About Languages English I Hindi I Telugu I Kannada
Phone +91 7842932433
E-Mail vissuvemula@gmail.com
Education Bachelors in Architecture
School of Planning and Architecture I Vijayawada 2019-Present
Intermediate
Sri Chaitanya Junior Kalasala I Hyderabad 2017-2019 A driven student leveraging studies in architecture and a keen observant of details in art and architecture. A zeal to learn and explore new things, she is an avid learner.
High School - CBSE
St. Peters Public School I Hyderabad 2016-2017
Experience Currently in third year in School Of Planning and Architecture, Vijayawada. The idea of visualizing her designs come alive and exist for years fascinated her to choose this path.
Graphic designing
Humans For Humanity (NGO) April 2020 I 1 month
Architectural Journalism
Rethinking The Future April 2020 - December 2020 I 15 weeks
https://www.re-thinkingthefuture.com/author/vismaivemula/
Interior Design Nail Art Studio
1 I Curriculum Vitae
Software Efficiency
Autodesk AutoCAD Sketch Up Revit
Competitions CAD and 3D Modelling
Lumion Vray for Sketch Up Enscape
Adobe Photoshop Adobe Illustrator Adobe Indesign Microsoft Office
Rendering
Presentation
2020
Annual NASA Design Trophy I Top 100 120 Hours I Participation
2021
The Habitat I Micronation Labyrinth I Archmello Tree House 2.0 I Volume zero
2022
Annual NASA Design Trophy I Top 24 Louis I Kahn Trophy I Top 5 G SEN Trophy
Skills Academic Works My Space Residential I Hyderabad Melkote Documentation I Temple
Post Office Public Design I Hyderabad Studio House Work + Personal I Himachal Pradesh
School Nursery + Primary I Amaravati
Interpretation Centre Culture + Context I Hyderabad
Mixed Used Building Hotel + Mall I Ranchi I (Ongoing)
Semester II
Semester III
Concept Development Hand Drafting Pencil Sketching Micron Rendering Documentation Research and Journalling Physical Model Making 3D visualization Speaking and Presentation
Workshops Attended Semester IV
Vertical Design Studio Narrative speculative design By School Of Planning and Architecture, Vijayawada
Semester V
Sustainable Design Green Architecture
By LEED Green Associate
Semester VI
Role of Art and Craft in Interior Architecture By Swayam
Curriculam Vitae I 2
MOI I Studio House
AIKYAM I Interpretation Centre
SHIKSHA SHALA I School
3 I Contents
CRIB OF
F STRAY I Animal Habitat
LOUIS I KAHN I Documentation
OTHER WORKS
SYMBIOPOLITAN I Gsen
Contents I 4
aikyam INTERPRETATION CENTRE I CULTURE + CONTEXT
5 I Interpretation Centre
Interpretation Centre I 6
LOCATION : Hyderabad The site is located in Hyderabad along the Necklace road or the PVNR Marg. It is just beside the Jalavihar, a water park. The site is amidst several other tourists places which ensures maximum footfall to the interpretation centre. The strongest point of the site is its view towards the Hussain Sagar lake that features the Buddha Statue and the growing skyline of the city. The design tries to capture the essence of the view in its potential The design tries to incorporate the context and culture of Hyderabad right from its Islamic history, the British occupancy and the current day scenario.
7 I Location
A cubical block along the length of the site
Vertical expansion the built form for better views
A corridor all along, connecting both blocks. Openness ensures better air flow
A void in between to ensure better ventilation
Open workshop spaces supported by columns to maintain ethinicity
The first floor is the main ciurculation area, with the view of market spaces below and city skyline
Form development I 8
Building Block:
The building block incorporates workshop spaces, museums, artisans workspaces keeping alive the culture and tradion of the city
Central Ramp:
The central ramp connects the two blocks and floors. The ramp accompanied with a central fountain ensures a gigantic entry.
Market Stalls:
The market stalls are placed in an indegineous style inspidred from the bazaars of Charminar. They also feature regular seating spaces
9 I Site Plan
Food Stalls:
Placed at the end of the site to provide refreshment after the whole visit and also a view of the lake
OAT:
The main attraction of the site, visible from everywhere. Placed with the lake drop, it features paintings of valor of the city painted by local artists
Seating:
Intermediate seating spaces facing the lake, a perfect hangout for evenings.
Site Plan I 10
Food stalls Open workshops
Lift lobby Auditorium Parking
Market stalls
p tral Ram
Cen
OAT
hops
Open works min
Office and ad
Entry
GROUND FLOOR PLAN
Past
Present
Future Aikyam is the amalgamation of past, present and future of the city, Hyderabad through the design. The main circulation spaces are concentrated on the first floor, since heights will the elevate the view from the site towards the lake, Hussain Sagar and the growing skyline. While the user learns about the past through the museums and workshops, he experiences the present in the market stalls and the present scenario through the skyline. The developement of the city brings changes in the skyline which represents the futuristic view present in the design. The design is a sincere effort to show the whole city in a nutshell and ensure learnings, fun and memories taken away from the interpretation centre.
11 I Plan
EXPLODED ISOMETRIC Isometric I12
SECTION AA’
SECTION BB’
13I Sections
Outdoor seating of restaurant
OAT with lake backdrop Views I 14
Restaurant
Office
15IViews
Artisan workspace
Open Workshops
Views I 16
17| Interpretation centre
Interpretation centre | 18
Shiksha Shala
SCHOOL DESIGN I NURSERY AND PRIMARY
19| School
School I 20
Shiksha shala is a nursery and primary school accomodating
classes of preprimary and 1-5 grades. The design has designated blocks for each activity connected by a central playground. It has spaces that bring the traditional style of outdoor learning. The site is present in Amaravathi, a hot and humid region, hence the design tries to focus on climate reponsiveness. The open and clustered form suits best to the given climate and is also mutually shaded. The pstchology of a child drives the design promoting practical and group learning along with various activities.
central playground around which the school is developed
the primary and preprimary blocks are seperately placed around it
stack effect works very effieciently in keeping the inside cool in a warm humid climate like Amaravati
semi open corridors allow more air into the classrooms, also connecting them more to the outdoors
21 | Concept
trees around the rooms maintain a cooler environment along with the large windows
Admin block and multipurpose halls in different blocks
clustered form with vegetation all around for mutual shading outdoor semi open spaces connected to classrooms to encourage outdoor learning
Primary Block:
Nursery Block:
It includes classrooms from 1-5 and outdoor classtooms for lower grades
It include 3 pre primary classrooms with apt furniatyrure nd dedicated outdoor classrooms
Outdoor Multipurpose:
Playground:
It can be used for various activities like yoga, as well as an outdoor classroom for higher grades
A central playground connecting both blocks
Multipurpose Hall:
Placed near the entry for easy access to parents and staff
Playarea:
Playarea for lower grades that is mutually shaded most times of the day.
Admin/ Office Block:
All the admin spaces are placed at the entry to allow easy access for parents and monitor entry to the classrooms
Outdoor Classroom:
Reviving old style and encourgaging pratical learning
SITE PLAN
SECTION
Site Plan I 22
EXPLODED VIEW
23 I Exploded View
Views I 24
WORKING DRAWINGS
WALL SECTION AND DETAILS
FOUNDATION ( Plan and Section)
25 I Working Drawings
ELECTRIC LAYOUT
PLUMBING LAYOUT
Working DrawingsI 26
MOI
STUDIO HOUSE I WORK + PERSONAL
27I Studio House
Studio House I 28
Moi, that translates to ‘me’ in french is a studio house designed for myself as an individual. Work, relaxation, entertainment and peace must function together for a harmounious living. The design attempts to give each aspect its own space. While they work together to contribute to the harmony, they are also secluded from each other to cater to a good work life balance. The design has spaces to follow all interests while enjoying the serene beauty of the outdoors with peace. Relax-
29 I Concept
Work Entertainment Peace
7700 6000
5000
1700
3000
8000
7000
Bedroom
Living room 1000
Entry
3500
Kitchen
5400
Workspace
3500
4500
FLOOR PLAN
*All measurements in mm
Plan I 30
View of the bedroom
Working room with seperate workspaces for different interrests 31I Views
ViewI 32
Crib Of S
ANIMAL HABITAT | SMALL SCALE
33IAnimal Habitat
Stray
Animal Habitat | 34
B
A
A’
B’
The Crib Of Stray provides stray animals shelter as well as a source of food. Each unit consists of shelter space and food depositor where organic waste , preferably leftovers can be dumped. The design allows every person to feed the stray, regardless of having leftovers. The units are designed to make use of the dead spaces like street setbacks and space below public bins as well. The units can be installed in low, high and intermediate human flux areas, depending on the area it is to be placed in, the desired number of units can be chosen in the desired configuration. The units can be scaled up or down depending on the concentration of the kind of a stray animal in that particular street. They are easy to construct and require minimal cleaning.Crib Of Stray gives a chance to every person, scared or not, of stray animals, but passionate towards, to do their bit for a better world for every creature.
PLAN
SECTION AA’
35 I Plan
SECTION BB’
CLEANING
Disposing plastic waste Storage visible to check if food is present Transfer to tray by pulling
To deposit food into the tray instantly
Animals have visual connection with storage Animals can pull it up themselves for food
Feeding directly
COMPONENTS
EXPLODED ISO
Exploded ViewI 36
Louis I Kahn Trophy
NASA I DOCUMENTATION
37 I Louis I Kahn
Louis I Kahn I 38
Darbagarh which is traditionally used as a combination of fortress - palace-temple, offers at its heart a walled courtyard that ensures the protection of the villagers in times of war, and serves as a gathering place for community life.
Created in the image of a traditional Darbargadh, the main block of the hotel overlooks the valley and provides a key location for gathering with the courtyard as its common center.
39 IPlan
GROUND FLOOR PLAN
LEGEND: 01. Entrance 02. Reception and Lobby 03. Bar & attached Lounge 04.Restaurant 05. Outdoor seating 06. Kitchen 07. Electrical Room 08. Elevators 09. Shaft 10. Washrooms 11. Boutique 12. Pre-function hall 13. Banquet 14. Banquet Storage 15. Courtyard
RECEPTION The rubble masonary at the back of the counter encompasses the traditional style of architecture
EAST ELEVATION
BAR The use of glass and wood with intricate carvings creates a perfect blend of contemporary elements in contextual architecture
WEST ELEVATION
OUTDOOR SEATING It is provided with a breath taking view of the adjacent mountaions and showing how architecture merges with its surroundings Elevations I 40
41 I Landscaping
SITE PLAN
Site Plan I 42
43I GSEN
SYMBIOPOLITON
NASA I GSEN
GSEN I 44
45 I Lake rejuvenation
Future I 46
47 I Open Grounds
Urban I 48
49 I Other Works
Other Works I 50
ARCHITECTURAL JOURNALISM An architectural review of Black Panther
One of the most overlooked parts of a movie is the setting and the architecture of the surroundings. Although the environment in which the film is filmed acts as a character, the audience is unaware of the hard work behind it. Cinematic designing has an impact on sci-fi movies like inception, black panther than any other genre. Black Panther is a 2018 film based on Blank panther from marvel comics that talks about Wakanda. The story revolves around prince T’challa, who becomes the heir to the throne after his father’s death. To the outside world, Wakanda is an agricultural nation but is the source of Vibranium, a strong metal on earth. What truly lies in the country and how T’challa leads his tribe into a new beginning after facing challenges is the movie.
51 I Architectural Journalism
Henning Larsen Reveals one of the Largest Contemporary Wood Structures in Denmark
Denmark will build one of the world’s largest contemporary wooden structures under the direction of the Danish architectural firm Henning Larsen. They have proposed the same plans citing it as Marmormolen. A vision of urbanization is characteristic of Henning Larsen’s architecture and landscape firm. Most of their designs are examples of an alluring play of light and shadow. They believe in creating an impact on society in the long run and shaping conditions for healthier human interactions. In the process of designing, creativity and experimentation are crucial elements.
ZEB Pilot House by Snøhetta: Tilted Facade
Kakatiya Rudreshwara – Master Craftsmanship
Snohetta is an architectural firm with talented architects, landscape interior, and graphic designers primarily based in Oslo, Norway, and has studios in several other countries. For this project, Snohetta teamed up with Scandinavia’s largest independent research body (SINTEF), zero-emission buildings, and Optimera to design the ZED multi-comfort home. ZEB pilot house is a one of its kind zero-emission building that does not consume energy, in turn, releases surplus energy enough to run an electric car throughout the year.
The Kakatiya Rudreshwara temple is one of the successful achievements of the Kakatiya dynasty in the field of architecture. Popularly known as the Ramappa temple, it is considered the only temple named after a sculptor. Ramappa was the prime sculptor of numerous intricately detailed sculpting. Warangal, which is home to the Kakatiya art, houses the temple. It was built under the command of Rudrasamani, the chief commander of King Kakatiya Ganapathi at Ranakunda in Atukuru, which is present-day Palampet village in Mulug Tughlaq, in Warangal, located in Telangana. It is now the 39th World Heritage Site.
Architectural Journalism | 52
SKETCHES
53 I Sketches
Sketches I 54
PAINTINGS
55 I Paintings
Paintings I 56
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