Lindsay Kirker: This is Water by Vernon Public Art Gallery

LINDSAY KIRKER THIS IS WATER Vernon Public Art Gallery, July 28 - September 21, 2022

LINDSAY KIRKER Artist Statement This is Water I’ve been thinking a lot about water. To float down the river effortlessly And break away from thought, form and distraction. To play in tune with the vibrating strings of You. Continuously I tell myself, be water. Through the city I observe the banal. Concrete walls constructed to contain Lifting us up from one prefabricated structure to the next and I struggle to breathe Plan your escape, I hear her say. I feel the urgency to stand at ocean’s edge. Be water. This is water, I hear You say. I look across to you and You are the only one Drinking coffee. The parking lot is empty and we no longer talk about the weather. I leave you and I move through space Continuing the search for stability; The foundations of Being beyond being in-itself And I know. Be water. This is water.

THIS IS WATER by Maggie McKenney Lindsay Kirker invariably questions the world around her. The artist is drawn to her surroundings, and her paintings are a reimagining of the connection between the natural and industrial world, and the people, places, and things that are a part of her journey. Her practice does not appear fixed, rather constantly evolving and carrying with it a level of certainty, and equally, a desire to embrace change. Through the use of numerous perspectives, Kirker allows us to imagine multiple scenarios. On the one hand, our civilizations are being overtaken by the environment as a result of climate change or vice versa. On the other, our urban and organic worlds are working in unison, a vision of sustainability and hope. These facets are steeped in themes of love, loss, and sacred matters of the heart. There is so much that can be found in Kirker’s work, but the leading figure of this exhibition is water, that which requires some time to unpack. Water means something different to everyone. For myself, water means security, hydration, and relaxation. It means something scary. Specifically, a fear of what is underneath its surface, the power it wields, and my reliance on it. Water also means a physical and mental link to the organic components that make up life on earth. It has become a role model for embracing the most organic path of existence. Water is all of this and so much more, but these thoughts only came after thinking and feeling through Kirker’s paintings. As humans, our relationship to water is not perfect and is certainly not linear. Before seeing the world through Kirker’s eyes, I could not articulate my connection with water. You would think that the substance providing life to all living things, one of the most pertinent elements that exists alongside us, would be easy to love. Many of us have grown up knowing water as a resource and it feels like our relationship with water has become misconstrued because of this. It loves and nourishes us, but many people do not treat it with the same care. Kirker’s choice to highlight water’s physical and spiritual value allows us to rethink our relationship with water. Kirker acts as a guide, facilitating a connection between humans and our surroundings. Her paintings speak a language of compromise. We build gigantic concrete structures, asphalt roads, and urban spaces that feel so far from their natural foundations, but the artist shows us that organic and manmade can work in unison. The two spaces can flow together, intertwined the same way our bodies are with water. Water becomes a site of contemplation. Interpreting what is being built and destroyed before our eyes is a part of the story Kirker tells, but I think it is the way she depicts water that informs some higher awareness. In The Flood, water seeps into the concrete structure with ease. It is not only a metaphor for the irreversible effects of climate change but an example of water’s flowing personality. Water is inevitable, it coasts through our bodies every day. In a world that is often taken for granted, there needs to be a deeper connection between us and water. Let us be wary of over-simplifying our connection to water. Kirker has stated that climate change may be a more collective trauma, and to say this trauma is a result of our disconnect from nature would be to under estimate a

complicated situation1. The topics raised in her work are more layered than saying we have lost touch with water. To approach this intricate subject matter, the art offers a re-imagining of the spaces that surround us2. We can see this in Vibrations. The waves that flow through the canvas comingle with orange lines extending from the sunset-colored sky. These lines run parallel to large industrial shapes, reminding us that a brightly colored world in which city and nature flow together is possible. In this painting, water becomes the facilitator for complex change. Kirker has just recently returned from a Canadian residency program with La Napoule Art Foundation, spending six weeks in France developing connections with artists, curators, and writers, and diving deep into her practice. The pieces Parallel Universe and Wanderer above the Sea of Fog were both created during this time of movement. Like many of her works these paintings engage in multiple perspectives, but they contain exuberant elements that might be indicative of the growth and love Kirker attributes to the flow of life. The name Wanderer above the Sea of Fog, communicates her curiosity towards the world, her willingness to surrender and explore, and to question her surroundings. The ship in the painting purposefully charges forward, unafraid of the choppy waves. Similar to the ship, Kirker embraces an artistic persona that is not scared of what seems unattainable, opting to follow the flow of what can be attainable. What intrigues me about this exhibition is that the act of being human and having waves of emotion and thought are not taken out of the context of our climate, which they often seem to be. I think we can feel closer to the elements that make up the earth, the ones most threatened by the rapid global warming around us, when we assume a thoughtful and reflective role alongside them and when they help us understand our own hearts. As Kirker puts it “the external landscape that unfolds in front of us is best known by understanding the energy that runs through us”3. Finally, we are reminded to follow the current of life. Kirker’s artistic thesis is methodical but it is also complex. Found in this divergence is a level of grace that allows us to loosen our grip on these categories and move within them. It might just be that the unruliness of life suits us. Maggie McKenney is a recent graduate from the University of British Columbia with a BA in Art History and Visual Culture. She is passionate about art, reading, writing, and travel. Currently, McKenney is living in her hometown of Jasper, Alberta and working at the Jasper Yellowhead Museum for the summer. She plans to further her career as a writer and art historian by pursuing a Master’s degree in the field of curating.

Endnotes 1 Kirker, Lindsay. Creating Structure: The Complexity of Making, Dwelling and Being, 2020. University of British Columbia (Okanagan), MFA thesis, 7 2 Kirker, Lindsay. Creating Structure, 7 3 Kirker, Lindsay. “Artist Statement.” The Relativity of Space and Time, 2022

Strategies of Being, 2022, oil on canvas, 48 x 72 inches

Wanderer Above the Sea of Fog, 2022, oil on canvas, 48 x 72 inches

Wanderer Above the Sea of Fog (detail), 2022, oil on canvas, 48 x 72 inches

Parallel Universe, 2022 oil on canvas, 64 x 103 inches

The Flood, 2022, oil on canvas, 64.5 x 76.75 inches

Vibrations, 2022, oil on canvas, 77 x 99.75 inches

Meditation, 2022, oil on canvas,72 x 48 inches

Vibrations (detail), 2022, oil on canvas, 77 x 99.75 inches

LINDSAY KIRKER lkirker.com

EDUCATION 2018- 2020 2015- 2017 2013- 2015

Master of Fine Arts. The University of British Columbia Okanagan campus, BC Bachelor of Fine Arts with Distinction. University of Alberta, Edmonton, AB Fine Art Diploma with Distinction. MacEwan University, Edmonton, AB

SOLO EXHIBITIONS 2022 2021 2020 2018 2017 2016

This is Water, Vernon Public Art Gallery, Vernon, BC This is a Love Story, The Alternator Centre for Contemporary Art, Kelowna, BC Away We Go, MFA Thesis Exhibition, FINA Gallery, UBCO, Kelowna, BC Constructing the Intangible, Science World, Vancouver, BC Constructed Landscape, Solo exhibition within Enbridge Centre, Edmonton, AB Fake Empire, ADGSA Alumni Artist Residency, The Lodge, Edmonton, AB Waking State, exhibition within The Works Art and Design Festival, Edmonton, AB

SELECTED GROUP EXHIBITIONS 2022 2018 2017

2016

2015

The Relativity of Time and Space, Lake Country Art Gallery, Lake Country, BC La Galerie de Madame Lumiere, Flying Canoe Festival, Edmonton, AB Between Us, BFA Graduate Show, University of Alberta, Edmonton, AB Mind Body Context, Scott Gallery, Edmonton, AB Small Works Show, Project Room, University of Alberta, Edmonton, AB Invitations, The Raft, University of Alberta, Edmonton, AB Bridging Encounters, Latitude 53, Edmonton AB Third State, Student printmaking exhibition, Rutherford Library, University of Alberta, Edmonton, AB Emerging Artists Unleashed, The Alberta Society of Artists, Walterdale Playhouse, Edmonton, AB Emerging Artists Unleashed, The Alberta Society of Artists, Little Gallery, University of Calgary, Calgary, AB Nextfest 2015 exhibitor, Edmonton, AB (Curator: Steven Teeuwsen) A Proper Stew, Fine Art Graduation Show, MacEwan University, Edmonton, AB Paths of New York, MacEwan University Centre for Arts and Communications, Edmonton, AB Portraiture, Gray Gallery, MacEwan University, Edmonton, AB Inspired by Edmonton, Gray Gallery, MacEwan University, Edmonton, AB Plastic Bunny, Flying Canoe Festival, Edmonton, AB

PROFESSIONAL WORK EXPERIENCE Sept.2022 – Dec. 2022, Sessional Lecturer Painting I, Faculty of Creative and Critical Studies, University of British Columbia Okanagan (UBCO), Kelowna, BC April 2020 – June 2020, Research Assistant, Lecturer Katherine Pickering, UBCO, Kelowna, BC 14

Sept. 2019 - June 2020 Research/ Studio/ Artist Assistant for Associate Professor Samuel Roy-Bois, UBCO, Kelowna, BC April 2020 – June 2020, Research Assistant, Lecturer Katherine Pickering, UBCO, Kelowna, BC Sept. 2019 - June 2020 Research/ Studio/ Artist Assistant for Associate Professor Samuel Roy-Bois, UBCO, Kelowna, BC Sept. 2019 – April 2020, Teaching Assistant, Assistant Professor Tania Willard, Creative and Critical Art Theory, CCS 150 and CCS 250. UBCO, Kelowna, BC Sept. 2018 – April 2019 Teaching Assistant, Associate Professor Samuel Roy-Bois, Creative and Critical Art Theory, CCS 150 and CCS 250. UBCO, Kelowna, BC Jan. 2017 – May 2017 Curatorial Assistant Internship, eHUB Creative, University of Alberta, Edmonton, AB

CURATORIAL 2019 2017 2017

Self-Organization, FINA Gallery, University of British Columbia Okanagan, Kelowna, BC Community, eHUB, University of Alberta, Edmonton, AB A Conversation, eHUB, University of Alberta, Edmonton, AB

RESIDENCIES 2022 2022 2017

La Napoule Art Foundation Canadian Artist Residency, Mandelieu-La Napoule, France Studio 111, The Alternator Centre for Contemporary Art, Kelowna, BC Art and Design Graduate Student Association (ADGSA) Artist Residency. Edmonton, AB

SELECTED PUBLICATIONS, ARTICLES & CATALOGUES 2022 2021

Covin, Carin “The Relativity of Time and Space” The Lake Country Art Gallery, Exhibition Essay Dick, Terrence, edited by. Hit List. “Lindsay Kirker, Artist – Okanagan” Akimbo.ca

2020 2020 2017 2016 2015 2015 2015

Carpenter, Craig “MFA student vividly illustrates how following our true nature leads to unexpected success” The University of British Columbia Okanagan, ourstories.ok.ubc.ca Barryman, Romila “Meet the Artist: Lindsay Kirker” Scienceworld.ca Thera, Becky “Lindsay Kirker’s Fake Empire and Kyle Terrence’s, Embedding’s” Curious Arts.ca Emerging Artists Unleashed, The Alberta Society of Artists, Don, Catalog, Edmonton, AB Student Research Week, A place further from me, Catalog, MacEwan University, Edmonton, AB MacEwan University News, “Been there, done that.” Web. MacEwan University, Edmonton, AB MacEwan University News, “How do you paint a feeling?” Web. MacEwan University, Edmonton, AB

SELECTED AWARDS & GRANTS 2020 2019 2019 2019

University Graduate Fellowship, University of British Columbia Okanagan campus (UBCO), Kelowna, BC Audain Travel Award, The Audain Foundation, UBCO, Kelowna, BC SSHRC Scholarship. Joseph-Armand Bombardier Canada Graduate Master’s Award, UBCO, Kelowna, BC University Graduate Fellowship, UBCO, Kelowna, BC 15

This publication was produced in conjunction with the exhibition: Lindsay Kirker: This is Water Vernon Public Art Gallery, July 28 - September 21, 2022 Production: Vernon Public Art Gallery Front cover image: The Flood, 2020, oil on canvas, 64.5 x 76.75 inches Printing: Get Smarter Copies, Vernon BC, Canada ISBN: 978-1-927407-70-7

copyright © 2022, Vernon Public Art Gallery All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, except as may be expressly permitted by the 1976 Copyright Act or in writing from the Vernon Public Art Gallery. Requests for permission to use these images should be addressed in writing to the Vernon Public Art Gallery, 3228 31st Avenue, Vernon BC, V1T 2H3, Canada. Telephone: 250.545.3173 - website: www.vernonpublicartgallery.com The Vernon Public Art Gallery is a registered not-for-profit society. We gratefully acknowledge the financial support of the Greater Vernon Advisory Committee/RDNO, the Province of BC’s Gaming Policy and Enforcement Branch, British Columbia Arts Council, the Government of Canada, corporate donors, sponsors, general donations and memberships. Charitable Organization # 108113358RR

Vernon Public Art Gallery 3228 - 31st Avenue, Vernon BC, V1T 2H3 250.545.3173 vernonpublicartgallery.com