Portfolio - Sami Shams Uddin - UCL

Sami Shams Uddin

Portfolio 2022-2023

Academic Works

Fractal Geometry Lecco, Lombardy, Italy

Business incubator, leisure and sports

Cantoniera House

Spinone al Lago, Bergamo, Italy

Hostel, workspace and exhibition + Physical Model

Hypóstilos City of Como, Italy

Exhibition, public and historical space

Talent Maker City Talent, Oregon, USA

Community Maker Space

Phoenix Government and Public Safety Phoenix, Oregon, USA

Physical Model

Office Works

Academic Project; Mark 30/30

Final Architectural Studio.

Size: 18850 m² - 202899 sqft

Supervisor: Arch. Massimo Boffino

Group members: Paola Paganelli, Angelo Rosa, Simone Pagani and Sami Shams Uddin (applicant);

Applicant’s Contribution: 90%

Fractal Geometry

Lecco, Italy 2019

The abandoned quarry, with its severe fractures and natural folds on the ground, served as the inspiration for the design of the master plan. The concept of fractal geometry was incorporated into the design process, which was shaped by the abovementioned unique characteristics of the plot.

The project aims to provide a unique destination for the nearby community and the residents of Lecco to relax, exercise, and pursue new business ventures.

The new buildings and green spaces will facilitate fluid movement between worker and visitors, creating a harmonious environment.

Bird-Eye view produced by the applicant. Post produced by Paola Paganelli.

3D view modeled, rendered and post-produced by the applicant.

Concept

By analyzing the natural folds and substantial fractures in the abandoned quarry, we were able to identify four red guidelines to serve as a basis for our design. The thinner, straight lines represent paths and streets, while the horizontal line with a curved end indicates the intended position for new buildings.

Fragmentation

Through the superposition of three orthogonal grids, based on the red guidelines from the concept, we were able to determine the fragmented forms that shaped our master plan.

Green spaces

The total area of green spaces accounts for over 70% of the total area.

Circulation

The circulation system is based on the red guidelines from the concept, with a particular focus on the primary roads. The secondary paths are connected to the primary ones and follow the natural folds of the quarry, resulting in shapes inspired by nature.

Sections produced by the applicant and post-produced by Angelo Rosa. Site Plan produced in collaboration with Paola Paganelli and Angelo Rosa.

Connecting Bridge

The bridge serves as a connection between the two main buildings of the project and defines a pathway to the cliff and the Hotel.

Main Square

This central space provides access to key features of the project, including the market, business incubator, and restaurants.

Productive Social Spaces

Thought of as a space with multiple functions to improve productivity where everyone can have better breaks between tasks. We studied the best way to locate the furniture and casework to improve the socialization and overall health of the worker.

Open workspaces

The Business Hub features open workspaces as a central feature to enhance productivity and promote a sense of inclusivity among colleagues. The ‘tree’ columns, which serve to define the space, contribute to a sense of openness and a connection to the surrounding nature.

Sections and Elevation produced by the applicant, post-produced by Angelo Rosa.

Floor Plan produced in collaboration with Simone Pagani and post-produced by Paola Paganelli.

3D views produced by the applicant, post-produced by Simone Pagani

Sections and Elevation produced by the applicant, post-produced by Angelo Rosa.

Academic Project; Mark 30/30 cum laude

Interior Design Studio.

Size: 8900 m² - 95798 sqft

Supervisors: Prof. Arch. Scaramellini and Prof. Ferruggiari; Group members: Francesca Viscomi and Sami Shams Uddin (applicant);

Applicant’s Contribution: 100%

Casa Cantoniera

Spinone al Lago, Bergamo, Italy 2019

The Cantoniera di Spinone al Lago design aimed to create a welcoming atmosphere for the small community of Spinone al Lago and its visitors. To achieve this goal, we defined three strategies:

- Using nature and the local environment as a “starting point.”

- Incorporating cross-building art exhibitions as a common thread to connect all the spaces.

- Prioritizing accessibility.

By implementing these strategies, we were able to bring new life to the Cantoniera by constructing a new building and restoring the existing structure. The result is a series of inviting spaces where people can relax, discover new art forms, and enjoy the beautiful views of the lake. These spaces are meant to be used and enjoyed by travelers, residents of Spinone al Lago, and neighbors alike.

3D view modeled, rendered and post-produced by the applicant.

Floor plan - Basement

The exhibition area displays art and is defined by a series of wooden slats positioned strategically outside the new structure. The transparency of the structure emphasizes the importance of including and showcasing the surrounding nature of Val Cavallina and Lake Endine.

Floor Plan - Level 1

The lobby serves as a gateway to the history of the Cantoniera House through the display of art and old objects found in its abandoned storage. The two rooms on either side function as art exhibitions and workspaces, while the central room serves as a common area. Visitors can access the panoramic terrace on the roof of the new addition through the lobby.

Floor Plan produced in collaboration wth Francesca Viscomi

Floor Plan produced in collaboration wth Francesca Viscomi

Section produced in collaboration wth Francesca Viscomi

Elevation produced in collaboration wth Francesca Viscomi

Third Floor

The new roof features a series of exposed beech wood beams that enhance the warm ambiance of the top floor. Custom-built furniture made of local wood is used to efficiently utilize small spaces.

Panoramic terrace

This component serves as the accessible roof of the new structure and is intended for temporary exhibitions.

First Floor

Custom-built furniture, made from local materials, helps to define the spaces and promote well-being and social interaction among those residing in the hostel.

Basement

The kitchen of the new Cantoniera house are located on the sides of the room, while the central space is reserved for everyday living and socializing.

Axon. interior furniture produced in collaboration with Francesca Viscomi Interior 3D views modeled, rendered and post-produced by the applicant.

Physical Model

Contributors: Francesca Viscomi, Marta Vergani and Sami Shams Uddin

Applicant’s Contribution: 75%

Model scale 1:100

Materials: foam boards, white chipboard and tree branches

Model scale 1:20

Materials: painted MDF, chipboard, acetate and birch wood sticks

Academic Project; Mark 30/30

Architectural Studio 3.

Size: 4125 m² - 44401 sqft

Supervisor: Prof. Arch. Valerio Tolve; Group members: Francesca Viscomi, Flavio Ruggeri and Sami Shams Uddin (applicant);

Applicant’s Contribution: 100%

Hypóstilos Como, Italy 2020

Martinelli Square, which served as a forum for the Roman city in ancient times, was the point of convergence of the Cardo Maximus and the Decumanus Maximus

In an effort to revitalize this historic square and restore its former glory, the project aims to create a new public space that will improve commercial activity, provide opportunities for local artists, and be enjoyed by the residents and tourists of Como.

The new structure, which is inspired by classical architecture, is a hypostyle hall with a square plan divided into six naves by tall columns. Its position aligns with the axis of the Decumanus, serving as a standard line for the internal system and establishing order in the surrounding space. In addition, circulation elements have been added on the left and at the back, providing access to Level 0 and the “Elevated Square”.

Sections produced by the applicant and post-produced by Francesca Viscomi Site Plan produced by Flavio Ruggeri and Francesca Viscomi

Elevated Square

Roman Coin Exhibition - Level 0 Martinelli Square

Drawing produced in collaboration with Flavio Ruggeri.

Section produced in collaboration with Francesca Viscomi.

Floor plan produced in collaboration with Francesca Viscomi and Flavio Ruggeri

Office Work;

Office Name: Arkitek: design&architecture;

Supervisor: Arch. Christopher Brown;

Current phase: Schematic Design

Size: 16250 sqft - 1509 m²

Construction starts: October 2023

Team Members: Christopher Brown, Aki Robinson, Paul Turner, Tavjot Singh, Leonardo traverso, Jane Alexanderr, Kavya Jose, Sami Shams Uddin (the applicant);

Applicant’s role: production of drawing sets, deveoping plans. elevations, sections and 3D model with Revit, create and postproduce 3D views;

Applicant’s Contribution: 90%

The Talent Maker City (TMC) building is designed with inclusivity and resilience as its primary objectives. This includes considering all community members’ skills and perspectives and actively seeking partnerships with organizations that promote diversity, equity, and inclusion.

Ensuring universal access is a priority throughout the building to ensure that all individuals have equal opportunities. Additionally, the TMC building will embody the value of resilience, which is essential to the Talent, OR community after the 2020 Almeda Fire damaged part of the Historic Centre. This will be achieved through the use of fireresistant materials and sustainable building systems.

Ultimately, the goal of the TMC building is to create a collaborative and adaptable structure that effectively serves the Talent, OR community, and future generations.

Floor plan produced by the applicant Site modeling and post-prodcing by Tavjot Singh and Jane Alexanderr.

Perspective produced by the applicant. Post-produced by Aki Robinson

Schematic Design

The design process has involved gathering information from the Design Team and incorporating standard input and feedback sessions with the TMC Team, who serve as the primary decision-makers in the design process. In addition to considering input from the TMC Team, the Design Team also considered the feedback of community members in Talent.

The design process began with the redesign of the Legacy Floorplan. It continued with the exploration of various forms through various studies focusing on using fire-resistant materials. In addition, the Old Town Design Standards of Talent were also considered in the design process, including the selection of specific materials, the percentage of glazing on the front street elevation, and the impact on adjacent historical buildings such as The Malmgren Garage, which inspired the shape of the TMC’s facade.

The Historical Malmgren Garage inspired the shape of the facade. All the drawings on this page are produced by the applicant.

Solar Studies

Through research, it was determined that summer temperatures can reach above 110 degrees Fahrenheit in Talent, OR. This information aided the design team in determining the most effective shading system to mitigate the summer heat, including options such as awnings, fins, and a large cantilevered overhangs.

Solar studies produced by the applicant.

Site Section and Views

One of the main objectives in the design of the building’s front street facade was to capture pedestrians’ attention. We aimed to design a front elevation that was open, welcoming, and shielded from direct sunlight while complying with the Old Town Building Code and utilizing fire-resistant materials in light of the 2020 Almeda Fire that caused widespread destruction in the Talent Community.

Site section produced in collaboration with Leonardo traverso

Building modeled by the applicant. Site modeled by Tavjot Singh. Render and post-produced by the applicant.

Building modeled by the applicant. Site modeled by Tavjot Singh. Render and post-produced by the applicant.

Office Work;

Firm Name: Arkitek: design&architecture;

Supervisor: Arch. Christopher Brown;

Size: 16250 sqft - 1509 m²

Project phase: Construction Documents

Team Members: Paul Turner, Qasem Baouni, Ian Ellingson-White, Sami Shams Uddin (applicant);

Personal role: producing and organizing cad files, laser cutting, assembling and photography;

Applicant’s Contribution: 95%