ARCHITECTURE PORTFOLIO
UTKARSHA R. KATE SELECTED WORKS 2017-2020
FIRST YEAR • CAFETERIA DESIGN , PUNE • VOCATIONAL TRAINING CENTER , PUNE SECOND YEAR • SCULPTOR’S BUNGALOW , KERALA • DIAGNOSTIC CENTER , PUNE • RESORT DESIGN , HAMPI • KINDERGARTEN DESIGN , PUNE • CLINIC INTERIOR DESIGN , PUNE THIRD YEAR • SENIOR HOUSING DESIGN , IGATPURI • COMMERCIAL COMPLEX DESIGN , PUNE • BUS TERMINAL AND ACCOMMODATION , PUDDUCHERRY • DETINATION CENTER DESIGN , MAHABALLIPURAM • VILLAGE HANDICRAFT DESIGN
utkarsha.kate162@gmail.com
FOURTH YEAR • LUXURY HOUSING DESIGN , PUNE • PARAMETRIC DESIGN • RESEARCH ON INCREMENTAL HOUSING • TECHNICAL DRAWINGS • ART AND CRAFT CENTER DESIGN , VARANASI
COMPETITIONS • RYTERNA MODULE DESIGN COMPETITION • MICRONATION BEACH RESORT • COTTAGE DESIGN COMPETITION • ARCHDAISE HOME INTERIOR DESIGN • C-DAC CAFETERIA DESIGN COMPETITION • WARMING HUTS ART INSTALLATION SUMMER INTERNSHIP WORK • DAY CARE CENTER DESIGN • LANDSCAPE OF AMPHITHEATER • RENDERING OF 3D VIEWS & PLANS • RETAIL SHOP DESIGN • 3 BHK APARTMENT INTERIOR
CONTENTS
ART & CRAFT CENTER DESIGN PROJECT VIII SEMESTER
VACATION HOUSE DESIGN ,LITHUANIA RYTERNA MODULE DESIGN COMPETITION
DESTINATION CENTER DESIGN ,PUNE DESIGN PROJECT VI SEMESTER
LUXURY HOUSING DESIGN ,PUNE DESIGN PROJECT VII SEMESTER
TECHNICAL DRAWINGS
MISCELLANEOUS
DAY CARE CENTER DESIGN, AHMEDABAD SUMMER INTERNSHIP WORK
KALACHAYA : ART & CRAFT CENTER LOCATION : VARANASI , INDIA SITE AREA : 20,000 SQM
Varanasi is the place where we find master craftsmen of traditional banarasi saree handloom weavers, brass utensils maker, goldsmiths, silversmiths, terracotta, metal work, ivory work, sculptures, carpet and durries weavers, musical instrument makers and wooden toy maker. Crafts and arts are a part of inherited heritage for all people to express their social identity, after the technological advance that we have these days a lot of handicrafts disappeared with its makers. A site location in Varanasi of the religious complex which is an important attraction point beside the traditional crafts centre. An Art and crafts centre is facility from which product with artistic Value are sold along the range of product which emanate from local cultural groups. Art, craft, music, literature, dance and textile traditions of Varanasi date back to thousands of years of glorious history. The most renowned craft of Varanasi city is silk weaving. ‘Banarasi Sarees’, produced by local craftsman are among the most preferred, not only in India but also all over the world. Besides the famous Benarasi Sari, brassware, copperware, ivory work, glass bangles, wood, stone and clay toys and exquisite gold jewellery are some of the other crafts Varanasi city is famous for. Among the other attractions of Varanasi and surrounding areas are the Bhadohi Carpets and musical instruments
Varanasi is the place where we find master craftsmen of traditional Banaras saree handloom weavers, brass utensil makers, goldsmiths, silversmiths, terracotta, metal work, Carpet and Durries weavers, Musical Instrument makers and wooden toy makers. Varanasi has, since times immemorial, been hailed as a premier centre for some of the finest handicrafts. The most renowned craft of the city is Silk weaving. ‘Banarasi Sarees’ produced by local craftsman are among the most preferred, not only in India but across the world. Brassware, copperware, ivory work , glass bangles, wood, stone and clay toys and exquisite gold jewellery are some of the other crafts the city is famous for. Bhadohi Carpets and musical instruments are among the other shopping attractions. Proposal of an art & craft center is required to promote local artisans OBJECTIVE • The programme is for strengthening local art forms and crafts of nearby region. • Developing a platform, which will promote the understanding and knowledge among people where knowledge(student) meet skill(artisans) for unique outcomes of product. • Providing opportunities for craftsmanship and artisans with an aim of giving exposure freely of their skills • A place for awareness and creativity among the local people as well as the artisans. • To create a space for creation and interaction for artisan
CONCEPT
LOCATION
ART CRAFT CENTER
EXHIBITION AREA
FAIR GROUND
SHOPPING GALLI
ADMIN AREA
BLOCKS ARE PLACED ACCORDING TO THEIR IMPORTANCE IN PROJECT HENCE FOR THE HIERARCHY LEVELS ARE CREATED IN SUCH A WAY THAT THE IMPORTANT FEATURE WILL BE CLEARLY SEEN FROM THE ENTRANCE BLOCKS WITH VARIOUS FUNCTIONS
LOCATION : VARANASI , UTTAR PRADESH , INDIA
SITE ANALYSIS
STRENGTH • Site is located in silent zone area little away from city area • hence people can enjoy away from city area • site have good view of varuna river WEAKNESS • site is far away from city area hence there is less connectivity for transportation
BLOCK WITH MAIN FUNCTION REMOVED OUT AND OTHER BLOCKS PLACED AROUND TO GIVE FEEL OF A COMMUNITY IN BETWEEN SPACES WILL BE USED AS REQUIRED COMMUNICATION AREA
• PUBLIC AREA PRIVATE AREA
SEMI-PUBLIC AREA
SITE ZONING ACCORDING TO AREAS
• • • •
•
Varanasi experiences a humid subtropical climate. with large variations between summer and winter temperatures. Hence design must be climate responsive considering sustainable techiniques
•
BLOCKS PLACED SUCH A WAY THAT EVERY BLOCK WILL GET VIEW OF RIVER ZONING IS DONE ACCORDING TO USER MOVEMENT ON SITE
• •
AS THE SITE ONLY HAVE ONE ROAD THERE IS NEED OF SEPARATING VEHICULAR ENTRY , SERVICE ENTRY AND PEDESTRIAN ENTRIES DROP OFF ZONES AND LOADING UNLOADING BAYS ARE PROVIDED RECEPTION AND ENTRANCE BLOCK IS PROVIDED AT STARTING FOR SECURITY AND USERS CAN GET BASIC IDEA OF THE PROJECT BY SEEING INTRODUCTORY DISPLAY FOOD GALLI , RESTAURANT IS PLACED TOGETHER TO USE COMMON LOADING UNLOADING AREA. TO GET FEEL OF VARANASI A LAKE IS CREATED NEAR OUDOOR DINNING CENTRAL AREA OF THE SITE HAVE PROMINENT FUNCTIONS OF PROJECT SUCH AS SHOPPING GALLI , FAIR GROUND AMPHITHEATER AND AUDITORIUM THIS IS PLACED SUCH AS IT IS EASILY ACCESSIBLE FROM EVERY CORNER OF THE SITE. THERE ARE PATHWAYS WHICH LEAD TO VARIOUS BLOCKS THIS PATHWAYS ARE DISPLAY TUNNELS WHICH WILL GIVE OVERALL IDEA OF THE PROJECT DIGITALLY AT THE END OF THE SITE THERE IS EXHIBITION HALL AND ART CRAFT CENTER WHICH IS PLACED IN QUIET ZONE AS ARTISANS MAY NEED PEACE WHILE WORKING EVERY STRUCTURE IS PLACED IN SUCH A WAY THAT IT WILL HAVE RIVER VIEW VARIOUS SUSTAINABLE FEATURES ARE USED FOR RAINWATER HARVESTING, TEMPERATURE CONTROL AND LOCAL MATERIALS ARE USED
VISITOR’S RESIDENTIAL AREA
EXHIBITION HALL ART & CRAFT CENTER WORKSHOPS
AUDITORIUM
SHOPPING GALLI
ADMIN AREA
FAIR GROUND
SITE SECTION AT AA’
VARANASI, ALSO KNOWN AS KASHI, IS CONSIDERED AS THE RELIGIOUS CAPITAL OF HINDUISM. IN THE HINDU FAITH, IT IS THE HOLIEST OF ALL OF ITS CITIES ACCORDING TO HISTORY OF VARANASI THERE ARE 3 PHASES OF RELIGION TIMELINE
9M WIDE ROAD
ADJACENT PLOT
ADJACENT PLOT
ADJACENT PLOT
VEHICHAL MOVEMENT
PEDESTRIAN MOVEMENT TO GIVE THIS ESSENCE OF RELIGIOUS HISTORY SITE IS DEVIDED INTO 3 PHASES FIRST PHASES IS HINDU ARCHITECTURE SECOND IS MUGHAL ARCHITECTURE AND THIRD IS HINDU ARCHITECTURE. THIS PHASES WILL HAVE PROMINENT FEATURES OF RESPECTIVE STYLES
A
A’
WATERBODY
HINDU ARCHITECTURE MUGHAL ARCHITECTURE HINDU ARCHITECTURE
VARUNA RIVER BANK VEGETATION
VARUNA RIVER
SITE PLAN
VISITORS’S RESIDENTIAL AREA
ART & CRAFT CENTER WORKSHOPS
ADJACENT VARUNA RIVER BANK
SHOPPING GALLI
GHAT PROTOTYPE AREA
WATER BODY AREA
CULTU
SITE SECTION
A
FAIR GROUND STALLS
FAIR GROUND ARCADE SEATING
A’
RESTAURANT OUTDOOR DINNING
GROUND FLOOR PLAN
EXHIBITION AREA
ART & CRAFT CENTER WORKSHOPS
URAL SPACE BELOW EXHIBITION AREA
STAFF RESIDENTIAL AREA
ART & CRAFT CENTER WORKSHOPS
WATER BODY AREA
N AT AA’ 1
2
SUN SHADING STRUCTURE
3
5 6 7 8
POROUS WATER PILLER 1. GUTTER 2. GRID 3. PALM SHEET ROOF 4. CLAY BRICK PILLERS 5. WATERPROOF PROTECTIVE SHEATH CORE 6. OVERFILL PREVENTION PIPE (HEIGHT 2M) CONNECTED TO LOWER CANAL SYSTEM 7. SHEATHED CLAY CANAL SYSTEM COLLECTION EXCESS WATER IN MAIN TANK 8.MAINTENANCE GRID
FOOT OPERATED WASH BASINS
BRICK
BAOBAB WOOD FINISHH
WATER COOLING FLOOR ROOF SYSTEM BEAM WATER PILLERS
ELEVATION
BAMBOO RHIZOFILTERATION
CONCRETE
STEEL
WATER DUCT TO TANK FOUNDATION EXCAVATION
FOUNDATION
COMPOSTING TOILETS
SUSTAINABLE MEASURES
EXPLODED VIEW ART CENTER & EXHIBITION
CLAY
MANGROOVE FINISH
MATERIAL USED
EXHIBITION CENTER
AUDITORIUM
ARCHITECTURAL FEATURES AND COLOR SCHEME HINDU ARCHITECTURE
MUGHAL ARCHITECTURE
ISOMETRIC VIEW OF SITE
DISPLAY TUNNELS
SITE AREA : 30,000 SQM Housing development in important urban areas in India today comprises of high-rise apartments either single or in a complex of several buildings and amenities. Reasons for such development are many, but particularly to accommodate several dwelling units making affordable due to surging land prices. The IT boom, escalating educational and healthcare facilities in Pune city prompted rapid development in housing sector, firstly, large housing complexes in the outskirt of city where land is available and secondly, a variety of dwelling typologies for high-end luxurious housing to meet the demand of increasing affluent classes. Many agricultural plots are getting converted for residential complexes to meet the growing demand for housing. Home has become much more than just mere shelter in such abruptly changing situation, and has made architects to rethink to design residential architecture, particularly housing in urban areas.
CONCEPT FOOD SOURCE
WATER SOURCE
FACADE DESIGN
SITE ZONING ACCORDING TO VIEW ALL BLOCKS ARE ARRANGED SUCH A WAY THAT THERE IS NO BLOCKAGE OF VIEW EVERY BALCONY AND TERRACE WILL GET VIEW OF EITHER SITE OR SURROUNDINGS
ACCORDING TO CLIMATE ANALYSIS ALL BLOCKS ARE ARRANGED ACCORDING TO SUN PATH ANALYSIS THEY ARE ARRANGED EAST WESTAXIS TO AVOID DIRECT GLARE FROM SOUTH SIDE
ACCORDING TO POST COVID MAXIMUM DISTANCE IS KEPT BETWEEN BLOCKS AS A CONCLUSION FROM CASE STUDIES AMENITIES & TERRACE GARDENS ARE PROVIDED TO AVOID PEOPLE FROM BECOMING BORED BY STAYING INSIDE
PLANNING CONSIDERATIONS
Basic ideas is to create a soothing environment considering all age groups
BARBEQUE & WATER SWINGS
PARCEL RECEIVE AND SANITIZATION
AMPHITHEATER & YOGA ZONE
SPORTS FACILITIES & ADVENTURE ZONE
VERMICOMPOST BRIDGE
VERMICOMPOST BRIDGE
BASEMENT PARKING
3 BHK APARTMENT
1 BHK APARTMENT LAYOUT CARPET AREA : 40 SQM TOTAL BUILT UP : 54 SQM
1 BHK APARTMENT LAYOUT
1 BHK APARTMENT
2.5 BHK APARTMENT LAYOUT CARPET AREA : 90 SQM TOTAL BUILT UP : 112.5 SQM
2.5 BHK APARTMENT LAYOUT
3 BHK APARTMENT
3 BHK APARTMENT LAYOUT CARPET AREA : 140 SQM TOTAL BUILT UP : 180 SQM
3 BHK APARTMENT LAYOUT
1 BHK APARTM
CARPET A TOTAL BUIL
4 BHK APAR
MENT LAYOUT
AREA : 170 SQM LT UP : 210 SQM
RTMENT LAYOUT
+42900 +42000 +39000 +36000 +33000 +30000 +27000 +24000 +21000 +18000 +15000 +12000 +9000 +6000 +3000
WEST SIDE ELEVATION SIGN
SINHGAD COLLEGE OF ARCHITECTURE
STAMP
UTKARSHA R. KATE
SECTIONAL ELEVATION
ARCHITECTURAL DESIGN IV YEAR B.ARCH
DIV : B
ROLL NO : 33
4 BHK PENTHOUSE LAYOUT GROUND FLOOR PLAN
4 BHK TYPE 2 PENTHOUSE LAYOUT GROUND FLOOR PLAN
4 BHK PENTHOUSE LAYOUT GROUND FLOOR PLAN
4 BHK PENTHOUSE LAYOUT FIRST FLOOR PLAN
4 BHK TYPE 2 PENTHOUSE LAYOUT FIRST FLOOR PLAN
4 BHK PENTHOUSE LAYOUT FIRST FLOOR PLAN
6M WIDE DRIVEWAY
6M WIDE DRIVEWAY
DG BIN ROOM CENTER
DG BIN ROOM CENTER 6 M WIDE DRIVEWAY
6 M WIDE DRIVEWAY
6 M WIDE DRIVEWAY
6 M WIDE DRIVEWAY
6 M WIDE DRIVEWAY
VERMICOMPOST BRIDGE
6 M WIDE DRIVEWAY
RECYCLE TANK
VERMICOMPOST BRIDGE
RECYCLE TANK
2 M WIDE DRIVEWAY
2 M WIDE DRIVEWAY
2 M WIDE DRIVEWAY
2 M WIDE DRIVEWAY
2 M WIDE DRIVEWAY
RAINWATER HARVESTING
2 M WIDE DRIVEWAY
4M WIDE PATHWAY 6M WIDE DRIVEWAY
UG TANK
4M WIDE PATHWAY 6M WIDE DRIVEWAY
WATER SWINGS
UG TANK
WATER SWINGS
WATER SWINGS SPORTS FACILITIES
WATER SWINGS
GYM AREA 15M X 10M
WATER SWINGS
CLUBHOUSE
HUMAN CHESS
AMPHITHEATRE
ADVENTURE ZONE
MEDITATION SPACE
KIDS PLAY AREA KIDS WATERPLAY
BADMINTON
GIANT SWINGS
6M WIDE DRIVEWAY
WATER SWINGS
WATER SWINGS CLUBHOUSE
HUMAN CHESS
ADVENTURE ZONE KIDS PLAY AREA
GIANT SWINGS
6M WIDE DRIVEWAY
AMPHITHEATRE
INFINITY SWIMMING POOL
MEDITATION SPACE
KIDS WATERPLAY
BADMINTON
OPEN YOGA AREA DOG PARK
BARBEQUE
AQUA FOOT REFLEXOLOGY
6M WIDE DRIVEWAY
TOILET
LOCKER AREA 4M X 2.5M GYM AREA 15M X 10M
6M WIDE DRIVEWAY
6M WIDE DRIVEWAY
SURFACE PARKING PLAN
WATER SWINGS SPORTS FACILITIES
BARBEQUE
AQUA FOOT REFLEXOLOGY
6M WIDE DRIVEWAY
RAINWATER HARVESTING
OPEN YOGA AREA DOG PARK
4M WIDE PATHWAY
4M WIDE PATHWAY
6M WIDE DRIVEWAY ADMIN AREA & ENTRANCE LOBBY
ADMIN AREA & ENTRANCE LOBBY
+900
VERMICOMPOST BRIDGE 36 M
+900
VERMICOMPOST BRIDGE
6M WIDE DRIVEWAY
TWO WAY RAMP 1:10 BASEMENT PARKING
6M WIDE DRIVEWAY
TWO WAY RAMP 1:10 BASEMENT PARKING
SURRENDER AMENITY SPACE
GUARD ROOM ENTRY
SURRENDER AMENITY SPACE
GUARD ROOM EXIT
VISITOR'S PARKING
ENTRY
EXIT
VISITOR'S PARKING
12 M WIDE ROAD
12 M WIDE ROAD
MAIN LINE TO UG TANK
VERMICOMPOST PITS SULLAGE LINE TO RECYCLE TANK SEWAGE LINE TO MUNICIPAL MAIN LINE INSPECTION CHAMBER OF 900 MM DIA
COMMUNICATION TOWER SOLAR PANEL
SIGN
SERVICE LAYOUT
UG TANK TO OVERHEAD TANK OVERHEAD TANK TO UNIT STATIC WATER TANK TO FIRE HYDRANT STORM WATER LINE TO RH TANK RH TANK TO LANDSCAPE SINHGAD COLLEGE OF ARCHITECTURE UTKARSHA R. KATE ARCHITECTURAL DESIGN IV YEAR B.ARCH
DIV : B
STAMP
Children day care of 600 sqm is designed in such a way that want to create a garden - a natural space for children, a classroom between the trees and flowers. we need to find a simple construction structure that can be quickly installed, has little impact on the existing land and can easily be relocated to the other location when needed.Finally, we come up with steel structure solution, creating 2 blocks of steel frame classes, surrounded by gardens. Outside these 2 blocks is a trellis system of steel frame and wire mesh, so we have 2 gardens, one with big trees on the ground and one with fruit vines above, connected by a system of 3 iron stairs and overhead walkways, forming a continuous cycle of circulation in garden. Children will have more space to move from the ground to the top and back down, which will become an interesting discovery space. They can run around and look at the plants, touch them and watch them grow every day. In this garden, children can learn how to plant and care for fruit vines, seasonal vegetables, and their favorite flowers.
CONCEPT
SECTION
ROOF PLAN
FLOOR PLAN
SITE AREA : 2400 SQM Mamallapuram, or Mahabalipuram, is a town on a strip of land between the Bay of Bengal and the Great Salt Lake, in the south Indian state of Tamil Nadu. It’s known for its temples and monuments Mahabalipuram is one of the busiest tourist places in India. It is a home to several tourist attractions that mark the place for great exploration and sightseeing. There are several temples which are UNESCO World Heritage Sites besides other attractions which never stop amazing the visitors. A destination information center is a physical location where travelers can go to acquire information about the destination. With the advances in technology and consumer/local demands, destination information centers have evolved. Today, not only do they provide information, they also generate revenue, collect data on travelers, market the destination, and engage the local community
C “
O SPACE
N ,
C LIGHT
E ,
P MATERIAL
T “
The Destination Center Is Designed As To Create A Structure Which Will Look Like A Simple Structure Aesthetically But Will Follow Function The Destination Center Is Designed To Stand In Hot And Humid Climate More Of Natura Ventilation Is Used There Are Two Volumes One Volume Consists Facilities For Arrival And Other Volume Arrival Volume Includes Ticket Counter Waiting Area A Small Audio Video Room Which Caters To The End Of Visit Arrival Volume Includes Ticket Counter , Waiting Area , A Small Av Room Which Is In Basement And Few Shops Other Volume Has Display Area Cafe And Small Library Each Block Has Its Own Story Played With Materials And Light Shadow Effect .
SITE PLAN
SECTION AT 11’
GROUND FLOOR PLAN
FIRST FLOOR PLAN
FIXED RADIUS
VARIABLE RADIUS LARGE CAPACITY AUDITORIUMS SHOULD BE DESIGNED BASED ON PARABOLIC RISER LENGTH FORM.
CENTRE LINE OF SEAT
BACK
GEN
30
ILETS
TS TO
GEN
AUDITORIUM MOSTLY ARE REQUIRED TO BE TECHNICALLY STABLE ELEMENTS AND THE BASIC RULES ARE TABULATED. FORM DEVELOPMENT HAS TO HAPPEN ONLY WHEN THE RULES FOR THE SEATING MEMBERS ARE SATISFACTORILY CORRECT.
GANGWAY
FOOD COUNTER
TIERED SEATING CAN INCREASE CAPACITY OF LECTURE HALLS
9M x 15M + 1.2
30 DEGREE MAX
+ 2.0
ENTRY 30
40
G
OMS
LEVEL -2.45 M
+ 1.2
AUDITORIUM S T A G E LEVEL -1.85 M
P L E N U M DATE
WATER-PROOFING LAYER
SCALE
BALCONY SEATING
S P A C E STAMP
M.M.C.O.A ARNAV KULKARNI
PRE / POST FUNCTION AREA
ACOUSTICAL TREATMENT PLAN LEVEL 1
PROSCENIUM OPENING MAIN ENTRY
DUC
TS
STAGE
PARTITION
BACK STAGE / SERVICE / V.I.P. ENTRY
REHEARSAL HALL BELOW STAG
E GRE
SOUND ROOM
EN RO3M x 3M OMS
LIGHT ROOM
GROUND FLOOR PLAN
CRY ROOM
3M x 3M
3M x 3M
ENTRY
+3.6
ENTRY DATE
2.1 M WIDE GANGWAY
SIGN
MARKS
REMARKS
SCALE
+ 4.2
+ 4.2
1:150 1:50 1:10
OFFICE AREA 6M x 8M
+ 4.2
STAMP
M.M.C.O.A ARNAV KULKARNI FR.YEAR ABTS - II
THUMB-RULES FOR PROJECTION SCREEN AUDITORIUM
VERTICAL SIGHT-LINES FOR
B
A
+0.15
EXIT
C K S T A LEVEL -1.85 M
G
E
2.1 M WIDE GANGWAY
MAXIMUM TILT 16 TO 18 35 TO 15
PROJEC TION CENTER LINE
HANDRAIL
TOILET DUCT
CHILLER PLANT DUCT
SERVICE ENTRY LEVEL -2.0 M
TOILET DUCT
SPEAKER
CHILLER PLANT DUCT
TOILET DUCT
2.1 M WIDE GANGWAY
-0.9
CHANGING ROOM DESIGN APPROACHES FOR 6M x 8M SOUND CONSIDERATIONS
PROSCENIUM LINE
6M x 8M
GROUND FLOOR PLAN
6M x 8M
AUDITORIUM STAGE
PROSCENIUM LINE
-0.45
SIGN
MARKS
REMARKS
1:150 1:50 1:10
CATWALK ABOVE
PARTITION WALL
PARTITION WALL
6M x 4M
STORAGE ROOM 1
GREEN ROOM
6M x 4M
-0.45
STORAGE ROOM 2
8M x 6M
+0.45
STORAGE ROOM 4
BACKSTAGE AREA
6M x 4M
SERVICE ENTRY
MAIN MAINREINFORCEMENT REINFORCEMENT Ø14 Ø14MM MM DISTRIBUTION DISTRIBUTIONBAR BAR Ø8 Ø MM 8 MM MAIN REINFORCEMENT MAIN REINFORCEMENT Ø18Ø18 MMMM 1.500 1.500 0.900 0.900
CATWALK
FR.YEAR
+0.45
GREEN ROOM
TREAD 900 MM
GANGWAY WIDTH 1500 MM
150 MIN. TREAD 900 MM
CURTAIN FULLY RETRACTED TO EXPOSE REFLECTIVE BACKUP SURFACE
TREAD 900 MM
BACKUP WALL
EYE LINE
ORCHESTRA PIT DETAILS
PANEL METHOD
SOLID RAIL TO PREVENT EXCESSIVE SOUND IN 1ST ROW
BALCONY DETAIL
+3.0
ARNAV KULKARNI
BACKSTAGE AREA
8M x 6M
STAMP
M.M.C.O.A
ABTS - II
GREEN ROOM
6M x 4M
+3.0
SCALE
INTRODUCTION AND PLAN
GREEN ROOM
TRANSVERSE GANGWAY
CATWALK
+0.45
DATE
35 MAXIMUM
AHU ROOM
AHU ROOM 6M x 8M
CHANGING ROOM
BACKUP WALL
45 MAX STEPS IN LONGITUDINAL GANGWAY
SIGHTLINES AT TRANSVERSE GANGWAY
SIGHT LINES FROM REAR TO TOP OF PICTURE
LEVEL -2.45 M
-0.45
100 MM
RAKE LINE
TOILET DUCT
-0.9 -0.9
100 MM
SCREEN AND FRAME
V.I.P. ROOM LEVEL -2.15 M
CHILLER PLANT DUCT
HEAVY SOUND ABSORBING CURTAIN DRAWN TOAVOID ABSORPTION
4 MAXIMUM TILT PROJECTION AXIS
+0.0
ABSORB
CHILLER PLANT DUCT
ACOUSTIC TREATMENT METHODS
CURTAIN
+2.25
+2.25
OFFICE LEVEL -2.15 M
+0.15
DIFFUSE
AUDITORIUM
PROJECTION
CURTAIN METHOD
OBSERVATION EYE POINT PROJECTOR OPTICAL CENTRE
W A L L +2.25
DEFUSED OR ABSORBED LATE REFLECTIONS -0.45
LOBBY
FALSE CEILING
ACOUSTIC FINS
PROJECTION SUITE
REVERBERATION
PLAN LEVEL 2
H.V.A.C SUPPLY
FR.YEAR CURTAIN ABTS - II
CATWALK
CATWALK
V.I.P. ROOM LEVEL -2.15 M
C A T W A L K AB O V E P A R T I T I O N
2.1 M WIDE GANGWAY
+0.0
REMARKS
+ 0.0
+0.15
+0.15
MARKS
RETAIL SHOP SERVICE ENTRY 3M x 3M LEVEL -2.0 M
+0.15
EXIT
SIGN
1:150 1:50 1:10
RETAIL SHOP
INTRODUCTION AND PLAN
UP
DESIGN APPROACHES TO ROW CURVATURE
S P A C E
3M x 3M
BACK
PROSCENIUM LINE
AREA
P L E N U M
GROUND FLOOR PLAN
E
OFFICE LEVEL -2.15 M
REHEARSAL HALL BELOW
AUDITORIUM
TO CENTRE OFFICE STAGE 6M x 8M
PLAN LEVEL 3 NON ACCESSIBLE T E R R A C E S
EN RO
LEVEL -2.45 M
STAG
GE KSTA BAC ASE STAIRC
THE MAXIMUM COMFORTABLE AMOUNT THE HEAD CAN BE TURNED FROM THE SEAT CENTERLINE IS 30°
TOILET
V.I.P. ROOM LEVEL -2.15 M
HVAC DUCTS
E GRE
INTRODUCTION AND PLAN W A L L
C K S T A LEVEL -1.85 M
3M x 3M
S
BACK
+ 1.2
+ 1.2
A
RETAIL SHOP
DEFUSED OR ABSORBED LATE REFLECTIONS
OM DESIGN APPROACHESE FOR SOUND CONSIDERATIONS EN RO GRE
2.1 M WIDE GANGWAY
+1.2
+ 0.0
3M x 3M
LEVEL -2.40 M
CENTRE LINE OF SEAT
CRY ROOM 3M x 3M
ENTRY UP
C PLAN HILLER T DUC T
RETAIL SHOP
10M x 8M LIGHT ROOM
ILE
TS LOBBY BELOW ENTRANCE
UP
REHEARSAL HALL
FIXED RADIUS
UP
TS
DUC
LER CHIL DUCT T PLAN
REVERBERATION
3M x 3M
B
ES TO
BOX OFFICE
SOUND ROOM
0M
LADI
3M x 3M
3M x 3M
L +/-
DIFFUSE
TOILET
RETAIL SHOP
REHEARSAL HALL RADIUS VARIABLE
LEVE
ABSORB
BOX OFFICE
3M x 3M
10M x 8M
WATER-PROOFING LAYER
OFFICE LEVEL -2.15 M
TS
P A R T I T I O N
BAC KSTA STAIRC GE ASE
3M x 3M
ILETS
AUDITORIUM
ILETS
3M x 3M
E
C A T W A L K AB O V E
ES TO
LADI
60 DEGREE MAX
RETAIL SHOP
TS TO
GANGWAY
ENTRANCE LOBBY
G
WATER CHILLER PLANT BEHIND TRUSS DUC
110 DEGREE MAX
+ 0.0110 DEGREE MAX
W A L L
C K S T A LEVEL -1.85 M
H VA C S E R V I C E F L O O R
GE KSTA BAC ASE STAIRC
L
+ 1.2
SOME BASIC PRINCIPLES FOR AUDIENCE LAYOUT ARE MENTIONED.
GEN
+/- 0M
LEVE FAN SHAPED AUDITORIUM PROVIDES A RADIALLY STABLE AS WELL AS FOCUS BASED TECHNIQUE SUITABLE AND EFFICIENT FOR SUCH DESIGNS.
+ 1.2
STAG
DEFUSED OR ABSORBED LINE U M REFLECTIONS P R O S C E N I LATE
LEVEL -1.85 M DESIGN APPROACHES FOR SOUND CONSIDERATIONS
DESIGN APPROACHES TO ROW CURVATURE
PROSCENIUM
A
SERVICE ENTRY LEVEL -2.0 M
BACK
EN E GRE STAG REVERBERATION BACK
TO CENTRE STAGE
40
OMS
ABSORB
MS ROO
30
THE MAXIMUM COMFORTABLE AMOUNT THE HEAD CAN BE TURNED FROM THE SEAT CENTERLINE IS 30°
ILETS
TS TO
UP
TOILET
B
AUDITORIUM S T A G E
LARGE CAPACITY AUDITORIUMS SHOULD BE DESIGNED BASED ON PARABOLIC RISER LENGTH FORM.
GEN
FAN - SHAPE
DIFFUSE
LEVEL -2.40 M
FOOD COUNTER
GANGWAY LARGE CAPACITY AUDITORIUMS
C PLAN HILLER T DUC T
ILETS
FIXED RADIUS
VARIABLE RADIUS
CENTRE LINE OF SEAT
SMALL - MEDIUM CAPACITY AUDITORIUMS CAN BE DESIGNED BASED ON SINGLE RISER LENGTH FORM.
TS
EN RO
1.12
LECTURE HALLS HAVE LESS CAPACITY AND ARE FOR SMALLER AUDIENCES.
SMALL CAPACITY AUDITORIUMS
LER CHIL DUCT T PLAN
DUC
TOILET
P A R T I T I O N
ES TO
NCTION AREAS E - P O S T F UFOR SOME BASIC P RPRINCIPLES AUDIENCE LAYOUT ARE MENTIONED. LEVEL +/- 0M
E GRE
C A T W A L K AB O V E
LADI
ILETS
ES TO
LADI
60 DEGREE MAX
TIERED SEATING HALLS
TO CENTRE STAGE
40
AUDITORIUM S T A G E LEVEL -1.85 M
DESIGN APPROACHES TO ROW CURVATURE
110 DEGREE MAX
110 DEGREE MAX
30 DEGREE MAX
LECTURE HALLS
ILETS
BAC KSTA STAIRC GE ASE
AN AUDITORIUM IS A ROOM BUILT TO ENABLE AN AUDIENCE TO HEAR AND WATCH PERFORMANCES. FOR MOVIE THEATRES, THE NUMBER OF AUDITORIA (OR AUDITORIUMS) IS EXPRESSED AS THE NUMBER OF SCREENS. AUDITORIA CAN BE FOUND IN ENTERTAINMENT VENUES, COMMUNITY HALLS, AND THEATERS, AND MAY BE USED FOR REHEARSAL, PRESENTATION, PERFORMING ARTS PRODUCTIONS, OR AS A LEARNING SPACE.
FAN SHAPED AUDITORIUM PROVIDES A RADIALLY STABLE AS WELL AS FOCUS BASED TECHNIQUE SUITABLE AND EFFICIENT FOR SUCH DESIGNS.
THE MAXIMUM COMFORTABLE AMOUNT THE HEAD CAN BE LEVE TURNED FROM THE SEAT L +/0M CENTERLINE IS 30°
0M
L +/-
LEVE
FAN - SHAPE
STAG
PROSCENIUM LINE
GE KSTA BAC ASE STAIRC
PROSCENIUM
AUDITORIUM DESIGN CONCEPTS AND BASICS
BACK
OMS
EN RO
E GRE
STAG
TS TO
SCREEN
LARGE CAPACITY AUDITORIUMS
SMALL - MEDIUM CAPACITY AUDITORIUMS CAN BE DESIGNED BASED ON SINGLE RISER LENGTH FORM.
BAC KSTA STAIRC GE ASE
SMALL CAPACITY AUDITORIUMS
SOUND ABSORBING SURFACE EXPOSED
1.43 H REMOVABLE PIT COVER TO EXTEND STAGE
DISTRIBUTION BAR
Ø 8 MM
MAIN REINFORCEMENT
Ø18 MM
BACKUP WALL SOUND ABSORBING CURTAIN WID ADJUSTABLE ABSORPTION
SOUND ABSORBING SURFACE EXPOSED
STORAGE ROOM 3
8M x 6M
8M x 6M
R.C.C.
+ 0.0
GROUND FLOOR PLAN
FIRST FLOOR PLAN -BALCONY LEVEL
SCALE : 1:100
TWO LAYERS OF PLYWOOD WITH STAGGERED JOINTS GLUED & NAILED TO SLEEPERS - 18 +18 MM
AUDITORIUM SECTION AND DETAILS
1
WALL - FLOOR CORNER AND PARTITION DETAIL
SCALE 1:2
AUDITORIUM DESIGN : SECTIONS & DETAILS
SCALE : 1:100
AUDITORIUM DESIGN : FLOOR PLANS
INSULATION FOR FLOOR DETAIL
R.C.C. RAKER RAKER BEAM BEAM
+0.45
FALSE CEILING AND ACOUSTIC PANEL DETAIL
SCALE 1:10
15 MM. THK EXTERNAL PLASTER
SCALE 1:10
5 MM THK PLYWOOD
15 MM. THK INTERNAL PLASTER 7 MM THK AL CLAMPING
RESILIENT LAYER
G.I CLIP FOR SUSPENDOR
C - SECTION HANGING
G.I CLIP FOR SUSPENDOR
GLASS WOOL 40 MM THK INSULATION
WOODEN PANELLING
SUSPENDER
BATTEN
STRUCTURAL FLOOR
WOOD SLEEPER
PLENUM SPACE
CARPET
HIGH DENSITY FIBREGLASS BLOCKS BONDED TO SLEEPER
LOW DENSITY FIBERGLASS BLANKET AIR GAP PLYWOOD CASING
INSULATION FOR DOOR DETAIL
ELECTRICAL LIGHT FIXTURE
SCALE 1:2
SCALE 1:2
TUNGSTEN HALOGEN LIGHT
SUSPENDER
ELECTRICAL LINE
PERFORATED FIBRE BOARD WIRE MESH
C - SECTION HANGING
50 MM THK.GLASS WOOL 32 K.G./ M³ HOUSED IN STAPLED BAG OF H.D.P.
GLASS WOOL
G.I CLIP FOR SUSPENDOR
YARN NETTING 50X50X5 MM M.S. GYPSUM BOARD REFLECTOR
ANGLE IN FRAME ADJUSTABLE HANGAR / SUSPENDER
INTERMEDIATE CHANNEL(MF7) 15 X 45 X 0.9USED ON INTERMEDIATE SUPPORT TO M/F SECTION
12.5mm. THK.INDIA GYPSUM PLAIN BOARD FIXED TO METAL FRAME WITH SELF TAPING SCREWS @ MIN.300MM - C/C 4MM.THK.ACOUSTIC FABRIC 50MM THK.GLASS WOOL 32 K.G./ M³ STAPLED BAG OF H.D.P. YARN NETTING
ACOUSTICAL CAVITY
M/F CEILING SECTON(MF5) 80 X 26 X 0.5MM MAIN SUPPORTING SECTION TO FIX GYPBOARD
STRUCTURAL BEAM SEALANT
50 X 75 BATTEN PERFORATED GYPSUM BOARD
50 X 75 BATTEN TUNGSTEN HALOGEN LIGHT
GYPSUM BOARD
RESILIENT MATERIAL
STRUCTURAL FLOORING
GLASS WOOL GYPSUM BOARD
FALSE CEILING CORNER
LINTEL BEAM
SCALE 1:10
6MM THK.T.W. BEADING ALL AROUND
CONCRETE SLAB
4MM.THK. VINEER WITH MELLAMINE POLISH 18MM THK. PLY
12X75 MM.T.W. BEADING ALL AROUND
SEE DETAIL B
ROUND CORNER
WASHER NUT STEEL ANGLE
12MM.THK.PLY
4MM.THK. VINEER WITH MELAMINE POLISH
CONCRETE SLAB SEE DETAIL B
STEEL ROD
35X50MM H.W. FRAME
25X12MM T.W. BEADING
15MM THK. MINERAL FIBRE BOARD
GLASS WOOL
CLADDING FOR SILL
50X75MM H.W. SHUTTER FRAME 4MM.THK. ACOUSTIC FABRIC
ANGLE SECTION T.W. MOULDING
150X50 MM H.W. DOOR FRAME 18MM THK. PLY
SUSPENDER WIRE
ELECTRICAL LINE
12MM THK. PLY
4MM.THK. VINEER WITH MELLAMINE POLISH
'C' CHANNEL
DOUBLE GLAZED WINDOW
AIR GAP
AIR GAP MIN. 25 MM ON ALL WALL SURFACES
(MF5)
AIR GAP
STEEL ROD
STEEL ROD
DUCT
DUCT
DETAIL A
INSULATION
NUT&WASHER ON BOTH SIDES (NON - CORROSIVE)
EXPANSION BOLT
50MM THK.GLASS WOOL 32 K.G./ M³
STEEL ROD
DETAIL C NUT&WASHER BOTH SIDES (NON - CORROSIVE)
DETAIL B
H.V.A.C DUCTING DETAILS
AUDITORIUM DESIGN AUDITORIUM DETAILS: STRUCTURAL DETAILS
SEE DETAIL A
SEE DETAIL A
STEEL ANGLE
2 MM THK. DECORATIVE LAMINATE
DATE
SIGN
MARKS
UNDER DUCT INSULATION SECURED WITH GALVANIZED STEEL SHEET 1.1 MM. THICK (GAUGE NO.20) AND WITH SIDES FOLDING (SEE DETAIL C.) STEEL ANGLE
SCALE 1:10
REMARKS
SCALE 1:150 1:50 1:10
STAMP
M.M.C.O.A ARNAV KULKARNI FR.YEAR ABTS - II
3
BACKUP WALL
DATE
SIGN
MARKS
REMARKS
SCALE 1:150 1:50 1:10
M.M.C.O.A ARNAV KULKARNI FR.YEAR ABTS - II
2
STAMP
Control Panel
Control Panel
Control Panel
Control Panel
TYPES OF SPRINKLER
PARKING SPACES
CAR
REQUIRED NO
60
PROPOSED NO
TWO WHEELER 180
66
102
TYPE
BICYCLE 60 78
PRODUCT SPECIFICATION TYPE : PENDANT SPRINKLER BRAND : OMEX MATERIAL AVAILABLE : BRASS , STEEL COVERING RADIUS : 2.5 M , 3.5 M
SPRINKLER 4 SPRINKLER 2 SPRINKLER 3
SPRINKLER 1
FIRE PIPES MATERIAL MS STEEL
Control Panel
CC8 TB22
CC9
S12
TB18
S8
TB14
S9
TB15
S5
S6
TB10
S1
TB20
S10
CC2
S2
TB21
CC6
S11
CC4
TB18
S8
TB13
TB14
TB12
CC3
TB9
S4
CC1
S9
S6
TB10
S1
Control Panel
S2
S14
S13
TB20
S10
S7
TB12
S3
TB7
TB8
TB5
TB6
TB7
TB8
TB2
TB3
TB4
TB1
TB2
TB3
TB4
CCTV PRODUCT SPECIFICATION
CCTV PRODUCT SPECIFICATION
Crompton LED Tube Light PRICE : Rs 600/Piece Brand : Crompton Height : 38 Millimeters Length : 116.5 Centimeters Width : 48 Millimeters Weight : 290 Grams
Secureye Dome IR Camera Analogue CCTV Camera Camera Technology : Analog Camera Camera Resolution : 1.3 MP Camera Type : Wired Camera Vision type : Day & Night Brand : Secureye Audio Recording : No
Rs 1,050/Piece Brand : Qutak Alarm Sensor Type : Optical Power Source : DC (10.8 ~ 30) V Color : White
S4
CC3
TB6
TUBE LIGHT PRODUCT SPECIFICATION
S11
CC6
TB16
TB11
CC2
9
TB24
TB15
S5
FIRE HYDRANT
CC9
TB19
CC5
78
TB28
TB23
S12
S7
S3
CC8 TB22
TB17
TB16
TB11
S15
TYPE TUBE LIGHT
CCTV CAMERA SMOKE DETECTOR
SUMP PIT LOCATION & SIZE
NO 30
18 15
SYMBOL & SIZE 1148 X 50.8 1148 X 50.8 1148 X 50.8
RATE 600RS/unit
2300 RS/PIECE
1050 RS/PIECE
DETAIL - Y DETAIL FOR SEWAGE SUMP PUMP
SECTION - XX
-
FIRE SPRINKLER
Control Panel
S16
S14
S13
TB19
CC5
CC7 TB24
TB23
TB27
TB26
TB25
TB28 Control Panel
S16
S15
TB1
TB27
TB26
TB25
NO
FIRE PIPELINE SYSTEM
This unit can be installed in a pit with a minimum diameter of 18” and a depth of 24”. (Pit dimensions less than these will cause rapid cycling and shortened pump life). A pit may be constructed of tile, concrete, steel or plastic Pump should be located and rest on a level solid foundation. DETAIL OF EXTERNAL WALL WATER PROOFING
COMPANY& RATE SIZE NOBLE FIRETECH ENGINEERS DIA 0.45 M OMEX DIA 3.5 , 2.5 M OMEX
75 RS/M
240 RS/PIECE
7000 RS/PIECE
LOCATION : MHALUNGE RIVIERA NEAR BALEWADI SPORTS COMPLEX , PUNE SITE AREA : 45000 sqm • • • • • • • • •
Area calculation Gross plot area = 45000 sqm Net plot area = gross plot area – amenities area Amenities area = 15% of gross plot area = 15% of 45000 = 6750 sqm Net plot area = 45000 – 6750 = 38250 sqm Open space = 10% of 38250 sqm = 3825 sqm Utility area = 2% of 38250 sqm = 765 sqm Roads = 15% of 38250 sqm = 5737.5 sqm Residential area = 26775 sqm
TYPE OF PLOT
AREA OF PLOT
% OF RESIDENTI AL AREA
SIZE OF PLOT
TOTAL AREA
NO OF PLOTS
A
125 SQM
21.45%
A1-A10 : 17.5 X 7M A19 , A45 : 15.5 X 15 M A11-A44 : 15M X 8M
5745
45
B
250 SQM
22.96%
12 M X 18 M
6150
28
C
500 SQM
22.4%
22 M -25M X 22M – 25 M
6000
11
D
GROUP HOUSING
33.19%
70 M X 127 M
8890
OPEN AREA
11.5%
64 M X 81 M
5185
AMENITIES AREA
15%
121 M X 55 M
6750
SERVICE AREA
2.02%
45 M X 16 M
775
NO
TYPE OF PLOT
TOTAL AREA
PERCENTAGE
1
TOTAL RESIDENTIAL AREA
26785
59.53%
2
TOTAL OPEN AREA
5185
11.5%
3
TOTAL ROAD AREA
6835
17.8%
4
TOTAL AMENITIES AREA
6750
15%
5
TOTAL SERVICE AREA
775
2.02%
RESIDENTIAL
OPEN
AMENITIES
SERVICES 14%
ROAD
TYPE A
CALCULATION OF D PLOTS = • TOTAL AREA X F.S.I. • 8890 X 1.6 = 14224 • AREA OF 1 FLAT = 100 sqm • 14224/100 = 142 units
TYPE B
2%
17%
SITE 56%
AMENITIES
POPULATION DENSITY & TRIANGULATION METHOD
COLOUR
TYPE C
TYPE D
45 28 11 142
22% 33%
15%
23%
11%
22%
= 26785 / 1130 = 24 PEOPLE PER AREA
85%
UTKARSHA R. KATE F.Y.B.ARCH DIV : B ROLL NO : 31
URBAN STUDIES : SUBDIVISION OF LAND : LANDUSE PLAN DRAINAGE LAYOUT
WATER SUPPLY LAYOUT
INSPECTION CHAMBER WATER SUPPLY LINE
UTKARSHA R. KATE F.Y.B.ARCH DIV : B ROLL NO : 31
URBAN STUDIES : SUBDIVISION OF LAND : LAYOUT WITH SETBACKS
TELEPHONE & DATA CABLE LAYOUT
ELECTRICAL LAYOUT
MANHOLE
DRAINAGE LINE
225 140 55 710 1130
DISTRIBUTION BOX
DISTRIBUTION LINE
COMPRESSER
FEEDER
MAIN LINE
MAIN LINE DISTRIBUTION LINE SUPPLY
URBAN STUDIES : SUBDIVISION OF LAND : SERVICE LAYOUT
UTKARSHA R. KATE F.Y.B.ARCH DIV : B ROLL NO : 31
URBAN STUDIES : SUBDIVISION OF LAND : SERVICE LAYOUT
UTKARSHA R. KATE F.Y.B.ARCH DIV : B ROLL NO : 31
WARMING HUTS : ART INSTALLATION
FRONT FACADE
SIDE FACADE
THREE QUARTER FACADE
CROSS SECTION
AXONOMETRIC VIEW
LINNIE’ The Store Between Lines Location : Senapati Bapat Road , Pune Type : Retail shop Area : 420 sqm Linie - The store between the lines: as it’s fondly called The store between lines takes maximum advantage of the prime location on SB Road , Pune With its large existing windows to the street side, a certain level of visual translucency is achieved by strategically orchestrated window display, aiming at giving the passerby a sneak peek into the store prompting them to drop in and explore further The facade of the store devoid of any major changes from the existing building and is brought together with only a minor intervention by means of painted metal trellis that would connect the various parts of the store front
INCREMENTAL HOUSING AND ITS ADAPTION IN INDIAN CONTEXT PUNE, INDIA BY UTKARSHA R. KATE FOURTH YEAR B.ARCH SINHGAD COLLEGE OF ARCHITECTURE, PUNE
Abstract Migration often results in the formation of pockets of new communities at concentrated areas of the metropolisan area which reflects the commercial fabric of the metro itself and its typological, topographical and architectural features but varies deeply in terms of the social structure. But ironically these are the ones that stand most neglected, no set architectural dialog has been established for the incremental and organic nature of these cores, resulting in the outgrowth of slums and squatter settlements with substandard living conditions. Incremental housing for the migrant habitat, who mostly live in slums, is an endemic challenge for cities in developing countries. As a remedy for the slum-free city, most of the major metropolis are resorting to slum rehabilitation housing. Rehabilitation connotes the improved quality of life that provides contentment, yet what entails residential satisfaction in such low-income situations remains a blind spot in literature. The study aims to examine the factors affecting residential satisfaction of slum rehabilitation housing that uses incrementalism in Pune, India. The research method is descriptive-analytic and data were collected through the case study and field survey. The results show that influenced indicators by the incremental housing approach including land and building ownership, providing technical and spatial basis for future development, quality improvement, and strengthen the social interactions among the residents, beside site design related indicators, including anticipation of the neighbourhood units with proper pattern of activities are the most important factors of residential satisfaction. . Keywords: - Incremental, migrants, satisfaction, affordable, Introduction Migration is inevitable. The phenomenon of human migration, defined as the "movement by people from one place to another with the intention of settling temporarily or permanently in the new location”, has been soaring steadily in the last century According to the 2011 census, internal migrants in India reached a count of 400 million, over half the global figure of 740 million and almost twice as many as China's estimated 221 million These internal migrants comprise a third of India's population With more than 50% of the world's population living in cities, the trend of migration is set to rise exponentially With it arise the problems of high density inadequate living Estimates show that one out of every three people in cities of the developing world lives in deprived and unplanned squatter settlements According to the UN Habitat's report "State of the World's Cities 2008/2009," the rate of growth of these unplanned parts of a city is way higher than the visible, planned parts
Research Questions: What are the residential satisfaction factors according to migrant habitats? Is Incremental Housing a better option over scatter settlements? Research Methodology In order to explore the effects of incremental housing approach on the level of residential satisfaction, a descriptive-analytic research method was used. In the process of data collection, a case study has been surveyed by using field study methods. The case study contains a mass housing project in Pune which are Tadiwala Slum Area and Netaji Nagar Slum area. Data were obtained using field study methods. In this regard, in order to study the spatial needs of residents, the method of observation and evaluation of the process of development have been used. Indicators, which affect the level of residential satisfaction and influenced by the nature of the project have been put in a questionnaire and the applicants were asked to give their view through the Likert scale.
Analysis Study Area 1: Tadiwala Slum Area: Scatter Settlement Tadiwala road slum area is spread across about three square kilometres near the Pune railway station on Raja Bahadur Mill road. The slum has 48 small lanes and 13,500 hutments with a population size of around 70 thousand. Most of the people in this settlement are migrated from various cities and states search of employment. From 13,500 hutments 10 huts were surveyed for sample. The area of each hutment ranges from 30 square meters to 70 square meters. All the hutments have migrated owners. Each house consist of more than 5 family members. This owners are migrated 10 to 30 years ago from various cities in search of employment. Some of them have redeveloped the hutments but some are still living in kutcha houses. The plan of each unit consists of maximum two rooms which serves like one room kitchen typology. Some hutments have toilet facility but some have been using public toilet facility.
Study Area 2: Netaji Nagar Slum Area: Incremental Housing Netaji nagar slum area project is located in yerawada pune city. The projects consists redevelopment of 1200 units. Incremental housing strategy was developed for these seven slum areas and the pilot Project began with Netaji nagar to test and develop the approach and methodology of Incremental strategy. The slum of Yerwada consisted of dwelling units that could be considered as standard, more as permanent constructions and those which were temporary self-erected shock like structures using tin metal sheets, bad brick work or improvised materials. Former type of dwelling unit was referred as Pucca and the later as Kucha. The Kucha houses are usually 12 square meter in size housing 4-10 people with leaking roofs, unhygienic surroundings with no provision of proper sanitation and no water supply. The Kucha houses were prioritized for improvement in the pilot project. The proposal is a result of intense workshops with the community where ideas are presented and debated using tools such as house models and drawings. As well as focusing on the individual houses, the strategy has a holistic approach for upgrading the whole. This includes adjusting existing cluster sizes to allow for more open space and for very narrow lanes to be widened for better flow. Learning from existing typologies,
Findings: Analysis of research question 1: This questionnaire is answered by both dwelling owners of tadiwala And Netaji Nagar Slum Area So there were 20 samples. The results are taken down as such that number of families who gave number 5 as highest satisfaction to given points of the questionnaire.
Residential Satisfaction 16% 32%
5% 10% 5% 32%
Construction Quality
Planning & Area
Urban & neighborhood services
Providing the basis for future development
Providing the basis to social relationships among the…
Overall satisfaction
Table No 3: Analysis of Question No 1 Above finding shows that according to migrant habitat while choosing dwelling construction quality and planning and area are the main satisfactory factors QUESTINNAIRE TO FIND ANALYSIS OF RESEARCH QUESTION 1 Please indicate the level of satisfaction of your family with any of the following indicators by numbers 1 to 5 (Number 1 as the lowest level of satisfaction and number 5 as the highest). 1. Construction quality 1. Planning and area 1. Urban and Neighborhood Services 1. The ownership possibility 1. Providing the basis for future development 1. Providing the basis to social relationships among the neighbors 1. Overall satisfaction
1
2
3
4
5
5 4.5 4
QUESTINNAIRE TO FIND ANALYSIS OF RESEARCH QUESTION 2 Pointers to find out comparative analysis for better option over scatter settlements 1. Size and numbers of rooms of the house according to number of family members 1. Construction quality of house 1. Access to road network and basic services like toilets , water supply ,electricity 1. Ownership possibility Initial price suitability Housing loan suitability 1. Basis for future development Spatial requirements for future development Technical anticipation and use of materials 1. Income opportunity from the dwelling 1. Providing basis for social interactions Providing common social interaction spaces 1. Views on incremental housing Will use incremental housing or vertical dwelling 1. Overall satisfaction from dwelling 1. Overall neighborhood satisfaction
Analysis of research question 2: Total 10 samples were taken from Tadiwala slum area and netaji nagar slum area each. The result shows the number of samples denoted the result using likert scale The results are taken down as such that number of families who gave number 5 as highest satisfaction to given points of the questionnaire. Following graph shows the comparison of Tadiwala Slum Area and Netaji Nagar Slum Area
1
3.5 2
3
4
5
3
2.5 2 1.5 1 0.5 0
size and number of rooms
construction access to road quality network
ownership possibility
tadiwala slum
basis for future income basis for social development opportunity interactions from dwelling netaji nagar slum
Table no 4: Comparative analysis Above finding shows that Netaji Nagar Slum Area have better living lifestyle than Tadiwala Slum Area which concludes that incremental housing is better option over scatter settlements.
UTKARSHA R. KATE utkarsha.kate162@gmail.com 9168237339