive behinf the design proposal. The ruined church is a dead space which can be rejuvinated to become a lively space by letting the fabric ďŹ ll the missing parts of the church. The fabric design as seen in the previous eleborated design research is capable of creating fabric structures which are free standing and dont need support to create structural elements. The fabric will be pre stitched before coming to the ruin church. Here with the help of the wall the fabric can be hung and hardened. Once the fabric is hardened the church seems complete in a few easy steps. The decorative designs in all tradition churches is very manually expensive and also take a long time to complete the construction of such intricate designs under all weather conditions. With the fabric pre stitched, it is possible to acheive similar results of complex uid designs in less time and more eďŹƒciently.
The site is Holyrood Abbey in Edinburgh. The church is placed right in the middle of the city but is in a ruined condition. Since the fashion college is right next to the site, a proposal of creating a temporary fashion event is designed. The site is analized and to creat awareness of such a beautiful structure and also rejuninate it, an architectural proposal of the fabric construction is designed.
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Adaptive Reuse of Church ÂŚ Digital Approach
[ Adaptive Reuse of Church. ]
The ruin of the church has the ceiling and altar wall missing and thus fabric construction is done to have a temporary fabric design so that it can ďŹ ll the missing parts of the existing ruined church to make it look like a complete one entity. The ceiling design has the arcs and vaults made with seams stitched in fabric and also the transition for ceiling to a complex composition of the components created through the research project. The altar wall fabric design is done considering the existing window in the ruined church. ince the temporary construction of the fabric structures is fast and easy, the fabric ceiling and altar which would be pre stitched before reaching the site, can the assembled quickly.
Altar missing from the existing church Ceiling of the church to be reconstructed
Nave as the rampway
^
Isometric View of the Existing Church
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Fabric reconstructed ceiling to have a temporary canopy to host the event
Fabric reconstructed altar and wall which is missing in the ruined church.
Nave as the rampway
^
Isometric View of the Design Proposal of Fabric Structure
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[ Adaptive Reuse of Church. ]
The ruin of the church has the ceiling and altar wall missing and thus fabric construction is done to have a temporary fabric design so that it can ďŹ ll the missing parts of the existing ruined church to make it look like a complete one entity. The ceiling design has the arcs and vaults made with seams stitched in fabric and also the transition for ceiling to a complex composition of the components created through the research project. The altar wall fabric design is done considering the existing window in the ruined church. ince the temporary construction of the fabric structures is fast and easy, the fabric ceiling and altar which would be pre stitched before reaching the site, can the assembled quickly.
The ceiling of the church is designed to have a gradual transformation from the simple part which resembles the existing church vaults to the component design of the fabric to create complex forms of the intricate church design. The surface language of the fabric is designed to create the roof part of the church which transforms into the tube language which acts as the structural language.
^
Existing elevation of the church with the missing ceiling
^
The fabric ceiling taking the column support
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^
The fabric ceiling taking the column support
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The Urban Renewal Design City Planning Project for the Railway Station Area Curriculum design for the second sememster in the third academic year. Nanjing, Wuhan, China. // Academic. // Independent. Time : 8 Weeks.
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[ Survey Data Analysis: ]
The old residential area is small and in disorder, as well as there is no parking space and recreation facilities. We sent out our questionnaires about renovation requirement to the people living there and found out some problems inuencing their satisfaction about life through the investigation. In this way, a scientiďŹ c and reasonable schedule is developed. According to the analysis of statistics collected, we realized that the outdated facilities of the building cannot serve the essential requirements of those residents. On the other hand, the cramped area is hard to provide enough space for public communication and transport. In conclusion, the fundamental problem here is how to exploit and reactivate this space. Therefore, conserving valuable historical buildings, renovating current train space and recreating inner entertainment zone are selected methods to improve the place.
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We keep truck lanes and railways together because they are the most representative view element for railway stations, which brings about a typical city landmark view.
As for the solution for railways, some parts are remained as unenclosed as their original appearance, while some other parts are buried under pedestrian pavement in order to make visitors walk conveniently.
The internal space of the warehouse can be divided and used casually and flexibly. The overhanging roofs forming an outdoor space is suitable for the extension of indoor shops and some artistic performance.
Platforms are one of the most typical views for railway stations. We chose a part of curved tracks and rebuilt the platform. The waiting platform called Zhong Hua Men is the most historical building. The plan is to remain and rebuild it.
The crane is a representative construction, reflecting how workers freight cargos in the past. Therefore, we decided to conserve it.
This land is surrounded by viaducts on three sides, in which case, elevations facing the highway should be emphasized. Part 2. 的需求和欲望。
Grey spaces under the Viaduct are used for parking. With low utilization rate and chaotic management, this becomes a passive space full of theft and robbery. We need to eliminate such things by opening the space and expanding views.
[ Project Analysis : ] Being blocked by railway, transportation of north-south Yuhua road is in bad situation. Only pedestrian overpass is serving walking people. We will dismantle the overpass and change this parts of railways into a main road which may help in solving this problem.
Yuhua road was occupied by merchants selling a kind of riverstone, which does not make full use of the potential popularity. We will rebuild those places into modern shops and markets.
This land locates in the extreme north of Yuhuatai District, which is dilapidated and has got little attention in the urban design. Therefore, modern cities views are interrupted by low shantytowns from north to south as well as from west to east.
There are several big commercial and office buildings located in the northern area of the spot. But the furniture market right at the opposite of the main entrance is not well operated. Thus we need to make a replacement.
Commercial scale along the street is tiny as well as the atmosphere there is chaotic and in low level, which is completely unable to meet the requirement of tourists.
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[ Roof Terrace: ]
Using a roof terrace will not only expand the green area, but also provides a broad vision of leisure venues as well as close connection between pedestrain street and park lanes.
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Site
DeSire
ConCept
A.
This spot is located at the intersection of two transport lines as well as the north gate of the scenic area. Two large public activity area bring people to this spot and make it the most potential business area. However, this area is isolated from the whole commercial radiation because of its huddling outlooks, in which case, the schedule is to extend it so as to approach more customers.
B.
A.
B. C.
C.
The long dilapidated old South needs to be injected new vitality. How can we change the impression that South is chaos while north is impecunious? By creating a vibrant public space, agglomerating people, and then turning the impression.
Transforming originally tedious boxlike facade into vivid ones with variously unique slope roofs. We also add enough sidewalks, bicycle lane, walkways to intersect the whole picture.
After the transformation, the train station has dining, leisure, entertainment, ďŹ tness, accommodation and transportation around the place to create a service function series, inject commercial energy to the spot.
[ Ways to impet or impede communication : ]
Distance
Seperate
Direction
Height
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[ Clear Nodes: ]
Subway serves as a traďŹƒc node and old railway refers to a historical node, while YuHuaTai park is regarded to be a tourist attraction. These three spots are the basic activities area for residents.
[ Embedding Commercial: ]
In order to meet the overloading demand of commercial market, we rebuild various business groups to extend the space energy.
Embedding Commercial :
[ Central Park: ]
Central park becomes green backgroud of the site. Through the roof terrace and wedge green space , the vegetation permeates towards the north and the south business district , improving the overall environment.
[ Pedestrain: ]
Using the railway culture as the theme of the park which also provides unique cultural background. The railway pedestrian walkway acts as a main axis of the park , cohering space and guilding tourists.
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[ Prospective Section for Warehouse: ]
[ Prospective Section for the Whole Site: ]
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Surface
surface
Various roofs
various roofs
Structure
stucture
Improvement of space
improvement of space
Existing building
existing building
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Twist Sym
PI Country Zhongxin Shu
Hoop Cup 2012 International Student Competition in Arch
Best Design Prize in the Whole Batch of Architecture Des Sent as one of [ University Students Archi by Southwest University o
Pi County , Chengdu , Sichuan , Ch
Time : 16
mphony
udu Cultural Center Design
hitecture Design /Graduation Design for Bachelor Degree
sign of Southwest University of Science and Technology. itectural Design Work Examples in China ] of Science and Technology.
hina. // Academic. // Independent.
6 Weeks.
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[ Site Current Situation : ] PI County , is located in the centre of Sichuan Province and the northwest suburb of Chengdu, facing Jinniu area on the east and Dujiang Dam on the west , bordering Pengzhou City and New Town on the north and adjacent with Wenjiang District on the south. PI County is the gateway to the world famous scenic spot - Dujiang Dam, Qing Cheng Mountain, Jiuzhaigou and Huanglong . The main roads include Chengguan Expressway , 317 national highway, Shaxi Line and western of Chengdu round high-speed. Souteaster is the continuous wind throughout the year . Because of the early spring , longer summer, rainy fall and warm winter . PI county is characterized as long frost-free period , full of rainfall , foggy in winter and less sunshine where there is a clear distinction between the four seasons. The ecological environment and climate of the PI County which located in upwind direction of Chendu is very pleasant.
V
The library beside the base.
V
The lresidential area beside the base.
V
The Modi river was covered with green water plants.
V
The greening along riverside.
V
The greening along the street around the base.
V
Internal greening of the base.
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A
B
C A The sightline around the site is open . Lush vegetation . Modi river is located at the northeast of the location . Architectural language used architectural form with a owing, which means the meaningful river in the west part of Sichuan Plain.
B
In traditional Chinese art, the bamboo often stands for moral integrity and uprightness , which always apears in the past dynasties calligrapher, painter, and literary works . The whole eastern region always uses bamboo as writing instruments. For Buddhism and Taoism writers , artists , the straight line and the structure of the hollow bamboo itself has extremely profound symbolic meaning.
C
Items left shows the bamboo bascket which is always used among rural areas people. Country people made it by bamboo leaves. The scheme design on the facade texture borrowed from the language of bamboo weaving, to express the regional cultural heritage.
In conclusion, the conceptual idea is generated from above mentioned. The cultural center and library compose of a landscape view, coordinating with local urban view and circumstance. In this way, the space integrity of the public square is guaranteed.
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A. Climate :
Pi County,in the middle of the Sichuan Basin,sits 1,100km inland in a plain surrounded by hills and mountains. Occasionally freezing in winter and reaching the low 30 s in summer , the climate is relatively mild. Clouds dominate the sky year-round , allowing only 3.5 hours a day of sunshine less than London, England. Pi County is extremely humid all year with a summer monsoon that dumps 400+mm of rain in July and August.Winds are mild as well, averaging 4-8km/hr.
B. Solar Radiation :
Pi County is one of the most overcast cities in China, receiving less sunshine than even London, England. Cloud cover is consistent year round, although much more indirect solar is available during the summer due to Pi County s proximity to the equator.
C. Sun Path Diagram :
Plan view of the sun path through the sky showing altitude and azimuth. During Pi County s summers , the sun will be facing the north side of building as much as the south , although due to cloud cover the sun s appearance will be infrequent.
D. Psychrometric Chat :
The Psychrometric chat plots each hour of the year for temperature and humidity. A typical comfort zone is
shown in yellow. Selected strategies extend the comfort zone without mechanical heating or cooling. Pi County experiences both heating and cooling seasons. Based on this chart, the most eective strategy for cooling is Natural Ventilation ; combining that with Thermal Mass will reduce some heating / cooling load throughout the year. Unfortunately there is not enough solar gain to be very uesful for heating during the winter.
E. Wind : The four seasonal wind roses show wind direction and frequency ,with higher wind speeds farther from the center of each wind rose.Mild breezes consistently come from the north, east and northeast, thougn in summer wind can come from any direction.
^
[ Sun Path : ]
^
[ Solar Radiation : ]
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[ Planting Strategies : ] As a result of the afforestation program , the plant diversity of the woodland is low . In addition to the land salinization , these living species are not in a healthy condition. The major program is to improve the micro topography , and restore the native species in the afforestation area gradually. The plantingstrategies include ecological replanting , buffering replanting, wind breaking replanting , and historical replanting strategies . The master plan focuses on the emerging coastal environment strategically with a planned sequence.
^
^
MIXED FOREST PATTERN
^
Buffering and wind-breaking Replanting
^
Buffering and Remediation Replanting
BOTANIC QUILT PATTERN
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The construction of site and space expands scenery to urban residents, meanwhile it also attracts the residents to the waterfront , and forms a visual eect that site and space blending under in the grey space. The slope , sink , steps , gentle slope provide a rich spatial experience , which allows people stay at will. The bridge extended from platform is connected to the riverside strengthens instructivity.
^[
Forth Floor Plane ]
^[
Third Floor Plane ]
^
[ Second Floor Plane ]
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< [ A - A Section : ]
< [ B - B Section : ]
[ A - A CULTURAL CENTER SECTION : ] 1. Non-material cultural heritage centre entrance hall 2. Intangible cultural center exhibition space 3. Function room 4. Dance rehearsal room 5. Counseling training classroom 6. Administrative management 7. Independent study room 8. Underground parking garage 9. Slope square 10. Landscape slope
[ B-B URBAN PLANNING CENTER SECTION : ] 1. The art exhibition hall 2. Planning exhibition hall 3. Communication environment 4. Administrative management 5. Underground parking garage 6. Landscape bridge 7. Landscape slope
^ [ First Floor Plane ]
^ [ Ground Floor Plane ]
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Bamb
AIM- Bamboo Architecture Design Com
Proposed project 1: Bamb
Proposed project 2: A
Proposed project 3: Childrenâ&#x20AC;&#x2122;s C
Changtai Mayangxi Scenic Spot, Fujian, Time :
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boorick
mpetition for the Village of Rural Makers
boo Brook Culture Pavilion
Artist Workshop Village
Courtyard (Forest Kindergarten)
China. // Competition. // Group Work. 1 Week.
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7 hours of handcraft weaving / person
PIC 01
3 months of handcraft weaving / 10 person
PIC 02
PIC 03
PIC 04
Design Introduction:
After receiving the task book, our team did some research into material character and how its performance influences the physical behavior. No matter through the conservation of countries human values, the innovation of innovators types, or the integrated development of tourist resources, we are aiming to create more job opportunities for countries. To put it in another way is to increase villagers incomes. The country is abundant with bamboo resources, which have so much potential to be used to fulfill our goals. To our understanding, the bamboo resources can be understood from two aspects. Firstly, we can calculate the gross production of bamboo (biological resource) in the country. Secondly, bamboo can be recreated as a local artifact to increase its own value. Of course, to amplify this point, we will create a creative and practical bamboo artifact system to make local artifact men to be involved with. To sum up, our design work is not merely an architectural design. It is also a product design.
We decided to build our design on the foundation of hand-made craft, connection of the material, practical methods for local villagers this three points. In this way, we decided to choose Proposed project 1: Bamboo Brook Culture Pavilion, Proposed project 2: Artist Workshop Village, Proposed project 3: Children s Courtyard (Forest Kindergarten) as our architectural design proposal. After analyzing the sited, site A/B/C located on the north around the river are chosen for the building design. That s how three buildings got natural connections and seperations.
PIC 05 Three building units are mainly constructed with bamboo. We learnt from some of traditional forms of bamboo handicrafts, as bamboo is born with intimacy that are extremely favored. On this basis, we make it more interesting through space scrutinies, and then give it final form through variations and modifications. The building is designed to subvert disintegrations between structural system and enclosure system in the modernist architecture. Although structural system and enclosure system play their own roles logically, they share an ambiguous boundary formally.
PIC 06
Cultural Exhibition
Siminar Room
Art exhibition
Proposed project 1: Bamboo Brook Culture Pavilion
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A. Proposed project 2:
Artist Workshop Village（Plane 1:150）
B. Proposed project 3:
Children s Courtyard - Forest Kindergarten（Plane 1:150） 1. Hotel Room 2. Children Swimming Pool 3. Forest Kindergarten 4. Library 5. Theater 6. Kitchen 7. Reception 8. Resturant 9. Workshop Space
C. Proposed project 3:
Children s Courtyard - Forest Kindergarten（Elevation 1:150)
A.
1.
2.
3.
4.
6.
5.
7.
B.
C.
8.
9.
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Flowing Skin Hospital Architecture Design for 400-Residents Community. Curriculum design for the ďŹ rst sememster in the third academic year. Chengdu , Sichuan , China. // Academic. // Independent. Time : 8 Weeks.
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A
100
B
B
A
^ [ Ground Floor : ]
^ [ Second Floor : ]
^ [ First Floor : ]
< [ Eastern Elevation : ]
< [ Front Elevation : ]
A
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[ Ecotect Analysis : ] B
In this design, building facade adopts linear components flush mounted on the floor. Every linear steel plate alters from the one next to it slightly to generate a flowing surface, in which case, different surface effect is provided with different observe viewing angle. Nowadays, sustainable idea in architecture is more and more popular. This trend provides us opportunities in innovation and creativity. Natural lighting is served nearly every corner inside the building.
C
D
E
F
> [ Daylighting Analysis : ]
G
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< [ Atrium space : ]
< [ A - A SECTION : ]
< [ B - B SECTION : ]
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^ [ Solar Panel : ]
The black device on the surface is designed to be working like solar panel, which is able to transform solar energy into electricity. The white roof is divided in a geometric pattern. In this way, this device collects rainfall and provide a special ceiling for the view inside.
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Boxes Library Design for Southwest University of Science and Technology. Curriculum design for the ďŹ rst sememster in the third academic year. Mianyang , Sichuan , China. // Academic. // Independent. Time : 8 Weeks.
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[ Project Introduction : ]
此方案所选基地为西南科技大学城市学院校园内，学院坐落在中国科技城、四川省第二大城市绵阳市富 乐山麓。绵阳市是一个历史悠久，人杰地灵的城市——李白文化、文昌文化、三国蜀道文化、羌禹文化、 白马藏族文化资源富集，李白故里、七曲山大庙、翠云廊、富乐山、越王楼历史文化底蕴深厚。 学院校外三江汇流，碧波荡漾，校内林木葱茏，景色优美，学院占地500余亩，有200亩充满野趣的 生态林区。校园内有着供全日制学生使用的教学楼、宿舍楼，教师及亲属的公寓住宅，超市食堂餐馆便利 店，是一个全面的大学生社区。然而，社区内部有很多亟待改进之处，本作为幼儿园的建筑被用于食堂餐 厅，大量不同功能建筑外观类似平庸无特色……甚至，大多情况下作为学校景观的图书馆，立面跟周边建 筑毫无区分，内部硬件软件早已跟不上这个时代的脚步，校方现今也已考虑重新改建。 基地周围建筑特征较为明显，多为坡屋顶，高度不一，一到四层居多数。而高校图书馆应设计为当地的 标志性建筑，高度上应突出于周边建筑群。图书馆所在处为景观轴线与功能轴线交汇的地方，顾在造型上 需注意将图书馆正立面与景观轴线统一，主入口与功能轴线统一。 图书馆是一个学校的核心建筑之一，其功能也承载了学生学习的灵魂，图书馆的使用感受很大程度的影 响了一个校区全部人员的生活感受，所以，一个实用的现代化的图书馆可以给学校注入新鲜活力。 图书馆的外壳，是用上千跟大约4米高的钢条排列组合成的幕墙。每一根钢条通过组合排列，呈现出大 面积上的韵律，制造出各种意想不到的光照效果的同时也将外部的景致以一种独特的方式呈现给使用者。 建筑体块可以说是由三个长方体通过扭转穿插在一起。希望通过这些体量及材质间相互“冲撞”的方 式，在空间各处构成似乎未经过处理的粗犷的张力，并藉此达到一种意料之外的复杂性。张力所在于穿插 的体量，复杂性在人们会从心理上将体量填补完整。
The site of this project is located in the campus of Southwest University of Science and Technology(SWUST). Most of the buildings nearby use slope roof as their character. The height varies a lot, nevertheless, the majority of them are below forth floor. Therefore, as a landscape architecture inside campuses, library should be located at the intersection of function axis and landscape axis with higher height, coordinating with the style of surrounding urban spaces. This design is organized as a spiral of knowledge identifying a new library culture that stages a wide range of experiences and inspiration. The natural terrain of the surrounding landscape continues as a ramp that spirals up through the central atrium of the library ‒ its heart ‒ where all search of information and orientation take place. The spiral of knowledge creates a varied study environment allowing the students to move about in the heart space of the library or to withdraw to more quiet and calm areas along the facade. The variation of sound levels and the differentiation of activities creates a versatile library that is rich in experiences. The building has its very own spatial character uniting library and multi-media functions to create synergy with the existing university complex. The façade of the library is a dark grey brass that will develop a beautiful patina over time. The metal skin will have a natural resistance to the marine conditions and harsh weather. The smaller voids in the buildings mass will use an anodized aluminum brass alloy to remain vibrant and colorful as the rest of the building transforms with time.
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^ Landscape View
^ Function Zone
^ View Analysis
^ Public Transport
^ Altitude
^ Noise
Motor Vehicle Entrance
StuďŹ&#x20AC; Entrance
Main Entrance
Objects Entrance
107 A
A
^ [ First Floor : ]
^ [ -1 Floor : ]
^ [ Ground Floor : ]
^ [ Second Floor : ]
^ [ A - A Section : ]
^ [ Third Floor : ]
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Commercial Complex Design MIXC Retail Phase II Project Internship Project in Linfen City Architecture Survey And Design Institude. JUL. 2011 - SEPT. 2011 Chengdu, Sichuan , China. // Internship. // Participate in Initial Idea Production & Model Making. Time : 10 Weeks.
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119 01. IMAX 02. Retail 03. Hotel Tower 04. Serviced Apartment 05. Ball Room 06. Retail Shops 07. Wet Market 08. Office Tower 09. Anchor Department Store 10. Retail Shops 11. Entertainment 12, Office Tower 13. Phase 1
[ Project Introduction : ] A representation of garden like forms creates a central gathering space . Soft tower forms blend with stepped retail podiums to createan unexpected natural setting for the projects . Public plazas , fountains and dense landscaping offer relief from urban life on the exterior creating a place to gather with friends and enjoy the casual lifestyles of Chengdu.Reflecting the four seasons, the commercial complex embodies the evolution of place from morning to evening , from working to playing . The central garden is the origin of energy and growth . Outdoor dining terraces are expressions of each season.
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1. VISION GLASS 2. SHADOW BOX SPANDREL 3. FROSTED GLASS VERTICAL SUN SHADING FIN 4. CONCRETE SLAB AND BEAM 5. STRUCTURAL COLUMN 6. RAISED FLOORING 7. HVAC PLENUM 8. SPRINKLER AND SERVICE DUCTS
Vertical fins are set in similar multi-story gruopings, visually breaking down the mass. While the same blade fin profile is repeated throughout the entirely of the facade . It is rotated slightly from group to group creating a subtle change in texture to the surface of the building that will read even in flat light . As further refirement , fin direction can be tuned to respond to solar orientation to reduce glare.
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[ Tower Facade Design : ]
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123 Dragon ÂŚ Musuem Desgin
Internship Project. Mianyang, Sichuan, China. // Internship in SWUST architecutral workshop. Construction Plans & Model Making. Time : 1 Week.
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[ Project Introduction : ]
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University College London (UCL) The Bartlett School of Architecture Architectural Design (AD) Yiru Yun.
email: y.yun@ucl.ac.uk. Room 803 Huashang Mingdi, Jingan District, Shanghai. 200041 +86 17887975791