PORTFOLIO BACHELOR OF ARCHITECTURE VASUNDARA AALMELKAR
2022
EDUCATION BACHELOR OF ARCHITECTURE MALIK SANDAL INSTITUE OF ART AND ARCHITECTURE VIJAYAPURA, KARNATAKA BATCH – 2017-2022 PRE UNIVERSITY SHANTINIKETAN PU COLLEGE VIJAYAPURA, KARNATAKA BATCH – 2015-2017 SCHOOLING SHAMS SCHOOL VIJAYAPURA, KARNATAKA BATCH- 2005-2015
INTERESTS PAINTING
GHRAPHIC DESIGNING
SKETCHING
PHOTOGRAPH
LANGUAGES •
KANNADA •
HINDI •
ENGLISH
SOFT SKILLS ADAPTABILITY TEAM PLAYER APPROCHABLE CO-OPERATIVE GROUP MANAGEMENT ADJUSTING CREATIVE THINKING COMMUNICATION CONCEPTUALIZATION NEGOTIATION SITUATIONAL AVID LISTENER
MANUAL SKILLS DRAFTING, RENDRING, MODEL MAKING, CONCEPTUSLIZATION & SKETCHING
TECHNICAL SKILLS SOFTWARE SKILLS
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VASUNDARA AALMELKAR ARCHITECTURE STUDENT
My self Vasundara Aalmelkar who is creative and loves to work on concepts, I have my major interest towards Parametric architecture, at present working for my thesis project .
House no. 46, Hudco Colny Jalnagar Vijayapura 586109, Karnataka state , INDIA vasundara27almelkar@gmail.com
27/01/2000
DRAFTING – Autodesk Autocad
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RENDRING – Lumion , vray
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MODELING – Rhino , Grasshopper, Sketchup
CONCEPTUALIZATION- ADOBE PHOTOSHOP PRESENTATION – ADOBE PHOTOSHOP
MICROSOFT OFFICE – WORD, POWERPOINT, EXCEL VIDEO EDITING ADOBE PREMIERE PRO
CERTIFIED WORKSHOPS +91-9901544956
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LOGO GRAPHIC DESIGN LUMION POSTER PREMIER PRO RHINO GRASSHOPPER PHOTOSHOP SKETCHUP VRAY URBAN LIGHTING DESIGN
LEARNING- REVIT, BIM
NASA 2017 – ANDC , secured 2nd at spot event design 2018 - NASA FASHION 2019 – NASA FASHION, NASA DANCE 2020 – NASA ETHOSE 2021 - NASA ANDC
COMPETITIONS VOLUME ZERO – WOMEN’S PAVILION 2021 Architecture Competition
CONTENTS
1 4
2
RESORT DESIGN
CULTURAL CENTER
7 10
5
8
RENDERINGS
13
VOLUME ZERO – WOMEN’S PAVILION 2021
PARAMATRIC ARCHITECTURE
MODEL MAKING
WORKING DRAWING
6
URBAN DESIGN
11
LOGO DESIGN
3
APARTMENT DESIGN
9
DOCUMENTATION CRAFTS IN ARCHITECTURE
12
SKETCH
14
PHOTOGRAPHY
PAINT
1
RESORT DESIGN RESORT DESIGN IN COORG. THE THEME BASED RESORT DESIGN , WHICH COINTAIN NATURAL SHELTER AS CONCEPT . THE CONCEPT – NATURAL SHELTER THERE ARE THREE TYPES OF NATURAL SHELTER . 1. TREE - AIR 2. DEN - LAND 3. SHELL – WATER TREE : BASICALLY THE NEST ARCHITECTURE BY INSPIRING THE BIRDS DEN : THE CAVE ARCHITECTURE INSPIRED BY ANIMALS SHELL : GOLDEN RATIO INSPIRED BY AQUATIC ANIMALS
CONCEPT : DEN DELUX THE CONSTRUCTION OF DELUX IS INSPIRED BY DEN , WHERE ENTRY TO THE DELUX IS THROUGH BARREL ENTRY OR CAVE ENTRY WHICH IS ELEMENT OF DEN.
CONCEPT : BAYAWEAVER NEST THE CONSTRUCTION OF VILLA IS INSPIRED BY NEST , WHERE IT FORM FOLLOWS FUNCTION ,THE CONSTRUCTION TECHNIQUE USED HERE IS BAMBOO ACT AS THE SKIN OF STRUCTURE WHICH LOOKS LIKE NEST.
CONCEPT : SHELL THE CONSTRUCTION OF OTHERS BLOCKS SUCH AS ADMIN , SPA , DOUBLE BEDED ETC, IS INSPIRED BY THE FORM SHELL , WHERE THE WHOLE DESGIN IS DESIGNED ON TAKING REFERANCE OF GOLDEN RATIO SHELL .
ARCHITECTURAL STYLE – ORGANIC ARCHITECTURE
SELECTED AT NASA ETHOS 2020
2
APARTMENT
THE4TH SEM APARTMENT DESIGN THE LOCATION OF APARRMENT IS IN BANGLORE. MY CONCEPT BEHIND APARTMENT IS AESTHETIC TWIST WHERE THE CENTRAL CORE IS CONSTANT WORKS AS SERVICE CORE WHERE THE WHINGS OF APARTMENT WORKS AS RESIDENCE “THE SPIRAL APPARTMENT”
DESIGN TOPPER IN CLASS
4BHK PLAN
SERVICE CORE LVL G-2
3BHK PLAN
PARKING LVL G-1
PARKING AND COMMUNITY HALL LVL G
RESIDENCE BLOCK . GYM , SPA LVL G+1
ROTATIONAL PLAN
3
WORKING DRAWING
COLUMN PLACEMENT IS CENTER LINE DRAWING
FOOTING PLANS AND DETAILS
CULTURAL CENTER CULTURE AND LEISURE CENTER AT VIJAYAPURA, A 7TH SEM DESIGN. VISION WAS.,WHERE THE STRUCTURE INCLUDES MOTION ( LIVING BUILDING) , THE STRUCTURE SHOULD BE ENERGY EFFICIENT, WHICH INCLUDES RENEWABLES RESOURCES.
5 4
1
2
1) 2) 3) 4) 5) 6) 7) 8) 9) 10) 11) 12) 13) 14) 15)
BUS PARKING BUS STOP PARKING TEMPRORY TENSILE SHOP ROAD CROSSING FOOD COURT OPEN AIR THEATRE ADMIN AUDITORIUM FOR DRAMA TRAINING CENTER CHILDREN’S PLAY AREA RESTAURANT LODGED LAUNDRY EXHIBITION
7
6
10 15
8 11
3
9
12 14 13
MUSEUM DESIGN AT CULTURAL CENTER : THE TASK WAS TO DESIGN MUSEUM BY CONSIDERING META ARCHITECTURE , THE ARCHITECTURAL STYLE IN VIJAYAPURA IS INDO ISLAMIC ARCHITECTURE WHERE DOME IS A PART OF ISLAMIC ARCHITECTURE AND LOTOUS IS BELIEVED SCARED IN THE HINDU ARCHITECTURE, TOGETHER IT BECOMES INDO-ISLAMIC ARCHITECTURE, WHERE MY AIM WAS “MOTION” SO I THOUGHT TO DESIGN A DOME WHICH BLOOMS LIKE A LOTUS “ A BLOOMIMG DOME” WHICH IS SUPPORTED BY CASE STUDY OF MILWAUKEE MUSEUM BY SANTIAGO CALATRAVA, WITH THE MECHANISM OF BRISE SOLEIL.
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URBAN DESIGN
THE URBAN HOUSING PROJECT OF SITE MEASURING 15 ACRE, THE OBJECTIVE WAS TO STUDY OF URBAN CONTEXT AND TO EXPLORE VARIOUS ASPECTS/ ISSUES OF THE URBAN ENVIRONMENT AND UNDERSTAND THE ROLE OF ARCHITECTURE IN SHAPING THE URBAN FABRIC.
VIJAYAPURA
A LUXURY SPACE FOR COLNY WITH CENTRAL SHOPPING COMPLEX WITH KIDS PLAY AREA (WHICH CREATES DEMAND FOR ECONOMY) , WITH ACTIVE FRONTAGES WHICH MAKES THE SOCIETY FEEL SAFE ,THE SCHOOL AND THE SHOPPING COMPLEX PLACED OPPOSITE TO EACH OTHER SHARING SAME ROAD HELPS FOR EASY TRANSPORTATION MAIN MOTTO OF DESIGN IS TO MAKE ALL KIND OF PEOPLE TO FEEL SAFE AND CONNECTED BY PROVIDING DIFFERENT SIZES OF PLOTS IN ONE PARAMETRIC BLOCK AND PROVIDING COMMON PUBLIC TRANSPORTATION , AND EXCITING GREEN LANDSPACE DESIGNED FOR THE SOCIETY WITH LESS ENERGY CONSUMING BUILDING BLOCKS CONSIDERING PASSIVE DESIGN TECHNIQUE WHICH SAVES THEIR ANNUAL EXPENSES AND PROMOTES PASSIVE ENERGY.
6
VOLUME ZERO – WOMEN’S PAVILION 2021 Architecture Competition
THE CALL OF UNIVERSE HOPE AND STRENGTH IS CREATED BY ‘SUN’ BECAUSE WHOLE UNIVERSE IS CREATED BY SUN AND EACH CREATURE IS CREATED IN ITS UNIQUE WAY AND GIVEN IMPORTANCE EQUALLY ,SO NO ONE HAS THE RIGHT TO DISCRIMINATE OR HARM, HENCE NO ONE HAS THE RIGHT TO RAISE VOILENCE AGAINST WOMEN ,THIS STRUCTURE WILL INSPIRE WOMEN OF THE WHOLE WORLD.
THE SUN AS AN SYMBOL OF HOPE AND RAYS AS STRENGTH ARTIFICIAL LIGHT FOR SUN MAGNET
MAGNET ELEMENT IS CENTER OF THE SUN STRUCTURE SO THAT OUR STRUCTURE WILL NOT TOUNF THE GROUND AND FLOAT IN THE AIR AND THIS IS POSSIBLE BY LEVITATING TECHONOLOGY
SITE THE SITE IS IN INDIA, KARNATAKA STATE , BIJAPUR DISTRICT NAVARASPUR VILLAGE , THE SITE IS CHOOSE IN NAVARASPUR VILLAGE RURAL AREA WHICH LIES BETWEEN TWO CITIES , BIJAPUR AT EAST AND ATHANI AT WEST, CONNECTING TO NATIONAL HIGHWAY , SITE IS EXACTLY FRONT OF WOMEN’S UNIVERSITY.
THE SITE IS CHOOSE INFRONT OF WOMEN’S UNIVERSITY IN RURAL PLACE BECAUSE MORE NUMBER OF WOMEN WHO ARE EDUCATED AS WELL AS UNEDUCATED ARE IN NEED OF SUCH INSPIRATION, AND THIS PAVILLION NOT ONLY INSPIRE WOMEN’S OF LOCALS BUT HOLDS STRONG POSITION TO MOTIVATE WOMEN’S OF WHOLE WORLD.
THE RAY OF HOPE BEGINS WITH THE START OF THE LIFE AND CHILDHOOD
THE SUN WHICH GIVES STRENGTH FOR LIFE
THE AMPHITHEATER STRUCTURE IS CONSTUCTED WITH CONCRETE WITH WHITE FINISHING AND SITING OF AMPHITHEATER IS OF WHITE MARBLE BECAUSE WHITE IS PEACEFUL, THE AMPHITHEATER LEVELS ARE DOWNWARD TILL WATER END AND 5 METERS HEIGHT CORRIDORE BY SURROUNDING WHICH HELPS TO COOL THE STRUCTURE BY THE SHADE OF WALLS FALLING ON AMPHITHEATER AND WATER, WHERE WATER PRESERVE COOLNESS FROM SHADE OF WALLS WHICH HELPS TO COOL THE STRUCTURE , HENCE THE STRUCTURE IS COOL BY PASSIVE TECHNIQUE. THE SRUCTURE IS CONSTRUCTED MAINLY FOCUSING ON DARK ZONE AND LIGHT ZONE , THE DARK ZONE IS CREATED IN TERMS OF CORRIDORE THAT DEPICTS THE LIFE OF WOMEN WHICH HELPS TO FEEL CONNECTIVITY FROM HER CHILDHOOD TO ELDERWOMEN BECAUSE EVERY WOMEN IS DIFFERENT AND UNIQUE AND HAS DIFFERENT LIFE STAGES , WHERE SHE ALSO FEELS THE RAY OF LIGHT WHILE PASSING THROUGH CORRIDORE FROM UP SHE CAN FEEL THE LIGHT OF HOPE DESIGNED FOR HER. FACING ISSUES OF WOMEN IN TODAY’S SOCIETY HAS NO AGE , SHE CAN FEEL THE RAYS OF HOPE FOR THE ISSUES SHE FACED AT ANY AGE , THOSE ARE THE RAY OF HOPE WHICH IS GIVEN BY THE SUN AND THE WHOLE UNIVERSE IS CREATED BY SUN AND EACH AND EVERY CREATURE IS CREATED IN ITS UNIQUE WAY AND GIVEN IMPORTNACE EQUALLY, SO ONE HAS THE RIGHT TO DISCRIMINATE OR HARM, EVERY WOMEN SHOULD REMEMBER THIS AND SHOULD FEEL HER RAY TO HOPE AT ANY CORNER OF THE WORLD AND STRENGHTNED HERSELF AND LEAD THE LIFE THE WAY SHE WANTS SUCCESSFULLY.
THE MIRROR OF CONNECTIVITY , WHERE WE SEE OURSELF AND MAKE DECISIONS THAT MAKE US TO CONNECT AND RECONNECT WITH OURSELF
THE RAY OF HOPE HELPS IN MAKING DECISION IN TOUGH TIME WHICH STRENGTHNED OURSELF AND SUCESSFULLY CHOOSE WHAT WE WANT IN LIFE
VOLUME ZERO – WOMEN’S PAVILION 2021 Architecture Competition
VZWP21496890
7
RENDERING
8
PARAMATRIC STRUCTURES
9DOCUMENTATION CRAFTS IN ARCHITECTURE
THERE IS A TEMPLE OF VEERBHADRESHWAR AT THE RIGHT SIDE OF THE HOUSE , WHICH BELONGS TO OWNERS HOUSE AND EASILY FOUND ON GOOGLE MAP THERE IS HUGH ENTRY TO THE HOUSE WITH THE DISTANCE OF LESS THEN 100 M TO THE MAIN HOUSE . THE ELEVATION OF THE HOUSE , IT HAD HUGH DOOR OF 3M WITH LOTS OF ARCHITECTURAL DECORATIVE ELEMENTS SUCH AS WE CAN SEE GOLDEN CORBLES ABOVE THE DOOR WITH CONSTRASTING NAVY BLUE COLOUR AS A BACKGROUND OF THE DOOR AND THE WOODEN DOOR OF SAGWAN MATERIAL AND COLOURED IT CREAM WITH RED DOMINATING FLORAL ELEMENTS CARVED OVER IT ALSO IT HAS ANOTHER DOOR AT THE LEFT SIDE AND 3 WINDOWS WITH JALI , THE WHOLE ELEVATION IS COLOURED WITH WHITE IT ALSO HAS SITTING ( KATTA )AT THE FRONT.
THE DOORSILL OF THE MAIN DOOR IS AUSPICIOUS IN HINDU CULTURE IT IS WORSHIPED. SO IT HAVE DECORATIVE ELEMENT ON IT HERE WE CAN SEE THE HORSE SHOE WHERE IT IS SAID IT KEEPS ALL DEMONS AND NEGATIVE ENERGY AWAY FROM THE HOUSE BEFORE IT ENTERS THE HOUSE. THE MATERIAL USED FOR DOORSILL IS STONE , WOOD AND METAL FOR HORSE SHOE AND COLOURED NAVY BLUE AND BROWN FOR CONTRAST.
PARTITIAN BETWEEN HOUSE AND TEMPLE
TEMPLE OF VEERBHADRESHWAR AT THE RIGHT SIDE OF THE HOUSE THE LOTOUS ELEMENTS ARE USED FOR SHIKARA AND SOME LION MOTIF STRUCTURE AS DECORATION WITH 3 ARCHES ENTRY AT ELEVATION
PARTITIAN BETWEEN TEMPLE AND HOUSE
THE TEMPLE IS CONSTRUCTED SEPERATELY , NOT DIRECTLY CONSTRUCTED TO THE MAIN HOUSE BUILDING BUT IT BELONGS TO THE HOUSE AND IT HAS ITS OWN INDIVIDUAL WALLS WHERE IT ALSO SHOWS THE CONNECTIVITY THROUGH BY ADDING SOME STONES IN THE BOUNDARIES.
SKYLIGHT – OPENINGS IN THE ROOF
PLAN
ROOF PLAN
THE CATTLE HOUSE IS SO HUGH, THE FAMILY DOES NOT DEPEND ON OTHERS FOR DAIRY PRODUCTS THEY HAVE THEIR OWN PLANNED CATTLE HOUSE .
THE VIEW AFTER ENTERING PERSON CAN SEE 2 DOMINATING REAL DEER STRUCTURE PLACED ON WOODEN COLUMN AT THE ENTRACE AS AN DECORATIVE ELEMENTS. THERE ARE SITTINGS ON THE BOTH THE LEFT AND RIGHT SIDE IT IS MADE UP OF STONES WHERE ONE CANNOT FEEL THE HEAT PERSON FEEL COOLNESS
THE HALF WALL IS CONSTRUCTED WITH GEOMETRICAL PATTERNS RAILINGS OF STEEL , FOR PROPER FLOW OF LIGHT AND VENTILATION TO NEXT ROOM. THERE IS LONG CORRIDOR WHICH ENDS CONNECTING HALL WHERE THE PLINTH OF THE HALL CHANGES AS SHOWN IN RIGHT THE CORRIDOR HAS OPENINGS ON ROOF AS SHOWN IN LEFT AND ALSO HAS DECORATIVE WOODEN PATTERNS AS SHOWN BELOW.
THE ROOFING OF CATTLE HOUSE IS OF WOODS , THERE ARE SPACES CREATED ON THE WALL BY INTERSECTING WOOD AND PLACING WOODEN PLANK OVER IT FOR STORAGE THE HOOKS ARE CARVED IN DECORATIVE MANNER AS WELL AS THERE IS ROOF OPENING FOR SKYLIGHT FOR PROPRER AIR AND VENTILATION FOR CATTLES ALSO AND THERE IS SEPARATE STORAGE AS SEEN IN RIGHT ,THE PLACE WHERE CATTLES ARE TIED IT HAS DIFFERENT GEOMETRIC STRUCTURES ON IT AS SHOWN BELOW.
THERE IS MUD CHULHA , THIS VERY TRADITION WAY OF COOKING IN VILLAGES WHERE AS ABOUVE THOS CHULAH AT THE ROOF TOP OPENING WILL BE THERE SO THAT THE SMOKES GOES OUTSIDE FROM IT THIS MAINTANE PROPER LIGHT AND VENTILATION. THERE IS STORAGE PLACED BELOW BEAMS WHERE WE CAN SEE THOSE WOODEN UTENSILS KEPT.
GRINDING STONE USED AS GRAIN MILL IN ANCIENT TIME IT ALSO HAS FLORAL DECORATIVE PATTERNS CARVED ON IT
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ALL THESE WOODEN ELEMENTS ARE OF 200+ YEARS OLD, ALL THE CARVING ARE DONE BY LOCAL CRAFT MAN WHICH INCLUDES WOODEN COLUMNS WELL CRAFTED RAILINGS AESBESTOS SHEETS FOR ROOFING, SAWAN WOOD IS USED FOR WHOLE HOUSE ROOFING DOOR FRAMES AND WINDOW WITH DECORATIVE CARVING IN IT.
LOGO DESIGN 10 FOR DIETITIAN ‘N’ STANDS FOR “NUTRITION” AS A WHOLE, THE DESIGN IS MORE MINIMAL LOOK. THE USE OF LEAF AT THE TOP INDICATES THE TRANSFORMATION OF THE HEALTH – LIFE. TAKING THIS APPROACHOF REBRANDING TO BRING MORE IN LINE WITH THE AESTHETIC AND PORTRAY FLEXIBILITY. THE USE OF THERAPY INDICATES THE CURE, THE FONT STYLE USED IS ANCIENT INDIAN FONT WHICH INDICATES THE FOOD CULTURE AND HERITAGE OF THE FOODS AND INDIAN MEDICINES.
MOCKUP
11 SKETCHES
12 PAINTING
13
MODEL
14 PHOTOGRAPHY
UNDERGRADUATE PORTFOLIO
IN THIS PORTFOLIO I HAVE CHOSEN WORK FROM ACADEMIC, COMPETETION, WORKSHOPS AND OTHERS. I AM A HARD WORKING PERSON WITH A GREAT PASSION FOR ARCHITECTURE, PROBLEM SOLVING AND SOFTWARE SKILLS. BECAUSE I AM CONCEREND ABOUT BUILDING A CAREER FOR ME. I AM HOPING THAT THIS PORTFOLIO REFLECTS MY CAPABILITY AND ATTITUDE TOWARDS ARCHITECTURE AND MY WORK ETHIC.
THANK YOU