v
P O R T F O L I O SELECTED PROJECTS
UMANG CHAMEDIA 2018-2022
HI I ‘M
Umang Chamedia
10th (2016) - Dr. Yardy English High School ,Yavatmal,Maharashtra 12th (2018) - Vikas Hindi Junior College , Yavatmal,Maharashtra B.arch (2018 - Visvesvaraya National Institute of Technology ,Nagpur present )
An architecture undergraduate at Visvesvaraya National Institute of Technology , with a zest for observing ,learning,creating,and problem solving . As an adult I have always been intrigued by how we ( humans ) functions and intract with others ( surroundings) and architecture to me presents an opportunity not only to understand this but also add to it for better or worse. This never-ending cycle feeds my need towards innovating.
Training and Experiences
Competitions
Accumen for architectural form
Louis i kahn trophy | nasa
By - Department of Architecture and Planning ,
Documentation of semi sacred spaces
VNIT, Nagpur- 440010(MH)
Reubens trophy | nasa
20-25th July , 2020
Vastu
introductory course
a path to harmonious living
By - Sashikala Ananth , Rithambara
Interior design By - Trisha challani, Bold Interiors May, 2020
Proposed landscape design for Director , VNIT ,Nagpur Under Guidance of Prof. Meenal Surawar Sept ,2021
Associate at 361 361 is a uniform platform for young students and professionals 2020 Present
Sketchup masterclass By- Ace Design Institute , Nagpur 14th -15th September,2019
Potrait of Ar. F.L. Wright in charcoal
Micro housing | volume zero Designing a house for people of working class
The attendance | archmello Reconfiguring goverment school in India
Lectures and Seminars Seminar on photography By - Dr. Ravikumar Dumpala-Nikon India VNIT, Nagpur
Eco-structure By - Ar. Chitra Vishwanath and Ar. Sathya Prakesh Varanashi, 361 BITS 4th April ,2021
Lecture on sustainable architecture By - Ar. Habib Khan
Lecture on construction and project management
By- Ar. Deben Maza
25th December ,1999 Yavatmal ,India E: umangachamedia@gmail.com @umang_chamedia/instagram +91-9404913066 / mobile no.
Workshops Costford workshop at laurie baker center, trivandrum 3 Days workshop on special construction techniques of Brick,Bamboo and Stone, 2018
Space making through photography Workshop explores the idea of using the skills of photography to design spaces and volumes , Feb 2022
Design concept and strategy By- KIran Babu,ONEXISTOX
“Quest for best” enchancing designing thinking
By- Department of Architecture and Planning ,VNIT,Nagpur 17th-21 July , 2019
Brick masonry and timber joinery Hands on workshop by Ar. Ashish Nagpurkar, VNIT, Nagpur 2019
Languages english
| hindi | marathi | marwadi
Hard Skills - autodesk autocad - autodesk revit - trimble sketchup - vray - lumion - photoshop - illustrator - indesign - rhinoceros 3d ( basic)
Electives - Green architecture - Advanced building material - Visual communication - Contemporary design theory and - criticism - Rural planning and development - Building repair and restoration - Project proposal and documentation
Preface The drawings and all the data inside this portfolio is created by me and is true to my knowledge. It is the collection of work done in the year 2018-2022. Each project shows the different skills and experience gain in that time period. Living these four years through various events and topics has given each time a unique value and lessons. I’m very mesmerized to share it through this portfolio
08
Contents....
52
6-13
02. landscape design
14-21
03.
22-27
Urban insert | Academic work | 2022
8th Sem
Landscape of a religious place | Academic work |2021
7th Sem
1.618033 COMPE TITION ENTRY
NASA 2020
5th Sem
16
7.8BILLION AVIKAL i kahn louis trophy
TEMPLE LANDSCAPE
COMPE TITION ENTRY
Documentation of a semi-sa20 cred space |Compitition |2020|NASA
04.
28
working drawing
28-33
Residential | Academic |2020
CLADDING CONSTRUC TION
34
46
01. commercial complex
40
05.
bunglow design
34-37
Adobe of a sculpture| Academic | 2019
3rd Sem
06.temporary structure
38-41
07.
42-47
Lamella roofing | Academic | 2021
6th Sem
miscellaneous
Model making | Photography | Digital Art
CHAYA
PHOTOGRAPHY
54
COMMERCIAL COMPLEX AECHITECTURAL DESIGN
To design and build a space that offers the citizens a platform for social interaction and recreational combined with work instead of a monofunctional building as the public are more attracted to a complex urban experience. SEMESTER XIII Location : Nagpur | Area: 15,300 sqm | Mentor : Dr. Akshay Patil
FSI Calculation FSI : 4 Site area : 15,300sqm Thus, total permissible built-up area = 15,300 x 4 =61200sq m 80% Anciliary area has been taken into consederation So the total permissible built up area = 1,10,160 sqm Similarly , atleast 500 car parking has to be provided
Form Evolution 1)
2)
Taking the site form and extrud- Then adding a big mass on the south -western cornor thus the ing it up to certain height so as to form the base for retail sector shadding of the form can be achived
3)
Providing the curves and edges to the derived form to cater the site circulation and aesthetic of the build form
4)
Basement Retail Food court By inclining the walls of the form the current form was derived which provides shadding from all the directiuon
Conceptual Section showin
Basement 1 Total car parks : 190 Total 2 wheeler: 270 Office space Recreational space
Basement 2 Total car parks : 350 Total 2 wheeler: 270
ng floor wise zoning 09
Floor plan of 4th floor Area: 9,805 sq.m
Floor plan of 3rd floor Area: 9,805 sq.m
Floor plan of 2nd floor Area: 9,740 sq.m
Floor plan of ground floor Area: 9,740 sq.m
Floor plan of 14-19 th floor Area: 2200 sq.m
West side elevation
Floor plan of 9 -11 th floor Area: 2200sq.m
North side elevation Floor plan of 8th floor Area: 6,100 sq.m
Floor plan of 5th floor Area: 9,805 sq.m Isometric view 011
SECTION A-A’
View of the complex from the pedistrian pathway showing the entrance , northern facde and covered southern facade . It also gives us the sence of scale .
013
LANDSCAPE DESIGN
A potential site in place of your residence has to be identified ,analysed,developed, and proposed a landscape design to improve and maintain the already existing context . SEMESTER III Location : Yavatmal | Area: 6 acrs -24280 sqm | Mentor : Prof. Meenal surawar
The main aspect of the project was to revitalize the temple campus so that all the spaces on the site can be properly used and also at the same time cater to all the challenges the comes with it. Site has been designed such that the main pedistrian pathways leading to temples has been highlighted . Stepped entrance has been given so as to provide the required hirerarchical feel. Site has also been designed according to the most bussiest time of the year which is Durga pooja Spaces are designed for all the age groups and keeping everyone’s intrest in mind .
Existing activities : * Temporary shops of Flowers, prasad, toys * Well developed parking space *Well developed temple structure * Vehicular and pedistrian entrance * Prefunctional spaces
User Analysis * Devotees ( short distance traveller) * Devotees ( long distance travellers) * School students ( mostly for school picnics and small parties ) * Housewifes from around the town * Family groups * BHajan mandalis * Shop owners * Maintaince saff
Re- developed and added activities : *Social community * Children play area * Family leisure area * Redevelopment of economic zone * Semi shaded setting spaces * Redevelpoed prefunctional Spaces
246
Agricultural land
ZONING
DEVE CIRCU 246
246
246 246
248
246
246
248 248
246
248 248
248
246
248
246
248
248
246
246
Site surrounding
248
Agricultural land
246
Residential area
248
Temple area campus
EvolutionNof the De P
246
246
The evolution of de theSITE pedistrian path PRAPOSED CIRCU forming the grid ar Existing build up activities it Economicaround Zone and vegitation
N 246
246
N
246
Existing well
247
developed parking PRAPOSED SITE CIRCULATION
N
Existing build up and vegitation
Family party area
247.5
Main Temple Temple area PRAPOSED developed parking SITE CIRCU 248
Economic Zone 246
Existing well developed parking
246
247
Family party area
247
246
248.5
247.5
Prefunctional area
246
Walk in Park
248
247.5
Focal point and view points on site
Existing well developed parking Main Temple developed parking Prefunctional area Existing well developed Garden Social Community
Economic Zone Family party area
Existing build up Templeand areavegitation Existing well Walk indeveloped Park parking Main Temple developed parking
Children Play
248.5
Main Temple developed parking
Temple area
248
248
247
246
Existing well 247 developed Garden 246
248
Social Community
248.5
246.5
Children Play
247
248
247
247.5
246
5
15
246
247.5
248
N
N
10
248.5
11
23
Temple area
Pedistrian Entrance 12
246.5
246
Walk in Park
Existing well developed Garden
Children Play
N
247
247.5
N
N
Developed site circulation
Top ( almost flat ) Average slope Gradual slope
Water catchment and existing countours
14
248.5
247.5
Social Community
Prefunctional area
Redevelopment of site circulation
247.5
18
Social Community
Existing site circulation
247 Existing private land
247
Family party area 246
246
247.5
Economic Zone
Existing well developed Garden
Children Play
246.5
248.5
Walk in Park
247.5
Prefunctional area
21
246
44 National Highway Service Road
Existing build up and vegitation
246
Design evolution by forming a grid
17
N
2
Stepped pedistrian pathway leading to temple
Stepped pedistrian pathway vides devotees a hierarchica and a sence of spirutuality is
2)
1)
use of diya posts on different parts of the site so a sence of connectivity can be felt through out the site.
1) Green spaces 2) circulation spaces
1) Core temple 2) vehicular entrance 3) existing well developed parking
4) Prasad delivery social community walkway in front of pond area
pond
stage platform
O.A.T
view point
temple area
pathways
5)childre 6) diya la 7) handw 8) small 9) existin
y proal feel s awaken
Site plan
en play area
oped garden
amb post
10) pedistrian stepped
wash area
vvvventrance
water fall
ng well devel
temple
11) lawn area 12) shops
14) traditional
18) small children
stepped well stairs
play area
15) pond 16) terrace setting 17) o.a.t
19) traditional
21) tempples 22) family party area 23) sitting space
stepped well steps
20) walk in park existing land use
19
A view from the pond representing the traditional stepped well stairs.
A view from the main Pesidtrian pathway
A view showing how the pedistrian walkways and pond have been integrated together .
A view from the pathway showing how in good family leisure area
hanuman temple huge banyan tree
shiv temple
family party area
second pathwa
y showing the landscape beside .
A view from the site showing how various spaces on the site can an ideal leisure space .
ntresting sitting spaces forms a
A view from the O.A.T
dary ay
temple
existing built up
car parking area
21
T U R D Y F O U N D AT I O N S I N S T O N E A N D A L S O M A I N TA I N I N G A D E C E N T H E B U I L D I N G I S S T I L L P R O N E T O S O M E T E R M I T E AT TA C K , E V E N A F T E R L E A S T C H A N C E S O F T E R M I T E AT TA C K .
PITCHING OFF OF PLASTER IS A LOT O F S T R U C T U R E S . I T MA K E S T H E S T R U C T U R E LO O K A S T H E T I C A L LY U N P L E A S I N G .
W T H , A M O I S T U R E PAT C H E S D U E T O C A P I L L A R Y A C T I O N D O N O T L D S T R U C T U R E . A L O N G S I D E , W E A L S O H AV E T H E P I T C H I N G O F F O F D U E T O W E AT H E R I N G O V E R T H E T I M E .
XTURES OF FURNITURE, DOORS AND WINDOWS, AND ALSO IN THE O F N O W, D U E T O T H E P O O R M A I N T E N A N C E . A T I M E LY C H E C K I N G , U G H T I R O N / C A S T I R O N C A N O N LY K E E P I T S L O O K A N D S T R E N G T H
NASA TROPHY
T H E S E M I - S A C R E D S PA C E S A S T H E T I T L E I T S E L F S U G G E S T S U S T H AT A D E M A R C AT E D E N T I T Y H A S A N C I L L A R Y F U N C T I O N S U P A N D A B O V E T H E FUNC TIONS PROVOKED BY THE SACRED PROVISION. HISTORY SHOWS EVID E N T LY T H AT T H E D E S I R E O R T H E D R I V E O F H U M A N A C T I V I T Y T H R O U G H A N D A C R O S S S U C H S PA C E S I S E N T R U S T E D B Y VA L U E S , H E R I TA G E , T R A D I T I O N A N D C U LT U R A L B E I N G . S E L F L E S S E F F O R T S M A D E I N S E T T I N G U P S U C H A R E N A S O F S E M I - S A C R E D A C T I V I T Y C L E A R LY S H O W T H E D R I P P I N G E F F O R T S I N E M B O S S I N G T H E S P I R I T S O F T H AT D AY. T O D AY, W H E N T H E M I L L E N N I A L S A R E TA K I N G OVER THE SPORT OF HUMAN AGENDAS ON THE EARTH, THESE SEMI-SACRED S PA C E S A R E L A C K I N G A B A C K I N G . T H E H U M A N I N T E R A C T I O N T O S U C H P L A C E S I S L O S I N G T H E I M PA C T W I T H W H I C H T H E Y W E R E O N C E M A D E , A N D S O A G E N E R AT I O N I S I N T H E M A K I N G , W H I C H I S E N T I R E LY U N AWA R E O F I T S P U R P O S E A N D E X I S T E N C E . T H I S I S A T H R E AT A N D A C R I S I S .
Architecture of the Semi Sacred’ intends to relook at the architecture located between the civic and the sacred, the two major categories studied during architecture program. Incidentally, the semi sacred has been ignored by the fraternity at large.
A LOT O F I R O N F I X T U R E S A R E CO R O D E D D U E T O N E G L E C TA N C E . C O R R O S I O N M A K E S S U R FA C E S R O U G H A N D R E D U C E I T ’S S T R E N G T H I T A L S O D I S CO LO R S T H E S U R FA C E .
O T H E S H I F T I N H U M A N T H I N K I N G , I T I S A L S O S O M E W H AT R E S P O N S I B L E T R I C AT E W O R K S O F T H E O L D E N T I M E S .
S ABANDONED HAPPEN DUE RUCTURE.
C O N KAHN C L U STROPHY ION LOUIS
A N D S O , A P U B L I C I N T E R V E N T I O N T O PAY AT T E N T I O N T O S U C H S PA C E S I S N E C E S S A R Y. I T I S N O T J U S T T O S A F E G U A R D A N A R C H I T E C T U R A L E N T I T Y B U T A L S O FA C I L I TAT E A T R U E C U LT U R A L S P I R I T A N D T H E D E E P R O O T E D B E L I E V E S . T H E R E Q U I R E M E N T H E R E I S N O T G L O R I F I C AT I O N , N E I T H E R A R E W E E X P E C T I N G A V I L I F I C AT I O N W H I C H I S W H E R E W E A R E A L L H E A D I N G T O . A M I X E D D E V E L O P M E N T A R O U N D A N D M I S S - M AT C H I N C O N T E M P O R A R Y C O N T E X T, T O T H E E N T I R E C O N T E X T U A L R E L E VA N C E H A S T O B E R E I T E R AT E D T O O N E A N D A L L .
E N T I T L E M E N T O F R E N O VAT I O N O R M A I N T E N A N C E I S N O T J U S T T H E TA K E AWAY B U T A L S O T H E C L E A R F U N D I N G S A N D E F F E C T I V E A R C H I T E C T U R A L C O S T C U T T I N G S H AV E T O B E T H E PA R A M E T E R S T O TA P E . A N D S O W O U L D T H E S E S PA C E S O F R E L E VA N C E T O H I S T O R Y, C U LT U R E , H A B I T S A N D T H E E V O L U T I O N O F H A B I TAT S , W H I C H A R E C U R R E N T LY I N A B A D S H A P E F O R A L L , H AV E T O E V O LV E I N T O K N O W L E D G E C E N T E R S T H AT W O U L D D E P I C T W H O W E A R E , F R O M W H E R E I T A L L S TA R T E D T O W H E R E T I L L A L L E N D E D , T O A H U N DRED YEARS FR OM NOW OR A COUPLE SO.
I N S O M E O F T H E S T R U C T U R E S , T H E S TA I R NOSING IS BROKEN.
INTRODUCTION INTRODUCTION
TIMELINE TIMELINE
I N D I A I S A S E C U L A R C O U N T R Y I N W H I C H VA R I E D R E L I G I O N S D W E L L W I T H P E A C E A N D H A R M O N Y. I N T H I S P I O U S L A N D , S P I R I T U A L I T Y I S B E S T O W E D B Y DU I AR EI S RAI C SHE CI NU LHAIRS TCOORUYN A T RNYD I N H II TC EHC VA RN E LDI H GA I ORNP SU RD W A C IUNLT A RW CH T U RR IEE. DPA I SE LOLN W E ITH P E A C E A N D H A R M O N Y. I N T H I S P I O U S L A N D , S P I R I T U A L I T Y I S B E S T O W E S U C H P I O U S L A N D W H E R E VA R K A R I S F R O M A L L A R O U N D I N D I A C O M E T OD B Y S TI ROSRT.Y A N D A R C H I T E C T U R E . PA N D H A R P U R I S O N E Q U EAN CCHU TLTHUE RI RE SRPIICRHI T UI NA LHTI H S U C H P I O U S L A N D W H E R E VA R K A R I S F R O M A L L A R O U N D I N D I A C O M E T O Q U E N C H T H E I R S P I R I T U A L T H I R S T.
6TH CENTURY CARVINGS OF 13TH CENTURY R A S T6RTAHK U BHAKTI MOVEMENT C TA E NST U R Y B Y K I NCGAAV I D E YA RVINGS OF 13TH CENTURY R A S T R A K U TA S BHAKTI MOVEMENT B Y K I N G AV I D E YA
WA R WA
THROUGH A SOCIO-R D O XTY.H RTORUO BASA E DS O O CN M A ND. OTXHY. U C A S BT A E SS EADN MAN. T CASTE
15TH CENTURY 17TH CENTURY 19TH CENTURY E K N AT H B O R N TUK ARAM TOOK THE TEMPLE TRUST R E1 W R I T E L E A D 5TH CENTURY 17TH CENTURY 19TH CENTURY E K N AT H B O R N TUK ARAM TOOK THE TEMPLE TRUST REWRITE LEAD
12TH CENTURY 14TH CENTURY AT TA C K B Y A L L A U D I N D N YA N E S H WA R I K1 H 12TH CENTURY 4 TI LHJ IC E N T U R Y AT TA C K B Y A L L A U D I N D N YA N E S H WA R I KHILJI
16TH CENTURY DARK PERIOD FOR H1I 6NTDHU C E N T U R Y DARK PERIOD FOR HINDU
18TH CENTURY P E S H WA S + H O L K A R + S1H8I TNHD EC E N T U R Y P E S H WA S + H O L K A R + SHINDE
1600-1700 1600-1700 A S H I S TO RY G O E S ACCO R D I N G TO T H E LO C A L F O L K LO R E , T H E R E L I V E D A M A NA SN AHMI SETDO RP YU NGDOAELSI KAW G RTEHAT EV . EPRL EE ALSI EV D C CHOOR WA D I NSG AT O E D LO CO A TL E FE OOL FK LVOI SR H E ,N TUH ED A B Y HMI SA N D ENVAOM T IEODN P, V H ANLUI KC A O VSI SAI T GHRI EMAT . PU DO A TL EI KE WA EN U INS D WMHEO TWA DN EV O F SVTI H SH N UA. DPML IETA- S E D T I N GB YH H I SI SPA S KNEUD CVAI M S HE NTUO TVOI S WA M E .S HT EH EANS KAEDDM I T D RE EVN OTTSI OANN, DV I A SH I T HI TI MF.OPRU SNODM A LE I TK I WA L O R TDI NVGI S H H INSUPAT ROE NS TTA AU S TI TO W E RI TE FROARI NSYO M D EAYTSI MAEN. D H SE K E D S NADN DO N A SA KEB DRVI CI SKH N WA H ET A G R OLUONRDD WA S M U D D Y. L O R D V I S H N U WA S I M P R E S S E D T O S E E H I S D E V O T I O V I S H N U T O S TA N D O N A B R I C K A S I T W E R E R A I N Y D AY S A N DN T H E T O WA PASRM E NUTDSDAY.NLDO A S KVEIDS HPNUUN D A LSI KI MT POR M W ISSEHE. HP IUSNDDEAVLOI KT I O N G RRODUS NHDI SWA RD WA E SASKEED AT O REFU S E D T O M A K E A N Y W I S H F O R H I M S E L F. W H E N L O R D V I H NWUI SI H N.S P I SUTNE D DA , LIK T O WA R D S H I S PA R E N T S A N D A S K E D P U N D A L I K T O M A K ES A P U NRDEAFLUI SK EADS TKO E DMH T HR EHSI M AM P LW A CHEE NA NL D A IKME TAON YS TAY W I S HATF O S EEL F. O RBDL EVSI SS HENVUE RI YNOS N I SET E D , D I S RPEUGNADRADLI INKGATSHKEEIDR H F IINMA TNOC I SATAY L S TAT E LEI GPILOANC EB YA H AT UTSH O E RS AR M N IDS BP LREESSSE NECVEE.R Y O N E
TUKAR
1850-1950 1850-1950
INTRODUCTION
TIMELINE
WA R I
1990 onwards 1990 onwards
D I S R E G A R D I N G T H E I R F I N A N C I A L S TAT U S O R R E L I G I O N B Y H I S P R E S E N C E . I N D I A I S A S E C U L A R C O U N T R Y I N W H I C H VA R I E D R E L I G I O N S D W E L L W I T H
P U N D PAE LA CI KE A N IDSH A RTMHOEN Y. IRN ETA H ISS O P IN OUS W L AH N DY, S P I R I T U A L I T Y I S B E S T O W E D B Y L O R PDUAVNCID T H A L I S A L S O K N O W N UTLT U R E R I C H I N H I S T O R Y A N D A R C H IS TW E CH T UYR E . PA N D H A R P U R I S O N E A L I K I S T H E R E A S O NA U COH DP I O UOS FL A NTDHWEH E RPE O VAOR R K A”,R I S A F RN OD M ALL AROUND INDIA COME TO T H E L O“S G R D V I T T H A L I S A L S O K N O W N A S Q U E N C H T H E I R S P I R I T U A L T H I R S T. PA N TDHHEA R“PGUORD I SO FA L STO H E K NPOOW ON R ”, A SA N D T H E PA “ KN AD SH H IA” ROPFU D R E ICSC AANL S. O K N O W N A S THE “KASHI” OF DECCAN. AS SOME OTHER BELIEFS, VITHOBA WA SA SW O R SMHEI POPTEHDE RA SB EAL I PA SO E F SS ,T O VR I TAHLO B A D E I TWA Y SD UWROI NR G TU YRAL S H TI PHPEE D6 TAHS CAE NPA S TRO CE. DEITY DURING THE 6TH CENTURY CE.
ALL THESE O N ASLOLC TI EH F O RO MN. I NS O M T U K FAOR RAM M.
1700-1850 1700-1850
6TH CENTURY CARVINGS OF R A S T R A K U TA S B Y K I N G AV I D E YA
13TH CENTURY BHAKTI MOVEMENT
12TH CENTURY D N YA N E S H WA R I
15TH CENTURY E K N AT H B O R N REWRITE
14TH CENTURY AT TA C K B Y A L L A U D I N KHILJI
17TH CENTURY TUK ARAM TOOK THE LEAD
16TH CENTURY DARK PERIOD FOR HINDU
T H R O U G H T H E 1 2 T H A N D 1 3 T H C E N T U R Y, T H E S U B C O N T I N E N T WA S W I T N E S S I N G A S O C I O - R E L I G I O U S M O V E M E N T W H I C H WA S A R E A C T I O N T O H I N D U O R T H O D O X Y. T R O U V E R S A N D B H A K T I S A I N T S W E R E P R E A C H I N G A S I M P L E R FA I T H B A S E D O N LO V E A N D D E V O T I O N T H AT C O U L D B E F O L LO W E D B Y A C O M M O N M A N . T H U S T H E W O R S H I P O F G O D WA S M A D E A C C E S S I B L E T O P E O P L E O F A L L CASTES AND CREEDS.
19TH CENTURY TEMPLE TRUST
W H Y PA N D H A R P U R ? W H Y PA N D H A R P U R ? 18TH CENTURY P E S H WA S + H O L K A R + SHINDE
PA N D H A R P U R , A C I T Y I N I T S E L F P O R T R AY I N G H E AV E N . O N EPA CN AN N GI N , G WH H EN. D HSAERE PK UHRE ,RAE .CFIOT RY A I N VIETRSYE LVFI TA P OL RTTHR IAY HIECAV I S OONVEE RC A NA NSYE E KMHAT TIC T EI TA N T,L T H TH S ICH E REER.IFAOLRI S A V E R IYN V I NAT G , WI H FA I TI H A AT L L E ROIVAELRI S TTIHCE D S . P EOOVPELRE FARNOYM M I NETCECNAT,N CT O HM ATE I S H E R FA E II N RC NEO F ALNO RCDO M E T HS. PE EAO P LHE OFFR FA O MI T HA LALN D O VAEFRF ETCHTEI O D CC V I T THHEARLE WI NH I SC EHAIRSCSHE ROVFE D FAWI TI THHAONUDT AAN F FY EDCITSICORNI MOI N F AL-O R D T I O NV .I T T H A L W H I C H I S S E R V E D W I T H O U T A N Y D I S C R I M I N A 1700-1850 TION.
W I T H A L L T H E AT T E N T I O N G A I N E D B Y R E L I G I O U S T O UW R IISTM , E AAT C CTOEM H AHL EL R TE H N TMI O OD N ATGIAOI N N SE D OBFY RLEALRI G G EI O U S N U MTBOEURR O V EORTEE,S IAS CAC O MM AM J OORDCAT O INOCNESR N O F L A R G E I SFMD EH A N DNAULMS BOE ERSO S EF NDCEEV O Y AWJ IOTRH CHOONWC EGRRNA C E O FT ETSH EI S CAI TM F U L LY NCI ZEEODF. MT AHNE YC I TP Y R OWVI ITSHI OHNOSW LGI KREA C E A N DI TA LI SS O OERSG S EAN M U TFTUHL, LY D H IATR AI SM SOHRAGLAAN, IAZNE D P HAANDY APRREO V I S I O N S L I K E D.M E S TAM IHSTEHSHEE, SDD HTA ES R FNO RE DATTLH ERN RB EEALO M SGH AF EN D AS TEDE D RU A LBU LLTT A IH N OAED, I FM E NTTPI O CHAN S AAP N DE R H APDOTSHE E I.R I M PA C T EO NS TA HDE LM SOB C IL E TI YS H T HERD O UH G HE RR E E L IFGO I OR N T AN I T EERN ATTUIRO E NI NE D T H EP U MR O SPTOGSE E N E. R I C
I T I S A L S O B E L I E V E D T H AT V I T H O B A WA S A N A M A L G A M AT I O N O F L O C A L H E R IOTE SI S. IAT L WA G HT HT AT H E VS ITA T HSE ABN H AAKM T IA LMGOAVMEAT M EI O NN T IO NF T LHOE C A L S O SB TE H L IREOV U ED T HROT B O A F WA 13TH EN T HSATT H VR IOT UT G HH A LT HOER S V B FA TBHEEC A MAE K TI D ED TNH T H E H E RCO E ST .U IRTY WA TAI TRHTOO BH I EMNOTVI FEIM E N TW II1600-1700 V I S H1N3 U . C E N T U R Y T H AT V I T T H A L O R V I T H O B A B E C A M E I D E N T I F I E D W I T H TH VISHNU. A S H I S T O R Y G O E S A C C O R D I N G T O T H E LO C A L F O L K LO R E , T H E R E L I V E D A M A N N A M E D P U N D A L I K W H O WA S A G R E AT D E V O T E E O F V I S H N U . P L E A S E D B Y H I S D E V O T I O N , V I S H N U C A M E T O V I S I T H I M . P U N D A L I K WA S T H E N A D M I T T I N G H I S PA R E N T S A N D A S K E D V I S H N U T O WA I T F O R S O M E T I M E . H E A S K E D LO R D V I S H N U T O S TA N D O N A B R I C K A S I T W E R E R A I N Y D AY S A N D T H E G R O U N D WA S M U D D Y. LO R D V I S H N U WA S I M P R E S S E D T O S E E H I S D E V O T I O N 6 T H C E NTTOUWA R Y R D S H I S PA R E N T S A N D A S K E D P U N D A L I K T O M A K E A W I S H . P U N D A L I K 15TH CENTURY 17TH CENTURY CARVINGS OF ENTURY F USS E D T O BMH1AA3KKTTEHI ACMN HT F O R H I EMKSNEAT L F.H W HRENN LO R DT UV KI SAHRNA U I NOSOI KS TTEHDE, BO M T R A S T R A KRUETA OYV EWMI ES N B Y K I N G AV P UI DNEDYA A L I K A S K E D H I M T O S TAY AT T H E RSEAWMREI TPEL A C E A N D B L E S LS E EAVDE R Y O N E D I S R E G A R D I N G T H E I R F I N A N C I A L S TAT U S O R R E L I G I O N B Y H I S P R E S E N C E .
TIMELINE
WA R I
1850-1950 19TH CENTURY TEMPLE TRUST
1990 onwards
MUTTH
PUNDALIK IS THE REASON WHY LO R D V I T T H A L I S A L S O K N O W N AI NS T R O D U C T I O N E L I G I O U S I N S T I T U T I O N S W H E R E R E L I G I O - P H I LO S O P H I C A L AC T I V I T I E S T H E “ G O D O F T H E P O O R ”, A NR D ARE PR AC TISED. NEONWT N E SSTA B L I S H E D 1B6YTTHH C E EDNI TS U CR I PYL E S I N T H E E V O TH 1PA 2 TN H DCHE A N RT P UU R YR I S A L 1S 4OT HK C U R YA 1 C8 AT T HI OCNE O N FT U R EY S A I N T S W H O W I TKTIPH RD UA KFM YE A L LC A UUDO ESH WAI S + HVI ”EROI FT DHAT EAT CTA C ACNKT. BH OLIRN I .R U KP M H I S T O R I A N SDTNHBYAEEN“LKE SAI HES WA RI NRRS HEI PNP ETDD AVRV TEARTLI OH IN T EH OML KPALR E+ WA S
AC TIVITIES:
F O R M . I N M A H A R A S H T R A , G R E AT B H A K T I S A I N T S L I K E D YA N E S H WA R , N A M D E V,
T H E T UMK AARIANMTHEAV NEABNE ECNET HA DN EA E N PIO E RPS -O F VA R K A R I T R A D I T I O N P R OTPHR EI ATMEA I U R IANNGCI EN GA NODF A P NP T EB N THEP S ER OPPLRAI C E SE AURPEB RAIGNAGIINN GA O F AT M A JTOHRE SL O I GGHATI N A E OPKLO AU C T. E SO N A ER EM A B E I N G A S S O C I AT E D W I T H M A H A R A S H T R A F I N DM A JI O T R LI NOTOEKROE U S TT.I O NG TDOINGO RHTTH E R N K A R N ATA K A , T H E VA R K A R I N EA NM S T U FDIYN DT H EI TS E I PNLTAECR EE SS T IA N D O NO H A S R E M A I N E D U N I N T E R R U P T TN R AGD I T I T TA K ES T A U DN Y O T EH E O S EF VPILBARCAEENDSCF Y OA RN E ID GHT CENTURIES. WITH CO T T ET OO FI T SV I BDRYA-N C Y TA KREE SAP E N N A MWI CI T N H ATRUERSEP.E C T T O I T S D Y T H E R E I S N O O F F I C I A L R E G I S T R AT I O N O F MM IC S N AT U RLEA . D H ANRAA HA
INTRODUCTION:
D A I LY A C T I V I T I E S I N V O LV E T H E R E C I TAT I O N O F ‘ D N YA N E S H WA R I ’ & ‘ H A R I PAT H ’. M O N T H LY : T H E M A I N O B J E C T I V E O F M U T T H I S T H E P R A C T I C E B H A J A N , K I R TA N , J A P, N A A M S A N K I R TA N O N D A S H A M I , E K A D A S H I & D WA D A S H I I N E A C H M O N T H O F T H E H I N D U PA N C H A N G . Y E A R LY : 1 ) WA R I – WA R K A R I S A N D T H E I R S P I R I T U A L H E A D ( D I S C I PLE & PREACHER) WORSHIP VIT THAL RUKMINI BY RECITING M U T T H S A L S O P R O V I D E A C C O M M O D AT I O N T O WA R K A R I S D U R I N G T H E WA R I .
H I SBTYO H R IOASNASLYA B E LK II ENVGE VTI SHHAT H ERC R UI KNM P LO E NWA S B U I LT N UTWA DU H RARNEAN. TT HV EI TRTEHIAS LA N S CI NRII PTTEI M ON AS SOME OTHER BELIEFS, VITHOBA LTP LBEY,WA HSFOWSAOARHSLYA IN I SSGH HUEATSN HIATEIRODENAT I P T1 I2O3N IM M TH HA T. R T AR D : IS T H E BTUE IM O N VR AW IURLAWA AR K SARROD WA I NAGNB IANCSKC TR O 7 ON HOI PSPA EKDLYA A SGAKVIPA T ON T H E M U T T H S C A N B E I D E N T I F I E D B Y T H E W AY T H E Y W E R E E S TA B L I S H E D . T HHEI CTH E MGDPRELA A6 TLYA ITARG I NI G I TEN Y, TO DS UFRTI A NHG H H NATI UN .Y BA LE I SS HF EO DOM BR Y E DIIS STCH LS E SUR CE, W ETO TEES M PH LCEE K VR1G I L VLE SA SI PWA SA T EDNAT TAT O NB .A C K T O 1 2 3 7 2. NAMED AFTER SAINTS E . G R A N T S T H E T E M P L E3 . A MVU TI TLHLS A C E , W H I CCH GR KEI N FG O I TC ISA L SC AUU SSE T E N TAT I O N . WO F OR R SO THE OLD TOWN COMPRISES OF 29 MUT THS. 1600-1700
W H Y PA N D H A R P U R ?
TIVITIES TO WHICH THE LIVES OF THE DISCIPLE-PREACHER DUO A R E D E D I C AT E D . SOME OF THE MUT THS ARE HOME TO THE SACRED TEXTS OF THE
1990
. .
PA N D H A R P Y E A PA R, N WDHHI R, TA S KY E TAO M A NTA A GS K E T A L E T SM, AT N EM LETS,
SHUDH A E K A D A S H I O F M O N T H K A R T I K , M A G H I YAT R A W H I C H I S A L S O K N O W N CONVERTING THEM INTO DHARAMSHALAS FOR BUSINESS PURPOSE. E IO JL AYA D S T REUKCA TD U RAESSHAIR IES B C E IENLGE D O LEID S HIEND TT H O EC O A S M ATGH H B ERMAT MNOS TNRTUHC TOAF NME W AGH.
T H E Y A R E B U I LT O N T H E R O U T E S T H AT L E A D T O T H E T R A N S P O R -
O N E S W I T H O U T U N D E R S TA N D I N G T H E I M P O R TA N C E O F S U C H H E R I TA G E STRUCTURES.
A R C H I T E C T U R A L F E AT U R E S :
MUTTH
L
PPAA NN DD HH AA RR PP UU RR A W A R K A R I ’ S O D Y S S E Y
T H R O U G H T H E 1 2 T H A N D 1 3 T H C E N T U R Y, T H E S U B C O N T I N E N T WA S W I T N E S S I N G A S O C I O - R E L I G I O U S M O V E M E N T W H I C H WA S A R E A C T I O N T O H I N D U O R TS H H AO DED 1850-1950 D O X Y. T R O U V E R S A N D B H A K T I S A I N T S W E R E P R MEAAN DCA PA H I N G A S I M P L E R FAC OIUTR YA HR D B A S E D O N L O V E A N D D E V O T I O N T H AT C O U L D B E F O L L O W E D B Y A C O M M O N T H E S A B H A M A N D A PA S H AP DE E DOCP E NLT E R A LOC F OUR M A N . T H U S T H E W O R S H I P O F G O D WA S M A D E A C C E S S I B L E T O AT LYALR D M A N D A PA CASTES AND CREEDS.
T H E Y A C T A S A T E M P O R A R Y R EHSA I DSE N A LAPI N L AECDE FUONR STCHAT E DHEEV D O TB E EYS C A S T E I S T, RTEI M AT T H E T I M E O F P I L G R I M A G E . AT T H E T I M E O F W A R I , W A R K A R I S A R E ASRTCOHRAFLR, E EHOI EF RCAORS CT . H I C A L A N D A R I S A L L O W E D T O S TAY AT A V E R Y LPAT O W RCI O
D Y N A M I C N AT U R E P O I N T S O U T T O WA R D S T H E C O NDSYI SNTAEM N ITC G RNOAT WUTRHE O FPTO OT ITSC FA LITOI UNSTSTOEHCWA I TSY. T H E OFCIO RNAT R EO LLIU G TI SS. RCD PA N CDOHNASSRI IGPSNUTI FREI CNIASTN A CO I TW Y TWHHO I CFHFSOEONTSFA E SLTL HI EN PTUHRI IST Y C I T Y. CG E :R S M RE BC E SH TTSH P MC ES NIE STO I N TPA H EN D I ONHMTEAEORFNPT THUE DROH AFI RSA V . T HHSE IO ILSOEN ID E -R I T Y ASIHSCAILITATSOYA R W SEEC IN SYF TC OH PA LU A R C H I T E C T U R E I N T H E T O W N O F PA N D H A R P U R . S I G NIFNEO UDTR H AECR ICSI N OA TRREEDHNIEN TL DGO IESHVIOTO HHLEA I TAC I YAT TOYUR ANI SWDHD WA TLY HFR OV URG UO TLV TRH.IENS YG EO A RA .TCL R IR I CE H -I S I N T H E STEHI N LTICHKOOE R EL ERNREDELAVIRG TI YAT H G N ND UPGLCLY NHAGI NE KDAA DLFA R ORU E T F IIISRETSSD TIUEEMS O: NC F TD HEI INM A ,OAILV SOHN AI D ALS HI A AN ISD WHEN SA E ET SPSIEET E DA I TT IU OE I SA P BSEL IBNE RR E IC EI K NN TYAT T IA MREN P R A D A K S H I N A PAT RNIICOE RNM TO AS AD I SS CFA E L EI T B RHAT E D O N TT HHHE,EHTTOEHHLY N SNODLF TICRKAHDEAT M EGGLIRONSEST,LI KNIAG ERE'S A NEW TREND OF BUYING PROPERTIES IN OLD TOWN AND O N T H E W AY B E T W E E N T H E C H O U FA L A A N D PA D M A V AT I L A K E .
I O N H U B S , S O A S T O FA C I L I TAT E T H E P I L G R I M S . PA N D H A R P U R , A C I T Y I N I T S E L F P O R T R AY I N G H E AV E N . W I T H A L L T H ETATAT TENTION GAINED BY RELIGIOUS I T I S A L S O B E L I E V E D T H AT V I T H O B A L WA S A N A M A LG A M AT I O N O F LO C A L O C AT I O N : SECT. T O U R I S M H E R E , A C C O M M O D AT I O N S O F L A R G E H E R O E S . I T WA S T H R O U G H T H E S TA R LTO COAT F ETDH OE NB THHAEKPTRI A M EM T IHN TTHHATE C I R C U M C I ROC LNEED CT HA EN S E E K H E R E . F O R A V E R Y V I TA L T H I N G , W H I C H D AOKV SH I NE A NPAT I S O V E R A N Y M AT E R I A L I S T I C I N T E N T, T H AT I S N U M B E R O F D E V O T ES IS A MA JOR CONCERN F T H E O L D T O W N O F PA N D H A R P U R . 1 3 T H C E N T U R Y T H AT V I T T H A L O R PVRI ETCHI NOCBTAW ABLELCS AOM E IDENTIFIED WITH FA I T H . P E O P L E F R O M A L L O V E A R L TLHTEH EDSE EC CSAANI NCTOS MBEE L O N G E D ATNOD DAILFSFOE R E SESNETN CCEA O T Y HWAI D T HTHHOEW C EC- T S TF ETSH EA CNID I R GIRMAPA V I S H N U . 1700-1850 H E R E I N S E A R C H O F FA I T H A N DO NA F FSEOCCTIIEOTNY OTFHLO N IUZRE ED . MI NA NTYH EP R M O VOI SS ITO NGSE NL EI KREI C R ORUDG H R E L I GFIUOLNLY AINT DI S L IOTREGR AAT A R C H I T E C T U R A L F E AT U R E S : VIT THAL WHICH IS SERVED WITHOUT ANY DISCRIMINAMUTTH, DHARAMSHALA, AND PHAD ARE F O R M . I N M A H A R A S H T R A , G R E AT BH T IE DS AHIENRTESF O L IRK TE HDE YA WA TION. E S TA B LAI KS H M ENNETSI H ON E DR P, UNRAPM OD S EE. V, EXIT T U K A R A M H AV E B E E N T H E P I O N E E R S O F VA R K A R I T R A D I T I O N
WA R I
DEVOTEES BY GOVERNMENT OR TEMPLE AUTHORITIES FOR THIS. THIS TRADITION
AC TIVITIES:
TRUE TO ITS NAME, DHARAM(RELIGION)+SHALA(SANC TUA RY ) , I S A R E S T H O U S E F O R T H E P I LG R I M S . D H A R A M S H A L A S F O L LO W T H E N O T I O N “ VA S U D H A I VA K U T U M B A K A M ”, W H I C H M E A N S ‘ T H E W O R L D I S A FA M I LY ’. D E V OT E E S B E LO N G I N G TO A NY R E L I G I O N & C A S T E A R E W E L C O M E D E Q U A L LY H E R E .
M A N Y D E V O T E E S F R O M M A H A R A S H T R A A N D K A R N ATA K A CMOAMNEY HDEERVEOTTOE ESSE EF K L EM S SAI H N AGRS A . TSHHET R WAH A ON L ED CKIAT RY N ATA R OBM I S DKR AI V CE O N MAER O ATG SI S. TVHI ET TWHHAOL L E C I T Y HU E RNED TOONSEE FE O K CBUL SE STSHI N R U K IHSMDI RNIIVTEENMAP RL O E UWNHDI COHNPERFOOVCI D M AI SR KVAI TBTLHE A L U ES ST R HEAT Q U ARLUI TKIHE SM ILNI KI ET EDMI RPELCE TW I OHNI C, H C EPNRTOEVRI,DLEI SV ERLEI M HO OKDA, B L E AR FA I TQHU, AULNI TI TI EY SALNI K DE ED QIURAE LCITTIYO N TO I T, Y.L I V E L I H O O D , , CTEHNELTOC EC R SIGNIFICANCE: AT I O N : A C T S A S A C E NFA T R E IF T O RH R E,L I GU I ON - C UI LT A SD S O C IE ATQ ION TUYR A LA& N UA LAALC - I T Y T OT HTEHD EH A RCA IMTS HY.A L A S S I T U AT E D O N T H E
M U T T H S A R E G O VH E RI N ND EU D BY A RELIGIOUS HEAD S .H I N D E
KHILJI
T H I S FA I T H A N D B E L I E VTEH O P EI O N BEI SF FA T HP LAENID O N EL BI EEC O N G Y, ETOHSPAT VNEETRIO LIET NIENS S I N G T H R O U G H T H E 1 2 T H A N D 1 3 T H C E N T U R Y, T H E S U N EFN TP WA W D RS I V NINES RT OGCY, TUH AT A S O C I O - R E L I G I O U S M O V E M E N T W H I C H WA AOERNSEEA CTTEH IO HI ITNY, D ORTHOMEA SEI VAI TCEHSM HAEI SS A D O X Y. T R O U V E R S A N D B H A K T I S A I N T S W R EKDEPR R I NO GT R I MLPC-L IETR Y,FA I T H L UULRDM I BNAE GKF .EOPSL A B A S E D O N L O V E A N D D E V O T I O N T H AT C O L OIN EM DHO BAYRRE A- CAOLM- M O N TWD M A N . T H U S T H E W O R S H I P O F G O D WA S MPAU D ER LA U C CRE SI IN SSI BGL .E PTA OAN PLED P LA E RO -F A L L SOO H CASTES AND CREEDS. C A L PL EUDR A S I S‘ K A S HAI ’ L S O O F DCEACLCL A N. AS ‘KASHI’ ED OF DECCAN.
F O U R WA R T H E FFOI R USRT T H E THHOE LY F S H UTDHHEA HE A S MS A HG UH D IH AS MA
CENTRAL
A
W A R K A R I ’ S
W H Y PA N D H A R P U R ?
L
CENTRAL C O U R T YA R D THE MAINTENANCE AND APCOURTP R O P R I AT E U P B R I N G I N G O F CORRIDOR ROOMS TB H E SI NE GP LAASCSEO S CAI RAT E EADG AWI NI T A H M A H A RI N A TS R HO T RDAU C T I O N AC TIVITIES: MAANJ O G H TK A , T H E RVA E L IRGKI O C T I V I T I E S I N V O LV E T H E R E C I TAT I O N O F ‘ D N YA N E S H WA R DRNLO O ROTKHOEURT.NOKNAE RMNI ATA AURSI I N S T I T U T I O N S W H E R E R E L HI GUI GOE- PCHE INLTORSAOL P H I C A L A C T I V I T I ERSO O M S A R O U N DD ATIHLYE CA O U R T YA R D C O U R T YA R D S F TI NRDA D II TT I O INN THEARSE SRTEI N & ‘ H A R I PAT H ’. MGA I NTEOD U N I N TAERRERPUR PA TC T- I S E D . E S TA B L I S H E D B Y T H E D I S C I P L E S I N T H E E V O C AT I O N O F T H E S A I N T S W H O M O N T H LY : T H E M A I N O B J E C T I V E O F M U T T H I S T H E P R A C T I C S ET U D Y T H E S E P L A C E S A N D D FOR EIGHT CENTURIES. DHARAMSHALA WORSHIPPED VITTHAL RUKMINI. B H A J A N , K I R TA N , J A P, N A A M S A N K I R TA N O N D A S H A M I , E K A D A S TA K E A N O T E O F V I B R A N C Y MUT THS ARE GOVERNED BY A RELIGIOUS HEAD. & D WA D A S H I I N E A C H M O N T H O F T H E H I N D U PA N C H A N G . WITH RESPEC T TO ITS DYonwards I N T R O D U C T I O N PLINTH Y E A R LY : 1 ) WA R I – WA R K A R I S A N D T H E I R S P I R I T U A L H E A D ( D I S C INTRODUCTION: AC TIVITIES: CE NR EAT U RI OEN. O F ‘ D N YA N E S H WA R I ’ HERE I N VNOA LVM E TI H C I TAT VERANDAH RELIGIOUS INSTITUTIONS W TRUE TO ITS NAME, DHARAM(RELIGION)+SHALA(SANC TUT H E Y A C T A S A T E M P O R A R Y R E S I D EPNLTEI A&L PPRLEAACCE HFEORR) TWHOE RDSEHVI O P TVEIETST H A L R U K M I N I B Y R E C I T I N G GL ARE PR AC TISED. & ‘ H A R I PAT H ’. A RIYO I S AORF H O U S E F O R T H E P I LG R I M S . AT T H E T I M E O F P I L G R I M A G E . AT T HMEUTTI M KA R EM M O D AT I O N T O WA R K A R I S D U R I N T H E R E I S N O O F F I C I A L R E G I S T R AT T HE SOAF LWS AOR PI , RWOAVRI D E RAI SC CA O W A) ,RN K A RE SI T M UTTH TRADITION: VEESRTA AN HE D ON B LDI A SH B YTTHHEE G DR I SOCU I PNL D E S I N T H E E V O C AT I O N O F T H E S A I N T S W H O M O N T H LY : T H E M A I N O B J E C T I V E O F M U T T H I S T H E P R A C T I C E A L L O W E D T O S TAY AT A V E R Y L O W TCH OES TWA O RR IF. R E E O F C O S T . D H A R A M S H A L A S F O L LO W T H E N O T I O N “ VA S U D H A I VA K U ENTRY DAEA MVSOA NTKEI RETASN OBN YD A SG NA M TMEEBM P L E W O R S H I P P EFDL O V IO TR THAL RUKMINI. B H A J A N , K I R TA N , J A P, N H AO M IV , EEKR AD S H IE N T O R TTUH M U T T H S C A N B E I D E N T I F I E D B Y T H E W AY T H E Y W E R E E S TA B L I S H E D . A K A M ”, W H I C H M E A N S ‘ T H E W O R L D I S A FA M I LY ’. D E V MUT THS ARE GOVERNED BY A RELIGIOUS HEAD. & D WA D A S H I I N E A C H M O N T H O F T H E H I N D U PA N C H A N G . 1 . E S TA B L I S H E D B Y D I S C I P L E S A U T H O R I T I E S F O R T H I S . T H I S T ROAT EDE IS T BI EOL ONN G I N G T O A N Y R E L I G I O N & C A S T E A R E W E L M A N D A PA AT T H E USE OF BRACKETS Y E A R LY : 1 ) WA R I – WA R K A R I S A N D T H E I R S P I R I T U A L H E A D ( D I S C I C2O. M E D EQ L LY H E R E . ROUND ARCHES NA MUEAD IH F IICGAHN CFEO: O T FA L L D U R ENTRANCE & EXIT SIN GG N I FTIHCEASNEC ET :I M E S O F T H E M A N Y D E V O T E E S F R O M M A H A R A S H T R A A N D K A R N ATA - P R E A C H E R ) W ODR SHYHN PLE & IPA TR TIHE L RN R EN C TSI N GAT CAM RB YE U PI O IN T SH EODU TB YT O T H EA F T E R S A I N T S PA N D H A R P U R E X P E R I E NSSCOI EGMSN A SV IM AU KAT I MNI NU EI D C C3WA A. S TRM EDIUSSTT, E O F T H E D H A R A M S H A L A S A R E T H E B E S T S P E C I M E N S O F CO LO N I A L THS WORKING FOR SOCIAL CAUSE S A S A C ENN. T IRTE IFSO RARTE LEID G IIOO- U C USLT U R A L & A S S O C I AT I O N A L A D E A C C O M M O D AT I O N T O WA R K A R I S D U R I N G R AE DHI TE IROENT: O S E E K B L E S S I N G S . T H E W H O L E C I TMYU T T H S A L S O P R O V I C C OTM Y E A R , W H I C H I S A P P R O X I M R O 1W. 2N TOOF PA 1A.N4CDTHM H I S T O R I A N S B E L I E V E T H AT T H E C U R R E N T V I T T H A L R U K M I N I T E M P L E WAWSA R K A R I M UKTAT H O N S I S T E N T G R O W T H O F F O O T FA L L I N T H I S C I T Y. A R CAT H I TEELY C T UA RE I NUT N H EDT O AIRLPLUIRO . PAT R I A R C H A L , H I E R A R C H I C A L A N D A R I S T H E O L D T O W N C O M P R I S E S O F 2 9 M U T T H S . T H E WA R I . TIVITIES TO WHICH THE LIVES OF THE DISCIPLE-PREACHER DU T H E M U T T H S C A N B E IG DAE LNLTEIRFYI E D B Y T H E W AY T H E Y W E R E E S TA B L I S H E D . R O U N D O N E F O C U S T H AT I S V I T T H A L PA ND I TUY SWSHEI C TA S K T O M A I N TA I N O R D E R A N D M A N A G E S U C HA R EA D EGDII G A NE DT. I C C R O W D . T O B U I LT B Y H O S A LYA K I N G V I S H N U WA R D H A N A . T H E R E I S A N I N S C R I P T I O N O1N. E S TA B L I S H EI SD BDYRDI IVS EC INP L A ES TO CH RA ATR PI CU RR EI SL IAGCI O CH T SS.E N S E S T H E P U R I T Y C AT H 2. N A M E D A F TREU RK SA IM N TISN I T E M P L E W H I C H P R O V I D E S R E M A R K A B L E S I G N I F I C A N C E : I N T H E I N T E N T O F V I S I T O R . S O T H E LC I T Y I S D E H EL M H SOABRI EL EH OTMOEI -T O T H E S A C R E D T E X T S O F T H O C AT I O N : M A N A G E T H E C R O W D , AI RS SR UA ENSG: E M E N T S S U C H A S SFOOMOE DO FSTTA L SU T, TM T H E T E M P L E , O F A H O S A LYA K I N G V I R A S O M E S H WA R A D AT I N G B A C K T O 1 2 337. M U T T H S W O R K I N G F O R S O C I A L C A U S E Q U A L I T I E S L I K E D I R E C T I O N , C E N T E R , L I V E L I H O O D , A C T S A S A C E N T R E F OSRI RGE N L I GEI D O - C UALTCUC RA S OG C ILY AT I O NRAEL V AC R AUMN A D A K S H I N A PAT H , T H E E S S E N C E A N D T R A D I T I O N I S B E I N G LO S T I N R E C E N T T I M E S A S OL R& DA SI N O- LV I N G ATLLHO LE CDAHAT RA O I O SNHD:A L A S S I T U AT E D OL NELTATSHA,ENTDPERPA S EDC ET . AVA I L A B L E . THE OLD TOWN COMPRISES OF 29 MUT THS. M DPMOARV A HROE 'TS EALNSE WO N C E , W H I C H G R A N T S T H E T E M P L E A V I L L A G E F O R I T S S U S T E N TAT I O N . TIVITIES TO WHICH THE LIVES OF THE DISCIPLE-PREACHER DUO T H E W AY B E T W E E N T H E C H O U FA ATRI Y L ATK E E .N T ST ,H E T R ERNEDNOTF A B URYEI NM G A PROPERTIES IN OLD TOWN AND FA I T H , U N I T Y A N D E Q U A L I T Y T O T H E C I T Y. T H E E N T I T I E S L I K E T E M P L E R E L I G I O N AO NN D FA I T H
T H I S FA I T H A N D B E LIEVE OF PEOPLE IN O N E E N E R G Y, T H AT D R I V E S T H I S C I T Y, MAKES IT MORE AL. PA N D H A R M LPUUU RRTI NTGH IS ALSO C A L L E D A S ‘ K A AS CHTI I’ V I T I E S : R E L I G I O - P H I LO S O P H I C A L AC I T IEEC S CAN. D A I LY A C T I V I T I E S OTFI V D
LOUIS LOUISI KI
2019 20
O D Y S S E Y
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N OTNHTEH EPRROAUDT EASKTSHHAT I NLAE APAT TEHTAT THHTEH EJEAMC K R CDHH A FR LO OSRHI N C AT ATP U R P O S E . TLHOE C Y AT A RE ED B UO I LT D T OHT H R A NCSIPROCRU - M CCOI R NC V ELRETD I NTG I NA TO AM A LGAISNFDOI R B UES SI NTEH SS
A R E D E D I C AT E D .
HEAI N LA BU NO N TH PR CNIIN O L ED TTHO F TH E I YAT R ATAT H EW P IN L GO R IFM SPA . N D H A R P U R .T H E O L D S TTRHUEC TDUHR A E SR A AM R ES B G SD EWMEORLEI S H E DI LT T O IC S TER U C T A N E W F O U R WA R I S A R E S OHMEE LOD TEHMRU TOT HUS GA RHE OH OUMTE TTO HT HEE SYA EC RAE DR T. E XCT SHOAF ITTH R WIEOH CCUHBT SW I, SSAOLI ALNSS TOOFFATCHI EL I TAT AELR E R AN; DAI SN GI RTOHN BN EA MO S FASRUEC H H E R I TA G E O N E S W I T HCOO U LT OUNNID S TA E /ISMTPEOERLTA CE T H E F I R S T M O N T HS E COT . F H I N D U C A L E N D A R , A S H A D H I E K A D A S H I YAT R A I S W H E N SHRINE OF THE FOUNDER USE OF COLOURED GLASSS T R U C T U R E S . U S E D I N T H I S T Y P E O F F L O O R I N G . L O C AT E D O N T H E P R A D A K S H I N A PAT H T H AT C I R C U M C I R C L E D T H E F LO O R S OR/& VITTHAL RUKMINI P R E C I N C T W A L L S O F T H E O L D T O W N O F PA N D H A R P U R . T H E H O LY P E R I O D O F C H AT U R M A S B E G I N S , K A R T I K YAT R A I S C E LAERBCRHAT I TEEDC TOUNR A L F E AT U R E S : M U TATR CH S H U D H A E K A D A S H I O F M O N T H K A RM T I KU , MTAT G HH I YAT R A W H I C H I S A L S O K N O W N H I T E C T U R A L F E AT U R E SD : HARAMSHALA A R C H I T E C T U R A L F E AT U R E S : A S M A G H I J AYA E K A D A S H I I S C E L E B R AT E D I N T H E M O N T H O F M A G H . E V O LU T I O N : T I IOTN PA N D H A R P U R , A C I T Y I N I T S E L F P O R T R AY I N G H E AV E N .I N T R O D U C W H: A L L T H E AT T E N T I O N G A I N E D B Y R E L I G I O U S INTRODUCTION ION A C T I V I T I E S : I N T R O D U C TEXIT I T I S S A I DI T EC TR DN I T:I O N O F P A HC A TDI VWI T A ISE SS :TA R T E D B Y N A M D E V . A C T I V I T I E S : NHTAT R OTDHU T AI O INTRODUCTI U PUORFI S VA R IEW E ROFM O RMKO I RD TA N IPO E RNF S O R MO AN O N E C A N S E E K H E R E . F O R A V E R Y V I TA L T H I N G , W H I C HP H A D I S A G R TO O MR K AH RHEO, G AT A CH C AT FC E L A R G E R E L I G I O U S I N S T I T U T I O N S W H E R E R E L I G I O - P H I LO S O P H I C A L AC T I V I T I E S GLV I OEUTSH EI NRSETCI ITTAT U TIIOONN O S FW‘ DHNEYA R EN ERSEHLWA I G IROI ’ -PPHHAI LDO SWOAPSH I TON I ERASM D A I LY A C T I V I T I E SR IENLVI O DA LY CITD SHEIANLLVEA OB(LV E NT C R-EACSI TAT E S THEWA R IO’ R A R Y R E S I D T RI C UA EL T RA (CRI E E LAIAG OI VNTI )TO +I ESC SA A SN A MP T RE U N ET I AT LO P ILTASC EN S TA RAOTCETIDITVSF P E ,R FDOHRAM AM N N R AT EH TE U D H MTI O IH , NEEYO KFA‘C -DTN YA N T H E D AY S O F E K A D A S H I . I S O V E R A N Y M AT E R I A L I S T I C I N T E N T, T H AT I SO N U M B E R O F D E V O T E S I S A M A JEXIT OR CONCERN ARE PR AC TISED. ARE PR AC TISED. & ‘ H A R I PAT H ’. ‘ HPAI LRG PAT H S’. . Y )W , IASDAA R S EU D F ODRHTAH&E RAI M ATF TEHAECTHI M E O F P I L G R I M A G E . AT A TH RY E ) T, IIM S EA ORFE SWTA DA S H I A NA DR D S EHSIT OHFO SUH PA K SIH ( WA X I N G F O R T N I G H T ) O F O R A S H A D H I W A R I A N D C H AT U R M A S , K I R TA N A N D B H A J A N A R E P E R E S TA B L I S H E D B Y T H E D I S C I P L E S I N T H E E V O C AT I O N O F T H E S A I N T S W H O LB I SJ H DTI ST C E TEI C V EO C AT I O N O FDTHHAER SAAMI N TS WAHS O F O L L O W T H E M O N T H LY : T H E EMSATA I N BO E CETDI VBEY OTFH EM U H I PI SL ETSH EI NPTRH AC M ONNO TH LY :N T“HVEA SMUADI NH AOIBVJAE C TKIUV -E O F MAULTLTOHWI ES DT H E PSRTAY A C T AT ICE A V E RY LO W T O FA I T H . P E O P L E F R O M A L L O V E R T H E D E C C A N C O M EF O R M E D I N T HAENPD A L S O E S S E N C E O F T H E C I T Y W I T H H O W G R A C E S H A L T I O D HCAORSAT MOSRH F ARL EAES HINDU MONTH. S H A D E BDH A J ACNE, NKTI RR A H A D , A S T H E R I V E R B E D I S N O R M A L LY F L O O D E D . L N , J A P, N A A M S A N K I R TA N O N D A S H A M I , E K A D A S H I WORSHIPPED VITTHAL RUKMINI. T HNAOLNRD UAKSM B H A J A N , K I R TA N , W J AOP,R SNH A IAPMPSEADN KVIIRTTA H IANMI .I , E K A D A S H I TA C E N T R A L TU BA TAHN ED RU L RD I ISTA FA ’.ED T U M B A K A M ”, W H C O RA DN H E R E I N S E A R C H O F FA I T H A N D A F F E C T I O N O F L O R DF O R K A R T I K I FVUA LR ILY NRIMZ EODN. MT HAEN YR I V EPRR OB AVNI SK SI OONF S L I K E RD RM AD I TKIAOMN”,S WOHFI CDHI SMCEICA PON LUES RS‘ YA DW O IDN H ETIRYA CHM EMIELY M R EO GVFE-TDH EA H F ITNEDRU N I -N C H ACNOGU.R T , P HIATD KIASR I SO R P EGRA FO D MUTTHS AR E AGDO VERNED BY A RELIGIOUS HEAD. IG O U S HTEHAED .T W O T & D WA D A S H I I N EM A CUHT TMHOSN TAHR EO FGTOHVEEHRIN N EDD U B PAYNACMHRA AENLG .AI PA & WA A S H I N E A C O N T H PA SH ED O NG I GTI H OE N L&ATCEARS TPEE RAI R OT E E S B E LO N G I G TAEVEES RBI ES LEOTNOG IM A NTYO PAHNAYD SRYEEI LN ORED .WAENLD- T H E I R S P I R I T U A L H E A D ( D I S C I NU A ST T CH R AAB R HA A GM AS , D S CHE A N TD S A HA C O U R YA R D V I T T H A L W H I C H I S S E R V E D W I T H O U T A N Y D I S C R I M I N A -B H I M A ; K N O WM HA, NDD H HUAELTAO, I TASNCDR E P RPMEEA .N D A PA Y E A R LY : 1 ) WA R I – WA R K A R I S A N D T H E I R S P I R I T U A L H E A D ( D I S C I - L O B A R AY C A R LY : 1 ) WA R I – WA R K A I S O M E D E Q U A L LY H E R E . C O M E D E Q U A L LY S I G N I F I CRA NCE: O PLE & PREACHER) WORSHIP VIT THAL RUKMINI BY RECITING P L E & P R E A C H E R ) CWOORRRSI D HO I PR V I T T H A L R U K M I N I B Y R E C I TOI NMGS TION. E S TA B L I S H E D H E R E F O R T H E M E N T I O N E D P U R P O S E . SOME OF THE DHARAMSHALAS ARE THE BEST SPE
CEAT GLAO LL R I EI O S N O :N U P P E R
WA R K A R I M U T T H T R A D I T I O N :
L O C AT I O N :
PHAD
WD I FAF E RRE N TKC AAS T E SRA NI D ’H ASD T H E O B E L O NA GED TO I R I MD PA CY T S S E Y
C A N B E I D E N T I F I E D B Y T H E W AY T H E Y W E R E E S TA B L I S H E D . T H E S A TB H H EA M MUATNTDHASPA ED S H A D E D C E1 N.T R AELS TA C OBULRI ST H YA R DB Y D I S C I P L E S 2. NAMED AFTER SAINTS 3. MUT THS WORKING FOR SOCIAL CAUSE THE OLD TOWN COMPRISES OF 29 MUT THS.
P H A D A R E S E E N T O B E L O C AT E D L A R G E LY N E A R T H E S T R E T C H B E T W E E N P R A D A K S H I N A PAT H A N D R I V E R A S I T I S M O R E C O N V E N I E N T F O R THEIR M A N D A PA . E MAINTENANCE AND APB E -P E R F O R M A N C TE H
A L L T H E S E S A I N T S T H I S FA I T H A N D P R O P R I AT E U P B R I N G I N G O F LIEVE OF PEOPLE IN O N S O C I E T Y T H R O UOGNH NNDT R ILBIUTTTEIHORENAT ECAEDISN E G AMI NO SA T G E N E R I C S EOU LPAH E ERNEE LR IGGY,I OT N H ATA CO FP R : A RTEH A M AEJDOTRO TLHOEOT K OSNOEF W MAI RGKHA RTI S E C T O F S O C I A L P H A D C O M M E ND E AOCU H IT. NG D R I V E S T H I S C I T Y, F O R M . I N M A H A R A S HMTARKAE ,S G E OAT TLII T Y.S AT HIFENYI NTHDASV ELAI ITLKS OE ICNODTNYA RDENTRY , V ENL OAPM E QK UA T U DNH TGOWA T HTEO E M ED N TEOV, F ERRI BEN STE TEIS I TRM R E BAH L -A L A N G U A G E S ASNTDULD I TYE R AT UR ES SEI G NPI L F IA CA N TSLY. A N D T H E C E L U R I N G . PA N D H A R AT T H E T U K A R A M H AV E B E E N S O F VA R K I OF NV I B R AMNEANCNTDYRAAPA TAAKRE I AT RNAOD T EI T O NCE & EXIT P UTR H E PI SI O N EAELRS O CALLED AS ‘KASHI’ OF DECCAN.
WITH RESPEC T TO N A M I C N AT U R E .
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A L L P H A D S H AV E A T E M P L E D E D -
THE C O N S I S T E N T G R O W T H OOFR /F& OV IO T FA L L I N T H I S C I T Y. TTHAL RUKMINI
SACRED MANUSCRIPTS
V E R A N D A HL O O T HEED GTR AT IO NOO: UT N I CNCAT HD E FOUNDER OR WRIT TEN BY SAINTS O RE D O N T H E P R A D A K S H I N A PAT H T H AT C I R C U M C I R C L E D T H E LFOLCOAT VIT THAL OR BOTH. P R E C I N C T W A L L S O F T H E O L D T O W N O F PA N D H A R P U R .
LOUIS I KAHN
M U T T H S A L S O P RW O VA I DRE KA A C CROIM M M OUD T ATTI O WADRIKTA IRO ISN D :U R I N G I S S U E S : M U T T H S A L S O P R O V I D E A C C O M M O D AT I O N T O WA R K A R I S D U R I N G HN TT OR A HU C E PA NTRAL A R C H I T E C T U R E I N T H E T O W N O F PA N D H A R P U R . TH E TSHAEB P HHAAM AGNED T H E WA R I . WA I . G M A J O R TRROAONMSSF O A RRO N DI OT N HS E C O U R T YA R D T IS N ETRH R TEAYA U RNDDTSEHRE G O RI N MUAT IN T H E M U T T H S C A N B E I D E N T I F I E D B Y T H E WI AY T HSEEYE W E AT E S TA BLISH E DD.CSO A R H AADCECD CM EN A EL M CU O ORDER S TO OM OT DRAT OU R ER TDYA E VROD TEES WHICH ARE HAMPERING THE ES1. E S TA B L I S H E D B Y D I S C I P L E S M A N D A PA 2 . N A M E D A F T E R S A I N T S S E N C E O F T H E B U I LT E N V I R O N M E N T . SIGNIFICANCE: SIGNIFICANCE: L O C AT I O N : L O C AT I O N : ISSUES: S PA C E F O R P E R 3 . M U T T H S W O R K I N G F O R S O C I A L C A U S E A C T S A S A C E N T R E F O R R E L I G I O - C U LT U R A L & A S S O C I AT I O N A L A C S NA STAH C - C UH LT, U R A L E& E A S SSO ATE I O - DITION IS T T H E D H A R A M S H A L A S S I T U AT EADC TO EEN P TRRAEDFAOKRSRHEILNI GAI OPAT D HL O AR TH EC NIC ANNADL TARC A BH E IEN G SA TM I NS HR F ONR M ANCES F E2A9C HME U T I V I T I E S T O W H I CTHH TEHO E LLDI VTE O S W O F TCHOE MDPI SRCI SI PELSE -O PR R TDTUHOS . T I ELSAT A O NWDH PA I C HD TMHAEV LAT I VIE SL AOKFE T. H E D I PEL'ES- PAR ENAECW H ETRR D UO O N T H E W AY B E T W E E N T H E C H TOI V UIFA ON T T IHS EC R EN D OF BUYING P RTOHPEEW R TAY I E SB EI N SIGNIFIC CREE B: U I LT O N T HPELRI NOTUHT EASR ET HD AT A R E D E D I C AT E D . EDIC ATAEDD .T O T H E T R A N S P O R T HAE N Y A LE Y LAARSE FBOURI LT C O N V E R T I N G T H E M I N T O D H A R A MT SHHE A BU ATAT U NI O I QNUHEUTBYS P, O L OAG D EFA VCE ILLO PM E ED TO HME ETTROATDHTIET ODFSTTE RX U S O M E O F T H E M U T T H S A R E H O M E T O T H E S A C R E D T E X T S O F T H EVPEHRA SI TAT O OTI FN TRHPEEISLMP UO TIN TMHSSSE. ATRO E H SIEO AO CNRLED T SC T OU F RT EHSE A R E B E I N GTAT AD N DI S AH SO S YT O E H E G R I O N H U B S H D E M O L I S H E D, ST O GL T H E M O S T P R O M I N E N T F E AT U R E I S B H A J A N A N D K I R TA N P E R F O R M A N C E S O F V A R K A R I S A M P R A D AYA . A C T I V I T I E S O N E S W I T H O U T U N D E R S TA N D I N G T H E I M P O R TA N C L O C AT I O N : . PA C E F O R P E R F O R M A N C E S . SECT. TSHE CE T S AECND ANH G SR O R E CPI R EC RU FVO TO HN R ETEHDEAY F RUONMD 1 0 T H T O 1 2 T H D AY ( D A S H A M I STTO A R- E S . R UDCW TU L O C AT E D O N T H E P R A D A K S H I N A PAT H T HAAT MER CRM IR LD EO D TH E . U I TR .I N C L U D E SF BL H AND KALA. OAOJRA N , K I R TA N , J A G A R , P R A D A K S H I N A P R E C I N C T W AENTRY L L S O F T H E O L D T O W N O F PADNADSHHAIR) P USE OF BRACKETS ROUND ARCHES
2019-2020
M A N D A PA
A R C H I T E GCATL U L ER R YA L F E AT U R E S :
P A N D H A R P U R
B E I N G A S S O C I AT E D W I T H M A H A R A S H T R A K A RA N ATA AT UKRA E , PTO S R OK UA T RTIO WA R D S N D - N O R T H E DRYNN AKMAIRC N NATA HI SENHTRVA INE OF THE FOUNDER
MANY DEVOTEES FROM MAHARASHTRA AND K A COME HERE TO SEEK BLESSINGS.THE WHOLE CIT Y
VERANDAH
EXIT
GALLERIES ON F LO O R S
2
L
PA N D H A R P U R
AT
THE
A R C H I T E C T U R A L F E AT U R E S :
EX IT URES: A R C HEINT TE RCATN UCREA & L F E AT GALLERY EXIT
PA N D H A R P U R E X P E R I E N C E S H I G H F O OS HTAFA DURING THESE TIMES OF THE D E DL L C O U R YA R D UPPER PA Y E A R , W H I C HM A INSD AA P P R O X I M AT E LY A R O U N D 1 . 2 T O 1 . 4 M I L L I O N . I T I S A T E D I O U S
LOUIS I KHAN M A N D A PA
SHADED C O U R YA R D
USE OF COLOURED GLASS
23
T H E J A C K A R C H F L O O R I N G I N D I C AT E S T H AT C E N T R A L T H E D H A R A M S H A L A S W E R E B U I LT I N T H E C O U R T YA R D CO LO N I A L E R A ; A S I R O N / S T E E L B E A M S A R E U S E D I N T H I S T YP E O F F LO O R I N G . CORRIDOR
25
27
RESIDENCE
WORKING DRAWING
Creating working/construction drawings of a residence situated in Nagpur. The house with the B/U around 200msq. with every details from toilet to stairs. It was also included writing specifications for every materials and construction details. SEMESTER VII Location: Nagpur | Area: 180msq. | Mentor: Dr. Vilas Bakde
AREA STATEMENT Total plot area (10x18m)
180msq.
Permissible FSI
1 Nil
Proposed ground floor B/U area Proposed first floor B/U area
89.4msq
Proposed second floor B/U area
89.4msq 1.2msq
Balance B/U area (180-178.8msq)
BALCONY AREA AT FIRST FLOOR Permissible 15% OF B/U 14msq
Provided Open
Enclosed
14msq
Nil
AT SECOND FLOOR Permissible Provided 15% OF B/U 14msq
Open
Enclosed
14msq
Nil
Total
Excess
14sqm
Taken in FSI
Total
Excess
14sqm
Taken in FSI
260 185
535
SCHEDULEA OF OPENINGS
900x2100
2000
W
1615
1800x1350
W1 900x1350 V
1500
450x900
6
230
C1
W1800
C2
300 450
3 TYPICAL COLUMN PLAN
FOOTING
COLUMN COLUMN RINGS MAIN SIZE SIZE BARS WALLINGABOVEBRICK GL BELOW GL 230MM THICK MASONRY 1,3,13,15 280x350AND 6x10 dia 6 dia 200 c/c WALLSIN 230x300 CEMENT MORTAR PARAPET/RAILING IN 230MM THICK BRICK MASONRY IN CEMENT MORTAR. 2,4,6,7,9,10, 230x350 280x400 6x10dia 8 dia 200 c/c 12,14
SCHEDULE OF FOOTING FOOT ING TYPE F1 F2
FLOORING-
FLOORING MARBLE TILE,GREEN KOTA FLOORING230x400 & SKIRTING FOR TOILET 5,8,11 280x450 6x12dia
3615
3730
C3 C4
UPTO LINTEL FOR KITCHEN AREA DADO UPTO SILL LEVEL ON KITCHEN
1200
1430
115
5
V600
8 dia 200 c/c
F3 F4
FOOTING REINFORCEMENT
FOOTING PCC SIZE BED SIZE 800x1000 1000x D=300 1200 d=150 850x1050 1050x D=350 1250 d=150
EXCAVATIO II TO II TO N SIZE SHORT LONG SIDE SIDE 1100x1300 11x10dia 9x10dia 1150x1350
11x12dia 9x12dia
900x1100 1100x D=400 1300 d=200
1200x1400
11x12dia 11x12dia
(SIZE 300X300)SKIRTING/DADO: SKIRTING RESPECTIVELY. FLOORING TILES & DADO UPTO LINTEL OF CERAMIC TILES PROPOSED RESIDENCE FOR MR. V.K.BAKDE,AT PLOT NO.-64, KHASRA NO.80/2, (300X300)FOR TOILETS & KITCHEN MOUZA SOMALWADA,NAGPUR DADO ABOVE PLATFORM UPTO WINDOW SILL IN CERAMIC TILES (300X300).
W.D. NO. 8
FOOTING DRAWING
SCALE:
1:50
DRAWN BY : ENROLL NO DATE
:
UMANG CHAMEDIA BA18ARC069 11 NOVEMBER 2020
ALL DIMENSIONS ARE IN MILLIMETERS
PLASTERING-
EXTERNAL WALL SURFACES IN SAND FACED CEMENT PLASTER INTERNAL WALL SURFACES CEILINGS FINISHED IN NEERU PLASTER.
ROOF SLAB-
4 1015
12000
18000
115
230 230
500 550
HALF GLAZED AND HALF LOUVERED
WORKING DRAWING-I
230
2
COLUMN COLUMN NUMBER TYPE
230
230
400
5
500 550
1000X1200 P.C.C. BED 800X1000 FOOTING 280X350 R.C.C. COLUMN BELOW G.L. CENTERLINE 230x300 R.C.C. COLUMN ABOVE G.L. 50MM SEATING FOR COLUMN
115 190
400
TEAK WOOD GLAZING WINDOW TEAK WOOD GLAZING WINDOW
115 190
RCC FRAMED STRUCTURE AS PER COLUMN SCHEDULE OF COLUMN STRUCTURAL DESIGN & DRAWING. REINFORCEMENT
230
230
3
PLYWOOD FLUSH DOOR WITH WATERPROOF FACING
COLUMN STRUCTURE-
1000
230
3115
3000
1500
4
TEAK WOOD DOOR 465
D2 750x2100
1
1200 1300
D1
190 115
1050x2100 TEAK WOOD DOOR
615 565
C
D
A 1000
685 635
380 230
DOORS-
3
450
ALL FLAT ROOF SLABS IN RCC WITH INTERNAL FINISH WITH PROPER RAIN WATER DRAINAGE SLOPE AS PER TERRACE PLAN.
ALL DOORS WITH WOODEN SECTION FRAME WITH WOODEN PANEL SHUTTERS AND DETAILS.
3365
1985
4265
WINDOWS AND VENTILATORS-
ALL WINDOWS T.W. PANELLED AND VENTILATORS WITH STANDARD MS2 SECTIONS CASEMENT TYPES. FULLY GLAZED/PARTLY FIXED/ PARTLY OPENABLE WITH MS GUARD BARS AS PER DETAIL AND DESIGN AND DESIGNS FULLY SECURED IN 50X75 WOODEN FRAME FOR ALL WINDOWS AND VENTILATORS & FIXED IN POSITION OF OPENINGS.ALL WINDOWS AND VENTILATORS WITH GLAZING IN MS SECTIONS ABOVE THESE OPENINGS PLACED IN POSITION BETWEEN LINTEL & SLAB.
450
FIXED GLAZING-
230
230
2
2000
2230
230
230
1
1000
FOOTING LAYOUT
36.
1500
3000
2000
1500
1615
3115
230
230
ALL FIXED GLAZING IN STANDARD MS SECTION AS PER SHAPES DESIGN DETAILS FOR STAIRCASE TOWER AT MIDLANDING PARTLY FIXED AND PARTLY OOPENABLE MAY BE USED,
TYPICAL FLOOR PLAN
SECTION
PRINCIPLE ELEVATION
SECTION
PLAN
TOILET DETAILS
SECTION A
PLAN
KITCHEN DETAILS
BUNGLOW DESIGN AECHITECTURAL DESIGN
Consedering the design philosophy of any one architect a bunglow has to be designed for any artist ( in this case sculpture ) . The house should cater to all the basic need of the residence and in some way or other should inspire the occupant to contribute in his art . SEMESTER III Location : Ahemdabad | Area: 1000sqm | Mentor : prof. Meenal surawar
1
LOCATION
ZONING
SURROUNDING ANALYSIS
CASE STUDY 1
CASE STUDY 2
EXISTING SITE PLAN
SITE PLAN
CIRCULATION DIAGRAM
GROUND FLOOR PLAN
WIND
AREA PROGRAM
FIRST FLOOR PLAN
37
TION
1 TEMPORARY STRUCTURE CONSTRUCTION
An international yoga camp is to be held in the town in the open ground in our campus. This camp is to last for fifteen days. Yoga performance shall be held on the stage measuring 20M x 10M with proper roof covering. The stage shall be facing west side and the audience shall face the stage on east. SEMESTER VI LOcation : Nagpur | Area 200 sqm | Mentor : Dr vilas BAkde
39
10000
20100
35MM THICK SLT
NOTE: ALL DIMENSI
ROOF PLAN
A lamella roof, also known as the “Zollinger roof ” (after Friedrich Zollinger), is a vaulted roof made up of simple, single prefabricated standard segments (mostly in timber) as a way to span large spaces. The individual pieces are joined together with bolts and/or plates to form a rhomboid pattern. Lamella structures can be constructed of wood timber or lumber, concrete, or metal
. The individual pieces are joined together with bolts and/ or plates to form a rhomboid pattern. Wooden sheathing covers the structure on the outside. especially in Germany
10
00
mm
0 200
mm
NOTE: ALL DIMENSIONS ARE IN MM
It is made of dimensional lumber; trued, finished and glued on the faces;with the grain laying parallel to layers above and below. The individual lumber is selected and positioned according to defects and grain structure to maximize structural integrity. It can be made for straight, cambered and bent/arch applications, and other arrangements. It is available in standard dimensional and custom sizes.
NOTE: ALL DIMENSIONS ARE IN MM m 00m
20
10
00
mm
NOTE: ALL DIMENSIONS ARE IN MM
m 00m
20
10
00
mm
NOTE: ALL DIMENSIONS ARE IN MM NOTE: ALL DIMENSIONS ARE IN MM 41
07
SAHAY
1.618033
AVIKAL
7.8BILLION
ARCHITEC TURE INSTITUTE
COMPE TITION ENTRY
TEMPLE LANDSCAPE
COMPE TITION ENTRY
DESIGNING
33
08
RESIDENCE
45
ASSORTED
28
CONSTRUC TION
34
40
SCHOOL DOCUMENTATION
DOCUMENTATION
51
20
CLADDING
WORKING DRAWING
TECHNICAL
16
46
ARTICLE
MISCELLANEOUS CHAYA
ARTICLE
PHOTOGRAPHY
52
54
Here in miscellaneous section i have compiled my selected work which mainly includes potrait of some architects and celebrities,posters making ,working drawings, photography and my work which got displayed in exibitions
P
CHARCOAL ART..
Displayed work in exhibition
Potrait of Ar. F . L . Wright
Potrait of Stan Lee 43
POSTER DESIGN V
VIT THAL RUKMAI
A WARKARI’S ODYSSEY
RUKMAI
VITTHAL RUKMAI VITTHAL
Y
O YD SS YE
H A L A
A W
R
I
U
V
A
R
L
A
A
H
IT
RA W
V
AK
IT
W
S’ IR
K
RA
O
M V A
A
A
V
R K
A
L
R ’I S
R
U
K
O D Y S
M
S E
W AR
KA
AW A
H
Y
A
A
W A
RI ’S
O
DY SS
YESSY DO S’ IRAKR
IT
A V
I
A WARKARI’S ODYSSEY
R
S ’IR
AK
SS YD
U
K M
E S S Y D O
R S’I
A WARKARI’S ODYSSEY
YE
V A I
A WARKARI’S ODYSSEY
K
A WARKARI’S ODYSSEY A WARKARI’S ODYSSEY
VITTHAL RUKMAI VITTHAL RUKMAI
Poster making through Typography art Visual communications | academic|2020
MODEL MAKING
EY
Poster for a musical concert
Visual communications | academic|2020
PROPOSED LANDSCAPE FOR DIRECTOR,VNIT 5000
1670
1670
1000 EQ.B 8000 EQ.B
3593
750
7200
10927
24172
EQ.B
1670
EQ.B
11697
CHK
TP
-300
1670
1670
TP
LW
1670
-300
PL
1350
LW
-450
TP 1670
VEHICLE STAND
SH
-150
450
2000 1000
4000 535 1670
4000 1000
24
0 30 0 30
0 30
SH
WTL PL
4600
900
1000
PV
-150
SH
0
4000
360
PV
-150
1670
1670 1670
2500
0 30
TP
VEHICLE STAND
2 25
CHK
0 30 0 30 30 7
0
TP
1670
9431
0 30
7000
51x152 RAFTERS
30
1360
38971
0
51
SH
SP
150 x 150 POST
19
3
POST OFFICE & ATM
51
24
51
6000
30
15
0
51
-450 LW
-600 6000
1670
16 51
0 15 51
7
24 51
7
24
7
51
15 51 0 02 21
50 18
72
BH
15
15 51 0
1670
70
70
TP
16
30
0
02
5000
1670
TP
TP
PV
TP
6000
N
CHK
1000
51
15 51 0 51 22 0
51
9
24 51
9
0
24
30
95 36
9
43
24
34
0 30
0 30 1 32 51
9
24
9 27
51
9
24
30 0
0
22
30 0
15 51 0
1
53
17
3000
1670
27
1312
TP
3000
PL
3000
6000
6000
3943
BH
3052
19
51
30
0
0.00
51x203 BEAMS
0
30
9
0
20
51
24 51
0
9
30
24
0
24 51
37 48
9
98
89
39
0
0
30
25
51
51x102 VERTICAL SUPPORTS
30
22 9
30
24
0
51
30
24
0
9
51
-300
7000
TP
WTL
05
0
0
50
5000 5000
LW
TP
LW
-600
SP
B' 30
15
18
750
TP
2589
SH
51
22
PV
EQ.A
EQ.A
450
TP
450
-150
70
51
TP
-150
A
16
SH 2000
17291 EQ.A
1670
BH WTL
450
51
51
51
PL
LW
BH 1800
PL
2500
-750
WB
2056
98
0
2000
SP
3000
3000
LW
330 330 2170
1670
LW
750
SH
70
02 50
TP
SH
3000
EQ.D
1100 EQ.C EQ.C EQ.C EQ.C EQ.C EQ.C EQ.C EQ.C
PV
-600
EQ.A
16
21 18
15
15
0
15
-750
5000
-900 -1050
EQ.D
1000
3593
2700
51
51
PV LW
-1050 TP
2830
PV LW
TP
0
-1200
1630
TP
LW
-750
LW
-600
WTL
1450
15 9
26
LW
300 300
-600
1670
TP
0
30
1670
LW
-900
TP
TP
415
9834
94
TP SH
1312
8000
53 38
29
-300
1670
1670
3943
M
O
46
TP
2589
FR
60
TP 1670
LW
2056
N KE TA
97
NORTH: TP 1670
1670
N
LW
3000
IO AT EV EL
38
KEY PLAN:
CHK
1000
1000
5000 5000
32
16
9
30
25
04
24
51
0
12
61
51
45
0 30
40
9
02
24
27
24
4
51
13
32
1
9
51
15 0
19
3
25
2
27
43 51
2500
51
54
30
51
51
450
NOTE:
50
51
18
100
374
100
15
98
438
1.
51
51
374
25
2
B
648
53
00
374
19
60
374
70
374
4 37
TP
374
374
2.
70
16
648
16
70
TP
70
16
16
648
51
A'
374
51
374
648
TP
C
374
3.
374 374
51
374
51
374
374
51
374
N
51
PV
51
11697
-450
C'
648
648
4.
All dimensions are to be read and not to be scaled. All levels/ dimensions are finished levels/ dimensions and clearances must be left for finishes. In event of any ambiguity for any of the dimensions or levels please inform us before commencement of any work. All levels and dimensions are in millimeters
648
648 648
648
OVERHEAD ROOF PLAN
SH
WTL
-300 38
5430
6102
DATE:
KEY PLAN
REV.NO.:
DESCRIPTION:
97
6000 5328
3850
3075
1701
1752 11 67
52 248
52 248
52 248
52 248
52 248
52 248
52 248
52 248
52
52 146
52 248
402
52 248
52 248
52 248
52 248
51 150
51 150
102
102
102
102
102
102
102
102
102
102
102
51 249
51
51
51
51
51
51
51
51
51
51
51
51 249
51 249
51 249
51 249
51 249
51 249
51 324
51 150
51
51 150
2103
51
TP
70
16
102 102
51
51 249
203
203 102
51 249
152
52 248
248
203
52
152
51 248
247
152
51 150
51
51
51 107
102
126
51
150 102
102
51
51
102
102
51
51
102
102
51
51
102
102
51
51
102
102
51
102
102
51
102
102 158 51
51
102
126
45 0
2200
2301
2200 60
12 01
115
86 5
150
150
450
450
60
2200 150
225
0
115
115
70
1500
45
115
16
1500
0
10 13
PV
45
15 00
90
1
30
3
37
7
50
0
225
0 00
BENCH
15
50
0
50
225
45 0
0
45
0
30
SECTION A-A'
70
12
BENCH
SECTION B-B'
45
0
45
0
15
0
45
0
0
45
0 60
0
15
00
60
WOODEN LOGS
225
15
52
0
15
0
9 85
DRAWING TITLE:
15
3486
100
152
PROPOSED WORKING PLAN FOR APT LANDSCAPE
2154
154
75
2401
51
300
26
100 278
100 154
51 249
150
51 249
51 249
51 249
51 249
51 249
51 249
51 249
51 249
51 276
2600
149
0
100
30
30 102
102
102
102
102
102
102
102
102
102
102 102
102
102
102
102
51
51
102 102 102
102
450
102
51
51
51
51
51
51
51
51
450
450
0
51
30
158 51 51
100
0
102
51
51
51
51
51
51
51
OWNER: Director, VNIT Nagpur
0
30
2301
2200
2122
0 30
2500
0
30
STONE FLOORING
0
30
150
200
70 16
3077
149
1272 115
303
150
115
70 16
390
200
0
150
SECTION C-C'
30
60
0
30
450
450
TP
O.A.T 225
FRONT ELEVATION
DRAWING NO.: REVISION NO.:
100
225
DATE.: 09-09-2021 SCALE.: 1:100
ARCHITECT: 100
450
450
450
2600
100
100
PERGOLA USING TIMBER
Dr. Meenal Surawar, Assisstant Professor, Dept of Architecture & Planning MR. Umang Chamedia (Currently in VII Sem)
SETTING AREA PLAN
45
47
vv
UMANG CHAMEDIA Visvesvaraya National Institute of Technology umangachamedia@gmail.com
+91- 9404913066