ARCHITECTURE DESIGN PORTFOLIO
VAISHNAVI RAJ
VAISHNAVI RAJ
VAISHNAVI RAJ Address- H.NO. 1295 MARUTI VIHAR CHAKKARPUR, GURGAON HARYANA 122002 Contact- Mob. No.- (+91) 7838577026 Res. No. - (0124) 2353618 Date of birth - 12TH March 1992 Email I.D. - vaishnavi raj.12@gmail.com
EUDCATION
SKILLS
EXTRA CURRICULARS
PURSUING ARCHITECTURE- 4TH YR. VASTU KALA ACADEMY QUTUB INSTITUTIONAL AREA, NEW DELHI
• MANUAL DRAFTING
•PARTICIPATED IN ALL THE SCHOOL COMPRTITIONS AND WON MANY OF THEM.
PASSED10TH CBSE – OUR LADY OF FATIMA CONVENT SENIOR SEC. SCHOOL , SECTOR- 14 , GURGAON 12TH CBSE - SUMMER FIELDS SCHOOL GURGAON
• • • • • • • • • • •
AUTOCAD SKETCHUP AUTOCAD 3D AUTOCAD REVIT 3D MAX ADOBE PHOTOSHOP MICROSOFT OFFICE MODEL MAKING SKETCHING MAKING PERSPECTIVES RENDERING
•PARTCIPATED IN ALL THE COLLEGE COMPETITION. •COORDINATED IN THE STAGE DESIGNING FOR COLLEGE CULTURAL FEST. • INTERESTS- PHOTOGRAPHY - SINGING - SKETCHING - MODEL MAKING
OBJECTIVETO JOIN AS AN INTERN AT YOUR FIRM AND TO EXPLORE AND LEARN EVERYTHING THAT ARCHITECTURE HAS TO OFFER.
PORTFOLIO CONTENT
DESIGN STUDIO PROJECTS
THESIS : DILLI HAAT JANAKPURI
8TH SEM
URBAN DESIGN: SOCIO CULTURAL CENTER DWARKA
7TH
NRITYANGAN, COLLEGE OF INDIAN CLASSICAL DANCE , NOIDA
5TH SEM
GROUP HOUSING , NOIDA SEC-61
6TH SEM
SEM
1ST YEAR TEA STALL DESIGN, DELHI
AIRPOT CABIN, DELHI AIRPORT ARCHITECT’S RESIDENCE, GOA
2ND YEAR HIGHWAY RESORT, DELHI
PROPOSED DESIGN FOR LIVE PROJECT TENKASI ABIRAMI HOUSE 2
COLLEGE HOSTEL, DELHI
ARTISAN’S VILLAGE, DELHI
ARCHITECT’S RESIDENCE WITH EXHIBITION HALL ( GOA)
2ND SEM
PRIMARY HEALTH CENTRE, DHARAMSHALA
ARTISIAN VILLAGE (SAKET) AND P.H.C (DHARMSHALA)
4TH SEM
3RD YEAR
HINDWARE FACTORY SHED , DELHI
5TH SEM
NRITYANGAN DANCE COLLEGE , NOIDA HINDWARE FACTORY SHED, DELHI
DISSERTATION THE ROLE OF ARCHITECTURE IN CINEMA
7TH SEM
GROUP HOUSING, NOIDA
DOCUMENTATION SCINDIA SCHOOL , GWALIOR TCV VILLAGE, DHARMSHALA RAJON KI BAOLI, MEHRAULI
2ND SEM 4TH SEM 4TH SEM
4TH YEAR
EXTRA CURRICULAR PHOTOGRAPHY
URBAN DESIGN: SOCIO CULTURAL CENTER ,DWARKA
ARCHITECTURAL DISSERTATION THESIS: DILLI HAAT JANAKPURI
PROJECT- THESIS - DILLI HAAT (JANAKPURI)
NORTH ELEVATION
WEST ELEVATION
SITE AREA PROPOSED GROUND COVERAGE PROPOSED FAR 266 CRAFT SHOOPS 21 FOOD STALLS CAFE EXPOSITION HALL 400 SEATS AUDITORIUM 100 BEDS DORMITORY TOILETS
- 9.6 ACRES - 27.88 % (9028 SQM) - 39.98% (12925 SQM) - 2476 - 1785 - 400 - 900 - 1152 - 1152 - 400
N SITE PLAN
ENTRY PLAZA
PROJECT- THESIS - DILLI HAAT (JANAKPURI) CONCEPT • ALL THE COMPONENETS IN THE DESIGN SHOULD BE WELL CONNECTED. • THE ENTRY PLAZA IS OPEN TO EVERYONE. • THE COMPARITIVLY TALL STRUCTURES ARE PLACED AT THE REAR END OF THE SITE.
CRAFT SHOPS
FOOD STALLS • THERE ARE IN TOTAL 21 FOOD STALLS • THESE STALLS ARE PLACED IN CENTER OF THE SITE WHICH CONNECTED TO ALL THE CRAFT SHOPS, THE AUDITORIUM, EXPOSITION HALL AND THE TOILETS. • THE SEATING IN THESE FOOD STALLS ARE VERY INTERESTING BECAUSE OLD DTC BUSES AND AUTOS USED FOR THIS PURPOSE. • ABOVE THE STALLS IS THE CAFE, WHICH HAS THE VIEW OF THE O.A.T. SO THAT PEOPLE CAN ENJOY COFFEE AND A PLAY AT THE SAME TIME.
CRAFT SHOPS •THE SHOP ARE DESIGNED TO REGULATE A LINEAR MOVEVMENT. •THE SHOPS ARE WELL CONNECTED AND OPEN TOA ALL THE OTHER ACIVITIVES OF THE SITE. •SHOPS ARE CONNECTED TO THE O.A.T.
PROJECT- SOCIO CULTURAL CENTER (DWARKA)
A
GIVEN SITE AREA F.A.R GROUND COVER BUILT UP AREA
B
B’
- 20020SQM - 120% - 6000 SQM - 24024 SQM
LEGEND - GROUND COVERAGE EMPORIUM + GUEST ROOMS - 1782 SQM AUDITORIUM + MINI CONVENTION + HOBBY CLASSES1296 SQM BANQUET HALL + RECREATION CENTER - 1660 SQM ARY GALERY + MUSEUM + LIBRARY - 1215 SQM LEGEND – FAR EMPORIUM + GUEST ROOMS - 6840 SQM AUDITORIUM + MINI CONVENTION + HOBBY CLASSES2754 SQM BANQUET HALL + RECREATION CENTER - 4980 SQM ARY GALERY + MUSEUM + LIBRARY - 2430 SQM
A’
SITE PLAN
ACHIVEDTOTAL GROUND COVERAGE TOTAL BUILT UP AREA
- 5953 SQM - 18215 SQM
PROJECT- SOCIO CULTURAL CENTER (DWARKA) MINI CONVENTION + HOBBY CLASSES+ AUDITORIUM
EMPORIUM + GUEST ROOMS
GROUND FLOOR GROUND FLOOR
THIRD FLOOR
ART GALLERY + MUSEUM + LIBRARY
FIRST FLOOR
FIRST FLOOR
SECOND FLOOR
SECOND FLOOR
FORTH FLOOR
THIRD FLOOR
BANQUET HALLS + RECREATION CENTER
GROUND FLOOR
FIRST FLOOR
SECOND FLOOR
PROJECT- SOCIO CULTURAL CENTER (DWARKA)
ROOF PLAN
PROJECT- NRITYANGAN, COLLEGE OF INDIAN CLASSICAL DANCE( NOIDA)
SITE AREA GROUND COVERAGE
SITE PLAN
N
AUDITORIUM STUDIOS ADMINISTRATION BLOCK STAFF ROOM LIBRARY LECTURE ROOM STUDENT’S WASHROOM CHANGING ROOM CAFE
– 8100 SQM – 30% (2430 SQM) 715 SQM 486 SQM 233 SQM 240 SQM 300 SQM 360 SQM 40 SQM 30 SQM 210 SQM
PROJECT- NRITYANGAN, COLLEGE OF INDIAN CLASSICAL DANCE( NOIDA) CONCEPT • PROJECT WAS TO DESIGN AN INDIAN CLASSICAL DANCE COLLEGE, SO MY CONCEPT WAS TO USE SOME BASIC TRADITIONAL INDIAN ARCHITECTURE. • I HAVE USED ARCHES AND COURTYARD AS USED IN INDIAN ARCHITECTURE. • AND ALSO CLIMATOLOGICOLY ARCHES, COURTYARD AND JALIS HELPS IN KEEPING THE ENVIRONMENT COOL. • THE STUDIOS, LECTURE ROOMS, LIBRARY ARE ALL IN THE NORTH SO THAT THE HEAT OF THE SOUTH SUN WILL NOT AFFECT THE CLASSES. • AUDITORIUM IS PLACED IN THE FRONT OF THE SITE SO THAT THE PRESENCE PUBLIC WILL NOT AFFECT THE COLLEGE.
FIRST FLOOR PLAN
N
PROJECT- NRITYANGAN, COLLEGE OF INDIAN CLASSICAL DANCE( NOIDA)
NORTH ELEVATION
PROJECT- GROUP HOUSING (NOIDA SEC-61)
A
A’
SITE PLAN
PROJECT- GROUP HOUSING (NOIDA)
BASEMENT PARKING LVL 1
PLAN
PERSPECTIVE- 2BHK APARTMENT
BASEMENT PARKING LVL 2
PROPOSED DESIGN FOR LIVE PROJECT- TENKASI ABIRAMI HOUSE 2 (TAMIL NADU)
(2BHK AND 3 BHK)
•SITE AREA – 2380 Sq ft·( 68 ft X 35 ft) •SETBACKSFROM EAST- 5 FT. FROM WEST- 2 FT. FROM SOUTH- 5 FT. FROM NORTH- 15 FT •SIZE OF BORE- 3 FT. DIA. • REQUIREMENTS OF THE CLIENTS• ENTRY OF THE HOUSE FROM EAST. •KITCHEN IN THE EAST. •KITCHEN WITH STORE. •2 BEDROOMS WITH ATTACHED WASHROOMS. •BORE NOT TO BE DISTURBURED.
2 BHK
Perspective View
BORE
PLAN
N
PLAN
Entry
PROPOSED DESIGN FOR LIVE PROJECT- TENKASI ABIRAMI HOUSE 2 (TAMIL NADU)
(2BHK AND 3 BHK)
CHALLENGES
2 BHK
1. 2. ABIRAMI HOUSE 1
HOSPITAL ADJECENT HOUSE
3. 4. 5.
ABIRAMI HOUSE 2 6. 7.
3 BHK REQUIREMENTS OF THE CLIENTSPerspectives
Perspectives
Perspectives
Perspectives
• ENTRY OF THE HOUSE FROM EAST. •KITCHEN IN THE EAST. •KITCHEN WITH STORE. •3 BEDROOMS WITH ATTACHED. WASHROOMS. •BORE NOT TO BE DISTURBURED.
8. 9.
ORIGINALLY THE SIZE OF THE PLOT IS 130ft X 35 ft. Abirami house 1 was built on half the plot 50 yrs ago. This design was Proposed for other half of the plot. The second half of the plot consist of a BORE which can not be disturbed. The Dia of the BORE is 3ft. And it lies almost in the middle of the plot. The client did not want a straight corridor to be formed inside the house. The client wanted Entrance and the Kitchen in the east. And the Master Bedroom at least 13ft wide and also squarish. Due to the linear form of the plot all these parameters were difficult to achieve , but ultimately achieved perfectly.
PROJECT- 1ST YR. - ARCHITECT’S RESIDENCE WITH EXHIBITION HALL
( GOA)
EXHIBITION HALL
MODEL PHOTOS SITE PLAN
ARCHITECT’S RESIDENCE
ARCHITECT’S RESIDENCE
PROJECT- 2ND YR. - ARTISIAN VILLAGE (SAKET)
AND P.H.C ( PRIMARY HEALTH CARE CENTER- DHARMSHALA)
MODEL PHOTOS
ARTISIAN VILLAGE (SAKET)
SITE PLAN
PROJECT- 2ND YR. - ARTISIAN VILLAGE (SAKET)
AND P.H.C ( PRIMARY HEALTH CARE CENTER- DHARMSHALA)
SECTION AA’
P.H.C ( PRIMARY HEALTH CARE CENTER- DHARMSHALA)
PLAN MODEL PHOTOS
SITE PLAN
N
PROJECT- 3RD YR. – HINDWARE FACTORY SHED ( DELHI)
SITE PLAN
PROJECT- DISSERTATION - THE ROLE OF ARCHITECTURE IN CINEMA We live in a world in which the experienced, remembered, and imagined, as
1.2 AIM -
well as the past, present, and future are inseparably intermixed. Place and
The aim of this study is to explore the importance of architecture in cinema and
event, space and mind, are not outside of each other. They mutually define
how architecture is the soul of cinema.
one another and fuse into a singular experience.
1.3 OBJECTIVE
The world of film allows us to experience this duality perhaps more clearly
The main objective of this dissertation is to prove that there is architecture in
than anywhere else. Film allows for a “window” through to another world,
cinema...that architecture plays a major role in the cinematic world too..
transporting the audience to spaces that are perhaps more “real” than
1.4 HYPOTHESIS
anything we experience in our daily lives.
Both architecture and cinematic sets have the same goal – to create a designed environment.......Is it? Or is it not?
1.5 SCOPE The dissertation would follow case studies based on films. The entire study would provide information representing different roles of architecture in cinema. Architecture in cinema used to tell a story , architecture used in designing and building sets and architecture of film studios where sets are created.
1.6 CONTENT
MOVIE- JODHA AKBAR SET DESIGNER- NITIN CHANDRAKANT DESAI
1.
Origin of cinema sets
2.
History of set designing
3.
Relationship between cinematic sets and architecture
4.
Analytical study on the basis of case study “........sets attempt to create a space-time centre in terms of history and geography.
“Architecture help filmmakers translate their flourishing fantasies into vivid reality”
PROJECT- MEASURED DRAWINGS 2ND YR.-DHARMSHALA VILLAGE
1ST YR.-GWALIOR SCINDIA SCHOOL
2ND YR.-MEHRAULI RAJON KI BAOLI
PHOTOGRAPHY
Perfect Sunset
Hauz Khas Village, Delhi
Friendly Getogether Rishikesh
Phatak- Darwaza Chandni Chowk, Delhi
Infinity Redefined Lajpat Nagar, Delhi