| Music |
Crafting a legacy all their own, the reinvented Labelle subverted the “girl group” aesthetic to invoke the act’s Afrofuturist spirit and make manifest their vision of Black womanhood
Why Labelle Matters ADELE BERTEI
ADE L E B ERT E I L os A ngeles , C alifornia Adele Bertei is the author of Peter and the Wolves, as well as a singer/ songwriter and founding member of the Bloods, the first out, queer, all-women rock band. Beyond appearing in indie films, including Lizzie Borden’s Born in Flames, she has worked with musical artists such as Tears for Fears, Culture Club, Whitney Houston, and the Pointer Sisters.
musi c matt e rs Evelyn McDonnell, Series Editor
r e l e a s e dat e | m a rc h
Per for mi ng a s t he Blu ebel l es i n t he 1960s, Pat t i LaBelle, Nona Hendryx, and Sarah Dash wore bouffant wigs and chiffon dresses, and they harmonized vocals like many other girl groups of the era. After a decade on the Chitlin Circuit, however, they were ready to write their own material, change their name, and deliver—as Labelle—an electrifyingly celestial sound and styling that reached a crescendo with a legendary performance at the Metropolitan Opera House to celebrate the release of Nightbirds and its most well-known track, “Lady Marmalade.” In Why Labelle Matters, Adele Bertei tells the story of the group that sang the opening aria of Afrofuturism and proclaimed a new theology of musical liberation for women, people of color, and LGBTQ people across the globe. With sumptuous and galactic costumes, genre-bending lyrics, and stratospheric vocals, Labelle’s out-of-this-world performances changed the course of pop music and made them the first Black group to grace the cover of Rolling Stone. Why Labelle Matters, informed by interviews with members of the group as well as Bertei’s own experience as a groundbreaking musician, is the first cultural assessment of this transformative act.
5 x 7 inches, 184 pages ISBN 978-1-4773-2040-2
$18.95 | £14.99 | C$23.95 paperback ISBN 978-1-4773-2290-1
$18.95 e-book
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UNIVERSITY OF TEXAS PRESS | SPRING 2021
