Choosing and using Neutral Colours

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By Katherine Sorrell

Choosing and using neutral colours

For a look that is classically stylish, easy to live with and works in every room, choose a subtle palette of whites, greys and browns.

In a room decorated with neutrals, you will always feel at home. With an almost infinite range of colours, from the purest white to pale, mid and deep tones of grey, beige and brown, they work well for both old and new houses, and for small or large spaces. Think of the glow of polished wood, the texture of rattan, the variations of natural pebbles – these luscious shades, chosen and combined with care, can be full of character. First, the basics. Pale can definitely be interesting: shades of not-quite-white offer a surprising range of options, from fresh, bright and airy to rich, warm and restful. Rooms painted in pure white can appear bigger and brighter, thanks to the way the colour reflects light around. A clean white wall is a great background for vibrant paintings, for the coloured spines of books, or for a simple jug of flowers. And if brilliant white is too cold, choose a white with a pink or yellow undertone that warms the space and is more flattering against the skin. Beyond white, pale neutrals vary in hue from cream to sand, through taupe to stone and bleachedtimber tones, while darker neutrals vary from charcoal and ebony to chocolate – and there is a whole rainbow in between to choose from, including beautiful greys, from palest dove to darkest steel. Many people love the laid-back, fresh feel of a room that puts white on white, or combines a range of very pale tones, but with neutrals it is also possible to employ counterpoints of darker tones against lighter colours, or even to go dark and dramatic all over. Choose colours by trying them out in situ, using small tester pots before committing to a bigger purchase. Paint at least two coats on several pieces of card, and stick them up on every wall around the room in question. Observe the colours at the times you’ll usually be in the room, and with your lights

both on and off, as lighting has a marked effect on neutrals. The trick is to select layers of colour rather than just one, creating an interesting, subtly varied effect. When combining neutrals, avoid using different hues that are all of the same tone. An easy way to choose is to take a colour chart and go up or down (dark to light) within the same colour family, rather than working across from colour to colour. You could use darker tones for woodwork, with lighter ones for walls or, if you have features such as cornices and dadoes, perhaps vary the wall tones with lighter ones above and darker ones below the divisions. You can also use different neutrals to provide a gentle visual link from room to room: perhaps a very pale colour in a narrow hallway, with slightly darker hues in a living room and a warm tone in a dining room, for example. With paint colours sorted, continue the layering effect with flooring, wallcoverings, furnishings and accessories. In any neutral scheme, it is surfaces that are the star, and success comes from choosing textures – hard and soft, rough and smooth, squishy and knobbly – as carefully as you would colours. Natural is key, so aim for simple upholstery, window treatments, bed linen and table linens, in fabrics that have subtle and attractive variations in texture – crisp linen, soft cotton, warm wool, floaty muslin, fluffy sheepskin, and so on. Bring out the cosiness of a small bedroom, for example, with a shaggy rug, matt-painted walls, velvet curtains and soft woollen throws. Or emphasise a light and airy living room with satin-varnished floorboards, glossy woodwork, sheer curtains and silk cushions. While there is inherent pattern in many of these textures (the weave of a rug or a wicker basket, for example) you may wish to introduce some surface pattern, too. In rooms that are, on the whole, relatively plain, small pattern features will stand out as focal points. Checks and stripes, chevrons and zigzags, damasks and geometrics can all look particularly good. Similarly, the occasional spot of colour, whether it’s a pale pink cushion, a turquoise vase or a mustard-coloured lampshade, may be the perfect finishing touch for an all-neutral room, adding just a touch of drama and personality to the calm and welcoming vibe.

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1 Handmade in the UK, this love seat is composed of Scandinavian birch, with feather-wrapped foam cushions for squishy comfort. Banoffee love seat, £1,445, Loaf: 020 3141 8300; loaf.com.

2 Inspired by classic wingback chairs, these stately beds have ample storage space concealed beneath.

Kenley ottoman storage bed in oatmeal fabric, £699.99 (double), Furniture & Choice: 0333 015 0000; furniturechoice.co.uk.

3 This table teams two planks of tactile and sustainably sourced white oiled oak with black metal legs.

Industrial oak table, £975; Edie dining chairs, £525 (pair); all Nordic House: 01872 223 220; nordichouse.co.uk.

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