"THE SKYSCRAPER MUST BE TALL, EVERY INCH OF IT TALL. THE FORCE AND POWER OF ALTITUDE MUST BE IN IT, THE GLORY AND PRIDE OF EXALTATION MUST BE IN IT. IT MUST BE EVERY INCH A PROUD AND SOARING THING, RISING IN SHEER EXULTATION THAT FROM BOTTOM TO TOP IT IS A UNIT WITHOUT A SINGLE DISSENTING LINE." - LOUIS SULLIVAN
THE WAINWRIGHT STRUCTURE IS RECOGNISED AS BEING THE FIRST SUCCESSFUL STEEL FRAME STRUCTURE. THE FIRST TWO STORIES ARE CLAD IN BROWN SANDSTONE, WITH THE REMAINING SEVEN STOREYS RISING IN A SERIES OF BRICK PIERS. EACH LEVEL IS DECORATED WITH TERRA CLAY PANELS WITH BEAUTIFUL FLORA RELIEFS. (City of St. Louis, 2011)
THE AUSTRIAN DEPARTMENT COMMISSIONED A RESTORATION ON LOOS BAR IN 1977-78, THE FIRST STATE OF THE PROPERTY HAS VARIED, THE CURRENT ONE HAS DIFFERED FROM THE FIRST CONDITION OF KARTNER BAR, THE MAIN DIFFERENCE IS IN THE LAYOUT, ARTICULATION, AND COMPONENT DETAILS, IT HAS BEEN CHANGED. (WAGNER, 1980)
PHOTO OF RENOVATED BAR
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WEEK2: VIENNA: SECESSION AND RED VIENNA, CASE ANALY SIS: LOOS AMERICAN BAR (KA.RNTNER BAR), ADOLF LOOS TIANCHANG (SOLVEIG) HUANG S3629040 REFERENCE: 1. MORTON, FREDERIC. 2013. "VIENNA'S AMERICAN BAR, AN ARCHITECTURAL GEM, WILL INSPIRE A NEW EAST VILLAGE HOT SPOT." VANITY FAIR. FREDERIC MORTON. JANUARY 14, 2013. HTTPS://WWW.VANITYFAIR.COM/STYLE/FOOD/2013/02/VIENNA-AMERICAN-BAR-THIRD-MAN-NYC. 2. KARTNER- AMERICAN- LOOS BAR: STUDIES FOR RESTORATION, 1980, LOTUS INTERNATIONAL, P103
METALWORK TO SET SLIGHTLY FORWARD OF THE LINE OF THE STRUCTURE -contributes to the sense of continuity of the glaze wall
THE FAGUS PLANT IN ALFELD IS PART OF A LARGER BUILDING COMPLEX THAT FORESHADOWS THE MODERNIST ARCHITECTURAL TREND. IT STANDS OUT FOR ITS NOVEL USE OF LARGE GLASS PANELS AS WALLS, AS WELL AS AN ATTENUATED LOAD-BEARING FRAMEWORK. (UNESCO, 2011)
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I WEEK3: EXPRESSIONISM CASE ANALYSIS: FAGUS FACTORY, WALTER GROPIUS , ADOLF MEYER TIANCHANG (SOLVEIG) HUANG S3629040
REFERENCE: 1. CENTRE, UNESCO WORLD HERITAGE. 2011. "FAGUS FACTORY IN ALFELD." UNESCO WORLD HERITAGE CENTRE. UNESCO WORLD HERITAGE CENTRE 1992-2022. 2011. HTTP://WHC.UN ESCO.ORG/EN/LIST/1368/.
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THE TWO CYLINDERS ARE CONNECTED BY A SHAFT FROM THE INLET TO THE END OF THE SECOND BODY AND ORDERLY DISTRIBUTED SPACES, BUT THIS PATTERN WAS INTENTIONALLY ALTERED TO SEE THE POSITION OF CERTAIN FEATURES. (WINSTANLEY 2012)
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A LARGE WINDOW FACING THE STREET, BREAKING THE CIRCULAR GLASS WINDOW ON THE TOP OF THE MAIN ENTRANCE WALL, ILLUMINATES THE LIVING ROOM, WHICH IS DOUBLE HEIGHT. (WINSTANLEY 2012)
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WEEK4: SOVIET AVANT GARDE CASE ANALYSIS: MELNIKOV HOUSE, KONSTANTIN MELNIKOV TI ANCHANG (SOLVEIG) HUANG S3629040 REFERENCE: 1. WINSTANLEY, TIM. 2012. "AD CLASSICS: MELNIKOV HOUSE / KONSTANTIN MELNIKOV." ARCHDAILY. JUNE 14, 2012. HTTPS://WWW.ARCHDAILY.COM/151567/AD-CLASSICS-MELNIK O V -HOUSE-KONSTANTIN-MELNIKOV.
THE REAR CYLINDER OF THE SECOND FLOOR HOUSES HAS STUDIO SPACE IN A DOUBLE HEIGHT ROOM. THIS DUAL HEIGHT AREA IS REDEFINED BY SUN INFILTRATING THROUGH THE INNUMERABLE HEXAGON SHAPED WINDOWS, MAKING IT VISUALLY DIFFERENT FROM THE OTHERS. THIS SPACE CHARACTERISES AND VALIDATES HIS ABILITY TO CREATE EXPERIENTIAL SPACES THAT INCLUDE NON-MATERIALS IN THE OVERALL DESIGN, SUCH AS LIGHT AND SHADOW.. (WINSTANLEY 2012)
BUILDING 8 IS AN IMPRESSIVE ARRAY OF BRIGHTLY COLORED STONE AND MOSAICS WITH BULGING GOLD-FRAMED WINDOW FRAMES WHOSE SHAPES REFERENCE OUR OLDER CITY CAMPUS BUILDINGS' GOTHIC STYLE; IT PAYS TRIBUTE TO CASA VICENS, WHEN CORRIGAN ENDORSED ARCHITECTURE'S COMPLICATED NATURE AND DISSONANCE RATHER THAN THE PREVALENT EAGERNESS IN MODERNIST BUILDINGS TO CLARIFY TASKS AND DETOXIFY SHAPE. (RMIT, 2016) CASA VICENS, A RIOT OF CLASHING COLOURS AND PATTERNS, HAS THE ORIGINS OF GAUD'S DISTINCTIVE BLEND WITH MOORISH, NEOCLASSICAL, AND ORGANIC FORMS. THE WALLS OF THE HOME ARE MADE UP OF A MIXTURE BRICKWORK AND COLUMNS OF YELLOW FLOWERS-THEMED CERAMICS. (CASAVICENS.ORG, 2022)
3. RMIT, BUILDING8. 2022, RMIT UNIVERSITY, https://www.rmit.edu.au/maps/melbourne-city-campus/building-8
JOHNSON WAX HEADQUARTERS IS THE INTERNATIONAL HEADQUARTERS AND ADMINISTRATION FACILITY OF S. C. JOHNSON & SON. WRIGHT'S CAREER WAS RESTORED BY ITS PARTICULAR "LILY PAD" COLUMNS AS WELL AS OTHER INVENTIONS AT A TIME WHEN IT WAS ON THE RISE. (FRANK LLOYD'S JOHNSON WAX HEADQUARTERS. WRIGHT, 2019) THIS ORGANIC METAPHOR WAS DISPLAYED IN THE JOHNSON WAX ADMINISTRATION BUILDING BY LONG, SLENDER MUSHROOM COLUMNS THINNING FORWARD WITH THEIR BOTTOMS, WHICH SERVE AS THE PRIMARY SUPPORT WITHIN A 9-METER-HIGH PUBLIC AIR-CONDITIONED OFFICE AREA. AT ROOF LEVEL, THESE COLUMNS RESOLVE INTO LARGE CIRCULAR CONCRETE LILY PADS WITH A PYREX GLASS TUBE MEMBRANE INTERLACED BETWEEN THEM. THESE HORIZONTAL ROOFING LIGHTS GENTLY BACKED BY COLUMNS, ALSO THE COLUMN HEADINGS THEMSELVES, SHOW THE APOTHEOSIS OF WRIGHT'S TECHNICAL INVENTIVENESS. (KENNETH, 2007)
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WEEK6: 20TH AMERICAN ARCHITECTURE: LLOYD WRIGHT, KAHN, + EARLY VENTURI LECTURE PART 1 CASE ANALYSIS: JOHNSON WAX HEADQUARTERS, TIANCHANG (SOLVEIG) HUANG S3629040 REFERENCE: 1. ATLASOFPLACES.COM. 2019. JOHNSON WAX HEADQUARTERS BY FRANK LLOYD WRIGHT (613AR) -ATLAS OF PLACES. [ONLINE] AVAILABLE AT: <HTTPS://WWW.ATLASOFPLACES.COM/ARCHITECTURE/JOHNSON-WAX-HEADQUARTERS/> [ACCESSED 13 APRIL 2022]. 2. FRAMPTON KENNETH, 2007. FRANK LLOYD WRIGHT AND THE DISAPPEARING CITY, MODERN ARCHITECTURE: A CRITICAL HISTORY..
EXTERIOR PHOTO ON: JOHNSON WAX HEADQUARTERS BY FRANK LLOYD WRIGHT {613AR) -ATLAS OF PLACES, 2019)
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PERSPECTIVE1 DESTIN A MEAN STRE AND T THESE THEIR P EACH RELATI PLAN VIEW: MORSE COLLAGES ON THE PLATFORM OF SYDNEY OPERA HOUSE SITE
THE NEW WORLD: ERICH MENDELSOHN, HANS SCHAROUN, SAARINEN, UTZON A HOUSE & STILES AND MORSE COLLEGES: INTERNAL 'STREET' ANCHANG (SOLVEIG) HUANG S3629040
THIS MODEL MAKING ATTEMPTS THE MISREAD FOR TWO FACADE OF THE CHURCH AND CASA MALAPARTE. CASA MALAPARTE IS ABSOLUTELY CUT OF FROM CIVILISATION, PEOPLE CAN ONLY REACH BY FOOT. (YUNIS, 2016) TARANTO CATHEDRAL AND THE CHURCH OF SAN FRANCESCO HAVE SIMILAR RESPONSE BY CREATED AN URBAN STAGE THAT ALLOWS PEDESTRAINS TO WALK THROUGH AND INFLUENCED BY THE DIAMOND SHAPE FACADE. (ATLAS 2016) HENCE THIS DIAGRAM IS TO PUT THE MOUNTAIN AND THE SEA BELOW AS THE PLATFORM TO SUPPORT BOTH CHURCH FACADE TO CREATE INTERESTING SHADOWING ND LIGHITNG, BY USING THE CONNECTION PROVIDED BY CASA MALAPARTE. REFERENCE: 1. YUNIS, NATALIA. "AD CLASSICS: VILLA MALAPARTE / ADALBERTO LIBERA". ARCHDAILY, 2016. HTTPS://WWW.AROH DAILY.COM/777627/ARCHITECTURE-CL ASSICS-VILLA-MAUAPARTE-ADALBERTO-LIBERA. 2. ATLAS. 2016. "C URCH OF SAN FRANCESCO D'ASSISI AL FOPPONINO - HID EN ARCHITECTURE". HIDDEN ARCHITECTURE. HTTPS://HIDDENA CHITECTURE.NET/CHURCH-OF-SAN-FR NCESCO-DASSIS -A/.
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WEEKS: ITALIAN NEO-LIBERTY SPECULATIVE CASE STUDY: TARANTO CATHEDRAL ,CHURCH OF SAN FRANCESCO D'ASSISI AL FOPPONINO BY GIO PONTI & CASA MALAPARTE BY ADALBERTO LIBERA TIANCHANG (SOLVEIG) HUANG S3629040
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This drawn collage is a discovery of how to save 'pruitt-igoe apartment building, or how to rebuild it in post modern style. By using the ornament and arrangement appears in postmodern architecture to connect each part of building and create layered edge even provide nature correctedness on roof top garden, to make the Pruitt Igoe livable again instead of letting crime and violence to occupy it.
WEEK9: POST MODERN SPECULATIVE CASE STUDY: PRUITT-IGOE RE-IMAGINATION IN POSTMODERN TREATMENT TIANCHANG (SOLVEIG) HUANG S3629040
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WEEK10: POST STRUCTURALISM SPECULATIVE CASE STUDY: HOUSE X 9 GRID & CANNAREGIO TOWN SQUARE SECTION TIANCHANG (SOLVEIG) HUANG S3629040
By using different scale of 9 grids to resolve the connection of solid and void, this diagram is the assumption of Cannaregio Town section by using 3 scales of House X9 grid which also a method used by Peter Eisenman on House VI. Cannaregio Town Square has different scales of objects that either too small to shelter, middle sized object could be a house, or largest object is twice size of the middle sized house. (Eisenman Architects, 1978)
This diagram is made through 3d modelling to explore the combination of propaganda public screen and exposed service pipe as outlining feature on the form of a structurally expressive form. As a temporary structure, serpentine pavilion has generative geometric concept, its beams is to emphasis the frame of each panel, hence in this manipulation, the glass tube as service beam becomes embedded wtih skins that highlights the panel. At the same time, each panel of the pavilion can be used by projector or has a screen installed that plays different media.
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I - - - - - - - - - - - - _I WEEK 11: FRAMING THE DIGITAL: ORIGINS, TRAJECTORIES AND DIFFERENTIATIONS SPECULATIVE CASE STUDY: SERPENTINE G ALLERY PAVILION WITH DIGITAL SKIN AND EXPOSED SERVICE PIPE TIANCHANG (SOLVEIG) HUANG S3629040
ENTRANCE TO VILLA SAVOYE //LE CORBUSIER 3
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VILLA SAVOYE //LE CORBUSIER 2
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This diagram series are produced by the architectural imagination between similarities of different projects with Villa Dall'Ava. This 'garden on a hill' (Jones, 2013) has a stacked volume with 3 main 'boxes'
KUNSTHAL //OMA 4
The first diagram of the strip windows and thin, repeated columns shows the likeness of sharp centre from Will Alsop, The centre is a two-story, black and white rectangular structure built atop vividly coloured, 26-meter-tall columns that straddle the College's existing buildings. (Sharp Centre for Design Toronto by Alsop Architects, 2004) Second and third diagram have the villa savoye as reference by scrupulously reuniting Le Corbusier's five points of the modern architecture. The five points of modern architecture are reconverted from the irony of post-modernity, turning Villa Dall'Ava into a commentary on Le Corbusier's project. (Duro, 2018)) The noticeable poured concrete wall expands the villa's height and creates a major axis along the length of the land, its visual function alike the billboard on the Kunsthal, Both are caused by the spatial circumstances for programming deployment, hence in the diagram 4 the billboard feature are misplaced into the concrete wall.
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Reference: 1. Jones, R., 2013. AD Classics: Villa dall'Ava / OMA. [online] ArchDaily. Available at: <https://www.archdaily.com/448320/ad-classics-villa-dall-ava-oma> [Accessed 30 May 2022]. 2.Galinsky.com. 2004. Sharp Centre for Design Toronto by Alsop Architects. [online] Available at: <http://www.galinsky.com/buildings/sharpcentre/index.htm> [Accessed 30 May 2022]. 3.Duro, A., 2018. Thinking and comparing scales of Architecture through Plan and Axonometric KooZA/rch. [online] KooZA/rch. Available at: <https://www.koozarch.com/interviews/thinking-and-comparing-scales-of-architecture-through-plan and-axonometric/> [Accessed 30 May 2022]. WEEK12: GLOBALISATION AND REGIONAL PRACTICES: KOOLHAAS VS FRAMPTON SPECULATIVE CASE STUDY: GLOBALISATION TRACE ON VILLA DALL'AVA TIANCHANG (SOLVEIG) HUANG S3629040