SELECTED ARCHITECTURAL WORKS
V. MICHAEL CHANDRA
2020/2021
PORTFOLIO 02 VOL.
Foreword My name is Vinsensius Michael Chandra. I graduated from the Parahyangan Catholic University, majoring in Architecture. I live in Jakarta, Indonesia, and have been working as an architect, design consultant, urban planner, and FF&E consultant in the past year of experience working in the design industries. In this portfolio, I want to thank you my colleague, and my mentor when I was working at my previous company. They were giving me many opportunities to develop my skills to become a better designer, I would have not learned or achieved anything without their professional guidance. So I want to give my thanks to Mr. Joshua Angsono as my colleague and my mentor in working at Atelier IMAGO for giving me the opportunity to make me realize architecture is a big world and without the right knowledge and the right attitude, one can struggle without gaining anything. I also want to give my gratitude and respect to Mr. Alwi Sjaaf for becoming my professional mentor in SAL Studio. He gave me many lessons about how to work and how to think like a consultant and also as an architect. I will always remember one lesson that he always reminds me of from time to time, and that is to always think the big picture before making my points or decision, always giving the right solution to the client because that is why they hire us. As a fellow designer, I learn that the process of designing on many projects can be achieved in many different ways before making the final decision. I think the hard part is that to challenge ourselves to push our boundaries with being as objective as possible at the same time for designing something. We will never grow, if we don’t ever acknowledge new things, new environment, new style, new change, new world, or whatever new it is. Success or fail, win or lose, we will not gain anything if we don’t give our everything.
About This Portfolio
This portfolio contains several architectural projects that have been carried out during 2020-2021. Based on all the projects, there are 5 projects that have been considered and selected according to the best of creator. The projects will display several architectural works by concepts, drawings, visualizations, diagrams, or other illustrations that can help the readers to understand.
About Creator Context
Year
Description
Education
2009-2012
Saint Theresia Junior High School
2012 - 2015
Saint Theresia Senior High School
2015 - 2020
Parahyangan Catholic University Bachelor Degree in Architecture / GPA 3.00
2017
Alfred Architect as Intern
2020 - 2021
Atelier IMAGO as Architect
2021
SAL Studio as Architect
2016 - 2017
Welfare Division in HMPARS14 as Member
2017 - 2018
Community Service Division in HMPARS15 as Member
2018
BHAKTI GANVA18 as Head of Event Organizer Division
2019
Honorable Mention SAA AWARDS 46
Work Experience
Organization Activities Experience
Achivement
Table of Content ARCHI PROJECTS PAGE 11
P.01 P.02 P.03 P.04 P.05
Bintaro Residence
Residential Project 2020
PAGE 13
FS Residence
Residential Project 2020 / 2021
PAGE 23
GKY Greenville
Religious Project 2020 / 2021
PAGE 35
KOPPI
Commercial Project 2021
PAGE 49
Kemang Raya
Urban Project 2021
PAGE 57
GRAPHICS/VISUALIZATION PAGE 71
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V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
ARCHI PROJECTS
This section consists of works of architecture/interior/urban design created by the creator when was working at Atelier IMAGO and SAL Studio. Most of the works were drafting, rendering, project management, and research.
11
12
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
P.01 Bintaro Residence
Type Location Year Area
: : : :
Residential Building Bintaro 2020 ± 1131 m²
Firm Principal Roles
: Atelier IMAGO : Joshua Angsono : Junior Architect / Drafter / Rendering
Bintaro Residence is a housing project on a site located between two streets (Anggrek Street and Teratai Street). Due to the covid 19 issue and the impact to lead an isolated living, the design approach is to engage human social interaction by creating a community based living. The project was a proposal and it was at the conceptual phase. It was my first project working at Atelier IMAGO, the project has already had a design and I was given the opportunity to refine it, my responsibility was to design, create renders, 3D modeling, drafting the floor plan and site plan.
13
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
ANGGREK STREET
SITE
Bintaro Residence is on a site located between two roads. The design concept is based on how people see the impact of covid 19 issues on a housing project. By thinking the “new normal” can create an isolated life, the design approach is to create a community base of living.
TERATAI STREET
ANGGREK STREET
UNIT
UNIT
UNIT
UNIT
UNIT
UNIT
UNIT
UNIT
TERATAI STREET
ANGGREK STREET UNIT
UNIT
UNIT
UNIT
UNIT
UNIT
UNIT
UNIT
TERATAI STREET
14
The impact of covid 19 can lead a life with less interaction with people minding their own business. The goal of the design is to engage a person or a family to have a healthy social life, people can have a conversation with the neighborhood, trade goods, or do an activity, etc. By living together can also encourage people to be more social with each other and can remind each other to stay healthy, clean, etc.
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
Creating a public space in the center to engage a person or a family to have a healthy social life, also create more openings for sunlight to travel inside the building.
15
V.MICHAEL CHANDRA
16
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
17
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
3898 598
2695 678
670
670
SERVICE PATHWAY
1015
PARKING
UNIT 1
UNIT 2
± 0.00
PORCH
± 0.00
PORCH
PORCH
- 0.02
- 0.02
PORCH
- 0.02
200
GARDEN - 0.05
200
600
2630
200
- 0.02
UNIT 3
± 0.00
SECURITY PORCH
PORCH
1015
- 0.02
PARKING
- 0.02
UNIT 5
UNIT 6
± 0.00
± 0.00
SERVICE PATHWAY
18
PORCH - 0.02
UNIT 7 ± 0.00
SERVICE PATHWAY
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
605 678
1015
PARKING
UNIT 4 ± 0.00
H
2630
600
200
200
200
2
SECURITY
PORCH
UNIT 8 ± 0.00
PARKING
1015
- 0.02
Bintaro Residence - Site Plan Drawing
19
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
1
2020 / 2021
3
2
4
1015 150
292
415
158
95
A
A FRIDGE
127
BACK TERRACE
WASHING MACHINE
330
- 0.02
GARDEN
KITCHEN
- 0.05
± 0.00
335
SERVICE PATH
685
685
- 0.20
FLEXIBLE SPACE ± 0.00
PATHWAY 355
- 0.05
PORCH 223
- 0.02
GARDEN - 0.05
B
B
150
1015
2
1
285
580 3
4
Bintaro Residence - Ground Floor Drawing
1
3
2
4
1015 150
580
285
A
A
127
POWDER ROOM + 3.50
LIVING AREA 323
+ 3.52
335
BALCONY
685
685
+ 3.47
STUDY ROOM + 3.52
PANTRY 363
+ 3.52
DINING AREA 223
+ 3.52
B
B
150 1
75 2
505 1015
285 3
4
Bintaro Residence - 1stFloor Drawing
20
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
1
3
2
1'
2020 / 2021
90
4
925 60
78
270
180
338
A
223
BALCONY + 6.83
MASTER BATHROOM
BATHROOM
+ 6.86
+ 6.86
158
A
CLOSET AREA + 6.88
305
BEDROOM
685
685
+ 6.88
120
MASTER BEDROOM
223
463
+ 6.88
B
B
90
408
233
285
925 1
3
2
1'
4
Bintaro Residence - 2nd Floor Drawing
1'
1
3
2
4
1015 90
60
600
265
A
462
A
ROOFTOP GARDEN 685 223
685
+ 10.24
B
B
528
398 925
1
1'
2
3
4
Bintaro Residence - 3rd Floor Drawing
21
22
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
P.02 FS Residence
Type Location Year Area
: : : :
Residential Building Jakarta 2020 / 2021 ± 320 m²
Firm Principal Roles
: Atelier IMAGO : Joshua Angsono : Junior Architect / Drafter / Rendering
FS Residence is a residential project that is located at Puri, Jakarta. The site is on the corner and has two faces, one that faces north and the other one is facing west. It consists of a 3 floor with balcony on the 1st floor and 2nd floor with secondary skin facade to protect the direct sun especially from the west side of the house. The project was at the design development phase, I had the opportunity to learn to create architecture details and talked to vendors to learn more about the specs of the material that had been used. I was responsible to create detailed drawings and other construction drawings such as doors and windows.
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V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
IDE
S ST
WE
2020 / 2021
IDE
S ST
WE
CORNER SITE
STACKING
The site is on a corner with two sides of that face north and west.
The site is elevated from the road to avoid flooding that often occurs in the Puri area.
IDE
IDE
S ST WE
S ST WE
EXTENSION
SECONDARY SKIN
Creating a balcony in the important space, the living and dining room on the 1st floor, and the master bedroom, bedroom 1, and bedroom 2 on the 2nd floor.
Reducing the amount of direct sunlight that comes from the west of the house by using a flexible secondary skin that can be moved from the balcony.
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V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
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V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
note: Plint d
seting
DAK
+11.890
CH +3.200AFF
AS
+8.640
CH +3.200AFF
KAMAR TIDUR 1 +8.640
CH +3.200AFF
RUANG MAKAN +4.680
BALKON +8.590
CH +3.410AFF
BALKON +4.630
CH +3.820AFF
CH +3.600AFF
±0.000
-0.050 -0.850
JALAN - 1.250
5
4
3
2
1 note: Plint dengan material lantai setinggi 10 cm
INFORMASI
FS Residence Section and Elevation Drawings
5
4
3
2
1
26 INFORMASI
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
GSB
A
C
B
C
B
D
5
E
G
F
5
R. SERVICE
FL ±0.000
4'
15
4
13
R.GENSET
12
FL -0.040
SHOWER
3'
FL-0.020
FL -0.040
16
GUDANG
FL ±0.000
18 19
FL+0.780
11
FL+0.380
9 8
23
R. SAUNA
7
24
6
25
5
26
10
FL -0.020
20 21
4'
DAPUR
17
26 X 180MM
14
FL ±0.000
TOILET
FL -0.040
4
KAMAR SERVICE
FL ±0.000
22
1 3 4
3
3
6
22 X 212MM
1 up
A
7 8 9 10
A
11 12 13
GARASI
14
GUDANG15
FL -0.050
TAMAN
3
5
2
16
FL +0.05017
GYM
FL -0.100
3'
2
4
18
FL ±0.000
19
MAIN FOYER
20 21
FL ±0.000
CARPORT
FL -0.050
2
2
GSB
TERAS
FL -0.050 TERRACE
1
FL -0.050
FL-0.680
1
1 JALAN
FL -1.250
A
B
C
D
E
B
G
F 2
C
FS Residence - Ground Floor Drawing
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V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
GSB
A
C
B
C
B
D
5
E
G
F
5
R. SERVICE
FL ±0.000
4'
15
4
13
R.GENSET
12
FL -0.040
SHOWER
3'
FL-0.020
FL -0.040
16
GUDANG
FL ±0.000
18 19
FL+0.780
11
FL+0.380
9 8
23
R. SAUNA
7
24
6
25
5
26
10
FL -0.020
20 21
4'
DAPUR
17
26 X 180MM
14
FL ±0.000
TOILET
FL -0.040
4
KAMAR SERVICE
FL ±0.000
22
1 3 4
3
3
6
22 X 212MM
1 up
A
7 8 9 10
A
11 12 13
GARASI
14
GUDANG15
FL -0.050
TAMAN
3
5
2
16
FL +0.05017
GYM
FL -0.100
3'
2
4
18
FL ±0.000
19
MAIN FOYER
20 21
FL ±0.000
CARPORT
FL -0.050
2
2
TERAS
FL -0.050 TERRACE
1
FL -0.050
FL-0.680
1
1 JALAN
FL -1.250
A
B
C
D
E
B
FS Residence - 1st Floor Drawing
28
G
F 2
C
GSB
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
B
GSB
A
C
B
C
D
E
G
F
5
5
4
15
16
14
17
22 X 180MM
4'
13 12
POWDER ROOM
FL +4.660
11 10
HOME THEATER
9
FL +4.680
3'
20 21 22 23
3
24
2
25 down
4
FL +4.610
19
4
1
4' TAMAN
18
TERAS TAMAN
FL +4.630
3'
26
up 5
3
3
5
26 X 180MM
6
A
7 8 9 10
A
11 12 13 14
R. KELUARGA
BALKON
R. MAKAN
PANTRY
FL +4.680
FL +4.680
15 16 17 18
FL +4.680
FL +4.630
19 20 21 down 22
2
2
BALKON
GSB
FL +4.630
1
1
1
A
B
C
D
E
B
G
F 2
C
FS Residence - 2nd Floor Drawing
29
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
D-02
3'
2
TAMPAK SECONDRAY SKIN C (LT 2 MASTER BEDROOM)
SLOPE 1%
SKALA 1 : 50
SLOPE 1°
SLOPE 1%
SLOPE 1°
CH +3.360AFF
CH +3.360AFF
BALKON FL +8.590
3'
2
DENAH SECONDRAY SKIN C (LT 2 MASTER BEDROOM) SKALA 1 : 50
DZ-01
INFORMASI
DZ-01
SLOPE 1%
DZ-01
01 DETAIL D-01 SKALA 1 : 20 30
BALKON +4.630
SLOPE 1%
BALKON +4.630
DZ-01
INFO
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
DETAIL DZ-01
IN
SKALA 1 : 20
FS Residence - Secondary Skin Detail Drawings
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V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
D01
SLOPE 1%
SLOPE 2°
CH +3.530AFF
D02
DETAIL PLAFOND KANOPI LT DASAR SKALA 1 : 20
D02 SKALA 1 : 5
FS Residence - Canopy Detail Drawings INFORMASI
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BALKON +4.630
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
INTERIOR SIDE
EKSTERIOR SIDE
JENDELA SWING UPVC
INTERIOR SIDE
UW-01 1
1
DOOR FRAME
EKSTERIOR SIDE
-
FRAME -
EKSTERIOR SIDE
S16
S17
-
INTERIOR SIDE
EKSTERIOR SIDE
INTERIOR SIDE
EKSTERIOR SIDE ALUMINIUM UPVC S17 HEAD & JAMB DETAIL -
DOOR FRAME
EKSTERIOR SIDE
S19
-
S20
UW-06 2F
1
S18
-
JENDELA KACA MATI UPVC
INTERIOR SIDE
BATHROOM 2F
1
EKSTERIOR SIDE
ALUMINIUM UPVC S19 HEAD & JAMB DETAIL -
FRAME
EKSTERIOR SIDE
UW-05
INTERIOR SIDE
TAMAN
FRAME
POWDER R(1F) M. BATHROOM(2F)
DOOR
JENDELA SLIDING UPVC
UW-04
DOOR
ALUMINIUM UPVC S19 HEAD & JAMB DETAIL -
UW-06
JENDELA NAKO UPVC
INTERIOR SIDE
INTERIOR SIDE
2
DOOR
UW-05
INTERIOR SIDE
UW-04
UW-03
POWDER ROOM 1F
ALUMINIUM UPVC S16 HEAD & JAMB DETAIL -
JENDELA SINGLE HUNG UPVC
UW-02
TANGGA UTAMA 1F
EKSTERIOR SIDE
INTERIOR SIDE
JENDELA KACA MATI UPVC
INTERIOR SIDE
EKSTERIOR SIDE
UW-03
EKSTERIOR SIDE
UW-02
UW-01
INTERIOR SIDE
V.MICHAEL CHANDRA
1 ALUMINIUM UPVC S20 HEAD & JAMB DETAIL -
S21
DOOR FRAME
EKSTERIOR SIDE
S22
NAMA
ALUMINIUM UPVC S21 HEAD & JAMB DETAIL -
NO. PINTU LOKASI QUANTITY MATERIAL FINISH MATERIAL SILL DETAIL HEAD & JAMB DETAIL HINGE TYPE HANDLE SPECIFICATION DOOR CLOSER LOCK/LACTH DOOR STOP DOOR
FRAME
FS Residence - Door and Opening Drawings
33
INFORMASI
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V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
P.03 GKY Greenville
Type Location Year Area
: : : :
Religious Building Jakarta 2020 / 2021 ± 1393 m²
Firm Principal Roles
: Atelier IMAGO : Joshua Angsono : Junior Architect / Drafter / Site Supervisor
GKY Greenville is a church that is located in Greenville, Jakarta. The site is located near the old Greenville church. The building has 5 floors with a deck at the top and was designed using glass block material which was a material that dominated the entire building. The project was at the construction phase when I was given the responsibility to be the person in charge of the project. At that time my job is to come every once a week to the site discuss with contractors, engineers, structure engineers, project managers, and each of their assistants. It was the most challenging experience in my life at the time aside from my first experience working as a project architect.
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V.MICHAEL CHANDRA
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ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
GROUND FLOOR Zoning distribution on the ground floor consists of a public space for public activities for social life, it also has a green space with trees and plants.
1st & 2nd FLOOR Zoning distribution on the 1st and 2nd floor consists of children’s classrooms for Sunday school.
3rd & 4th FLOOR Zoning distribution on the 3rd and 4th floor consist of the chapel with a mezzanine.
37
V.MICHAEL CHANDRA
The left side of the building is where the vertical circulation and the wet area such as toilets and baby room were located. It has a glass block from down to top with structure and an H-beam that supports it with a shape that looks like a cross and has an LED that lights at night.
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ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
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V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
PUBLIC SPACE The purpose of public space on the ground floor is used for public activity such as gathering, communicating, etc for people. The goal of the design is to give space for human activity rather than space for parking. Use of space in Jakarta’s building usually tends to give so much space for cars so that people can park theirs. By creating a space for human activities with trees and plants, it gives a sign to appreciate human kinds and nature.
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2020 / 2021
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
GLASS BLOCK The glass block is a material that can reflect and also refract light from the outside to the inside. The church needs as many lights to travel inside the building so that trees and plants can grow inside the building. The vegetation inside the building is a symbol that there is life inside the church.
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V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
Site visit when construction at work: • •
42
Glass block’s look at the close range located in the classroom. Classroom’s corridor with up and down ceiling, glass openings for light to travel inside the corridor.
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
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V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
AS
LOBBY
FL +0.770 BATH ROOM
FL +0.730 UP 1
2
2
27 x150 mm
3 4 5 6 7 8
AS
9 10
11
12
13
14
1
B
C
GKY Greenville - Indoor Tree Detail Drawings
44
15
16
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
CABLE TRAY
CABLE TRAY
CH +2.800AFF
CH +2.750AFF
TALI AIR CH +2.750AFF CH +2.400AFF
CH +2.400AFF
GYPSUM 12 mm FIN. PT-01 DENGAN CORNER BEAD DI SETIAP SUDUT GYPSUM 12 mm FIN. PT-01 GARIS KOLOM DENGAN CORNER
CH +2.400AFF
CEILING GYPSUM 12 mm FIN. PAINT PT-02 CEILING GYPSUM CEILING GYPSUM 12 mm 12 mm FIN. PAINT PT-02 FIN. PAINT PT-01 CEILING GYPSUM 12 mm FIN. PAINT PT-01
BEAD DI SETIAP SUDUT
GARIS KOLOM
CH +2.800AFF
CEILING GYPSUM 12 mm FIN. PT-01 CEILING GYPSUM 12 mm FIN. PT-01
TALI AIR
CH +2.400AFF CH +2.250AFF
GYPSUM 12 mm FIN. PT-01 DENGAN CORNER BEAD DI SETIAP SUDUT GYPSUM 12 mm FIN. PT-01 DENGAN CORNER BEAD DI SETIAP SUDUT
CH +2.400AFF
CH +2.400AFF
GYPSUM 12 mm FIN. DENGAN CORNER BEAD DI SETIAP SUDUT GYPSUM 12 mm FIN. DENGAN CORNER GYPSUM 12 mm BEAD DI SETIAP FIN. SUDUT PT-01 DENGAN CORNER BEAD DI SETIAP SUDUT GYPSUM 12 mm FIN. PT-01 DENGAN CORNER BEAD DI SETIAP SUDUT
CH +2.250AFF
CH +2.800AFF
CH +2.800AFF
12 mm GYPSUM CEILING DENGAN SHADOWLINE CH FIN. +2.800AFF PT-01
12 mm GYPSUM CEILING DENGAN SHADOWLINE CH +2.800AFF FIN. PT-01
12 mm GYPSUM CEILING DENGAN SHADOWLINE FIN.CH +2.800AFF PT-01
12 mm GYPSUM CEILING DENGAN CORNER BEADSHADOWLINE DI SETIAP FIN. SUDUT PT-01 GYPSUM
12 mm GYPSUM CEILING DENGAN SHADOWLINE FIN. PT-01
12 mm GYPSUM CEILING DENGAN SHADOWLINE FIN. PT-01
12mm CORNER BEAD DIGYPSUM SETIAP SUDUTFIN. GYPSUM PT-01 12mm GYPSUM FIN. PT-01
CH +2.800AFF
GYPSUM 12 mm FIN. PT-01 GYPSUM 12 mm FIN. PT-01
INFORMAS
INFORMAS
GKY Greenville - Ceiling Detail Drawings
45
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
GKY Greenville - Restroom Details Drawings
46
2020 / 2021
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
47
48
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
P.04 KOPPI
Type Location Year Area
: : : :
Commercial Building Jakarta 2021 ± 66 m²
Firm Principal Roles
: SAL Studio : Alwi Sjaaf : Junior Architect / Drafter / Rendering
KOPPI in Yogya plans to create an extension for their cafe located at Laksda Adisucipto Street. The site is located hidden in the back of the main (cafe) building. The project was at a conceptual phase of the design process and it was my second project working at SAL Studio, I was given the opportunity to create an alternative design for the interior and layout in the project. I was responsible for designing, drafting (schematic), and also rendering all of the design alternatives.
49
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
B
A
JL. LAKSDA ADISUCIPTO
LEGEND A : Main Building B : Site
The site is located in an urban pocket where can be accessed by a small alley. It was an extension from the main building and the challenge was the place is hidden behind the main building with a low visual cues for people to notice.
50
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
The site is an open space with dimension 8.3m x 5.5m without shelter. The purpose is to serve as an extension of the main buiding which is a small cafe with 3-4 seating. The design approach of the project is to respond to covid 19 issues, people no longer come to cafes for a place to dine for their services but rather so a safe, clean, and healthy space to dine.
The concept of the design is “Terrace” where a typical Indonesian’s house to have a terrace in their house to separate the outdoor and indoor of their house. The goal of this design is to create an atmosphere similar to a house on the terrace by creating a small void for trees and plants so people inside have a view inside. The seating arrangement is set to circulate the open space. The furniture of the cafe all is loose furniture to increase flexibility to respond to a small space cafe.
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ARCHITECTURE PORTFOLIO VOL.2
STORAGE EL.+0.000
2020 / 2021
LAVATORY EL.+0.500
UP SEATING AREA 1 EL.+0.000
SEATING AREA 2 EL.+0.500
The design is using raw materials such as wood, unpolished concrete, and fill with bamboo fixtures and hanging plants.
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KOPPI - Other Design Alternatives
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KOPPI - Other Design Alternatives
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P.05 Kemang Raya
Type Location Year Area
: : : :
Urban Project Jakarta, Kemang Raya Street 2021 ± 2.7 km
Firm Principal Roles
: SAL Studio : Alwi Sjaaf : Urban Planner / Urban Designer / Drafter
Kemang Raya Street is one of several urban areas in Jakarta that has gentrification. Within its development and urban growth, buildings in Kemang Raya change their function from residential in the past to commercial area and becomes one of the busiest streets in Jakarta. The project is to research and create an urban design proposal. We were given the opportunity to share our idea with the former chairman of BAPPEDA.
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2020 / 2021
Timeline 1962
1950
A Rural Area
The First ASEAN Games
In the past, Kemang is one of the rural areas in Jakarta that has filled with small houses.
The start of rapid development in numerous areas near GBK.
1980
1970
Bob Sadino
Expatriates
With Kem Chicks is built in Kemang improving the living standard in Kemang.
Numerous lands were purchased or rented by expatriates to live in the Kemang area.
1985
1998
PLANNING AND REGULATION
Sutiyoso, Governor DKI Jakarta
Kemang is designated as a residential area and its function is as a water infiltration area.
Kemang has changed the designation of Kemang from a residential into a commercial area.
2012
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2021
Kemang Village
Flooding Issue
Kemang Village was an example as one of the buildings that has a mix-use concept.
Kemang Raya Street was hit by a 1.5 meter height of the flood.
V.MICHAEL CHANDRA
ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
Gentrification Further research shows that a phenomenon called “Gentrification” may happen in Kemang Raya Street. Gentrification is a process of social structure transformation in a certain area within its people live in it. Back in 1960 Kemang is just one of the rural areas in Jakarta, a place where a small houses with few individuals or families live in it. But because of a certain event and the continuity of development, Kemang becomes an area filled with numerous of commercial buildings. What we are seeing through this day, Kemang is known with many commercial places and its unique variant of attraction, it becomes one of the busiest streets in Jakarta. We can look at the change and the impact on Kemang Raya Street
Kemang Raya Street at 1978, photo taken by Bintoro Hoepoedio
Kemang Raya Street at 2019, photo taken by Bintoro Hoepoedio
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ARCHITECTURE PORTFOLIO VOL.2
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ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
NETWORK
ACCESS
Kemang Raya Street is a 2-way street and has a distance of ± 2.7 km. The width of the street is 9 m, with 2 lanes on it.
Looking at the mapping, Kemang Raya Street has a few nodes that indicate an intersection. This is also the reason why Kemang Raya Street has low traffic flow causes a lot of traffic jams.
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2020 / 2021
COMMERCIAL
GREEN SPACES
The impact of gentrification in Kemang leads to a dominating of a high number of commercial buildings that were built along Kemang Raya Street.
Alongside Kemang Raya Street, there is a very low number of green spaces discluding the trees. All of the green spaces in Kemang Raya Street are used for cars to park with pavement, asphalt, or concrete materials. 63
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MISS USE OF PEDESTRIAN WALKWAY Visiting Kemang Raya Street, many of the pedestrian walkways are being used for motorcycles to parking. One of the reasons it happens causes of Gojek drivers tends to wait to pick up customers.
UNFRIENDLY FOR DISABLED Tactile paving for people who are disabled is designed to not be straight and it’s not safe because it can increase the possibility of an accident.
UNEVEN AND SLANTED PEDESTRIAN Numerous lots have access for cars to park in their own space, it creates a pedestrian walkway with an uneven and slanted surface because of the ramps.
STREET FURNITURE Street furniture with no control also creates an unpleasant experience for pedestrians to walk.
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SPACES ≠ ACTIVITIES The space in pedestrian walkways of Kemang Raya Street is not meant to shelter many activities because it’s not wide enough to fit, and it can create an unpleasant experience for pedestrians to walk.
2020 / 2021
CAR PARKING Building’s front space is being used for cars to park in their own lot. The problem is the material is not less permeable than normal soil considering Kemang Raya Street is supposed to be a water infiltration area.
PASSIVE FRONTAGE Not all of the buildings along Kemang Raya Street are commercial use, there’s happen to be a few that of residential use and have a fence or wall in their lot making a passive frontage.
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2020 / 2021
PARKING SPACE
PEDESTRIAN/BUFFER
STREET
4.50 m
3.50 m
4.50 m
25.0
Possible Activities
PUBLIC SPACE
PEDESTRIAN
BUFFER
STREET
4.50 m
3.00 m
1.50 m
3.50 m
25.0
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PRESENT CONDITION Kemang Raya Street has two lanes with each 4.5m width which was not effective. Numerous lots have a space in front of their buildings for parking space. Instead of that, those spaces are better to be used for human activities which can encourage people to walk, gather, and can create traffic for healthy commercial business buildings.
STREET
PEDESTRIAN/BUFFER
PARKING SPACE
4.50 m
3.50 m
4.50 m
00 m
PLANNING PROPOSAL Based on ITDP research, we found out 3.5m width for cars to drive is still safe and effective, the extra space can serve as a buffer for safety reasons. Instead of parking space, every lot should create a public space for people to have public activities inside.
STREET
BUFFER
PEDESTRIAN
PUBLIC SPACE
3.50 m
1.50 m
3.00 m
4.50 m
00 m
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2020 / 2021
REMOVING FENCES/WALLS A prototype is developed in Magran’s building, a furniture showroom. We can see the current pedestrian without buffer and big space for cars to park inside the building. By removing fences/walls it creates access and a welcoming front area of the building.
DEFINING SPACES The pedestrian walkways need to have a clarity of space for people to walk and space for a buffer, it creates order to define a path to walk and a path to drive. The buffer can become green spaces where trees and plants can grow or an elevated parklet so rainwater can still flow to the gutter.
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ARCHITECTURE PORTFOLIO VOL.2
2020 / 2021
PUBLIC SPACES The spaces in front of the buildings can become anything that has a purpose to encourage people to interact. Limiting the number of cars by directing them to park behind the building is one of the solutions. Public spaces are meant to be used for people for having social activities, small retail to sell goods, or new business opportunities that can lead to more traffic.
PERMEABLE MATERIALS Materials that are used for the public space should be permeable as possible for rainwater can drain effectively. Kemang Raya is a water infiltration area, by creating more green space, ecofriendly environment can reduce the risk of flooding.
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GRAPHICS/ VISUALIZATIONS
This section consists of works of architecture/interior visualization and graphics such as isometric diagram/collage/illustration that was done by the creator.
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FIN.
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