klarson architecture portfolio

Page 1

KARL-ERIK LARSON: work


E C

1973 JUL

BORN AND NAMED KARL-ERIK LARSON

1991 AUG

STARTED AT PENN STATE UNIVERSITY

1993 MAY

W A

1993 MAY 1994 MAY

C

1994 AUG 1995 AUG

E

1995 JAN-APR

C

1996 JAN

C

1996 MAY

E

1996 MAY

E

1996 JUN-AUG

W

1997 FEB 1999 OCT

W

1999 NOV

C

2000 APR

W

2000 JUL

W

2000 JUL-NOV

W

2000 DEC 2001 APR

WORKED AT CARR, LYNCH, HACK AND SANDELL, CAMBRIDGE, MA

TRANSFERRED PENCIL-ON-TRACE DRAWINGS INTO PEN AND INK ON MYLAR

THIRD YEAR DESIGN AWARD, HONORABLE MENTION

ANNUAL AWARD GIVEN TO THE BEST STUDENT IN 3RD YEAR ARCH; ONE OF THREE HON. MENTIONS TO THE WINNER

CORBELLETTI COMPETITION

ANNUAL COMPETITION BETWEEN STUDENTS IN THE SCHOOL OF ARCHITECTURE 1994 FOURTH YEAR WINNER, 1995 ONE OF THREE HONORABLE MENTIONS

STUDY ABROAD PROGRAM IN ROME, ITALY; PENN STATE UNIVERSITY STEWARDSON COMPETITION, SECOND PLACE

ANNUAL COMPETITION BETWEEN THE 4TH & 5TH YR STUDENTS IN THE SCHOOLS OF ARCH. IN PENNSYLVANIA

CREATIVE ACHIEVEMENT AWARD

ANNUAL AWARD GIVEN TO STUDENTS IN THE COLLEGE OF A&A FOR OUTSTANDING CREATIVE ACHIEVEMENT ONLY ARCHITECTURE STUDENT CHOSEN

GRADUATED PENN STATE UNIVERSITY, BARCH STUDY ABROAD PROGRAM IN RØROS, NORWAY; AUBURN UNIVERSITY

DID A STUDY FOR A NEW BUILDING CODE FOR THIS UNESCO SITE, INCLUDING A BUILDING SURVEY AND A PROJECT EXAMPLE OF WHAT IS POSSIBLE USING OUR PROPOSED CODE SYSTEM.

WORKED AT ADD INC., CAMBRIDGE, MA

3COM CORPORATE HQ, BUILDINGS 1-4, MARLBOROUGH, MA 610 LINCOLN, WALTHAM, MA

STARTED WORK AT PAYETTE ASSOCIATES, BOSTON, MA

CHEMISTRY BUILDING, PENN STATE UNIVERSITY LIFE SCIENCE BUILDING, PENN STATE UNIVERSITY

WORKED ON ALL PHASES OF OFFICE BUILDING DESIGN AND PLANNING ON POWERCADD AND MICROSTATION

WORKED IN MOST PHASES OF RESEARCH AND LAB FACILITIES ON AUTOCAD

ROTCH TRAVELING SCHOLARSHIP, FINALIST

ONE OF FIVE FINALISTS, (ANYONE FROM THE ARCH. PROGRAMS IN MASSACHUSETTS, AND ANYONE WITH OVER THREE YEARS OF EXPERIENCE AS AN ARCHITECT IN MASSACHUSETTS, IS ELIGIBLE TO ENTER). A TWO STAGE COMPETITION

LEFT PAYETTE ASSOCIATES, BOSTON, MA WORKED AS A CARPENTERʼS ASSISTANT, CAMBRIDGE, MA

WORKED ON VARIOUS PROJECTS AROUND CAMBRIDGE, MA MAINLY CONSTRUCTING THREE STORY PORCHES AS WELL AS A VARIETY OF INTERIOR FINISH WORK.

STARTED WORK AT CHARLES ROSE ARCHITECTS, SOMERVILLE, MA

WORKED IN ALL PHASES OF BLDG DESIGN, PLANNING, MARKETING, AND MODEL MAKING

ROTCH TRAVELING SCHOLARSHIP, FINALIST

ONE OF FIVE FINALISTS

W

2003 MAY

W

2003 OCT 2004 JUN

W

2004 JUL 2005 OCT

WORKED IN ALL PHASES OF PROJECTS; PROJECT MANAGING SEVERAL PROJECTS AT ONE TIME

W

2005 NOV 2009 JAN

WORKED IN ALL PHASES OF PROJECTS

W

2009 JAN PRESENT

WORK IN ALL PHASES OF PROJECTS

WORK

COMPETITIONS

AWARDS

EDUCATION

C

SECOND YEAR DESIGN AWARD

ANNUAL AWARD GIVEN TO THE BEST STUDENT IN 2ND YEAR ARCH.; ONE OF TWO STUDENTS CHOSEN

ROSE RESIDENCE, BELMONT, MA SHAPIRO CAMPUS CENTER, BRANDEIS UNIVERSITY SCHOOL OF BUSINESS, UNIVERSITY OF SOUTH DAKOTA ORLEANS RESIDENCE, CAPE COD, MA BOOKER T.WASHINGTON HIGH SCHOOL COMPETITION HEADQUARTERS, INTERNATIONAL FUND FOR ANIMAL WELFARE

LEFT CHARLES ROSE ARCHITECTS, SOMERVILLE, MA

IN THE INTERIM I WORKED AS AN ARCHITECTURAL CONSULTANT, PAINTER, CARPENTER BEFORE MOVING TO NEW YORK

WORKED AS A CONSULTANT AT KPF, NEW YORK, NY

CNOOC HEADQUARTERS, BEIJING SONGDO MASTERPLAN, KOREA

WORKED AS A CONSULTANT AT PEMBROOKE & IVES, NEW YORK, NY

LOUCAS RESIDENCE, NYC NYACK RESIDENCE, NYACK

WORKED AT LYN RICE ARCHITECTS, NEW YORK, NY

PARSONS THE NEW SCHOOL FOR DESIGN, NYC BURO HAPPOLD OFFICES, NYC

WORK AS A CONSULTANT AT MARPILLERO POLLAK ARCHITECTS, NEW YORK, NY

ELMHURST LIBRARY, QUEENS, NY STATEN ISLAND CHILDREN'S MUSEUM, STATEN ISLAND WILLENS BEARDWOOD RESIDENCE, BROOKLYN

WORKED ON CD DRAWINGS FOR CHINESE NATIONAL OIL MINISTRY HEADQUARTERS, WORKED ON THE MASTER PLAN FOR SONGDO, KOREA AS WELL AS SCHEMATICS FOR THE RESIDENTIAL TOWERS SITE.

PERMANENT

15 ROLLING LANE; NEEDHAM, MA; 02492

p. 781 444 7271

CURRENT

76 CANAL ST, 4TH FLOOR; NEW YORK, NY; 10002

c. 617 429 5713


2005-8 2003 2002 1999 1996 1995-6 1995

parsons: the new school for design rose residence brandeis university - shapiro campus center addition to 610 lincoln street a cultural history center and archive thesis: an art school a museum for rome fine art

P R B 6 C T M F


2005-8

PARSONS THE NEW SCHOOL FOR DESIGN 66 fifth ave

new york city

new york

united states


the sheila c johnson design center 2005-8

THE

SHEILA C. JOHNSON DESIGN CENTER

parsons the new school for design, new york, ny The Sheila C. Johnson Design Center is a new 32,800sf campus nexus for Parsons The New School for Design by uniting and re-organizing the street-level spaces of the School始s four buildings around a new urban quad. New Fifth Avenue and West 13th Street entries connect internally for the first time in the glazed-roof quad and provide access to new state-of-the-art galleries, archives, auditorium, orientation center, student critique zone, and seminar spaces. A continuous thin window lounge encourages students and faculty to occupy the complex始s perimeter in a series of deep frames that open up views out to the city and in to student work displayed internally at a monumental scale. Lyn Rice, principal, with Astrid Lipka, associate Kimberlae Saul, project manager Karl-Erik Larson & Anne-Rachel Schiffmann, team leaders Leif Halverson (SD project architect), Kai Hotson, Julie Torres Moskovitz, Pamela Torres, Erik Carver, Jonathan Garnett, Joanna Gulik, design team Winner of the 2009 National AIA Honor Award (top award), 2009 MASNYC Masterworks Award, 2009 AIANY Merit Award, 2008 AIA New York State Award of Excellence (top award), 2008 American Institute of Architects NY/Boston Society of Architects Biennial Honor Award (top award) for Educational Facility Design, 2008 SARA/NY Design Award of Excellence (top award), and 2007 AIANY Merit Award for Projects



[a]

[c]

[b]

[d]

2005-8 [a] 66 5th entry rendering [b] CD of the exterior elevation [c] 13th street and 5th ave corner [d] 66 5th entry [e] pre-existing circulation [f] current circulation

[e]

PARSONS THE NEW SCHOOL FOR DESIGN

[f]


[a]

[c]

[b]

the new school for design

[a] 13th street construction [b] 13th street existing [c] 13th street and 5th ave corner [d] 13th street entry [e] 13th street entry rendering [f] 13th street windows [g] 13th street window section [h] display diagram

[d]

2005-8

[e]

[f]

[g]

[h]

P


Universities are typically organized around a open green area or 'quad'. At the SJDC LRA provided an improvised urban variation between the existing four buildings. Where previously there was a maintenance shed and trash alley is now a light-filled 1,600 sq ft open 'quad' with a glazed roof. (Demolishing the shed also allowed for insertion of a new basement for HVAC equipment and circulation connections to be made at the basement level). The quad also allows direct circulation to the various elevator cores and provides a new converted freight elevator. The quad also has an expansive ramp that allows for handicap access as well as a sloped corridor where circulation and conversation can happen simultaneously. The space is also dominated by a yellow poplar bark wall on the back of 68 fifth which is the only building with wood framing.

[a]

[b]

2005-8

[c]

[d]

[a] quad construction [b] view from meeting pod to mesh elevator [c] view from quad to meeting pod [d meeting pod entry [e] meeting pod rendering

[e]

PARSONS THE NEW SCHOOL FOR DESIGN


[c]

the new school for design

[a]

[b]

[d] [a] CD of the ramp and it's unfolded aluminum cladding [b] quad construction [c] quad ramp, skylight and elevator [d] quad bark wall, ramp and skylight [e] quad diagram [f] level diagram [g] quad rendering

[e]

[f]

2005-8

[g]

P


[a]

[b]

[c] [a] plan and rcp of 66 5th lobby [b] 66th lobby towards quad [c] 66th lobby towards entry [d] diagrams showing new elevator circulation

2005-8

[d]

PARSONS THE NEW SCHOOL FOR DESIGN


[c]

[b]

the new school for design

[a]

[d] [a] plan and rcp of 70 5th lobby [b] 70th elev lobby construciton [c] 70th elevator lobby movable partition [d] 70th elevator lobby moving monitors [e] 70th elevator lobby rendering

2005-8

[e]

P


[a]

[b]

[a] archive [b] archive desk detail

The Kellens Archives Cener provides Parsons the New School for Design with a more central and accessible location for their extensive archives. The room has UV protected fluorescent lighting, archival-quality air distribution and a felt liner attached to the brick walls to a height of approximately eight feet that helps keep noise levels down.

2005-8

PARSONS THE NEW SCHOOL FOR DESIGN


[b]

[e]

[c]

[d]

the new school for design

[a]

[f] [a] auditorium wall drawings [b] plan and rcp of auditorium and archive [c] auditorium [d] auditorium back wall [e] auditorium [f] auditorium towards back wall [g] auditorium in session

The Anna-Maria and Stephen Kellen Auditorium is a bamboo shell within an exposed brick structure that has been painted dark grey. A large opening in the ceiling accomodates AV, lighting and HVAC.. Slotted perforations in the side panels and the back walls aid in acoustics. The front wall is enitrely made of slate which reflects the speaker's voice outward as well as acts as an oversized chalkboard.

[g]

P

2005-8


[a] kellen gallery under construction [b] kellen gallery [c] kellen gallery rendering

[a]

[b]

2005-8 The Anna-Maria and Stephen Kellen Gallery is a refined container within the stripped shell of the 2 West 13th street building. The gallery opens to the street admitting north light and exposing the gallery to the street. At the back of the gallery the ceiling lifts to visually reconnect with the building shell and allow natural light to enter. All the wall outlets are located on the back of the gallery walls and are accessed through a trench at the base of the gallery wall. The slots in the ceiling allow access to the maze of ducts, sprinklers, and conduit that provide museum quality light, air and fire protection while also maintaining a strict order and visual calm. [c]

PARSONS THE NEW SCHOOL FOR DESIGN


[a]

[d]

[b]

[c]

the new school for design

[a] kellen gallery plan [b] kellen gallery rendering at back wall [c] kellen gallery under construction [d] kellen gallery quad entry [e] kellen gallery towards main entry [f] kellen gallery window rendering [g] kellen gallery window

[e]

2005-8

[f]

[g]

P










2003

ROSE RESIDENCE rose residence

belmont

massachusetts

united states


rose residence 2003

ROSE

RESIDENCE

rose residence, belmont,ma This project involved an addition onto an existing colonial home. The original house was also reclad in a cedar scrim wall hiding the traditional home behind. The new addition was clad in copper panels and large full-height windows. The addition approximately doubled the square footage of the house and added a new kitchen, dining room, living room, master bedroom and office space. Winner of a 2005 Boston Society of Architects Design Honor Award



2003 Front entry under construction

ROSE RESIDENCE


The original house was wrapped in a monolithic, neutral cedar scrim to contrast with the angles and acid-washed copper of the new addition. It also hides the vinyl siding and traditional form of the original typical New England house. The main entry is transferred from the center of the existing home to the three story atrium that seperates and joins the two parts of the home.

rose residence

[a]

[b] [a] Front entry under construction with existing facade [b] Front entry under construction [c] Front entry with scupper [d] Garage copper door

[c]

2003

[d]

R


[a]

[b]

2003 [a] Existing rear yard [b] From rear yard [c] Side yard

ROSE RESIDENCE

[c]


The original house didn't address the spacious yard. The new addition not only saved the existing tree intentionally, but also opened the new main living spaces of the house to the yard.

[b]

rose residence

[a]

2003 [c] [a] Rose residence under construction [b] Existing Rose residence existing side yard [c] Completed residence from yard

R


[a]

[b]

2003 [a] Stair sketches [b] Living room [c] Dining room looking towards living room [d] Glass stair

[c]

The centerpiece of the house is a steel stair with glass treads. The stair seperates the kitchen and dining room, but allows for minimal interruption of the view from one to the other.

[d]

ROSE RESIDENCE


rose residence rose residence [a]

[b] [a] View from stair to kitchen [b] Living room [c] Master bedroom

2003

[c]

R










BRANDEIS UNIVERSITY-SHAPIRO CAMPUS CENTER

brandeis

waltham

massachusetts

united states 2002


brandeis university: shapiro campus center 2002

BRANDEIS

UNIVERSITY

SHAPIRO CAMPUS CENTER

brandeis university, waltham, ma Brandeis始 new campus center sits at a major campus crossroad at the center of campus. It始s program includes the university bookstore, an electronic library, a 250-seat theater, the school radio station, the school newspaper, administrative offices that oversee student life, a number of student organizations, a cafe and exhibition space. The diverse program that had previously been spread out throughout the campus is now brought together into one centralized location. This allows for better communication and interactivity. Charles Rose, project architect Jim Moore, project manager Donna Ficca, Karl-Erik Larson, David Suttle, Marios Christoulaidas, design team Winner of the 2006 Boston Society of Architects Higher Education Facilities Design Award, 2004 Boston Society of Architects Design Award, 2004 American Architecture Award from The Chicago Athenaeum, 2004 Tucker Award of Excellence from the Building Stone Institute



2002 south elevation from campus center lawn Brandeis University offered no obvious site for a campus center. We sited the building at the university's heart, acknowledging the administration's goal of heightening the quality of student life and symbolically placing student spaces at the center of the campus. The location marks the intersection of east-west and north-south primary pedestrian paths and creates a more focused central, expansive and typical college green

BRANDEIS UNIVERSITY-SHAPIRO CAMPUS CENTER


[b]

brandeis university - shapiro campus center

[a]

[c]

2002 [a] east entry [b] west entry [c] east elevation

B


[a]

2002 [a] south elevation/entry [b] view of louvers at library

BRANDEIS UNIVERSITY-SHAPIRO CAMPUS CENTER

[b]


brandeis university - shapiro campus center 2002 south elevation/limestone and copper facade

B


[a]

[b]

[c]

2002 [a] atrium looking west with copper stair [b] atrium looking east with catwalks [c] atrium with skylight

BRANDEIS UNIVERSITY-SHAPIRO CAMPUS CENTER

The center is really two connected buildings. The overall mass of the building is separated into south and north wings connected by a three-story atrium that not only creates distinctive parts for the building's many functions but also offers a means for the majority of rooms to receive ample natural light. The atrium is crossed via catwalks that connect the building's upper levels.


brandeis university - shapiro campus center [a]

[b]

2002 [a] north elevation/copper facade [b] north entry

B

















1999

610 LINCOLN STREET 610 lincoln

waltham

massachusetts

united states


610 lincoln street 1999

610

L I N C O L N S T.

610 lincoln st, waltham, ma 610 Lincoln St. is a spec office building in Waltham, MA. The project inolved the design of the exterior skin, cores, and lobby spaces. I was responsible for the design of the main lobby and its main elements.



[a]

1999 [a] main entry [b] view of cantilever/entry

610 LINCOLN STREET

[b]


addition to 610 lincoln street [a] east elevation showing atrium/entry/office spaces

1999

6


[a]

1999 [a] lobby view towards entry and custom desk [b] lobby view towrds custom desk and stair

610 LINCOLN STREET

[a]


addition to 610 lincoln street [a]

[b]

1999 [a] lobby [b] view of lobby wall and stair

6


[a]

[b]

[c]

1997-PRESENT [a] 03.05.2009 [b] black lips [c] brahler [d] the edge of the sea [e] untitled [f] i-D the emotion issue, pg 169 [g] estrellita karsh [h] untitled [d]

FINE ART

[e]

[f]

[g]

[h]


fine art 1997-present

FINE

ART

1 9 9 7 -P R E S E N T

fine art Ever since I can remember I've been drawing. When I left college I decided to take up painting as a hobby at night. Over the next few years I'd paint 6 hours a night. Over the years my style has changed and I have less time to paint, but I have had the opportunity to sell many paintings and continue to produce work. Because it's been a hobby the work has remained uncompromised in vision and focus and has remained completely self taught.


[b]

[c]

[d]

[e]

[f]

fine art

[a]

[g]

[h]

[i]

1997-PRESENT [a] untitled [b] blue hat [c] david mathebula [d] banana republic ad [e] richard ashcroft [f] 03.10.2008 [g] alabama [h] untitled [i] 06.10.2010

F


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