Vol. 71, Issue 28

T he h ighlander

Check out our senior farewells starting on page 8!

RADAR

THRISTINE M. MAGALLANES

Contributing Writer

Released May 25, 2023, “The Little Mermaid” follows the iconic fairy tale of Princess Ariel (Halle Bailey) and her curiosity for the human world that leads her to the biggest adventure of her life. Compared to its animated predecessor from 1989, the movie does have a longer runtime which helps add more depth to the overall story. Not only do we get a closer look at Prince Eric (Jonah Hauer-King), but we also get to see more about the kingdom and its people. The movie also adds more to how Prince Eric and Princess Ariel fall in love. Rather than by a mere bewitchment of her siren song, we get to see these two interact and share many beautiful moments where they get a look into each other’s personalities and the chemistry between these two.

The standout performance from this movie is Halle Bailey’s portrayal of the iconic mermaid princess. She captured and exemplified Ariel’s curiosity and amazement with the human world. As we see her interact with the people of Eric’s kingdom, she takes it all in and is in amazement all the time at the many things the world has. Her character is more fleshed out than simply

wanting to be a human for a man. She wishes to explore the world, to see and experience new things; an entirely different motivation than the 1989 portrayal of the iconic character Another standout performance would be Prince Eric. He got a lot of screen time and more character development that took us on a journey where we can see why he fell in love with Princess Ariel. As mentioned, the chemistry between the two leads is very cute and wholesome as we see them both share similar hobbies and activities. We see his kind-heartedness towards his people, his sneaky adventurous side and even his compassion when we first see him at the beginning of the movie.

Melissa McCarthy’s portrayal of the movie’s antagonist, Ursula, was close to identical to the original. Although it is a bit off-putting to later find out that she’s King Triton’s sister since we don’t get much information to show that “sibling rivalry.” She is just portrayed as the evil sea witch wanting to have the ultimate power of controlling the Seven Seas.

Speaking of King Triton (Javier Bardem), his presence felt very hidden and more of a background

► SEE MERMAID PAGE 13

FEATURES

ONE FINAL GOODBYE TO THE COMMUNITY WHO HELPED ME FIND MY VOICE.

A love letter to The Highlander

MADISON RHEINS Editor-in-Chief

I was an entirely different person when I was a freshman at UCR. Stuck in a bad relationship, and lacking a solid circle of people to rely on, I felt completely alone. Looking back now as a college graduate, there are a lot of things I would change. However, I will forever look back fondly on my time at The Highlander and I am so grateful for the love, happiness, and support it has given me. And although I’m starting this new chapter in my life, I feel like I owe everything to The Highlander and am extremely humbled to have led such a talented group of people for the past two years.

Nervous was an understatement when I entered The Highlander office. It was on a whim during week four of the fall quarter of my freshman year, and I had just been rejected from becoming a freshman fellow at ASUCR. I was frustrated and scorned to say the least, but that would soon turn out to be a blessing in disguise. I remember sitting on the old, dusty couches alone as people filed into the newspaper office. As the previous Editor-in-Chief,

Jonathan gave his spiel on what the sections do. I was eager to join the Opinions team and hopeful I could make a name for myself in this organization.

Pretty soon I was publishing week after week for the Opinions section and it gave me a strong sense of purpose my freshman year that I very much lacked in the beginning. I remember grabbing the printed issues every Tuesday and cutting out my articles, taping them to my wall and hoping that someday I would become Assistant Opinions Editor.

Fast forward to my third year of college and I was elected Editor-inChief of The Highlander. As EIC, I was tasked with building my own staff and as the manual states, “make decisions and live with them.” It was quite a daunting task — especially since this was the year that school was going to be completely in-person again. I had to find ways to market The Highlander, make sure our issues were flawless and also work with all of the different personalities on staff to make sure everyone was feeling

► SEE FAREWELL PAGE 8

‘The Little Mermaid’ breaks the Disney live-action curse and adds another layer to the iconic story

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Senate Meeting #7 NEWS

THE SENATE ADDRESSES UPDATES TO THE BYLAWS, FORMALLY SPEAKS OUT AGAINST THE VIOLENCE FACED BY PALESTINE AND PLEDGES TO COLLABORATE WITH HOUSING AUTHORITIES TO IMPROVE HOUSING CONDITIONS.

HARU CHANG Assistant News Editor

The seventh Senate Meeting of Spring quarter began at 7:11 PM. All members were present except CHASS Senator Mido, CHASS Senator Bui, CHASS Senator Yang, CHASS Senator Lu, CNAS Senator Cheng, BCOE Senator Au and SPP Senator Nguyen.

After the agenda and the previous meeting minutes were approved, the senate swiftly moved to open the public forum where the oncoming senior staff members of the Highlander, News Editor Mata Elangovan and Assistant News Editor Emyr Ortiz, introduced themselves.

Motion to open SB-S23-005 VP Marketing & VP DEI Stipends was approved; PPT Richardson was charged to introduce the bill. SB-S23-005 is the final legislation to enact stipends for VP Marketing and VP DEI and E&G Liaison and Chief of Staff. Through this bill the bylaws are updated or enacted. The bill was passed 10-0-1.

SB-S23-007 Judicial Stipend Additions adds the position of Vice Chief Justice and updates the bylaws for 12 month term associate justices and 9 month term associate justices. According to Justice Knacker, 3 returning justices would be Chief Justice and Vice Chief Justice. One returning justice would not have a position, instead they would have a 12 month term. The rest would be incoming 9 month terms. The motion passed 10-0-1.

SR-S23-003 Palestine Resolution formally raises awareness of what is happening in Palestine, as Palestinians are being displaced from their homes. The bill obligates ASUCR to speak out against violence. The motion passed 11-0-0.

SR-S23-004 Increasing Student Living Conditions in Bannockburn Village calls for the increase of student living conditions at Bannockburn. The bill addresses Bannockburns history with insufficient accommodations that are not up to standards or proper codes. The bill calls for ASUCR to collaborate with housing to advocate on behalf of students to improve living conditions. The bill was approved 10-0-1.

The meeting was adjourned at 7:29 PM.

ALEX LOPEZ / THE HIGHLANDER

The Referendum Process

MATA ELANGOVAN Staff Writer

According to UCR Policies, a referendum is a way for students to initiate a self-assessed fee in support of a registered student organization, student government, or other campus program. They must stand to benefit the student population as a whole, and not just the interests of any one specific organization.

The referendum document must involve information such as a title to refer to it by, a necessitated beginning line, an introduction, history, current services and current form of funding of the organization. The necessary submissions required for referendum approval are: the return to aid provision, student governance of the new fee, specifics of government structure and how they will govern that fee, when the fee will begin and ballot language which is basically a summary of the referendum to be worded for the election ballot.

According to Brendan O’Brien, the current Interim Executive Director of the Associated Students of UCR, before the referendum makes it to the election ballot, it has to gain approval through various levels of management. Starting with “Senate approval, it then moves to UCR and the University of California, Office of the President, then the Vice Chancellor of Student Affairs, then the Vice Chancellor of Planning, Budget, and Administration for budgetary review and approval, who then forwards it to the UCR Chancellor, then the UCOP Budget and Analysis and Planning Department, who finally sends it to the UCOP President who reviews it and sends a letter of approval to the UCR Chancellor.”

O’Brien does state there are a few shortcomings to the current instructions and

that the Senate is working to streamline these processes and revise the instructions to make them more clear to students. Outside of the instructions that are provided, there is no designated staff to assist in the process because it can be a potential conflict of interest, but that they are considering hosting workshops and advertising more for the upcoming year to assist interested parties in interpreting the instructions and to formulate a successful referendum. They plan on clearly stating the turnaround time for each step in the process so that departments and organizations on campus can submit referendums with sufficient time for approval.

O’Brien states having high hopes for the future of the referendum process. “I just think that the threshold for approval is really high. This stuff is taken seriously by the Senate. It’s taken seriously by the campus. It’s not easy by design, but I do believe that ASUCR can revise or at least be more transparent with the process to help people with it and to give them the information that they need. I think that’s something that is going to be worked on this summer. It’s definitely in my notes for the next executive director to manage. I really would encourage students who are interested or concerned to come to Senate meetings, Wednesday at seven. They always start with public comment and it’s a great opportunity to speak directly to those that are representing your interests.”

Riverside set to increase downtown parking rates July 1

EMYR ORTIZ Staff Writer

Around this time last year, the city of Riverside was rolling back downtown parking rate increases after community members raised multiple concerns. Now coupled with a new app, this year the city is back with a revised downtown parking rate increase program. The program is set to go into effect July 1.

The new program titled “Parking Your Way” is designed to allow those parking in downtown Riverside to view available parking, pay for it and extend it through the Park Riverside app, according to a press release from the City of Riverside. The app is not currently available, however, according to a video from the city, even those without the app downloaded will be able to scan a QR code near their parking spot and will be redirected to a web page to pay for their parking. Those who do not want to use the app or scan the QR code still have the opportunity to pay for parking with attendants at the parking garage, or through the on-street parking kiosks.

These new rates mark an increase from present policy. Currently, the garages are open 24/7, with the first 90 minutes free, and each additional 30 minutes after are $1.00, and charges are capped after $8.00. There is a flat entry rate on Thursday, Friday and Saturday evenings from 9:00 PM to 1:00 AM. Those who wish to are able to pay for monthly parking permits in the garages, but they can only be used Monday through Friday from 5 AM to 6 PM. The surface lots have their own unique fees depending on where the car is parked. All the pay for parking zones are $0.75 per 30 minutes, with no time limit, with a few exceptions where it is $1.00 per 30 minutes.

As per the new policy, street and lot parking will remain free on weekdays and holidays. Employees have the possibility to get a fee reduction for parking

permits. Parking lots will be $1.50 per 30 minutes with no cap, and this rate will rise by $0.25 every five years. Parking garage rates will be $1.25 per 30 minutes, and will be capped at $15.00 per day. Similar to the lots, the rates for the garage will rise by $0.25 every five years. The lots will be open on weekdays from 7:00 AM to 7:00 PM, with a few exceptions where they open at 8:00 AM, whereas the garages will operate 24/7.

In a press release, the city of Riverside said that the rate increase was necessary to “stabilize the Public Parking Fund so it’s fiscally sustainable to support the downtown parking operation and support future parking needs.”

Riverside has tried to increase parking rates in the past, with much less success. After passing changes to parking policy in February of 2022, the city ended up facing an outcry from city residents. Some argued that the increase would drive away business from downtown, and make parking more difficult for employees. The 2022 changes were eventually repealed, and a city councilmember called the repealed policy “a mistake.” The new policy was written in consultation with the local community, and the new policy seeks to address their concerns. These concerns ranged from the burden the previous policy would have on employees downtown, and the removal of free parking on Saturday. In the new policy set to take effect July 1 of this year, eligibility for discounted employee parking permits has been widened. In a recent Press-Enterprise Article, Janice Penner, executive director of the Riverside Downtown Partnership, was mostly content with the changes in the new parking policy, stating “95% of the issues have been dealt with, and the others have been altered.” ■ H

THE NECESSARY DOCUMENTS, PROCESS OF APPROVAL, AND PLANS FOR THE FUTURE OF REFERENDUMS.

THE NEW INCREASE IN PARKING RATES IS COUPLED WITH A NEW APP; THE PROGRAM AIMS TO ASSUAGE CONCERNS RAISED BY COMMUNITY MEMBERS.

OpiniOns

The co-opting of Indigenous cultures by white America needs to be addressed by academic institutions

Berkeley associate professor of environmental science, policy and management Elizabeth M. Hoover, recently made a statement apologizing for claiming Native ancestry. In a personal essay published on her website, she apologized for incorrectly identifying as Native American her whole life due to incomplete information. She also apologized for any harm she may have caused while identifying as Native. In researching her Native background, she found that her family stories and history were completely unsupported by official records. While Professor Hoover may not have set out to take advantage of programs that cater to Native communities, instances where people have intentionally deceived the public go largely unpunished. It is a failure on the part of settler institutions to a group that has already suffered enough at the hands of American institutions.

Hoover believes that acknowledging herself as Native American helped her career thrive as it gave her access to resources intended for students of color. She was able to receive academic fellowships, opportunities and material benefits that she may not have received if she did not identify herself as a Native scholar. Additionally, much of Hoover’s research focuses on Indigenous communities.

Hoover is not the only scholar who has incorrectly identified their race and ethnic backgrounds. A Wisconsin artist and activist, Kay LeClaire, was accused of faking various Native American identities. In 2020, Jessica Krug admitted to pretending to be Black and admitted to being white, ultimately resigning her professorship at George Washington University. These actions somehow manage to undermine the credibility of these racial groups despite the fact that the offenses are typically

committed by white people.

The theft of Indigenous cultures is often done in an effort to internally justify how they, as white people, take up space that does not belong to them. They try to escape the label of privilege and have a strange desire to be marginalized, like it is a popular trend, to avoid being held accountable for their rhetoric. No one wants to be attached to the history of settler institutions, but pretending the past is a moot point will only further dilute Indigenous culture while denying these groups their rightful place in history and the present day.

This problem does not have a preemptive solution, but it does need to be addressed after the fact. Academic institutions should create appropriate punishments for staff who willfully defraud their students and the public. Trying to prevent this problem by demanding that all people who claim Indigenous ancestry verify themselves and prove themselves to a settler institution is heinous. Even the current Native American registry maintained by the U.S. government carries notes of an undeniable history of eugenics and genocide.

Although some scholars have taken accountability for their actions, others have avoided confrontation as they continue incorrectly identifying themselves as a different race. The continuation of identity appropriation can affect many ethnic groups, strip their identity away from them and dilute authentic culture. The living effects of colonialism and white supremacy must be addressed in every corner of American society, especially within the institutions that serve to educate.

■ H

The Highlander editorials reflect the majority view of the Highlander Editorial Board. They do not necessarily reflect the opinions of the Associated Students of UCR or the University of California system.

UC BERKELEY PROFESSOR HOOVER ADMITS TO BEING WHITE AFTER FINDING NO OFFICIAL RECORD OF INDIGENOUS HERITAGE.

Forgive, but never forget

SENNA OMAR Assistant Features Editor

FORGIVENESS, ALTHOUGH HARD, IS BENEFICIAL FOR MENTAL HEALTH IN THE LONG RUN.

In a longitudinal study conducted across five countries, psychology professor at Virginia Commonwealth University, Everett Worthington concluded that forgiveness can aid in improving overall health and wellness. Worthington had half the participants in the study complete a forgiveness workbook, observing them over a two-week period. Compared to the control group, those who completed the workbook showed a significant reduction in anxiety and depression symptoms. Similar forgiveness studies provided homogenous results, with the overall concurrence among professionals being that forgiveness, although not easy, can drastically improve mental health.

Forgiveness is not a simple task – it’s a decision a person must consciously choose to make. Emotional forgiveness requires the one wronged to empathize with the wrongdoers. Empathy does not equate to excuses; rather it means trying to understand the motivations behind someone’s actions. Changing the past is impossible; however, replacing the feelings of anger acquainted with transgressions towards ones of compassion allows for contentment with a situation rather than continued dwelling.

Although forgiveness has extreme merit, the popular phrase “forgive and forget” encourages “toxic forgiveness.” Forgiveness does not require forgetting wrongdoings, instead, one must release the anger and resentful feeling harbored with a situation or person. Robert Enright, Ph.D., an expert in forgiveness studies at the University

of Wisconsin-Madison, stated, “You don’t forget, but you remember it in a new way without the feelings that can really bring you down.” Simply “forgetting” for the sake of keeping the peace is invalidating to one’s feelings and counterproductive to mental health in the long term.

Forgiving someone does not mean moving on, it is a process of replacing negative feelings with positivity. There is no need to walk up to someone and say, “I forgive you.” Forgiveness is not employed for the sake of the wrongdoer; it is an internal process for the wronged to come to terms with injustices towards them. Analyze the situation from an outsider’s perspective and, without making excuses, provide empathy for the offender. Hold onto the memory of the transgression with a different outlook, one of clarity and continent. Forgetting a situation of wrongdoing allows people to turn into a doormat. Forgive, but never forget, to avoid the same predicament from occurring twice.

Nothing about forgiveness is easy. Start small; forgive the guy cutting people off on the freeway, or the person who spilled coffee on your shirt. However forgiveness is provided, the mental clarity of truly “letting go” of a situation is unbeatable. Provide the opportunity to be free of feelings of vengeance and resentment. Choose the path to finding inner peace.

Opinions Write-Off

Forgiveness isn’t necessary to move on

YSABEL NAKASONE Assistant Opinions Editor

THE PRESSURE TO FORGIVE PEOPLE IS AN UNSPOKEN BLIGHT ON HUMANITY.

To forgive is a conscious choice people make every day and continue to make. It is one that requires intense self-reflection and scrutiny. It means putting aside, at least in part, one’s own feelings to fix what may be an untenable situation. Unfortunately, the pressure put upon people to forgive transgressions could just ultimately lead to further turmoil and more conflict. Forgiving and letting go are not synonymous.

Forgiveness is often made a precursor to reconciliation and leads people towards reintegrating problematic people in their lives. The end goal is, by definition, the repair of a damaged relationship. However, some people just don’t deserve forgiveness and will not change. There is no need to continue unnecessary relationships after something disrespectful has been done. Forgiveness promotes friendliness, but trying to maintain a positive relationship at the cost of one’s own need to set boundaries by knowing that some offenses or actions will not be allowed in one’s life.

Forgiveness is also a challenging process, and there is some research on whether or not being able to forgive is something certain people are inherently better at. Some people’s environments, specifically cultural and geographical factors, may facilitate a different emphasis on forgiveness. It is impractical to ask people to forgive when situational and internal factors do not facilitate it.

In particular, minor incidents do not require forgiveness and might not even need to be a conversation about forgiveness. When it’s framed that way, it creates the

assumption that someone has done something wrong and that there has to be a winner and loser to this argument or disagreement. There are situations where no one needs to play the blame game, and assuming that someone needs forgiveness makes what might have been simply an accident or a genuine mistake into a real problem.

Frequently, forgiveness is illustrated as what people need to feel whole after negative experiences. After a traumatic experience especially, forgiving the person

an obsession towards forgiveness, instead of facilitating self-growth, confidence and trust, will not allow people to learn from their experiences.

Forgiveness is also often used as a way to ignore feelings about a situation and avoid all negative emotions by shutting down. It doesn’t effectively allow for the growth of healthy emotional regulation but instead teaches suppression as a coping mechanism. The effectiveness of forgiveness to heal oneself is also dependent on the other person and whether or not they take accountability for their actions, which is blatantly uncommon. It allows this person to continue acting without understanding that they are responsible for their own choices. Forgiveness continually forces people to accept unacceptable treatment and re-expose themselves to that possibility. There has to be a threshold or a breaking point of what people can reasonably be asked to accept, and there is a question of whether or not they should be asked to accept it at all.

who has caused harm is described as the key to getting back what has been lost. This minimizes and invalidates the experiences of people as well as their need for distance. Demanding forgiveness is clearly a form of gaslighting someone out of their own feelings and shoving a completely new attitude onto them. Forcing

The pressure to forgive is a roadblock to moving on, not a helping hand. Trying to forget and move on isn’t possible when people are constantly reminded to forgive and hold negative situations in their consciousness. Forgiveness is a conscious process that means having to compromise and negotiate what is an automatic reaction. There’s no way that remembering conflict repeatedly and constantly will mean that it will not dominate your everyday life or keep it from being brought up down the line. ■ H

COURTESY OF PEXELS

Reclaiming and repurposing slurs are a step towards healing those oppressed by them

AMARAY ALVAREZ Opinions Editor

Certain words that were once censored, or considered derogatory for their negative connotations against specific groups, are now being challenged and have made their way into mainstream linguistics. Those in the groups affected by the slurs are reclaiming the negative history and proudly using them to diminish their effects. The issue of reclaiming slurs, however, lies in the party that wants to use them and challenge the status quo.

A word that is reclaimed or appropriated, is one that is now acceptable to use by those who were once afflicted by it, eventually allowing the word to be spread and used by the general public. Yet these words often hold a large amount of suffering and pain within them, bringing to question whether those not a part of the group, or who do not know the history, should be allowed to use them. Words like “sl*t,” “c*nt” or “queer” are words that the feminine and gay community often say freely and directly towards themselves or others, but when a cis man uses one of these words there is often a different connotation; one that stems from a place of disrespect.

Reclaiming a slur is meant to take back some of the power lost through its derogatory use by those oppressed. While people from all backgrounds may use certain slurs in a decolonized way today, inclusivity within these groups has commonly been an issue especially in the United States. Activism for the feminine and gay communities often prioritized wealthy white Americans by gaining rights and acceptance for them first, then worrying about those marginalized after. These words were used against

WHO INFLICT HARM.

the most marginalized populations, often people of color, who were excluded from their own groups for fitting into multiple oppressed groups instead of just one.

Although the slurs already mentioned above are now commonly accepted, the word “queer” is one that has seen a recent rise in popularity amongst younger generations. It is now considered a more acceptable and inclusive term for the LGBTQ+ community who do not all feel represented by this acronym created by lawmakers to put them into a box. Those who are uncomfortable and want to police others for using the term should stop and take a step back by looking into the significance of the word today. On the other hand, older generations may not feel as comfortable using “queer” because they remember the pain inflicted from it, but repurposing it is a way to show acceptance of oneself and community while giving a big middle finger to the system used to oppress.

The power that reclaiming and appropriating a slur has for those oppressed by it should not be taken away or diminished due to censorship. Certain slurs that are now common language should still be used with caution by those not from the group. Cultural slurs are also still considered off limits by outsiders due to the racial climate and history that the U.S. has faced. Whether someone feels comfortable using and hearing these words or not, the feelings and historical significance of them need to be taken into consideration to understand why reclaiming and repurposing them is so significant.

California Senate Bill 43 will not be the boon needed to address homelessness and mental health

YSABEL NAKASONE Assistant Opinions Editor

S.B. 43 EXPANDS THE LEGAL DEFINITION OF “GRAVELY DISABLED” IN A WAY THAT WILL INVOLUNTARILY INSTITUTIONALIZE PEOPLE AT A

The California Senate is considering a bill that aims to significantly change the parameters of the Lanterman-Petris-Short Act. This legislation was critical in preventing the involuntary and indefinite commitment of individuals by the state. The LPS Act did not aim to end involuntary commitment or endanger public safety but rather to prevent the inappropriate detainment of patients that would further harm them. Unfortunately, Senate Bill 43 will not significantly help solve California’s mental health and housing crisis but will cause extreme deficits.

S.B. 43 prevents a number of controversial and unsound changes to current legislation. The most significant issues are rooted in the changes the bill authors desire to make in defining the phrase “gravely disabled.” It will be expanded to cover a number of new mental health disorders and legal scenarios, precisely the consideration of a patient’s future safety. This is concerning as predicting the dangerousness of patients is highly unreliable, even in the eyes of professional psychologists. To involuntarily commit someone, the possibility of harm to oneself or others is too ambiguous a term. It will almost certainly lead to the commitment of individuals who would not be better served by this form of treatment.

In regard to SUDs, while civil commitment is still

helpful in terms of treatment for individuals who suffer from the illness, it is not a sign of being “gravely disabled.” Furthermore, the mass involuntary commitment of those diagnosed with SUD may not lead to lasting sobriety or mental health. The County Behavioral Health Directors Association have, in a letter from their executive director, asserted that involuntary commitment would actually cause interference as SUD treatment is most effective when patients are there of their own volition.

Frankly, the most terrifying shift S.B. 43 proposes is the inclusion of whether or not a person understands and acknowledges their disorder. The LPS Act was initially enacted to address this problem, as denial of a disorder or illness was seen as a symptom or indicator. What’s worse is that claiming a diagnosis is incorrect is a rational action on the part of someone who wants to avoid the negative consequences of said diagnosis, such as stigmatization, being medicated or healthcare costs and difficulties.

Even worse, expanding the powers of the legal system to manage the lives of those with disorders is concerning. The control judges have over expert witness testimony provides a very clear view of their ability to comprehend psychological research and concepts. Unfortunately, research shows that the typical judge does

RATE.

not have a comprehensive understanding of the quality of research or psychological concepts.

The rhetoric being used to further this bill is profoundly polarizing and inaccurately characterizes a population that is no more likely to be violent than the average individual. There is no evidence to suggest that the majority of people with mental illnesses exhibit any violent behavior at all.

It will deny many people the protections that were hard won for those with mental illnesses and serve to further create hateful perceptions of disabilities. The fear that it will lead to the commitment of individuals with disorders that are difficult to treat is terrifyingly founded. Besides violating constitutional rights, it will not be effective at that cost. S.B. 43, very plainly, is not worth legislating, and Senator Eggman should never have put this bill forward in the first place. ■ H

THE POWER SLURS HOLD SHOULD NOT BE HELD BY THOSE

HISTORICALLY DANGEROUS

A love letter to The Highlander

MADISON RHEINS Editor-in-Chief

One final goodbye to the community who helped me find my voice.

I was an entirely different person when I was a freshman at UCR. Stuck in a bad relationship, and lacking a solid circle of people to rely on, I felt completely alone. Looking back now as a college graduate, there are a lot of things I would change. However, I will forever look back fondly on my time at The Highlander and I am so grateful for the love, happiness, and support it has given me. And although I’m starting this new chapter in my life, I feel like I owe everything to The Highlander and am extremely humbled to have led such a talented group of people for the past two years.

Nervous was an understatement when I entered The Highlander office. It was on a whim during week four of the fall quarter of my freshman year, and I had just been rejected from becoming a freshman fellow at ASUCR. I was frustrated and scorned to say the least, but that would soon turn out to be a blessing in disguise. I remember sitting on the old, dusty couches alone as people filed into the newspaper office. As the previous Editor-in-Chief, Jonathan gave his spiel on what the sections do. I was eager to join the Opinions team and hopeful I could make a name for myself in this organization.

Pretty soon I was publishing week after week for the Opinions section and it gave me a strong sense of purpose my freshman year that I very much lacked in the beginning. I remember grabbing the printed issues every Tuesday and cutting out my articles, taping them to my wall and hoping that someday I would become Assistant Opinions Editor.

Fast forward to my third year of college and I was elected Editor-in-Chief of The Highlander. As EIC, I was tasked with building my own staff and as the manual states, “make decisions and live with them.” It was quite a daunting task — especially since this was the year that school was

Senior quotes by the staff

Nicole Velasco - Advertising Representative

“Working at The Highlander was definitely one of the best things that I did while at UCR! I was able to meet amazing people and I'm so grateful for my time with this team!”

Elizabeth Ha - Assistant Marketing Director

“Do not let the little things in life discourage you from trying to achieve your goals!”

Briana Munoz - Advertising Representative

“I’m going to miss working at The Highlander so much but I am so excited for the next chapter ahead for the Class of 2023!”

going to be completely in-person again. I had to find ways to market The Highlander, make sure our issues were flawless and also work with all of the different personalities on staff to make sure everyone was feeling comfortable and supported. Everything was up to me and I was ready for the challenge. From doing a full remodel of the office space to planning the first-ever retreat postCOVID, I felt like I learned something new every day.

Of course, I would not have been able to manage everything if it hadn’t been for the neverending support and encouragement of my lovely staff. Seeing them for meetings whether it be pitch or prod, and watching them all grow these past two years has been my greatest joy. I want them all to know that they are my biggest inspiration and I will never forget our silly, goofy times together. These people are more than just students I work with — they’re my best friends. I will miss seeing the excellent advertising representatives at the front desk. I will miss sitting on the blue velvet couch in the Opinions office and gossiping about the wildest things. I will miss the girls’ trips to Vegas, the sleepovers and the countless hours spent at prod. But mostly, I will miss their laughter and how my days instantly improved when I spent time with these people.

I remember being so scared coming into the UCR. I was even more frightened to lead a whole organization on my own. If I could go back and tell myself one thing though, I would grab my hand and give me the reassurance that the best is yet to come and that I will never be alone. In a few weeks, I will be walking the stage at the Toyota Arena with my besties and my days at The Highlander will be behind me for good, but the friendships and memories I’ve made will last a lifetime.

■ H

GRACE SUN / THE HIGHLANDER

GRACE SUN / THE HIGHLANDER

So long and farewell to The Highlander

AMARAY ALVAREZ Opinions Editor

The 2016 presidential election sparked my interest in journalism. Through the news coverage I consumed, I became aware of how important the media was during and after the election. Misinformation and unprofessional political tactics led to that election being skewed unlike any other in our country’s history, bringing with it a wave of distrust for the media. During this time, I also came to understand how certain communities, like mine, were disadvantaged by their lack of media literacy and representation.

While attending College of the Desert in 2020, I took part in an internship at our local newspaper, The Desert Sun. Having to shift to remote work, I was tasked with reporting the daily COVID numbers for Riverside and San Bernardino Counties. I was later assigned to work on a survey project with another reporter. We surveyed residents from the Eastern Coachella Valley regarding how they had been affected by the virus.

Being able to survey my community opened my eyes to the assistance that marginalized communities need, as well as the lack of diversity in our current media representatives. Most residents did not trust the information they were consuming surrounding the virus and were unaware of the resources available to them. Learning this motivated me to want to inform my community, and others who are underrepresented, with the hope that more people will consume the news and participate in politics; thus allowing them to be better prepared to overcome systemic and generational barriers.

Upon transferring to UCR, I immediately joined The Highlander Newspaper starting as the Assistant News Editor. I am majoring in political science with a concentration in international affairs and am interested in breaking news and political reporting. Through my

coursework, I have strived to take courses that will teach me about other cultures and countries so that I can better understand different groups of people, including their struggles, and accurately represent them in my writing and reporting.

This year I served as the Opinions Editor at the Highlander and oversaw the Opinions Section. My tasks this year included being in charge of our editorial, working with writers and contributing to other sections possible. In this role, I took special consideration to highlight sensitive topics and voices of people whose stories were under reported. I also joined KUCR, UCR’s radio station, to learn more about radio broadcast and podcasting. This quarter I have an hourlong music show that takes place Mondays at noon.

Being an editor at The Highlander has been a great experience and allowed me to grow as a writer and person. The environment that we have created at the newspaper is welcoming and encourages everyone to be their best selves. Through working here I have met my closest friends and found a group of like minded people who share my same values. Unlike other campus organizations that are more bureaucratic, I never felt the pressures of competition or that I could not be myself.

I am thankful to the whole Highlander team for being great friends and coworkers and allowing me to feel like I belonged even as a transfer student. As I continue with my career, I will be attending UCB for my Masters in Journalism. The role of reporters, and those in the media, is to be unbiased while informing and telling the stories of their communities. This is what I would like to continue doing. ■ H

GRACE SUN THE HIGHLANDER

I will always cherish and remember my time here.

Saying goodbye to the place I could call home

Abhi is the greatest, sexiest News Editor to have ever joined HN, prove me wrong

Coming to UC Riverside, I had no expectation of being a part of Journalism in any way, shape or form. To be quite frank, everyone in my close friend group in high school was a part of the school paper except me. But the thought of being a part of the newspaper team and having an outlet for my creativity intrigued me. Transitioning to college provided the opportunity to truly delve into exploring my passions and interests, which led me to get more involved on campus. My goal, oddly enough, was initially to expand on my passion for stand-up comedy and performing arts.

Our campus is known for hosting a vast variety of clubs and organizations, but approaching any was a challenge for an anxiety-riddled, freshman engineering student. Some clubs were too niche with their focus, others required tryouts and practices, and most simply did not appeal to my interests. But the urge to overcome the common UCR stereotypes meant that I had to explore. Through looking at club catalogs and the magic of tabling, I was made aware of the Highlander Newspaper.

Increasing my involvement meant taking whatever opportunities would arise for me. And in regards to journalism, I was still inspired by my high school peers to pursue this route and follow in their footsteps. And the Highlander being one of the most established clubs meant more stable opportunities. Knowing this made me decide on attending my first writers meeting but I didn’t know what to expect.

I still wanted to explore and hone my comic talents and wished to write satirical articles. While this idea was rejected (for logistical reasons I understand now), I was introduced to the Opinions section. My love for politics and history flourished as I would write a multitude of pieces detailing my thoughts and concerns on recent events and notable figures. When the pandemic came, one of the positive outcomes was the increase in time I could dedicate towards writing. Being promoted to a Staff Writer only gave me more motivation to write and expand my range to other sections.

However, a particular thought would constantly inhabit the back of my mind. “I’m a Mechanical

Peace out

HARU CHANG Assistant News Editor

I’m stratifying moments in time and space where I felt certain experiences defined this place I occupy right before this issue was published because I couldn’t organize myself enough to write this days before. I won’t be looking back to this article fondly, I might cringe.

A pivotal moment in my academic career was deciding to throw myself into queer theory with abandon. TAKE A QUEER THEORY CLASS, I demand explosive alterations to the way you imagine your relations with community and self. For the women and queers I offer Reflections on Victorian Fashion Plates by Sharon Marcus from which inspired my analysis of a fashion plate and I wrote, “She is the evocation of epitomized beauty and love ascertained

Engineering major! I need to get more involved in engineering clubs.” My drive to write articles every other week was starting to dwindle as the prospect of returning to in-person instruction arose. In hopes of bolstering my resume, I had resolved to stop writing and join an engineering-related club which could have marked the end of my journalism career. But then, the opportunity of leading the News section was presented to me with the blessing of the Editor-in-Chief, who served as the opinions editor I wrote under.

Even prior to knowing about the office and other perks of the position, I decided to take the job as I had hoped this would be a step in the right direction in finding a place on campus and achieving peace of mind. The pandemic presented numerous struggles and harsh realities, and for many, was a time period characterized by loneliness through isolation. But it presented the chance to reflect and my desires were reshaped to find a community and a place to call home on my university campus.

I was nervous at first, feeling like an outsider due to my starkly different major compared to my peers and unfamiliarity with working in a News office. But I did whatever it took to excel in the role I was tasked with filling. One of my fondest memories as an undergraduate was my first ASUCR senate meeting. I remember, vividly, pacing back and forth outside the senate chambers. I was timid, getting used to meeting people face-to-face, yet eager to take notes on a lengthy, bureaucratic meeting. But I was riddled with anxiety over the notion of dealing with the student body government; some would become future politicians, others would remain popular. But there was a drive in me that pushed me out of my comfort zone and necessitated that I find my voice. I recall taking a deep breath and formally greeting the first set of AS officials and eventually, taking the podium for the first time and presenting in front of the whole Senate, representing Highlander News officially.

From that point onward, I gained the confidence and ability to utilize my voice effectively and eloquently. I adapted into a more extroverted individual, and felt reassured thanks to the positivity and support I

received from both the Highlander News community and ASUCR. With my experiences conducting interviews of notable students and faculty, as well as presenting in front of the Senate and the Editorial Board, I gained a professional outlet that allowed me to express myself creatively, use my voice and feel heard, and work closely with a number of passionate individuals.

The role was not without its challenges and stresses. Ensuring that my section’s writers were accounted for and the rapid deadlines were met proved to be a daunting task during certain weeks. Oftentimes, articles would be pushed as writers needed time for their personal reasons, for interviews being rescheduled, or vice versa. Working with administrators and student body government had also certainly led to its fair share of drama. But all in all, being hired onto this position is truly a priceless gift that I would not trade for anything.

I have been given privileges and opportunities that other students on this campus can only dream of. From shaking hands with Chancellor Kim Wilcox to standing directly in front of renowned artists at school-sponsored concerts, these are moments that I will cherish for a lifetime. And that’s in conjunction with the countless hours I have honestly spent napping on the couch, focusing on homework at my desk, or gossiping with the rest of the staff.

The journey of becoming an editor had many unexpected challenges and rewarding experiences. My aim with my time at UCR was to develop into a well-rounded individual and create life-long memories with like-minded individuals. I achieved this through my position as a lead editor, which gave me the opportunity to exercise leadership and improve my interpersonal skills through managing a section and delegating responsibilities to my writers. Each and every day was a moment where bonds amongst the Highlander family were strengthened and laughter echoed throughout the office walls.

Continued online. ■ H

by a predominant female gaze. The woman in the blue bonnet becomes a site of feminine worship.” feminine worship made for the feminine gaze. It is that good. Communion: The Female Search for Love by bell hooks is a volatile substance. Challenging our search for love, it might leave you lovingly dazed from exposure and gently, violently composing realizations. The Highlander was a ridiculous amalgamation of funky individuals that I was pleasantly surprised to meet. We credit an awkward potluck that synchronized everyone as one chaotic and complimentary vibration. I hope that ours is not unique and that the next line of editors enjoy their Sunday prod sessions, fondly remembering their Sundays for its opportunities for communion. I hope they understand our pains

with Coffee Bean opening at 10 AM and our joys in between sections editing their articles. Maybe they will finally get the HUB to keep their bathrooms open for Sunday prod.

I hope by the time I’m rereading this, I’m stroking the cat I might have named Arson who rests on their throne (my lap) in our little apartment we might barely afford in between scheming with my Marxist communist lesbian coven and the transitional minute before my next literary obsession or anime or K-drama or manhwa. I will let this article marinate, stewing in these little moments that feel so wonderful, and I hope I cringe. ■ H

Last dance with The Highlander’s Features Editor

How The Highlander shaped my three years of college.

ASHLEY CHEN Features Editor

From joining the Vietnamese Student Association (VSA) to joining a sorority, I was determined to have the best college experience. As a first year student, I was very eager to join every on-campus organization UCR has to offer. The pandemic had affected my first year experience since classes were held remotely and everyone was back home. Being at home led me to believe that I had to make as many friends as I possibly could online so I had people to hang out with when we were back in person.

Towards the end of my first year, I still felt incomplete. I had joined all these amazing organizations on campus but I still didn’t feel like I belonged anywhere. I was scrolling through Instagram one day when my sorority sister had posted The Highlander’s hiring post on her story. At first, I was unsure whether to apply or not. It had been a while since I had written anything for fun besides English essays. After much contemplation, I submitted my application.

It only went uphill from there. I had received an offer to be the Features Editor even though I had applied for the assistant Features Editor. I never had a leadership role this big before so it was nerve wracking, especially since this was a paid position. However, after meeting the team, I knew that we were all going to work really well together. Once we could attend school in-person again, we would have weekly hangouts at the

office and get boba after writers’ meeting. During production on Sundays, all the editors and assistant editors would huddle up in the Features/Opinion’s office room and talk for hours about our week. The Highlander eventually became a safe place for all of us.

Submitting my application was one of the best decisions I could have made throughout my three years at UCR. I’ve met so many influential people at The Highlander that I will forever look up too. From past and current section editors to staff writers to interviewees, I have learned so much through these amazing people I’ve encountered in the past two years as Features editor. Many of these figures that I’ve come across have shaped me into the person I am today. As I work towards completing my last year at UCR, I am so thankful for what The Highlander has provided for me and my fellow staff members. Even though my time here is coming to an end, The Highlander will always be my home. Thank you, The Highlander, for shaping my three years at UCR and making my college experience so fruitful and complete!

Senior farewell: Saying goodbye and thank you to three introspective years at UC Riverside

After many years of trial and error, I leave campus with a brighter perspective.

JAELYN GONZALEZ

Assistant Radar Editor

Until my time at the Highlander, I have never considered myself a writer. In my eyes, I did not have the eloquence and expressiveness of someone worth being called a writer. For the longest time, I did not believe I was good at anything that fell into my hands.

From a young age, my dear mother and father tried to keep me active by getting me involved with everything and anything possible. Sports, music, STEM, arts, dance and the list goes on. Nothing stuck with me.

As a child, my family moved all over Los Angeles County. From Covina to Diamond Bar, it felt never-ending. In the summer of 2015, my parents told me once more my family would be packing up, but this time for Riverside County. I met with a counselor at my new middle school to register for my courses. My mother handed him a tightly sealed envelope with my 7th-grade teacher’s recommendation to enter the rigorous math course, which I felt I was truly great at. He took a long look at the letter with the signature and pushed it aside.

“The math is different here than at your old school,” he told my 12-year-old self with a look of devastation.

Throughout the year, I reached discouragement from pursuing my favorite activities and questioned my ability to perform them. This feeling continued throughout high school, as well as college.

I began studying at UC Riverside fall of 2020. After being stuck inside for months, I tried to socialize and be proactive in my community activism. I joined the ASUCR Office of External Affairs, where I dabbled around in the Lobby Corps and the Civic Engagement Committee. I spent a year and a half with ASUCR, eventually parting ways as Director of Civic Engagement. Yet, I never felt my contributions made a true impact in Riverside.

In 2021, a friend within the Lobby Corps encouraged me to look into the Roosevelt Network at UCR, a new public policy organization. My dream of becoming a lawyer died, as most political science students do. Instead, I grew an interest in research and political communications. While I met some of the most brilliant students, I did not feel an ounce of belonging.

That was until the summer of 2021 when I got a call for an interview with KUCR 88.3FM, the college radio station. I applied to be a DJ in my first year of college, back when there was nothing to do but listen to music. I trained, then onboarded, and have not looked back since. The community and enthusiasm within the station are unbelievable. I am appreciative of all the staff and DJs at KUCR.

Toward the end of my second year, I took a flight to Washington, D.C. to intern at a non-profit for three months. During this period, I began to figure out

my path. While staying at the UCDC center, I took a journalism course with the Professor of Professional Practice and previous Washington Bureau Chief for the San Francisco Chronicle, Marc Sandalow. I would sit in his office asking questions in hopes of clearing my vision for my senior year, and he delivered. Professor Sandalow pushed me to do what I was afraid to do — journalism. He encouraged me to join The Highlander when I returned back to California. I told him I am not a writer and explained my lack of confidence. I compared myself to great essayists like James Baldwin and Joan Didion. I thought to myself, I did not have an intricate mind like them or used extravagant language. He pointed out to me, I have been writing all my life. He laid out my capstone project to me, which was a journalist piece on the UC housing crisis. Professor Sandalow reassured me of my talents pulling details and original thoughts from the piece. After all the doubt that had been built from the age of 12, I was given the push I needed to be self-assured about following my true interests. Later on, The Highlander hired me as the Assistant Radar Editor.

Since then, I have spent the past year at one of the best places to be. With an amazing and supportive staff, I could not ask for anymore. From extensive interviews to the Sundance Film Festival, I will remember the paper to be one of the most important jumpstarts to my career. I would like to give a special thank you to Brenda Jovel and Madison Rheins for giving me the opportunity to be creative and trusting all my ideas.

As my senior year comes to a close, I remember my time at UC Riverside as a beautiful transformative period in my life. My message to anyone who has uncertainty about their capabilities to pursue their passions is to give yourself a chance. People can test your aptitude and surround you with discouragement, but it is ultimately up to you to unleash your potential and creative self.

Thank you to Alumni Vivek Kakar, Brendan Rooks, Emily Thomas and John Dover for inspiring me to be an advocate and leader for my community. To my coworkers whose collaborations always lead to phenomenal projects, thank you, Gavin Cho, Madyn Powell, Zaina Ali and Chiamaka Ezeunala. Thank you to my leads and supervisors, Elliot Fong and Eduardo Valencia for believing in my proposals. To my professors who motivated me to reach greater heights, Dr. Richard T. Rodríguez, Professor Michael Bucklin and Marc Sandalow. And to my parents, who supported me all throughout my life, mamá y papá.

I hope to achieve and reach for more in the next period of my life. Thank you to the Highlander for this opportunity and to the UC Riverside community for an amazing three years. ■ H

GRACE SUN / THE HIGHLANDER

GRACE SUN / THE HIGHLANDER

Why you should listen to ‘Why Would I Watch’

Lansing-based emo band Hot Mulligan put out their most cohesive album to date, packed with all the sad lyrics and catchy hooks your sad little heart could want.

EVELYN HOMAN Managing Editor

VERDICT: “WHY WOULD I WATCH” IS A CONTENDER FOR THE TOP

EMO/POP-PUNK ALBUM OF 2023, WITH STELLAR MUSICIANSHIP AND LYRICISM WRAPPED UP IN A PACKAGE OF HILARIOUS SONG TITLES. THIS IS AN ALBUM THAT IS NOT TO BE MISSED BY ANYONE WHO IS A FAN OF THE MIDWEST EMO SCENE.

Hot Mulligan has been quite the up-and-coming band in the emo/pop punk scene since the release of their popular album “you’ll be fine” in 2020. Following the release of the successful single “Drink Milk And Run” in 2022, touring as a sub-headliner with The Wonder Years in 2022-2023 and securing a headlining tour in Europe this autumn — the boys just keep getting the attention they deserve. And now, with the release of their second album “Why Would I Watch,” released with Wax Bodega Records on May 12, they cement themselves as one of the most important bands in this new wave of Midwest emo music.

“Why Would I Watch” has garnered a few complaints for Ryan “Spicy” Malicsi’s well-beloved guitar riffs being too muddled in the mix, as well as for the song “Betty,” a slow lament about losing a beloved pet, seeming to be randomly thrown into the track list. Some listeners have even made playlists replacing “Betty” with “Drink Milk And Run,” feeling it suits the vibe of the album better. But what these complaints fail to acknowledge is exactly how cohesive this album is overall. Although amazing, “you’ll be fine” didn’t have the flow between tracks that “Why Would I Watch” features. Songs like “Shouldn’t Have A Leg Hole But I Do” blend seamlessly with the following song, “It’s A Family Movie She Hates Her Dad,” creating this feeling of emotional connection.

The album doesn’t shy away from heavier topics usually discussed in the band’s music, and Midwest emo, or post emo as the band prefers, as a genre. Themes of family disconnection are heard in “It’s A Family Movie She Hates Her Dad” and “Shhhh! Golf Is On.” Religious trauma features in “John ‘The Rock’ Cena, Can You Smell What The Undertaker.” Loss of a loved one to

dementia is discussed in “Smahccked My Head Awf.” The natural distance between old friends is the theme of “C*ck Party 2 (Better Than The Original),” and good old feeling anxious and self-loathing stars in the rest of the songs. The titles are signature Hot Mulligan — ridiculously funny, and meanwhile, the contents of the song proceed to make you sob your eyes out.

The production and musicality of this album are another reason to enjoy it. Brandon Blakeley’s drums are punchy and sharp, with the snare being a particularly standout element. Tades Sanville’s almost strained vocals give the feeling of that voice in your head that’s always screaming at you when you worry.

Chris Freeman’s backup vocals add a playful element to songs like “C*ck Party 2 (Better Than The First).” Tades’ breathing pattern on this album is also exceptional to the point of perfection, leaving no word unintelligible despite his strenuous vocal technique. Spicy and Freeman’s guitar riffs are quintessential Midwest emo twinkly while still carrying the tracks with their catchiness. With production, engineering and mixing done by Brett Romnes to top it off, they have one of the best, most auditorily engaging emo albums of the year.

Though some critiques of the album make sense, it cannot be denied that “Why Would I Watch” is a wonderful maturation of Hot Mulligan from an underground emo darling to a band with serious weight in the new wave of Midwest emo and emo in general. Poetic lyrics, incredible musicianship and stellar mixing make this a new classic for the scene and hopefully indicate a bright future for the #1 Hot New Band.

Artist Spotlight: Welcome to the world of MFA Playwrights

BRENDA JOVEL Radar Editor

The New Works Festival will feature amazing stories by creative minds at UCR.

During the first week of orientation last year, MFA Playwrights Ava Fojtik, Aaron Higareda and Karly Thomas decided to hang out; what was expected to be only a 30-minute conversation turned into two and a half hours. By the end of last year’s fall quarter, their brilliant minds joined together to create what is now known as AKA Productions.

“The mission of AKA Productions is to champion innovative, thought-provoking work; create compassionate, enriching and inspiring spaces (both in our rehearsal rooms and performance venues) for artists, students and audiences alike; and foster a strengthened sense of community within UC Riverside and the greater Inland Empire” as declared by its mission statement.

“[It’s] an opportunity to uplift and celebrate other talents. [We] collaborate with undergrads, graduates, faculty… Get everyone to work and produce something new,” said Fojtik when describing AKA Productions.

Higareda also expressed a similar reaction, “For me, it was finding a need for ourselves. [We had] a shared vision and goal of producing our work.” Being able to reflect upon Riverside and seeing that there was not much theater opportunities in the Inland Empire, Higareda and his fellow friends decided to bring more theater productions to on and off-campus locations. “This was the right thing to do,” said Higareda.

After hearing that there wouldn’t be a playwriting workshop in their program, the three set out to create a space where artists could produce and showcase their work. As Founders and Associate Producers, AKA Productions has thrived in its theater productions, including Thomas’ winter quarter play, “It’s All Just Noise.”

Digging into their outlets of inspiration, Thomas said, “These days is drawing from this well of hyperrecognizable pop culture and how it intersects with politics, society….all these things that we don’t think [about] that are happening [currently]”

Taking on a more autobiographical approach to

her work, Thomas feels grace towards her protagonist, Lizzy. Dealing with subjects such as abortion, her character in “Lizzy: A Totes Woke Rendition of Lysistrata” — a white, upper-middle-class and undergrad political science student — is passionate about pro-abortion access, yet holds little understanding of the subject as she is “more ideologically in the idea,” said Thomas. Lizzy’s character was a way for Thomas to reflect upon her misconceptions in life, including looking back on her relationship with her mom.

From having Jane Fonda throw a water balloon at Tucker Carlson, Thomas implements unique elements into her play to lure folks into important conversations. “What I hope happens is just an awareness of how we’re in other people’s worlds and where we took our presence for granted. You by yourself won’t fix anything at all,” said Thomas when asked what she would want the audience to leave with.

Family stories have influenced several of Higareda’s productions as well as the SoCal area, specifically the San Gabriel Valley. Higarerda was not afraid to open up during the interview as he told The Highlander that his play is loosely based on his uncle’s murder. Commenting on the structure of his play, Higareda said, “Observing our grief and analyzing our trauma scene-by-scene.”

“There are musical aspects — songs that mean a lot to me and my family,” Higareda said. His play, “The Legend of the Rhino” will contain experimental theater methods, including a literal rhino onstage. The narrative will focus on the stereotypes against Latinx gangsters (cholos), gang violence and generational trauma.

When asked what he would want audiences to leave with, Higareda said, “Closure. That’s what I’m hoping. A sense of closure.”

Fojtik’s creations stem from girls’ and women’s experiences of the world that subvert expectations. “[I’m] currently working on two scripts for the New Works Festival. [They’re] about a girl in

Wisconsin and a woman who is getting accustomed to being a mother,” said Fojtik. She expressed hope that the audience finds compassion in their younger selves as Fojtik’s screenplay, “Troop 415,” revolves around an eighth-grade girl. “I feel a little bit of embarrassment since my main character is based on a little bit about myself.” She later expressed how she hopes audiences are left with the idea that they avoid looking at their past selves with judgment. “[I hope it] encourages people to realize that in eighth grade, we know what’s important to us even if we don’t have a good instinct. There are values that lead us into important things later in life,” said Fojtik.

Seeing their group interact, it was an endearing experience to interview these three creative minds. Their passion for playwriting and tightknit friendship will most definitely translate into their wonderful productions!

The New Works Festival will run from June 7-9 and showcase the creativity and teamwork between the MFA Playwrights. Tickets are free and open to the public! For more information about AKA Productions, visit their Instagram @a.k.aproductions.

‘The Little Mermaid’ breaks the Disney live-action curse and adds another layer to the iconic story

THRISTINE M. MAGALLANES

Contributing Writer

Released May 25, 2023, “The Little Mermaid” follows the iconic fairy tale of Princess Ariel (Halle Bailey) and her curiosity for the human world that leads her to the biggest adventure of her life. Compared to its animated predecessor from 1989, the movie does have a longer runtime which helps add more depth to the overall story. Not only do we get a closer look at Prince Eric (Jonah Hauer-King), but we also get to see more about the kingdom and its people. The movie also adds more to how Prince Eric and Princess Ariel fall in love. Rather than by a mere bewitchment of her siren song, we get to see these two interact and share many beautiful moments where they get a look into each other’s personalities and the chemistry between these two.

The standout performance from this movie is Halle Bailey’s portrayal of the iconic mermaid princess. She captured and exemplified Ariel’s curiosity and amazement with the human world. As we see her interact with the people of Eric’s kingdom, she takes it all in and is in amazement all the time at the many things the world has. Her character is more fleshed out than simply wanting to be a human for a man. She wishes to explore the world, to see and experience new things; an entirely different motivation than the 1989 portrayal of the iconic character

Stand-out performances and world-building help to escalate the latest adaptation of the Disney classic.

Another standout performance would be Prince Eric. He got a lot of screen time and more character development that took us on a journey where we can see why he fell in love with Princess Ariel. As mentioned, the chemistry between the two leads is very cute and wholesome as we see them both share similar hobbies and activities. We see his kind-heartedness towards his people, his sneaky adventurous side and even his compassion when we first see him at the beginning of the movie.

Melissa McCarthy’s portrayal of the movie’s antagonist, Ursula, was close to identical to the original. Although it is a bit off-putting to later find out that she’s King Triton’s sister since we don’t get much information to show that “sibling rivalry.” She is just portrayed as the evil sea witch wanting to have the ultimate power of controlling the Seven Seas.

Speaking of King Triton (Javier Bardem), his presence felt very hidden and more of a background character. It is as if he was there, but exactly present. The costume design for his armor was a different touch for the character but highlights his protective side towards not only his kingdom but his daughters. We did get a look at his daughters and they only appear for a few scenes and do not exactly play much of a role in the movie.

In terms of the side characters of the movie, Sebastian (Daveed Diggs) puts on a solid performance that makes you forget about the whole CGI debate that was a primary point of concern for viewers. It does take adjusting, but once you’re immersed into the movie, the accuracy of these characters and the likes of Flounder (Jacob Tremblay) and Scuttle (Awkwafina) is more focused on the way they portray these characters rather than their appearance. To that, Flounder’s nervousness and concern for Ariel and others is captured in Jacob’s portrayal, and Awkwafina continues the comedic relief that she’s been known to play in other movie roles.

The music is also another highlight of the film. It still captures the mood of living an amazing “Under the Sea,” life or the deep-hearted desire of becoming “Part of Your World,” and perfectly sets the mood to have you “Kiss the Girl.” Halle Bailey’s performance in not only the acting portion but as well as the singing part. Even the grandiose performance of Ursula keeps us “Poor Unfortunate Souls” entranced and further immersed in the sea. ■ H

VERDICT: “THE LITTLE MERMAID” MAKES A SPLASH IN SHOWING US A DEEPER LOOK AT THE

COURTESY

10 Palme d’Or winners to watch while you wait for your most anticipated releases from the 2023 Cannes Film Festival

MAX BRIGGS Staff Writer

10. “The Wages of Fear” (1953)

Henri-Georges Clouzot’s nail-biting odyssey features anxiety in its most welcoming form. Its suspense is unbounded — featuring a story of four men who are hired to transport trucks of nitroglycerin across a remote South American jungle to extinguish an oil fire. An adaptation of Georges Arnaud’s novel of the same name, the film follows the dynamic pace of the source material, enriching its characters while offering a unique perspective on the ethics of corporations hiring underprivileged workers. The film’s set pieces work in close conjunction with this sentiment. At every obstacle, it becomes increasingly clear that the film does not aim to please the audience.

9. “The Umbrellas of Cherbourg” (1964)

French New Wave pioneer Jacques Demy’s luscious use of color is at its best here, paving the way for the sung-through script to enter the viewer’s heart. French icon Catherine Deneuve is wonderful as always, with her co-star Nino Castelnuovo complimenting her character to build a yearning sensation that only increases by the second. Michel Legrand’s music swells with a sense of undeniable emotion. In the end, the bittersweet charm of the story and its simplistic yet dreamy tone will win over any lover of musicals, especially “La La Land,” which was heavily inspired by this film.

8. “All That Jazz” (1980) (shared with “Kagemusha”)

If there is anyone who came the closest to perfecting the art of the musical, look no further than Bob Fosse. An amalgamation of both fiction and reality, vignettes of Fosse’s own life work their way into the fantastical presentation. Roy Scheider’s incredible physical performance as Joe Gideon, a version of Fosse himself, is one of his best. Technical talent is featured in abundance; masterful dance sequences to the realistic portrayal of the destructive nature of addiction are balanced superbly. Self-aware but never pretentious, there has never been a more meta-propelled, hybridized reflection on oneself ever made quite like this.

7. “Paris, Texas” (1984)

Human connection within a landscape of endless desolation, the co-mingling of urban and rural life, and the past’s entanglement with the future — these

are all themes that the disordered Travis (Harry Dean Stanton) wanders through in search of his missing wife. Cinematographer Robby Müller’s use of lighting and mise en scène work crafts an inescapable sense of nostalgia that Ry Cooder’s guitar-driven score only reinforces. Stanton is backed by a stellar supporting cast containing Dean Stockwell and Nastassja Kinski, who are all guided to subtle excellence through the gentleness of Wim Wenders’ direction.

6. “Farewell My Concubine” (1993) (shared with “The Piano”)

5th generation Chinese filmmaker Chen Kaige broke new ground with his debut feature, “Yellow Earth” in 1984, highlighting the political repression in his nation visually. Spanning multiple decades, this film intertwines art with life itself through the relationships of its three main characters. Grand in every sense of the word, the variability of the illustrious costume design parallels the malleable nature of its themes. Although the performers control what occurs on stage, it’s the spectators who decide whether the show goes on, serving as a perfect allegory of the harshness of the Chinese government at the time. “Farewell My Concubine’s” initial ban in the country to this day only serves as a testament to the power of artistic expression.

5. “Underground” (1995)

Emir Kusturica’s bombastic portrayal of Yugoslav history from World War II to the Yugoslav Wars can be analyzed in any shape or form. Impressive in its comedic timing, the lighthearted moments of camaraderie work alongside the enthralling sequences of political conflict. Each sequence depicted somehow triumphs over its predecessor; the perseverance of the human spirit in the face of adversity serves as an ode to the unquenchable chaos of life. The epic will contain chapters of the good and bad, but it will remain an epic.

4. “Secrets and Lies” (1996)

Mike Leigh’s characters know how to hold a conversation. In “Secrets and Lies,” silence and sound are of equal importance, the former serving as a requiem for what is to come. The film revolves around a peculiar predicament; a Black optometrist whose adoptive mother passes away, only to eventually find out that her birth mother is white. Some of Britain’s

finest performances, (Brenda Blethyn, Marianne Jean Baptiste, Timothy Spall, Phyllis Logan) are showcased through the staggering cathartic conservations and elongated expressions of emotion. Leigh’s screenplay is unflinching and holds nothing back, creating a dynamic web of thematic intricacy in the process.

3. “Dancer in The Dark” (2000)

Provocative and heartbreaking at its core, Lars Von Trier crafts a raw masterpiece in “Dancer in The Dark,” with components of his Dogme 95 cinematic movements rising to the occasion. The audience’s senses are assaulted repeatedly, overpowering all those who resist. Featuring a one in a generation performance from singer-songwriter Björk, its musical prowess serves as a stark juxtaposition to the misery and systematic abuse of the oppressed depicted. Von Trier’s trademark handheld directorial style may be off-putting to many, but its nauseating effect certainly matches its dark subject matter.

2. “Uncle Boonmee Who Can Recall His Past Lives” (2010)

Apichatpong Weerasethakul’s distinct, contemplative style is fully formed in this personal lamentation on the “death” of cinema. The film’s multifaceted six-reel structure mirrors its surreal subject matter, seemingly normal scenes of animals are juxtaposed against the omnipresent “ghost monkey,” who turns out to be the main character’s son. Minimal camera movement and non-professional actors are used to pose many pertinent spiritual questions. Merely describing the focus of the work would be a disservice to its ambiguity and mystical nature.

1. “The Tree of Life” (2011)

Among the greatest poetic filmmakers of all time, Terrence Malick’s visual splendor knows no bounds. His partnership with cinematographer Emmanuel Lubezcki returns in divine form, crafting a meditation on faith and the beauty of human existence. Improvisation drives the work since a strict, traditional narrative structure is forsaken to establish an experience spearheaded by emotional resonance. The free-flowing nature of the composition and unorthodox performances culminate in a pure feeling only made possible by the shattering of once-rigid cinematic conventions.■ H

From Wes Anderson’s ‘Asteroid City’ to Nuri Bilge Ceylan’s ‘About Dry Grasses,’ this year’s festival is packed with heavy hitters waiting to cement their place among some of the greats below.

The Denver Nuggets winning their first ever championship would cement Nikola Jokic as a top 20 player of all time

KIANOOSH NOOSHI Assistant Sports Editor

THE JOKER HAS ALREADY WON TWO MVPS ALONG WITH BEING BOTH A FIVE TIME ALL-STAR AND A FIVE TIME ALL-NBA SELECTION, AND IS QUICKLY BEING REGARDED AS ONE OF THE BEST CENTERS

The Denver Nuggets is the team that will represent the Western Conference in the NBA finals having swept the Los Angeles Lakers in the Western Conference Finals and will face either the Miami Heat or Boston Celtics of the Eastern Conference in the NBA Finals. The Nuggets have been the standout team in these playoffs making easy work of their opponents in every single round so far. Their opponents have not been pushovers either with the Timberwolves matching up well against their roster and the Suns and Lakers having superstar firepower of their own.

The Nuggets have been successful in recent years in large part thanks to their Serbian center Nikola Jokic. Jokic, who was a second round pick back in the 2014 draft, has been the franchise centerpiece for the Nuggets franchise who have built extremely well through the draft in the years leading up to their success in the Western Conference. Their main core of Nikola Jokic, Jamal Murray and Michael Porter Jr. were all drafted with the team. This has allowed the Nuggets to structure their roster around their stars and build up to a title run as opposed to what many teams in the NBA do nowadays by trading for a Superstar at the cost of their bench strength and depth.

Most recently, this “win now” route was taken by the Phoenix Suns when they traded for superstar Kevin Durant to add to their already stacked core of Devin Booker, Chris Paul and Deandre Ayton. The Suns however gave up their entire depth assets in the trade for Kevin Durant and as such were relatively easily beaten by the Nuggets in the Western Conference Semifinals 4-2. During the series with the Suns, the Nuggets showed just how valuable depth is by being able to field several different lineups without missing a beat.

While the Nuggets bench unit has definitely helped them with reaching the finals during their playoff run, the vast majority of the credit will no doubt go

to Nikola Jokic. Jokic, who won back to back MVPs the past two years before placing second in this current season, is unarguably among the top three players in the league today. His skill set is unlike any star in the league with his size, shooting and playmaking ability making him a unicorn in any era of the NBA. Jokic has averaged a 30 point triple-double in these playoffs by far and away the best performing player in the postseason and the odds on favorite to win the finals MVP award regardless of whether Miami or Boston meet Denver there.

As their performances have been so convincing and the field in the Eastern conference have not performed to expectation, Denver is likely to be the betting favorite heading into the Finals and rightfully so. Both Boston and Miami have shown signs of weakness throughout the playoffs, surely only adding to the confidence brewing in Denver to acquire their first ever NBA championship.

Should they do so, and should Nikola Jokic win the finals MVP award this coming season’s end, he will no doubt confirm himself as a top 20 basketball player all time. At 28, he will have collected every accolade of worth while also putting up numbers the likes of which have not been seen consistently in the NBA ever. His young age, 28, also bodes incredibly well for his future moving up the ranking of all time greats as he will no doubt play another decade in the league without much issue. This is due to his game not relying heavily on physicality.

By the time it’s all said and done for Nikola Jokic, he can very well be a top 10 player all time should he be able to continue at this level and win a few more championships. As for the Nuggets, they have set a blueprint for other teams especially those in smaller markets on how to properly build a championship winning roster. With Jokic, Murray and Porter Jr. all under contract for at least the following two seasons, the Nuggets are poised to make further deep playoff runs in the coming seasons.

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The Los Angeles Dodgers’ love-hate relationship with its community continues to deteriorate itself

JAELYN GONZALEZ Assistant Radar Editor

ANGELINOS STEP FURTHER AWAY FROM THEIR BELOVED HOME TEAM DUE TO A HARD-TO-ACCEPT APOLOGY.

In a city full of diverse and multicultural communities, the Los Angeles Dodgers have previously held cultural game nights to invite its neighbors to the stadium. From “Filipino Heritage Night” to “Women’s Night,” special game events honor and open space for Los Angeles’ rich culture to fill the stadium. In honor of LGBTQ+ pride month, the Dodgers opened its doors to L.A.’s LGBTQ+ community set for June 16 against the San Francisco Giants.

An organization, the Sisters of Perpetual Indulgence, was going to be honored at the Dodgers’ pride night, for their extensive work for the community. However, earlier this month, the baseball team released an official statement on their Instagram account rescinding their invitation to the sisters.

The Sisters of Perpetual Indulgence is a group of drag queens who participate in community service and raise charity efforts for the LGBTQ+ community. Originating in San Francisco, the sisters started as a service group — most notably for providing assistance in the AIDS crisis hitting the communities in the 70s and 80s. The unique charm of the group is their satirization of catholicism with their drag as nuns. The sisters’ drag represents more than their community service but a spiritual journey through sisterhood.

The sisters have faced plentiful amounts of backlash with its main criticism being their drag seen as mockery from Catholic advocacy groups such as CatholicVote. Nonprofits like CatholicVote have asked the Dodgers to stop throwing pride events. They use false claims, such as drag queens being predatory, as a basis for the cancellation of pride events. Not only are the

statements inaccurate and fictitious, but it is to be recognized by the neglectful eye of the Catholic Church when it comes to the predatory behavior and sexual assault within its institution.

From this religious push and comments from Florida Senator Mark Rubio, the Dodgers called it quits and removed the sisters as an honoree. However, the team leadership would regret this decision after falling under such pressure.

The Dodgers have been known to turn away from supporting the communities it lies between. With the removal of Mexican Americans from their homes for the stadium and the Dodgers’ past, it is undeniable that the L.A.-based team did not have a great start toward building a relationship with its community. To turn their backs again and again on its fans is a disappointing move.

While the Dodgers have reinvited the sisters and have had lengthy discussions with the organization on the future moving forward, it is a predictable scene to paint from their tendency to create an unstable bond with its surrounding neighborhoods.

Some fans may argue “It’s just baseball,” but the truth is there would be no L.A. Dodgers without their fans. To disregard the damage the Dodgers have produced is plain ignorance. L.A. is a city based on community, the Dodgers continue to shred it to pieces and fail to stand alongside their fans. It is not just a ballgame, but an immeasurable impact of damage for its L.A. fans.■ H

THE GAME HAS PRODUCED.

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