portfol o’
2017
Interior Design Vidhi Malkan
PERSONAL PROFILE
CURRICULUM VITAE
CONTENTS
SELECTED ACADAMIC W
01
02
03
THEATRE DESIGN
CORPORATE OFFICE DESIGN
RETAIL DESIGN
SUNITA DALVI
PROF. PERCY PITHAWALA
HETAL SHAH
WORKS
MISCELLANEOUS
04
05
06
WORKING DRAWING
FURNITURE DESIGN
MISCELLANEOUS WORKS
HETAL SHAH
CURRICULUM VITAE CONTACT
EDUCATION +91 9712992181 vidhimalkan18@gmail.com C-7, CLP India township, Bharuch, Gujarat, India.
2013-2017
Bachelor of Design from Navrachana University, Va
2010-2012
Higher secondary schoo Navrachana School, Vado
2009
Secondary schooling fr Academy, Ankleshwar.
ONLINE PROFILE
ACADEMIC PROJECTS instagram.com/vidhimalkan/
2013-2014
Space Vocabulary, Transformation, Technical and Drawing, History of Arc
2014-2015
Abstraction, Adaptive re stepwell, Matrix, Diag Building Construction Dra Furniture Design of a Stool.
2015-2016
Residence Design, Reta Working Drawing, P Practise, Furniture Design and Centre Table.
2016-2017
Corporate Office Design Design, Research Thesis, Design of a Bench.
facebook.com/vidhi.malkan.1
LANGUAGE Name D.o.B. Profession Nationality
VIDHI MALKAN 18th August 1995 Interior Designer Indian
English, Hindi, Gujarati
INTRESTS Sketching, Badminton, Travel, Photography, Swimming.
m S.E.D.A., adodara.
WORKSHOP
PROFICIENCY
2017
SOFTWARE
oling from odara.
rom
C.M.
Cube Rendering chitecture.
euse of a gramming, awing, EVS, .
ail Design, Professional of a Chair
n, Theatre , Furniture
Permanent Exhibition space designed and executed for S.E.D.A., Navrachana University under Prof. Gurdev Singh.
PUBLICATIONS 2017
A Research Thesis: A study of change in perception of space through corresponding change in material application with reference to built works by Louis Kahn, guided by Prof. Percy Pithawala.
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Adobe Photoshop
Sketchup
Adobe Indesign
Rhinoceros
Adobe Illustrator
3Ds Max
Microsoft suite
Luxion Keyshot MANUAL
Sketching
Rendering
Model Making
Drafting
INTERDISCIPLINARY PROGRAM
OTHERS
2013-2017
Creativity
Communication
Hard Work
Team Work
Planning
Management
Woodcut, Etching, Pottery, Music Appreciation, Meditation, Epic Tales, Social Innovation- KHOJ
RELATED STUDY PROGRAM 2013-2017
Maheshwar, Madhya Pradesh. Lunavada, Gujarat. Pune, Maharashtra. Vishal Khadi, Gujarat.
REFRENCES Available on request
01
THEATRE DESIGN 4th Year Project
THEATRE DESIGN
Play- Ghashiram Kotwal Site- Bhaskar Vitthal Wada, Vadodara.
The final diagram. The pauses were carefully created keeping in mind posi
Schematic sketch of the stage. The elements are projected out from the e main facade.
Conceptual diagram of the seating arrangement of audience on the site. The pauses created by superimposing the lines became mass of the audience.
Model making process. Understanding the slope and angle of the audienc
A’
The play shows the social, political, culture and economic life in Maharashtra. The creation of the human curtain consisting of twelve Brahmins is an excellent dramatic device used by the writer. As needed, they may temporarily act as individuals but mostly function as a unit. Thus the play has used flexible forms as a dramatic device. The role of the brahmins changes according to the events and has multiple personality - Adjust to the emerging realities. Thus the design can be characterized by modular design (capable of adding or removing units).
ition of the stage.
PLAN
existing grid of the
ce seating area.
SECTION AA’
FRONT ELEVATION Drawings are not to the scale.
A
Stage is positioned at different levels which are either projected outward or inward from the facade. Each element of the stage which is been projected is modular. The main element of the facade which is been repeatedthe arch is taken as a modular unit whose projection becomes passage, stage, stairs, or a room for the actors. Thus some actions takes place behind the arch or for some actions the arch becomes the backdrop. The modulars units were influenced by the Marathi style architecture. The stage is nothing but the assembly of these modular units. The projection of the stage has an impact on the audience. It goes simultaneously. The stage has an extension within the audience in such a way that at the juxtaposition of where the stage extends there is a break in the seating arrangement of the audience. Hence, the stage cut through the audience for the movement or becomes a stage itself for the actors. Thus some sequences occurs between the audiences and some on the projections from the facade which makes audience a part of the play.
3.
1. 00:00
2. 05:16
Ganesha DanceOpening of the play.
4. 24:42
Bavvankhanni
41:16
Brahminis waiting for Brahmans as they come back from bavvankhanni.
0
02:15:40
1.
2.
5. Nana’s Wedding
02:39:49
The fall of Ghashiram Kotwal.
02:49:39
3.
4.
5.
Ganesha Brahmins Brahmini Gulabi Sutradhar Gauri Gashiram Kotwal Nana Phadnavis
02
CORPORATE OFFICE DESIGN 4th Year Project
CORPORATE OFFICE Company- MICROSOFT Site- Government Printing Press, Vadodara.
About the company-
Evolution of the Logo Microsoft is an American multinational technology company headquartered in Redmond, Washington. “Our vision is to create innovative technology that is ACCESSIBLE to everyone and that adapts to each person’s needs. Accessible technology eliminates barriers for people with disabilities and it enables individuals to take full advantage of their capabilities.” — Bill Gates, Chairman, Microsoft Corporation. Core Values- People: Create value through collaborative teamwork, Innovative, Growth mindset, One Microsoft.
INSPIRATION PETER EISENMAN’S HouseVI
• Intersection of four planes • Manipulating structure and over again, until cohe spaces began to merge. • Purely ornamental form. • Form does not follow funct
KOIZUMI SANGYO HEADQUA
• Series of small cubes rotate various directions in space • Clash of geometries are evi both inside and outside building.
over erent
tion.
Section AA’
ATERS.
ed in e. ident e the Section BB’
Conceptual Sketches.
Part site model. Understanding the change in space with the change in identity of the cube.
Windows, from which logo of the company was inspired, was taken as an underlying concept to design Microsoft office. Here the frames act as an interface between the spaces. The house VI by Peter Eisenman was taken as an inspiration where he started with four frames and manipulated it till the spaces began to merge. The frames and masses become the design element for the office. The linear frames with cubes help in dividing and thus organising the office space. The Office space is characterised by planes holding the masses where masses appear to float in the space. The cubes are designed with multiple window cut outs which helps in connecting the surrounding space.
BASEMENT FLOOR PLAN
Drawings are not to the scale.
GROUND FLOOR PLAN
FIRST FLOOR PLAN
EXPLODED VIEW OF A CUB
The structure of wall which supports th Stair structure is independent of the wa
PASSAGE DETAIL
Steel bracket structure supported by the existing columns
PASSAGE DETAIL
Section- Not to the scale.
WALL DETAIL OF A CUBE Steel square section structure.
FLOORING DETAIL OF A CU
Wooden flooring- Beam-Joist structure
BE
he cube. all & cube.
UBE
e.
03
RETAIL DESIGN 3rd Year Project
RETAIL DESIGN
E’
D’
E
D
Brand- Global Site- Ozone Complex, Vadodara.
A’
The continuous smooth curves of the display unit reflects the seamless stainless steel material from handle to the tip of the blade and contours created for comfortale grip. The grip, balance and angle of the knife was used to design the display unit. The units were placed on the C-shaped structures which also incoporates light fixture and display screen within it. The main concept behind planning was to break the linearity and giving an indirect entry to the store.
B’
PLAN
Drawings are not to the scale.
FRONT ELEVATION
CROSS SECTION CC’
C’
A SECTION AA’
B
C SECTION BB’
CROSS SECTION DD’
CROSS SECTION EE’
04
WORKING DRAWING 3rd Year Project
05
FURNITURE DESIGN
Semester IV- STOOL DESIGN
Semester V- CHAIR DESIGN Material- Red Oak wood and Steel rod
Semester VI- CENTER TABLE D Material- Pine wood and Gla
DESIGN ass
Semester VII- BENCH DESIGN- An Outdoor furniture Material- Pine wood, Bent ply and Mdf. Designed by Forum Shah, Saagarika Tondon & Vidhi Malkan.
06
MISCELLANEOUS WORKS
EXHIBITION SPACE Workshop under Prof. Gurdev Singh
Site- Navrachana University, Vadodara.
Sectional Elevation Sectional Elevation
Detail C- Fixing detail of PVC pipe- Section
Detail B- Fixing detail of wooden post- Section
Detail A- Column detail- Plan
Plan
Drawings are made by Nitish Kesari and Mansi Patel Drawings are not to the scale
l
Grid Structure.
Fixing detail of the display panels.
Fixing detail of the cantilevered shelves.
Central display units.
Central display units.
Wall units.
VIDHI MALKAN vidhimalkan18@gmail.com +91 9712992181