TRACY LETTS Tracy Letts grew up in Durant, Oklahoma. Both of his parents taught at Southeastern Oklahoma State, and his mother, Billie, was also a well-regarded novelist. His father, Dennis, retired at age fifty to pursue an acting career, the highlight of which was creating the role of Beverly in his son’s August: Osage County in its initial production at Chicago’s Steppenwolf in 2007 and after it transferred to Broadway. He continued in the role even while being treated for the lung cancer that killed him in 2008.
graphic design + publishing
[
providing outstanding publishing solutions including what you are holding right now to the lgbt, arts, business and hospitality communities since 1998
]
415.552.8040
advertise@via.media a division of Caselli Partners LLC
is offering a 10% discount on your meal to any Pear Theatre patrons who say the secret password: LETTS. You will also want to try their special cocktail in honor of the show.
Ever since moving to Chicago at age twenty, Tracy Letts has been associated with Steppenwolf, where he serves as both playwright and actor. His plays include Bug and Killer Joe (both made into feature films) as well as Superior Donuts (at the Pear in 2013). He has had many stage, film and television roles, and he won a Tony in 2013 for his portrayal of George in Who’s Afraid of Virginia Woolf? He currently has ongoing roles in Showtime’s Homeland and HBO’s Divorce. August: Osage County won both the Tony and the Pulitzer for best play. After its Broadway triumph, it continued as a touring show, appearing at San Francisco’s Curran Theatre in 2009. Not surprisingly, the 2013 film of the play, with a screenplay by Letts and a cast including Meryl Streep, Sam Shepard, Julia Roberts and Benedict Cumberbatch, toned down much of the play’s dark comedy. For the play is dark, the Westons being at least as dysfunctional as the families in some other classic American dramas: Long Day’s Journey into Night, The Glass Menagerie and Death of a Salesman (mounted at the Pear in 2006, 2010, and 2011, respectively). Letts has said that he based the older Westons, Violet and Beverly, on his maternal grandparents but made them less “horrible” than the original, and that he drew on the “volatile personalities” of his parents and himself in creating other characters. He calls August “a true story of my family and the place I come from and the people I come from, but it is also an embodiment of pretty much everything I believe about the theater and ensemble work.” Letts claims that audience members often see their own families reflected in the play, especially in the dinner scene. The lines are funny but also wickedly barbed and meant to wound. The only character who has had a nurturing parent seems to be Johnna, who is not a Weston and whose family ties are symbolized by the dried umbilical cord she wears everywhere. Instead of helping each other, the Westons seem determined to do battle. Letts says that the play asks, “When does your responsibility to your family end, and when should your responsibility to yourself take over?” T. S. Eliot’s “The Hollow Men,” quoted by Beverly in the prologue and by Johnna at the end, fittingly concerns a “dead land” and a “cactus land.” Eliot wrote that “Life is very long” and that the world ends “not with a bang but a whimper” (a line not actually quoted in the play but implied). If the family becomes a battleground, what does victory look like? - Susan Petit
(650) 254-1120 cucinaventi.com 1390 Pear Avenue Mountain View
2
|
BAYSTAGES.COM • 2016.06
PEAR T HE AT RE pres e n t s
August:
Osage County by Tracy Letts SETTING: The Weston house, Pawhuska, Oklahoma. August, 2007.
CAST
[ IN APPROXIMATE ORDER OF APPEARANCE ]
Beverly Weston .........................................................Bill C. Jones Johnna Monevata....................................... Roneet Aliza Rahamim Violet Weston............................................................. Diane Tasca Mattie Fae Aiken........................................ Leslie Newport Wright Charlie Aiken........................................................ Gary D. Mosher Ivy Weston...............................................Janine Saunders Evans Barbara Fordham.............................................. Betsy Kruse Craig Bill Fordham..................................................... Michael Champlin Jean Fordham........................................................... Vivian Pride Deon Gilbeau.............................................................Keith Larson Karen Weston.................................................. Marjorie Hazeltine Steve Heidebrecht........................................................Dan Kapler “Little” Charles Aiken................................................... Max Tachis
PRODUCTION TEAM
Producer.................................................................. Diane Tasca Director...............................................................Jeanie K. Smith Stage Manager..............................................Kelly Weber Barraza Production Manager..................................................Patricia Tyler Scenic Designer...........................................................Janny Coté Lighting Designer...................................................Edward Hunter Costume Designer.......................................................Anna Chase Sound Designer........................................................Gordon Smith Properties Designer.............................................Miranda Whipple Set Construction......................................................Paulino Deleal Publicity Directors................. Stephanie Crowley, Jeanie K. Smith Videographer........................................................... John Beamer Program Consultant......................................................Susan Petit Website Management....................................................Ray Renati
1110 La Avenida Street Mountain View, CA 94043 650.254.1148 info@thepear.org thepear.org
BOARD OF DIRECTORS Beverly Altschuler Sharmon Hilfinger Dan Nitzan Ray Renati Diane Tasca
STEERING COMMITTEE Beverly Altschuler Paul Braverman Robyn Ginsburg Braverman Caroline Clark Elizabeth Kruse Craig Sharmon Hilfinger Troy Johnson James Kopp Ann Kuchins Dan Nitzan Ray Renati Jeanie K. Smith Diane Tasca Patricia Tyler
SPECIAL THANKS: We would like to thank Palo Alto Players for their assistance with this production. Performed with permission of Dramatists Play Services.
/peartheatre Performance Dates:
June 24 to July 10, 2016 Pear Theatre, 1110 La Avenida Street, Mountain View, CA 94043 The performance runs approximately 3 hours. There will be two intermissions.
@PearTheatre
Please note the location of all exits. Please turn off your cell phones and other electronic devices. Photography, videotaping or other recording of this production is strictly prohibited. You may bring your concessions purchases into the theater. 2016.06 • BAYSTAGES.COM
|
3
/pearave101
ARTIST BIOGRAPHIES MICHAEL CHAMPLIN (Bill Fordham)
is a South Bay actor and director who has been part of over a dozen Pear productions and was most recently seen in The Beard of Avon. Michael is thrilled to be part of the amazing team for August: Osage County, although he is paying extra close attention as to exactly how families should not treat one another! As always, Michael would like to thank his family: his beautiful and loving wife, Katie, and his amazing and inspiring boys, Jack and Henry.
BETSY KRUSE CRAIG (Barbara
Fordham) is honored to be a part of this production - her first at the new Pear. Last seen at the Pear in Arcadia and House & Garden, Betsy also appeared in Palo Alto Players’ productions of Clybourne Park, The Addams Family and God of Carnage. Betsy is a drama teacher at Stratford Middle School and teaches Pilates and spinning! Thank you, Jeanie, and our cast and crew, Michael, and daughters, Vivian and Edie.
JANINE SAUNDERS EVANS (Ivy
Weston) holds a BA in theatre from Santa Clara University and has enjoyed working with several local theatre companies over the past 15 years including Palo Alto Players, Renegade Theatre Experiment, Santa Clara Players, Dragon Productions and Silicon Valley Shakespeare (formerly Shady Shakespeare). She is proud to be in the Pear's inaugural season in their new space. She appeared previously as Lindy in House & Garden and in Pear Slices 2015. Janine earned a TBA Award nomination in 2014 for Outstanding Performance by a Female Actor in a Principal Role as Meena in Rx at Dragon Productions. She lives in Mountain View with her husband and two daughters. Thank you for supporting the arts. Enjoy!
MARJORIE HAZELTINE (Ka r e n
Weston) is delighted to make her debut at the Pear Theatre. Recent credits include Charlotte in Sunlight, The Unknown in The Star Without a Name and Lindsay in Some Girl(s) (Dragon Productions), Hermia in Dead Man’s Cell Phone (Los Altos Stage Company), Dale Pittman in The North Plan (Renegade Theatre Experiment), and Blanche DuBois in A Streetcar Named Desire and Catherine in Proof (Northside Theatre). Marjorie 4
|
BAYSTAGES.COM • 2016.06
holds an MA in performance studies from University of North Carolina at Chapel Hill. She currently teaches at the Harker School in San Jose.
little league, watches movies, and still celebrates three World Series Championships won by his beloved San Francisco Giants.
BILL C. JONES (Beverly Weston) is
GARY D. MOSHER (Charlie Aiken)
pleased to be performing once again at the Pear. Some of his recent roles include Willie Clark in The Sunshine Boys (Los Altos Stage), Charlie in Seascape and Harry in A Delicate Balance (Dragon Productions), the Prince in Romeo and Juliet (Palo Alto Players), and the Old Man in Fool for Love, Midas in Metamorphoses, various roles in several Pear Slices productions, and Darden in Homeland Prayer at the Pear. Some past roles include Jack in Angel Street, John in Any Wednesday, Charles in Blithe Spirit, Brady in Inherit the Wind, Mel in The Prisoner of Second Avenue and Pozzo in Waiting for Godot. As always, he thanks Colleen and Emma for their continued support.
DAN KAPLER (Steve Heidebrecht)
marks his third production at the Pear, having appeared as Teddie in House & Garden (2014) and Bernard in Arcadia (2015). He has performed numerous principal roles in musicals, dramas and comedies around the Bay Area including Tevye in Fiddler on the Roof, Atticus in To Kill a Mockingbird, Fredrik in A Little Night Music, Lloyd in Noises Off, Henry Higgins in My Fair Lady, Paul in Misery, Georges in La Cage aux Folles, Charlie in The Foreigner, El Gallo in The Fantasticks, Antonio in Twelfth Night, Bill Sykes in Oliver!, Sky Masterson in Guys and Dolls, Harold in The Full Monty and Captain Von Trapp in The Sound of Music. Dan is grateful to work with Jeanie Smith and everyone involved with this show. He thanks our audiences for this opportunity.
KEITH LARSON (Deon Gilbeau)
reunited with his love of performing in 2013. His previous shows include The Walls of Jericho and Birds of a Feather (Pear Theatre), Social Security (Broadway West), Satyr Night Fever (San Francisco Olympians Festival), Four Weddings and an Elvis (Santa Clara Players) and That Championship Season (Bellarmine Alumni Theatre Program). When he isn't on stage, Keith is a loving father of two boys, Charlie and Henry, teaches high school English, coaches
started acting at the age of five. He appeared in major stage productions from age six to eleven including playing Jack in Jack and the Beanstalk for a two-year run in New York. He took a break until 1989, at which time he returned to acting on stage, film and TV. Recent stage appearances include The Quality of Life (Pear Theatre), The Farnsworth Invention (Palo Alto Players) and The Columnist (Dragon Productions). He has over twenty-five television and film credits and over fifty stage credits, working opposite many great actors. Gary has had supporting roles in films such as Jack of Hearts, Ordinary Madness, Forgive Me Father, Maximum Justice, Otis N' Dwayne and numerous others. Although his career is diversified, he seems to have found a niche playing the “Bad Guy.” Gary has been a proud SAG-AFTRA member for over twenty years.
VIVIAN PRIDE (Jean Fordham) is
sixteen and delighted to be making her Pear debut with her mom, Betsy Kruse-Craig, in this production. As a member of Homestead High School's drama club, she has performed the role of Hester the Horrible in The Canterville Ghost. Other credits include the one-acts Check Please and Time Flies. She has also appeared in the web-series The Ethical Slut.
RONEET ALIZA RAHAMIM (Johnna
Monevata) is excited to be back at the Pear! You may remember her as Chloe Coverly in Arcadia in the old space last season. Roneet received her BFA in acting from Marymount Manhattan College, NYC. She spent time performing in the Minnesota Twin Cities theatre scene with Mixed Blood Theatre, Park Square Theater and Swandive Theatre. Bay Area credits include work with Golden Thread Productions, Dragon Productions, Playwrights’ Center of San Francisco, City Lights Theater Company and others. Some favorite roles are Ayelet in Handle With Care, Constanza in Amadeus and Janice in Crumble [Lay Me Down, Justin Timberlake].
MAX TACHIS (“Little" Charles
Aiken) is excited to make his Pear Theatre debut. A regular in the South Bay theatre community, he has most recently been seen as Josh in Handle With Care, Utterson and Hyde in Dr. Jekyll and Mr. Hyde and Frederick Treves in The Elephant Man (City Lights Theater Company). As a playwright, Max had his first world premiere, Perishable, Keep Refrigerated, with Renegade Theatre Experiment in 2014. His next play, Candelabrum, will have its first reading before an audience at the Dragon in Redwood City on November 7.
DIANE TASCA (Violet Weston) is
ecstatic to be performing for the first time at the NEW Pear. Artistic director of this theatre, Diane appeared in numerous shows at the old space, most recently Arcadia. She has acted in over seventy plays, and she has also created several adaptations (The Walls of Jericho, Connecticut Yankee, and Northanger Abbey). Favorite roles include Shaw’s Mrs. Warren, Martha in Who’s Afraid of Virginia Woolf?, Maria Callas in Master Class, Frankie Payne in the trilogy at the Pear, and the title characters in Molly Sweeney and The Heidi Chronicles. Thank you all for keeping the faith with the Pear for fifteen seasons! As ever, love to Norm and John.
LESLIE NEWPORT WRIGHT
(Mattie Fae Aiken) last performed at the Pear in the first play in the new space, The Walls of Jericho. Previously she was seen as Mrs. Pearce in Pygmalion and in the Pear Slices 2013 ensemble Recent favorite roles include Josephine Strong in Urinetown (Los Altos Stage Company), Lady Bracknell in The Importance of Being Earnest (Santa Clara Players), Yente, the Matchmaker in Fiddler on the Roof (West Valley Light Opera), Widow Corney in Oliver! (Coastal Rep), Goneril in King Lear and Dionyza in Pericles (Los Gatos Shakespeare Festival), Miss Skillon in See How They Run and Sheriff Jane Morton in Thumbs (Broadway West), Mrs. Webb in Our Town (Palo Alto Players) and Mrs. Alving in Ghosts (Santa Clara Players). She has a BA in drama from San José State University.
JEANIE K. SMITH (Director) has
directed premieres (Familiar Strangers), contemporary plays (House & Garden) and classics (The Seagull, A Doll’s House, Three Sisters, Long Day’s Journey into Night , Metamorphoses, A Moon for the Misbegotten, The Cherry Orchard, Angels in America: Part One and The Tempest) for the Pear. Additional credits include Noises Off, The Light in the Piazza, Boeing-Boeing, God of Carnage, Harvey and Clybourne Park (Palo Alto Players), Bus Stop, The Clean House and The House of Blue Leaves (Bus Barn Theatre), A Streetcar Named Desire and Rx (Dragon Productions) and Romeo and Juliet (Shady Shakespeare). She holds a PhD in drama and is a critic for talkinbroadway.com and the Palo Alto Weekly.
CHAMPLIN
CRAIG
EVANS
HAZELTINE
JONES
KAPLER
LARSON
MOSHER
PRIDE
RAHAMIM
TACHIS
TASCA
KELLY WEBER BARRAZA (Stage
Manager) is ecstatic to be returning to the Pear for her seventh production and third this season, having previously stage managed House & Garden, Kimberly Akimbo, Birds of a Feather, Arcadia, Uncle Vanya, and Pear Slices 2016. She has also worked for various other Bay Area theatre companies including Studio Theatre of California, West Valley Light Opera, South Bay Musical Theatre, Santa Clara Players and Los Altos Stage Company. Kelly appreciates and sends her love to her theatrewidowed husband, Michael, and her fur babies, Palgwe, Chumo, and Kiyap.
ANNA CHASE (Costume Designer)
returns to the Pear after designing costumes for this season’s Tribes and last season’s Arcadia. She has worked extensively in costuming, having participated in over fifty productions including two seasons as a costume technician at the Oregon Shakespeare Festival. Previous design credits include M. Butterfly and Exit, Pursued by a Bear (City Lights Theater C o m p a n y ) , Tw e l f t h N i g h t (Shady Shakespeare), Yorick & Co. (Shakespeare San Joaquin), Much Ado About Nothing (Gnosis Theater) and Picasso at the Lapin Agile and Romeo and Juliet (Rising Phoenix Theatre). 2016.06 • BAYSTAGES.COM
|
5
WRIGHT
JANNY COTÉ (Scenic Designer)) has
designed and built sets all over the Bay Area. This is her fourth set for the Pear, after Betrayal and Arcadia last season and Uncle Vanya this season. (She also helped to paint the set for Tell It Slant in 2009.) She designed the sets for Eurydice and the recent production of Death of a Salesman at Palo Alto Players.
EDWARD HUNTER (Lighting Designer)
returns for his first show in the Pear’s new space. He has worked with Palo Alto Players, TheatreWorks and
Lyric Theater. Some recent designs include Death of a Salesman (Palo Alto Players), The Abduction from the Seraglio and Madama Butterfly (West Bay Opera), The Mystery of Edwin Drood and, most recently, Rent (Santa Clara Players). At the Pear’s previous space, he designed Three Tall Women, Fool for Love, The Real Thing and Betrayal.
GORDON SMITH (Sound Designer)
has done sound design for shows at the Pear, Dragon Productions, Bus Barn Theatre, Shady Shakespeare and Palo Alto Players. In the fall of
2014, he added tent and fountain construction to his special skills for House & Garden.
MIRANDA WHIPPLE (Props Designer)
recently designed props for The Beard of Avon and Arcadia (Pear Theatre), West Side Story, Dr. Jekyll and Mr. Hyde and The Elephant Man (City Lights Theater Company). She graduated from California State University, Fullerton in 2014 with a degree in theatre arts. She has also worked on such shows as A Midsummer Night's Dream, The Diary of Anne Frank and Hair.
NEXT UP AT THE PEAR: THE NEW SEASON! THE GUYS by Anne Nelson | VEILS by Tom Coash 8.26.16 – 9.18.16 We begin with a double bill of plays about people coming together in recent turbulent times. The Guys tells the true story of two New Yorkers: a fire captain and a journalist who work together on eulogies for firefighters lost on 9/11. The Guys will alternate with Veils, a play about two young Muslim women: one, an African American, who seeks to be less of an outsider by studying in Egypt, the other an Egyptian who craves the freedom and adventure she associates with Americans. Both plays show how good people hold onto their humanity in times of crisis. MAJOR BARBARA by George Bernard Shaw 10.28.16 – 11.20.16 Coming at the height of the 2016 election, Shaw’s witty and thought-provoking look at human nature, morality, religion, and social engineering asks some large questions directly relevant to our place and time. Which is a greater danger: the decline of morality and virtue, or rampant poverty, sickness, and deprivation? Is saving souls a worthy enterprise if it perpetuates poverty? GEEKS VS. ZOMBIES by James Kopp and David Rock 12.02.16 – 12.18.16 Packed with action, gore, and raunchy humor, this break from standard Christmas fare tells the tale of four geeks who survive the zombie apocalypse using their video-game skills and encyclopedic knowledge of zombie movies. “The play is a rousing, fast-paced, funny couple of hours that had the audience cheering every action scene, of which there are plenty.” - The Hollywood Reporter UNCANNY VALLEY by Thomas Gibbons 1.20.17 – 2.12.17 “Uncanny valley” refers to a sense of unease experienced when an artificial image or a humanoid robot appears almost, but not “quite” human. Portraying a synthetic being in the process of becoming a human analog, the play explores the question of how we are redefining what it means to be human in the 21st century. “Fascinating … cerebrally challenging.” - The Washington Post A VIEW FROM THE BRIDGE by Arthur Miller 3.10.17 – 4.02.17 In this timeless classic, Eddie Carbone and his wife Beatrice shelter two illegal immigrants from postwar Italy. When he discovers a budding relationship between one of the Italians and his wife’s young niece, Eddie becomes disturbed and angry. Accusations of improper love arise, and before it is over, the entire immigrant neighborhood will be hurt in ways they could not have predicted. PEAR SLICES 2017 5.05.17 – 5.28.17 This evergreen collection of original, short plays - comedic or dramatic, heartfelt or simply absurd - from the members of the Pear Playwrights Guild showcases the wide range of talent available among local playwrights, actors and directors. Come see what new Slices next spring will bring. WHAT YOU WILL by Max Gutmann 6.23.17 – 7.16.17 This hilarious “Shakespearean travesty” rearranges thousands of snippets from the Bard’s actual plays to tell a new story. When Antonio returns from a successful diplomatic mission with a new French bride, little does he suspect that his happy life is about to fall apart. Can he set things right in time to save his marriage and prevent civil war? Kidnapping, cross-dressing, and flirtation abound in this madcap comedy. All images and/or content provided by Pear Theatre staff, contractors and/or creative artists unless otherwise credited. Opinions expressed by contractors, contributors and/or creative artists do not necessarily reflect the views of Pear Theatre or VIA MEDIA. Photo credits are included as provided.
Program designed and published by VIA MEDIA • 415.552.8040 • advertise@via.media © Copyright 2016 • VIA MEDIA, a division of Caselli Partners LLC • All Rights Reserved 6
|
BAYSTAGES.COM • 2016.06
DONORS Our deep and heartfelt thanks go to everyone who has contributed so generously to Pear Theatre over the years. The list of those who donated to the Pear Avenue Theatre between 2002 and 2015 is posted on our website. Going forward, Pear Theatre programs will acknowledge donations made since June, 2015.
ROOTS [$1,000+]
Carol + Ray Bacchetti • Norman Beamer + Diane Tasca Rhoda Bergen • Rosalee + Bob Clarke • Kathleen Hall + Leslie Murdock Ann Kuchins • Jan + Don Schmidek • Edna + Dan Shochat David Simon + Lynn Gordon Simon • Scott Solomon • Silicon Valley Community Foundation Donors’ Circle • Nancy + Rick Stern Joseph Sturkey • Dr. Thomasyne Lightfoote Wilson BRANCHES [$500+] Paul + Robyn Braverman • Darryl + Carolyn Compton Marian + David Cortesi • Charlotte Dickson • Joanne Engelhardt Sharmon Hilfinger + Luis Trabb Pardo • Henry + Marcia Lawson• Susan Petit Frances Rushing • Mary Lou Torre + Rich Hagen PEARS [$250+] Connie Allen + Doug Greig • Susan Barkan • Martin + Crownie Billik • Cynthia Bitner Louis Caputo • Jeremy Carl • Constance Crawford • Patricia + John Davis • JoEllen Ellis Ken + Carol Emmons • Thomas Ferry • Kurt Gravenhorst • Eunice Haas • Jenny Hopkinson Patricia Irish • Yvonne Lenbergs • Pattie Levinson • Alex Meyers • Shauna Mika Roberta Morris + Phil Buchsbaum • Pear Writers Guild • Vic Prosak • Hope Raymond Elaine Rossignol • Vivan Schatz • Dana St. George • Peter + Juthica Stangl • Joyce Tenover Mike Wilber + Dianne Ellsworth BLOSSOMS [$25+] Robin Booth • Linda Brandewie • Patrick Brennan • Helena Clarkson • Gertrud Cory Anne Wellner DeVeer • Pearl + Bernard Director • Marilyn Edwardson • Dianne Gribschaw Max Gutmann • Leah Halper • Eleanor Hansen • Baba Nicole Herrick • Susan Jackson • Earl Karn Georgia + Raymond Marotta • Elyce Melmon • Brenda Miller • Elaine Moise • Albert Moon Carole Mullowney • John Musgrave • Ross Peter Nelson • Elizabeth Owen • Peter + Natalie Panfili Denise Prosser • Douglas + Joanne Rees• Toby Reitman • Sherrean Rundberg • Norma Schleunes Chalmers Smith • Marketa Spiro • Juthica + Peter Stangl • Laura Stefanski • Marilyn Walter Gayle Wiener
THANK YOU!
2016.06 • BAYSTAGES.COM
|
7
B AY STAG E S.CO M B AY STAG E S .CO M B AYSTAG ES .C O M B AY STAG E S . CO M BAYSTAGES.C OM
B AY STAG E S.CO M
Thru 07-03-16 Opens 07-09-16
Opens 07-06-16
C t r. O r ch . C t r. O r ch .
S u b scr ib er S u b scr ib e r
Thru 07-16-16
415 . 5 5 2 . 8 0 4 0
Thru 07-31-16
a dver t i s e@b ay s t a ges . c o m
C oming Soo n
S OON
C t r. O r ch .
COM ING
CITY LIGHTS THEATER COMANY SILICON VALLEY SHAKESPEARE
Ct r. Or ch.
BERKELEY PLAYHOUSE 2640 College Avenue, Berkeley 510.845.8542 • berkeleyplayhouse.org
C t r. O rch .
SAN FRANCISCO PLAYHOUSE Creativity Theater, 221 Fourth Street, San Francisco 415.677.9596 • sfplayhouse.org
Ctr. Or ch.
BAY AREA MUSICALS Victoria Theater, 2961 16th Street, San Francisco 415.340.2207 • bamsf.org
S u b s c r ib e r
SAN FRANCISCO PLAYHOUSE 450 Post Street, San Francisco 415.677.9596 • sfplayhouse.org
S u b s c r ib e r
DRAGON PRODUCTIONS THEATRE COMPANY 2120 Broadway Street, Redwood City 650.493.2006 • dragonproductions.net
Subscriber
Thru 07-03-16 Opens 07-06-16 Opens 07-09-16 Thru 07-16-16 Thru 07-31-16 C oming Soo n
Anna Christie
Sub sc riber
C t r. O r ch . C t r. O r ch . C t r. O r ch . Ct r. Or ch. C t r. O rch . Ctr. Or ch.
N O W F E AT U R E D O N