2019 UWE Bristol Fashion Textiles Yearbook

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Dress and adornment are a universal feature of human behaviour, and as such offer infinite scope for exploration, interpretation and understanding.

Fashion Textiles at UWE celebrates this breadth and gives students the opportunity to explore all areas of the Fashion Textile Industries, from the design and production of Textiles – through to the design and manufacture of garments and other fashion related product

Students on the programme develop work for 3 creative platforms – Fashion Design, Textile Design and Fashion Textile Futures. Outcomes for the Futures platform can be more speculative in their nature and are often less conventional in their form.

What you see on a catwalk is essentially only the Spectacle, the Show piece, the Grand Finale as it were, what lies behind the student’s final collections is even more exciting. This book contains examples of all our 2019 Graduates work. It evidences the depth and breadth of their thinking and starts to articulate the creative and technical narratives behind each collection.

Students develop their Design work through extensive processes of critical research, analysis, draughtsmanship, the application of CAD skills and a translation of ideas from 2D – 3D - which is an engineering of sorts. They have developed critical and creative narratives and used silhouette, proportion and detailing to explore them.

In addition, the work here evidences each Graduates ability to have ideas, to be creative, to take risks, solve problems, source material, to manage a project, be resourceful, to be inventive and above all to be part of a creative team.

Fashion is far more than just clothes.

UWE Fashion Textiles is a member of the British Fashion Council Colleges Council, and is 1 of only 11 UK Fashion courses to be professionally accredited by Screenskills, formerly Creative Skillset.

Deb Southerland Programme leader fashion textiles uwe
III
1 Graduating Designers 2 Ashley Olive 3 Bea Stoneham 4 Ben Lord 5 Chinh Tran 6 Ella Llewellyn-Firth 7 Emily Hamill 8 Esra Katiksiz 9 Fiona Baker 10 11 12 13 14 HAyley Lunt 15 Izzy Egan 16 Lily Brabham 17 Rachel Bullock 18 Sephora Ronan 19 Sophie Hodges 20 Yasmin Rose 1 2 10 22 30 50 56 62 68 74 82 88 100 108 112 124 Showcase|2019 1
Ashley Olive ashley-olive@hotmail.co.uk
3
Ashley Olive ashley-olive@hotmail.co.uk
5
Ashley Olive ashley-olive@hotmail.co.uk
7
Faye Holland-hanbury imogen.mansfield@btinternet.com Ashley Olive ashley-olive@hotmail.co.uk
9
Bea Stoneham beaemilycharlotte@hotmail.co.uk
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Bea Stoneham beaemilycharlotte@hotmail.co.uk
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Bea Stoneham
beaemilycharlotte@hotmail.co.uk
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Shaped Loie Fuller Jeffrey T. Larson, Hanging Laundry 2009 Shaped Bea Stoneham
beaemilycharlotte@hotmail.co.uk

100% Silk yarn

100% Silk yarn

Stoll Dubied 10 Gauge

Stoll Dubied 10 Gauge

Shaped ribs with lycra

Shaped ribs with lycra

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Bea Stoneham beaemilycharlotte@hotmail.co.uk
19

ZERO WASTE DESIGN ZERO WASTE DESIGN

Bea
Stoneham beaemilycharlotte@hotmail.co.uk

Zero-waste Trench Coat with adjustable arm straps, thick ‘obi’ belt, pointed mandarin collar and welt pockets in black brushed cotton.

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Ben Lord benjameslord1997@gmail.com
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Ben Lord benjameslord1997@gmail.com
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Esra Katiksiz no email Ben Lord benjameslord1997@gmail.com
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Ben Lord benjameslord1997@gmail.com
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Chinh Tran kieuchinh166@gmail.com
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32
Chinh Tran kieuchinh166@gmail.com
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Chinh Tran kieuchinh166@gmail.com
35
Chinh Tran
kieuchinh166@gmail.com
37
Chinh Tran kieuchinh166@gmail.com
39
Chinh Tran kieuchinh166@gmail.com
41
Chinh Tran
kieuchinh166@gmail.com
43
Chinh Tran
kieuchinh166@gmail.com
45
Chinh Tran kieuchinh166@gmail.com
47
Chinh Tran kieuchinh166@gmail.com
49
Ella Llewellyn-Firth
ella_llewellynfirth@ymail.com
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Ella Llewellyn-Firth
ella_llewellynfirth@ymail.com
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Ella Llewellyn-Firth
ella_llewellynfirth@ymail.com
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Emily Hamill emilyhamill@hotmail.co.uk
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Emily Hamill
emilyhamill@hotmail.co.uk
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Emily
Hamill emilyhamill@hotmail.co.uk
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Esra Katiksiz ktszesra@gmail.com
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Esra Katiksiz
ktszesra@gmail.com
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Esra Katiksiz
ktszesra@gmail.com
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Fiona Baker fiona_baker@live.co.uk
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Fiona Baker fiona_baker@live.co.uk
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Fiona Baker fiona_baker@live.co.uk
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pure form

We find purity, and relief in the forms found in nature. Nature feels like sal- vation, we can shut off from the eternal chatter of the world around us. Disconnect feels modern, as inspiration from nature shirks its eco hip- py feel, and transcends into the scifi of the possibilities and potentialities of plants. We are beginning to recognise that our human inventions are unparalleled by similar natural formations, the sky scraper immeasurably smaller than the Earths greatest mountains. We no longer feel overwhelm- ingly insignificant, but instead stand humbled by the majesty that we hap- pened to be here now. We are fascinated with, and in awe of where we call home and are inspired to have a positive impact upon the blink of an eye that we are here for.

Hayley Lunt haylee.lunt@yahoo.co.uk

Imperfection, unpredictability, and well

qualities become intrinsic to the value of things. Age becomes an indicator of everlastingness, of repair, of possibility. A hand me down jumper from a grandmother is a treasure.

Inconsistency and signs of the hand made, or earth direven are inspirational, as low impactful, thoughtful design is our priority. This affects weaves and knits, slubby yarns offer a non homogenous, hand made feel.

worn
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Hayley Lunt haylee.lunt@yahoo.co.uk
As the industry seeks greater trans- parancy in respect to its supply chains, it calls into question what we define as transparant. Rad- ical honesty, with oursleves and with others, the baring of our Whereimperfections. does the light get in? We reflect upon ideas of trans- parancy, and value in materiality that reflects this is found.

Transparacny

Natural Realism

Painterly strokes

Floral prints become suggestive of nature

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Hayley Lunt haylee.lunt@yahoo.co.uk
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Hayley Lunt haylee.lunt@yahoo.co.uk
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Egan iszegan@gmail.com
Isabella
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MOVING RIB OVERSIZED JUMPER WITH PARTIAL FELTING NOTES : INTEGRAL 2 x 1 RIB FOR CUFFS AND BOTTOM RIB COLLAR KNITTED SEPERATELY AND LINKED WITH STANDARD SEAM **PLEASE DO *NOT* FOLLOW SANDWICH SEAM AS SEEN ON TOILE** SADDLE SHOULDER SEAM SHOULD CONTINUE INTO COLLAR SEAM PLEASE REFRAIN FROM STEAMING, YARN FELTS ONCE STEAMED AND WE WISH TO CONTROL THIS FND 9cm 6cm 12cm SIDE SEAM TO EDGE OF SMILEY 8cm 10cm 20cm MOVING RIB OVERSIZED JUMPER WITH PARTIAL FELTING 40cm
Egan iszegan@gmail.com
Isabella
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Egan iszegan@gmail.com
Isabella
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Lily Brabham brabhamlily@gmail.com
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Lily Brabham brabhamlily@gmail.com
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Lily Brabham brabhamlily@gmail.com
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Lily Brabham brabhamlily@gmail.com
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Lily Brabham brabhamlily@gmail.com
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Lily Brabham brabhamlily@gmail.com
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T H e B
O v e r s i z e d S i lho u e t t e s & C o c oo n sh ap e s
subtle
shaping on the trouser Rachel Bullock
rachelbullock6@gmail.com
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C i t y - L i n e s o v e n C o n ce p t s
rachelbullock6@gmail.com
Rachel Bullock
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Rachel Bullock rachelbullock6@gmail.com
105
14.5cm 123.5cm 20cm 2.5cm 13.5cm 8cm 7cm 14cm 66cm Sleeve hem circumference 41.5cm
Rachel Bullock
rachelbullock6@gmail.com
105cm 4.5cm 6cm 8cm 12cm 5cm 2.5cm
Vent at CB, from Hem to Knee 39cm
107
Belt loops at di erent sizes, for the crossover of belts
Sephora Ronan sephora.ronan03@outlook.com
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Sephora Ronan sephora.ronan03@outlook.com
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Sophie Hodges sophie_rhodges@hotmail.com
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Sophie Hodges sophie_rhodges@hotmail.com
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Sophie Hodges sophie_rhodges@hotmail.com
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Sophie Hodges sophie_rhodges@hotmail.com
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Sophie Hodges sophie_rhodges@hotmail.com
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Sophie Hodges sophie_rhodges@hotmail.com
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Yasmin Rose yasminlrose@hotmail.com
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Yasmin Rose yasminlrose@hotmail.com
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Yasmin Rose yasminlrose@hotmail.com
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Yasmin Rose yasminlrose@hotmail.com
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Yasmin Rose yasminlrose@hotmail.com
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