Upfront Magazine

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RIKAYA KOF

PAISLIE

MARSHA YAW

UP

ESCO

FRONT

EXCLUSIVE

JANIECE MYERS

FUTURE SOUNDS MR2GRIME FUTURE JAY NORTON PAISLIE REID ESCO WILLIAMS

Speaks on working with

WILEY

£2.99

MARSHA AMBROSIUS FROM L8 TO LA


CONTENTS

29 Liverpool songstress Jainece Myers talks E.P launch and Wiley

EAR TO THE STREET

02 04 08

UKT - UKT speaks to UpFront on their platform for UK underground music MOBO’S LIVERPOOL - Ben Osu speaks to Upfront on his triumph on campaigning for this years Mobo awards to be held at Liverpool’s Echo Arena DAVID ZINYAMA - Photographer, Graphic designer and part time MC, David Zinyama, the glue uniting Liverpoool’s Urban Music scene

UPFRONT BEATS

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The Latest Releases from 2011


FUTURE SOUNDS

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MR2GRIME - Mr 2G has grown from a budding MC to an assertive lyrical archetect. BEZ JONES - Bez's extensive range of musical experience all comes together in a potpourri of sound with his group: Joyful Redemption

CHART STALKER- Liverpool based songwriterproducer ChartStalker has enjoyed airplay on MTV Base, Channel AKA and Flava

18 20 22

PAISLIE REID gets UpFronts question treatment FUTURE - is a 20 year old rapper from Liverpool, who has been making major moves in the urban music scene for the past two years. ESCO WILLIAMS - the passionate singer/songwriterwas born into a digital age of, 16 bit sounds and hiphop polyrythms

FEATURES 24

RIKAYA -Liverpool’s supermodel in the making Rikaya Tagoe speaks on the trials and tribulations in the modelling world

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ONE HUNDRED GLOBAL - Liverpool Artist Manager Yaw Owusu gives an exclusive interview to Upfront on Liverpool’s Urban Music scene

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MOTOWN - Upfront magazine have heard it through the grapevine that a group of very talented young people are set to tour the world peforming the classic Motown greats.

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MARSHA - Shipped over from Liverpool, England all the way to L.A, Marsha Ambrosius talks about her journey and her debut solo

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t upfront magazine we hope to shed light on the talents bursting from Liverpool’s Urban Scene. Urban culture in the UK has often paled in comparison to our USA brothers, however now it is fast developing and in celebration of this UpFront hopes to give you an insight into UK urban culture. Liverpool’s urban music in particular has always been overshadowed, however now the city is coming into its own and is definitely a force to be reckoned with. This first edition of upfront will introduce you to some of the new up and coming talent that Liverpool is busting at the seems with. It will also give you a glimpse of what goes on behind the scenes, the people that hold it all together to deliver you that perfect finish that we are all so very used to. To find out more about what’s going on, on Liverpool’s urban scene check out our blog at: Upfrontmag.wordpress.com

album ‘Late Nights and Early Mornings’

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KOF- Introducing Kof, singer/rapper that has recently captured the heart and soul of Liverpool

FRONT

UP

16

JAY NORTON -Jay Norton a product of Liverpool, Jay discovered his voice at 17


Ear to the street

Your talent our stage UKT speaks to UpFront on their platform for UK underground music

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he Urban Music scene in the UK has always been neglected and pushed aside in favour of the American giants dominating the airwaves. Only recently have our charts

“We want to bring the musical talent to one place, so it’s readily available to the masses” reflected our home talent and this has been mainly due to the uprising profile of supportive radio stations such as 1Xtra and Choice and smaller platforms such as upfrontmag.wordpress.com 02

the Liverpool based UK Tingz. Unlike most organisations/projects and stations UK Tingz is exactly as the name suggests. Pure UK no outsourced music. Pure unsigned and underground UK music. The ethos of UK Tingz is giving underground artists overground attention. Your Platform, Our Stage, the motto that solidifies the mission statement. "We want to bring the musical talent and the urban UK vibe to one place, so it’s readily available to the masses, cos we feel at the moment, there isn't enough exposure on UK urban artists." It is no secret that support for black music of British origin has always been a cause for debate, as artists tend to feel undervalued and frustrated. Founder of UK Tingz Jay Mc recognises this.


“As reputation is spreading we are beginning to be noticed at events"

"We have a website dedicated to promoting and getting the music out there to be heard" says Jay. "Yes there are people doing this like 1xtra, radio one etc and countless small and underground labels/producers pushing there music, but we feel it is to spread out and not readily there for people to get on demand. We also cover and support events of local artists and in the future are looking to branch out into other areas of the UK." Being another backbone on the rise of Liverpool’s black music, UK Tingz have set a bar in professional standards. By not only creating a platform for fans of UK music to support, enjoy and discover new artists and events, but by developing its own inhouse social network applications. They have a strong media team covering events, supplying photos, interviews, film footage and allow artists to create profile pages to showcase their music, this site has it all covered. "As reputation is spreading we are beginning to be noticed at events, and people are asking, "What is UK Tingz?" so I keep directing people to the website." Not only does UK Tingz elevate stress from the artists in terms of fan interaction and exposure but it has also opened doors for those who aspire to work behind the scenes in the music media industry. Highlighting the need for journalism in the "Urban" area and successful application of film/sound and presentation, UK Tingz is also influencing the career path of a new generation in overcool, something Jay anticipated from the outset of the project. "We want to encourage people to look in to the aspects of the music scene as a whole,” bragged Jay, now proud influence is recognised. "From production and performance, to stage design and filming, editing and fashion etc." With his media team now standing at 7 members strong and growing it is no surprise that the pride is glowing on his face n the shape of a massive grin. 2010/11 has been a massive year for this city, and a lot of it is thanks to people like Jay Mc taking the initiative to run with projects like UK Tingz. It all started with a Logo design and has snowballed into becoming a driving force on the scene that will no doubt go down in Liverpool’s ever growing black history book. upfrontmag.wordpress.com 03


Ear to the street

Mobo’s Liverpool Ben Osu speaks to Upfr ont on his triumph on campaigning for this year s Mobo aw ards to be held at Liver pool’s Echo Ar ena “Liverpool has a strong background with music, what could be better in relation to generating Urban exposure in Liverpool than to bring the MOBO’s to us?”

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oung entrepreneur Ben Osu campaigned long and hard and successfully managed to bring the MOBO awards to Liverpool. The annual Music of Black Origin awards are currently celebrating its 15th Birthday and alongside friend Janiece Myers, Ben has managed to bring this celebration to Liverpool’s very own Echo Arena. Since the success of the awards in Glasgow 2009 there has been a constant effort from fans to try and bring the UK’s only mainstream Urban Awards ceremony, to their home city, however its was Ben Osu who brought home the bacon. Ben set up a face book group that boasted over 2000 followers and once his foundations were strong he emailed founder and CEO Kanye King and highlighted his argu-

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ments for why the City of Liverpool should host the prestigious award ceremony this year “ Liverpool has a strong background with music, having musical exports such as ‘The Beatles, The Christians and the Zutons, and recently hosted MTV’s European music awards whilst also holding the title as European Capital of Culture. What could be better in relation to generating Urban exposure in Liverpool than to bring the MOBO’s to us?” In the run up towards the MOBO’s Ben worked along side an American PR producer who has worked with the likes of Jay Z, Diddy and Destiny’s Child, putting on music seminar events and showcases prior to this prestigious ceremony. The 2010 Awards were hosted by the beautiful songstress Alesha Dixon and the


UK’s Fresh Prince Reggie Yates and one thing was for certain, a show that was previously dominated by American Urban talent has witnessed a u-turn, the UK urban talent was out representing in full force. With show stopping performances and award wins from Ndubz, Pro Green and JLS the night was cleaned up by UK talent. Things haven’t always been as glorious for the MOBO team, the event has faced some negativity over the years and it is only now receiving the heights of success it deserves.

“We had people asking if there is going to be a MOWO Awards for music of white origin.” In 2003 it moved to its new venue The Royal Albert Hall and began to receive prime time slots on TV rather than its previous off-peak time slots being anything past midnight in an attempt to hide what some people considered to be its controversial nature. Ben describes some of this backlash that he felt along the way. “We had people asking if there is going to be a

MOWO Awards - for music of white origin. So we had to keep explaining the true concept of MOBO. that it’s not about being black, it’s about understanding where it comes from, the heritage of the music” The success of the MOBO awards and everything the MOBO Team stands for has worked effectively to bring about a shift in respect of the mass perception of black music in the UK. After a lot of criticisms about not showcasing enough British talent and featuring American artists too much, the gradual effects of sneaking in British music through the back door has opened doors in the industry to the likes of 1Xtra, Channel U (A.K.A) and various websites to join Kiss FM and Choice FM in the frontline fight for British black culture. As a black male from the renowned streets of Toxteth, Liverpool 8 (quick fact, Toxteth is known to be one of the most deprived areas/communities in England…i.e., Toxteth is not known for being rosy streets smelling of fresh baked pie) Ben Osu is standing tall and breaking the cycle of underachievement amongst his social class. Striving to take on new and bold contacts, working in close quarters with local schools and authorities Ben is far from reaching his final goal but is already giving back and becoming a positive black male role model in Toxteth, which is no easy feat. But when asked about the disadvantages felt by him

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Ear to the street and his peers on a day-to-day basis, he replies with profound positivity and confidence. “If we were going to talk about black males in particular, I would say that the music and entertainment industry is a great industry

“People don’t care if you’re black, white, Chinese, gay, transsexual what ever - as long as your talented and they can make money from you then they will have you”

to be in.” he explains. “It’s one of the most laid back and non-discriminate industries in the world. People don’t care if you’re black, white, Chinese, gay, transsexual what ever - as long as your talented and they can make money from you then they will have you.” Wise words from a young man who had already tackled his first major youth lead project before the age of 18, wise beyond his years. Since the age of 11, Ben has been inclined in the ways of business, joining a local

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youth forum running endless projects and committees. He certainly had the playground tormented with his business savvy competitive nature and by the age of 17, he was working on a freelance basis for Liverpool Youth Service, organising events in a consultancy role for young people His influences include the likes of media mogul and lucrative businessman Simon Cowell, it is the motivation that he sees in Simon that he uses to drive himself. “Theres just something about him that I like and respect. On TV he might appear to be this cold-hearted dream maker or breaker, but I’ve read his biog and seen interviews where he has really opened up. Also in his early career, before he was famous, he actually built up a respectable company but then lost it. And he didn’t stand around moping and drowning his sorrows he picked himself back up and started again - an admirable quality, which I think I have.” True to say Ben is steadily gaining respect from people around him and is already having an influence on young people who aspire to be just like him. He comes across as a man who is more than capable of making his own dreams come true. Mr Cowell may need to watch out, it won’t be long before Mr. Osu steps into his shoes!



Ear to the street

Picture Perfect

Photogr apher, Gr aphic designer and par t time MC, David Zinyama, the glue uniting Liver poool’s Urban Music scene

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avid Zinyama, the artist formerly known as Zini-D, had a major career change sometime back, from underground MC to professional designer/photographer. Starting how most musicians do, at home behind a laptop screen. David crafted his music and found the need to push it with promo, to attack the music scene. Working on a humble budget he was forced to create his own logo, cd cover and myspace layouts. Although when asked he will proclaim they were not very good, a response not backed up by fellow artistes. The appeal of

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his work over shone his music as artists would request the same service for their own work and as word of web spread, David Zinyama the graphic designer was born and Zini-D was struggling to get a look in. As the design work flowed in, and the expectations and requests grew, David did not shy away from the challenge. If somebody wanted a photograph of themselves super imposed on the titanic as it was floating into the fabled iceberg. David got the camera, studied the books and youtube'd videos for any information and


"I'm 100% self-taught in everything that I do, never went to any course of any description" guidance he could find so he would nail the brief. "I'm 100% self-taught in everything that I do, I never went to any course of any description" says David. "Although I did attend college after 4/5 years in to my desired profession for the qualification, just to have it on paper as it is always helpful". David is one of many creatives that celebrates the "youtube tutorial" phenomenon, he has experienced the full potential of the concept and has even begun making and uploading tutorials of his own, contributing to the cycle of learning. Since his transformation from an artist in one field to another, Zinyama's influence in the Liverpool cultural scene has been nothing short of inspirational, from magazine design, to numerous blog and artist web sites, countless myspace/twitter/youtube layouts and fashion shoots not to mention his corporate work, Zinyama is everywhere. Photography alone is a deep and meticulous trade, but to also infuse graphic design at a high professional level and delve into the land of film as Zinyama has recently done, filming the Liverpool One Projects debut release "coming in first" video and the growingly popular "Mic Relay" MC showcase viral vid. How is this possible? "Simple" says David. "Three words: Strive To Suceed - I (have) always lived by those three words. Just the love and passion for something will take you far, and (you've) got to be hungry for what (you) want and as much as I want it, I will find it in myself to get it." this ethos has taken David Zinyama a long way and will continue to do so.

"Three words, Strive To Suceed - I have always lived by them three words� Self taught, and self sufficient, he is a shining example to anyone who has dreams and ideas outside of the box. Definitely one to watch as this man is a driving force behind the rise of the Liverpool black music scene. upfrontmag.wordpress.com 09


Ear to the street

Model: Keisha Mangaroo Photographer: David Zinyama



Ear to the streets

Model: Shakira De Silva Vierra Photographer: David Zinyama



Future sounds

MR2GRIME

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r 2G has grown from a budding MC to an assertive lyrical archetect. Born to Liverpudlian mother and an African American father he’s had the benefit of having cultural influence from more than one persepective. Naturally made for music Mr2G offers a powerful, positive and motivating deliverance ina ll of his rhymes. You can tell from his lyrics that he’s incredible passionate about what he does and how he does it “Whilst sampling this offering, I found myself in an almost trance-like state, whilse sampling every word and nuance of his eclectic flow. With a smatterting of the best old school breaks and sampples, and some superb production, its and intoxicationg brew” - The WordsOut Now E.P reviewd by Nicole of Pass The Mic UK. In the last year he’s released his debut (tracks of which ahve been played on Radio 1Xtra in October 2010 the same month of its release) attaining extrodinary reviews and generating thousands of on-

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line plays. He’s also worked very closely with one of the U.K’s new media specialists - Digital Inc, to produce several very impressive music videos. Currently Working on.... His New E.P the words has been brilliantly constructed in such a way that it take you on a journey, not just for your ears but provides food dor though and leaves the listener with a hunger for more. This 11 track E.P was distributed online as free download whilst CD’s were being circulated throughout the UK. The artowrk was designed and compiled byt MR2gr himself and demostrated his creative flair and ethic, His second mix tape is in post production stage and will be released in the first quater of 2011 via iTunes and other media outtets UPfront loves him because.... He’s a true scouse MC and doesnt fall into the trap of using a fake London accent to express his lyrics


BEZ JONES GOSPEL EXPERIENCE

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ez Jones, originally from Canada, is a local urban gospel artist. Bez's extensive range of musical experience all comes together in a potpourri of sound with his group: Joyful Redemption. Bez Jones and Joyful Redemption began with a vision in 2008. Bez was attending University in Liverpool, England and was given the opportunity to put on a show at his Uni. In the spring of 2009, he assembled an all-star choir and backing band, the show was a sell out and Joyful Redemption was born. In 2010, after a year of writing and preparation, Bez reformed the choir, bigger and better than before. Bez Jones and Joyful Redemption are here to revolutionise the music scene. Crossing cultural, racial, gender, and age barriers, this international collective are preparing their debut album which will be recorded live at the Paul McCartney Auditorium in Liverpool, England. Currently Working on.... While being the MD for Christian musical

"he is risen" Bez is involved with a whole host of projects including writing and producing 2 new gospel albums that will be released this summer Bez jones is also in the middle of crafting what he believes is the future of gospel music. A perfect blend between the standard sound, the Kirk franklin sound and a culmination of Bez influence. Bez Jones has a 24 strong gospel choir at his command and an 8 piece super band ready to raise praise and joylfull noise at any moment. With a live recording in the pipeline set to rival that of Tye Tribbet and the G.A and an album release we expect big things. UPfront loves him because.... We have heard Bez and his musical influence on slot of material namely the Esco Williams project as keys player and co producer. The variety of his style from jazz to gospel is most impressive and his energy is pure gold www.bezjones.com

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Future Sounds

JAY NORTON

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ay Norton a product of Liverpool, Jay discovered his voice at 17. Getting involved with Sense of Sound, an agency who help young singers, it wasn’t long till he was handling the lead vocals for his team on BBC series The Last Choir Standing. Backing vocals on Russell Watson’s 2009 UK tour followed shortly, along with an additional date in Paris and a spot on the BBC’s Boy’s Don’t Sing. Currently working in a fabric warehouse, Jay is far from your average singer/ songwriter/ producer. Having already recorded an A64 acoustic session with SB.TV which saw him perform a cover of Wiz Khalifa’s 'Black & Yellow', further showcasing his ability to make any genre his own, all Norton needs to do now is pick up his P45.

Currently Working on.... taking the break from the highly worked Sense of Sound choir of "Last Choir Standing" fame. Jay is having some upfrontmag.wordpress.com 16

much needed HE time. with a massive body of material and a wealth of experience under his belt, the work ethic is now centred around his creativity. and trust us he is wasting no time. no time at al Creating a buzz for himself online with his 'Spare Room Sessions', as well as doing the rounds on the live circuit, Jay is working on cuts for Riton’s album (including a collab with Scrufizzer), writing for others and his own material. Jay has some interesting writing collaborations in the pipe line, which right now he is keeping under wraps. However he has promised that UPfront will be his first port of call when everything is finalised. UpFront loves him because.... Not only is Jay Norton an amazing vocalist and performer, his songwriting talent is a joy to behold.His style is fresh, original and highly distinctive. Another artist we have watched grow, and definitely a one to watch.


CHARTSTALKER

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espite a relatively late entrance into the world of urban music at the age of 25, Liverpool based songwriter / producer ChartStalker has enjoyed airplay on MTV Base, Channel AKA, Flava and the UK's top radio stations, including BBC Radio 1, 1xtra, Choice FM, KISS, Juice FM and many more throughout the past 18 months. Recently featured on BBC 1xtra's HomeGrown podcast for emerging UK talent, ChartStalker is rapidly creating a name for himself across the UK and Europe with productions and remixes across a number of genres, including Pop, RnB, Dubstep, Grime and much more. He seems to be the go to guy in Liverpool when artists are looking to get their tracks produced. With musical influences stretching from Quincy Jones, Manny Marroquin, Darkchild, Jimmy Jam & Terry Lewis, Dave Pensado, Outkast, Michael Jackson and High Contrast, you can tell that the beats he produces are a melodic mesh of gen-

ers, bass heavy yet radio friendly and not to be messed with Currently Working on.... Look out for forthcoming tracks featuring the likes of Wiley, KOF, A-List, Luke Bingham, Janiece Myers, R.I.O, Esco Williams, Lanca Gomez and many more... Current singles include: Wiley - Yo Riley (Offload Vol. 1) A-List / Janiece Myers ft Wiley - Underground Love (The Box, KISS, Flava TV, Channel AKA) KOF ft Esco Williams - All Good (playlisted on BBC 1xtra, Channel AKA, Flava TV) UpFront loves him because.... He is supplying the need for the artists of liverpool, without him we wouldn’t be listening to half the urban music that’s in Liverpool today. www.soundcloud.com/ChartStalker upfrontmag.wordpress.com 17


Future Sounds

PAISLIE REID


UP

Paislie Reid receives FRONT‘s question treatment What Inspires your music A lot of different things inspire the songs i write, when im feeling a certain way if im upset or frustrated i write as a way to vent and thats how some of my best songs are made. i dont really write in a typical way either i like to walk and have the music on in my headphones words start floating round my head and next thing i know ive got a chorus, things i see when im walking are a big inspiration.

Who is your biggest celebrity crush?

Who are your biggest inspirations in music?

ermm i quite fancy matt lanter who plays liam in 90210 or the one who plays stefan in the vampire diaries is nice also i actually have bigger crushes on chatacters from books than celebrities weirdly enough thats because i get to use my imagination though quite sad i guess haha.

Definately michael jackson. Ive listened to his music since before i can remember and if i could make just one song that made me feel the way his music has the ability to make me feel id feel like ive achieved something. I also have had the pleasure of watching jay z perform live front row twice and that was definately inspirational especialy because it showed me that one person can stand on stage with no dancers or distractions in the background and still give an amazing performance and thats pretty cool beyonce also is in my top 3 for pretty obvious reasons is there anything that womancant do! Ive been to see her live tour so many times and ive been in awe and amazed every single time.

Upfront has also heard about your acting career tell us about your time in the worst witch Yeah ive done a bit of acting and really enjoyed it my biggest role was in citvs the new worst witch where i played one of the main characters, i was 12 when i got that part so i dont think i understood what it meant properly. It was easily one of the best experiences of my life tho and i still keep in touch with the girls from it now which is nice. Id love to do something like that again i miss acting actually.

If you could have any super power what would it be and why? Hmm i dont really know id probably pick flying i think that would be fun. At least id get to places a lot faster, haha anything to stay in bed those extra few minutes

Your known as a very bright and bubbly person tell upfront about what makes you unique think im a bit random so people probably either love me or hate me. I think im unique in that i wear odd coloured converse because i cant decide which colour i like best haha i guess im just very hyper and speak my mind and spontanious too i love life and i like to laugh and go nuts whenever i can so people probably think im odd but i enjoy it so its all good :) What are 5 things you wouldn't leave your house without? pod, phone, keys, purse, and a bag to put them in .

What does music mean to you?

Whats for Paslie next? Im currently finishing off my e.p, ‘more than lost’ which im really excited about, as this is my first release, and it will be avaible to download from bandcamp.com. The title track can be downloaded now from liverpooloneproject.bandcamp.com. Keep your ears open for the date of the launch event!

Music means so much to me i wrote a song about it lol its called more than lost which is also the name of my free e.p (out may19th). Most people think its about a boy when they first hear it but when you listen to the words its about music and how no matter how im feeling it makes me feel better. Its sonething that helps me tell my story and gives me an escape i dont know what id do without it. upfrontmag.wordpress.com 19


Future sounds

FUTURE


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uture is 20 year old rapper from Liverpool, who has been making major moves in the urban music scene for the past two years. Future makes Hip-Hop infused with different forms of music, such as Dance and Electro. He has the ability to cross between musical lanes and still keep his unorthodox flow and lyrics which has led to a plethora of support from Industry pundits, including Radio 1's Ras Kwame who referred to Future as someone who he is 'definitely feeling' and 1Xtra's DJ Target who supported Future's Track 'Not Enough' by playing it on his show. Future's presence has not not only been felt in Liverpool, he has a steady fanbase growing across the UK. He has performed in most of the major cities around the U.K such as London, Manchester, Preston, Blackpool, Birmingham as well as some of the best venues and festivals across merseyside such as the O2 Academy, The Anthony Walker Festival, The Brouhaha and many more. Future has acted as tour support for top UK Artists including Tinchy Stryder, Example, AKALA and KOF which has led to him being respected by his music industry peers. With a live stage

show and strong air play across the country Future is now a force to be reckoned with. Currently Working on.... t time of press future is currently presenting MESH radio on liverpool's KCC.LIVEfm every Wednesday night, currently one of the cities only black specialist shows ona air. He is also producing tracks for himself and other artists while working on an EP for release in the summer. Somebody is a busy bee. UpFront loves him because.... Future is one of the few MC's that embraces scouse culture within his music and outlook. With the big release "slang like this" dropping lyrics like "sattnin, safe, sound, la" this salute to Liverpool, alongside his witty metaphors and amazing trainer collection, puts him in the UpFront love list. To check out Future’s music go to: www.thisisfuture.com Or follow him on twitter twitter.com/thisisfuture upfrontmag.wordpress.com 21


Future Sounds

ESCO WILLIAMS


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fter a name change from Jsoul, due to its clash with that of an online Jewish Dating site, Esco Williams, the passionate singer/songwriter/GEEK was born into a digital age of collecting coins, 16 bit sounds and hiphop polyrythms with nothing but a warm voice, a smile and a mind to make noise and here he is to share his soul with you. Esco started out in a vocal group by the name of FADE2 who did very well, they even went onto being voices for LOVE MUSIC, HATE RACISM alongside ROLL DEEP, MS. DYNAMITE and a whole host of other artists. they performed for CHILDREN IN NEED 2006 on the WREXHAM stage for the BBC in front of 6000 people, opening for MADNESS, THE SUGABABES, TEXAS and others. they did good, but after years of performing, many signed autographs and miles of traveling. he felt he had to make music closer to that which he loved most. NEO SOUL. Liverpool's self titled "local nerd and neo soul super hero junkie" Esco Williams (J.Esco the Geek of the jsoul project) has now fully immersed himself in nothing but creativity, save his xbox and comic books, to deliver a project as close to his heart as he can get. Taking inspiration from Eric Roberson's Music Fan First campaign/ethos, he has endevoured to capture the sounds he

loves and his stories to create a listening experience that is not only personal but reflects his influences, loves and passion. The INTROduction EP is a small taste of what to expect from the upcoming album. Currently Working on.... A long list of collaborations, Esco has become a hook wizard featuring on various projects, the most popular being "All Good" with KOF. currently working towards the release of his second EP, inside news says he has some rather exclusive features up his sleeve. we cant wait to see what Esco presents next. UPfront loves him because.... His soulful voice brings something unique and original to a market that is so heavily dominated by Hip-hop. There are few urban artists in Liverpool that havent collaborated with this guy and upfront can see why. Esco's stage show with his live band is second to none and he says he is still working the kinks, the fact that he is stil in the experimental stage of his career excites us. Download his music from: www.escowilliams.bandcamp.com

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RRRRRR Liverpool’s supermodel in the making Rikaya Tagoe speaks on the trials and tribulations in the modelling world

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he stunning model, Rikaya Tagoe looks set to be Liverpool’s most successful black model as she successfully swooped the title Miss Black Britain and now she moves on to even bigger, better things having recently starred in rapper Tinie Tempah’s music video ‘wonderman’ featuring Ellie Goulding. “Working with Tinie was amazing, he is lovely person, and a musical genius, it was my first feature in a music video and I was a bit nervous at the time, I mean who wouldn’t be working with Tinie Tempah its definitely a big step forward in my career. He made me feel very relaxed and at home which made it a lot easier for me” In the meant time from winning the com-

petition Miss Black Britain Rikaya gained a fast track into the grand finals for Miss Great Britain, however Rikaya had a slightly different experience to that what she has experienced during the Miss BB competition. The competition, as written on paper, was wider cast than that of Miss BB in the way that it was open to girls from a variety of racial backgrounds so Rikaya knew that she had a bigger challenge on her hands. However the thought of being an ambassador for Great Britain regardless of her skin colour spurred her on. When reaching the finals for the competition Rikaya faced the harsh realties that black women in this industry often face. . I found Miss GB to be a lot more biased. It seemed as though only the stereotypical


idea of what 'British' should look like made it further into the competition. The majority of girls they put through were Caucasian, fair haired, blue eyes, which I thought was a bit unfair. Not many 'black girls' were put through to the final round, but that's how competitions go I suppose. You win some you lose some.� From her experience and research over the years Rikaya has seen the struggle that black models can face, especially those with darker skin, but if you look the likes of supermodels Naomi Campbell and Grace Jones they are enough to inspire black girls everywhere to achieve success. I think models of colour find it harder in general, because it is a very tough industry, and its usually 'Caucasian' or 'lightskinned' models that clients tend to look for. There are not many black models that have made it 'Big' in modern day. As well as modeling, I am also interested in TV presenting and acting, however

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“I don't really get time to sit back and actually enjoy my achievements�

being from Liverpool, it is not ideal to have a 'scouse' accent so it is a bit harder to get into these things. Although I will always be proud to represent where I am from Not only a beauty, Rikaya also has the brains as well, which is an asset that it not often stereotypically associated with the modeling profession. Rikaya graduated from Liverpool Hope University with a degree in Psychology Being a graduate is something I am very proud of, although I don't really get time to sit back and actually enjoy my achievements, as I am always really busy. I am only 22 and I have a degree, I have the title 'Miss BB', and I have a lot of recogni-


tion throughout the UK. So whenever I do get the chance to sit back and reflect on the things I have done, it often feels rather surreal. I would like to think that I am a role model for girls in Liverpool and I hope that they aspire to do the things that I have done. Yet there is still so much left for me to do, and my next aim is to be a role model for girls in the wider community and throughout the UK. Something that is definitely lacking from the glamourous fashion world is that of Role models for young women, with models in the public eye such as Kate Moss famous for her drug taking in the back of cars, and promoting the stick thin model

“My next aim is to be a role model for girls in the wider community”

image with the phrase “Nothing tastes as good as skinny feels”, it is refreshing to have Models such as Rikaya who realize the influence that they have on young women around them, and strive to reflect this in the image that they promote. “My dream job would definitely be a famous supermodel, and I would also like to dabble in TV presenting and acting as well. I would like to be recognised worldwide for doing something I am good at and I would like to be a role model for young females throughout the world” From trying to cover all bases, from modeling to acting to presenting, just as the now voluptuous American super model Tyra Banks has done, Rikaya Tagoe certainly is making waves on the scene; having recently modeled in Arise fashion week in Lagos, Nigeria, her catwalk is pushing her even further than the city boundaries UpFront is certainly backing Rikaya on her fashion journey upfrontmag.wordpress.com 28



janiece myers

Liverpool songstress Janiece myers teams up with Grime Star Wiley for her first release ‘Underground Love’

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he transition from young choir singer to r'n'b diva is usually accredited to those on the other side of the pond in the U.S of A yet singer songwriter Janiece Myers was born of the same story. Okay maybe not the typical church gospel choir but a choir is still a choir none the less, and the One Heart One Voice choir was certainly a starting ground for Liverpool’s "underground" A-list songstress. Choir girl Janiece Myers has the type of sweet voice that money can't buy, you either have it or you don’t and with the raw talent she has been blessed with, Janiece has worked and perfected her craft. When asked how she fell into music, Janiece replied “I’ve always loved music, from a very young age there was always something blaring out the speakers at my house and then as I grew up and realised that I could actually sing , I developed a passion for it. When I was 13, I joined a local choir and everything seemed to blossom from there.” Blossom is a beautiful word and Janiece certainly nurtured her natural

love for music and talent. From an early age Janiece describes her creativity as a child Family “My life was good growing up, I have a massive family which is lovely, I was quite shy as a little girl but I had a crazy wild imagination, I was one of those kids that would just sit and play with my toys for hours and have my own little adventures, I always wanted to be either a singer or a teacher” a desire she acknowledged lyrically on the track ‘do what I do’ on her latest E.P. ‘too low for

“ Working in this industry can be stressful, but they have always been there for help when ive needed it” radio, her mother recognised this too as a child from the ‘twinkle in her eye’. Honing her skills to become the accomupfrontmag.wordpress.com 30


plished vocalist she has is now known for, Janiece ventured into the world of session singing and musicals before she took control of her own path and picked up the pen. It was then that people really took notice. Myspace was practically dying down when Janiece created her page and uploaded "girl meets boy" a very neo-soul hiphop'esque song reminiscent of early musiq soulchild. And "like a dream" the soft and gentle, image heavy love song that has a tone not far from that of Teedra Moses. Two songs, a couple of pictures, but it was not very long before bookings for gigs were flying at her and people began finding the name Janiece Myers on their tongues. At 21 Janiece released the highly anticipated EP "In my Element”, a free EP of album standards, which perfectly showcased the artist’s talent as a vocalist and an accomplished songwriter. With amazing tracks such as “Rockstar” title track “In My Element” and Janiece’s favourite, “Fallback”. Every artist has a personal favourite among his or her creations. When asked about hers Janiece wasted no time picking.”I love all of the songs but I would have to say ‘Fallback’ because I’m a big fan of harmonies and backing vocals on a good pop tune but this is just a simple track with a beautiful melody and yet it still has popular appeal and a nice message so I would have to pick that one. Another one of my favourites would have to be ‘grateful’, my family and friends have been very supportive of me, so I wrote this song to say thank you to them, working in this industry can be stressful, but they have always been there for help when I've needed it” What is evident about Janiece Myers and what sets her apart from other artists is her ability as a song writer, her creative, heart felt lyrics set her miles ahead of other artists on the music scene at present. Janiece explains how she feels this gives her the edge. “I've always loved creative writing whether it's poetry, songs or stories. I like to use my imagination. Working with the choir and working as a part of a

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“I'm very influenced by music of today, I think it gives me an edge when it comes to constructing a song” Motown tribute band gave me that musical ear and a sound way of constructing classic soulful melodies and vocal arrangements but I'm very influenced by music of today, I think it gives me an edge when it comes to constructing a song.” Song writing is were the money is at in this business, artists struggle to make a living on merely selling music alone, without the millions of pounds worth of endorsements that the majority receive many would not have the millions they have today unless they are successful in writing their own material. If all runs smooth this is definitely were this lyrical lady will shine. Wiley In My Element was released Independently and with it came a tour of the EP with a full band. The release was a success and attracted a lot of attention. It wasn't long before urban music mogul and grime founder Wiley scooped her up and made her the first female member of A-List records. This is when sparks began to fly as not before long they collaborated on the urban dub step smash "Underground Love". “Wiley is just great to work with, he loves music so the creativity just flows when you are around him and so under-

“Wiley is just great to work with, he loves music so the creativity just flows when you are around him”



This EP shows definite progression from the last project but is still very much me.” ground love was born.” Things seemed to be moving fast and Janiece’s journey in the music business was starting to really take flight. Just working with Wiley in its self is a major accomplishment and there was soon a rumour mill about record deals being signed, A-List Janiece was quick to clear the air. “Wiley asked if I wanted to join the collective that he had put together and then when I showed him the track I wanted to put out as my 1st release (Underground Love)” said Janiece. “He really liked it and agreed to feature on it, he also asked if I would like to have it as the 1st signing to A-list Music Label. I myself am not signed to A list though just the upfrontmag.wordpress.com 33

single.” Underground love not only found itself on MTV BASE, BBC Radio 1Xtra and iTunes as a purchasable release, but it was also featured on Tim Westwood's compilation album "the Big Dawg is Back" and garnered massive support from DJ’s on the club scene. Too Low For Radio 2010 was an amazing year for Janiece Myers and she is set to top it this time around with a second release “Too Low for Radio”. Another EP that consists of a weighty amount of tracks, further following the synth heavy tone she set with underground love. Featuring guest appearances from Manchester's R.I.O, former label mate KOF and Wrigz, Too Low for Radio is set to smash the scene with a flurry of catchy hooks and addictive melodies. Were “In My Element” was a soft introduction with a lot of chart friendly, safe r’n’b, Too Low for Radio offers a deeper, edgier sound with what seems to be a more close and earnest insight to Janiece’s personality. Too low for radio As the title suggests, it is a step away from mainstream pop this time around,


“I am still very much on the come up as an artist and there are a lot of set backs and disappointments.” and it certainly seems Janiece is experimenting with her freedom. “The EP 'Too Low for Radio' has a clearer direction and in my opinion shows definite progression from the last project but is still very much me.” Explains Janiece, and I couldn’t agree more, fans and new listeners alike will grow to love Too Low For Radio. As it stands Janiece Myers is self-sufficient and self managed. Complete independence. Despite the success of her debut single release, the artist is still humbled and ready for the next release with the same hunger, passion and motivation of the first. “ I am still very much on the come up as an artist and there are a lot of set backs and disappointments” said Janiece, smilingly and self-assured. “It's a hard industry and

definitely not for everyone. You have to have a solid back bone and always remain positive and optimistic about reaching your goals and achieving your dreams.” Launch The launch for the new E.P. ‘Too Low for Radio, will be held on 27th April at Liverpool’s Masque venue on Seel Sreet. With support acts from Liverpool’s own Paislie Reid, Future and Allie Broad, the night looks set to be one not to be missed. It the new EP is anything to go by, combined with the glow of confidence and positivity we have witnessed in our short meeting. The future is brighter than orange could ever imagine for Janiece Myers. Mark these words. In the words of Janiece Myers herself, “If you aim for the moon you can only end up in the stars, Peace and Love” You can find out more about Janiece at www.Janiecemyers.com and follwer her on twitter at twitter.com/janiecemyers. Alternatively download her two E.P’S ‘In my Element’ and ‘Too low for radio’ from www.JanieceMyers.com upfrontmag.wordpress.com 34



Liverpool Artist Manager Yaw Owusu gives an exclusive interview to Upfront on Liverpool’s Urban Music scene


U WU S O YAW Could you describe your passion for black culture and just how much it has influenced you growing up? Black Culture is a major part of what I do, who I am and influences all the creative outputs we do. As black youth culture has become the dominate UK youth culture I believe our businesses have been quite important in the articulation and promotion of that culture in Liverpool and the NorthWest. What inspired you to become Yaw the manager and CEO of URBEATZ? Having nothing. I came out of university with a degree but no desire to work in the field that I studied or to do a job I didn't really want to do. I came out and applied for many jobs. I couldn't get one. Kof, who is my cousin,had moved back to Liverpool for uni. He had a few shows offered to him as he had started recording songs. He asked me to manage him for a bit. I did. It was a successful summer – money, some recognition and a lot of learning. So we just kept it going.6 years later, we have managed to have achieved a lot and we are still growing. How did URBEATZ grow and expand to become what now looks like the father of One Hundred Global, MESH, Nothing But the Music ect‌? Organically and just naturally followed our interest and demands really. We started with music. Then we needed platforms to share that music, as the platforms that existed weren't, so we done a series of CDs and some showcases. The CDs sold very well in HMV and Virgin. The showcases were held in town. We started an internet upfrontmag.wordpress.com 37

radio show. That was successful and got us a stint on 1Xtra. Then the schools and youth services recognised our influence over the youth so we expanded into that. Then we got into events more, alternative education, film and magazines. It's all different strands of youth culture. Then two years ago it was time to split things; so now URBEATZ is just the youth culture projects and the Media work, One Hundred is management and consultancy and Nothin But The Music is the music management service. URBEATZ is the genesis and is so important to me. How do you think the musical climate has changed in the UK/Liverpool since you first started out? It's changed somewhat. Now people are proud to like and support Urban Music made by Liverpudlians. I know that wasn't the case. A lot of people are jumping on the bandwagon who weren't interested a few years back. However I believe we are further towards and farther away from beng where we should be than ever before - meaning we have had some success but we need more platforms to showcase the work, we need more industry peeps and less music makers and we need people to start breaking bread when mutually beneficial and less people just working together cos they think a movement is going to move the mountain. Also we probably need to be more educated here as to what the music industry is about, how you make money and how you progress. Let's talk about your impressive and growing roster. Who is on the team? The team has always been myself and KOFas far as the directors of every busi-


“Black Culture is a major part of what I do, who I am and influences all the creative outputs we do.�

ness. KOF is an astute person and my business partner for life. Jernice Easthope is the third partner. Then as far as who we work with, on One Hundred, we rep KOF, David Zinyama and DJ Spykatcha. Then we have various clients that we consult with, including the work I do with Wiley's label, A-List. Also we do content for the likes of MTV, Yukka and KCC. Also we have the MESH Brand. Under Nothin But The Music we will be putting out KOF, Joey Seary and various other bits and bobs this year. Both myself and KOF have dreams which including getting songs synched, licensed and also submitted for artist's projects on major labels so as time goes on that's what we will be doing too. How do you manage to deal with and tailor things to all the personalities? I try to negotiate where possible. I want everyone who we work with to get their vision out. That was the whole point of One Hundred – just be transparent and let the client be the main brand. However sometimes there is a conflict cos this is a business and we can not always give away our resources including time, energy, contacts, information and money for free without a return on investment. I think people forget that. And that's when I/we have to step back. What are the major difficulties you have faced along your journey? Money. Lack of support. Finance. Lack of information. Lack of contacts. And general things like people just hating on what we do. However what's odd, we always come in love and positivity. We want to eat but I've never been so hungry that I would eat off your plate so you have nothing to worry

about hahahah. Now I think we just need to go and market our resume, our value and our ideas/service and product better and the rest will fall into place. Has management always been your passion? I suppose. I am passionate about managing things, people and projects and always have been I think. I think I am a manager. That's my overriding trait I think. Or maybe I've just turned that way hahaha. But I am orderly and I like making things happen. I admit I may not the best manager, objectively, for everyone and everything. However I am aiming to be the best manager of music, talent and projects I can be, which is really subjective grade system but I hope I can be judged objectively at a point and be seen as the go to guy of choice. Where do you see One Hundred Global in the next 5 years? I want OHG and NBTM to continue to develop and work with top brands, acts and projects in the world and just deliver! That's so important to me. Never before has there been so much noise in the world; everyone claiming they can or do - I just want us to deliver and get to the highest level possible and the continue to deliver. I believe all the rewards and recognition will naturally come then. If we can help everyone who we rep achieve and surpass their dreams, goals and desires then we are good. I think for the next however many years that's who I am and how I've built these businesses so that's what the ultimate goal is Check out Onehundred Global at... www.onehundredglobal.com upfrontmag.wordpress.com 38




Upfront magazine have heard it through the grapevine that a group of very talented young people are set to tour the world peforming the classic Motown greats.

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pfront magazine have heard it through the grapevine that a group of very talented young people are set to tour the world performing as the classic Motown greats from yesteryear. Performing Arts organisation Positive Impact, take you back to a time when Motown music was at its best. Molding young performers from inner city Toxteth Liverpool, into the sensational Detroit stars of the 60s to re-create the ‘Sound of Young America’. If you walk into their rehearsal space you’ll see the familiar sites of what you would expect to find in any Youth Centre, a group of down to earth young people hanging out with each other, dressed in similar attire, listening to hip hop music or the latest download from Beyonce, generally having a good time. But if you’re lucky enough to be able to hang around for a dress rehearsal, you will see an amazing transformation into work mode with added Afro wigs, beehives, slick suits and choreography to match, it is then that magic happens.

“They have big shoes to fill but the young people thoroughly step up to the challenge” The cast features replicas of the swarve and sophisticated Temptations, the Sexy and alluring Supremes all the way to the bubbly and vivacious Jackson 5. Their infectious on stage energy has attracted mass audiences all over country, with tour dates in Liverpool, Southport, Rhyl, Blackpool, Norwich, Somerset and Lakeside to name a few and now it seems that this fantastic production is about to be taken global. Positive Impact is Performing Arts Company based in the Methodist Youth centre in Toxteth, Liverpool 8. The building has recently been renovated into a state of the

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art youth centre. The opportunities for young people here are boundless, with assets such as a performing arts space, with dance studio, rehearsal space, a hair salon for trainee beauticians, a music studio for budding recording artist s and an IT suite for our technology savvy generation. All this along side traditional youth centre facilities such as a pool room, games room, and huge sports hall has left no stone unturned in relation to provisions for the young people from this otherwise deprived area.

“The Motown show puts all of the skills the young people have are trained in to the test”

Positive Impact has been providing free training for young people between the ages of 8 and 20 in Singing, Dancing and Drama, Music Recording, Scriptwriting and Radio Productions since 2002. The company is bursting with talent at the seams, lead by Manager and former Brookside television scriptwriter Barbara Phillips, Positive Impact nurture talent and potential whilst also providing a platform and springboard for artiste development. It was through workshops that the Classic Motown show was born. “The Motown show puts all of the skills the young people have are trained in to the test, they learn to master the smooth vocals and slick routines of the artists, as well as enhancing their acting skills when they take on the physicality and showmanship of artists such as Diana Ross and Stevie wonder. They have big shoes to fill but the young people thoroughly step up to the challenge.” Motown music broke the boundaries for popular black music. It was the first of its kind to be accepted by the mainstream media and its music is still going strong to present day, with Motown records celebrating their 50th anniversary in 2009. Even though many of the original Motown


Marvin Gaye and Tammy Terrell Classic Motown show Rhyl


artistes have sadly passed away, Motown music has been kept alive by its constant use in films and advertisements. Hit albums from major recording artistes such as Rod Stewart, Phil Collins and teen groups such as Blue mean that the music of Motown is never far from the limelight. The fact that young people today can still appreciate the music and even try to re create it, a generation that weren’t around for its beginning, speaks volumes in relation to the sheer magnitude and power that Motown music possesses. To celebrate the 50th anniversary of Motown music, Positive Impact where chosen to perform the Classic Motown show at Liverpool’s Matthew Street Festival, an annual commemorative outdoor festival, which runs over two days and is attended by hundreds of thousands of people. Stevie Wonder (Danny Sharples) tells us what it was like performing on such a momentous occasion. “ It was amazing it was just like performing to a sea of people, there were thousands of people, singing a long to the songs. It gave us all a taste of what it was like for those singers back in the day, when they had thousands of screaming fans” From speaking to 15 year old Delielle Ankrah from Toxteth it’s clear what a big deal performing is for all the youngsters “I’ve been with Positive Impact since I was 11, when I started singing Michael Jackson in the group, I was made up because Michael has always been my hero. I couldn’t believe it when I found out he died. The

“I was gutted when I couldn’t sing Michael Jackson anymore, and hated not being able to reach the high notes”

Jackson five is always the main crowd pleaser at the shows, but there is a downside to playing this role, as the longevity of the adulation is often short lived. Playing young Michael has a time cap on it, with the unavoidable certainty of the teenage male voice breaking, hitting the easy high notes of hits such as ABC suddenly becomes a huge feat, even the late great Michael himself lowered the keys of his songs. A short term solution also carried out by Positive Impact until the teenager playing young Michael suddenly starts singing as low as Nat King Cole! Delliele tells us how he had to over come this hurdle, “ I was gutted when I couldn’t sing Michael Jackson anymore, I found it really hard to adjust to my new voice and hated not being able to reach the high notes but eventually I got used to it. Barbara encouraged me try new things and now I get to perform as Smokey Robinson, and when I grow a bit more she said I can try out to perform as one of the Temptations”. Barbara, explain how the show must go on,

The Jackson 5 Classic Motown show Rhyl


The Supremes Classic Motown show Rhyl

“ Young Michael Jackson is the most interchangeable role within the cast, we are constantly aware that each young boy we train will experience their voice breaking at some point, so we tend to train up a couple of boys at the same time so we are ready to replace the vocalist when it happens. Its important for us to try and be as authentic as possible, when people think back to the Motown era they always think of it in great fondness, and in most cases they probably remember it being even greater than it was in the first place, so we as group we try to do our upmost to bring those memories back to life again. If that isn’t enough Positive Impact also prides itself on being an Arts Award Welcome Centre, which means that the young people not only get to fine-tune their performing arts and media skills but can also work towards nationally recognised qualifications through the Trinity Guildhall Arts Award. Barbara explains “Many of the young people who come to Positive Impact often under achieve at school. The Arts Award is an excellent way to encourage young people to enjoy and achieve as it’s related to individual learning, which allows young people to develop and learn at their own pace. As well as being performers we encourage all of our youngsters to take part in Bronze, Silver or Gold Awards. The standard of this accreditation ranges from GSCE level all the way to gaining UCAS points for university and incorporates

“Many of the young people who come to Positive Impact often under achieve at school. ” learning and performance which is a much more attractive option to learning, 60+ youngsters at Positive Impact have gained accreditation through the Arts Award.“ So what’s next for Positive Impact and their Classic Motown Show? Barbara spills the beans “We’ve been invited to perform at the Mathew Street Festival in August for the third year running, but before that will be venturing on our first international booking in Arras in France on 5th June performing with phenomenal names such as Rose Royce, Heatwave and Odessey, and we have also been offered the chance to perform at a show in Brazil later on in the year to take part in a carnival!” Sounds like a fantastic opportunity for the young performers at Positive Impact… in the immortal words of a song recorded by Motown’s Martha Reeves and the Vandella’s, I’m sure they’ll have the audience ‘Dancing in the Streets’… For snippets of Classic Motown become a subcsriber to Positve Impacts YouTube! upfrontmag.wordpress.com 45



8 L FROM A L TO Shipped over from Liverpool, England all the way to L.A, Marsha Ambrosius talks about her journey and her debut solo album ‘Late Nights and Early Mornings’

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arsha Ambrosius, born in Liverpool and now residing some thousand miles away across the Atlantic in the big and illustrious USA. Marsha has gone from dipping her toe in the music scene, causing waves worthy enough to surf on, collaborating with black music legends in a very short space of time. Well they do say get to know your neighbours…Being a friendly Scouser has maybe worked to her advantage because from where I'm sitting it looks like she's running things in her neighbourhood. With writing credits with Michael Jackson, Timbaland, Nas, and Justin Timberlake to name a few, the fittingly named "songstress" has built up quite the resume. Penning songs that have defined the very meaning of soul with "you are" (bilal oliver) and in turn creating the instantly catchy chart killer "cry me a river" (justin timberline) one would believe her talents know no bounds. For someone who stumbled into the career from a series of random events (starting as a basketball player) Marsha continues to blaze a trail, setting an example for all who come behind her in her hometown of Liverpool, England, and she knows this. Journey Lets look at where it all started. Marsha and her brother (singer songwriter/producer Marvel) Marvin Ambrosius, were

raised by father, Paul and Mother Geraldine. Marsha always had a love for music, but initially found herself focusing on basketball, with a strong love for the courts, however it was her parents that discovered that Marsha had an ear for music as she recalls how her father remembers her singing along to the weather reports when she was only two years old. Marsha moved from Liverpool to London with her parents when she was only 5 years of age, which in hindsight would seem that it was the turning point in Marsha’s life. Whilst in London Marsha became interested in poetry and joining forces with friend Natalie Stewart.

“I was approached by a few major labels interested in signing me as a solo artist. So I figured why not” Marsha teamed up with friend Natalie Stewart in forming Neo Soul group, Floetry, a perfect and inspiring blend of both Marsha’s sensual vocals and Natalie’s deep and thought provoking poetry Marsha explains her musical journey in London to upfront. “I had a single out called "Is This Real" in upfrontmag.wordpress.com 47


the late 90's. It was something I wanted to do when I was younger. My ultimate goal was to write and produce music. When Floetry happened, it was because I composed a piece called "Fantasize" that I wanted someone to do poetry on. Then that became 3 albums and a few years later. So with those accomplishments already made, I

“ The song is on the Invincible album with my voice on it and my name in the credits so it did happen” was content in being a producer/songwriter. When the other group member left in 2006, I was approached by a few major labels interested in signing me as a solo artist. So I figured why not” Michael Jackson Focusing on the music career Marsha soared and certainly excelled past the thoughts of everyone, especially when she joined creative forces with the legend that is

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Michael Jackson. “Working with Michael Jackson was AMAZING!!! It's still unbelievable but the song is on the Invincible album with my voice on it and my name in the credits so it did happen. He was the coolest person to work with, he let me tell him what to do and how to do it. Michael Jackson's work inspires us ALL. I for one got to know him outside of him just being MJ the legend. We got to joke around in the studio. He showed the world what "FAME" is! There will never be another. I guess every collaboration I’ve ever done has been a highlight to my career, I'm still enjoying the ride. Alicia Keys, Jamie Foxx, Outkast and Common to name a few. I'll just keep working and add more highlights” Marsha became known for being the fuller figured songstress of Floetry. Basketball was put on the back burner for the recording artist lifestyle consisting of late nights and early mornings in the studio and plenty of take out food. But this has taken a change. Her confident stance on the BET awards stage, in an outfit that showed off long slender legs and an amazingly trim figure, dazzled audiences and provoked a flurry of


Marsha Ambrosius, Ledisi, Jill Scott and Kelly Price Black Girls Rock Ceremony

dietary questions online along the lines of “guurl, what is your secret?!?!” With upcoming album Late Nights and Early Mornings, there is no doubt going to be marketing campaign complete with tours and public appearances, so its understandable that Marsha would get her game face on, and she has not taken any half measures. Get Fit get activist Alas an active mind needs an active body. In 2006 an Organisation called BLACK GIRLS ROCK was formed. Founder Beverly Bond set up a forward thinking youth initiative dedicated to young women of colour. BLACK GIRLS ROCK! Inc is a nonprofit, youth empowerment mentoring organization established as a reaction to the often seen negative images consistently imprinted upon Black women expressly in mass media. Recently appearing on BET's Black Girls Rock awards ceremony Marsha has shown yet another aspect of her strong career, that of the leader/activist/motivator. Not least mentioning her stellar perform-

ance as part of a quartet of strong and amazingly talented black female artists covering Nina Simone’s "Four Women” lifting the bar for vocal performance levels. January 2011 has seen the release of Marsha’s new single Far away. This release has been met with a lot of debate, as the video that accompanied the song is one of controversial subject matter. The inclusion of a homosexual relationship and pressure on the couple resulting in one of the men committing suicide has got people on either side of a multitude of fences. The large percentage of feedback on the release is positive as the video stands firm against bullying, and homophobia. Fast becoming a trending topic on the infamous twitter the Far Away single campaign has garnered a huge amount of momentum. Being the penultimate release before the eagerly awaited solo debut album is launched in March, this kind of publicity is most definitely a good move. Follow the official Marsha on twitter.com/MarshaAmbrosius

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nter, Kofi Owusu, a mild mannered, humble and down to earth young man. Save all the token stereotypes you would attach to a young black male and you have a fairly unsuspecting individual. Introduce him to a microphone however, and you see a different figure formed by way of posture, energy and aura. When combined with a microphone, you have KOF. The singing rapper who has captured the heart and soul of Liverpool, and coloured the northwest with his high octane, bass heavy, melodic music, leaving a multi coloured trail where ever he goes. With a bold style, many have tried to pigeonhole KOF and failed. He has been an evolving force within the urban music scene that has collated the entire spectrum of urban music and beyond within his library of music. After waiting and waiting and waiting to finally get an interview with what seems one of the hardest working musicians in the city I finally got my iphone microphone within audible distance from

his voice box. The main reason I wanted to catch him was to gain some kind of definition of KOF, and what it is he does other than creating bangers and mash. So I asked him to describe himself, and even he was lost for words‌well‌sort of. He started again, from scratch. "I'm a creative person, I love making music and I've been doing that for about 5 or 6 years now." KOF's eyes darted around the room in thought. "It's hard for me to describe my style because it's influenced by so many genre's but I try to keep it as natural as possible by going off the feelings or vibe that I'm on at any particular time." I wasn’t ready to settle for such a vague answer and he saw that. So he tried again. "I rap and have been known to sing a couple of love songs or two!" he said laughing. "I love hip hop, rnb, dubstep, neo-soul, dnb, house and loads more and I like to think that this comes through naturally within the music I create. I've never been one to stick with a certain sound for too long. I mess with different sounds for a bit, have my fun, then move onto something else till I


“To have some White people o g n e th t u b rd o -w n e th e m call home to a White mum and having loads of White aunts and uncles. It was kinda confusing as a kid.�


get bored"…He can’t pigeonhole himself. I soon learnt the essence of what he is. Like most artist he likes to grow and express himself, and through defiance of the single lined genre he expresses himself by how he feels. This is testament how well he miscere quadrupei.to Augustus ampuConcubine has lasted and sustained his infeliciter career asin-an tat matrimonii, ut lascivius catelli artist.agricolae. 7 years and we still cathedras cannot predict sectat Parsimonia agnascor Aquae et catelli insectat ofSulis, a KOF project. I like plane this the outcome matrimonii. Optimus utilitas suis tremulus KOF first gained his momentum releasing deciperet apparatus bellis. frugaliteraioa song titled "where did Caesar we go wrong" cari saetosus quadrupei, iam agricolae amputat song inspired by a major race crime at the perspicax ossifragi, et pessimus bellus oratori time, the murder of Anthony Walker. "Yeah imputat Augustus. Saetosus matrimonii conuthat santet song kind of wrote itself.' He recalled. bium Octavius. "I tried to highlight whatutcunque was going onbellus in Chirographi amputat suis, satis the city as well as uplift andoratori. bring people agricolae insectat verecundus together." was fast included onto the Fragilis suis he vocificat zothecas. Matrimonii divinus circumgrediet Caesar. Adlaudabilis LOVE MUSIC HATE RACISM anti apparatus bellis conubium santet lascivius catelli. racism/fascist campaign alongside Miss Utilitas oratori amputat bellus matrimonii. Rures Dynamite and Roll Deep. The race issue circumgrediet optimus adlaudabilis fiducias, ut was something that KOF has reflected on umbraculi suffragarit lascivius cathedras, continuously growing up. "Being mixed quamquam vix parsimonia suis circumgrediet race of English African decent, racism lascivius ossifragi,and utcunque oratori comiter amhas always particularly me. putat gulosus been suis, ut matrimonii weird divinustomisTo have somebellis, White people call me the ncere apparatus semper oratori word but then go home to libere a White mum praemuniet fiducias, iam suis insectat fiducias. Octavius verecunde Pompeii. and having loads of Whiteimputat aunts and unOssifragi agnascor cles. It was kindafiducias. confusing as a kid." Now Chirographi corrumperet concubine, et camcathea headstrong young man who has dras adquireret saburre. Ossifragi praemuniet paigned and strengthened other young Caesar. Tremulus rures aegre fortiter vocificat mixed race people. There is no longer any verecundus saburre, iam agricolae amputat opconfusion in KOF's mind timus tremulus saburre, etiam perspicax matriFast fermentet forward aAquae few years, couple of mixmonii Sulis, quamquam tures andneglegenter EP's later vocificat and we incredibiliter have the succathedras cessful independent launch and release of bellus fiducias. Cathedras suffragarit syrtes,featuring iam quadrupei luthe ALL GOOD mixtape, the song "fireagnasco it up" ft.rAdlaudabilis recent sonyoratori signing Liverpool iocari pretocide

“The concept of an album doesn't seem as important as, just making good songs” singer songwriter Chelcee Grimes and the grime founder/legend Wiley and title track "All Good" ft. Liverpool singer Esco Williams. With both songs playlisted on 1Xtra and music videos featured on MTV base, FLAVA and channel AKA, KOF is in a very important place right now. All we need now is the eagerly anticipated debut album. It’s what the fans are screaming out for and what the critics are

holding out to review. Will it be more of the same and can it compare with the immense body of work he put out to date? What oh what can we expect?! “It's weird.” He replies. “An album suggests that this is the ossifragi, best music that an artist has to verecunoffer quamquam incredibiliter sius between the date of his or Bellus her last, to the dus rures imputat matrimonii. cathedras date of his orpessimus her next.adfabilis catelli. Quincircumgrediet

I've never been one to stick with a certain sound for too long. I mess with different sounds for a bit, have my fun, then move onto something else till I get bored” quennalis syrtes fortiter conubium santet adThe wayzothecas. music is Augustus being distributed laudabilis vocificat these days, to me, the concept an album umbraculi. Ossifragi insectat of plane saetosus oratori, ut quinquennalis suis lucide opdoesn't seem as important as,adquireret just making timus pretosius apparatus bellis. Adfabilis good songs” however Kof would like to zothecas miscerean cathedras, Aquae piece together album inquamquam the not too disSulis insectat apparatus bellis, quod parsimonia tant future, “With all that being said though, zothecas amputat bellus syrtes. Fragilis agricoI do want to have that one dat that I can lae vocificat ossifragi, iam Caesar adquireret say - this is myquamquam debut Album and the culmiutilitas fiducias, umbraculi suffranation of everything I'veadfabilis learnt so far musigarit Aquae Sulis, semper agricolae cally miscere as well as my life experiences up to libere incredibiliter fragilis zothecas, this point.” It isfermentetOssifragi safe to say that there is an etiam umbraculi circumgrediet cathedras, quod Medusa album saetosus in the pipeline. adquireret vix quinquennalis apparatus bellis, The Future iam fragilis chirographi imputat Aquae Sulis, ut satis gulosus suis comiter fermentet chiAfter starting up the publishing label, Nothrographi. Cathedras miscere fiducias, utcunque ing But The Music with long-term Suis adquireret rures, et suis conubium santet

partner/manager/cousin Yaw Owusu of One Hundred Global, the pair are looking at a take over in a Jay-Z and Damon Dash fashion. "With the ability to record and put out music whenever I want and get it straight to the people." explains KOF "Links to radio as well as blogs and television and knowing the right people, it makes the independent route an attractive one. At the end of the day though, it's about making good music and and constantly developing with hard work. A little bit of added luck and hopefully everything will run it's course nicely" he laughs, but there is an air of confidence and pride in the room which tells us his journey is about to get very, very serious. Catch KOF at www.kofmusic.com

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UP

FRONT

BEATS WHERE’S THE EXIT? SLOW GROWER CRUSIN’ SICK FE DAYS

FLAWLESS

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JESSIE J WHO YOU ARE

T

he release of Jessica Cornish's debut album is upon us. Hailed as the voice of our generation a lot of people have been waiting patiently for this. With "do it like a dude" doing bug things and "price tag" becoming an anthem of late. The hype is justified. Jessie J has been writing songs for Miley Cirus, Alicia Keys and Mary J Blige to name a few, and she has a midus touch. BUT. Considering how eagerly anticipated it was and the limitless nature of Jessie J’s ability, Allbeit parts of the end product were slightly disappointing. I was expecting an album on par with classics like “Miseducation of Lauryn Hill” or Pink’s debut album “Can’t Take Me Home”. Was that too much to expect?. After what we have witnessed on Brit awards and live shows the album fails to capture the beauty and immense power of her voice. Best tracks on the album we already heard via pre release and YouTube posts "mama knows best" and "big White room". The live show is where jessie and her songs come to life. If anything buy the cd when you buy a Jessie j ticket for pure sing along. upfrontmag.wordpress.com 55


Marsha Ambrosius Late Nights & Early Mornings

Late nights and early mornings has been one of the most anticipated albums in the soul/r’n’b world for the past 5 years and now it is finally here, the anticipation manifests itself audibly throughout the piece. Opening track anticipation sets the pace with its sexy style, which catches the mood beautifully and it plays like a dream from there. “I hope she cheates on you (with a backetball player) was a track that was leaked sometime last year. It was done so as a low quality demo and got a heavy rotation, its on the album fully mastered and sound beautiful. Stand out tracks are “Far Away” “Your Hands” and the classic “butterflies” gets an outstanding remix bringing it right up to date. Classic debut status earned! cf

J COLE Friday Night Lights A mixtape of album proportions. The sheer quality of this release from j. Cole and the fact that it's free places it firmly in thus section as we swear it is an album. Following the trend set by Drake and the "so far gone" mixtape, J.cole has decided to give away fire. The outstanding "Back to the topic" freestyle, the third song in, is arguably one of the best tracks on the whole cd. Sheer lyrical wit from start to finish with timeless lines like "I'm an old land mine/I've been waitin to blow up for damn long time" we say timeless irrespective of the mention of time on the lyric. "in the morning" featuring healthy rival and peer Drake, is the official first release off the mixtape/album and is one for the ladies. Grade A sexy music from the beat to the lyrics capturing that morning lovin' vibe. "before I'm gone" and "villematic" have j. Cole on fire with flow, lyrics and delivery to rival a young Nas. If this is what you can give away one begs to wonder what an album can offer. Only time can tell. Download NOW. upfrontmag.wordpress.com 56


CHRIS BROWN F.A.M.E

After suffering an onslaught of wife beating jokes, a flopped album and a half cancelled tour. Breezy has returned to form with a massive album. The previous mixtape he release last year with Tyga firmly won him his credibility back with big tracks like “Deuces” and “No Bulls***” (both to feature on the delxe version of the album). F.A.M.E unlike most r’n’b albums of the past year has dared to be different with the lead single “Yeah x3” being more of a dance track than r’n’b, but it works, same with the follow up “Beautiful people” even club banger “Look at me know” is more hip-hop than r’n’b with breezy MC’ing on the track (again, it works). Chris Brown is back with his swagger in tact, to take back his spot as the prince of r’n’b…this time with an edge.fd

NICKI MINAJ

Pink Friday Young money have been dominating hiphop since the end of 2009 with a mighty roster and heavy mixtape rotation. 2010/11 brings their real move as album releases and the second major release after Drake is Nicki Minaj in the shape of Pink Friday.The self titled barbie is a breath of fresh air with her over the top delivery and lyrics to match and she has made her stamp with this well rounded debut. The first release "your love" ruled the airwaves last summer with it's leaked release and the sharp follow up with the super pop "check it out" produced and featuring Will.I.am is good fun. The album gets hard with the competition killer "Romans revenge" with help from eminem, Nicki shows her teeth and claws and goes in deep. The album as a whole reflects Nicki well. Pretty, fun, loud and often raw. Definitely worth a look for the summer upfrontmag.wordpress.com 57


CHASE & STATUS No more idols Chase and status have been representing the drum and bass scene on the underground for years but with the insurgence of dub step popularity, the duo have emerged to pop success. With a debut album with star studded features ranging from tinie tempa to cee-lo green your bound to get some attention but the songs and the production shine brighter than the stars on the cd. Stand out moments on the album are "heavy" ft Dizzee Rascal and "fire in your eyes" featuring rising star Maverick Sabre. Pure bangers. A must buy for any bass heavy fan as this cd is non stop heaviness. If anybody ever caught wind of their underground dub smash "Saxon" a sub woofer grind festival. Expect more of the same but only crafted in such a way that anyone of the songs defies the "dub step is dead" term. Long live the bass

TINIE TEMPAH Disc-Overy Tinie tempa first came about with heavily covered grime hit "wifey" with the wifey riddim flying all over the place he was forgotten as quickly as he came about. Then came "pass out" one of the freshest tunes of 2010 that dominated the charts and dancefloors for what felt like an age. Followed up with Labrynth feature "frisky" which followed suit. Frisky was a monster of a tune and got fans every in high hopes of an equally filthy good album. Disc-overy is not that. Following crossover contemporaries such as Tinchy Stryder and Chipmunk, The ray ban rapper Tinie Tempah is the latest underground grime act to warm up to the mainstream with this blatant commercial album. The high calibre of pass out and frisky are abandoned for all-out chart war as Tempah traverses the genres, trying out a bit of everything that Radio 1 likes from the cheesy boy band R&B of “Just A Little” to the bloated rock/rap of new single “Written In The Stars” via a host of guest stars, including Ellie Goulding, Kelly Rowland and Emeli Sande, Scotland's go-to girl for the grimey boys. Nothing special. upfrontmag.wordpress.com 58


PLAN B

The Defamation of Strickland Banks Plan b emerged on the uk scene as an mc with a troubles story. Debut album "who needs actions when you have words" was not well recieved in terms of sales bit was an amazing hip hop album. Hip hop album. Bank. Fast forward 5 years and we have a whole genre change. Out of nowhere we see the release of "she said" which hit number one in uk charts and remained there for a number of weeks, from a suited, singing Plan-B. save a 16 bar rap verse the transformation is none recognisable and the album brought more of the same. Motown-esque production and retro soul style writing throughout makes this a very different album which on paper should not work. But it works marvellously especially When he falls back into his old ways. There are some cheesy narratives throughout that make it a tad difficult to listen through, though, all is forgiven. Not a bad record then, but one that’s debased by the disappointment of one of the UK’s bright hip-hop hopes selling soul rather than surprises

JANELLE MONAE Archandroid

Janelle Monea made big news when she signed P.Diddys bad boy records in a multiple million dollar deal. Yes you heard correctly, she signed. To her own wonderland records. The creative hyperactive, Lauren hill reminiscent artist came out of nowhere last summer with the originally huge "tightrope ft. Big Boi" that dominated the airwaves for some time. With high energy vocals and poignant lyrical content, topped off with the jazziest horn section since Hargroves RH Factor, the track was the perfect introduction. The album itself is a concept album about the love between an android and a human. There is a lot of subtext and references but overall the album is about freedom and love an it works beautifully. With "dance or die" and "cold world" keeping in pace with "tightrope" with high energy, we also have dreamy tracks like "wonderland" and "say you will" A grand design in music and bold statement but pulled off with elegance. upfrontmag.wordpress.com 59



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