Issue #45 – September 14 to September 20
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the good fight Rick Langlais puts it all on the line to help kids a family affair Family of the Year put out their best album Resident Evil & 360 Film reviews Â
sailing the seven seas with
hey Ocean!
Photo: courtesy of lucas morgan
contents
NEWs + Opinion
culture
entertainment
Q + A with Ceremony
Live Music listings
Anthony Anzaldo talks to Alex about innovation. 8 / Q + A
Local music listings for September 14 through September 22. 14 / listings
on aesthetics
family of the year
Nightlife Photos
Rebecca King, and Saskatchewan’s fashion scene. 3 / Local
How four roommates made their best album yet. 9 / Arts
Tamara visits the Welcome Week festivities at the U of R. 15 / Nightlife
The Dutiful Son Jerry Sereda talks music, mothers and moving forward. 9 / Arts
resident evil: retribution & 360 Adam reviews the latest films. 16 / Film
a Born Fighter
On the cover:
Hey ocean!
David Vertesi tells Alex about the band’s latest album . 10 / cover
Religious groups get tax breaks, but why should they? 5 / Editorial
Editorial Publisher / Parity Publishing Editor in Chief / Ryan Allan Managing Editor / Jessica Patrucco staff Writers / Adam Hawboldt + Alex J MacPherson Contributing writer / jessica Bickford
ART & Production
Rick Langlais chats to Adam about faith, and helping out kids. 4 / Local
Holy Crap
verbnews.com @verbregina facebook.com/verbnewsregina
Design Lead / Roberta Barrington Design & Production / Brittney Graham Contributing Photographers / tamara klein, danielle tocker, Adam Hawboldt + Alex J MacPherson
cathedral Freehouse review
Business & Operations
on the bus
Great global fare! 12 / Food + Drink
Weekly original comic illustrations by Elaine M. Will. 18 / comics
comments
Music
Game & Horoscopes
Here’s what you thought about texting and driving. 6 / comments
John Fogerty, Cory Woodward & Stars. 13 / music
Canadian criss-cross puzzle & weekly horoscope readings. 19 / timeout
Office Manager / Stephanie Lipsit Marketing Manager / Vogeson Paley Financial Manager / Cody Lang
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On Aesthetics
Photo: courtesy of bon burger
Photo: courtesy of jocelyn ann photography
Rebecca King balances form and function. by alex j macpherson
D
esigning clothes has — and always will be — about balancing form and function. From French haute couture houses to companies that make department store clothes, designers are interested in maximizing both utility and beauty. Rebecca King, a Saskatchewanborn fashion designer, has found that balance, no small achievement considering her cynical view of an industry she describes as fickle and cutthroat. In a career spanning eight years, King has developed a style that is eminently wearable yet deeply interesting. By weighing her desire to push boundaries against the exigencies of business, King has carved out a niche for herself in Western Canada. “I think it’s really hard for a lot of designers,” she says, sipping a glass of water in a crowded coffee shop early on a Sunday morning. “They want to be creative and they want to do whatever they want — that’s why they are a designer. But it’s just too much for most people. It’s always been a strong point of mine that my clothes are different but wearable, and I naturally had that balance in my style. And sometimes I don’t like that about myself, but it works for me and my line.”
King, who is 26, was born in Hudson Bay, a town of about 1,600 people nestled against the Manitoba border. Her mother is an interior designer, her father an art teacher. Today, King can’t remember a time when art was not a priority.
“It’s something my parents cultivated,” she says. “We did posters for Remembrance Day once a year. During poster week, the week before the poster was due, we could skip school and stay home. We all had stations of materials and paper. I was taught the technique of art and design. That’s what was important to my parents.” A career in design was never a question for King, who started sewing in high school. After graduation, she spent two years studying fashion at Marvel College in Edmonton. The experience was unfulfilling.
My goal was … to do what I loved. rebecca king
“They taught you how to sew and they taught you how to craft, and you played a lot with portfolio design,” she says. “But it was never explained what you could do [after college].” Eventually, King ended up in Saskatoon where, with little to go on, she started making clothes. Today, King is best-known for her tailored jackets, coats for women who seek the ideal blend of originality and practicality. Like all designers, King goes through phases — “Last year I was just gaaah over brown and red together,” she laughs, “but now I’m in love with burgundy” — but certain influences keep cropping up. “There are some cuts I’ve always been into,” she admits. “A tuxedo cut, longer in the back, or the little shoul-
der tabs — those army details.” Lately, King has been experimenting with what she calls “old man fabrics.” Tweeds and houndstooths, in other words. “I love it,” she says. “I love the flat caps, I love the sweaters, I love the suspenders.” It may seem incongruous for a fashion designer like King to obsess over men’s clothing from decades past, but her offbeat taste is the key to her success. Rather than repurpose old ideas for a new generation, she blends influences while skirting labels like “military inspired.” From epaulets to elbow patches, her best pieces incorporate a wealth of ideas without sacrificing the originality that her clients have come to expect. “If you look at my lines, you can see what I like pretty quickly,” she says. “But people say, ‘That’s a Rebecca King.’ There’s a style to it you can pick out — it might be the tailoring, it might be the colours or the tones.” Whatever it is, King has created an army of loyal followers, people who seek the perfect balance between form and function. “I think what everybody wants is something they can wear a lot,” she muses. “Something not so bold that they can wear it once, but something that has a bit of an edge.”
King’s success is an example of how local entrepreneurs can bolster their brands by offering first-rate service. “I try my best but I don’t have a team working behind me that perfects all these things,” she says. “What I do have is that I’m local. You can come back to me at any time.
If your seam breaks, I’ll fix it for you. I’m always here if something happens.” Because King works on a relatively small scale, she is able to form lasting relationships with her clients, some of whom have been buying her clothes for years. Unlike some businesspeople, who equate expansion with success, King is happy working alone. Moving to a factory-style manufacturing process would involve an enormous outlay of cash and a significant loss of control. It’s hard to be a designer when you’re spending time worrying about hiring sales reps, she says. Even if it wasn’t a conscious choice, King sees herself as a designer first — and a designer always.
“I never thought about what I was doing,” King says, reflecting on her life which now includes a husband who is studying architecture in Calgary and an unborn child. “I think it’s good that I didn’t know what I was getting into — otherwise I wouldn’t have done it. My goal was always to do what I loved. And it still is my goal. I just take the next logical step. I don’t plan ahead. I just see what comes up and make smart decisions all the way along.”
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@MacPhersonA amacpherson@verbnews.com
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Born A Fighter
Even with a grand opening to celebrate his new location looming, Rick Langlais struggles to keep Hands On Street Ministries afloat. by Adam Hawboldt
I
t all started with a message. A message that changed Rick Langlais’ life. For many years, Langlais had been a troublemaker. A loose cannon stomping the urban terra. A wild man who sold copious amounts of drugs, solved problems, collected money, even overdosed a couple times. “I pushed the limit at every turn, in everything I did,” admits Langlais. “And I ran into a lot of problems, caused a lot of trouble.” By the early 1990‘s, however, the hard and loose lifestyle of the streets had become too problematic, too troublesome for Langlais. He knew it was time to change — or else. The thing is, change rarely comes easy. So in a last ditch effort to go straight, Rick turned to God for a helping, guiding hand. It worked. “From then on, without a shadow of a doubt, I knew there was something bigger out there for me,” says Rick. “And more than anything I wanted to give other people an avenue out like I found. I wasn’t sure
how I was going to do that. At first I thought about making a fight club because I was into sh*t like that. So I started looking around for a space.” That’s when the message came. It was from a man named Bernie Dirk, who owned a pool hall and a pawn shop in Saskatoon’s west end. Some of Bernie’s “tenants” in an upstairs poker room were three months behind on their rent and were being aggressive and hostile. “Bernie sent [a] message that he’d heard I was looking for something; I sent a message back saying ‘I’m not interested, Bernie, I’m changing,’” remembers Langlais. But Langlais hadn’t changed so much he didn’t need help straightening out, so he went to see what Bernie wanted to talk about. Turns out, what Bernie wanted was to get rid of his tardy tenants. And that’s exactly what Langlais did — right then and there. With the help of his fists, Langlais convinced the tenants to leave the upstairs poker room for good. Now Langlais had the fight-club
space he wanted. A month or two passed. Not much happened up there in Langlais’ new space. Punching bags were punched, people came to fight with mouthguards and boxing gloves — that sort of thing. Then one day some kids showed up. “They wanted to hit the bags,” says Langlais, “but I told them to get lost. They asked for something to eat and got the same answer.” Next day the same group of kids showed up again. And again, the day after that. “That third time they came this little guy named Lloyd looked up at me with these big brown eyes and said, ‘Please mister, can I have some food? I’m real hungry,’” recalls Langlais. “I remember being real hungry when I was young, so I told the kids to stand there. Don’t move. Don’t even breathe. Then I ran downstairs three flights to the pool hall.” Rick came back with cookies for the kids. Told them not to come back. The next day, around 3 o’clock, Langlais heard something that
sounded like a herd of buffalo coming up the steps. When he went to investigate, what Langlais saw was a long line of kids snaking up the stairs, all of them looking for cookies. “That first group of kids went to school and told everybody,” chuckles Langlais. “I should’ve seen that
ciano) because he said his son came out of the womb fighting. When he grew up, Langlais fought in the streets for pride and honour. He’s had his throat slit, was stabbed, shot and stuck with a needle. He fought for his life, and went toe-to-toe with pimps and abusive parents.
I had it pretty rough growing up, so I hate seeing any kid suffer or be in need. rick langlais
play coming.” What Langlais couldn’t have seen coming, though — at least not at the time — was the way one magnanimous act can ripple the waters of your life.
Rick Langlais is a fighter. Always has been, probably always will be. His dad called him Rocky (after the undefeated pugilist Rocky Mar-
For the past 22 years, beginning not so long after the day he gave those cookies away, Langlais has been fighting tooth and nail to keep the Hands On Street Ministries afloat. Since opening its doors in 1992, Hands On has had one simple mission — to serve the needs of Saskatoon’s inner-city youth. On any given day, at any given hour, Langlais and his staff can be found providing food, clothing and a safe haven for
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Saskatoon’s youth are given a hand by Rick Langlais. Photos: courtesy of adam hawboldt / verb magazine
anywhere between 50 and 100 youth a day. “It’s all for the kids,” says Langlais. He pauses. “I had it pretty rough growing up, so I hate seeing any kid suffer or be in need.” And because of the work Langlais does, there won’t be any shortage of children in attendance on September 25th, when the Hands On celebrates the grand opening of its new facility on Avenue F. And what a facility it is. Inside, there is a video game room, a rec room with a pool table, a baby supply room, a study room, kitchens, an enormous walk-in food room, even a garage at the far end of the facility in which Langlais plans to teach local kids how to restore classic cars. “When we moved in here, we didn’t have the funds to do what we wanted,” says Langlais. “But people started volunteering, equipment started showing up and the next thing you know we went from ‘let’s just touch it up’ to ‘let’s renovate the whole place.’”
But a building like that isn’t easily renovated. Especially when the entire thing — the facility, the programs, the food, etc. — relies on either donations or money from Langlais’ own pocket. “Has it been a struggle?” asks Langlais, of keeping Hands On Street Ministries open. “Absolutely!” And he has the paperwork to prove it.
Sitting behind a desk in his office, Langlais stares at a security monitor hanging on the opposite wall. He keeps a close eye on what’s happening in each room in the Hands On building. His eyes dart up and down and all around. To his right, on the desk in front of him, is a stack of bills. For a brief moment, Langlais looks away from the monitor, runs his gnarled, battle-scarred hands through the stack, smiles and says, “Look at these bills … What am I going to do with them? I already took an extra mortgage out on my house.” But Langlais isn’t worried.
“We’ll find a way,” he answers, when asked how he’ll pay the bills. “This place runs on 100 percent faith.” Faith in humanity. Faith in the kindness of others. Faith that somehow, some way, Hands On will come up with the $5,000 they need for the kitchen, the $945 for the garage door, the more than $3,000 for the flooring and money for the rest of their bigticket expenses. Even with all those expenses looming, Langlais still isn’t worried. “[T]his is what I love,” he explains. “Everything will be alright.” Again Langlais pauses. As he rubs away the goosebumps forming on his arms, you can almost see his passion. The heart he wears on his sleeve. And you can’t help but hope he’s right. Feedback? Text it! (306) 881 8372
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holy crap
Religious groups shouldn’t get tax breaks. by the editors of verb
G
iving tax exemption to religious organizations isn’t a new concept. In fact, the Bible— in Genesis 47:26 to be precise — talks of how priests’ lands were exempt from paying the Pharaoh’s tax in Egypt. In medieval times, the Roman Catholic Church and the throne of England were so close that the church was exempt from all taxes. And somehow (perhaps by the grace of god?) tax exemptions have been grandfathered into modern-day common laws. To this day, religious organizations in Saskatchewan receive exemptions from various forms of taxation. We think that’s unfair.
Since anything to do with religion can be a touchy subject, let’s take the whole issue of faith out the equation, and simply look at religious groups merely as non-profit charities for a moment. Like other non-profit organizations, these groups receive tax breaks because they a) work to relieve poverty, and b) benefit the community in a way the courts have said are charitable. Those aren’t our words or ideas — they’re ripped straight from Canada’s Income Tax Act. That’s all well and good, but we think churches should be subject to all the same tax rules that govern non-profit organizations.
For instance, all religious organizations receiving tax exemptions should be required to keep open books. They should be able to demonstrate, beyond a shadow of a doubt, that they are providing a valuable and tangible service to their communities. If not, adios tax breaks. What’s more, like other non-profit organizations with tax exemptions, religious groups should keep their political beliefs to themselves. If a church wants to rail against marriage equality, for example, they shouldn’t be able to rely on a public subsidy to help them do so. And before you think: “That kind of stuff doesn’t happen here in Canada” — think again.
Earlier this year, the United Church of Canada raised the issue of boycotting Israeli products. Then in August they came out in opposition to the Northern Gateway pipeline. We don’t mean to pick on the United Church, they’re just a good recent example of faith groups engaging in political advocacy. Now don’t get us wrong, free speech is important and we support it wholeheartedly. If you’re a religious organization and you want to espouse your politics, go for it. Get out there and scream from the rooftops. But don’t expect the rest of us to help pay for it. It’s simply not fair.
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On Topic: Last week we asked what you thought about texting and driving laws in Saskatchewan. Here's what you had to say:
–Texting while driving prohibition is a novel idea, sadly the use of cellular phones without a hands-free device hasn’t been deterred by a similar action. Stupid people will continue to do idiotic things that endanger others no matter what the law states, all because they live to serve their own wants.
text yo thoughtsur to 881 ve r B 8372
– Verb’s the word! Love the new look but bring back numbers2 please! Sudoka baby thank you! FREE rags is where its at! Comment in response to “Out with the old,” Editorial page, #43 (August 31, 2012)
– I know I speak for many when I say Bring back Sudoku! Comment in response to “Out with the old,”
– Verb editors have some nerve saying texting and driving really isn’t that bad. Tell that to someone who has lost a loved one because of it.
Editorial page, #43 (August 31, 2012)
– Love the new layout of the Verb magazine. Comment in response to “Out with the old,” Editorial page, #43 (August 31, 2012)
– It is dumb to just wait to see if someone does something that doesn’t warrant them having a licence. It presumes everyone’s great until proven distracted, but that “proving” part could result in someone getting hurt or injured.
– It is absolutely ridiculous that reading papers while driving isn’t illegal. Small dogs on laps can be equally distracting. But I don’t know if your way is the best to go about addressing the problem
– I like how the nightlife is two pages but other then that switch back! the old style was way better! Comment in response to “Out with the old,” Editorial page, #43 (August 31, 2012)
– Verbs new design looks good but the content sucks! 3 news articles? That’s it? Also I thought that the comic section is suppose to be funny Comment in response to “Out with the old,” Editorial page, #43 (August 31, 2012)
Off Topic – Well Im very disappointed in ur “New & Improved “ Verb u left out SUDOKU . Comment in response to “Out with the old,” Editorial page, #43 (August 31, 2012)
– What happened to sudoku?? I picked up the “new and improved” verb turned to the last page and was disappointed that sudoku was gone.
Sound-Off – Tatoos piercings body mod all OK cool up to a point. But some people have way too much. The expression becomes “I’m really into myself!”
– Out of sight out of mind. If you get out of my sight you will be out of my mind.
Comment in response to “Out with the old,” Editorial page, #43 (August 31, 2012)
– R.I.P. Levi Tayler 1997-September 10, 2011. U will be missed. Your dear great friend me ;( I hope you see me looking on you every night, cause my tears are praying to see you before I see the light <3.
– Dew yoo reely primt thease tehxts verbaitim?
– Isn’t anyone going to ask how my hand feels after punching that iron like jaw of that baby?
Next week: What do you think about churches receiving tax breaks? Pick up a copy of Verb to get in on the conversation: We print your texts verbatim each week. Text in your thoughts and reactions to our stories and content, or anything else on your mind.
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Photo: courtesy of Jimmy Fontaine
California recast Ceremony talk innovation. by Alex J MacPherson
A
ll of the best punk rock bands are from California. From Bad Religion and Black Flag to Social Distortion and Green Day, California has produced legions of talented musicians, songwriters, and performers. And Ceremony, one of the Golden State’s more recent exports, are no exception. Formed in the Bay Area in 2003, Ceremony have made their name by releasing hardcore infused with a wealth of influences. Unlike some bands, which build careers on dressing up the same four-minute rager in different clothes, Ceremony count among their influences Joy Division and Tom Waits. Their latest record, Zoo, is the sort of record people who don’t like hardcore like. To find out more, I caught up with guitarist Anthony Anzaldo to talk about California, Canada, and making the best record of their career. Alex J MacPherson: Let’s talk about California. What’s your take on the punk scene today? Anthony Anzaldo: Well, I feel there’s no better geographical area to
be in this subgenre of rock music. I think that California has brought the best punk music to the world. There’s a lot of history in where we come from, with Berkeley and Gilman Street and the Bay Area — there’s never been a lack of inspiration, that’s for sure. AJM: I agree, absolutely. How do you feel you fit into that scene? AA: Obviously, I come at Ceremony from a different perspective than I do with the Dead Kennedys or Black Flag or AFI or Operation Ivy — these
AJM: At the same time, those bands influenced your music without dominating it. You seem to have lots of outside influences that give your music an interesting twist. Can you tell me a bit about that? AA: Bands that have influenced us, that we look up to from California, honed in on one style. We are able to use what they’ve done as a frame of reference. We’re into all sorts of stuff. We always talk about what bands we can all agree on outside of punk: the Pixies, the Cramps. And sometimes I bring a song to practice influenced
Being able to play Canada now … is very important for us. Anthony anzaldo
bands I loved growing up. I guess that would be a better question for a fan, I suppose. These are legendary bands that have transcended punk and made musical history; I don’t think we’re near any of those bands. Also, we’re current, so there’s no nostalgia factor.
by something else, and someone else in the band who isn’t too familiar with that scene put something on top of it. That gives it another twist. AJM: How does this record fit into the arc of your career?
AA: It was the first time we worked with a producer, John Goodmanson, who is amazing — he has a great frame of reference for things that we do. He was able to give us a really great range of sounds we could pull from. It was the first time we had an outside influence to make us look at things a little differently. It was also the longest we ever took to record a record. And it was the first time we recorded outside of the Bay Area. For that month, our only focus was making this record. AJM: What does breaking into Canada mean to you?
be great to be able to, on a US tour, do two weeks in Canada. We’ve had trouble in the past about not being able to get into Canada. I think a lot of fans of ours missed out on a big chunk of our existence. Being able to play Canada now, and hopefully do well, is very important for us. Ceremony September 24 @ The Exchange $15 advance; www.culturalexchange.ca for more ticket information
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AA: A lot. For one, we want to go everywhere. Canada is geographically really accessible for us. It would
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Family of the Year How four roommates made the best album of their career.
by alex J MacPherson
T
he best song on Loma Vista, the latest record by Family of the Year, is called “Living on Love.” Driven by sunny synthesizers, surf guitars, and washed out vocals, the song is a metaphor for the Los Angeles-based band — an ode to living in the moment. “Living on Love” began life as a sketch, a throwaway idea singer Jo-
We were drinking and partying and writing music… Christina schroeter
seph Keefe called “F*** my Life.” His brother, drummer Sebastian Keefe, dreamt up the chorus — “Living on love / Living on love and libations” — and a joke was transformed into a signature song.
Photo: courtesy of the artist
“That was written when we were all living together,” laughs Christina Schroeter, who, along with James Buckney, rounds out Family of the Year. “We were on and off tour, and we were seriously all living together in a small apartment, literally living on love and libations. We were drinking and partying and writing music — making the best of a time that could have been horrible.” “When you’re broke and living in LA trying to be something creative,
it can be really dark,” she continues, “but I think we try to look at the upside of what’s going on.” This sentiment forms the heart of Loma Vista, a record that was created in spite of relative misery, not because of it. Family of the Year have been making music for quite a while; Loma Vista, an album of irrepressible optimism intertwined with deeply nostalgic sounds, is their best yet. Schroeter, the only member who grew up in California, attributes the band’s distinctive sound to the Golden State
itself. “It feels really good to be there,” she laughs. “When we’re on tour long enough, we look forward to the light at the end of the tunnel. It fills you with this really warm feeling.” The band’s sound, a spacey mélange of acoustic guitars, vintage synthesizers, and languid vocals, is inspired by the long trail of California music. Today, the band can’t imagine making music anywhere else.
Pointing to the rigours of everyday existence, Schroeter says she and her bandmates live for the moment. “I think being in a band … you’re always striving to be a little bit better. You forget to open your eyes, look at where you are, and enjoy what you’re doing.” Family of the Year September 21 @ The Exchange $13 @ Ticketedge
The dutiful son
Jerry Sereda talks music, mothers, and moving forward. by alex J MacPherson
I
f Jerry Sereda’s mother loved him any less, he would still be teaching high school in Winnipeg. In early 2007, shortly after Sereda jettisoned his dream of becoming a working musician, his telephone started to ring. “I got a phone call one day from my mom,” Sereda says, laughing at the memory. “She said ‘I entered you in this talent contest.’ I told her no way I’m doing another talent contest. She said, ‘I’m your mother and you’re doing this contest.’” Ever the dutiful son, Sereda showed up and sang his heart out. No stranger to losing singing contests, Sereda was astonished when he placed third. In retrospect, he says, it was probably because he wasn’t playing to win — he was playing to
sate his mother. His good luck continued when the first two acts sank out of sight. Then, he says, “I started getting my name out there.” Now, three years later, the hard work is starting to pay off. Since his de facto victory, Sereda has released a brace of albums and is preparing
foundation for a long career. “It’s country music with an edge,” Sereda says, pointing to his live performance. “The most important thing to me about live shows is really engaging the audience.” Sereda, who takes a cue or two from his hero Garth Brooks, is an enPhoto: courtesy of Karen Lambert
The most important thing to me about live shows is really engaging the audience. jerry sereda
for a third. His upbeat country-rock songs have won multiple awards and, more importantly, built the
thusiastic performer. “I want to leave the people thinking, ‘I don’t believe I just saw that,’” he says.
And while Manitoba may not be the high citadel of country music, Sereda uses it to his advantage. “I get that question a lot,” he laughs. “If I were to go to New York and stand in the middle of Times Square and start screaming, no one would even look … In Manitoba, if I started screaming the whole town would know almost instantly.”
Jerry Sereda September 27-30 @ BreakOut West Festival Info @ http://breakoutwest.ca/festival/
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Photo: courtesy of michael halsband
Photo: courtesy of Rick Baker
Setting sail
Hey Ocean! embark on the voyage of their lives. by Alex J MacPherson
F
rancis Beaufort was a man of stubborn practicality. Concerned that one sailor’s squall was another’s stiff breeze, Beaufort devised the scale that now bears his name as a way of measuring wind speed and wave height. From the dazzling beauty of calm seas to the raging pulse of the most powerful hurricanes, the Beaufort scale quantifies experience and defines the undefinable. Were he alive today, Beaufort would probably be driven to chart the career of Hey Ocean!, a pop band from Vancouver. Like the sea, which flits between moments of benign tranquility and terrifying violence, Hey Ocean!’s music is sometimes placid, sometimes aggressive, and always surprising. Capable of transforming raw emotion into deeply sophisticated pop songs, Hey Ocean! represents the pinnacle of indie rock. And, like Beaufort himself, they have a special relationship with the
sweeping expanses of water that cover the planet. For David Vertesi, Ashleigh Ball, and David Beckingham, the sea is more than a metaphor for the scale and scope of their music. It is a reference point, the standard against which all things can be measured. It is a canvas for emotions and a constant source of inspiration. It is integral to everything they do. “I think that no matter where you’re from, whether you’re from New York or L.A. or Paris or Vancouver, every city, every location has a big effect on how you make music, the imagery you use and what your reference point is,” Vertesi, who plays bass and sings in the band, says. “In our music, we talk about the ocean, the mountains, and the northwest. It’s the framework for the things we’re going through. Everybody has a different framework, but I think some of the core stories and struggles are the same.”
Hey Ocean! have always been a Vancouver band. In fact, Vertesi doubts the band could exist in a different city. But now, Hey Ocean! are leaving their home behind. After ascending the ladder of success, Vertesi and his bandmates are perched on the brink of international success. But it’s not at all clear whether the vehicle to which they’ve harnessed their hopes and dreams, a new record called IS, can stay afloat. Hey Ocean! have spent the past several years cultivating a reputation as one of Canada’s most important pop bands. Rooted in the low-fi, high-energy rubric familiar to fans of independent music, Hey Ocean! have set themselves apart by crafting sophisticated yet accessible pop songs that they play with teenage intensity. But if their first two records, Stop Looking Like Music and It’s Easier to Be Somebody Else, represent the apotheosis of DIY garage pop, IS is something else entirely.
“It was very intentional,” Vertesi says of the band’s new, more polished sound. “It was very much something we worked on. With this album, we knew it would sound quite different from our previous records, but we
simply, IS is what happens when a preeminent independent band known for its unimpeachable integrity signs a major label contract. Unlike the band’s earlier efforts, which astonished people because no one expected that music of such
[W]e’re so proud of [the latest album] and so excited about it — it’s the next step in our journey. David vertesi
never want it to sound like a different band. And that’s one of the reasons we’re so proud of it and so excited about it — it’s the next step in our journey. And the next album will be different from this album, just as this one is different from the last.” This is an understatement. Put
emotional depth could emerge from an ad hoc recording studio, IS is burnished and buffed by all manner of professional equipment. Although the album’s sonic profile will be instantly familiar to listeners of mainstream radio, it may shock some of the band’s more passionate fans. Continued on next page »
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Photo: courtesy of Lucas Morgan
Vertesi isn’t convinced, though. In fact, he questions whether the band has strayed far at all. Pointing out that he, Ball and Beckingham surprised their label by being “very hands-on,” Vertesi says signing with Universal doesn’t necessarily ruin their indie credibility. He wonders whether public perception of his band corresponds with reality. “We’ve had people tell us ‘you’re DIY, stick it to the man,’” he laughs. “It really wasn’t that kind of vision. It wasn’t a big decision that we made. It was more like, every time we came to certain situations we just made a decision over and over again.” And the decisions that influenced IS shouldn’t upset anyone, mainly because this may be the best batch of songs Hey Ocean! have ever committed to tape. From “Make a New Dance Up,” an ode to starting over powered by a four-on-the-floor beat, sparkly guitars, and punchy horns, to the richly adorned yet charmingly
unaffected ballad “Islands,” IS is rich and luscious, an apt demonstration of how professional recordings don’t have to sound lifeless. Vertesi, who produced most of the record, hopes the slick outer layer won’t turn anyone away. “At the end of the day, I think people can tell when you’re being honest, when you’re making music that’s true to yourself, and they find that alluring,” he says. This is becoming more and more difficult as the forces of deeply commercialized boilerplate radio hits align themselves against individuality and depth, both intellectual and emotional. But, Vertesi laughs, “You have to sweep all that crap aside and figure out what the core of what you’re doing is.” In this case, the core idea is simple. IS is about grappling with the demands of success, which equate to leaving and loss. The record captures Vertesi, Ball, and Beckingham in a moment of vulnerability — the
instant when one epoch ends and another begins. This is plain on “Jolene,” the album’s standout track. A pulsating, infectious pop song driven by an upbeat guitar riff, “Jolene” is about recognizing that the sea “is the hardest thing to leave.” To move forward, Hey Ocean! must spend more time away from their home in Vancouver, their muse and the site of their earliest successes. The future will undoubtedly be difficult; sailing through uncharted waters is never easy. But if IS is any indication, Vertesi, Ball, and Beckingham are well on their way. Hey Ocean! September 21 @ The Exchange $13 @ ticketedge.ca Feedback? Text it! (306) 881 8372
@MacPhersonA amacpherson@verbnews.com
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global village
Photography courtesy of Danielle Tocker.
Worldly food at Cathedral Village Freehouse. by jessica Bickford
I
f there is something that can be said about the Cathedral Village Freehouse it’s that it strives to be part of Regina’s arts community. And with a menu as eclectic as the atmosphere, the Freehouse has always been a popular spot to hang
bit of exotic flavour. Everything was lovely, perfectly seasoned and with a nice mix of tastes and textures. This is a fantastic dish to share over a long evening and a few drinks with friends. A deconstructed Italian caprese salad arrived next. This dish had
[The] Pimm’s cup … gave me fond memories of living in England. jessica Bickford
out – especially in the summer on their patio. I met up with sous chef Chelsea Leece, who shared a few of her favourite dishes with me. Luckily I brought along an extra appetite because the Middle East eats platter was huge! Piled high with curried pita wedges, Armenian crackers, falafel, and dishes of sundried tomato hummus, roasted garlic artichoke dip, and baba ganoush, this dish offered a
classic tastes with a modern presentation, and was served with some crispy grilled bread to add some nice crunch. The bocconcini slices were creamy, and the Roma tomatoes were firm and covered in fresh and fragrant basil. A sweet and sticky balsamic reduction tied all of the flavours together nicely — this was a beautiful, light option. Lake Diefenbaker steelhead trout
rounded out the savoury selections. Served on a mix of wild and basmati rice, the pan-seared trout fillet was flaky and fresh tasting, and perfectly seared on the outside. The side of roasted tomatoes was beautifully sweet and the roasted corn salsa was refreshing. Everything was lightly drizzled with an herb oil, which added a distinctive brightness to all of the components. The best way to finish off a meal, in my opinion, is with something sweet and a nice drink. A Pimm’s cup was my beverage of choice, and this summer cocktail gave me fond memories of living in England. The gin-based liqueur mixed with Sprite and cucumber was slightly sweet and intensely refreshing. My dessert was a panna cotta — thick and creamy with a mildly sweet flavour. A mango sauce added a tropical twist and a bit of tartness, as well as a splash of colour. Chelsea says that she loves being a part of Regina’s arts community, and that the staff at the Freehouse are all fun and welcoming. They want the restaurant to be a place
where people come to hang out and eat delicious globally inspired cuisine. With fresh sheets changing about once a month and lots of fun events, the Freehouse is a great place to spend a long evening with a table full of friends.
Cathedral Village Freehouse 2062 Albert St. | (306) 359 1661 Feedback? Text it! (306) 881 8372 @TheGeekCooks jbickford@verbnews.com
let’s go drinkin’ Verb’s mixology guide Pimm’s Cup Cocktail
Ingredients
The Pimm’s Cup is a summertime favourite in England, and with its fruity and very refreshing flavours, this beverage is best served with friends and patios. Like sangria, you can add different fruit to cater to your own tastes, but here is a classic recipe.
1.5 oz Pimm’s No. 1 lemon-lime Soda sliced cucumber lime wedge
Directions
Put some ice in a tall glass. Add the Pimm’s No. 1 and a few slices of cucumber before topping up with lemon-lime soda. Give it a stir and garnish with a lime wedge. Other popular additions include apple, strawberry, orange, lemon, basil or mint. You can also substitute lemonade or ginger ale for the soda.
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Next Week
coming up
JOHN FOGERTY CORY WOODWARD
STARS
@ the Brandt Centre Friday, September 21 – $28-83.50
@ Creative City Centre Wednesday, September 26 – $10
@ the brandt centre Friday, November 16 – $42.50+
Before this Californian became a solo act, he was part of one of the most iconic bands of the late 60’s and early 70’s. Maybe you’ve heard of them — Creedence Clearwater Revival? Yep, that John Fogerty. The guy who Rolling Stone magazine ranked not only the #40 best guitarist of all time, but also the #72 best singer. His solo hits include “Centerfield” (perhaps the greatest baseball song ever penned) and “Jambalaya,” and now he’s returning to his CCR roots as he sets out on the first ever CrossCanada Revival tour, performing the music of the legendary Creedence Clearwater Revival. Don’t miss this music icon and this incredible show when it comes to Regina. Tickets available at Ticketmaster.
Do yourself a favour: next time you’re near the Internet search for Cory Woodward’s song “Have You Ever.” When it’s loaded, close your eyes and just listen. And if your first thought is, “Holy smokes, this guy sounds like the bastard son of Bruce Springsteen,” don’t fret — you’re not alone. But Woodward is by no means a Boss clone. With a rich, smoky voice and downhome electro folk/rock sensibilities all his own, this singer/songwriter from Vancouver has been making quite a name for himself on the Canadian music scene. Having released his new album, The Truth, earlier this summer, Woodward is now hitting the road to promote it. Check him out when he lands in the Queen City.
It all started back in the late 90’s, when two friends from Toronto – Torquil Campbell and Christopher Seligman – went to New York and recorded a catchy, electro-pop album called Nightsongs. Soon they recruited childhood friend Evan Cranley, who in turn recruited guitarist Amy Millan, before they all moved to Montreal and found drummer Patrick McGee. As the band members were added, Stars’ sound began to evolve towards a vibrant, beautiful and soaring instrument-based indie pop. With their sixth studio album, The North, Stars’ music is getting more mature and infectious. They’ll be swinging through Regina while on tour with Metric. Tickets available at Ticketmaster. – By Adam Hawboldt
Photos courtesy of: the artist / the artist / the artist
Sask music Preview The BreakOut West Festival runs from September 27-30 in Regina, and features some of the best musicians, performing in many different genres, from BC to Manitoba. Many of these acclaimed artists, some of whom have been nominated, will wind up the festival at the Western Canadian Music Awards on the 30th. The WCMAs will feature performances by Dan Mangan, Said The Whale, Jason Plumb and The Northern Pikes. Keep up with Saskatchewan music. saskmusic.org
13 Sept 14 – Sept 20 facebook.com/verbnewssaskatoon
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Saturday 15
september 14 » September 22 The most complete live music listings for Saskatoon. S
M
T
W
T
16
17 18 19 20 21 22
Friday 14
14 15
Dennis DeYoung / Casino Regina — DeYoung helped found Styx, one of the most influential rock bands of all time. Now he’s reprising his role and dusting off the hits. 8pm / $65/60 DJ Pat & DJ Kim / Habano’s Martini & Cocktail Club — Local DJs spin top 40 hits every Friday night that are sure to get you on the dance floor. 9pm / $5 cover Alain Lalonde / The Hookah Lounge — Come check out this dope local DJ/producer as he does his thing and spins the kind of sound that’ll make you wanna dance. 7pm / $5 cover Wonderland / McNally’s Tavern — A night of classic rock and one-hit-wonders from one of the finest acts in town. 10pm / $5 Thunder Rose / The Pump Roadhouse — Making their debut on the Pump Stage, these Saskatoon musicians will be playing all the classics and plenty of new hits too. 8pm / TBD Albert / Pure Ultra Lounge — Appearing every Friday night, come listen to Albert as he does his spinning thing. 10pm / $5 cover Alex Runions / Whiskey Saloon — This Regina-based urban country rocker’s star is on the rise. In 2009 he released his self-titled debut album, and since then things have certainly been looking up. Come check out his heart-felt, melody-driven version of urban country music. 8pm / $10 cover DJ Longhorn / Whiskey Saloon — Come check out one of Regina’s most interactive DJs as he drops some of the best country beats around. 8pm / $10 cover
Regina Symphony Orchestra Gala / Conexus Arts Centre — Join patrons of the RSO to hear selections from Culli more, Brahms, Glinka, and Sibelius. 8pm / $33+ @ RSO Box Office DJ Noor / The Hookah Lounge — Born in Kuwait and exposed to the international club scene at a young age, this talented DJ knows how to rock a crowd. 7pm / $5 cover Wonderland / McNally’s Tavern — A night of classic rock and one-hit-wonders from one of the finest acts in town. 10pm / $5 cover Thunder Rose / The Pump Roadhouse — Making their debut on the Pump Stage, these Saskatoon musicians will be playing all the classics and plenty of new hits too. 8pm / TBD Drewski / Pure Ultra Lounge — Doing what he does best, every Saturday night. Come on down and dance the night away with this local DJ. 10pm / $5 cover Alex Runions / Whiskey Saloon — This Regina-based urban country rocker’s star is on the rise. In 2009 he released his self-titled debut album, and since then things have certainly been looking up.
consummate country musicians. 8pm / $5 cover
Tuesday 18
Patrick Krief / The Artful Dodger — From Montreal, this singer/songwriter plays intensely personal songs that will leave you speechless. 7:30pm / Tickets $15 at the door, $10 in advance (ticketedge.ca) Troubadour Tuesdays / Bocados — Come check out some live tunes from local talents every week, then bring an instrument and partake in the open mic/jam night. 8pm / No cover Karaoke Tuesday / McNally’s Tavern — Famous live music venue offers its patrons a chance to share the stage. 8pm / No cover
Hey Ocean!
Come check out his heart-felt, melodydriven version of urban country music. 8pm / $10 cover
MoNday 17
Monday Night Jazz / Bushwakker Brewpub — Featuring The Project, a talented local group led by guitarist Jay Harmon. 8pm / No cover
John Fogerty / Brandt Centre — Performing the music of Creedence Clearwater Revival, this former lead singer of CCR
courtesy of the artist
Saturday 22
John Fogerty courtesy of the artist
Wednesday 19
Wednesday Night Folk / Bushwakker Brewpub — Featuring The Tom Savage Trio, a popular group from Kingston, Ontario, that plays dirt road rock and roll. 9pm / No cover
Thursday 20
courtesy of the artist
Friday 21
he does his spinning thing. 10pm / $5 cover Chris Henderson / Whiskey Saloon — Whether this singer/songwriter is slowing things down with tracks like “Follow the Signs” or speeding it up with rollicking tunes like “I Miss the Old You,” he and his band are always high-energy, consummate country musicians. 8pm / $10 cover DJ Longhorn / Whiskey Saloon — Come check out one of Regina’s most Brandy Moore interactive DJs as he drops some of the best country beats around. 8pm / $10 cover
Brandy Moore / The Artful Dodger — This singer/songwriter puts on a show with soul. 7pm / Tickets $10 in advance, $15 at the door PS Fresh / The Hookah Lounge — DJ Ageless started spinning in Montreal, DJ Drewski started in Saskatoon. They both landed in Regina and have come together to sling some bomb beats. 7pm / No cover Open Mic Night / King’s Head Tavern — Come out, play some tunes, sing some songs, and show Regina what you got. 8pm / No cover DJ Longhorn / Whiskey Saloon — Come check out one of Regina’s most interactive DJs as he drops some of the best country beats around. 8pm / $5 cover Chris Henderson / Whiskey Saloon — Whether this singer/songwriter is slowing things down with tracks like “Follow the Signs” or speeding it up with rollicking tunes like “I Miss the Old You,” he and his band are always high-energy,
is currently in the midst of the first ever cross-Canada Revival. 7:30pm / Tickets $28–83.50 (www.ticketmaster.ca) Hey Ocean! / The Exchange — When Ashleigh Ball (vocals/flute/guitar), David Beckingham (vocals/guitar), and David Vertesi (bass/vocals/guitar) take to the stage, you can expect to get songs with compelling lyrics, sweet harmonies, utterly infectious melodies, not to mention a stage presence that is dynamic and simply kickass. 8pm / Tickets $13 (www.ticketedge.ca) DJ Pat & DJ Kim / Habano’s Martini & Cocktail Club — Local DJs spin top 40 hits every Friday night that are sure to get you on the dance floor. 9pm / $5 cover Alain Lalonde / The Hookah Lounge — Come check out this dope local DJ/producer as he does his thing and spins the kind of sound that’ll make you wanna dance. 7pm / $5 cover Albert / Pure Ultra Lounge — Appearing every Friday night, come listen to Albert as
Mighty Popo / The Artful Dodger — This rising star on the Canadian music scene has received critical acclaim for his genre-busting solo work. 7:30pm / Tickets $15 at the door, $12 in advance (ticketedge.ca) DJ Noor / The Hookah Lounge — Born in Kuwait and exposed to the international club scene at a young age, this talented DJ knows how to rock a crowd. 7pm / $5 cover Drewski / Pure Ultra Lounge — Doing what he does best, every Saturday night. Come on down and dance the night away with this local DJ. 10pm / $5 cover Chris Henderson / Whiskey Saloon — Whether this singer/songwriter is slowing things down with tracks like “Follow the Signs” or speeding it up with rollicking tunes like “I Miss the Old You,” he and his band are always highenergy, consummate country musicians. Patrick Krief 8pm / $10 cover courtesy of the artist
Get listed Have a live show you'd like to promote? Let us know! layout@verbnews.com
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thursday, september 6 @
the u of r The University of Regina’s Welcome Week Festival
What it is / Three days of fairs,
concerts, movies and games live music / An amazing line-up
featuring many stellar bands kept the tunes coming all day beverages / Courtesy of the beer gardens, a great way to enjoy getting back into the swing of things
Photography by Tamara Klein – feedback@verbnews.com
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Photo: Courtesy of screen gems
better off dead
Resident Evil: Retribution doesn’t offer much. by adam hawboldt
W
henever you sit down to watch a movie based on a video game there should be an unwritten agreement between you, the movie-goer, and whomever made the film. The movie-goer must be willing to suspend a need for plot and a
Evil: Retribution. Picking up where Afterlife left off, this flick — the fifth installment of the franchise — is big on violence and special effects. Though, contrary to what you’d expect from the Resident Evil franchise, Retribution has Alice (Milla Jovovich) living in suburbia, taking
[T]he fight scenes are by far the best thing about this movie. Adam Hawboldt
desire for pitch-perfect dialogue. And in return they should expect to see copious amounts of action and an as-close-to-the-original-as-youcan-get rendering of their favourite video games. For the director’s part, well, he or she simply has to deliver on what the audience expects. If you’re the type of person who can hold up your side of this agreement, chances are you’ll enjoy the hell out of a movie like Resident
care of her adorable little daughter. Not to worry. The deadly virus created in earlier films by The Umbrella Corporation — you know, the one that turns people into zombies — hasn’t gone anywhere. And it isn’t long before the zombie apocalypse comes to suburbia in search of brains and flesh. Naturally, Alice’s kick-ass-nowand-take-names-later mentality takes over and all hell breaks loose.
Resident evil: retribution Directed by Paul W. S. Anderson Starring Milla Jovovich, Sienna Guillory + Michelle Rodriguez 95 minutes | 14A
But it isn’t zombies she’s after. I mean, sure she’ll kill any that come her way, but the main antagonist is the malicious artificial intelligence program, the Red Queen, that runs biological weapon simulations for Umbrella. Early in the film we see Alice fighting her way through the Tokyo simulation and, as far as moviegame flicks go, it’s pretty rad. For that matter, nearly all the fight scenes are fun to watch. With a lot of slow-motion shots that’ll leaving you saying “Wow! That was cool” and more than enough zombies being blown away to stay true to the video game, the fight scenes are by far the best thing about this movie. Now, I know some of you love this franchise — more than $670 million in box office gross will attest to that. But me, I’ve never been able to make the video-game-
into-movie agreement needed to thoroughly enjoy a film like this. I mean, is it really that difficult to give us a coherent plot and decent dialogue? To date, nearly every video-game movie has fallen short in these two areas. And Retribution is no different. The plot is muddled, the story is about as interesting as an 800-page book on wallpaper and the dialogue is stilted. As for the acting? Well, let’s just say that Jovivich, Sienna Guillory and Michelle Rodriguez have all
seen better days. So the verdict on Retribution? If you’re a fan of the first four films (or a big fan of video-game flicks in general), you’ll like this movie. If you’re anything like me … not so much.
Feedback? Text it! (306) 881 8372
@AdamHawboldt ahawboldt@verbnews.com
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Photo: Courtesy of Magnolia Pictures
spinning in circles 360 skims the surface of love and life. by adam hawboldt
W
hen done right, multi-narrative ensemble movies can be terrific. Think about it. Amores Perros, Babel, Crash — all terrific ensemble movies that weave a multitude of story lines around a central theme. So you can understand my excitement when I first heard about the movie, 360. First off, it’s directed by Fernando Meirelles. You know, the guy responsible for the utterly amazing City of God. On top of that, it was written by Peter Morgan (The Queen, Frost/ Nixon), and stars Anthony Hopkins, Rachel Weisz, Ben Foster and Jude Law. Not that I’m a huge Jude Law fan or anything. But that’s not the point. The point here is that I was really looking forward to watching this movie. That is, until it started. And from that point on, I was really look-
ing forward to watching the final credits roll down the screen. It’s not that 360 was a terrible movie. Because it’s not. It’s just that 360 is so, I don’t know … underwhelming? No. Underwhelming isn’t the right word, but it’s close enough. Set in Paris, London, Vienna, Colorado and a few other places I can’t re-
his runaway daughter. There’s a dentist (Jamel Debbouze) who has the serious hots for one of his employees, a story about Slovenian hookers and Russian mobsters, and another about a sex offender (Ben Foster) who has recently been released from prison. And to be completely honest,
[360 has] [n]o aha! moment, no… central glue that holds the whole thing together. Adam Hawboldt
member at the moment, 360 features a whole bunch of parallel stories running together side by side. You have the story of a husband (Jude Law) and a wife (Rachel Weisz) who are both criminally unfaithful. Then there’s the story line about a grieving man (Hopkins) in search of
each story is beautifully shot and visually stimulating. What’s more, there are a couple of incredible performances in this flick. Case in point: Hopkins and his gut-wrenching, soul-bearing monologue during an AA meeting. Foster is excellent, too. As is Weisz.
But for all that goodness, there was something missing. Something intangible and microscopic. Actually, the more I think about it, the more I believe that something was syphilis. Seriously. Hear me out. See, 360 is based on Arthur Schnitzler’s play Reigen. Written more than a hundred years ago, Schnitzler’s play focuses on a bunch of different sexual attractions and indiscretions that link together more than a handful of stories. And the tie that binds all those relationships together, the thing that all the people have in common, is that, in the end, everybody (and I do mean everybody) winds up with syphilis. Too bad there’s nothing like that in 360. No aha! moment, no surprise ending or central glue that holds the whole thing together. It’s as though the stories just linger there, on their own. Out there somewhere in the cinematic ether.
360 Fernando Meirelles Rachel Weisz, Jude Law + Anthony Hopkins Directed by Starring
96 minutes | 14A
Which honestly was kind of shocking to me. I mean, with the abundance of talent attached to this project — from the actors to the director to the writer — this should have been a surefire Hollywood home run. Instead, it turned out to be a foul ball. 360 will open at the Regina Public Library September 20th.
Feedback? Text it! (306) 881 8372
@AdamHawboldt ahawboldt@verbnews.com
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Š Elaine M. Will | blog.E2W-Illustration.com | Check onthebus.webcomic.ws/ for previous editions!
18 Sept 14 â&#x20AC;&#x201C; Sept 20 entertainment
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crossword canadian criss-cross
timeout
ACROSS 1. With the addition of 5. Not naked 9. Cook a turkey 10. Kind of space 12. Tendency to become angry 13. Go for first 15. Breakfast meat 16. China grass 18. Anger 19. Mid-month, in old Rome 21. One who lends a hand 22. Responsibility 23. Slender woman 25. Rushing stream 27. In short supply 29. Skilled worker who makes things by hand 32. Left-hand page 36. Praise extravagantly 37. Protective shelter 39. Triangle on a pool table 40. Rent alternative 41. On guard
43. Feathery fashion accessory 44. Tomorrow in Spain 46. By far 48. Decisive refusal 49. Burst into tears 50. Unfit for the young 51. Spinning toys
DOWN 1. Saddle part 2. Baby’s seat 3. Computer operator 4. Watchband 5. Cockpit companion 6. Bit of fishing gear 7. Didnít go hungry 8. Give the meaning of a word 9. All set 11. Itís already been shown 12. Not that 14. Put your feet up 17. Afternoon movie 20. Part company
© walter D. Feener 2012
22. Tell what to do 24. That guy’s 26. Gun the engine 28. Wild duck 29. Tiny particle 30. Mountain ash 31. Underground passage 33. You may get it if a dog bites you 34. Find fault with angrily 35. Acceptable 38. How we stand 41. From the beginning 42. Poi source 45. Map abbreviation 47. Drink hot tea
answer key
Horoscopes September 14 – September 20 Aries March 21–April 19 Feel like having an adventure, Aries? If so, then now is the week to do it. So put yourself out in the world, and take a short journey. It doesn’t have to be far, but you’ll want to go.
Leo July 23–August 22 Be careful what you say this week, dear Leo. You might come off as boastful or arrogant if you aren’t mindful of the words that are coming out of your lion mouth.
Sagittarius November 23–December 21 Much like Ron Burgundy, you’re kind of a big deal Sagittarius. Act accordingly. Don’t get too big of a head, it might just float away, but remember not to sell yourself short, either.
Taurus April 20–May 20 You know those weeks where you’re lazy and don’t feel like doing anything? Well, this ain’t one of those You’ll be full of get-up-and-go, so pursue whatever you want.
Virgo August 23–September 22 Change, real change, rarely comes without a struggle. Remember that, Virgo. Because even though this week might be difficult at times, the silver lining will present itself if you ride it out.
Capricorn December 22–January 19 “Goonies never say die!” Remember that, Capricorn, because you may need to adopt that mentality for the next week or so. If things get tough, repeat it as your mantra.
Gemini May 21–June 20 Sometimes a one-track mind can be detrimental, but not this week. Stay focused on whatever task you have at hand, and good things could happen. Trust the universe.
Libra September 23–October 23 Don’t go where the path leads this week, Libra. Instead, get off the path altogether and stomp the terra. Leave your mark. Blaze your own trail, and laugh while you do so.
Aquarius January 20–February 19 If you want to acquire new wisdom, start by looking in the mirror and being honest with yourself, Aquarius. All real wisdom stems from being truthful, so ask yourself the hard questions.
Cancer June 21–July 22 Stop, and take a look around you. See anything you like? If so, take a mental picture and use it later this week as a calming point because things are going to get crazy soon.
Scorpio October 24–November 22 Lately, has it felt as though you’ve been taking crazy pills? Like everything around you doesn’t make sense? If so, get used to it. You might find the next few days to be very perplexing.
Pisces February 20–March 20 Be prompt this week, Pisces, it may be incredibly important. Give yourself time to get ready and always be on time. “Those who are tardy do not get a fruit cup.”
19 Sept 14 – Sept 20 @verbsaskatoon
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