VintageVille Magazine Issue III March 2014

Issue III March 2014

Thoroughly Modern

Middy T i m e t o p l a n t y o u r

VICTORY GARDEN Von Leadfoot’s Pinstripe

Artistry

Vinyl Vibe Then & Now

Viva Las Vegas What’s new, what to wear

contents

Issue III March 2014

67 Fred Astaire ...like you’ve never heard him before

47 Happy 30th GB!

41 Calling all vinyl lovers FEATURES 11

5

5 Meet pinstriper Von Leadfoot

ON THE COVER

Modern-Day Victory Gardens Made Easy Plant your own Victory Garden just like they did in the 1940s Show Your Stripes Interview with master international pinstriper Von Leadfoot

18

Viva Las Vegas Preview What’s new at the world’s biggest rockabilly party, plus what to wear...and an interview with the soulful songstress Carmen Lee

41

You Spin Me Get in the groove! We drop the needle on the storied history (and bright future) of vinyl music

LIFESTYLE 65 47 55 61 39 67

Oh My Irish Eyes: Irish Potatoes Recipe Ghostbusters Anniversary Happy Birthday Television A New Look at New Wave Meet the Middy Review: Fred Astaire – The Early Years at RKO

Get your vintage on at VintageVilleMag.com Vintagevillemagazine

51 Throw a dinner party...1928 style

VintageVille Mag

31 Carmen Lee Queen of the Honky Tonk Crooners

11 Grow your own Victory Garden

18 Viva Las Vegas Preview What to do, what to wear

REGULARS 37 49 3 10 51 59 50 70

Take 2: Recreate the Looks in The Notebook Ask The Glamorous Housewife Editor’s Note Color Crush Time Capsule: Dinner Party 1928 Covet: Gasp-Worthy Vintage Finds Cecilia & Bill Are Getting Married Runway Roundup

staff Executive Editor Managing Editor Contributing Writer Columnists Design Contributing Photography

Emily Lux Jon Hechtman Lee Powell The Glamorous Housewife Another Man’s Treasure Daphne Drake EHL Creative JH Studios

Megan Addie Photography

© 2014 VintageVille Magazine and EHL Creative LLC. All Rights Reserved.

Editor’s Note

Finally. Spring is near. And we’re greeting the season a little early around here at VintageVille (after this winter, who can blame us!).

March is the perfect time for planning – and planting – your Victory Garden. Best of all, many of the veggie varieties they munched on back in the 40s are still available for purchase in seed form today…check out page 11 and get your garden growing.

Viva Las Vegas is right around the corner. Get a preview of all the fun (and what to wear!) on page 18. Love cars? How about pinstriping?

Well, we’ve got both in this issue, including an insightful interview with master pinstriper Von Leadfoot on page 5.

Enjoy the sunshine!

Cheers,

Emily Lux, Editor

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www.bif fandbet tys.etsy .com

show your

stripes The rich legacy of pinstriping brought to life by industry veteran Von Leadfoot

by Jon Hechtman

Just imagine it: dedicated artists, alone in their studios. Toiling away slowly, painstakingly, using brushes whose design hasn't changed in years. Carrying on a great painting tradition, producing masterpieces once reserved for royalty. Striving for absolute perfection of color and line.

decorate them with exactingly-painted pinstripes and flourishes.

Now reimagine it. Because the time is today, not the Renaissance. These virtuosos aren't working on canvas. And their studios? They're likely to smell of engine oil and exhaust fumes. Because these "old masters" are auto pinstripers, practicing a craft that's rooted in history...and utterly contemporary.

Fast forward a few centuries, to postwar California. The tank of a custom chopper (or the deck lid of a hot rod coupe) may seem a world away from those coachbuilt carriages.

But appearances can be deceiving. A young artist/motorcycle mechanic named Kenny Howard – better known by the monicker Von Dutch – was working in his father's sign shop, adding pinstripe decorations here and there.

Just for fun, he started experimenting – pinstriping motorcycles, too, with increasingly elaborate, increasingly stylized patterns.

It all started with the custom-built, horsedrawn coaches that carried monarchs and heads of state. No expense or effort was spared in making those vehicles as magnificent as possible. So it was only natural that the artisans of the day were asked to

The word began to spread. And before long, the Von Dutch style became the signature look of the emerging California "Kustom Kulture."

He wasn't alone, of course; there was a brotherhood of great pinstripers during this golden age, including Ed "Big Daddy" Roth and

Left: Bryce Lien – AKA Von Leadfoot – at work.

Photo: Tamara Lee Photography

VintageVilleMag.com | 6

Photo: Tamara Lee Photography

Howard's friend Dean Jeffries. Today, their original work is sought after as passionately as the works of the most celebrated fine artists.

out. The next day I bought some paint and a few brushes, and never looked back."

Bryce, an accomplished hot rod builder, has been pinstriping for five years.

He's mostly self-taught, and proud of it. "I bought a couple of books which gave me some basics, but weren't as much use to me as I had expected. I'm more of a hands-on person, so in the end sitting down and using the brushes taught me more than any book ever had." He took inspiration from Howard and Jeffries, among others, but finally reached a point where he stopped looking at other artists' work, preferring to concentrate on developing his own personal style.

But his fascination with custom paintwork goes back much further,. "When I used to go to shows as a kid," he says, "I was in awe of the stripe work." The decision to become a professional pinstriper, however, was the result of several factors, including a downturn in the economy and a little too much free time on his hands. "I was always hanging around my friend's garage, helping him wrench on motorcycles. I could build a car from the ground up but I couldn't stripe it! Since I'd always wanted to try striping, and I finally had the time to focus on it, it made sense to try it

And that style is a highly traditional one, elevating subtlety, simplicity and purity of line above over-the-top effects. His work tends to have an Art Deco feel, and his palette is truly individual. "I do tend to use more muted colors, as they're my favorites. I love the old Ford factory colors, the drab grays, greens, blues, maroons, etc. They have a minimal contrast and blend in quite well to give more of a toned-down look. My goal isn't to take away from the natural lines of a car," he points out. "Only to highlight them and emphasize the vehicle's shape. Complement,

Those giants may have left us, but the torch – well, the paintbrush – has been passed to a whole new generation. We turned to one of today's greats, Bryce Lien – AKA Von Leadfoot, the "Patron Saint of Paint" – to learn more about this unique art form.

7 | VintageVille Magazine

not overpower." That discipline extends to color as well; he favors ivory, deep green and metallic gold, along with combinations of gloss and flat black. "I also mix the majority of the colors I use, ensuring that every piece is unique to the last."

He's a purist about technique, too; he's very clear on what distinguishes top-quality pinstriping. "Line consistency: every line should be the same thickness throughout its length. Quality starts and stops in every line.

And then there's balance and symmetry. If you were to draw a line through the center of the finished design, for example, you’d want to see the left and right sides match almost flawlessly. Look for the same even spacing in the gaps, as well from side to side and top to bottom. Everything should match and be even."

Although Bryce, like most pinstripers, focuses mostly on cars and motorcycles, he's had plenty of experience striping other things, too – from handbags to helmets. One of his favorite pieces was a blue metal flake Gretsch guitar (check out the pic on the right, and you'll see why). "The purpose of pinstriping," he says, "is to bring out the shape and definition of a form that's already there, and highlight it." But there are exceptions to the rule: "On the opposite end of the spectrum, you can also add that flowing shape to something that might otherwise go unnoticed, like a tool box. A big old boring boxy shape, with no beauty or definition, nothing great about it except that it keeps your tools safe.

But add the right lines in the right places and you can transform it. The appeal of pinstriping any unconventional object for me is to bring forward the potential beauty of something that's typically overlooked – a common or mundane everyday item – all with the stroke of a tiny brush."

That's one reason he's taking an innovative step: opening an online shop where fans can purchase already-finished signs or panels, or order custom ones. "Not everyone who likes pinstriping has a hot rod or custom sitting around waiting to be striped, or a shop front they need hand lettered," he says. "But they still might want a piece of the paintwork because they like it so much! I figured the Photos: Tamara Lee Photography

VintageVilleMag.com | 8

Photo: Tamara Lee Photography

'shop' would be a good spot for anyone into pinstriping to get some original paintwork."

Bryce would rather talk about his work than his personal life, but he gladly spills the story behind his nickname. "My friends called me 'Leadfoot' for years, because I was always driving too fast and blowing up the engines in my cars; it was just an old-man kind of thing to call someone who always drove too fast. I loved it! When I was trying to think of a moniker for myself I looked back at the names of some of the old stripers of the past and added the name Von. It was out of homage and respect to Von Dutch that I ended up using it."

What about his current car...what's he driving now? "A '57 Ford pick up that I built myself," he answers. "It does have some pinstriping on it, but not as much as you'd expect. As much as I love pinstriping, it's hard for me stripe my own things. As soon as I line something of my own I always end up wanting to go over it with another design!"

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He's seen a boom in pinstriping since the early years of the millennium, mirroring the general growing interest in vintage culture. "It happened at about the same time as the resurgence in the hot rod scene,� he says, “when people started building more traditional styled hot rods and customs.

Since then there's been more and more stripers pinstriping bigger and more intricate designs...and all over the world, too, instead of just in America."

Like most working professionals, Bryce tends not to get too caught up in the big philosophical questions. But when he's asked about pinstriping's status as an art form, he has a few thoughts to share.

"You may not see pinstriping in a fine art gallery or museum today," he reflects, "but I definitely consider it an art form. The majority of people in the world don't know what it is, and it takes a bit of explaining when they ask what you do for a living. It's definitely an underground thing to a vast majority of people, but at the same time, with the growing interest in vintage lifestyles, it's gaining more popularity. Pinstriping may be considered a low-brow form of art by 'art aficionados,' but I think it's only a matter of time before you see it in a gallery or legitimate art museum hanging next to the portrait of some old world King or Queen."

For more info, and to see even more of Bryce’s work, visit vonleadfoot.com or Facebook at pinstripingbyvon

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Grosgrain and Leather Belt $128 Brooks Brothers | 8. Bryce Chair $1,499 Crate & Barrel | 9. Happ & Stahns 1842 Rosa Alba Eau de Parfum $30-68 Anthropologie VintageVilleMag.com | 10

Get up and grow...

Modern-Day Victory Gardens Made E a s y

By Emily Lux

How does your garden grow?

During World War II, gardens grew out of necessity. The public food systems were strained and overburdened. Food and resources were being diverted to ensure adequate supply for troops at home and abroad.

As food supplies dwindled, government agencies, businesses, schools and seed companies stepped up to provide land, instruction – and seeds, of course – for individuals and communities to dig in and do their part to help in the war effort: grow their own Victory Gardens.

And dig they did. From California to Florida. Backyards, vacant lots, parks, baseball fields and schoolyards were transformed into glorious gardens. At the height of the war, there were more than 20,000,000 Victory Gardens planted across the United States. And by 1944, an incredible 40% of all veggies grown were harvested from Victory Gardens.

VintageVilleMag.com | 12

Images: Baker Creek Heirloom Seed Co.

Cherokee Purple

Today, Victory Gardens are seeing a resurgence. The appeal?

White Wonder

bought route, be sure to find out how the plants were grown. Today, many farm stands offer organic options.

“The food supply and individuals' finances are under considerable But if you’re up for real fun, stress,” says Randel there’s nothing like the Agrella, Seed Production satisfaction of growing from Manager at Baker Creek seed. And it’s not hard to do.

More than 1,000,000 Heirloom Seed Co., which sells more than 1,400 tons of veggies were “Seeds are just miniature heirloom, open-pollinated plants,” says Agrella, “and like grown in Victory seed varieties. “Also, all plants, (you need to) give Gardens during WWII there's a trust factor, or them the right conditions so rather a lack of trust, in the they will grow. Seed starting mainstream food system. can be a bit fussier than When you grow your own, starting from transplants, you know it's a pure however, because brand-new seedlings can product.” be a bit delicate.”

So, ready to get growing?

You have a couple of options for starting your own Victory Garden: store-bought transplants or straight from seeds. If you go the store-

But if you’re patient and exercise care, you can grow your own veggie garden from seed – for a fraction of the cost of transplants.

Here’s how to start.

Gardening To-Dos (depending on your area/zone, of course)

MARCH

APRIL

MAY

Start indoor plants Plant cool-weather greens

Begin harvesting early greens

Prepare soil for summer crops Plant warm-weather plants

California Wonder

Pick the place. Before you put shovel to dirt, you need to decide where your garden is going to go. Veggie gardens need full sun (6+ hours a day), unless they're located in very hot summer conditions – like the deep south or California's central valley – where they would benefit from some afternoon shade. Good drainage and soil are necessities. Can you conveniently place your garden near a water source? Even better. (It’s no fun trudging back and forth with heavy watering cans or snaking soaker hoses throughout the yard!).

“Right outside the back door is great if that's workable,” adds Agrella.

Pick the zone. Where are you located? Not all plants are suited to all environments. And be sure to check your area’s last frost date before planting outdoors.

Pick the plants. That's simple – what do you and your family like to eat? Start by looking at the fruits, veggies and herbs you eat regularly

Black Beauty

to make the biggest impact on your grocery bill.

Start indoors or out? Well, it depends. Some plants need a longer growing season…longer than an outdoor direct-sow method can accommodate. Tomatoes and eggplants fall into this category. They need to be started indoors and then set outdoors as transplants when temperatures warm.

Managing just the right amount of water and light is often a challenge for novice indoor seed starters. “(Beginners) often underestimate how much light their seedlings need for good growth,” says Agrella. “They also overwater, which can stunt growth or cause disease outbreaks.”

Other veggies, like beans and lettuce, can be directly sown outdoors.

Regardless of whether you start indoors or out, you need the right environment to grow

JUNE

JULY

AUGUST

Weed garden Continue planting warm-weather plants

Weed garden Mulch around plants Watch for garden pests

Weed garden Begin harvesting crops Plant cool-weather greens

healthy seedlings: the right temperature, the right amount of light and moisture, plus the right space. And all types of seedlings are not the same.

“Some, like tomatoes, peppers and eggplants, need really warm conditions,” says Agrella.

“Others, like onions, lettuce and the cabbage family, prefer cooler conditions.”

rotation system. Start transplants in a separate area to have them ready for planting in your garden at just the right time all season long.

Victory Gardens were responsible for bringing easy-grow Swiss chard and kohlrabi to dinner tables everywhere

Victory Gardens came in practically every shape and size. How big your garden should be depends on multiple factors, including your climate, crop choices and how many will be munching from it. A couple of 4’ x 8’ beds can yield a surprisingly large harvest. “A family of four, who may also want to can or freeze veggies, might do well to plan at least a 1500 square foot garden,” says Agrella.

Beginners, though, should start small, broadening their footprint as they gain confidence and experience. A small garden, well maintained, is often more productive than a large one managed poorly, advises Agrella.

Feeling the pinch of limited real estate?

Space-challenged gardeners could try a

According to Agrella: “By quickly removing plants whose productivity has run its course and replanting in the vacated spot, it's possible to get several crops per year from a single piece of ground.”

Or you can do what folks did back in the 1940s. Plant smallscale Victory Gardens in window boxes. Or turn highrise rooftops into lush, productive gardens that the whole building can pitch in and enjoy.

Are you the kind of gardener who can kill even a plastic plant? Then try easier-to-grow varieties, like beans, peas, lettuce, turnips, summer squash and beets. Celery, onions, salsify and melons are a bit fussier. But if you take the time to determine – and provide – the right conditions each crop needs, most veggies and fruits are pretty easy to grow.

“There's no such thing as a brown thumb,” says Agrella. “There are only would-be gardeners who haven't learned the basics yet!”

I’ll have what they’re having...

The veggies & fruits of a 1940s Victory Garden – plant ‘em today!

Tomato

Eggplant

Brandywine Mortgage Lifter Cherokee Purple

Black Beauty Rosa Bianca

Pepper

Lemon Suyo Long

California Wonder Marconi

15 | VintageVille Magazine

Cucumber

Beans Kentucky Wonder Good Mother Stallard

Watermelon Moons and Stars White Wonder

A

Garden-Fresh Recipes

a

Courtesy of Baker Creek Heirloom Seed Co.

Okra Fritters

Harvard Beets

3 cups diced okra 1 cup diced onion 2 cups corn 1 small jalapeno pepper, minced 2 cups diced tomato, do not drain 3 cups corn meal 1 cup all purpose flour 1-1/2 teaspoons egg replacer 2 teaspoons salt

2 tablespoons vegan sugar 2 teaspoons cornstarch 1/4 teaspoon salt 1/4 cup vinegar 2 tablespoons non-hydrogenated vegan margarine 1 16-oz. can sliced beets (or own beets from the garden – cooked, peeled & sliced.

Use juices from cooking them for liquid)

Put corn into blender with a little soy milk to make creamed corn. Mix all together very well. Batter will be thick. Drop by tablespoon into hot oil. Fry until golden brown. Drain. Makes approximately 40 fritters.

Combine vegan sugar, cornstarch, and salt.

Stir in beet liquid, the vinegar and margarine. Cook, stirring constantly, until thickened and bubbly. Stir in beets and cook until heated through. Serves 4.

Eggplant Cake

Shaved Brussels Sprout Radicchio Salad w/ Toasted Walnuts

2 cups Ping Tung eggplant (peeled, cooked & pureed) 1 cup vegetable oil 2 teaspoons vanilla 1/2 cup brown sugar 1-1/2 cups white sugar 1 teaspoons baking powder 1 teaspoons baking soda 1 teaspoons salt 1-1/2 tablespoons egg replacer 3 cups all-purpose flour Preheat oven to 350ºF. Wash, peel, cook and puree the Ping Tung eggplant. Pour puree in colander and press out excess liquid. Mix dry ingredients together in a separate bowl. Mix wet ingredients together and add to dry. Pour into a wellgreased 9”x13”baking dish. Bake for 30 minutes.

1/2 lb Brussels sprouts 1 small or 1/2 large head radicchio 2 tablespoons champagne vinegar 1/2 teaspoon Dijon mustard 1/2 teaspoon maple syrup 1/2 teaspoon salt 1/4 teaspoon freshly ground black pepper 5 tablespoons walnut oil 1/2 cup toasted chopped walnuts Using a mandolin slicer or a food processor, thinly shred the Brussels sprouts and radicchio. Transfer to a large bowl.

Whisk together the vinegar, mustard, maple syrup, salt and pepper in a medium-sized bowl. Slowly whisk in walnut oil until dressing is creamy and opaque. Toss with shaved Brussels sprouts and radicchio and sprinkle with toasted chopped walnuts.

www.bid ding.pt Had a vintageinspired wedding?

Well, we want to talk to you for our upcoming wedding issue.

Email editorial@VintageVilleMag.com and tell us a little about how you did your special day, vintage style.

17 | VintageVille Magazine

Viva Las Vegas preview

April 17-20 Las Vegas, Nevada What happens when you combine fantastic music, cars, cat eyes, pompadours, plus 20,000 new-found friends? The biggest rockabilly party in the world. And it’s happening next month in Las Vegas, Nevada.

Viva Las Vegas, aptly named after the Elvis musical, runs April 17-20 at The Orleans Hotel and Casino. Now in its 17th year, the rockabilly love fest draws crowds from across the U.S….and the world.

Tom Ingram is the puppeteer of the weekender.

He organized countless weekend rockabilly events in the U.K. before

moving to the U.S. How did he know that the U.S. was ready for a serious rockabilly celebration?

“I didn’t,” he says. But the event’s pull was irresistible. Viva Las Vegas and the USA were made for each other…like James Dean and pomade.

And this year promises to be more spectacular than ever. Perennial favorites like the pool party, fashion show and Burlesque Bingo are returning. The car show – with 800 specimens of drool-worthy eye candy – ups the fun with a first-ever visit from iconic Hollywood

movie cars.

component.

But the soul of Viva is the music. More than 65 bands are performing over the weekend.

Headlining is Imelda May, a Dublin-born singersongwriter known for her eclectic stage presence and sassy vocal stylings.

First timer?

What differentiates Viva from other rockabilly events out there? “Our tight criteria for participation,” says Ingram, who wants to preserve the integrity of the rockabilly APRIL lifestyle.

Throw some sunscreen into your suitcase and consider bringing an umbrella or parasol, especially for the car show. Even though it’s April, the sun can be deceptively strong in Vegas.

WEATHER IN VEGAS

And pack for comfort.

Sure, you may want to strut your lurex and fancy duds. But don’t forget there are a ton of things to see and do (read: lots of walking) and you want to be comfy.

For example, only pre-1963 High: 78° F (26° C) period-correct cars are allowed to partake in the car show. And the band selection Low: 51° F (11° C) is just as stringent. More than Also, take a few minutes to 1,000 bands applied to play study the schedule so you this year. But they need to don’t miss a bit. Viva offers have the right look and sound to be Viva a handy dandy mobile app that’ll alert you when bound. your fave bands are about to play.

Eventually, Ingram would like to expand the car show, and possibly add a film festival

Tickets are $50 and up. For tickets, info and more visit vivalasvegas.net

Viva Must-sees Pool Party

Burlesque Bingo

Not your grandma’s bingo!

21 | VintageVille Magazine

Bands

Imelda May Headlining Performing Saturday, April 19th 5:30 p.m.

Photos: Viva Las Vegas

VintageVilleMag.com | 22

Car Show Photos: Mike Harrington

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VintageVilleMag.com | 24

Showstoppers Ladies’ “What to Wear” Guide

Poolside

Fruit Hair Clips Set $20 Real Andys Eye Candy

Heart Fan $29.99 ModCloth

Fresh Sandals $78 Kate Spade

25 | VintageVille Magazine

Halter Playsuit $54.95 Rebel Circus

Polka Dot Hair Scarf $7.99 ModCloth

Polly Playsuit $89 Stop Staring Clothing

Paige Polka Dot $98 Lolita Girl Clothing

Black Wicker Bag $78 Sourpuss Clothing

Cat Necklace $17 Sourpuss Clothing Outer Bank on It Sandal $39.99 ModCloth

1950s Cole of California Swimsuit $250 Revival Vintage Boutiq VintageVilleMag.com | 26

Day Leopard Tube Top $29 Grease Gas & Glory 1960s-Style Sunglasses $12 House of Hades

Preserves Necklace $24.99 ModCloth

Denim Peddle Pushers $61 Grease Gas & Glory

I Heart Cupcake Dress $76 Sourpuss Clothing

27 | VintageVille Magazine

Rockin' Tiki Stiletto $105 Lucky Lou Shoes

1950s Polka Dot Blouse $69 Ballyhoo Vintage

Tooled Leather Purse $119 Trashy Diva

Hottie Mini Dress $165 Trashy Diva 1950s Green Tailored Capris $59 Ballyhoo Vintage

Poetic Licence Wedge $69.95 DSW Out to Sea Dress $49.95 Rebel Circus

Evening Eyelashes $7.99 ModCloth

Pinup Girl Necklace $16 Juicy Lucys Love Fitted Dress CA$179 Blame Betty

Poetic Licence Platform $49.95 DSW

Betsey Johnson Clutch $38.99 ModCloth

Plumeria Hair Flower $7 Sourpuss Clothing

Lola Dress $119.95 Rebel Circus

Metallic Platform Pump $39.95 DSW

Sweet Structure Clutch $49.95 ModCloth

1950s Tiki Dress $288 Raleigh Vintage

Caparros $89 Zappos

Carmen Lee n e e u Q e h t k Meet n o T y k n o H e h t of s r e n Croo

Her name means “song” in Latin.

Even before Wisconsin-native Carmen Lee could talk, she was part of the band, sitting in on her father’s jam sessions.

And while other kids her age were learning to write their names, she was writing songs. At the age of four. In fact, Carmen’s first song, “It’s a Hard Way of Livin’”– a bluesy tune – caught the eyes and ears of those who heard her perform.

“I never had singing lessons – I just always sang,” she says.

At 12, Carmen bought her first cassette tape with her own money: Elvis’ Christmas Album.

She was completely mesmerized. She searched out every Elvis tune she could find. Watched his movies, too. Carmen practiced until she had all the lyrics and inflections down. She was hooked. And officially bitten by the rockabilly bug.

“My parents would tease me”, laughs Carmen, “because [Elvis] was someone their parents would have liked.”

Four years later, Carmen took a job as a lounge singer performing at a nearby restaurant. You know: the kind of place where you lose count of the requests for Whitney Houston’s “I Will Always Love You” on any given Friday night. Her tip jar was a wine glass duct taped to her keyboard and she made only five dollars an hour.

Meanwhile, her musical inspirations were broadening. Patsy Cline, Johnny Cash, Tom Waits and Billie Holiday were powerful influences.

"My favorite? Any good vocalist is my favorite,” the 28-year-old singer/ songwriter jokes.

Soon though, Carmen longed to return to her rockabilly roots. So, at the ripe old age of 18, she started performing her own original stuff. In 2007, her band – Carmen Lee and the Tomorrow River Two -– was born.

The band’s sound? A wonderful blend of country, rockabilly and honky tonk, full of memorable melodies, dusky, earthy vocals and haunting lyrics that pay homage to the 50s classic Sun Records sound of Elvis and Johnny Cash.

And it’s no wonder Carmen is known as the Queen of the Honky Tonk Crooners.

Her voice is deliciously soulful. Rich. Full of

Photo: Photography by Joe

VintageVilleMag.com | 32

depth. Kind of like caramel…with a sound that sticks with you. In fact, she’s been dubbed a female Johnny Cash. Close your eyes and you’d swear she was an old-time country blues songstress of yesteryear.

The band’s debut album Big Star (2011) is a fave of both Two River and its fans, including 13 original songs ranging from upbeat rockabilly to lonesome country to darker ballads. The album features Carmen on vocals and piano/organ, her father Orlow on vocals and acoustic guitar and Elliott Abbott on upright bass. Special guest artist Clint Jameson (on electric and steel guitar) joins in Left: Carmen Lee; Photo Trent Sherrill Photography Above: Carmen Lee and Tomorrow River Two; Photo Penny Marlene

on several songs.

The album’s title track “Big Star” (it's sometimes mistaken for an early Johnny Cash tune) explores the path of success…and the reality of leaving behind those who are less than kind.

As the song goes: “I’m gonna be a Big Star, now you can shine my shoes.”

And shine they will. Carmen and Tomorrow River Two will be performing at Viva Las Vegas next month. See them live on Thursday, April 19th at 7 p.m. at Brendan's Pub.

VintageVilleMag.com | 34

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• Shop the boutique • Style your life • Discover new passions • Find new friends in The Glamorous Housewife Forum

Visit www.TheGlamorousHousewife.com

From the big screen …to your closet.

Got a favorite vintage movie or TV show?

Here's how you can get the look today.

Our featured Take 2: The Notebook Directed by Nick Cassavetes, The Notebook, which spans six decades, follows the sweeping romance of Noah (Ryan Gosling) and Allie (Rachel McAdams) who plunge headfirst into love. After a brief separation in the midst of World War II, the couple later reunites, unable to resist the draw of a second chance. Allie’s style shows off 1940s tailor-made sophistication (plus a few playsuits and polka dots thrown in) …and the perfect bright red lippy. Meanwhile, Noah is more dressed down, with khaki work pants, button-down shirts and flannels, topped with a classic herringbone hat.

New Line Cinema

Allie

37 | VintageVille Magazine

Noah

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Fun Fact: A number of actors were considered for the role of Allie, including Britney Spears, Ashley Judd and Reese Witherspoon

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e h t t e e M

Middy

The quintessential cut for most 1940s hairstyles. The Middy was created by Ivan Anderson, a renowned hairstylist for Warner Brothers Studios, who realized the need for a cut that provided a solid foundation for the glam hairstyles of the time while embracing a war-weary world’s need for simplicity. The cut consists of even layers (traditionally 4”L) and a U-shaped bottom, but there are many variations nowadays.

The lovely Kitty Kadillac recently got a shiny new Middy cut...and shows us how simple – and fun! – it is to style.

My hair...straight, brushed and

Divide hair into 1” sections.

Repeat until all your hair is

ready for styling.

Curl hair with curling iron

curled and clipped.

toward your face. Keep the curls in place with a clip as they cool.

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Photos: Megan Addie Photography

Hairspray the heck out of it!

Take out each roll out and

I brush out my hair even

lightly brush all the curls in

more which gives my locks a

towards your face. This gives

light,

my hair the traditional Middy

rolls that bounce as I walk.

feathery look with big

style and makes nice big swirls around my face.

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Vintage Vinyl, Retro Record Players & More

It didn’t all start with the words “That's All Right, Mama.” But when a young Elvis Presley’s debut hit the airwaves in 1954, it signaled a shift in the whole demographic of the music buying public – from the more conservative audience of adulthood to the emerging teenage generation.

At the same time, it gave birth to the mainstream popularity of vinyl records.

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Records, in one format or another, have been around since the late 1800s. And as the century advanced, so did the technology of playing back music – starting with the innovative jump from clunky wax cylinders to the earliest designs of vinyl records as we know them today. With this change of format came an increase in productivity and an exponential rise in sales. Translation: more and more people were able to enjoy this mode of entertainment. However, at this point the records and their players were still “family property,” belonging to the adults of the household. During the postwar era of the late 1940’s and 50s – whether the grownups liked it or not – teenagers started to gain their own voice, their own independence, their own incomes. And their own music.

Sam Philips started his ‘rhythm and blues’ Sun record label in the 50’s, initially releasing music recorded by black artists whose danceable tunes carried forward the legacy of the blues. In its early years, the music of the Sun label was still reaching a niche audience in the Southern American states.

That all changed when a 19-year-old Elvis Presley started to work with Phillips and laid down his first single “That’s All Right” (he dropped the “Mama” from the title). That electrifying song fused together rhythm and blues with country to create an entirely new sound known as rockabilly.

Rockabilly captured the imagination of teenage listeners, who typically didn't share their parent's attitudes; they cared about the music – not whether the artist singing was black or white.

What mattered was the music.

From this point on, the record-buying audience relocated from the living rooms of the adults into the inner sanctums of the teenagers. To coincide with this shift, record players were gradually redesigned with this new audience in mind. They made the move from near semi-functional pieces of furniture – with the turntables all but hidden away – to smaller, portable units which could be more easily moved around. Where the record

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players went, the music followed; the new rockabilly sound reached a far greater audience then the radio stations of the time. It became the soundtrack for the rise of the 50’s teenager.

Fast forward 60 years or so…and records are back, in case you hadn’t noticed. During their decline in the 90’s, when the big push was a move to CDs, it was difficult to find vinyl records. Not impossible, mind you; there were always specialist record stores dedicated to keeping vinyl purists and collectors happy. But your average music shop was quick to empty its record bins and fill its racks with the more “modern” CDs. Then, as the new millennium came upon us, MP3s soon became the favored format for many people who had become accustomed to instant gratification: they wanted their music now, and quality took a back seat to convenience. Don’t get me wrong, I’m not a Luddite; times change, and MP3s do have their place, especially when you’re on the move. But as a main source of media presentation, MP3s and CDs lack so much!

They’re convenient, yes. And they’re even packaged with artwork, real or virtual. But let’s be honest: they still lack the certain charm that vinyl has. The look of the record sleeve and its artwork; the physicality of the vinyl; and, most importantly, the sound. Vinyl music has an overall presence that other media formats simply can’t aspire to.

And it seems like record companies, and bands themselves, are paying attention. They’ve noticed that there are huge legions of music fans out there who agree about the merits of vinyl. The proof?

Over the last few years, new releases are getting a pressing on vinyl, back catalogues are getting repressed and record stores are reorganizing to incorporate storage for the once-obsolete long players. To mirror this growing re-interest in vinyl, there is the increasingly popular ‘Record Store Day’ event, when countless extremely limited edition records, by bands big and small, mainstream and independent, are simultaneously released in the U.S. and the U.K. Vinyl fans to

Right: Model Dayna Delux Photography & Design: revolutionfoto.com & Dayna Delux

queue up for hours before stores open, just to have a chance to get their hands on the latest treasures.

With this increase in vinyl’s popularity, it goes without saying that there has been an unparalleled increase in record players. They’ve moved from the shadowy, elitist world of the audiophile to that of the music fan, who wants to enjoy the music locked away in those black vinyl grooves. As the vintage and retro worlds have become hugely popular once more, manufactures have looked back to the golden age of the 50’s and 60’s for inspiration, producing a myriad of reproduction turntables. And in a dramatic return to the spirit of that age, a vast number of these record players are portable. Not only are they good-looking; these immensely functional record players offer the chance for music to be fun again.

It can be listened to with ease, shared with friends and enjoyed as it was intended: in an analogue format, with the pops and crackles of the vinyl forming part of the record’s charisma.

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There is nothing more satisfying than looking through the sleeves, enjoying the artwork, selecting the record and physically playing it. It’s a tactile sensation with a more substantial feel than the CD experience (and let’s not even think about the throw away commodity of MP3s). That said, the manufactures of these record players realize that these two latter-day formats have a place in the modern world; and so some retro turntable models come with CD players built in, as well as the functionality to convert records to MP3s for on-the-go enjoyment.

While these reproduction record players may not be to everyone’s tastes, for those who have an interest in the vintage world they are full of retro charm and a kitschiness which has become a cool commodity once again. So put your dancing shoes on, grab a record and satisfy that black vinyl lust, with the volume cranked up high and a smile on our face.

Happy listening!

Above: Voice of Music Record Players; model 562 (L) & 566(R)

Get Playin’ There’s a huge number of retro-inspired turntables available – here are our picks*

The Pyle Home PTR8UR Retro Turntable.

Comes with radio, USB and SD slots for MP3 playback and features vinyl-to-MP3 encoding, so you can convert those much treasured records to MP3

Crosley CR8005A-BL Cruiser Portable – again, like the Electrohome Archer, the Crosley is stunning-looking portable record player for those who want to do nothing more than to spin those vinyl discs

Electrohome Archer Vinyl Turntable Stereo System – a more basic, straightforward retroinspired record player. But with looks this good, what more could you want?

GPO Memphis Turntable 4-in-1 Music Centre with CD and FM Radio. This beautifully designed record player has EVERYTHING you could need – CD player, radio, turntable, MP3 input and recording function from record and CD to MP3 or USB

Steepletone SRP025 3-Speed Record Player with Detachable Speaker. A straightforward beauty for spinning those discs

Electrohome Signature Retro Hi-Fi Stereo System with record player, CD player, MP3 playback and vinyl-to-MP3 conversion

GPO Stylo 3 Speed Stand Alone Turntable with Built In Speakers. A sleek and stylish little unit, ideal for playing vinyl without any fuss.

* Makes and models vary from country to country – visit Google or Amazon.com to see what’s available where you live

The paranormal powerhouse marks a major anniversary …and a tragic loss

It may be hard to believe, but 2014 marks the 30th anniversary of Ghostbusters – the film that gave us such memorable phrases as "I've been slimed!" and "Who you gonna call?"

What made Ghostbusters so enduringly entertaining? It was more than the mashup of comedy and the supernatural; that genre goes all the way back to movies like Topper, in 1937. No, the real magic here had less to do with ghostly spirits and more to do with team spirit. We're talking about the chemistry among the lead characters – from Bill Murray's nearly-out-of-control zaniness (he improvised much of his dialog) to Sigourney Weaver's cool UpperWest-Side style, from Dan Aykroyd's good-natured clownishness to Ernie Hudson's roll-up-your-sleeves solidity. Add great supporting turns from Annie Potts and Rick Moranis, a witty script packed with pop-culture references, cutting-edge special effects and a great theme song…and you've got the ingredients for a true blockbuster. No wonder the American Film Institute ranked it 28th on its list of 100 greatest all-time screen comedies.

Like lots of other hit movies, Ghostbusters became a franchise of sorts, spinning off a big-screen sequel, several animated TV shows, video games, toys and more.

Those efforts had their moments, sure. But the passage of time has made one thing abundantly clear: there's something truly special about the original.

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Harold Ramis passed away February 24, 2014.

It's a sad irony that 2014 is also the year we bid farewell to Harold Ramis, who passed away on February 24. Ramis co-wrote the screenplay and starred as the unforgettable Egon Spengler – the character Murray refers to in the film as "the heart of the Ghostbusters." Of course, Ramis's résumé includes much more than his Ghostbusters role. His writer/director credits include such films as Caddyshack, National Lampoon's Vacation, Groundhog Day and Analyze This. His unique voice will influence filmmakers and comedians for generations to come.

To commemorate this anniversary, we've put together a quick Ghostbusters trivia quiz. Just how well do you know your Full-Torso Apparitions, Focused Non-Terminal Repeating Phantasms and Class 5 Full-Roaming Vapors?

Images: Columbia Pictures

1

The architect who designed Dana Barrett's apartment building was: a) Eero Saarinen b) Baron Mordo c) Ivo Shandor d) Lamont Cranston

6 Egon compares the increasing psychokinetic energy in the New York area to: a) A gathering thunderstorm b) A black hole c) A balloon d) A Twinkie

2

7

3 Which actor was originally intended to play the role of Louis Tully? a) Robin Williams b) John Candy c) Garrett Morris d) Rodney Dangerfield

What happens if you "cross the streams"? a) Total protonic reversal b) Armageddon c) A thermonuclear explosion d) They cancel each other out

The team's headquarters is located in: a) An old warehouse b) An old television studio c) An old department store d) An old firehouse

8 4

Annie Potts, the team's secretary, went on to star in: a) Seinfeld b) Designing Women c) Murphy Brown d) Cheers

Ray talks about spending his childhood summers at "Camp Wakanda." That name comes from: a) His real life b) A 1950s science fiction movie c) A Saturday Night Live skit d) A Marvel comic

9 Winston's last name is: a) Zeddemore b) Zagnut c) Zimmerman d) Zoltan

5 When the team arrives to trap the ghost haunting a midtown hotel, a guest asks if they are: a) Movie extras b) An improv group c) Cosmonauts d) Super heroes

ANSWERS 1: c; 2: d; 3: b; 4: d; 5: c; 6: a; 7: d; 8: b; 9: a; 10: d

10 Where does Dana see her first demonic apparition? a) In the elevator b) In the laundry room c) In her mirror d) In her refrigerator

Ask

Q Glamorous Housewife

Q

Q

Dear Glamorous Housewife, I’m an accountant. Needless to say, we’re pretty corporate. I’m a vintage newbie and I want to incorporate more vintage style into my wardrobe. Any tips on how to integrate more vintage into my look...and complement the corporate culture at work?

Thanks, Style Stuck in New Haven

Dear A Note of Thanks in Austin, I believe an email thank you is appropriate in this day and age for most gifts received. The two main reasons to write a thank you note is to let the gift giver know your gratitude at the thoughtfulness of the gift, as well as let them know that you received the gift. Both of these can be done with an email.

Dear Style Stuck in New Haven, The good news is that there are plenty of ways to incorporate vintage into a corporate wardrobe. I always suggest starting with accessories because you don’t want to be spending too much money on a complete closet overhaul.

Why not add a vintage brooch to a suit lapel? Or how about a pair of vintage earrings to compliment a tasteful dress? You can also find plenty of retro-­‐inspired shoes to soften the sometimes stiff feeling of office attire.

However, if the gift was given for a wedding or other large event then a handwritten note is more appropriate.

Dear Glamorous Housewife, My wife thinks it’s fine to send an email “thank you” when you get a gift. I was taught that you should always send a written “thank you”. Who’s right?

Kindly, A Note of Thanks in Austin

Q

Dear Glamorous Housewife, I’m a working mum. Some days it feels like I work from morning ‘til night. I know I need to take some time out for myself, but I don't know how. And then I feel guilty when I do take time for myself. How do you do it?

Cheers, Working 8 Days a Week in Killarney Dear Working 8 Days a Week in Killarney, Taking time out for yourself can be quite difficult when you are mom. We tend to put other’s needs ahead of our own. So the first thing you can do is schedule “me time” into your daily

routine. When I had infants, I always used their nap time to focus on relaxing and taking a break. The second thing you can do is let some things go. Do the dishes really need to be done or can they wait 30 minutes while you take a bath and read a magazine? My guess is the dishes can wait. By letting some things go you can find the time to focus on yourself, which is much more important that having a perfectly spotless home.

As for the guilty feelings, you need to let those go, too. By law all workers are entitled to breaks during the work day. Why shouldn’t moms? In addition you’re teaching your children that mothers are people too and their time needs to be respected.

And when push comes to shove, which would your children rather have – a happy relaxed mum or a stressed out mum? I think all children want their parents to be happy and would trade off 30 minutes of time for a smile on their mother’s face.

g

Have a question for The Glamorous Housewife? Email AskGHW@VintageVilleMag.com

49 | VintageVille Magazine

Want even more of The Glamorous Housewife?

Check out www.TheGlamorousHousewife.com for style, fashion and more ways to embrace your glamorousity!

l l i B & a i l i c e C d e i r r a m g n i t t e g e r a 1 The Dress & Venue 2 The date’s been set: August 9, 2014. The location for this Gatsby-esque affair? The Horticultural Hall in Lake Geneva, Wisconsin.

“When I saw the building,” Cecilia says, “I knew it would be perfect because it was lovely in -25ºF weather.

Just imagine what the garden will look like in August!

The Horticultural Hall was built in the early 1900s and was recently placed on the National Register of Historic Places. Inside is a main hall with a secret garden in the middle – the ideal place for the ceremony and a Gatsbyinspired garden party reception that channels all of the glamour of the 1920s.

And Cecilia’s mad wedding skills could give professional planners a run for their money. In just 8 weeks, all major vendors are booked. Dresses for her The Horticultural Hall in Lake Geneva, WI

six bridesmaids are picked. Save-the-dates are ordered.

Wedding rings are purchased. Whew…

Another item checked off: the wedding dress.

“I tried on lots of dresses,” she laughs. An entourage of seven accompanied her on her dress-finding mission.

“The dress I picked was the most vintage-inspired one I tried on…lots of lace!”

Next up is picking out Bill's suit and the groomsmen's attire, as well doing some cake tasting.

One of the most challenging parts of the wedding planning?

“Getting people to see my wedding vision,” Cecilia says, “There are so many different interpretations of Gatsby and the 1920s in general. Lots of ideas fall under ‘vintage-inspired’ so I've been having to weed out the ones I really like and try to keep true to our original idea.”

Engagement photos Photos: Rustic Roots Photography

Follow Cecilia and Bill along as they plan for their big day.

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Dinner Party 1928 It's late October, 1928, and the twenties are still in full roar. Flappers are "jazzing." Gin mills are jumping. The celebration, it seems, will go on forever.

It won't, of course. (What a difference a year will make!) But the spirit of the decade – its pure energy, its sheer excitement, its sense of freedom – will change our society in some very fundamental ways. So let's forget about the crash to come, turn back the clocks and put on the Ritz. Here's your invitation to a swanky 1920s dinner party.

What would have been on the menu…or on the gramophone? What would you have worn, driven or drunk?

Let's find out, dames and dappers.

Maybe you’ll be inspired to put on a roaring-twenties-themed party of your own. It'll be the cat's meow!

By Jon Hechtman

YOUR WHEELS The era of opulent coach-built motorcars – improbably large, improbably grand – is at its height. The ultimate in automotive distinction? The Duesenberg, a vehicle so magnificent that it gives to the English language the enduring phrase “Its a Duesie!” Prefer something just as elegant, but a bit quieter? This Packard is, as always, a faultlessly correct choice. On the other hand, if you’re seeking a sportier carriage, the Stutz Bearcat is the bee’s knees.

YOUR COCKTAIL

YOUR SCENT His: It’s a daring decade, but not for everybody: lots of gentlemen are still sticking to traditional after-shaves like bay rum or witch hazel. But for the more open-minded, Guerlain’s Imperiale, citrusy and crisp, is a suave, civilized choice.

(Some dandies go even further, dabbing a bit of ladies’ perfume behind their lapels.)

Hers: It’s hard to imagine Chanel No.5 as the new fragrance on the block, but it’s true; this instant classic debuts in 1920.

But it's Lanvin's Arpège, in the iconic black bottle, that reigns as the decade's most popular perfume. Seeking something a little naughtier? Try Jicky by Guerlain – introduced in 1889 and still hugely popular in the 20s.

Why, none, of course. It’s prohibition, don’t you know.

Oh, all right, let’s get real. We’ll skip the bathtub spirits, though, and concentrate on the more interesting drinks of the day. How about the sophisticated French 75 – gin, lemon, simple syrup and plenty of champagne? Or try a Southside, said to be a favorite of Al Capone: gin, simple syrup, lime juice and mint. The Mary Pickford, named for the silent film star (and created in Prohibitionfree Cuba), combines rum, pineapple juice, maraschino liqueur and a touch of grenadine.

Cheers!

QUICK TIP Many prohibition-era cocktails were created to mask the harshness of the low-quality spirits then available; the sweet, fruity flavors made the concoctions palatable. Why not try replicating some of these speakeasy classics using today’s high-quality artisan liquors? Odds are you’ll be delighted with the results.

VintageVilleMag.com | 52

YOUR MENU Adventurous diners are discovering the delights of Italian, Chinese and Mediterranean cooking. But most upscale menus are solidly grounded in the French/American “Continental” cuisine served at fine hotels and clubs. In keeping with the unrestrained spirit of the decade, there’s an unapologetic emphasis on luxurious ingredients. Shrimp cocktail is a favorite appetizer. Sole meunière – a delicate filet in a browned-butterand-lemon sauce – is a popular fish course, often preceding a heavier entrée: saddle of lamb, perhaps, or roast duck.

Salads include everything from mayonnaise-dressed Waldorfs, to Romaine with French dressing, to elaborately-stuffed tomatoes. Simple vegetables are treated to lavish preparations: potatoes Hollandaise, Brussels Sprouts risolée and asparagus tips au gratin, to name just three examples. Desserts, however, revert to tried-and-true American standbys: baked Alaska, Neapolitan ice cream and lemon meringue pie.

QUICK TIP How about a menu makeover? Use some of these classic recipes as a starting point, but replace heavy sauces with lighter accents.

Keep the salads, but lose the rich dressings – try something citrusy instead. Promote the fish course to entrée duty. And liberate those veggies to shine on their own, simply steamed or roasted to bring out their natural flavors.

YOUR TUNES What's your pleasure? There are scads of styles available, and the radio and the phonograph have made home listening easier than ever. Dance music, of course, is a huge craze (Charleston, anyone?)…and Paul Whiteman's orchestra always seems to be riding the top of the charts. (Whiteman's success earns him the nickname "King of Jazz.")

But that's just the beginning. Cole Porter's elegant melodies and urbane lyrics perfectly reflect the Art Deco glitter of the era. Rudy Vallee is the first of the big-time crooners – and the very first "teen heartthrob" pop star.

But there's also country, courtesy of Jimmie Rodgers. Ragtime. Hawaiian steel guitar. And George Gershwin is bringing blues and classical together to create a new, uniquely American voice.

n

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QUICK TIP Thanks to the Internet, much of this music is more accessible than ever. Why not create a party playlist that reflects the astonishing diversity of 1920s music? Mixing up the genres will transform your soundtrack from background sound to conversation starter.

YOUR HAIR His: Think Rudolph Valentino. Long hair, slicked back with brilliantine and carefully parted. (This style is sometimes referred to, in contemporary publications, as “patent-leather hair.”)

Hers: The short, harsh bob (the shingle cut) is still on the scene.

But for you trend-right gals – let your locks grow out an inch or two and use a curling iron to create classic Marcel waves.

Waves are now a little looser, but still short and stylish – perfect for wearing your favorite cloche. Got long tresses? Don’t stress…simply part hair in the center and pull back from the face to create a camouflaged bob.

YOUR STYLE His: Men's clothing is getting a bit more relaxed, finally losing its turn-of-thecentury stuffiness. Suits are double or single breasted, with high, generously wide lapels. Trousers – secured by suspenders, naturally – rise well above the natural waist. Fabrics are substantial wool saxonies and flannels, often in checks, plaids and stripes. Shirts are still separate-collar affairs, sometimes pairing a white collar with a striped body. Two-tone spectator shoes? Yes, please.

YOUR SLANG The twenties didn't just roar; they talked, too, in a ragtime-rhythm language all their own.

Think that's all just applesauce? Well, just wait till you put on your glad rags, pick up your tomato in your flivver, and head over to the juice joint for some giggle water…only to find out the fire extinguisher is coming along.

Maybe you should settle for a cup of java and a sinker. Everything jake? Good – now you're on the trolley!

Translation: Applesauce: nonsense Glad rags: going-out clothes Tomato: girl Flivver: old car Juice joint: bar, speakeasy Giggle water: alcoholic drink Fire extinguisher: chaperone Java: coffee Sinker: donut Jake: Okay Now you're on the trolley: now you've got it!

Hers: Fashions this year are among the flashiest of the decade. Hems are rising – so go ahead and show off those calves, ladies! Bodices are still long, but are slowly climbing up to show off the natural waistline (with the help of belts and sashes, of course). Ties, V-necks, scarves and capes at the neckline draw attention upward. Don your anklestrap Mary Janes or T-bar shoes…and you're set to step out.

Dethrose Vintage, $385

VintageVilleMag.com | 54

the big

75

Happy Birthday

TELEVISION The theme of the 1939 New York World's Fair said it all. The World of Tomorrow – that's where visitors thought they were going they walked through the gates. They expected to be dazzled by all the whiz-bang technologies of the modern age; and they weren't disappointed. The roster of new innovations was enough to make your head spin: futuristic cars, air conditioning, nylon and dozens more.

But surely the most remarkable breakthrough introduced at the fair was a little something called "television." How awesome was it? Well, RCA had to build a special transparent lucite model (check out the photo), just to showcase the internal components – and convince fairgoers that the flickering images on the screen weren't some sort of trick or illusion.

To be sure, the development of television had started decades earlier. Way back in 1880, Alexander Graham Bell had introduced the Photophone – a device that could carry sound on a beam of light. Four years later, an inventor named Nipkow was sending pictures through wires, using a system based on a rotating disk.

By 1907, there were working cathode-ray-tube television units. But the 1939 RCA exhibit was really television's coming-out party: the event that told the world this new technology was (pardon the pun) ready for prime time.

Seventy-five years have passed since then, with television right in the middle of the action – helping to record (and write) an amazing chapter in the life of the world. So we thought it might be fun to "rerun" a few of the most notable moments in TV history. Stay tuned…

55 | VintageVille Magazine

The transparent lucite television set displayed at the RCA building

Eager fairgoers crowd a "television information" kiosk

RCA executive David Sarnoff dedicates the RCA building at the Fair

A photograph of an actual 1939 broadcast from the Fair

A 1939 booklet, offering a "preview" of television, issued by RCA to its dealers

Visitors to the RCA building received cards certifying that they had been "televised" VintageVilleMag.com | 56

TV Milestones 1900: The name "television" is coined by a Russian gentleman named Perskyi, at the 1900 Paris World's Fair…decades before the first sets would be sold.

1948: Cable TV makes its debut in Pennsylvania, USA. The iden7ty of the first cable guy is not recorded.

1927: Inventor Philo Farnsworth takes out the first patent on a complete television system. He dubs it the "Image Dissector." (For some reason, that name doesn't s7ck. Wonder why?)

1956: The first TV remote is introduced, and the couch potato is born.

1960: The first televised U.S. presiden7al debate. Radio listeners think Richard Nixon is the winner, but television viewers are dazzled by the young, handsome John Kennedy – the first poli7cal TV star.

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1962: Telstar, the first TV transmission satellite, is launched. Within months, the instrumental "Telstar," featuring futuris7c electronic sound effects, becomes a #1 Billboard hit.

1964: 73 million Americans watch the Beatles' appearance on The Ed Sullivan Show. The Bri7sh Invasion has begun.

1969: 600 million people watch the Apollo 11 moon landing. The live event is covered con7nuously for over 30 hours.

1980: The "Who Shot J.R.?" episode of Dallas becomes the most-­‐watched program in U.S. history.

(Three years later, the M*A*S*H series finale shaeers that record.)

1981: 750 million people worldwide tune in to watch a real-­‐life fairy tale unfold: the wedding of Lady Diana Spencer and Prince Charles.

2009: The U.S. officially switches to all-­‐ digital television, and the analog TV era comes to an end.

VintageVilleMag.com | 58

Versace black calf vanity bag, featuring a Medusa theme. $2,350 Haute Decades

~ gasp-worthy finds ~

Fully restored Columbia BK "Jewel" Gramophone, circa 1906. $625 JAS Antiques

Fabulous 14K white gold Art Deco ring, with diamonds and sapphires. $4,875 Your Jewelry Finder

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Stunningly simple Vacheron Constantin platinum-and-diamond pocket watch. $11,995 Raymond Lee Jewelers

Dramatic 1960s silk angel-sleeve gown

by Pierre Cardin. $2,795 Stated Style

Stamped and numbered Tiffany notepad cover, goldtone metal with glass insert. $950 C&C

Handmade mahogany half-plate camera (shown with vintage Ross Petzval lens, not included).

Made to order. ÂŁ780 Mark Voce

VintageVilleMag.com | 60

by Jon Hechtman

It’s 1976, and pop music is sounding a bit…well, tired. Disco is starting to show signs of early senility.

Glam rock is looking just plain silly. Southern rock is beginning its metamorphosis into modern country. And stadium prog rock, with its fog machines, lasers and album-length suites, is turning into the kind of ponderous excess so brilliantly skewered in This Is Spinal Tap. It was time for a change.

And this time around, the hot new trend turned out to be something old: a rediscovery of the garage rawness, punchy verse-and-chorus song structures and rebellious spirit that had fueled the first rock-n-roll revolution, a couple of decades earlier. Listeners and critics struggled to give this loose, grass-roots movement a name. “Punk” was certainly a viable option, but from the outset it was too narrow to embrace the diversity of this electrifying new music, much of which was too melodic – and too accessible – to fit easily into that category. “Power Pop” had a similar problem, but in reverse: it was a little too sunshiny, a little too lightweight. In the end, the only useful tag was the broadest, the most inclusive of them all: New Wave.

It was an explosive time. The epicenter of the

action might have been CBGB’s in New York, but the phenomenon was truly a nationwide – check that, international – one. New bands were springing up everywhere, in little towns, cities and suburbs. Tiny indie labels were being founded in lofts and basements. The majors, desperate not to miss out on the next big thing, were signing acts that had barely a dozen live shows under their belts. Fans traded albums, searched record store bins for the week’s new releases, got together for listening parties. In many ways, it was almost a replay of the heyday of classic 1960s rock.

Looking back, after almost four decades, some of the excitement now seems a trifle overwrought.

Some of those brand-new bands turned out not even to be one-hit wonders, sinking back into instant obscurity. Some of the arrangements and productions sound lamentably dated. And some of the attitude may strike us as puerile posturing…a little bit forced. But in fairness, you could say that about the acid-rock or psychedelic pop of the 1960s, too; and none of that would invalidate the originality or power of the music.

We think it’s time to rediscover the best of New Wave music. So we’re presenting our own personal list of the five absolutely essential New Wave albums, in no particular order…

Television: Marquee Moon When Ahmet Ertegun, president of Atlantic Records, auditioned this New York band, he is reported to have said: “I can’t sign this band. This is not Earth music.” He may have meant the comment as a criticism, but many Television fans regard it as high praise. One thing’s for sure: Television sounded like nobody else, before or since. Where other New Wave bands were tossing off three-minute (or one-and-ahalf-minute, in the case of the Ramones) songs, Television was building extended compositions driven by searing solos from the band’s two lead guitarists, Tom Verlaine and Richard Lloyd. These weren’t Cream-style blues jams. They weren’t Hendrix-esque psychedelic extravaganzas. They were architectural, hard-edged, crystalline sonic structures – visceral and intellectual at the same time. The lyrics were otherworldly, too, and the strangled lyricism of Verlaine’s voice suited them perfectly. Marquee Moon was their first album, and its ten-minute title track sums up the signature Television style very nicely. But it isn’t all guitar heroics; there were carefully-constructed, smart, surprisingly melodic verse-and-chorus songs as well.

We don’t often find ourselves agreeing with Rolling Stone; but we were pleased to see that that magazine ranked this masterful album #381 among the 500 greatest rock albums of all time. (This case is closed.)

Talking Heads: 77 When you think of this band, you may recall the elaborate stage shows of its later years (Big Suit, anyone?), along with the densely-layered “world” rhythms that became so central to its sound. And there’s some great music there. But for us, the iconic Talking Heads album is the debut offering. It’s spare and stripped down, with David Byrne’s high-pitched voice adding a sort of strained, nervous edge. Three of the members first met at art school, and it shows; this was clearly a band with intellectual chops. Proof? Just check out the poker-faced ironies of “Don’t Worry About the Government,” the studied detachment of “No Compassion” or the way the unexpected French lyrics transform the neurotic heartbeat of “Psycho Killer.” The album sometimes threatens to topple over into overly self-aware seriousness, but it’s saved, ultimately, by its surprisingly melodic quirkiness – that, and the fact that the songs are just plain fun. It was smart, modern music you could dance to. It’s not yesterday anymore – but this album is still a great listen today.

Blondie: Parallel Lines Most new wave artists were at their best – arguably – when their music was most raw and garage-ish. Blondie is one conspicuous exception to that rule. To our ears, the band peaked with their third album. The tough-girl sneer is still there, but it's layered into more elaborate arrangements and overlaid with a glossy production sheen. That might not sound like a successful combination, but it works. The band's songwriting skills are in high gear here, and the less familiar songs ("Fade Away and Radiate") are every bit as good as the radio-friendly hits. Killer cuts include "11:59," “Sunday Girl” and "One Way or Another.” And picture this: Heart of Glass" marries two arch-enemy genres – New Wave and disco – and makes it look effortless.

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Ramones: Anthology We're not normally big fans of greatest-hits packages, but we're convinced that this album is the best way to enjoy the unique Ramones experience…assuming that "enjoy" is the proper verb for this amped-up, dumbed-down sonic assault. The thing is, when you want to listen to the Ramones, you want to hear their classic songs – and those cuts are scattered across a handful of albums, interspersed with less interesting material.

This compilation replicates, in some ways, the energy of a live Ramones set: relentless, driving, incredibly fast. When we're in the mood, we love the band's blend of goofy ThreeStooges-esque lyrics and radically reductive three-chord rock 'n' roll. The song "Rockaway Beach" sums it all up: if there were such a thing as urban surf rock, the Ramones would be its leading exponents. (As an aside, the Ramones' music is startlingly close, in spirit at least, to the surf-garage sound of the early Beach Boys.) Other classics here include "Cretin Hop," "Blitzkrieg Bop" and "I Wanna Be Sedated." Hey, ho, let’s go!

le b a r o Hon t i o n Men

Joe Jackson: Look Sharp!

This debut album has held up very well over the years. Maybe it's the relatability and honesty of its themes; maybe it's the crispness of its arrangements; or maybe it's the punchy, catchy, hook-laden melodies (most likely, of course, it's all of the above). "Sharp" is a perfect description of this music: it's taut, focused and direct. Highlights: "Is She Really Going Out with Him?", "One More Time" and "Throw It Away."

Beach Boys: Love You What, you may ask, are the Beach Boys doing on a list of New Wave albums? An excellent question.

And this very odd album, unique in the band's catalog, is the answer. The trademark harmonies are still here, but the lead vocals are often gruff and shouty; and the arrangements are dominated by blatting, blaring synthesizers. The lyrics alternate among uncomfortable frankness, conventional romance, quirky humor and outand-out dorky weirdness; it's as if Brian Wilson was channeling Jonathan Richman or Flansburgh and Linnell.

The B-52s Long before the phrase "midcentury modern" was coined, this quintessentially quirky band was mining the culture of the late 50s and early 60s to create a unique blend of kitsch, camp and geeky danceability. This first album didn't (and doesn't) sound like anything before or since. There's cheesymovie science fiction ("Planet Claire"), a new take on "The Name Game" ("52 Girls")…and, of course, the slightly demented surf-rock of "Rock Lobster," which became the soundtrack for thousands of parties.

Know new wave?

1. The Ramones band name was inspired by: a) The band’s favorite pizza joint b) The lead singer’s girlfriend, Ramona c) A pseudonym used by Paul McCartney while touring d) Graffiti on a New York City wall 2. Debbie Harry’s very first recordings were made with a band called: a) The Stilettos b) Platinum Blonde c) KGB d) Wind in the Willows 3. Which unlikely cover song was often performed by Talking Heads in the band’s early days? a) “1-2-3 Red Light” b) “Some Enchanted Evening” c) “Incense and Peppermints” d) “In-A-Gadda-Da-Vida”

Devo: Are We Not Men? We Are Devo!

Very few rock bands have had manifestos or mission statements; but Devo was an extremely unusual rock band. Once asked to articulate the Devo philosophy, co-founder Jerry Casale answered: "We represent healthy robot rhythms in a world of drugged-out, spineless wimps." That pithy comment comes close to capturing the experience of listening to the band's first album. "Robot rhythms," to be sure; but the rhythms are jerky and spastic, as if the robots are intermittently malfunctioning. And "spineless wimps" certainly reflects the band's view of modern society as a deevolved, conformist "herd" culture. Of course, none of this intellectualizing would mean a lick if the music weren't any good. And the songs here – with their deliberately odd time signatures, lyrics dipped in double meaning, yelping vocals and sharp, angular arrangements – give expression to the Devo vision in memorable, exciting style. Iconic tracks include a radically reinterpreted "(I Can't Get No) Satisfaction" and the anthemic "Jocko Homo." Devo would go on to big hits and bigger production values, but they never bettered their debut effort.

4. Tom Verlaine was born Tom Miller. His stage name was borrowed from: a) His mother’s maiden name b) A French Symbolist poet c) His guitar teacher d) His home town 5. Which artist once described himself as “surfing on the New Wave”? a) Graham Parker b) Rick Ocasek c) Jonathan Richman d) Elvis Costello 6. The Cars recorded a tune that shared a name (but nothing else) with an Everly Brothers hit. It was: a) “Bye Bye Love” b) “Wake Up Little Susie” c) “All I Have to Do Is Dream” d) “Crying in the Rain” 7. The influential album Blank Generation was recorded by: a) Rockpile b) Richard Hell and the Voidoids c) Squeeze d) The Neon Boys 8. Which of the following was not considered a British neo-Ska band? a) Madness b) The English Beat c) The Specials d) The Rubinoos Answers: 1) c; 2) d; 3) a; 4) b; 5) d; 6) a; 7) b; 8) d

Oh my

Irish eyes....

By Daphne Drake

If you’re not from the east coast, you may not have heard of these delicious mini potato look-alikes.

Part of a century-old Philadelphia tradition, these tasty lil’ taters show up on store shelves every year around St. Patty’s Day. The origin of these bite-sized candies is a mystery. Rumor has it that they were created by a penny-wise Irish immigrant who didn’t want to waste his excess coconut cream. So he rolled the coconut balls in loads of cinnamon…and had an instant hit on his hands.

Irish potatoes may or may not be Irish. But one thing’s for sure: there’s no potato in ’em. Instead, they have a smooth, creamy, coconut-y center that’s generously covered in cinnamon. Coconut, confectioner’s sugar, vanilla, cream cheese and, of course, tons of cinnamon (yum!). That’s all it takes. They are oh-so easy to make (though you’ll likely end up with cinnamon-covered fingers). So why are they so darn so expensive in the grocery store, anyway?

Irish Potatoes

PREP 10 mins CHILL 15 mins READY IN 25 mins

Makes about 30 candies

Ingredients 2 tablespoons butter, softened 1/4 of an 8 oz. package cream cheese, softened 1/2 teaspoon vanilla extract 2 cups confectioners sugar 1-1/4 cups flaked coconut 1-1/2 teaspoons ground cinnamon

Directions 1. In a medium bowl, beat the butter and cream cheese together until smooth.

2. Add the vanilla and confectioners sugar; beat until smooth.

4. Roll into 1” balls.

5. Roll in cinnamon to cover. (For an extra cinnamon-y taste, roll in cinnamon a second time).

6. Chill for 15 minutes to set.

3. Add the coconut (the mixture will be very thick – you may need to use your hands to mix in).

Baker’s Tip Irish potatoes are very easy to make, but also very messy. Have a wet paper towel at the ready to clean off hands in a jiffy.

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REVIEW Fred Astaire: The Early Years at RKO

Sony Masterworks Number of Discs: 2 Release date: 2013 ASIN: B00FNRA1D6 Price: $11.88

If somebody were to ask you what Fred Astaire did for a living, you wouldn't have to think long or hard before replying. He was a dancer – one of the greatest that ever graced a soundstage. Naturally, that wouldn't be the only thing on his résumé. He was a fine actor and a gifted choreographer; you wouldn't want to leave those out.

But where, in his list of accomplishments, would you place his singing? This new two-disc collection from Turner Classic Movies pointedly raises that question; and at the same time, it offers a uniquely satisfying answer.

To get the obvious out of the way: Astaire was not a powerful singer, or a versatile singer, or a technically faultless singer. In fact, when you think about his singing roles, you may bracket him with other actors and actresses who were able to put a song over without necessarily singing it "well." You know the kind of performer we're talking about: Rex Harrison in My Fair Lady, or Robert Preston in The Music Man, or Glynis Johns in A Little Night Music. Not that we're finding fault; can you imagine a “better” singer crooning Henry Higgins's irascible little ditties? We can't either.

That said: if it would be unfair to hold Astaire to the standards of a Caruso, it's also unfair to lump him in with Harrison and Preston. His voice, although slight, had a nonchalant, easy elegance that perfectly suited the stylish songs featured in the great early films he made at RKO Pictures. When Astaire sings about flying down to Rio, or putting on his top hat, white tie and tails…well, you believe Above: Fred Astaire and Ginger Rogers in Swing Time (1936) RKO Radio Pictures Below: Fred Astaire and Rita Hayworth in You Were Never Lovelier (1942) Columbia Pictures

67 | VintageVille Magazine

Top Hat (1935) Everett Collection

him. He sounds like he belongs in those swanky surroundings. And there's real precision in his phrasing – not that you'd expect anything less from a man who was such a driven perfectionist when it came to his dance steps.

It helped, to be sure, that he had such splendid songs to sing. The numbers featured in those films are iconic, and the roster of songwriters responsible for them reads like a who’s who of American popular music. Cole Porter; Jerome Kern; Irving Berlin; George and ira Gershwin. They’re all magnificently represented here.

But you may be surprised to learn that these are not the performances heard in those films. These are full-on studio recordings, made by Astaire from 1932 through 1938, with the backing of some of the most accomplished orchestras of the day. In other words, Astaire took his singing seriously enough to record these songs as stand-alone performances.

And what sublime performances they are. We have our favorites among them, of course. To our ears, Astaire’s voice best fits the sort of sophisticated, understated love song that mixes genuine affection with just a touch of wistful regret.

That’s the devastating combination that makes “They Can’t Take That Away from Me” and “The Way You Look Tonight” so unforgettable. If these aren’t the definitive readings of these songs, they’re awfully close.

But singling out two of these songs is, ultimately, an arbitrary exercise; there are dozens of wonderful moments here. And hearing these songs with fresh ears, as this collection invites us to do, reveals a profound, unexpected truth.

Our modern sensibilities have been shaped by listening to an entire generation of singer-songwriters: artists whose imperfect voices are nevertheless capable of conveying nuanced emotion with directness and honesty. So for us, ironically, Astaire still sounds fresh, genuine and timeless; while some of his more technically proficient contemporaries – Rudy Vallee, anyone? – tend to sound dated and artificial. To put it another way: if you had never watched a Fred Astaire movie, never seen one of his dance routines, you would still be moved, charmed and entertained by these performances.

This set is nicely (if simply) packaged, with excellent liner notes by Michael Feinstein and a marvelous photo of Astaire at the piano, sitting next to George and Ira Gershwin. More importantly, the sound, for the most part, is excellent: clear, well-defined and warm. You won’t mistake this for a modern production job, but there’s little of the flat tinniness often associated with this kind of archival release.

This is a welcome celebration of Astaire the singer, and we give it an enthusiastic recommendation.

VintageVilleMag.com | 68

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Runway Roundup

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meet our...

WRITERS Lee Powell

I’ve been involved in the Rockabilly/Psychobilly scene since I was first introduced to the Cramps some 25 years or so ago and I was blown away by the distorted, primal rock n roll of their Smell of Female album. I was instantly smitten. In a time when rock ‘n roll was whitewashed chart-friendly fodder, it was like discovering gold.

I have a huge passion for all things ‘billy’ and Teddyboy, and I’m fortunate to live my life immersed in all of that, albeit with a contemporary twist (it’s not the 50’s anymore guys – can you really live without the luxuries of modern life?). I’m fortunate to share my world with my wife and two young daughters. My eldest who is six can proudly explain the difference between rockabilly and psychobilly and loves Imelda May and rockabilly compilations (she makes dad so proud!).

I adore 50’s styled suits, Teddyboy drapes, brogues and Creeper shoes and I have sourced a nice little collection of them all over the years. I spend way too much time on my quiff and looking at vinyl records, as well as trying to find that perfect pair of selvedge jeans and thinking about that next tattoo.

Blog:www.cleepowell.tumblr.com

MODELS Ki#y Cadillac

Greetings from Pin-Up Model Kitty Cadillac!

I am a vintage Pin-Up Model who has been modeling for over 5 years now. As a Pin-Up Model, I have always looked up to Bettie Page and Bunny Yeager. For the majority of my modeling career, I have been a rowdy red head, but I recently made the jump to being a blonde bombshell. Apart from constantly being asked if I'm Marilyn, I love being a blonde. We really do seem to have more fun!

My Pin-Up name comes from my love of cats (I currently have 6) and my dream car – a pink ‘57 Cadillac.

Along with being a vintage Pin-Up Model, I specialize in selling 1950's clothing in my Etsy shop. I focus on vintage showgirl costumes and beautiful dresses! I look forward to what the future has in store for me in the world of Pin-Up! XoXo, Kitty Cadillac www.facebook.com/PinUpModelKittyCadillac www.etsy.com/shop/NaughtyKittyVintage

Writer? Model? Photographer?

You could be exactly who VintageVille Magazine is looking for.

Check out www.VintageVilleMag.com for more information and submission guidelines.

VintageVilleMag.com | 70

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