SELECTED WORKS
ulrika lindell
M.Arch / Pratt Institute GAUD++, New York B.S.Arch / KTH Royal Institute of Technology, Stockholm www.ulrikalindell.com
(+1) 347.781.0589 / (+46) 70.236.33.61 lindell.ulrika@gmail.com
SELECTED WORKS
ulrika lindell
M.Arch / Pratt Institute GAUD++, New York B.S.Arch / KTH Royal Institute of Technology, Stockholm www.ulrikalindell.com
(+1) 347.781.0589 / (+46) 70.236.33.61 lindell.ulrika@gmail.com
kth royal institute of technology
10
PARKADEN ONFILL Stockholm, SWE
11
STHLM:tomor[row] Stockholm, SWE
12
critic DANIEL NORELL, ERIK HÖKBY date KTH School of Architecture SP11
LUX EX UMBRA Stockholm, SWE critic date
critic date
IA HJÄRRE, ROBERT PETRÉN KTH School of Architecture SP10
DANIEL NORELL, ERIK HÖKBY KTH School of Architecture SP11
professional work team URBAN MATTER INC. date May 2016
GOLDEN AFTERNOON
13
mentor NELL CAMPBELL date Santa Barbara Art’s Fund Student Art’s Mentorship SP06
THE AMERICANS Austin, TX
14
PLAK MACU Warsaw, POL
15 16
firm date
BARKER FREEMAN DESIGN OFFICE SU13
team + Alexandra Barker, Adrien Allred, Megan Hurford, Dan Hoch
re:MARFA Marfa, TX
firm date
BARKER FREEMAN DESIGN OFFICE SU14 team + Alexandra Barker, Adrien Allred, Christina Ostermier, Megan Hurford, Ryan Griffin
index
SELECTED WORKS
pratt institute gaud++
01
SHANGHAI SKYSCRAPER Shanghai, CHN NOLA ALGAE FARM New Orleans, LA
02
NASDAQua Manhattan, NY
03
COMPUTER MEDIA WORKS
04 05 06 07
MATERIALS AND ASSEMBLIES STRATEGIES OF THE WEIRD case:STHLM Stockholm, SWE
COMPOSITE PROTOTYPING
08 PARAMETRIC SYSTEMS
09
firm date
critic HINA JAMELLE date Pratt GAUD FA14 team + Maria Nikolovski critic ERICH SCHOENENBERGER date Pratt GAUD SP14 team + Dan Hoch, Matt Boker critic ALEXANDRA BARKER date Pratt GAUD FA12 critic ROBERT CERVELLIONE, CHRIS KRONER, CHRIS WHITELAW date Pratt GAUD SP13
FRANK LUPO, JESSICA YOUNG, KAREN BRANDT, STEVEN CHANG Pratt GAUD FA13
critic FERDA KOLATAN date Pratt GAUD SP15
critic SULAN KOLATAN date Pratt GAUD SP14
critic BRIAN RINGLEY date Pratt GAUD SP14 team + Erik Nevala-Lee
critic ROBERT CERVELLIONE date Pratt GAUD FA14 team + Lindsay Schragen, Matt Boker
01
shanghai skyscraper CONDITIONAL ELEGANCE
pratt institute gaud++
01
SHANGHAI SKYSCRAPER Shanghai, CHN
critic HINA JAMELLE date Pratt GAUD FA14 team + Maria Nikolovski
The tower explores a programmatic strategy responding to a network of relationships between its different users over time. The intent was to create an architecture where the urban landscape exists in different manifestations - both as public plazas at different elevations and as the driver for the configuration of the facade - creating a continuous ecology of landscaping, skin and spatial organization. Situated along the Huangpu River, the tower simultaneously relates to the context of the financial district of Pudong and the historic center Puxi on the opposite side of the river. By gradually morphing attributes of form, materiality and opacity, this projects proposes a tower that adapts to variety whilst remaining an organic whole. The tower features a new kind of urban landscape in manifested through dispersed green spaces throughout the building. This new urban landscape operates in an array of modes and at different intensities - from programmatic dividers and public circulation to a public plaza at 400 ft. The plaza connects to various observation decks and showrooms for technological innovation. The tower proposes a new sustainable building typology through a layered landscape approach.
Exterior view
8
SHANGHAI SKYSCRAPER
9
SHANGHAI SKYSCRAPER
Physical model, scale 1/8”=1’
10
SHANGHAI SKYSCRAPER
11
SHANGHAI SKYSCRAPER
transformative system: samia cynthia silkmoth
egg:
transformation
state
attributes:
12
SHANGHAI SKYSCRAPER
+ + + + +
larva:
small clustered delicate aligned emerging
attributes:
hatching: parameters: + + + + +
temperature season location host plant size
+ + + + +
pupa and c
compact tight expanding shedding shifting opacity
moulting:
parameters: + + + + +
nutrition body length speed body temperature stride frequency/length
attributes:
pupation:
parameters: + + + + +
season humidity temperature placement day length
+ + + + +
taut close wrap soft a doub
met
parame
metamorphosis EGG TO SILK MOTH
protected inactive defenseless
imago:
attributes:
+ + + + +
tamorphosis: [diapause/hibernation:]
eters: + + + + +
season humidity temperature placement day length
parameters: + +
male and female:
attributes:
delicate symmetrical light scaled membranous
length of day environmental conditions
eclosion/emergence:
parameters: + + + + +
hormones time of day season humidity weight
+ + + + +
bridged mirrored connected interlocked attracted
mating:
parameters: + + + + +
time of day age at mating mating frequency weight temperature
SHANGHAI SKYSCRAPER
ed pped and hard ble layered
+ + +
13
cocoon:
EGG
LARVA
PUPA
+ thin + clustered + delicate
+ segmented + compact + spiny
+ folded + enclosed + layered
Egg
Larva 1st instar
2nd instar
3rd instar
4th instar
5th instar
35
Temperature (°C)
30
25
20 0
5
10
15
20
25
30
35
40
45
50
Time (Day 14
SHANGHAI SKYSCRAPER
DIAGRAM
ECLOSION
MOTH
MATING
+ exposed + splitting + peeling
+ membranous + open + bifurcated
+ skeletal + attracted + interlocked
55
60
65
70
75
80
Adult
85
90
Mating
100
105
SHANGHAI SKYSCRAPER
Pupa/Cocoon
15
ys)
transformations
taxonomy UNIT VARIATIONS
Perspective Egg + thin + clustered + delicate
Larva + segmented + compact + spiny
Pupa + folded + enclosed + layered
Eclosion + exposed + splitting + peeling
Moth + membranous + open + bifurcated
Mating + skeletal + attracted + interlocked
16
SHANGHAI SKYSCRAPER
Side
SHANGHAI SKYSCRAPER
Front
17
Top Back
sky-terrace 590’
greenscape
sky-terrace 300’
greenscape
main entrance
18
SHANGHAI SKYSCRAPER
spine a
spine b
spine c
spine b
restaurant
hotel
atrium public plaza
spine c
restaurant
condo
hostel
biolab
hostel
offices
biolab
condo
offices
auditorium
underground marketplace
museum
commercial
cafe parking
M
cafe
SHANGHAI SKYSCRAPER
museum/ gallery
commercial
19
artist’s studios
SITE PLAN
20
SHANGHAI SKYSCRAPER 0
5
15
30
50 ft
SHANGHAI SKYSCRAPER 21
Exterior view, aerial
GROUND FLOOR PLAN
9'-9 3/4"
30'-5"
48'-8"
FRONT DESK
22'-11 1/2"
FFL 0’ 0”
CLOSET
STORAGE
18'-6"
MECHANICAL
EXHIBITION SPACE
SHOP
41'-7 3/4"
22
SHANGHAI SKYSCRAPER
FFL 0’-0”
CAFE
26'-6 3/4"
FFL 0’ 0”
36'-4 3/4"
LOBBY
35'-0"
SHANGHAI SKYSCRAPER 23
Interior view, public plaza/sky atrium
42nd FLOOR PLAN
36’-9 1/4"
FFL 513’-0”
MECHANICAL 4BR APT FFL 504’-0”
10'-0"
STORAGE
COMMON SPACE
20'-2 1/4"
FFL 504’-0”
OPEN TO BELOW
1 BR APT FFL 504’-0”
FFL 504’-0”
OFFICE FFL 504’-0”
OPEN TO BELOW FFL 513’-0”
23'-10 1/2"
24
SHANGHAI SKYSCRAPER
5'-11 1/4"
10'-10 3/4"
24'-9 3/4"
53'-11 3/4"
1" 33'-8 2
2 BR APT
SHANGHAI SKYSCRAPER 25
Section cut through public plaza/sky atrium at floor 27 through 32
26
SHANGHAI SKYSCRAPER
27
SHANGHAI SKYSCRAPER
28
SHANGHAI SKYSCRAPER
29
SHANGHAI SKYSCRAPER
02
nola algae farm MOTOlab
02 02
NOLA ALGAE FARM New Orleans, LA
critic ERICH SCHOENENBERGER date Pratt GAUD SP14 team + Dan Hoch, Matt Boker
The objective of this studio was to design and develop an urban algae farm in the midst of the dense urban fabric of downtown New Orleans by the shore of the Mississippi River. The project both aims to bring awareness to the benefits of algae as a source for food and energy production and to design a signature building that will act as a beacon of the city of New Orleans.
Algae is grown in multiple ways using closed and open systems, grown in tubes in the facades and in open pools as an urban landscape feature. The transparent tubes along the facade are filled with a water and algae mix and accumulate throughout the day, creating an ever-changing dynamic exterior, with different transparencies and shades of green depending on and time of day and stage in the harvesting cycle.
The building deals with the tension of the different programs inhabited in our building - the algae production and harvesting facility, a spa facility and sushi restaurant. Algae plays the key role in each of these programs, which are distinctly different from each other yet completely dependent on each other. Our interest lies in the friction between these programs, the experience of the visitor as the paths converge and the overlapping programs become visible. The coiling nature of algae at multiple scales are the conceptual driver for the layout of the space and also manifested in the articulation of the wrapped, layered facade.
THE MISSISSIPPI RIVER The Mississippi river presents many appearances and characteristics along its
considerable length of 2,320 miles. Its headwaters, the glacial lakes of Minnesota produce modest streams, which widens as they travels south, pressing towards its
confluence with the Missouri and the Ohio. As the Mississippi reaches the flatlands of Louisiana, its broad surface belies a strong current, racing toward discharge into the Gulf of Mexico through a weblike, filigree array of channels. The city of New Orleans both owes its existence and economic viability to the Mississippi River - to the same geographic features that perpetuate its vulnerability.
The geologic history of the Mississippi River is documented in the US Army Corps of Engineers maps of the Mississippi Rivers Meander Belt from 1944. These maps
show - with half-century increments - the morphology of the Mississippi over time. The coiling and intertwining colors of the maps represent routes of the Mississippi historically, tracing whole new geometries in less than a century, its historic dimension embedded in the labyrinth of conflicting riverbeds; slowly disappearing and reappearing as new shapes and forms, in a constant state of flux and self-alteration. As the
river meanders and creates soil surfaces, these thousands of acres of displaced mud - thick sheet of soil washed down from the north - make up the approximately solid foundation of New Orleans. The migratory properties of the river, as with any river, in destined to wander across the landscape as long as it continues to flow. It drifts back and forth, sometimes a few feet, sometimes a mile, until there is change - a natural levee fails, or a storm surge bursts into another watercourse nearby - and the river changes and finds itself a new route to the sea. Simultaneous with the realization of the Mississippi River as a landscape on the move was the project of fixing its course. The project to curb the current of the Mississippi is one through architecture, installing monumental locks and dams, controlling rates of flow, sediment, ship traffic etc. But no matter how shaped, controlled or managed a river is, it still has a wild aspect to it, it remains to some degree unpredictable and can act in unforeseen and surprising ways.
32
NOLA ALGAE FARM
33
NOLA ALGAE FARM
01
CONCEPTUAL INSPIRATION - COILING OF ALGAE (MICRO AND MACRO)
FEEDING VESSEL
PHOTOBIOREACTOR
WATER
BIOMASS
ALGAE
ALGAE SLURRY
CO2
SEPARATOR
NUTRIENTS
RECOVERED WATER
02
34
NOLA ALGAE FARM
FILTRATION
ALGAE TYPE
PRODUCT
GREYWATER SPA+WASTE
PHOTOBIOREACTOR FACADE EXTERIOR 18 HRS
CHLORELLA
SPA PRODUCTS
PHOTOBIOREACTOR PRODUCTION INTERIOR 18 HRS
SPIRULINA
FOOD PRODUCTION
OPEN POND EXTERIOR 1-13HRS
CYANO BACTERIA
FILTRATION
PRESS
CENTRIFUGE
ALGAE OIL
RAINWATER SITE+ROOF
03
ALGAE HARVESTING- CLOSED SYSTEM, PHOTOBIOREACTOR
PROJECT: DESIGN STUDIO IV: CAP - 14/SP-ARCH-704-03 PRATT INSTITUTE, SPRING 2014 STUDIO SCHOENENBERGER
COLLECTION
TEAM: DANIEL HOCH MATT BOKER ULRIKA LINDELL
CONSULTANTS:
studio critic: digital instructor: facade consultant: site+sustainability consultant: structural consultant: mechanical consultant:
ALGAE SYSTEMS DIAGRAM
ERICH SCHOENENBERGER HART MARLOW BRUCE NICHOL META BRUNZEMA CRISTOBAL CORREA BOB KEARNS
PROJECT TITLE: ALGAE PRODUCTION FACILITY
SITE LOCATION: NEW ORLEANS, LOUISIANA UNITED STATES
SCALE:
DRAWING TITLE: DIAGRAMS
DRAWIN
C
research
ALGAE / MEANDERING RIVERS
02
FORM FINDING PROCESS, PHYSIGAL MODELS
PROJECT: DESIGN STUDIO IV: CAP - 14/SP-ARCH-704-03 PRATT INSTITUTE, SPRING 2014 STUDIO SCHOENENBERGER
TEAM: DANIEL HOCH MATT BOKER ULRIKA LINDELL
CONSULTANTS:
studio critic: digital instructor: facade consultant: site+sustainability consultant: structural consultant: mechanical consultant:
ERICH SCHOENENBERGER HART MARLOW BRUCE NICHOL META BRUNZEMA CRISTOBAL CORREA BOB KEARNS
PROJECT TITLE: ALGAE PRODUCTION FACILITY
SITE LOCATION: NEW ORLEANS, LOUISIANA UNITED STATES
SCALE:
DRAWING TITLE: MODEL PICTURES
DRAWING NO:
C001
NOLA ALGAE FARM
CONCEPTUAL INSPIRATION - MEANDERING NATURE OF MISSISSIPPI RIVER
35
01
01
a
b
c
g
h
i
02 36
CONCEPTUAL INSPIRATION - MEANDERING NATURE OF MISSISSIPPI RIVER
FORM FINDING PROCESS, PHYSIGAL MODELS
NOLA ALGAE FARM
PROJECT: DESIGN STUDIO IV: CAP - 14/SP-ARCH-704-03
TEAM: DANIEL HOCH
C
R
study models
COILS / STRANDS / LAYERS
e
f
j
k
l
37
NOLA ALGAE FARM
d
PROJECT TITLE: ALGAE PRODUCTION
SITE LOCATION: NEW ORLEANS,
SCALE:
DRAWING TITLE: MODEL PICTURES
DRAWING NO:
SITE PLAN
38
NOLA ALGAE FARM
39
NOLA ALGAE FARM
SITE PLAN
0 10
30
60
100
ft
greenscape
MISSISSIPPI RIVER: Using the river as inspiration, the meandering paths build force as the waters collect, carving a larger presence. As its course changes over time, a footprint is left of previous routes.
circulation paths
COILING: The winding footprints circulate around significant points, creating common voids of space between the coils of these paths. These voids become nodes of convergence.
SPA RESTAURANT
program ALGAE PRODUCTION LINE
CAFE
OVERLAY: The paths densify overtop of common trajectories, bringing heirarchy to specific nodes and cooridors, creating friction between paths of interest.
40
NOLA ALGAE FARM
PHOTOBIOREACTOR
WATER
BIOMASS
PRESS
ALGAE
ALGAE SLURRY
CENTRIFUGE
CO2
SEPARATOR
NUTRIENTS
RECOVERED WATER
COLLECTION
FILTRATION
ALGAE TYPE
PRODUCT
GREYWATER SPA+WASTE
PHOTOBIOREACTOR FACADE EXTERIOR 18 HRS
CHLORELLA
SPA PRODUCTS
PHOTOBIOREACTOR PRODUCTION INTERIOR 18 HRS
SPIRULINA
FOOD PRODUCTION
OPEN POND EXTERIOR 1-13HRS
CYANO BACTERIA
FILTRATION
RAINWATER SITE+ROOF
NOLA ALGAE FARM
ALGAE OIL
41
production and program
algae harvest cycle
FEEDING VESSEL
42
NOLA ALGAE FARM
43
NOLA ALGAE FARM
SECTION NORTH-SOUTH
T1
T2
T3
YOGA STUDIO /OBSERVATION DECK
SUSHI RESTAURANT
HEALTH BAR (BEYOND)
TERRACED SEATING CASINO(BEYOND)
ALGAE GROWING POOL
CANAL STREET
MAIN ENTRE
ALGAE HARVESTING
BADINE STREET
PARKING GARAGE
WALL SECTION
DETAILS STAINLESS STEEL FALL ARREST SYSTEM
M
COMPOSITE CONCRETE DECKING
TYPICAL STEEL I-BEAM
5’X2’X1” ALUMINUM GRATINGS
STEEL BRACKET
PHOTOBIOREACTOR TUBES FOR ALGAE GROWTH, Ø1-1/2” ACRYLIC TUBES
STEEL PLATE BRACKET TYPICAL STEEL TRUSS, SEE S200
1/8” ALUMINUM PANEL; PVF2-3COATS FINISH E9
E10
E11
E14
Ø3-1/2”X1/2” GALVANIZED STEEL TRUSS CONNECTION TYPICAL CONNECTION 01 TYPICALTRUSS
1/8” ALUMINUM PANEL; PVF2-3COATS FINISH
8”X4”X1/4” G.M.S. R.H.S. (GALVANIZED MILD STEEL, RECTANGULAR HOLLOW SECTION)
MECHANICAL ROOM(BEYOND)
RAMP FROMPLAZAS
EXPANSION CONTROL COMPOSITE CONCRETE DECKING
SUSHI RESTAURANT(BEYOND) TYPICAL STEEL I-BEAM
6” THK REINFORCED CONCRETE.
1/8” RUBBER FLOOR, 1/4” SELF-LEVERING, 1-1/2” 1:3 CEMENT SAND SCREED
TEAM:
MOTOlab
CONSULTANTS: studio critic: facade consultant: site+sustainability consultant : structural consultant: mechanical consultant:
ERICH SCHOENENBERGER BRUCE NICHOL META BRUNZEMA CRISTOBAL CORREA BOB KEARNS
PROJECT TITLE: ALGAE PRODUCTION FACITITY
SITEALUMINUM LOCATION: 1/8” PANEL; PVF2-3COATS FINISH NEW ORLEANS, TYPICAL TRUSS CONNECTION LOUISIANA 01 STAINLESS STEEL FALL ARREST SYSTEM UNITED STATES
AGGREGATES FOR EARTHWORKS GROUTING, NON-SHRINKING ANCHOR BOLT, TYP CAST-IN-PLACE CONCRETE
STEEL PLATE BRACKET TYPICAL STEEL I-BEAM TYPICAL STEEL TRUSS, SEE S200
STEEL BRACKET
CONCRETE REINFORCING
STEEL BRACKET
5’X2’X1” ALUMINUM GRATINGS
STEEL PLATE BRACKET
STEEL PLATE BRACKET
TYPICAL STEEL TRUSS, SEE S200
TYPICAL STEEL TRUSS, SEE S200
02 TYPICAL WALL FOOTING TYPICAL TRUSS CONNECTION 03 TYPICAL TRUSS CONNECTION DATE: 05.04.2014 TYPICAL STEEL TRUSS, SEE S200
DRAWN BY:
03
UL TYPICAL TRUSS CONNECTION
SCALE: 1’0” = 0’16”
04 TYPICAL TRUSS FOOTING DRAWING TITLE: ARCHITECTURAL SECTIONS
EXPANSION CONTROL
CONCRETE REINFORCING
CAST-IN-PLACE CONCRETE CONCRETE REINFORCING
CONCRETE REINFORCING ANCHOR BOLT, TYP
VAPOR BARRIER TYPICAL STEEL TRUSS, SEE S200 AGGREGATES FOR EARTHWORKS
VAPOR BARRIER CAST-IN-PLACE CONCRETE
ANCHOR BOLT, TYP STEEL BRACKET
AGGREGATES FOR EARTHWORKS CONCRETE REINFORCING
CAST-IN-PLACE CONCRETE CAST-IN-PLACE CONCRETE
GROUTING, NON-SHRINKING BOTTOM OF FOOTING
CONCRETE REINFORCING REINFORCING CONCRETE VAPOR BARRIER BOTTOM OF FOOTING AGGREGATES FOR EARTHWORKS
CAST-IN-PLACE CONCRETE
ANCHOR BOLT, TYP
CONCRETE REINFORCING
02
BOTTOM OF FOOTING
CAST-IN-PLACE CONCRETE
04
TYPICAL TRUSS FOOTING
1/2” PLASTER BOARD WITH 1/4” SKIM COAT
02 TYPICAL WALL FOOTING
A300
STEEL BRACKET
GROUTING, NON-SHRINKING CAST-IN-PLACE CONCRETE
ANCHOR BOLT, TYP
TYPICAL WALL FOOTING
DRAWING NO:
TYPICAL STEEL TRUSS, SEE S200
EXPANSION CONTROL AGGREGATES FOR EARTHWORKS
3/8” MONOLITHIC GLASS WITH HARD-COAT PERFORMANCE COATING
FIRST LEVEL 0'-0"
BOTTOM OF FOOTING
CAST-IN-PLACE CONCRETE
PHOTOBIOREACTOR TUBES FOR ALGAE GROWTH, Ø 1-1/2” ACRYLIC TUBES
NOLA ALGAE FARM
STEEL BRACKET COMPOSITE CONCRETE DECKING
TYPICAL STEEL I-BEAM TYPICAL STEEL TRUSS, SEE S200
ALGAE PRODUCTIONSTEEL LINE(BEYOND) PLATE BRACKET
TYPICAL BARRIER STEEL TRUSS, VAPOR SEE S200
44
TYPICAL STEEL I-BEAM
VAPOR BARRIER
STEEL BRACKET COMPOSITE CONCRETE DECKING
01 TYPICAL TRUSS CONNECTION
DANIEL HOCH MATT BOKER ULRIKA LINDELL
COMPOSITE CONCRETE DECKING
CAST-IN-PLACE CONCRETE CONCRETE REINFORCING
HEALTH BAR/CAFE
LOBBY
TERRACED OUTDOOR SEATING
TYPICAL STEEL TRUSS, SEE S200
YOGA STUDIO /OBSERVATION DECK(BEYOND)
1/2” MONOLITHIC GLASS WITH HARD-COAT PERFORMANCE COATING
03 TYPICAL TRUSS CONNECTION
TYPICAL TRUSS FOOTING 04TYPICAL TRUSS FOOTING
CONCRETE REINFORCING BOTTOM OF FOOTING
SUSHI RESTAURANT
HEALTH BAR (BEYOND)
TERRACED SEATING CASINO(BEYOND)
ALGAE GROWING POOL
CANAL STREET
MAIN ENTRE
ALGAE HARVESTING
PARKING GARAGE
BADINE STREET
SECTION WEST-EAST
E9
E10
E11
E14
MECHANICAL ROOM(BEYOND)
RAMP FROMPLAZAS
TERRACED OUTDOOR SEATING
SUSHI RESTAURANT(BEYOND)
LOBBY
ALGAE PRODUCTION LINE(BEYOND) FIRST LEVEL 0'-0"
CONSULTANTS: studio critic: facade consultant: site+sustainability consultant : structural consultant: mechanical consultant:
ERICH SCHOENENBERGER BRUCE NICHOL META BRUNZEMA CRISTOBAL CORREA BOB KEARNS
PROJECT TITLE: ALGAE PRODUCTION FACITITY
SITE LOCATION: NEW ORLEANS, LOUISIANA UNITED STATES
DATE: 05.04.2014
DRAWN BY: UL
SCALE: 1’0” = 0’16”
DRAWING TITLE: ARCHITECTURAL SECTIONS
DRAWING NO:
A300
NOLA ALGAE FARM
TEAM: DANIEL HOCH MATT BOKER ULRIKA LINDELL
45
MOTOlab
HEALTH BAR/CAFE
YOGA STUDIO /OBSERVATION DECK(BEYOND)
1 S401
PHOTOBIOREACTOR TUBES FOR ALGAE GROWTH, Ø1-1/2” ACRYLIC TUBES LIGHT STEEL LOUVERS FOR PHOTOBIOREACTOR TUBES STEEL FACADE SUBSTRUCTURE
MAINTENANCE CATEWALK FOR PHOTOBIOREACTOR TUBES 5’X2’X1” ALUMINUM GRATINGS COILING CIRCULATION RAMP 1/8” ALUMINUM PANEL; PVF2-3COATS FINISH INTERIOR PANEL STEEL FRAMING
STEEL TRUSS
FRONT ENTRY COURTYARD
ALGAE POOL
Wall section
46
NOLA ALGAE FARM
NOLA ALGAE FARM 47
Physical model, scale 1/16”=1’
N
1 2
M
L
3 K
4 J
5 0’ 0”
I
6 4’ 0” 4’ 0”
DN
H
7 1 A202
8 G
3 A301
UP UP
F
0’ 0”
E
UP
TEAM:
O
FOUNDATION PLAN
D
C
UP
B
0’ 0” 9
A
10
CONCRETE EXPANSION CRACK
LINE OF ENCLOSURE
2 A201
11
C.I.P. CONCRETE RETAINING WALL
UP
12 1 A301
13
14
0’ 0”
4’ 0” 12” C.I.P. CONCRETE SLAB ON GRADE
0’ 0” 5’ 0”
TRUSS LINE
UP
DN
T3 0’ 0”
LINE OF ENCLOSURE
-1’ 0” LINE OF ENCLOSURE 1’ CONCRETE WALL BELOW GLAZING
LOUVER FACADE FOOTINGS TRUSS LINE T2
TRUSS FOOTINGS
TRUSS LINE
48
NOLA ALGAE FARM
CONSULTANTS:
T1
1 A201
2 A301
PROJECT TITLE:
SITE LOCATION:
DATE:
DRAWN BY:
SCALE
O
N
1 2
M
L
3 K
4 J
delivery loading
5
0’ 0”
I
6
storage
loading dock 4’ 0”
mechanical 4’ 0”
DN
H
7 1 A202
8 G
3 A301
UP
pbr stacks UP
F
employee lounge
0’ 0”
E
D
UP
EAM:
FIRST FLOOR PLAN
packaging
admin
C
UP
B
0’ 0”
admin
9 A
admin
centrifuge 10
observation area
2 A201
11
UP
12 1 A301
13
lobby 0’ 0” lecture/ classroom 0’ 0”
14 mechanical
4’ 0” info
storage fridge
5’ 0”
DN
algae compression
0’ 0”
UP
harvest
49
NOLA ALGAE FARM
-3’ 0”
1 A201
CONSULTANTS:
2 A301
PROJECT TITLE:
SITE LOCATION:
DATE:
DRAWN BY:
SCALE:
N
1 2
M
L
3 K
4 J
5 I mechanical 6
massage rooms algae scrub detox meditation area
H algae quality testing
1 A202
7
steam room
algae juice bar
G
8 3 A301
sauna lounge
F
mens locker linen
E
private soaking tubs
D
womens locker
pool spa boutique
C
B 9
admin offices A
back desk
reception
10
waiting
DN
TEAM:
O
SECOND FLOOR PLAN
15’ 0”
2 A201
11
12 1 A301
13
bar
14
DN
sushi kitchen
15’ 0”
terrace
UP
sushi/ algae bar
open to below
DN
open to below
catwalk
50
NOLA ALGAE FARM
1 A201
2 A301
CONSULTANTS: studio critic:
ERICH SCHOENENBERGER
PROJECT TITLE: ALGAE PRODUCTION
SITE LOCATION: NEW ORLEANS,
DATE: 05.05.2014
DRAWN BY: MB
SCALE: 1’0” = 1
AM:
THIRD FLOOR PLAN
O
N
1 2
M
L
3 K
4 J
5 I 6
H 7 1 A202
8 G
3 A301
F
E
D
C
B 9 A
10
2 A201
11
12 1 A301
13 view to lobby 14
open to below
mechanical
yoga/fitness studio
NOLA ALGAE FARM
open to below
30’ 0”
DN
open to below
51
catwalk
1 A201
CONSULTANTS:
2 A301
PROJECT TITLE:
SITE LOCATION:
DATE:
DRAWN BY:
SCALE:
52
NOLA ALGAE FARM
53
NOLA ALGAE FARM
03
NASDAQua
PUBLIC BATHHOUSE
03
NASDAQua Manhattan, NY
critic ALEXANDRA BARKER date Pratt GAUD FA12
The project investigates themes of material potentials and ranges of material operations - from open to closed, apperture to surface and skin to structure. This was done through a series of material studies. The results of these were then translated to digital compontents. The physical and digital models construct a range of techtonic relationships and qualities and these techniques were then strategically applied to develop an intevention to the strata of the urban street, creating a bathhouse and adjacent public space. The program was an intervention of a water-based community program into a series of under-utilized city sites slated to be converted into public plazas. The site, on Water Street in lower Manhattan, is in the flood zone and was flooded during Hurricane Sandy. The bathhouse displays a system of connected pools which ranges from vessel to conduit depending on scale. The project focuses on the relationships between the flow and collection of water, the flow of people and distribution of light and investigates apertures in relation to continious lines in section.
Interior view, poolscape
56
NASDAQUA BATHHOUSE
NASDAQUA BATHHOUSE
Initial array, from closed to open
Developed base unit, mirrored parts
57
Initial base unit, rotating parts
Physical model, base unit
58
NASDAQUA BATHHOUSE
Physical model, continuous surface
Combined layers
NASDAQUA BATHHOUSE
Structure to surface
59
Open to closed
SECTION
Wh iteh all S t
Moore St
SITE PLAN
A A
60
NASDAQUA BATHHOUSE
Water St
61
NASDAQUA BATHHOUSE
Exterior view
62
NASDAQUA BATHHOUSE
NASDAQUA BATHHOUSE 63
Physical model, scale 1/8”=1’
Physical model, section, scale 1/8”=1’
64
NASDAQUA BATHHOUSE
NASDAQUA BATHHOUSE 65
Physical model, interior, scale 1/8”=1’
04
computer media works VISUAL STUDIES
COMPUTER MEDIA
04
WORKS
critic ROBERT CERVELLIONE, CHRIS date
KRONER, CHRIS WHITELAW Pratt GAUD SP13
Projects explore in depth the limits of the trace, cut, fold and projection in a series of computational works. Modes of generation, modeling, rendering, mapping and animating matter were deployed as instruments with varying effects and qualities. These projects are visual investigations in the methodology, craft, technique and other deeply diciplinary aspects of media and the architectural idiom.
Field
68
COMPUTER MEDIA WORKS
parametric screen
MEDIA 2 APPLIED TECHNIQUES
Units
COMPUTER MEDIA WORKS
Elevation
69
Plan
Array
70
COMPUTER MEDIA WORKS
lampshade
71
Section
COMPUTER MEDIA WORKS
ADVANCED MULTIMEDIA
72
COMPUTER MEDIA WORKS
73
COMPUTER MEDIA WORKS
bridge animation
74
COMPUTER MEDIA WORKS
75
COMPUTER MEDIA WORKS
05
materials and assemblies DIAMONDSBACK CHAIR
05
MATERIALS AND ASSEMBLIES
critic FRANK LUPO, JESSICA YOUNG, KAREN BRANDT, STEVEN CHANG date Pratt GAUD FA13
This course explored critical building concepts of materiality, structure, envelope, environment, life safety and constructability that were applied to the design and detailing of a chair design with supporting construction documents. The perforations of the sheet metal are the main feature of the chair design, inspired by the appearance of a diamondback rattlesnake pattern. The sheet metal is lasercut in one piece which folds into its geometric shape. Legs are stainless steel and the upper part is white-sprayed prefabricated aluminium.
78
DIAMONDBACK CHAIR
79
DIAMONDBACK CHAIR
4-1/6”
5-10”
1-7 80
DIAMONDBACK CHAIR
FOLD PATTERN
”
S1
9-1/2”
10
/12
”
1-7/12”
3” -1/
16
16-1/3”
V1
1-1/3”
4-1/6”
5-10”
4-1/6”
5-10”
S1 S1
18-1/3” 8-1/4”
-1/ 16
ALUMINIUM MESH 1/4” PERFORATED AND FOLDED
S1
S1
1-7/12”
” /12 1-7 V1 S1
15-9/12” 15.73
FOLD PATTERN
1-1/3”
9-1/2”
1-1/3”
9-1/2”
”
SECTION 1
1-7
S1
/12
9-2/3”
1-7/12” S1
”
D1
S1 S1
16-1/3”
D1
16-2/3”
PLAN 1
9-2/3”
P1 S1
10
20-1/6”
2-10/12” 22-2/12”
3”
STAINLESS STEEL LEGS 1/2”
-1/
S1
16
D1
S1
16-1/3”
D1
ALUMINIUM MESH 1/4” PERFORATED AND FOLDED
”
18-1/3” 8-1/4”
16-2/3”
S1 S1
10
20-1/6”
3”
STAINLESS STEEL LEGS 1/2”
2-10/12” 22-2/12” S1
S1 S1
S1
SECTION 1
V1
3-1/2”
15-9/12” 15.73
S1
34-1/2”
PLAN 1
34-1/2”
P1 S1
FOLD PATTERN
S1
LEFT ELEVATION
E2 S1
FRONT ELEVATION
19-1/2” E3 S1
RIGHT ELEVATION
34-1/2”
1/2” E1
34-1/2”
3-1/2”
24-1/2” E4 S1
BACK ELEVATION
MODEL NO.
DATE
001
09-20-2013
PROJECT NAME
DIAMOND BACK CHAIR DRAWING
E1 S1
LEFT ELEVATION
E2 S1
FRONT ELEVATION
24-1/2”
19-1/2” E3 S1
RIGHT ELEVATION
E4 S1
BACK ELEVATION DESIGNER
SCALE
ULRIKA LINDELL MODEL NO. D1 S2
DETAIL CONNECTION
DATE
001 P1 S1
PROJECT NAME
09-20-2013
DIAMOND BACK CHAIR ARCH 762.01 FALL 2013
MATERIALS AND ASSEMBLIES
S1: 4”=1’ S2: 1”=1” FORMAT 36” X 50”
DIAMONDBACK CHAIR
CONSRUCTION DRAWINGS FOR CHAIR
1/2”
DRAWING
81
CONSRUCTION DRAWINGS FOR CHAIR
DESIGNER
SCALE
ULRIKA LINDELL D1 S2
DETAIL CONNECTION
P1 S1
ARCH 762.01 FALL 2013
S1: 4”=1’
MATERIALS AND ASSEMBLIES
S2: 1”=1” FORMAT 36” X 50”
82
DIAMONDBACK CHAIR
83
DIAMONDBACK CHAIR
06
strategies of the weird DESIGN FINESSE
STRATEGIES OF THE
06
WEIRD
critic FERDA KOLATAN date Pratt GAUD SP15
This project investigates, through a play on the clichÊ narration of the typical car ad, desires in the age of consumption. The hybrid object, clearly a close relative of the motorized vehicle on one hand - on the other, lacks the motor vehicle’s possibly most important characteristic: that of mobility. The strangeness of the object lies in the ambiguity in the fact that even though the object is pathetically stripped of its primary functions, the seductive attributes of shimmering metallic finish and precise seaming still alludes to the notion of the pristine automation vehicle. So the object remains a vehicle in one sense - that for consumerist desires - but not in the other.
Libra
Imagination meets Engineering
Fast and fuel efficient.
86
STRATEGIES OF THE WEIRD
Introducing the Libra L7. The first of its kind.
Libra
Imagination meets Engineering
Let this be a warning to eyesores everywhere. A boldly designed vehicle deserves a boldly designed world. The Libra L7 has officially arrived, and now the world has some catching up to do. Take one look at the sweeping low profile that defines this iconic coupe. Witness the distinctive LED headlights and experience the closest re-creation to daylight yet: It’s obvious that no ordinary road will do. Learn more at librausa.com/L7. The all-new Libra L7 is here.
87
STRATEGIES OF THE WEIRD
Luxury has progressed.
Don’t dream it. Drive it.
88
STRATEGIES OF THE WEIRD
Libra
Imagination meets Engineering
Libra
Imagination meets Engineering
Evolution on the outside. Revolution on the inside. Under the skin of the L7 V10 plus is our new 7-speed S tronic gearbox and 5-2 litre, 550PS V10, capable of 0-52 mph in 3-5 seconds. It’s the most exhilarating L7 we’ve ever built. Learn more at librausa.com/L7. The new Libra L7 V10 plus.
89
STRATEGIES OF THE WEIRD
Prepare to want one.
[0]
1
2
3
4
‘Rorschach test’
90
STRATEGIES OF THE WEIRD
[10]
[15]
[30]
[50]
[70]
[110]
[150]
91
STRATEGIES OF THE WEIRD
Physical model
07
case:STHLM
URBAN DESIGN CASE STUDY
07
case:STHLM Stockholm, SWE
critic SULAN KOLATAN date Pratt GAUD SP14
The post-glacial landrise has been going on since the time of the last glacial period. The city of Stockholm has been rising out of the Baltic Sea for the last 12000 years and although at a slower speed, this tendency remains and keeps influencing the city. However, because of the counter effect of sea levels rising due to global warming, the projections for the future sea level positions are filled with uncertainty and ambiguity. This proposal takes into consideration what might happen if sea levels again rise to past levels, and if Stockholm regains the archipelagic characteristics of its younger age.
Stockholm region land level
-5000 years
94
CASE STHLM
-3000 years
-1200 years
stockholm region POST-GLACIAL LANDRISE
Stockholm region water line
-5000 to today
CASE STHLM
-5000 to today
95
Today
Stockholm 2015 96
CASE STHLM
CASE STHLM 97
Stockholm 2115
08
composite prototyping CNC MILLED GLUE-LAM COMPOSITES
COMPOSITE PROTOTYPING
08
critic BRIAN RINGLEY date Pratt GAUD SP14 team + Erik Nevala-Lee This course examines the integration of parametric software with CNC manufacturing and explores the designer’s unprecedented direct link between the digital model and the physical artefact. The concept of “threshold” is explored on both ends of the process - both by setting up thresholds at which fields of parametric components transform across a part based on functional requirements, and again later by examining the thresholds at which parametric systems and CNC-manufacturability (draft angle, tool reach etc) either break down or open up new possibilities. The product is an architectural composite assembly capable of certain performances benchmarks such as stability, plyability, bending and transparency.
shell lace structure DEFINITION
100
Precedent: Coral shell lace structure
Original unit
Ridge structure
Bounding box
COMPOSITE PROTOTYPING
Morph between planes
Result
COMPOSITE PROTOTYPING
Surface division
101
Base surfaces
composite prototype MATERIAL ASSEMBLY
Glue-laminated composite materials were prototyped on the router to push the composite stock to perform (bending, stretching, twisting) in manners not possible
through any individual material within the composite. The materials used were plywood, translucent acrylic and black rubber. A single material volume composed as material strata with varying properties means that, at any given moment along the material, there is a direct relationship between cutting depth, material performance, and material aesthetic. The product was a novel architectural assembly capable of enhancing existing building performance benchmarks (daylighting, ventilation, drainage, acoustics, etc.) while introducing novel categories for evaluation.
Stock result preview
102
COMPOSITE PROTOTYPING
Plan
Elevation
6-1/2”
Composite material lay-up; 18” 40”
Abrasion-Resistant SBR Rubber, Black, 1/4” Thick, 12” x 12”, 75A Durometer Impact-Resistant Polycarbonate Sheet, 1/4” Thick, 24” x 24”, White Baltic birch plywood, 3/4” + 1/2”
Machined stock
COMPOSITE PROTOTYPING
11”
103
1/2” 3/4” 1/4” 3/4” 1/2”
Physical composite model; Baltic birch plywood, translucent polycarbonate, black rubber
104
COMPOSITE PROTOTYPING
COMPOSITE PROTOTYPING
Structural, stability
105
Flexibility, bend, arch
28
27
26
25
24
23
22
21
20
19
18
17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0
28
27
26
25
24
23
22
21
20
19
18
17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0
106
COMPOSITE PROTOTYPING
19
20
21
22
23
24
25
26
27
0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
18
19
20
21
22
23
24
25
26
27
28
COMPOSITE PROTOTYPING
18
107
0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
28
09
bent out of shape PARAMETRIC GREEN WALL
PARAMETRIC SYSTEMS
09
critic ROBERT CERVELLIONE date Pratt GAUD FA14 team + Lindsay Schragen, Matt Boker
The facade system we are proposing is a folded aluminum composite panel system with integrated structure, glazing and insulation with the possibility for pocketing for plants and plant material. The base unit arrayed over the field makes up a facade with different degrees of folds, responding to different needs of the program. A mock-up at full scale were built and exhibited in the Hazel and Robert H. Siegel Gallery, Higgins Hall. It is now permanently installed at Pratt Institute Higgins Hall.
110
BENT OUT OF SHAPE
111
BENT OUT OF SHAPE
Insulated Glass Unit Heat Formed Plexi Glass with CNC Milled Fritting MDF plant shelf + front bracket connection with
Frosted Plexi Panel
CNC milled DiaBond 4mm
Aluminum Composite Panel Spray Foam Insulation Plant growing substait
Spray Foam Insulation
112
BENT OUT OF SHAPE
113
BENT OUT OF SHAPE
Folded paper studies
114
BENT OUT OF SHAPE
Paper mock-up @ halfscale
BENT OUT OF SHAPE
Assembly in gallery
115
CNC milling composite aluminum panels
Mock-up, scale 1:1
116
BENT OUT OF SHAPE
BENT OUT OF SHAPE 117
CNC milling composite aluminum panels
2’-0”
1’-3”
0’-9”
Plan
4’-6”
Elevation 118
BENT OUT OF SHAPE
5’-5”
6’-4”
119
BENT OUT OF SHAPE
120
BENT OUT OF SHAPE
Our project explores an adaptable green wall facade system which integrates structure, skin, glass, plants and an irrigation system for water delivery. Using parametric design and scripting methods in conjunction with physical paper folding techniques, we are exploring new ways and modes that building components can operate, which respond to specific local conditions, yet remain as a cohesive organic global whole. The facade system we are proposing is a folded aluminum composite panel system with integrated structure, glazing and insulation with the possibility for pocketing for plants and plant material. The base unit arrayed over the field makes up a facade with different degrees of folds, responding to different factors of program, access to light, and size of the plant. The project also explores a secondary system of apertures in three different sizes, providing a variation of intensities of light filtering through the facade and creating spatial effects. The secondary score lines also create an exterior network of light strips that illuminate at night as well as highlight the geometry of the fold. Together, these components make up a facade system that is capable of large variation and flexibility of geometry and transparency.
121
BENT OUT OF SHAPE
The CNC aluminum panels are spaced one foot apart and are infilled with sprayfoam insulation. On the interior the facade peels back from the facade and connects to the floor plate of the level above creating a drop ceiling. Through exploration of parametric strategies, we were able to achieve a design that could be applied to construction and create a buildable facade system.
122
BENT OUT OF SHAPE
123
BENT OUT OF SHAPE
kth royal institute of technology
10
LUX EX UMBRA Stockholm, SWE
critic DANIEL NORELL, ERIK HĂ–KBY date KTH School of Architecture SP11 This project examines the possibilities and range of performative qualities of wood as the main building stone for a small pavillion. A system of thin wooden ribs of different lengths is deployed and offset to create variation - the self-supportive system of horizontal laths being modified and designed as a pattern. The contrast between semi-transparent and solid areas brings programmatic opportunities, and atmospheric nuances and the properties of massive wood is emphasized - it becomes a system of pattern and light and shadow.
10
lux ex umbra WOOD PAVILLION
Simple system (A) and rotating system (B)
A
B
1.
126
2.
LUX EX UMBRA
3.
4.
5.
6.
7.
8.
9.
10.
Self-supporting system (C)
Plan
Axonometry
127
LUX EX UMBRA
C
Closed structure/Scaling
128
LUX EX UMBRA
Closed structure/Rotating
/Changed according to pattern
LUX EX UMBRA
Regular
Open structure/Self-supporting
129
Open structure/Self-supporting/
meter
Section
0
130
LUX EX UMBRA
,5
1
2
5
Projection area
Entrance
Seating
Storage
LUX EX UMBRA
Plan
0
1
3
5m
131
Skala 1:50
Skala 1:50
Physical model, scale 1:20
132
LUX EX UMBRA
133
LUX EX UMBRA
Light studies
11
PARKADEN ONFILL Stockholm, SWE
critic date
IA HJÄRRE, ROBERT PETRÉN KTH School of Architecture SP10
This project investigates the nuances of the public and the private realm - how we interact with other people in our community and the possibility of a private oasis in the middle of the city, on top of another building. The housing complex includes a mix of apartment sizes and types of apartments (rental and condos, 1BR, 3BR and 5BR) in order to attract difference and diversity. The “onfill” - a vertical densification of the city - enables larger amounts of people to share a smaller area at an attractive location, but also takes into consideration Stockholm’s unique city silhouette of low 19th Century architecture.
11
parkaden onfill RESIDENTAL
0 12 4 10 20 40 meter
3rd Floor plan
Section
Elevation 136
PARKADEN ONFILL 0 12
4
10
20
40 meter
137
PARKADEN ONFILL
Circulation and common space The block is subdivided by connecting wings of communication and public space (stariwell, corridor, common laundry room, storage space)
Balcony A different type of ourdoor space compared to the public courtyard - these spaces have a persona l characteristic, a space on your own yet one tha t relates to the neighbors. A space for personal recreation.
Unit All units start at the edge of the courtyard and
stretches to the balcony side of the building and have windows in east and west direction. Courtyard
It is possible to move between the adjacent courtyards. The blurred border between courtyards is defi ned by the underside of the cross-circulation, here an open space is created. Apartment block 1-BR, 3-BR and 5-BR. The different sizes are suppose to attract a range of different type of people, to create a diverse and mixed community. Short term rentals, rentals and condos.
138
PARKADEN ONFILL
PARKADEN ONFILL
Unit B
Unit C
139
Unit A
Unit A
Unit B
Balcony Balcony
Bedroom
Bedroom
Bedroom
C
C Kitchen
Kitchen
WC
C WC
C Living-room
Living space
Workroom
Entry Entry 1
2
10 m
4
140
PARKADEN ONFILL
Unit C
Balcony
Bedroom
Parlor
Balcony
Bedroom
C Bedroom Kitchen
WC
WC
Kitchen
C
Living-room Workroom
WC Beroom
Living space LEVEL 0
Entry
PARKADEN ONFILL
LEVEL 1
141
Entry
0
1
2
4
10 m
142
PARKADEN ONFILL
143
PARKADEN ONFILL
STHLM:tomor[row]
12
Stockholm, SWE
critic date
DANIEL NORELL, ERIK HÖKBY KTH School of Architecture SP11
This project investigates a new take on the row house typology and focuses on the relationship between volume and landscape visavi the relationship between interior and exterior space. The row houses is a common residental typology in Scandinavian suburbs dating back to the 50’s. This is a contemporary proposals with the qualities of the Scandinavian Functionalist era in mind. Hässelby in a suburb of Stockholm, Sweden, with a population of around 30000 people. The neighborhood is divided in three areas, with typologies ranging from villa town by Lake Mälaren to large scale low-income apartment complexes. The site is situated on a steep north-facing slope. These houses are designed for families with children. Hässelby has metro connections to Stockholm as well as its proximity to nature and water. It is a popular place to raise children apart from the rush of the city but still with access to ite supply and diversity. Stockholm is one of the fastest growing cities, where suburb transform into city at a steady pace. It is a challange for architects to make the local suburb area more dense and attractive.
12
STHLM:tomor[row] URBAN ROWHOUSING
Introvert and Extrovert Space A classical division of space would state that interior space is within the skin of the structure. Exterior space is space out in the fresh air. The main concept of this project is the shift in the relationship between interior and exterior space. Some space within the skin can be considered exterior, since they relate more to the outside than to the inside. Other space relates only to the interior.
Physical model, scale 1:200 146
STHLM: TOMOR(ROW)
Building envelope
‘Introvert’ space
Relates to inside
STHLM: TOMOR[ROW]
Physical model, scale 1:100
‘Extrovert’ space
147
Relates to outside
Conceptual model, unit organisation
148
STHLM: TOMOR(ROW)
STHLM: TOMOR(ROW) 149
Volume-Landscape approach
Elevation, North-East
Elevation, South-West
150
STHLM: TOMOR(ROW)
151
STHLM: TOMOR[ROW]
SITE PLAN
152
STHLM: TOMOR(ROW)
153
STHLM: TOMOR[ROW]
B
B 17
1
GARDE
2
WORK SEPAR
3
HALLW
4
KITCHE
5
WORK
6
LIBRAR
7
FAMILY
8
WASH ROOM
9
WC
10
ENTRA
11
GARAG
12
TV ROO
13
BATH
1
18
A
A
LEVEL 2
B 12 11
14
WC
15
BEDRO
16
BEDRO
B 17
ROOF GARDE
18
MASTE
16
1 13
A
14
10
A
15
LEVEL 1 (STREET LEVEL)
B
B 3
5
6
2 1
4
A
1:50
9 8
7
0
,5
1
2
0
1
2
4
A
1:100
LEVEL 0
meter
Floor plans 154
1:200 0
STHLM: TOMOR(ROW)
0
1
2
4
1 2
4
0
2 4
8
0
5
10
8
10
1:400 20
1:500 20
3
HALLWAY
1 4
GARDEN KITCHEN
2 5
WORK SPACE / SEPARATE BEDROOM
1
6 3
1 1 17
B
1
18
1
17
2
1
GARDEN
2
WORK SPACE / SEPARATE BEDROOM
3
HALLWAY
4
KITCHEN
5
WORK SPACE
6
LIBRARY
7
FAMILY SPACE
8
WASH ROOM
17
B
18
18
A
12 1 13
17
11
11
1 13
17 12
17 1
10 17
Section BB
18 1 (STREET LEVEL)
13
18 16
WC 16 ENTRANCE
18
11
GARAGE
14
TV ROOM 1 BATH 15 17 16 2 WC
15
BEDROOM 3
HALLWAY
16
18 B BEDROOM 4
KITCHEN
15
ROOF 5 GARDEN
15
7
A
18
3
1 1
5 17
1
1 8 18
1
2
12
1 16
5 4
3
13
12
14
15 13
9
14
1
7
12
8
17
B
1 18
1
12
1 1 13
2 Section AA 1
3
3
3
5 14
1 5
18
4
11 A
GARAGE
12
TV ROOM
5
4
2
9
6 1
7 1
9
4
12
10
ENTRANCE
13
11
GARAGE
14
12
TV ROOM
15
13
BATH
16
14
WC 5
16
MASTER BEDROOM B 17 4
8
BEDROOM
6
B 17 18
BEDROOM ROOF
9 GARDEN 7
A MASTER BEDROOM 1 2
A
18 16
B
1
GARDEN
2
WORK SPACE / 5 SEPARATE BEDROOM
3
HALLWAY
4
16
BEDROOM 15 14
4
KITCHEN
B5 17 15
6 ROOF GARDEN
5
WORK SPACE
MASTER BEDROOM
6
LIBRARY
7
FAMILY SPACE
10
8
WASH ROOM
11
6
18
B 7 7
5
16
6
12 9
B
A B
7 12
WC
3
9
3
11
9
WC
A
8
BATH
10
WASH ROOM
15
ROOF GARDEN
9
FAMILY SPACE
18
17
8
8
BEDROOM 3
8
LIBRARY
BEDROOM
15
9
16
A
7
15
6 4
6
14
BEDROOM
WORK SPACE
6
14 16 16 13
1813 17
15
15
A
ENTRANCE 15
13 12
TV ROOM
16
WASH ROOM
10 14
12
17
12
15
LIBRARY
WC 7
15
GARAGE
7
14
5
11
18 7 FAMILY SPACE
9
13
8
6
KITCHEN
ENTRANCE
WORK SPACE B 17
615
8
15
4
HALLWAY 16 KITCHEN
69
14
6
HALLWAY
4
10
BATH WORK SPACE13 / SEPARATE18 BEDROOM 14 WC
141
13
3
9
16
B 4 WORK SPACE / SEPARATE BEDROOM 5
2
WORK SPACE B
2
5
A
16 1
1
2 16
13
3
GARDEN
B5 16 4
13
WORK SPACE / 12 SEPARATE BEDROOM 1 GARDEN
1 17
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GARAGE WASH ROOM TV ROOM WC BATH ENTRANCE WC GARAGE BEDROOM TV ROOM BEDROOM BATH ROOF GARDEN GARDEN WC WORK SPACE / MASTER BEDROOM BEDROOM SEPARATE BEDROOM
BEDROOM SEPARATE16 3BEDROOM HALLWAY BATH B 17 ROOF B 4 3 HALLWAY WORK SPACE / KITCHEN 14 WC GARDEN SEPARATE A B BEDROOM 4 KITCHEN WORK SPACE 15 BEDROOM5 18 MASTER HALLWAY 1 GARDEN BEDROOM 5 WORK SPACE 16 BEDROOM 6 LIBRARY KITCHEN 2 WORK SPACE / ROOF B 17 SEPARATE BEDROOM 6 LIBRARY 7 FAMILY SPACE WORK SPACE GARDEN A A 3 HALLWAY 7 FAMILY SPACE 8 WASH 18 MASTERB BEDROOM LIBRARYA ROOM 4 KITCHEN 8 WASH ROOM FAMILY SPACE 9 WC 5 WORK SPACE GARDEN
B 12 13 TV ROOM BATH 3 14 HALLWAY WC 4 KITCHEN GARDEN B 13 A5 14 BATH WC 4 15 KITCHEN BEDROOM WORK SPACE A WORK SPACE / 14 BEDROOM 15 SEPARATE WC BEDROOM 5 16 WORK SPACE BEDROOM 6 LIBRARY 15 16 BEDROOM BEDROOM HALLWAY ROOF B 17 6 LIBRARY 7 FAMILY SPACE GARDEN 16 BEDROOM ROOF B 17 KITCHEN A 7 18 FAMILY SPACE GARDEN 8 WASH MASTER BEDROOM 17 ROOF A B SPACE WORK ROOM 8 BEDROOM WASH 18 GARDENMASTER ROOM 9 WC LIBRARY 18 MASTER BEDROOM 9 WC 10 ENTRANCE A FAMILY SPACE B 10 ENTRANCE 11 GARAGE WASH B A 11 ROOM GARAGE 12 TV ROOM A BATH
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9 WC WASH 10 ENTRANCE ROOM A 61 GARDEN LIBRARY 10 ENTRANCE11 GARAGE 1 GARDEN WC 72 FAMILY WORKSPACE SPACE / 11 GARAGE 12 TVSEPARATE ROOM A BEDROOM 1 GARDENWORK SPACE ENTRANCE 2 / 8 WASH 12 TV ROOM 133 BEDROOM BATH SEPARATE ROOM HALLWAY GARAGE 2 WORK SPACE / 13 3 BATH B14 WC SEPARATE BEDROOM HALLWAY 94 WC KITCHEN TV ROOM B 14 WCKITCHEN B 15 BEDROOM 3 4 HALLWAY 105 ENTRANCE WORK SPACE BATH B 15 5 BEDROOM 16 BEDROOM 4 KITCHEN WORK SPACE 11 GARAGE WC 6 LIBRARY 16 WORK BEDROOM ROOF 5 SPACEB 17 12 TV ROOM BEDROOM 6 LIBRARY 7 GARDEN FAMILY SPACE ROOF B 17 BATH A13 GARDEN BEDROOM 6 7 LIBRARY FAMILY SPACE B 18 MASTER 8 WASH BEDROOM A WC ROOM A 14 18 8 MASTER ROOF7 FAMILY SPACE WASHBEDROOM GARDEN A ROOM 159 BEDROOM WC 8 WASH MASTER BEDROOM 9 ROOM WC A 1610 BEDROOM ENTRANCE GARDEN B1 9 A 10 WC ENTRANCE ROOF B 1711 GARAGE 1 / GARDEN 2 WORK SPACE GARDEN A 10 11 ENTRANCE GARAGE 12 TV ROOM SEPARATE BEDROOM 2 WORK SPACE / 18 MASTER BEDROOM 11 3 12 GARAGE TV ROOM SEPARATE BEDROOM 13 BATH HALLWAY
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Exterior views 156
STHLM: TOMOR(ROW)
STHLM: TOMOR[ROW] 157
Physical model, scale 1:20
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STHLM: TOMOR(ROW)
ROOF Birch plywood ribs 60x60mm Transverse beam along roof angle birch plywood 45mm Birch plywood panel 30mm Batten 18,5mm Weather-board 9mm Horizontal ribs 45x45mm Roof beam 200mm Vapour barrier Interior ceiling cladding white plaster board 13mm
FACADE Exterior cladding horizontal ribs birch plywood 60 x60mm Vertical batten birch plywood 45mm Birch plywood panel 15mm Air gap and plywood batten 34mm
ROOF Birch plywood ribs 60x60mm Transverse beam along roof angle birch plywood 45mm
Weather board 9mm Load-bearing facade exterior wall studs
Birch plywood panel 30mm
(insulated) 150mm
Batten 18,5mm
Vapour barrier
Weather-board 9mm
Horizontal wooden joists for
Horizontal ribs 45x45mm
Interior cladding
Roof beam 200mm
- ”Introvert space” - White plaster board 15 mm
Vapour barrier
- ”Extrovert space” - Birch plywood panel 15 mm
Interior ceiling cladding white plaster board 13mm
as in exterior wall
ROOF
CEILING
FACADE
Birch plywood ribs 60x60mm
Interior floor cladding on concrete foundation
Exterior cladding horizontal ribs
Transverse beam along roof angle birch plywood 45mm
- ”Introvert space” - Ash parquet 14mm
Birch plywood panel 30mm
- ”Extrovert space” - Slate plates 22mm
birch plywood 60 x60mm Vertical batten birch plywood 45mm
Batten 18,5mm FOUNDATION
Horizontal ribs 45x45mm
Concrete foundation slab-on-grade 150mm (350mm by edge)
Roof beam 200mm Hard insulation 2x50mm Vapour barrier Drainage 150 mm Moisture barrier 1mm
Weather board 9mm Load-bearing facade exterior wall studs (insulated) 150mm Vapour barrier Horizontal wooden joists for Interior cladding
STHLM: TOMOR[ROW]
Air gap and plywood batten 34mm
Weather-board 9mm
Interior ceiling cladding white plaster board 13mm
Birch plywood panel 15mm
FACADE
- ”Extrovert space” - Birch plywood panel 15 mm as in exterior wall
Exterior cladding horizontal ribs birch plywood 60 x60mm Vertical batten birch plywood 45mm CEILING Birch plywood panel 15mm Interior floor cladding on concrete foundation Air gap and plywood batten 34mm - ”Introvert space” - Ash parquet 14mm
159
- ”Introvert space” - White plaster board 15 mm
professional work
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GOLDEN AFTERNOON Austin. TX
team URBAN MATTER INC. (Shagun Singh, Rick Lin) + Marija Nikolovski, Aaron Campdate
bell, Sara Bayer, Danielle Christophe) May 2016
Golden Afternoon is the first large scale permanent interactive installation in the City of Austin’s Public Art Collection. The installation mimics a hanging garden that has overgrown from the flower beds on the ground level, down the open stairwell, and is making its way into the parking lot. This hanging garden evokes a sense of fantasy because of its gigantic reflective flowers and illuminated fields. It responds to people walking up and down the stairs by sending light through this natural surreal ecosystem. The stairs mimic the rabbit hole of the fantasy novel Alice in Wonderland, and the piece aspires to create a sense of wonder and delight akin to being in fantasy or wonderland. The forms used in the artwork are primarily based on the floral geometries of the Prairie Nymph and the Indian Blanket, which are wildflowers popular in Texas.
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golden afternoon
PERMANENT ART INSTALLATION
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GOLDEN AFTERNOON
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GOLDEN AFTERNOON
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GOLDEN AFTERNOON
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GOLDEN AFTERNOON
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GOLDEN AFTERNOON
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GOLDEN AFTERNOON
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GOLDEN AFTERNOON
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GOLDEN AFTERNOON
THE AMERICANS
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critic NELL CAMPBELL date Santa Barbara Art’s Fund Student Art’s Mentorship SP06 This project is a glace at American culture and the realities less known and the roads less travelled by. The title is a nod to Robert Frank’s post-war classic where he travelled through the United States and with a distanced view captured both high and low strata of American society. The Santa Barbara Teen Arts Mentorship Program is a 20-year-old program that was initiated with a 3-year grant through the James Irvine Foundation. This arts enrichment program has offered promising teenage artists the unique opportunity to work closely with professional master artists in a studio environment. Working in small groups, students spend 10-12 weeks producing a portfolio of work to be exhibited and sold in The Arts Fund Community Gallery or performed in a public venue. Beyond acquiring specific art-making skills and exhibition or performance experience, students are introduced to the aesthetic styles and career choices of artists in their communities. The master artists become role models and references for students as they consider advanced studies in the arts.
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the americans ART MENTORSHIP
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THE AMERICANS
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THE AMERICANS
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THE AMERICANS
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THE AMERICANS
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THE AMERICANS
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THE AMERICANS
Our proposal to redesign the Warsaw Rotunda enwreathes the existing structure in a pleated Dupont Corian Terra canopy that provides a space for events, exhibitions, and performances. The Rotunda facade and roof is reclad in Dupont SentryGlas to house a rain garden of native Polish vegetation that can absorb stormwater from the surrounding hardscape. The space can be reserved for special celebrations like weddings and parties and to house exhibitions and installations. Rainwater filters through the center of the new powdercoated steel center column into a reservoir for plant irrigation. The underside of the canopy becomes a reflective canvas that can be uplit to create a dramatic light show. An elevated outdoor amphitheater provides a space for public gatherings and performances as well as a connection to an indoor mezzanine. The Polish climate is highly favorable for solar energy harvesting, and the country is a leader in the production of solar collectors. The faceted panels on the expansive canopy roof are laminated with thin film photovoltaic cells using Dupont encapsulants and resins to power events within the space. The plaza surface is configured as concentric rings. The outermost band is a reflective Corian surface that mirrors the underside of the canopy. The middle band is a gravel and planting swath held in place by Dupont Plantex that enables groundwater runoff to be funneled into the reservoir. The inner ring is a pool of water that reflects the new facade of the Rotunda.
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PLAK MACU Warsaw, POL
critic BARKER FREEMAN DESIGN OFFICE date SU13 team + Alexandra Barker, Adrien Allred, Megan Hurford, Dan Hoch The form of the canopy is intended to recall both the Polish tradition of wycinaki, or intricate paper cutting, as well as the petals of the corn poppy, the national flower of Poland and a symbol of the heroism of Polish soldiers fighting in World War II and of Independence Day marking the end of World War I.
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plak macu
changing the face competition
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PLAK MACU
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PLAK MACU
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PLAK MACU
B1
A
Section AA
Section BB
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PLAK MACU
B
A1
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PLAK MACU
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PLAK MACU
Our proposal for the design of multi-family housing in Marfa, Texas, consists of three rammed earth dwellings that are integrated into the landscape. We are proposing to combine local building techniques with a formal language which alludes to the carved rock formations and smooth transitions found in the indigenous landscape of the Chihuahuan desert. The primary building material is rammed earth, a natural raw material used since ancient times as a sustainable building method. The walls are simple to construct, noncombustible, strong, and durable, and provide heat-absorbing thermal mass. The natural hues and layered variations of the compacted earth walls, meanwhile, bring visual warmth and texture to the open-plan interiors of the units.
The site topography draws on the geological and topological conditions of the desert. Parametric tools were used to create undulating surface contours and unit subdivisions. These operations generate vertical variation, allowing structures to become embedded into the groundplane to take advantage of the cooling properties of the thermal mass of the earth and creating a dynamic public space within the housing block. The central plaza steps down from the dwelling units at the perimeter to form an informal outdoor amphitheater for gatherings, presentations, and exhibitions. Striations of succulents interrupt the paved areas. At the north end, the contoured levels merge with the surrounding groundplane and frame views of the landscape beyond the town limits.
There are three dwelling sizes designed for three different demographic groups of the area – One bedroom units for artist’s studios and student housing (500 square feet), two bedroom units for professionals and smaller families (1000 square feet) and three bedroom units for larger families, for example those of border control employees (1500 square feet). Entry into the units was designed as an inwardly projecting stoop that creates a shaded exterior space facing the public plaza and which leads to a sculptural skylight that illuminates the front door from above. Living spaces are raised a half-story above the entry and overlook the plaza through large shaded windows, while bedroom spaces in the larger units are accessed through internal stairs leading down to the lower level. The master suites are located toward the rear and open out into private yards in the internal courtyard. The courtyard is spanned by radial steel struts that funnel rainwater toward a central cistern.
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re:MARFA Marfa, TX
critic BARKER FREEMAN DESIGN OFFICE date SU14 team + Alexandra Barker, Adrien Allred, Christina Ostermier, Megan Hurford, Ryan Griffin
re:Marfa
MULTI-FAMILY HOUSING
Circulation
188
Program
MARFA HOUSING
Units
189
MARFA HOUSING
3
1 4
5
2
2FL 1 2 3 4 5
Bedroom 1 Bedroom 2 Master bedrrom Master bathroom Bathroom
8
7 3 4
6
2
6 5 1FL 1 2
Entrance Living room
5 6 7
Bathroom Storage Backyard
3 4
8
Kitchen Dining
Parking
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MARFA HOUSING
1
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MARFA HOUSING
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MARFA HOUSING
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MARFA HOUSING
CONTACT www.ulrikalindell.com
(+1) 347.781.0589 / (+46) 70.236.33.61 lindell.ulrika@gmail.com
EDUCATION
PRATT INSTITUTE GAUD++
Brooklyn, NY
Master of Architecture, 2015 Graduated with Distinction
KTH SCHOOL OF ARCHITECTURE Royal Institute of Technology, Stockholm
Bachelor of Science in the Field of Architecture, B.S. Arch, 2012
LANGUAGE KNOWLEDGE
Native proficiency SWEDISH Professional working proficency ENGLISH
PUBLICATION
Featured in Pratt Institute’s INPROCESS 20: Design Studio IV: Erich Schoenenberger
2015
Computer Aided Construction: Brian Ringley Digital Design Exercises For Architecture Students,
Edited by Jason S. Johnson, Joshua Vermillion, Manufacturing in Architecture Featured in Pratt Institute’s INPROCESS 19: 2014 Design Studio I: Alexandra Barker Design Studio II: Maria Sieira (Expected) (2016) TxA Emerging Design Technology Session plyABILITY: New Parametric Models for Laminate Composite Material (Publication from conference) Featured in Pratt Institute’s INPROCESS 21: Design Studio V: Hina Jamelle, Design Studio VI: Henry Smith-Miller Parametric Systems: Robert Cervellione, Design Finesse: Ferda Kolatan
SKILLS AutoCAD Rhinoceros Maya Sketchup
VRay Mental Ray Maxwell Keyshot
Grasshopper Paneling Tools CNC milling RhinoCAM
Adobe CS Microsoft Office Model making Photography
ACADEMIC EXPERIENCE
Visiting Assistant Professor, Digital Instructor Studio: +Erich Schoenenberger, CAP Studio M.Arch +David Ruy, Urban Design M.S.Arch Pratt Institute GAUD++, Brooklyn, NY January 2016 - (Present)
Digital Instructor assisting graduate level Comprehensive Architectural Project (CAP) design studio and UD Culmination Project.
Graduate Teaching Assistant: CAP Studio Studio: Alexandra Barker
Pratt Institute GAUD++, Brooklyn, NY January 2015 - May 2015
Instruction Assistant of graduate level Comprehensive Architectural Project (CAP) design studio.
Graduate Teaching Assistant: 1st Semester Studio Studio: Alexandra Barker Pratt Institute GAUD++, Brooklyn, NY
September 2013 - December 2013, September 2014 - December 2014 Instruction Assistant of graduate level first semester design studio.
Graduate Research Assistant Professor: Meredith TenHoor
Pratt Institute GAUD++, Brooklyn, NY January 2014 - May 2014 History/theory research assistant for the coordinator of undergraduate level history theory curriculum.
AWARDS AND GRANTS 2015 2012 -2015 2015 2014 2014 2013 2013 2013 2012 2012
2012
American Institute of Architects Henry Adams Award Pratt Institute Annual Merit-Based Scholarship Estrid Ericson Foundation Helge Ax:son Johnson’s Foundation Ansgarius’ Foundation Ingeborg och Henric Backstrom’s Fund Karlstad Municipality, Unknown Donor Helge Ax:son Johnson’s Foundation Wahlback’s Foundation, KTH Royal Institute of Technology Royal Swedish Academy of Arts, Anders Mortner’s Architect Fund Ansgarius’ Foundation
résumé
ULRIKA LINDELL
PROFESSIONAL EXPERIENCE
su11 ARCHITECTURE + DESIGN | October 2015 - August 2016
Brooklyn, NY
Junior Architectural Designer - Architectural design work in all project phases. I worked closely with su11’s founding partners, Erich Schoenenberger and Ferda Kolatan, in producing initial design concepts, drawing sets, 3d models, graphic representations etc for multiple of the office’s on-going projecs. I worked mainly on four projects - a rooftop penthouse villa on the Upper West Side (Initial schematic design), a beach house villa in the Hamptons (Design
development, Construction drawings), a hotel concept and rebranding for hotels in Scandinavia and the Baltics (Schematic design), and the interior of an apartment in the Meatpacking district (Schematic design, Design Development).
CONTEMPORARY ARCHITECTURE PRACTICE | July - Sept 2015 Shanghai, China
Project Lead - I worked with the interior design for differnet lounge spaces in Huawei telecommunications headquarters. I also worked as part of the team that designed, made construction documents, curated and coordinated the exhibition ‘Chinese Architecture Practice’ which opened in Beijing, China in
September 2015. Furthermore I also worked with a Chinese city masterplan as well as conceptual work.
BARKER FREEMAN DESIGN OFFICE | July 2013 - August 2014
Brooklyn, NY
Intern Architect - I worked with Principal Alexandra Barker on proposals for two international design competitions, the 2013 Changing the Face competition and the 2014 Design Marfa Housing Competition. For both competitions I worked both in the early stages of the design phase as well as the later presentation phase.
AIX ARKITEKTER | June 2013 - July 2013
Stockholm, Sweden Intern Architect - Assist in the design of projects, selecting material finishes, creation of drawing sets, work on presentation materials and graphic representation.
ACKERT ARCHITECTURE | June 2013 - July 2013
New York, NY Intern Architect - Assist in the design of projects, selecting material finishes, work on presentation materials and graphic representation as well as modelmaking.
CARLSTEDT ARKITEKTER | June 2008 - July 2009
Stockholm, Sweden Office assistant - Assist in the design of projects, selecting material finishes, creation of drawing sets, work on presentation materials and graphic representation.
PROFESSIONAL COLLABORATIONS
URBAN MATTER INC | June 2008 - July 2009
Brooklyn, New York Design consultant - Schematic design and design development on a
permanent art installation in Austin, TX with a focus on digital assis-
tance. The piece was installed in May 2015.
SELECTED WORKS
ulrika lindell