PersonalDetials & Resume
PersonalDetai l s & Resume
PersonalDetai l s & Resume
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Personal Inform ations | Name
. . .
Vi nce ChoiKi an Lek
Nati onal i ty
. . .
Mal aysi an
Date ofBi rth . . .
07 August1993
Emai l
. . .
kc6349j @greenwi ch. ac. uk
Contact
. . .
+44 7471 70 3932
Education | Acam edic Achievem ents | . . .
Graduated wi th Fi rstCl ass Honours Uni versi ty ofGreenwi ch Mari ti me Campus Jul y 2017
. . .
The ALS DepartmentPri ze Wi nner for Undegraduate Archi tecture
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Fi nalyear proj ectnomi nated to be featured i n upcomi ng September i ssue i n Bl uepri ntMagazi ne
. . .
BA (Hons) i n Archi tecture Thi rd Year 2016/17 Attai ned Fi rstCl ass Grades for al lmodul es
. . .
Proj ectsel ected as poster i mage ofthe year for Greenwi ch Uni versi ty Archi tecture and Landscape Department Exhi bi ti on Year 2017
Chef/ Athl eti cs / Cerami cDesi gner
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ContentPage
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03 CO NTENT:
Pages
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Portfol i o Cover Page
01 -02
Resume
03 -04
ContentPage
Year2Desi gnPr oj ect 05 -22
23 -40
41 -48
Archi tecture Forensi cs i n Anonymous Monster: The Chi nese Ki tchen i n Cerami c Vessel s
Year3Desi gnPr oj ect
Ti me Cri mes i n the Pl easure ofGardens: Rei nventi ng New Queer Space
Wor ki ngEx per i ence
ZLG Desi gn Studi o: Ecoworl d Headquater Desi gn
49 -54
Edi tori alDesi gn 01: Archi tecture Di ssertati on
55 -60
Edi tori alDesi gn 02: Archi tecture Technol ogy Report
61 -70
Techi calDrawi ngs
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Uni versi ty ofGreenwi ch Mari ti me Campus BA (Hons) i n Archi tecture Year 2 |Uni t7
Architecture Forensics in Anonymous M onsters
Architecture Forensics in Anonymous M onster
The Chi nese Ki tchen
Architecture Forensics in Anonymous M onsters
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i n Cerami c Vessel s
Tutor :Dr. Shaun Murray & Davi d Shanks The Chi nese Ki tchen i n Cerami c Vessel si s a proj ectthat experi ments on the ri chness ofspati alexperi ence,ti me consumpti on and bui l di ng materi al i ty i nvesti gati ng ways i n whi ch bui l di ng properti es can fi nd thei r way i nto archi tectural forensi cs.
The proj ecti n a response to currenti ssue i n the Isl e ofDogs, London.Peopl e refer to buy ‘ food i n the move’rather than enj oy ‘ food on the seat’ .The reason -Ittakes a l onger ti me enj oy a proper mealand peopl e need to getback to work. Hendce,thi s proj ectai ms to reassembl e the occupant’ s ti me consumpti on wi thi n the spaces.
Furthermore,“Si HeYuan”,a hi stori caltype ofresi dence was commonl y found throughoutChi na,mostfamousl yi n Bei j i ng,i t has appl i ed i nto my space pl anni ng,The restaurant’ s space vi si bi l i ty and pri vacy i s desi gned based on the ol dl ayout,from the ‘ screen wal l ’-Mai n Entrance to the ‘ Li vi ng Room’-Publ i c Di ni ng,and from there to ‘ The Corri dor’-Green Corri dor,and the l asti s enter to the mostpri vate partofbui l di ng,‘ Master Bedroom’-Pri vate Di ni ng.
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Architecture Forensics in Anonymous M onster
Architecture Forensics in Anonymous M onsters
Architecture Forensics in Anonymous M onsters
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BasementFl oor Pl an
Fi rstFl oor Pl an
Ground Fl oor Pl an
RoofFl oor Pl an
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Architecture Forensics in Anonymous M onster
Architecture Forensics in Anonymous M onsters
Architecture Forensics in Anonymous M onsters
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Architecture Forensics in Anonymous M onsters
Architecture Forensics in Anonymous M onster
Architecture Forensics in Anonymous M onsters
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A
n awakeni ng ofenvi ronmentalconsci ouness has i ntri gued
me to desi gn a space thatal l ow more personalway i n control l i ng ofthermalcomforti n order to i nvi te peopl e to stay l onger to have a meal .Hence,cerami c wal land cerami c roof structure i s appl i ed as mai n materi alfor thi s proj ect.The cerami c wal land roofstructure are composed by numerous l ayer ofcerami c and wi th a hol ei n between l ayer.The hol es actas water trasmi ssi on system,i tcol l ects rai n water and provi des hotwater and run through every si ngl e space i n the restaurantso thatthe thermalcomfortand temperature ofthe spaces can be control l ed.
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Architecture Forensics in Anonymous M onster
Architecture Forensics in Anonymous M onsters
Architecture Forensics in Anonymous M onsters
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Architecture Forensics in Anonymous M onster
Architecture Forensics in Anonymous M onsters
Architecture Forensics in Anonymous M onsters
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Architecture Forensics in Anonymous M onsters
Architecture Forensics in Anonymous M onster
Architecture Forensics in Anonymous M onsters
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Come to the end ofthe project,itis mainly experimenting the rol e ofthe bui l di ng envel ope as a medi ator ofthe surroundi ng envi ronmentrather than a determi nantofthe envi ronment.Iti s a conversati on between archi tects,peopl e and some unseen forces from the envi ronment.
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Architecture Forensics in Anonymous M onster
Architecture Forensics in Anonymous M onsters
Architecture Forensics in Anonymous M onsters
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Architecture Forensics in Anonymous M onster
Architecture Forensics in Anonymous M onsters
Architecture Forensics in Anonymous M onsters
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Time Crimes in the Gardens ofPleasure
Time Crimes in the Gardens ofPleasure
Time Crimes in the Gardens ofPleasure
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Rei nventi ng the New Queer Space Uni versi ty ofGreenwi ch Mari ti me Campus BA (Hons) i n Archi tecture Year 3 |Uni t7
lLGBTQ ety |Vauxhal for the contemporary soci ty Centre Communi
Tutor :Dr. Shaun Murray,Si mon Wi thers,Georgi es Loi zos
Vauxhal lCommuni ty Centre started wi th a cri ti que ofthe dawn peri od ofVauxhal lLGBTQ Communi ty,whi ch agai nsturban gentri fi cati on ofLambeth borough,London.Thi s proj ect i nvesti gates new queer space between archi tecture and a wi de range ofgender i denti ti es i n a peri od ofradi calsoci alchange i n Vauxhal l .Eventual l y,the archi tecture reveal s the queer rel ati onshi p throughoutthe urban al i enati on and vi sualpower wi thi n exi sti ng Vauxhal lSi te Contextby di scl ose the hi dden soci ety densi ty wi th archi tecture noti ons and constructi on.
The expl orati on ofnew queer space draw back some queer hi stori c textures from research si tes,Vauxhal lRoyalTavern and The Pl easure Gardens.Al though i tresul ted i n contextual l y encourages a queer soci ocul ture formed i n the pastbased on the tensi on between the propri etors’ambi ti ous and patrons’ desi res.Research on the queer hi story ofVauxhal lexposes much materi alhas been l ostor destroyed,thi si s a hi story punctuated.From ol d Vauxhal lto now,queer experi ence i s sti l l di verse and there are some perspecti ves for whi ch we have found l i ttl e survi vi ng materi al s.Hence,thi sl ed the archi tecture conversati on thatwi l lencourage more materi al , more stori es and more l i ves to be di scovered.
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Time Crimes in the Gardens ofPleasure
Time Crimes in the Gardens ofPleasure
Time Crimes in the Gardens ofPleasure
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However, queer archi tecture does notmandatory i n materi alenti ti es,but i n rel ati ons between peopl e and Vauxhal lexi sti ng envi ronment. Vauxhal lCommuni ty Centre exami nes how i deas and scenes ci rcul ate i n soci ety,parti cul arl y through one si ngl e
ear wi ndow” to the existing archi tecturalconstructi on,“r si te context.To map outa new urban space,taken reference from a wel l known Al fred Hi tchcock’ s movi e,“rear wi ndow”,i t i si mportantunfol ds ofway soci aluses i n space transform fi el d ofrel ati onshi ps i n voyeuri sm.Therefore,Vauxhal l Communi ty Centre i tsel fas a magi steri alvi ewi ng devi ce to promote bui l di ng ofvi ews.The archi tecture i nvents a seri es of stages approaches to space maki ng emerges and devel ops l ocal l y.Thi s network i s profoundl y queer experi menti n modern l i vi ng founded on radi calhonesty and mutualsupport.
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Time Crimes in the Gardens ofPleasure
Time Crimes in the Gardens ofPleasure
Time Crimes in the Gardens ofPleasure
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Therefore, thi s proj ectconsi ders aboutqueer theori es and studi es whi ch surroundi ng the Vauxhal lcontextencouragementand shi fti ng spati alrel ati onshi p ofqueer space, on one l evel ,to map the queer space.Through devel opi ng the queer space,Vauxhal l Communi ty Centre i tsel facts as a new space performance and educati on toolto transl ate the contemporary queer space i nto real i ty.By provoki ng and offeri ng us an opportuni ty wi th the space to reori entqueerness as a new structure and educate mode ofdesi ri ng thatbri ng new ani mated soci alreal m.These spaces are born to l ondstandi ng empower i ndi vi dual s,to transform i nsti tuti ons,to change hearts,to change mi nds even to change l aws.
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Unfami l i ar Conversati ons
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Defyi ng Publ i c Indencency
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Theatre ofQueer Pespecti ve & Publ i c Expressi on
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Assitant Architect
Worki ng Experi ences
zl gdesi gn
W orking Experiences
Worki ng Experi ences
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Desi gn phi l osophy and sustai nabi l i ty approach ZLG ethos i s one ofkeepi ng al lthei r desi gn and i mpl ementati on procedures i nl i ne wi th i nternati onal standards.Currentl y the studi o pri vde trai ni ng and l ectures i n the courtyard ofd7 where they i nvi ted i n eventprograms and have i nstal l ed arti sts and worl d experts to share thei r experti se i nl andscape,fi ne arts and bui l di ng technol ogy.They do notemul ate or copy and therefore each process i s uni que and speci fi c to the bri efand often the proj ectteam evol ve the scheme through questi oni ng the bri efand di recti ng the proj ect toward a more refi ned and sophi sti cated sol uti on.They procure sustai nabi l i ty consi derati ons atthe earl i eststages ofeach proj ectso thata GBIconsul tantcan be engaged atthe onset.
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Macaranga |Eco Worl d Headquater
M acaranga | Eco W orld Headquater
Macaranga |Eco Worl d Headquater
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ECOWORLD: ECOSPACE WORKPLACE CONCEPT,MOTIVATION,STATEMENT OF ETHOS AND CORPORATE VISION Workpl ace has three paradi gms as we know today,the IBM Cosham modelwhi ch emphasi ses open pl an and sense ofori entati on,the Tel enor Norway mul til evel break outareas model l ed to bri ngcul ture and the arts i nto the work pl ace,and the more recentnew green offi ce whi ch focuses on energy and return on i nvestments for greener products whi ch promi ses a l ow energy bui l di ng system. In Eco pace,we embrace al lthe tree. Yet,we bel i eve thatecoworl d HQ wi l ltake thi s paradi gm further,the desi gn recogni ses thatgreen envi ronments woven i nto offi ce bui l di ngs wi l lbecome the new currency ofthe work pl ace and our recreati onalfuture.Al ll i veabl e spaces oftomorrow whether work pl ace or our recreati onalbui l di ngs wi l lhave to forego thei r outmoded and outdated formal i ti es,ad thei r dysfuncti onal archetypes we know oftoday,and soon the future offi ce wi l lbecome our new l i vi ng rooms,our naturalgardens can become the new conventi on centres,and so on and so forth.The bui l tenvi ronments ofecoworl d wi l lembrace nature and vi ce versa.Landscape archi tecture and the new typol ogy ofecoworl d MACARANGA wi l lgi ve al lhumani ty the new paradi gm whi ch i s the workpl ace we defi ne as the Eco Pl ace.
Team
M em bers:
Laura Le Gal Vi nce ChoiKi an Lek
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M acaranga | Eco W orld Headquater
d se d o n p u ro o r P
d an se Pl o p f ro o o P
R
r o o l F Macaranga |Eco Worl d Headquater
Macaranga |Eco Worl d Headquater
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: n a l P
G
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M acaranga | Eco W orld Headquater
Macaranga |Eco Worl d Headquater
Macaranga |Eco Worl d Headquater
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Ground Floor Plan:
RoofPlan:
18 4 2
EditorialDesign
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EditorialDeisgn
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Archi tecture Di ssertati on Edi tori alDesi gn
Ar c hi t e c t ur e i s e ndur i ng an obv i ous
Tor e f l e c tt hee t hosofque e rs pac et he or y ,
r e v ol ut i on i n t he di s c our s e be t we e n
t he c hos e n LGBTQ’ s c ol our pal e t t e
ae s t he t i c sandf or mmaki ng,gr adual l yl e s s
gr adual l ys hi f t sf r om page st opage s .Asa
c onc e r ne dduet ot hedi s c us s i onbe t we e n
r e s ul t ,t he gr adi e nt be aut i f ul l ye x pos e s
ge nde r ,s e x ual i t yands pac epe r f or manc e s .
t hr ough t he e dge and bac kbone oft he
‘ St r uc t ur i ngt heTr adi t i on:Re i nv e nt i ngt he
book.Eac hbookwasbi nde dme t i c ul ous l y
Ne w Que e rSpac ef ort he Cont e mpor ar y
byhandwi t hke t t l e s t i c ht c hi ngme t hod.
Soc i e t y ’i swr i t t e nbyVi nc eChoiKi anLe k f orhi sBac he l orDe gr e e ’ sdi s s e r t at i on i n Uni v e r s i t yofGr e e nwi c h,London.
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EditorialDesign
Archi tecture Techni calReport Edi tori alDesi gn
The ambi t i on of t hi s doc ume nt i st o
he r i t age , i nt e r gr at e d wi t h f abr i c at i on
i l l us t r at e a de t ai l e dr e por ts t ar tf r om
t e c hnol ogywi t hmode r nbui l di ngmat e r i al
bui l di ng c ont e x t , de l i v e r y ,c ons t r uc t i on
s e l e c t i on wi l lbede mos t r at e di n bui l di ng
and pe r f or manc eofVaux hal lCommuni t y
c ons t r uc t i ons e c t i on.
Ce nt r ei n Lambe t h bor ough,London f or Vaux hal l One Bus i ne s s I mpr ov e me nt
The l ay out de s i gn e x pe r i me nt s wi t h
Di s t r i c t( BI D) .As s o,bas e d on c l i e nt ’ s
t y pogr aphyt os howc as et hebol ds i deof
ambi t i ousi nc hangi ngVaux hal lt oane w
que e r c ommuni t y . Be s i de s t hat ,t he
v i br ant pl ac e , t he de s i gn pr opos al
pr e s e nt e dr e por ts t i l le x ude spr of e s s i onal
c ont i nue s t o r e s pond, r e f l e c t and
ar c hi t e c t ur ee t hoswi t houtc ompr omi s i ng
c ont r i but et ot heque e rhi s t or y ,c ul t ur eand
ae s t he t i c sofe di t or i alde s i gn.
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EditorialDesign
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Archi tecture Techni calReport: 58
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