The University of Texas at San Antonio School of Music presents
“Dúo Dinámico” ChristopherBarrera GustavoMedrano
In collaboration with Dr.Jeoung-EunLee,Piano MariIto-Klausmeyer,Piano LosCorrecaminosTrumpetEnsemble
November 20th , 2024 7:30 PM UTSA Recital Hall Program
Concerto No.1 in C Minor (1948) I. Allegro con fuoco
Semaine Sante a Cuzco (1964)
Gustavo Medrano, trumpet Mari Ito Klausmeyer, piano
Vladimir Peskin (1906-1988)
Henri Tomasi (1901-1971)
Christopher Barrera, trumpet Dr. Jeoung-Eun Lee, piano
Fantasie and Variations on the Carnival of Venice (1865) Jean-Baptiste Arban (1825-1889)
Gustavo Medrano, trumpet
Mari Ito Klausmeyer, piano
Mr. Barrera presents this recital in partial fulfillment of the requirements for the Bachelor of Performance degree. Christopher Barrera and Gustavo Medrano are students of Dr. Oswaldo Zapata Correa.
The University of Texas at San Antonio School of Music presents
Trumpet Concerto in E-flat major (1800) I. Allegro II. Andante
III. Allegro
Song Without Words (2021)
Christopher Barrera, trumpet Dr. Jeoung-Eun Lee, piano
Franz Joeseph Haydn (1732-1809)
Joel Collier (1989- )
Gustavo Medrano, trumpet Mari Ito Klausmeyer, piano
Misty (1954)
Ella Fitzgerald (1917-1996) Trans. Chris Barrera
O Sole Mio (1898)
Christopher Barrera, trumpet Dr. Jeoung-Eun Lee, piano
Eduardo di Capua (1859-1920) Arr. Chris Barrera
Christopher Barrera, trumpet Gustavo Medrano, trumpet Los Correcaminos Trumpet Ensemble
Please note:
Tonight's performance will be live streamed as well as privately recorded, please do not use any flash photography of any kind, and please wait until a piece of music has concluded to applause. And for the consideration of those around you please refrain from making any noise or walking in and out of the recital hall while a piece is being performed. Thank you.
Mr. Barrera presents this recital in partial fulfillment of the requirements for the Bachelor of Performance degree. Christopher Barrera and Gustavo Medrano are students of Dr. Oswaldo Zapata Correa.
Meet the soloists
ChristopherBarrera isa localmusician whoinstructsat SamuelClemens HS, teaches privately, and freelances in the greater San Antonio area. Christopher is also a San Antonio native and recent transfer from Angelo State University where he studied with Dr. John Irish. Christopher’s’ performing background includes Drum Corps international world championships, chamber music competitions, internationalfestivals,andconcertsettingsrangingfromjazz,orchestral, and wind band. Christopher has had tremendous opportunities to perform and learn from renowned trumpet players such as: Dr. Ben Fairfield, Dr. Jamie Hood, Dr. John Kennedy, Anthony Plog, Rex Richardson, Paul Stevens, Allen Vizzutti and many more. Some recent and notable achievements throughout are competing at the national trumpet competition, performing at the International Trumpet Guild, being awarded the position of assistant drum major for the 14.OSA rendition of the Spirit of San Antonio, and being awarded the Alamo Music instrumentalist award and scholarship for outstanding brass player for the 2022-2023 academic school year at the UTSA School of Music. Christopher is pursuing a trumpet performancedegree andplans to use his talents to audition and be a member of the armed forces as a trumpet player and bugler.
Gustavo Medrano is a junior student pursuing a degree in Music Education who also privately instructs and freelances in the San Antonio area. Gustavo has had the privilege of learning from trumpet legends such as Dr. Jaime Hood, Anthony Plog, Allen Vizzutti, and many others. Gustavo has been an invited guest at TMEA for the featured jazz ensemble, competed in the National Trumpet Competition, performed in the International Trumpet Guild Conference, and was selectedfora masterclass with Tine Thing Helseth hosted by the San Antonio Philharmonic. Gustavo Plans to pursue a master's degree in trumpet performance and eventually teach after a successful playing career.
Tonight's program
Concerto No.1 in C Minor (allegro):
Vladimir Peskin (b. 1935-1988) was a renowned Russian composer who was known for his innovative techniques that contributed to contemporary classical music. Composed in the late 20th century, Peskin’s Trumpet Concerto No. 1 is a technically demanding and vibrant work that pushes the boundaries of the trumpet's abilities and potential. Not only is Peskin’s trumpet concerto No.1 a significant addition to trumpet repertoire, but also a steppingstone in the evolving role of trumpet playing in contemporary music. The first movement opens with a lively and assertive theme introduced by the trumpet, immediately establishing the character of the piece. The accompaniment provides a rich harmonic backdrop, allowing the trumpet to soar with agility and brilliance. The movement features contrasting lyrical passages and virtuosic sections, demonstrating the player's range and technical prowess. Vladimir Peskin’s Trumpet Concerto No. 1 is a testament to the richness of the trumpet's voice and a celebration of the instrument's capabilities within the orchestral setting. It invites both performer and listener to engage in a vibrant musical dialogue that resonates with energy and emotional depth. Peskin’s Trumpet Concerto No. 1 is dedicated to Timothy Dokshizer (who Peskin accompanied on piano).i
Semaine Sante A Cuzco:
Henri Tomasi’s (1901-1971) works has captivated artists and listeners over the past century. Tomasi was a very diverse composer and conductor, his talents led him to write operas, theatrical work, ballets, and of course solo works for wind instruments.ii Semaine Sante a Cuzco translates to “Holy Week in Cuzco”. This work was originally written for solo Trumpet and organ but has been adapted for Trumpet and piano. Tomasi is offen recognized more for his Concerto in C for Trumpet and Orchestra, although they are two very different works they share the same level of vurtosity and finnese that it must take to express his wonderful and elegantly crafted ideas.
Fantasie and Variations on the Carnival of Venice:
Jean-Baptiste Arban (1825–1889) was a celebrated French cornet player, teacher, and composer known for his contributions to brass pedagogy and performance. His work laid the foundation for modern brass playing, and his Method for the Cornet remains a staple in brass education. Arban's compositions are renowned for their technical demands and lyrical beauty, making them essential repertoire for brass musicians. One of Arban’s most renowned pieces The Carnival of Venice, is a theme and variations based on a traditional Venetian song that displays variations of the theme in technical ways.iii The piece begins with a lively and catchy theme that illustrates the festive atmosphere of Venice with its vibrant culture and rich musical heritage. The melody is characterized by its playful spirit and rhythmic drive, immediately engaging the listener. Following the theme are variations that feature articulation, lyrical phrasing, technical flourishes, and a dazzling finale that leaves a lasting impression on the audience. Arban’s Carnival of Venice is not only a showcase for technical brilliance but also a work that embodies the spirit of celebration. It reflects Arban's ability to combine virtuosic demands with melodic charm, making it a beloved piece in the trumpet repertoire. The variations also allow performers to express their individuality and interpretative choices, making each performance unique.
Trumpet Concerto in E-flat major:
Arguably one of the most important works ever written for the trumpet must go to composer Franz Joesph Haydn and his Concerto in E-flat major. This is a multi-movement work that premiered not only a new era of composing for brass instruments but also premiered one of the most influential members of the brass family. During its premier on March 28th , 1800 listeners were stunned as Anton Weidinger walked on stage with the keyed trumpet. The keyed trumpet was a bugle that had tone holes covered with an assortment of keys like modern woodwind instruments.iv This not only allowed Weidinger to play chromatic passages, but also allowed the trumpet to play in a wide range of harmonic series. Since then, we have seen the evolution of this with rotary and piston valved horns. To this day orchestras perform this as a standard of their repertoire and even in pop culture it has been referenced many times. Such as in the show “Squid Game” you can hear the Allegro or third movement be performed in the background of the show.v It is also customary practice for such major works as this to have a performer compose their own cadenza to highlight their own talents. At the end of the first movement, you will hear a short originally composed cadenza by Christopher Barrera.
Song Without Words:
Joel Collier (b.1989) is a contemporary composer and musician known for his innovative approaches to melody and harmony. With a background in both classical and modern music, Collier’s works often reflect a deep understanding of emotional expression and instrumental color. His compositions span various genres, emphasizing lyrical qualities and intricate textures. Collier’s A Song Without Words is a captivating piece that exemplifies Collier's ability to convey profound emotions through music without relying on lyrics. Some key characteristics include Lyrical Melodies, Harmonic Richness, and Dynamic contrasts.vi This work captures the essence of the song form while allowing the listener to interpret its meaning through melody and mood. Through its lyrical lines and rich harmonies, the work offers a captivating exploration of the human experience, reminding us of the profound power of music to articulate feelings that words often cannot.
Misty:
Taken from her hit album “By Popular Demand: Ella Fitzgerald” Misty is a commonly performed jazz standard that hits all the marks when it comes to the blues and jazz. Ella Fitzgerald was regarded as “the most popular female jazz singer” for more than half a century. During her career she won over 13 Grammy awards and sold over 40 million albums.vii Her vocal flexibility and range gave any song she was on a special flare to it that no one has ever been able to achieve or replicate Tonight's rendition is a transcription of her vocal performance from her previously mentioned album. The jazz standard was composed or written a few years before her album. Composer Erroll Garner first wrote the standard in 1954 while on a flight from San Francisco to Chicago as he was inspired by a rainbow and thoughts of his wife.viii
O Sole Mio:
O Sole Mio takes us to the late 1800s as composer Eduardo di Capua encapsulates the heart of Italian and Neapolitan culture. The song's lyrics speak about the joys of waking up in the Italian countryside, and what its like to celebrate a new day after an intense storm. Originally written as a celebration or folk song, artists such as Luciano Pavarotti won a Grammy award, and Elvis Presley sold millions of albums when he used the melody for his song “It's Now or Never” ix Tonight's rendition of O Sole Mio features both soloists Christopher Barrera and Gustavo Medrano, and the nationally recognized Los Correcaminos trumpet ensemble. This Arrangement written by Chris Barrera takes inspiration from arranger Brian Sadler and his arrangement for concert band.
Thank you to everyone involved in tonight's performance, both Gustavo and Christopher hope you enjoy the virtuosic sounds of the trumpet repertoire and enjoy a night of fun and emotional music. We would also like to thank our collaborators Dr. Jeoung-Eun Lee, Mari Ito-Klausmeyer, the Los Correcaminos trumpet ensemble, as well as our panel members who are attending tonight. They are Professor Jeffrey Castle, Professor Gary Poffenbarger, and Dr. Oswaldo Zapata Correa. To our loving supporters and families, we hope you enjoy tonight's performance and leave knowing that your support has helped us achieve many remarkable things here at the University of Texas at San Antonio.
i. Grace Eom, “Graduate Recital,” Concerto No. 1 in C Minor, April 24, 2022. https://ir.library.illinoisstate.edu/cgi/viewcontent.cgi?article=5624&context=somp
ii. “Henri Tomasi,” Wind Repertory Project, accessed November 11, 2024, https://www.windrep.org/Henri_Tomasi.
iii. “Le Carnaval de Venise (Arr Arban),” Wind Repertory Project, accessed November 18, 2024, https://www.windrep.org/Le_Carnaval_de_Venise_(arr_Arban).
iv. “Trumpets: Key Trumpet in Eb or E,” Thein Brass, accessed November 18, 2024, https://thein-brass.de/en/instrument/keytrumpet-in-eb-or-e/
v. Sophia Hall and Sophia Alexandra Hall, “Squid Game Soundtrack: What Classical Music Is in the Netflix Show?,” Classic FM, January 4, 2024, https://www.classicfm.com/discover-music/periods-genres/film-tv/squid-game-netflixclassical-music-soundtrack/
vi. Joel Collier, “About,” Joel Collier Music, accessed November 18, 2024, https://www.joelcollier.com/about
vii. “Home,” Ella Fitzgerald, September 27, 2024, https://www.ellafitzgerald.com/#/
viii. Dick Schwartz, “Today’s Song: ‘Misty,’” The Great American Songbook Foundation, accessed November 18, 2024, https://thesongbook.org/misty#:~:text=More%20on%20that%20later.,and%20record%20it%20for%20transcription ix. Maddy Shaw Roberts, “What Are the Lyrics to ‘O Sole Mio’, and Who Wrote It?,” Classic FM, November 6, 2018, https://www.classicfm.com/discover-music/o-sole-mio-lyrics/