1 minute read
Introverted/Extraversion thinking, feeling, intuition and sensation
by UNSWBE
Within space there exists a non-binary delineation of architecture through the scope of introversion and extraversion. When an individual enters a space they experience excitation and inhibition, one ‘resonating’ and the other ‘consonating’.
In his 1921 paper on psychological types, C.G. Jung dissects the introversion-extraversion complex under four primary categories: thinking, feeling, intuition and sensation, functions that will be explored to inform program and movement through the proposal. In particular, an artist initially begins creating their work within an introverted space. Once complete, it is exhibited in a traditionally extraverted space. Therefore, the program of the proposal seeks to use the conversation between introversion and extraversion as a medium by which the built environment encounters the waterfront of Lavender Bay.
An Introverted Encounter with Extraversion
Within space there exists a non-binary delineation of architecture through the scope of introversion and extraversion. When an individual enters a space they experience excitation and inhibition, one ‘resonating’ and the other ‘consonating’.
Within space there exists a non-binary delineation of architecture through the scope of introversion and extraversion. When an individual enters a space they experience excitation and inhibition, one ‘resonating’ and the other ‘consonating’.
In his 1921 paper on psychological types, C.G. Jung dissects the introversion-extraversion complex under four primary categories: thinking, feeling, intuition and sensation, functions that will be explored to inform program and movement through the proposal. In particular, an artist initially begins creating their work within an introverted space. Once complete, it is exhibited in a traditionally extraverted space. Therefore, the program of the proposal seeks to use the conversation between introversion and extraversion as a medium by which the built environment encounters the waterfront of Lavender Bay.
In his 1921 paper on psychological types, C.G. Jung dissects the introversion-extraversion complex under four primary categories: thinking, feeling, intuition and sensation, functions that will be explored to inform program and movement through the proposal. In particular, an artist initially begins creating their work within an introverted space. Once complete, it is exhibited in a traditionally extraverted space. Therefore, the program of the proposal seeks to use the conversation between introversion and extraversion as a medium by which the built environment encounters the waterfront of Lavender Bay.
